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Autumn 2011 Issue - University of Central Lancashire

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Excellence in Research and Knowledge Transfer at the <strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong><br />

<strong>Autumn</strong> <strong>2011</strong><br />

Breaking News<br />

Features<br />

Conferences<br />

>Book Launches


2<br />

Introduction<br />

Universities are constantly seeking new ways <strong>of</strong> being more proactive in<br />

the transfer <strong>of</strong> skills, research, knowledge and innovation into the wider<br />

economy. More now than ever they have to be more commercially<br />

focused, and have a greater understanding <strong>of</strong> the needs <strong>of</strong> industry.<br />

UCLan has understood this more than most, and as a university which indirectly<br />

contributes more than £300 million to the local economy it is not surprising that it<br />

frequently receives local and national recognition for its work in the areas <strong>of</strong> knowledge<br />

transfer and applied research.<br />

With the regional business support network changing, more and more businesses are<br />

seeing the benefits <strong>of</strong> tapping into the wealth <strong>of</strong> knowledge and expertise housed<br />

within a university, and UCLan is no exception. Building upon regional business support<br />

schemes UCLan has been facilitating partnerships between industry and the <strong>University</strong>,<br />

enabling them to perhaps work with UCLan for the first time, but more importantly to<br />

see how research, testing and consultancy support can help their organisation develop.<br />

Bede Mullen<br />

Director <strong>of</strong> Knowledge Transfer Service<br />

UCLan is regularly cited as an ‘Entrepreneurial <strong>University</strong>’ and is delighted to announce<br />

that for the second year running has been shorted-listed in the Entrepreneurial<br />

<strong>University</strong> <strong>of</strong> the Year category <strong>of</strong> the Times Higher Education Awards.<br />

Not only has UCLan been continuing to embed enterprise within the curriculum and<br />

help nurture the next generation <strong>of</strong> business leaders through supporting new student<br />

and graduate start-up businesses, it has also turned its attention to staff, and hosted<br />

one <strong>of</strong> the Enterprising Academic events. Former Dragons’ Den star Doug Richard<br />

teamed up with the National Council for Graduate Entrepreneurship to challenge<br />

lecturers, researchers, fellows, managers and research students to understand the<br />

business context and the potential business impact <strong>of</strong> their academic research. A series<br />

<strong>of</strong> boot-camps are taking place to help these academics work with industry in a more<br />

entrepreneurial way.<br />

Dr Robert Walsh<br />

<strong>University</strong> Director <strong>of</strong> Research<br />

For information on any <strong>of</strong> the articles, or to discuss how you can work with UCLan on<br />

research and/or industry collaborations please contact the BreakThrough team on 01772<br />

892735. We would be pleased to hear from you.


3<br />

Contents<br />

Breaking News 4<br />

Feature Articles<br />

> ‘Thin Black Line(s)’ - Tate Britain 6<br />

> Nursing Children at Home 9<br />

> Introducing the Institute for Nanotechnology<br />

and Bioengineering 12<br />

6<br />

> Unearthing UCLan’s Archaeology Research 14<br />

> Employability in practice:<br />

Tapping into the next generation <strong>of</strong> business leaders 17<br />

> Truly celebrating the region’s young talent 18<br />

12<br />

Funding, Awards and Recognition<br />

> Pr<strong>of</strong>essor Jaipaul Singh receives the <strong>University</strong>’s first DSc 20<br />

> Queen honours UCLan staff 21<br />

> UCLan once again shortlisted in the prestigious<br />

Times Higher Education Awards 22<br />

> Excellence in research development recognised 24<br />

14<br />

Conference Reviews<br />

> History <strong>of</strong> food and drink on research menu 25<br />

> Pr<strong>of</strong>essors in Pr<strong>of</strong>ile:<br />

Learning to Build or Building to Learn? 26<br />

> Sunbeam: 9th to 12th May <strong>2011</strong> 28<br />

> Graduate Research School –<br />

Inaugural Research Student Conference June <strong>2011</strong> 29<br />

18<br />

Book Launches 30<br />

Editorial team 35<br />

22


4<br />

Breaking News<br />

UCLan to support regional<br />

economic growth<br />

Hailed as a business-friendly university, UCLan<br />

is to receive £2.25 million per year from the<br />

Higher Education Innovation Fund (HEIF <strong>2011</strong>-<br />

15) over four years to help it deliver business<br />

support services into the region.<br />

The maximum given to any university in the<br />

UK from this funding stream is £2.85 million<br />

and UCLan has been awarded one <strong>of</strong> the<br />

biggest allocations.<br />

HEIF funding has been allocated after a review<br />

<strong>of</strong> the track record on each university’s work<br />

with businesses, public sector and not-forpr<strong>of</strong>it<br />

organisations.<br />

It has received an increase <strong>of</strong> 50 per cent from<br />

its previous allocation <strong>of</strong> £1.5 million and was<br />

awarded on the performance <strong>of</strong> businesses<br />

and organisations UCLan has helped.<br />

Bede Mullen, Director <strong>of</strong> UCLan’s Knowledge<br />

Transfer Service, said: “This is a fantastic result<br />

for the <strong>University</strong> and the Knowledge Transfer<br />

Service. Not only have we received the largest<br />

increase in funding but it places UCLan in the<br />

top quartile <strong>of</strong> universities in the UK for the<br />

work we do.<br />

This funding enables us to carry on our work<br />

in helping businesses grow or existing<br />

organisations improve their products or<br />

services through innovation.”<br />

The Higher Education Innovation Fund is<br />

designed to support and develop a broad<br />

range <strong>of</strong> knowledge transfer activities which<br />

result in economic and social benefit to the UK.<br />

It provides incentives for higher education<br />

institutions to work with business, public<br />

sector bodies and third sector organisations,<br />

and to support staff and student<br />

entrepreneurship.<br />

UCLan welcomes Secretary <strong>of</strong><br />

State for Business<br />

In a drive to promote manufacturing in the<br />

North West, the Secretary <strong>of</strong> State for<br />

Business, Rt Hon Dr Vince Cable MP, visited<br />

UCLan’s Advanced Digital Manufacturing<br />

Centre in June.<br />

The tour formed part <strong>of</strong> a visit to Burnley<br />

College where Dr Cable opened the UK<br />

Manufacturing Dialogue: North West<br />

Summit, hosted by local MP Gordon<br />

Birtwistle, part <strong>of</strong> a programme <strong>of</strong> events<br />

seeking to highlight the value <strong>of</strong> the sector<br />

as a major part <strong>of</strong> the UK economy.<br />

Dr Cable viewed Advanced Digital<br />

Manufacturing facilities in which UCLan has<br />

invested over £500,000 with further support<br />

from leading private sector companies.<br />

UCLan’s Phil Tranter from the School <strong>of</strong><br />

Computing, Engineering and Physical<br />

Sciences explained to Dr Cable that the<br />

focus <strong>of</strong> the facility is on the collection,<br />

processing and use <strong>of</strong> data within<br />

manufacturing environments. “The lab is<br />

able to demonstrate technology that is<br />

already being used in other industries that<br />

are not currently being well utilised within<br />

manufacturing,” he explained.<br />

The Advanced Digital Manufacturing Centre,<br />

is now fully operational and being used<br />

extensively by final year degree students in<br />

Manufacturing as well as one PhD student.<br />

Strong link with BAE Systems underpins the<br />

development and a link with Cisco Systems<br />

has enabled UCLan to incorporate the latest<br />

communications technology into the centre.<br />

Finalist in national award for outstanding<br />

knowledge transfer<br />

UCLan has once again been recognised for<br />

its outstanding knowledge transfer aptitude<br />

after being shortlisted as a finalist in the<br />

<strong>2011</strong> Times Higher Education Leadership<br />

and Management Award.<br />

UCLan has been praised in the Knowledge<br />

Exchange / Transfer Initiative <strong>of</strong> the Year<br />

category. The outstanding project that was<br />

identified was in the healthcare sector. The<br />

School <strong>of</strong> Health at UCLan has worked on<br />

six Knowledge Transfer Partnerships (KTPs)<br />

designed to share knowledge and expertise<br />

between the <strong>University</strong> and the NHS. This<br />

project has helped improve processes within<br />

the NHS North <strong>Lancashire</strong> and NHS<br />

Blackpool helping the trusts save over<br />

£2.9 million in the past three years.<br />

Dr. Andrew Kenney, Knowledge Transfer<br />

Partnership Adviser for <strong>Lancashire</strong><br />

commented, "I am delighted that UCLan's<br />

School <strong>of</strong> Health has received this<br />

recognition for its outstanding Knowledge<br />

Transfer performance. These Knowledge<br />

Transfer Partnership programs have been<br />

part funded by the Technology Strategy<br />

Board, the Economic and Social Research<br />

Council and others and have made a<br />

significant and tangible improvement to the<br />

NHS in the North West region. It has been a<br />

pleasure to work with such a talented and<br />

committed team.”<br />

This isn’t the first time UCLan has been<br />

recognised in this category with the <strong>University</strong><br />

picking up this award in 2010 as part <strong>of</strong> a<br />

project working alongside Northumbria<br />

<strong>University</strong>, Manchester Metropolitan<br />

<strong>University</strong> and The <strong>University</strong> <strong>of</strong> Salford.


5<br />

National enterprise tour hosted by UCLan<br />

As one <strong>of</strong> the top ten incubators in the UK,<br />

The National Consortium <strong>of</strong> <strong>University</strong><br />

Entrepreneurs (NACUE) hosted one <strong>of</strong> its<br />

research tour sessions at UCLan. The UK-wide<br />

consultation, which is the largest ever <strong>of</strong> its<br />

kind is supported by Lloyds Banking Group<br />

and the event at UCLan brought together<br />

more than 30 regional key stakeholders.<br />

Delivered in UCLan’s creative facilitation<br />

facility, Sandbox, the session explored how<br />

local communities can develop a coherent<br />

student-centred enterprise and how<br />

universities and the local business community<br />

can best collaborate to achieve these goals.<br />

UCLan was chosen because <strong>of</strong> its work in<br />

entrepreneurial support, which has helped<br />

160 student businesses start-up in the past<br />

year, far higher than the national university<br />

average <strong>of</strong> 28. Many <strong>of</strong> these businesses are<br />

housed at the <strong>University</strong>’s business<br />

incubators at the Preston, Burnley and<br />

Westlakes campuses, which <strong>of</strong>fer young<br />

entrepreneurs mentoring, advice clinics and<br />

networking opportunities.<br />

Leigh Taylor, Area Director for Lloyds TSB<br />

Commercial in the North West, said:<br />

“Helping more businesses to start up and<br />

grow is fundamental to the UK’s continuing<br />

economic recovery. Key to that is<br />

understanding the needs <strong>of</strong> entrepreneurs<br />

and the support they require.<br />

"It is hoped that this project will lead to the<br />

improvement <strong>of</strong> enterprise-focused<br />

education and support at universities to<br />

match budding entrepreneurs’ needs and<br />

that as a result more will progress with their<br />

new business idea and turn it into a reality.”<br />

Findings from this event will be presented at<br />

a major economic policy conference in<br />

London later in <strong>2011</strong>.<br />

Knowledge Transfer Partnerships at UCLan<br />

Knowledge Transfer Partnerships (KTP) is a<br />

UK-wide programme enabling businesses to<br />

improve competitiveness, productivity and<br />

performance. Forming a partnership<br />

between a business and an academic<br />

institution (such as UCLan) enables a<br />

business to access skills and expertise to help<br />

them develop. Typically lasting for between<br />

one and three years the KTP project should<br />

be <strong>of</strong> shorter-term tactical or longer–term<br />

strategic importance to the business; require<br />

expertise from the partner university; and<br />

have demonstratable impact.<br />

Part-funded by a Government grant, a small<br />

to medium-sized enterprise (SME) would be<br />

expected to contribute about a third <strong>of</strong> the<br />

costs involved in the KTP project.<br />

UCLan has been successful in winning a<br />

number <strong>of</strong> KTP projects supporting a range<br />

<strong>of</strong> industries including the health sector,<br />

construction and manufacturing. A recently<br />

approved project is with Autism West<br />

Midlands. Due to UCLan’s expertise and<br />

commercial knowledge in the health sector<br />

this two-year KTP led by Dr. Christina Lyons<br />

in the School <strong>of</strong> Health will develop a<br />

comprehensive communication programme<br />

toolkit for adults with Autism Spectrum<br />

Disorder (ASD) focussing on improving<br />

service delivery and assisting the organisation<br />

to become a market leader.<br />

Academics Alastair Roy and Jez Buffin from<br />

the School <strong>of</strong> Social Work will lead on a<br />

recently approved three-year KTP with the<br />

charity, Crime Reduction Initiatives. The KTP<br />

project will design, develop, implement and<br />

embed a whole system recovery model <strong>of</strong><br />

substance misuse treatment. The project will<br />

also include commissioning and<br />

implementing a realistic evaluation<br />

framework and monitoring system.<br />

Cancer research and teaching at UCLan<br />

A new collaborative research group has<br />

launched at UCLan that is dedicated to<br />

raising awareness and positively affecting the<br />

lives <strong>of</strong> cancer patients through informed<br />

research and teaching.<br />

Pulling together expertise across a number<br />

<strong>of</strong> disciplines the research and teaching<br />

group hopes to illuminate the innovative,<br />

internationally excellent research work being<br />

undertaken at the <strong>University</strong> and the<br />

potential impact this work will have on<br />

patient care and cancer services. By<br />

developing opportunities for collaborative<br />

work between academics, colleagues in the<br />

health care industry and service users, the<br />

group aims to transfer vital knowledge from<br />

the research laboratories to the treatment<br />

facilities in order to benefit patients.<br />

The Cancer research and teaching group<br />

was successfully launched at a conference<br />

held at the <strong>University</strong>, more than 140 key<br />

stakeholders were in attendance, including<br />

NHS pr<strong>of</strong>essionals, cancer service users and<br />

students. Keynote speakers included Kathy<br />

Elliott from the National Cancer Action Team<br />

who highlighted the Department <strong>of</strong> Health’s<br />

main priority to save 5,000 lives from cancer<br />

through promoting cancer awareness and<br />

early detection – which exactly pinpoints the<br />

aspirations <strong>of</strong> the group. The event was<br />

followed with a poster session highlighting<br />

the range <strong>of</strong> high quality research<br />

undertaken by students across the <strong>University</strong>.<br />

Mark Hendrick MP attended the event and<br />

commented; “Thanks to outstanding<br />

research facilities like the one here at UCLan<br />

we are able to improve diagnosis, develop<br />

better treatments, provide effective<br />

screening programmes and increase survival<br />

rates amongst cancer sufferers.”


6 Feature Articles<br />

‘Thin Black Line(s)’ - Tate Britain<br />

An Interview with Lubaina Himid<br />

School <strong>of</strong> Art, Design & Performance<br />

Pr<strong>of</strong>essor Mike Holmes, Head <strong>of</strong> the<br />

Graduate Research School, and Alison<br />

Naylor went to meet with Lubaina Himid to<br />

talk about the forthcoming Tate Britain<br />

exposition – ‘Thin Black Line(s)’.<br />

Mike joined Lubaina in the Centre for<br />

Contemporary Art at 37 St Peters Street,<br />

and began with a key question –<br />

What is it that you do?<br />

What I do is two things, my raison d’être is<br />

to get the cultural contribution <strong>of</strong> people <strong>of</strong><br />

the African diaspora recognised. First, I am<br />

most recognised as a curator. In the early<br />

1980s I curated a number <strong>of</strong> ground<br />

breaking exhibitions in London at quite<br />

prestigious, but still alternative, galleries that<br />

highlighted the fact that there were black<br />

women making art. It sounds ludicrous now<br />

but in the early 1980s nobody<br />

acknowledged that fact. I make exhibitions<br />

<strong>of</strong> art works at whose centre is the premise<br />

that people from the African diaspora have<br />

made a significant contribution to the<br />

cultural landscape. In this way I reveal their<br />

hidden histories.<br />

Second, is the work I create myself. My early<br />

work is about Toussaint Louverture, who led<br />

a slave rebellion in Haiti in the 1790s; and<br />

about Yaa Asantewaa who led a rebellion in<br />

Ghana. I make portrait cut-outs or a series <strong>of</strong><br />

paintings about particular people that very<br />

few people are writing about. I am not a<br />

historian, but I try to make hidden lives real<br />

by imaging them and by making art works<br />

that can accompany historical accounts.<br />

One <strong>of</strong> my biggest and most well-known<br />

pieces <strong>of</strong> work is called ‘Naming the<br />

Money’, which is a series <strong>of</strong> 100 life-sized<br />

wood cut-out, painted figures. Each figure<br />

was an imaginary slave servant and each<br />

had a poem or series <strong>of</strong> texts that went with<br />

it. These were displayed in large galleries;<br />

Hatton in Newcastle; the V&A in London<br />

and even here at the Harris. You were able<br />

to walk amongst these figures and read<br />

about their lives as real people rather than<br />

slaves, not numbers, not victims but as<br />

contributors to European cultural activity.<br />

So that is what I do.<br />

The current project for the Tate is a<br />

celebration; a marking <strong>of</strong> and a relook at the<br />

exhibition I curated in the 1980s. The Tate<br />

wanted to revisit those exhibitions, find out<br />

how they came together, how they<br />

happened, look at the massive amount <strong>of</strong><br />

archive material that I have on those shows<br />

and on those artists that were in those<br />

shows, look again at some <strong>of</strong> the work, and<br />

look at the issues that we didn’t talk about at<br />

the time. For example we didn’t talk about<br />

ourselves as artists although we talked about<br />

ourselves as political activists. I think lots <strong>of</strong> us<br />

who continued to be artists missed out on<br />

some aspects because we aligned ourselves<br />

with that political activism. However we were<br />

activists and we managed to change a lot <strong>of</strong><br />

things. Now there are a lot <strong>of</strong> younger black<br />

artists who want to know about where we<br />

made this work, and the practicalities <strong>of</strong> our<br />

art work. We are revisiting this, its political<br />

intent and what we achieved in the last 25<br />

years since the exhibition.<br />

The political aspect is important in your<br />

work and in the work <strong>of</strong> other black<br />

artists who appeared in the exhibitions<br />

you curated?<br />

Certainly my work as an artist has always<br />

had a political motivation. It is fairly gently<br />

objectified and I was never in the ‘vanguard’<br />

movement <strong>of</strong> black art, where Eddie<br />

Chambers or Keith Piper were storming the<br />

citadel <strong>of</strong> the British art world; I am a much<br />

more negotiating person. I placed myself<br />

within artists’ communities, academia and<br />

the museum world so as to broker


Feature Articles<br />

7<br />

conversations between these worlds. In the<br />

past 20 years I have formed alliances with art<br />

historians who would write about this work<br />

in a much more useful way than journalists.<br />

I have encouraged curators <strong>of</strong> museums to<br />

buy the work <strong>of</strong> the artists <strong>of</strong> the black<br />

diaspora, making their work part <strong>of</strong> history.<br />

I have had to encourage the artists to make<br />

their work and to engage the art world in<br />

discourses. So I see myself as a broker<br />

between several worlds.<br />

What do you mean by “revealing<br />

histories”?<br />

I suppose what I am most interested in is<br />

where the people <strong>of</strong> the African diaspora<br />

who left the continent in the 1600/1700s,<br />

have made an impact <strong>of</strong> some kind through<br />

their music or visual arts, or just generally.<br />

I am interested in an artist who is interested<br />

in the history <strong>of</strong> where they have come from<br />

or where their families were taken from.<br />

I am from East Africa, from Tanzania, from<br />

Zanzibar. One <strong>of</strong> the things I have myself<br />

been doing in last five years is getting people<br />

to understand that there at least 52<br />

countries in the African continent. To have<br />

knowledge <strong>of</strong> any one <strong>of</strong> the creative<br />

histories <strong>of</strong> those countries is a challenge.<br />

That history <strong>of</strong> creativity has then influenced<br />

generations <strong>of</strong> artists who have moved<br />

across Europe and the Americas. It is the<br />

influences in which I am interested, traced<br />

backwards and forwards, that are exchanged<br />

with colonialist and with the host countries<br />

which then enriches them: how buildings<br />

change, colours are introduced, and ways <strong>of</strong><br />

singing evolve.<br />

When you talk about art you are talking<br />

about art in the most general sense it is<br />

not just painting or sculpture or an<br />

installation but it may well extend into<br />

the literature and singing, music?<br />

Now British Contemporary Art is all <strong>of</strong> those<br />

things on the one hand and on the other<br />

hand I have come across very few African<br />

American artists or Black British artists who<br />

simply call themselves painters. We do have<br />

this sense that there are many creativities<br />

and have no worries about having poetic<br />

texts alongside our paintings or<br />

acknowledging the influence <strong>of</strong> music on<br />

installation. My expertise is visual art but<br />

visual art now in both the contemporary art<br />

context in Britain and in terms <strong>of</strong> what art <strong>of</strong><br />

the African diaspora crosses and<br />

interconnects the whole time.<br />

Do you think that art from the African<br />

diaspora has significantly changed the<br />

direction <strong>of</strong> contemporary art, so that it<br />

has expanded beyond what it might<br />

have been?<br />

What we did in the 1980s, which wasn’t<br />

being done was to show our work wherever<br />

we could in what would nowadays be called<br />

‘pop-up’ galleries or we intervened in places<br />

and spaces that were not set out for<br />

showing art. We changed the arts<br />

engagement with audience. We were much<br />

more interested in audiences than we were<br />

in curators or the contemporary art cannon.<br />

We had shows in community centres or halls<br />

because we wanted to communicate<br />

directly. At that time we were not interested<br />

in the most prestigious places we wanted to<br />

speak directly to our own communities,<br />

relatives, and friends. At the same time<br />

people were protesting in the streets <strong>of</strong><br />

Brixton and all over the country. It was seen<br />

to be something that needed to be<br />

contained or engaged with, and so certain<br />

groups <strong>of</strong> cultural and creative people at the<br />

Greater London Arts Festival and at various<br />

places up and down the country started to<br />

engage with those artists. They said we are<br />

interested in what you are saying and we


8 Feature Articles<br />

like the quality <strong>of</strong> what you are making and<br />

invited us to be part <strong>of</strong> their programmes.<br />

So that it is how it came about.<br />

The exhibitions that you curated in the<br />

1980s were about women artists – was<br />

that an area that was being ignored at<br />

the time, whereas perhaps male artists<br />

were being recognised more?<br />

No not really. Artists have a hard time any<br />

way getting shown anywhere. What was<br />

happening was that there was a very<br />

energetic movement led by Eddie Chambers<br />

and Keith Piper in the Midlands and latterly<br />

in London which was incredibly aggressive.<br />

It was visually overwhelming, textually<br />

challenging and by its very nature, alienated<br />

its audience. I felt that there were women<br />

artists that encouraged dialogue. Along with<br />

most white women artists, at the time they<br />

were finding it hard to get into ‘the gallery’,<br />

and finding it hard to set up a<br />

communication. I have learned in the last 30<br />

years just how challenging being an artist is,<br />

whoever you are, however privileged you<br />

are. We live in an age where the press is still<br />

ambivalent towards art and academia.<br />

Artists don’t do themselves any favours<br />

either. To be taken seriously is challenging<br />

and to get that balance between creativity<br />

and politics also has been challenging.<br />

Do you think it has changed in the 30<br />

years; is it easier now and do you think<br />

that the political message has evolved or<br />

is it still the same?<br />

I think that it has evolved incredibly. If you<br />

think <strong>of</strong> artists like Chris Ofili and Steve<br />

McQueen, both <strong>of</strong> whom have represented<br />

Britain in Venice Biennale, both <strong>of</strong> whom<br />

have won the Turner prize. There are now a<br />

few hundred works in the Tate collection by<br />

artists <strong>of</strong> the Black and Indian diaspora that<br />

were not there in the 1980s. That steady<br />

‘drip, drip’ that myself and colleagues have<br />

been doing has worked. Yinka Shonibare,<br />

myself and Sonia Boyce have MBE’s. Yinka<br />

Shonibare has shown his sculpture as one <strong>of</strong><br />

the fourth plinths in Trafalgar Square. I think<br />

things have changed massively and I like to<br />

think that I was part <strong>of</strong> that. But it took a lot<br />

<strong>of</strong> work in all sorts <strong>of</strong> ways. It need that<br />

aggressive in your face work. It needed some<br />

serious writing. It needed academics like<br />

Griselda Pollock or, indeed Alan Rice from<br />

here, to write about the work within<br />

different contexts. It needed historians, and<br />

writers to be including that work in their<br />

discussions and it needed the most<br />

influential curators to allow certain <strong>of</strong> these<br />

things to happen. A whole lot <strong>of</strong> activity had<br />

to go on at the same time and we<br />

acknowledge and recognise it all.<br />

Do you think that perhaps we are at a<br />

stage where the art coming from the<br />

black diaspora has been absorbed and<br />

has influenced British art and European<br />

art and that perhaps now black artists<br />

are broadening their view <strong>of</strong> the<br />

messages that they want to make<br />

through their work?<br />

I think that is absolutely right and, that is<br />

what has happened, I think it’s the right<br />

thing to have happened. That is the point.<br />

We did not want to be separate, we wanted<br />

to belong – we do belong, politically, paying<br />

<strong>of</strong> taxes, growth <strong>of</strong> the country we belong.<br />

It was very much about belonging. I think it<br />

is to be applauded; all <strong>of</strong> those artists have<br />

influenced contemporary art in Europe and<br />

America. However it is still not that easy for<br />

artists coming through. In the 1980s you<br />

could say we are not represented anywhere.<br />

Now there is recognition and young black<br />

artists are on a level playing field but how do<br />

they gain recognition? So I still feel that it is<br />

important to recognise the cultural<br />

contribution that black artists are making.<br />

But being a contemporary artist is still about<br />

breaking rules, about failing, and about<br />

taking risks.<br />

Can I turn now to the exhibition at the<br />

Tate – when does that open?<br />

It opened at the end August and runs until<br />

the middle <strong>of</strong> February 2012, in one <strong>of</strong> the<br />

larger spaces in Tate Britain. It will be a series<br />

I am not a historian, but I try to make<br />

hidden lives real by imaging them and<br />

by making art works that can<br />

>accompany historical accounts.<br />

<strong>of</strong> cases with archive material, some moving<br />

image work on monitors, some <strong>of</strong> the work<br />

that originally appeared in the shows, quite a<br />

lot <strong>of</strong> text, some <strong>of</strong> the things that were said<br />

or the artists said at the time. We are trying<br />

to make it interesting to the scholars <strong>of</strong> that<br />

period and also engage a younger audience<br />

in terms <strong>of</strong> the art as well as being history.<br />

We are also trying to give an idea <strong>of</strong> how<br />

much influence some <strong>of</strong> those women artists<br />

have had on the British art scheme, and on<br />

creative practice at an audience and<br />

community level<br />

Will it look at some <strong>of</strong> those women<br />

artists who exhibited back in 1980s will it<br />

look at the evolution <strong>of</strong> their work and<br />

how far it has come since that time?<br />

Yes for those people that are still making<br />

work now, some <strong>of</strong> it is in the collection at<br />

Tate, some will be shown on monitors and in<br />

reproductions. For me it is the about the<br />

spread <strong>of</strong> that influence. For the artists<br />

themselves, I would predict that it is much<br />

more about ‘I am still making art, yes I have<br />

come this far, my work has developed in this<br />

way, it isn’t like it was then’. For the Tate I<br />

suspect their emphasis with this exhibition is<br />

very much archive and research. I think there<br />

will be enough <strong>of</strong> the living moving strands<br />

to not make it look something that happen<br />

in the 1980s and then just died and we all<br />

went away.<br />

What you must be doing now is the<br />

curating, gathering together the<br />

material and thinking about how it is<br />

exhibited?<br />

Yes that is incredibly demanding, whether to<br />

show the work as mini exhibitions <strong>of</strong> each<br />

artist or to show it as how artists<br />

interconnect. I am much more interested in<br />

the latter. The curation at the moment is<br />

centred on how to make interesting and<br />

obvious this interconnectivity without<br />

making the most enormous show.<br />

What is after the Tate?<br />

It is hard to know really because every day<br />

different things happen. In the process <strong>of</strong><br />

doing this work with Tate, I have also wanted<br />

to make contact with every collection in the<br />

country that has this type <strong>of</strong> work. Also I<br />

have again made contact with curators I<br />

have worked with before and I am still<br />

working quite a lot with Liverpool and<br />

talking to art historians.


Feature Articles<br />

9<br />

Nursing Children at Home<br />

An Interview with Bernie Carter<br />

School <strong>of</strong> Health<br />

Pr<strong>of</strong>essor Mike Holmes, Head <strong>of</strong> the<br />

Graduate Research School, and Alison<br />

Naylor went to meet with Pr<strong>of</strong>essor Bernie<br />

Carter, following the recent publication <strong>of</strong><br />

Department <strong>of</strong> Health Report ‘NHS at Home:<br />

Community Children’s Nursing Services’.<br />

Mike joined Bernie in her <strong>of</strong>fice in Brook<br />

Building, and began with a key question<br />

– What is your research about?<br />

Broadly my research is to do with children<br />

and their experiences <strong>of</strong> being ill and in pain.<br />

This involves me researching with (not on)<br />

them, their siblings and their families.<br />

Children’s nursing is family orientated so that<br />

means we always think <strong>of</strong> the child in the<br />

context <strong>of</strong> their family. In the last couple <strong>of</strong><br />

years, most <strong>of</strong> my work has been with<br />

children who have complex healthcare needs<br />

such as cancer, congenital disorders and / or<br />

disabilities. All <strong>of</strong> my work is trying to find<br />

out about their experiences <strong>of</strong> sickness,<br />

disability, treatment and interventions.<br />

I’m also interested in how healthcare<br />

pr<strong>of</strong>essionals treat them, the changes that<br />

illness brings to their family and friends<br />

them, and the ways in which they can<br />

become either marginalised by or integrated<br />

into society.<br />

My research with children is mainly<br />

qualitative and I use an arts/activities and<br />

story based approach which is quite<br />

innovative. I use the stories the children tell<br />

me to gain insights into their worlds. I want<br />

to understand their perceptions <strong>of</strong><br />

healthcare pr<strong>of</strong>essionals. I want to improve<br />

services and the way we communicate with<br />

the children about their illness and how we<br />

can support them. A lot <strong>of</strong> the children that<br />

children’s nurses care for in <strong>2011</strong> would<br />

never have previously survived beyond the<br />

neonatal period or early childhood. Although<br />

many more children survive, many have high<br />

levels <strong>of</strong> morbidity. Survival is now possible<br />

due to new medications and new<br />

technology which also improves the quality<br />

<strong>of</strong> survival. For example, back in the late<br />

1970s when I trained as a nurse, a life<br />

support machine (ventilator) used to be the<br />

equivalent size <strong>of</strong> a couple <strong>of</strong> filing cabinets<br />

(and sound like a twin tub washing


10 Feature Articles<br />

machine). Advances in technology now<br />

means a ventilator can be strapped to back<br />

<strong>of</strong> a baby stroller and the child and family is<br />

much more mobile. Children who, in the<br />

past, would have been nursed in hospital for<br />

years can now be cared for at home. That’s<br />

a fantastic advance, as it means children are<br />

not growing up in hospital. The place <strong>of</strong> care<br />

has been shifted into the family home which<br />

has many advantages for the children but<br />

research needs to be undertaken to ensure<br />

that we are not just sweeping chronically<br />

sick and highly dependent children just out<br />

<strong>of</strong> sight into homes. We need to know the<br />

impact <strong>of</strong> caring for children at home on<br />

their families. Much <strong>of</strong> the research I do<br />

focuses on the notion <strong>of</strong> care being ‘Better<br />

at Home’.<br />

Sometimes people think that working with<br />

children who are receiving palliative care, or<br />

have life-limiting illnesses or pr<strong>of</strong>ound<br />

disability would be sad and gloomy and<br />

sometimes it is. However, it is actually some<br />

<strong>of</strong> the most interesting and stimulating work<br />

that you could do because the children and<br />

their families are brilliant. For example, the<br />

image <strong>of</strong> a child on life support machine<br />

conjures up an image <strong>of</strong> a very sick child<br />

who requires the researcher to be very<br />

gentle. In reality interviews can be different<br />

with the child on the ventilator adding to the<br />

challenge <strong>of</strong> undertaking the interview by<br />

throwing paper aeroplanes around the<br />

room. Children, regardless <strong>of</strong> whether or not<br />

they are ill, can be mischievous. Undertaking<br />

workshops with children is really fulfilling<br />

and I need my wits about me. Whoever said<br />

children were vulnerable hasn’t met some <strong>of</strong><br />

the children I have interviewed!<br />

I see you have an NHS report – is this<br />

something you have been involved<br />

with producing?<br />

Yes, in 2009 a colleague <strong>of</strong> mine at the<br />

<strong>University</strong> <strong>of</strong> West <strong>of</strong> England and I, were<br />

commissioned by the Department <strong>of</strong> Health<br />

to examine Community Children’s Nursing<br />

Service provision in England. We ran a series<br />

<strong>of</strong> arts-based research workshops with<br />

children, families and pr<strong>of</strong>essionals in Spring<br />

and <strong>Autumn</strong> 2009. The “NHS at Home”<br />

Community Children’s Nursing Services<br />

report, based on our research, was finally<br />

published in March <strong>2011</strong> and launched at the<br />

Royal College <strong>of</strong> Nursing on 26th April <strong>2011</strong>.<br />

This report is really significant for families as<br />

the government has recognised that if<br />

children are to be nursed at home then<br />

community children’s nurses are the absolute<br />

front line troops to provide and co-ordinate<br />

that care. So it feels like quite a victory to<br />

have the need for skilled support and care by<br />

children’s nurses recognised as well as the<br />

contribution <strong>of</strong> unqualified carers.<br />

Community Children’s Nurses do a mix <strong>of</strong><br />

hands on care in the home as well as<br />

providing education to the child and family<br />

about how to manage the child’s care. They<br />

also train and manage the unqualified carers<br />

who go into the home to provide some<br />

aspects <strong>of</strong> ongoing care.<br />

So you would have carers who knew<br />

about the things like the ventilators or<br />

other equipment that the children<br />

rely upon?<br />

Yes, at the moment unqualified carers are<br />

trained specifically to meet the needs <strong>of</strong><br />

individual children which means that their<br />

skill set matches that child. If the child<br />

deteriorated or they developed another<br />

symptom or disease then they would need<br />

additional specific training.<br />

Do the parents have a certain element <strong>of</strong><br />

training to support the children?<br />

Yes, all parents are trained to meet their<br />

child’s care needs including complicated<br />

drug regimes or managing their child’s<br />

ventilation. For children requiring long term<br />

ventilation this will include how to manage<br />

the machine, how to ‘bag the child’ so as to<br />

maintain mechanical respiratory support if<br />

the ventilator stops.<br />

Is it the case that almost every child is<br />

different in terms <strong>of</strong> needs and support?<br />

Yes, partly because any child’s reaction to<br />

either trauma or illness or injury, or birth<br />

defect is slightly different but also their<br />

families are different and so what might be<br />

possible in one family becomes more<br />

challenging within a different family.<br />

As children grow up their response to their<br />

condition or illness can vary. Some families<br />

find it fairly easy to manage their child’s<br />

severe epilepsy when their child is small,<br />

because they can hold them gently whilst they<br />

are having a ‘fit’. For a bigger child it becomes<br />

more difficult to make them safe. Every child<br />

and every family is different and they need<br />

tailored support from children’s nurses.<br />

The transition from childhood into<br />

adulthood - is that <strong>of</strong>ten a difficult<br />

transition?<br />

It is <strong>of</strong>ten huge as adult services are so<br />

different to children’s services. Illnesses that<br />

are relatively common are relatively easy to<br />

manage (e.g. children’s diabetes or<br />

children’s asthma) but even then transition<br />

can be challenging. Children will have<br />

grown up with the same pr<strong>of</strong>essionals in a<br />

setting they know well and understand.<br />

Psychologically and in many other ways<br />

transition can be huge. It’s one <strong>of</strong> the areas<br />

that I and other colleagues have been<br />

working on for a long time and it’s still not<br />

perfect. The most effective transitions are<br />

ones where there is careful preparation and<br />

when the child and their family have the<br />

opportunity to take time to become<br />

><br />

Children who, in the past, would have been nursed<br />

in hospital for years can now be cared for at home.<br />

That’s a fantastic advance, as it means children are<br />

not growing up in hospital.


Feature Articles<br />

11<br />

accustomed to the new setting and systems.<br />

It works best where you have joint transition<br />

clinics with adult physicians and nurses<br />

working with children’s nurses,<br />

paediatricians and so on.<br />

One <strong>of</strong> the themes <strong>of</strong> this issue <strong>of</strong><br />

Breakthrough is on ‘community’ and I<br />

wondered whether these children<br />

themselves had a community?<br />

My hope for the children is that they will be<br />

able to be integrated into their home<br />

community, by which I mean their home,<br />

their school and to join in as many activities<br />

as possible with their friends. Sometimes<br />

integrating the family back into their<br />

community when they have spent a lot <strong>of</strong><br />

time in hospital can be pretty difficult. If the<br />

parents are spending a lot <strong>of</strong> time at home<br />

caring for their child, the parents can miss<br />

out on the normal things that parents do –<br />

even simple things like going and doing<br />

shopping can be really tricky. There are some<br />

voluntary organisations that work with<br />

families. I am working with the Rainbow<br />

Trust at the moment, and the Family Support<br />

Workers they provide spend time playing<br />

with the children and providing transport<br />

and other support so the family can engage<br />

in “normal” activities.<br />

Can you tell me about your work in<br />

Australia and your recent visit?<br />

I have links with a Nursing Practice<br />

Development Unit at the <strong>University</strong> <strong>of</strong><br />

Tasmania, where they have invited me to be<br />

a Visiting Clinical Pr<strong>of</strong>essor. Out in New<br />

Zealand, I work with the Children’s Research<br />

Centre, Auckland. The plan is to create links<br />

between these centres as we have similar<br />

research interests, and to do some global<br />

collaborative, comparative research focusing<br />

on children with complex needs and the way<br />

care is provided at home. I would like to do<br />

some work with colleagues in Scandinavia<br />

and maybe America as well.<br />

You also work with Alder Hey Hospital?<br />

Yes, and saying that I work at Alder Hey<br />

makes me smile. Alder Hey is now half <strong>of</strong><br />

my life. I am seconded over there for 2.5<br />

days per week to develop the research<br />

capacity and capability <strong>of</strong> research children’s<br />

nurses. I am Director <strong>of</strong> the Children’s<br />

Nursing Research Unit based at Alder Hey;<br />

it is the only one <strong>of</strong> its kind in UK. We are<br />

focusing on developing skills on both predoctoral<br />

and post-doctoral nurses with the<br />

intention <strong>of</strong> developing nursing inspired<br />

research that improves the lives <strong>of</strong> children<br />

and families.<br />

It must be very rewarding on the one<br />

hand but sometimes it must be quite<br />

distressing to see some <strong>of</strong> the cases and<br />

the situations?<br />

My clinical background was children’s<br />

intensive care so I’ve seen a lot <strong>of</strong> difficult<br />

things but I’ve never got used to it. However<br />

tough it is for me it’s tougher for the children<br />

and their families. If I ever got to the point<br />

where things didn’t hurt me I would know<br />

that it was time to stop. In terms <strong>of</strong> being a<br />

researcher the thing I find most difficult (and<br />

rewarding) is listening to the parents’ and<br />

children’s stories because, as a researcher,<br />

you stand slightly back. You can empathise<br />

and <strong>of</strong>fer support within the interview in a<br />

fairly constrained way but it’s a different type<br />

<strong>of</strong> engagement to when I was in practice.<br />

Certainly for my students, I spend quite a lot<br />

<strong>of</strong> time making sure that they are alright<br />

with dealing with the stories that they hear<br />

during their research. We all have different<br />

ways to deal with the stories people share<br />

with us. Rock climbing and cycling are good<br />

antidotes for me.


12 Feature Articles<br />

Introducing the Institute for<br />

Nanotechnology and Bioengineering<br />

An interview with Waqar Ahmed<br />

Head – Institute for Nanotechnology and Bioengineering<br />

Pr<strong>of</strong>essor Mike Holmes and Emma Hesketh<br />

were talking to Pr<strong>of</strong>essor Waqar Ahmed,<br />

Head <strong>of</strong> the Institute <strong>of</strong> Nanotechnology<br />

and Bioengineering.<br />

Can you tell me about the Institute?<br />

What it is for, and what are its aims?<br />

The Institute is called the Institute <strong>of</strong><br />

Nanotechnology and Bioengineering, and it<br />

came about as a result <strong>of</strong> discussions with<br />

researchers working in the area <strong>of</strong><br />

nanotechnology. However, we wanted the<br />

Institute to have much broader themes, so<br />

also included Bioengineering. It began when<br />

I did a feasibility study across the <strong>University</strong>,<br />

and found that there were a number <strong>of</strong><br />

people working on Nanotechnology-related<br />

projects. Subsequently, I collected a number<br />

<strong>of</strong> research papers from colleagues, and<br />

presented them to the Deputy Vice<br />

Chancellor, with a proposal that a formal<br />

collaboration be recognised between the<br />

Nanotechnology and Bioengineering. This<br />

kind <strong>of</strong> work is widespread, and is going on<br />

currently in several different Schools. The<br />

School <strong>of</strong> Computing, Engineering and<br />

Physical Sciences (CEPS) for example features<br />

the work <strong>of</strong> Andrei Zvelindovsky in<br />

computational modelling <strong>of</strong> s<strong>of</strong>t matter on a<br />

nanoscale; I myself am working on<br />

nanostructured surfaces and coatings,<br />

and Ian Sherrington is working on nanotribology.<br />

Also, the Centre for Materials<br />

Science in Forensic and Investigative Sciences<br />

lead by Gary Bond, has Tapas Sen who is<br />

working on surface patterning techniques<br />

using nano-structured materials. In addition<br />

to this, we have a very strong research group<br />

in Fire Retardancy, nano-polymers and nanocomposite<br />

materials. Anna Stec and Richard<br />

Hull are investigating the nano-sized toxic<br />

particles generated during burning.<br />

There is also work in Pharmacy where Dr<br />

Abdulbary Elhissi and Tony D’Emanuelle are<br />

working on liposomes, dendremers and<br />

nano-particles as carriers for anti-cancer and<br />

anti-asthma drugs to improve their delivery<br />

and effectiveness. Whilst this is not the<br />

development <strong>of</strong> new drugs, it is about<br />

improving the delivery systems from the<br />

point <strong>of</strong> administration to the point at which


Feature Articles<br />

13<br />

the drug becomes active. Andrei<br />

Zvelindovsky, Mike Holmes and Dave Phoenix<br />

are working on peptides, proteins and how<br />

they interact with membranes. Antimicrobial<br />

peptides are small proteins which interact<br />

strongly with biological membranes and can<br />

result in the destruction <strong>of</strong> the bacterial cell<br />

making them an important group <strong>of</strong><br />

functional proteins.<br />

There is also subsidiary work going on, for<br />

example looking at blood flow in blood<br />

vessels joined during plastic surgery, which is<br />

being done with Justin Whitty and a research<br />

student from the Royal Preston Hospital.<br />

I myself am interested in looking at gait<br />

analysis for biometrics in collaboration with<br />

Norway. All <strong>of</strong> these areas are brought<br />

together under the Bioengineering theme.<br />

Whilst we want to specialise within the<br />

Institute and build on our key strengths,<br />

we also want to be flexible enough to<br />

incorporate other groups and broaden our<br />

core applications.<br />

All these areas have the common themes <strong>of</strong><br />

investigating and modelling nano-materials<br />

and nano-carriers or bioengineering.<br />

Where will the Institute be located?<br />

The Institute will be located both here, at<br />

UCLan, and also, in Shenzhen, China. Two<br />

years ago the <strong>University</strong> made an investment<br />

in China and acquired a facility there in the<br />

prime location <strong>of</strong> the Virtual <strong>University</strong> <strong>of</strong><br />

Shenzhen. The site provides universities<br />

which are mainly Chinese, to establish <strong>of</strong>fices<br />

and small research facilities close to the<br />

burgeoning Shenzhen Hi-Tech Industrial Park.<br />

UCLan decided to allocate the space to the<br />

Institute, developing research there into the<br />

modelling <strong>of</strong> s<strong>of</strong>t matter. However, it will also<br />

act as a hub for leading Chinese researchers<br />

and companies to link to UCLan and develop<br />

collaborative projects with us. A call for<br />

proposals was launched at UCLan to work<br />

through the UCLan Virtual <strong>University</strong> facility<br />

with some <strong>of</strong> the most prestigious<br />

institutions in China.<br />

What are the aims <strong>of</strong> the Institute and<br />

how will you know if it is successful?<br />

The aim is to work with the Universities that<br />

are in the World’s top 100, based in China.<br />

Four projects have been funded in China<br />

working with such Universities. For example<br />

there is a project with the <strong>University</strong> <strong>of</strong> Fudan,<br />

to use nanomaterials for water treatment.<br />

We are also exploring work with Sichuan<br />

<strong>University</strong> on drug delivery. Anna Stec and<br />

Richard Hull’s project on nano-toxicity aims to<br />

build a fire testing facility with up to five<br />

researchers, and will provide a commercial<br />

fire testing facility. It will also be used to look<br />

at new nano-composite polymers and their<br />

combustion products and in particular their<br />

effects on the lungs. Whilst it is expected that<br />

high impact academic articles will follow from<br />

these projects, it is also expected that some<br />

<strong>of</strong> the joint research will lead to products that<br />

can be commercially exploited within the<br />

Shenzhen Hi-Tech Industrial Park. Already,<br />

there is the possibility <strong>of</strong> securing a number<br />

<strong>of</strong> patents.<br />

Another key aim <strong>of</strong> the Institute is to allow<br />

some <strong>of</strong> the younger, early career researchers<br />

to become involved and responsible for<br />

project management, developing their<br />

research leadership skills. They will be<br />

supported by the lead pr<strong>of</strong>essors, but the<br />

immediate hands-on management will be<br />

their responsibility.<br />

Can this sort <strong>of</strong> idea be developed into<br />

other areas <strong>of</strong> research or to other<br />

countries?<br />

Already the Institute is a good example <strong>of</strong><br />

how the various pockets <strong>of</strong> research<br />

excellence across the <strong>University</strong> can<br />

collaborate. Too frequently, we become<br />

immersed in the culture and practice <strong>of</strong> our<br />

own particular subject. Yet the Institute<br />

demonstrates the huge benefit and potential<br />

<strong>of</strong> interdisciplinary, cross-<strong>University</strong> research<br />

collaboration, and it would be good to see<br />

more <strong>of</strong> this developing. We have recently<br />

started what we hope will become a series<br />

<strong>of</strong> research “dinners”, where the group can<br />

all meet outside <strong>of</strong> the <strong>University</strong> and discuss<br />

their research, and ways <strong>of</strong> developing new<br />

lines, new projects for the future. Clearly,<br />

with the research competition that exists,<br />

particularly from the more established<br />

research universities, it can feel like a<br />

daunting prospect being a lone researcher.<br />

Together, however, as an Institute, the cross<br />

fertilisation <strong>of</strong> ideas; the shared learning;<br />

the ease <strong>of</strong> communication; the growth –<br />

creates a dynamic that could place our<br />

research at the forefront in certain areas.<br />

That is our objective. If successful, we will<br />

move this model to other countries such as<br />

India and Indonesia where there are<br />

opportunities for us to expand the<br />

recruitment <strong>of</strong> high quality researchers.<br />

Already the Institute is a good example <strong>of</strong><br />

how the various pockets <strong>of</strong> research excellence<br />

across the <strong>University</strong> can collaborate.<br />

Opposite page: The Shenzhen Hi-Tech<br />

Industrial Park<br />

Right: The Shenzhen Virtual <strong>University</strong>


14 Feature Articles<br />

Unearthing UCLan’s<br />

Archaeology Research<br />

An interview with Vicki Cummings<br />

School <strong>of</strong> Forensic & Investigative Sciences<br />

Pr<strong>of</strong>essor Mike Holmes, Head <strong>of</strong> the<br />

Graduate Research School, and Alison Naylor<br />

went to meet with Vicki Cummings to talk<br />

about the work currently going on in the<br />

Archaeology Research Unit.<br />

Mike joined Vicki in her <strong>of</strong>fice in<br />

Maudland Building, and began with a<br />

key question – What specific areas <strong>of</strong><br />

Archaeology are being undertaken<br />

in UCLan?<br />

We specialise in different areas, both spatially<br />

and temporally. Before UCLan <strong>of</strong>fered a<br />

degree in archaeology there were already<br />

three archaeologists employed in what is<br />

now the School <strong>of</strong> Forensic and Investigative<br />

Sciences, teaching skeletal anthropology.<br />

Then Rick Peterson and I were appointed and<br />

we are both Neolithic specialists. We are now<br />

all in the School <strong>of</strong> Forensic and Investigative<br />

Sciences and another three archaeologists<br />

have joined us – Dave Robinson, Duncan<br />

Sayer and Krish Seetah. We have tried to<br />

have a sense <strong>of</strong> coherence in who we have<br />

appointed. Our focus is very much on British<br />

archaeology, because we are at a British<br />

Institution, but we also specialise in skeletal<br />

studies. So myself, Rick, Dave and Duncan<br />

specialise in British archaeology, and Krish,<br />

Mick, Tal and Jennie do the skeletal analysis<br />

(Krish does animal bones, Mick, Jennie and<br />

Tal do human bones). Krish and Dave do<br />

international research as well. In addition<br />

there is the taphonomic work that Mick and<br />

Tal do, which has input from other<br />

colleagues in the school. Taphonomic<br />

processes are essentially how things get into<br />

the ground and what happens to them<br />

when they are there. So it is about the<br />

formation <strong>of</strong> the archaeological record.<br />

I know that there is work going on the<br />

development <strong>of</strong> communities in various<br />

periods – ‘the enculturing environments’<br />

– looking at finds and trying to establish<br />

how ‘culture’ spreads – can you tell us<br />

about that?<br />

The notion <strong>of</strong> ‘culture’ is quite an old idea in<br />

archaeology but we don’t really think in<br />

those terms any more. Nevertheless, we are<br />

interested in understanding communities’<br />

lives. For example the work that I do is very<br />

much focussed on 6,000 years old stone<br />

monuments; who were the communities<br />

building them, why were they building them,<br />

what effect did that have on their<br />

communities? So the type <strong>of</strong> archaeology<br />

that most <strong>of</strong> us do is focussed in the social<br />

aspects <strong>of</strong> things, and we are very much<br />

aligned with social and cultural<br />

anthropology. We discover what we can<br />

about past communities.<br />

These sites with the standing stones,<br />

burial mounds, and so on, are very<br />

dramatic evidence <strong>of</strong> past cultures but<br />

how much do we really know about<br />

them? We always seem to describe them<br />

as ‘ritual sites’ because we don’t<br />

understand their purpose.<br />

That’s a fair comment. There has been a lot<br />

<strong>of</strong> work recently which demonstrates that in<br />

the distant past that there was no distinction<br />

between ritual and domestic. We have a very<br />

secular society now where we separate


Feature Articles<br />

15<br />

them. The idea that these are ritual sites and<br />

then people are living in domestic sites has<br />

been shown not to be the case. I am just<br />

starting a project on ‘Dolmens’, (large stone<br />

monuments which large impressive<br />

capstones raised up in the air) which require<br />

the lifting and propping up <strong>of</strong> stones into<br />

almost impossible formations. You cannot<br />

conceive how they got massive stones into<br />

those positions but 6,000 years ago they did<br />

with nothing but rollers, rope, cows and<br />

people. We know quite a lot about some<br />

aspects <strong>of</strong> these cultures but very little about<br />

others – it depends upon what questions you<br />

are asking.<br />

Do we know their purpose? Obviously it<br />

took a huge amount <strong>of</strong> effort and<br />

collaboration <strong>of</strong> a community, probably a<br />

large community (or several communities)<br />

to achieve these structures – so that must<br />

have been something really quite<br />

pr<strong>of</strong>ound that drove them to do it.<br />

Almost certainly that is correct but what that<br />

motivation was is difficult to identify. We can<br />

interpret the remains that we have got and<br />

make suggestions. I think a lot <strong>of</strong> recent<br />

work shows that it is the construction<br />

process itself that is significant, the actual<br />

coming together <strong>of</strong> communities as the<br />

means to an end. There is something<br />

incredibly pr<strong>of</strong>ound when you visit these<br />

sites. They were amazing feats <strong>of</strong><br />

engineering and I think to suggest that they<br />

fulfil a ‘function’, like a church or cathedral<br />

fulfils a function, is missing the point. It is<br />

the process <strong>of</strong> building, the people coming<br />

together, the preparation involved, all <strong>of</strong><br />

these different aspects that actually make<br />

these significant not the end result although<br />

the end result is also pretty impressive.<br />

Is it anything like a ‘barn-raising’ that<br />

they used to do in the States?<br />

Potentially yes! Lots <strong>of</strong> communities come<br />

together to do these sorts <strong>of</strong> things. We<br />

know that subsequently dolmens received<br />

deposits – human remains are <strong>of</strong>ten found in<br />

them – and they are used for potentially a<br />

long period. Some have deposits over a<br />

2,000 year period, which would be like us<br />

continuingly using a Roman temple. It is an<br />

incredibly long time period and people are<br />

obviously going back. The deposition <strong>of</strong><br />

material is different and is reflecting<br />

something slightly different, they do become<br />

burial places but I am not sure that these<br />

things were originally designed exclusively as<br />

burial chambers.<br />

Do they act as some sort <strong>of</strong> focus for the<br />

community or group <strong>of</strong> communities,<br />

like a badge or emblem?<br />

Possibly, there was a very influential idea in<br />

the 1970s that they were territorial markers,<br />

however they don’t seem to sit in the middle<br />

<strong>of</strong> territories. My research has been on their<br />

setting within the landscape. They do seem<br />

to be positioned in places that you could<br />

suggest were places <strong>of</strong> significance for<br />

people for reasons other than a functional<br />

one, i.e. “this is my land and I don’t want<br />

you on it”. They do seem to have a particular<br />

connection with water and also mountains.<br />

They seem to be set almost between the two<br />

<strong>of</strong> them. There has been a lot <strong>of</strong> work<br />

suggesting that mountains were very<br />

significant in this period. So they are drawing<br />

on different aspects <strong>of</strong> life in the Neolithic<br />

that do not just relate to eating and practical<br />

day to day living.<br />

So these structures may well have had<br />

something to do with their belief systems?<br />

Absolutely.You only have to look at a lot <strong>of</strong><br />

ethnographic examples – first nations in<br />

America or Australia etc. Often you get very<br />

powerful mythologies associated with water,<br />

mountains, and outcrops and so on. This is<br />

where monuments were then located; they<br />

were building in already important and<br />

significant places.<br />

Mick Wysocki has done some work<br />

where he has gone to museums and<br />

re-examined and reinterpreted<br />

collections <strong>of</strong> bones and finds. In a sense<br />

this is another way <strong>of</strong> doing archaeology,<br />

can you tell us anything about his work?<br />

Mick’s work deals with the same sort <strong>of</strong> stuff<br />

that I deal with such as chambered tombs but<br />

he comes at it from a different aspect. Much<br />

<strong>of</strong> the archaeology and digging was done in<br />

the 1940s, 50s and into 60s, when<br />

archaeological techniques were nowhere<br />

near as good as they are today. You could<br />

take a bunch volunteers to one <strong>of</strong> these<br />

monuments and dig it quite quickly – it<br />

would take us an enormous amount <strong>of</strong> time<br />

now because <strong>of</strong> the improvement <strong>of</strong><br />

techniques - and they would have interpreted<br />

these remains in simplistic ways. Mick has<br />

been involved in a project where they are<br />

reanalysing materials from chambered tombs,<br />

which are in Wessex. They are larger than the<br />

dolmens I work on and they have chambers<br />

that are designed for the deposition <strong>of</strong><br />

human remains. He has reanalysed the<br />

skeletal remains, and since techniques have<br />

improved he can look at ageing, at sex, at<br />

disease, and look for signs <strong>of</strong> interpersonal<br />

violence which is quite common. The work<br />

was done with colleagues in other universities<br />

using other types <strong>of</strong> analysis, and they have<br />

produced very robust statistical dating. All<br />

sorts <strong>of</strong> other types <strong>of</strong> analysis can now be<br />

done; you can do stabilised isotope analysis<br />

to see what people were eating. The<br />

reanalysis <strong>of</strong> material is crucial. There is<br />

always a sense that we should be digging<br />

more and more but actually that is not always<br />

the way forward – the way forward is to go<br />

back and look at the stuff we have already<br />

got. It is not always possible in every case.<br />

Even with some <strong>of</strong> the excavations from the<br />

1950s, 60s and 70s the 6,000 year old<br />

pottery that was found was covered it with<br />

thick adhesives and varnish to preserve them.


16 Feature Articles<br />

So none <strong>of</strong> the scientific analysis we can now<br />

do on pottery – for example finding out what<br />

is has been used for through lipid analysis –<br />

cannot be done.<br />

So what are the new ideas or new results<br />

come out <strong>of</strong> that sort <strong>of</strong> analysis <strong>of</strong> that<br />

sort <strong>of</strong> materials?<br />

Mick and his colleagues have shown that<br />

those particular chambered tombs were built<br />

and that human remains went in quite<br />

quickly. We did not know this before. There<br />

was an idea that communities built and used<br />

these things over a long period <strong>of</strong> time, with<br />

one monument for each community, like a<br />

church, to which had bodies added as people<br />

died. That is clearly not the case at all. What<br />

happened was that they built a monument<br />

and quickly buried a lot <strong>of</strong> people and then<br />

no more burials went on there. It does<br />

change our understanding <strong>of</strong> those particular<br />

communities, and radically re-writes the<br />

narratives we have about that period.<br />

impact in this field. I am starting up the<br />

Great Dolmans project; Dave is working in<br />

California and Krish is obviously developing<br />

his Mauritius project. As a group we are<br />

finding ‘synergies’ to work towards. For<br />

example Dave and I have started a project on<br />

the archaeology <strong>of</strong> nuclear power which is a<br />

real departure for me but it is much more<br />

Dave’s field, which is the archaeology <strong>of</strong> the<br />

modern world. We are trying to think about<br />

the impact <strong>of</strong> nuclear power in <strong>Lancashire</strong><br />

and Cumbria in particular.<br />

><br />

There is a move to have much bigger impact<br />

and justification for what it is we are doing.<br />

I think what is exciting is what we have done<br />

with community engagement. It is where<br />

archaeology is going because we don’t have<br />

the links with industry or the aspects <strong>of</strong><br />

impact that other subject areas have.<br />

Increasingly we need to justify what we do by<br />

engaging with the public and getting them<br />

excited about archaeology. We are telling<br />

current communities about past communities.<br />

I think that is a really good thing.<br />

Our focus is very much on British<br />

archaeology, because we are at a<br />

British Institution, but we also specialise<br />

in skeletal studies.<br />

So does that mean if they build a<br />

chambered tomb and used it for 50 years<br />

or something, quite a short period, that<br />

the community is that much bigger?<br />

This is one <strong>of</strong> the questions I think that we<br />

can’t answer from archaeology. There is<br />

always a question <strong>of</strong> how densely occupied<br />

Britain was in pre-history and the answer is<br />

we don’t know. We’ve got these sudden<br />

blips where people are doing things like<br />

burying lots <strong>of</strong> people but the reality for the<br />

majority <strong>of</strong> pre-history is that people weren’t<br />

being buried. They were doing other things<br />

with people whether that was cremation,<br />

leaving them outside or putting them in<br />

rivers. Again Mick is doing some work on<br />

skulls that were found in Preston Dock. There<br />

seems to be a tradition <strong>of</strong> disposing <strong>of</strong><br />

human remains in very different ways and we<br />

are only getting this minimal picture <strong>of</strong> what<br />

is going on. In terms <strong>of</strong> population I just don’t<br />

think we can answer that question.<br />

What do you think are the next big<br />

things for you as a group?<br />

We have got a lot <strong>of</strong> exciting research<br />

projects up and running, and to be able to<br />

see those through is going to be a real<br />

benefit to the university. We are almost all<br />

starting out new research projects. Rick is<br />

doing a new research project in <strong>Lancashire</strong><br />

on cave deposits which continues his<br />

research on the use <strong>of</strong> caves in the Mesolithic<br />

and Neolithic; Duncan is working on an<br />

Anglo-Saxon cemetery in Oakington which is<br />

having and will continue to have a big


Feature Articles<br />

17<br />

Employability in practice: Tapping into the<br />

next generation <strong>of</strong> business leaders<br />

UCLan has an enviable reputation for employability and enterprise, and is<br />

constantly being recognised as an ‘entrepreneurial university’ not in the least<br />

by being shortlisted in the <strong>2011</strong> Times Higher Education Awards, but also in<br />

the way it interacts with industry. So what does this mean for new students<br />

coming to study at UCLan and also the business community which it serves?<br />

UK Progress is just one <strong>of</strong> the many ways in which both<br />

students and businesses can benefit from an<br />

entrepreneurial approach to the curriculum. Set up in 2004<br />

by <strong>Lancashire</strong> Business School and currently facilitated by<br />

Chris Shaw, who joined UCLan after a career in press and<br />

journalism, both in the public and private sector, UK<br />

Progress is based on a successful model <strong>of</strong> business support<br />

used in the Netherlands. An employer advisory panel was<br />

identified to see how a more hands-on client-focused<br />

module could be developed for final year students, but which also benefited industry.<br />

Businesses such as Plumbs, Age UK and Sunshine Events have all worked with final<br />

year PR students to help support their business aims in terms <strong>of</strong> PR and<br />

communications. A team <strong>of</strong> dedicated students, facilitated by Chris, work with a<br />

client for around an eight month period to solve problems, raise pr<strong>of</strong>ile and address<br />

business communications. As many <strong>of</strong> these students have returned to UCLan after<br />

their year in industry they provide a fresh approach, new ideas and ways <strong>of</strong> working<br />

that then can be taken forward by the business once the project ends.<br />

Chris is extremely passionate about this initiative and comments; “The students are all<br />

very committed to UK Progress and run it like you would a commercial PR agency. I<br />

am there to guide and support them through the module but it is the students who<br />

support the businesses and provide them will new techniques to drive their<br />

organisation forward. All the clients we’ve worked with enjoy working with UCLan<br />

students and take it very seriously, as do the students who really value the opportunity<br />

<strong>of</strong> working with a business on a real live project.”<br />

Fully supported by the Flashbang Science<br />

team Dan and Harry developed new<br />

characters and games aimed at school<br />

children therefore enriching the web<br />

presence and the popularity <strong>of</strong> Flashbang<br />

Science and have added a fun element to<br />

the learning experience <strong>of</strong> the pupils who<br />

attend the workshops on its tours <strong>of</strong> primary<br />

schools and other events.<br />

Claire comments; “I was so impressed with<br />

the whole ease <strong>of</strong> interaction with UCLan<br />

from the very start. Dan and Harry have<br />

taken on board the passion we have for the<br />

business and it’s just been fantastic. They’ve<br />

been absolutely tremendous students and a<br />

pleasure to work with.”<br />

UCLan has a wealth <strong>of</strong> expertise and<br />

experience within its academic staff, students<br />

and graduates, it is important that businesses<br />

and organisations tap into this to further<br />

enhance their development. Students and<br />

graduates are able to bring new and<br />

innovative ideas to the fore and truly value<br />

the opportunity to work within an<br />

organisation and to see their ideas come to<br />

fruition. With changes in the business<br />

support <strong>of</strong>fering and dramatic changes<br />

within the higher education sector it is<br />

important that businesses and universities<br />

work together to help grow the economy.<br />

Small to Medium Enterprises (SMEs) are the lifeblood <strong>of</strong> the region and <strong>of</strong>ten have ideas that<br />

they wish to implement to grow the business but don’t have the time or the knowledge to do<br />

this. By tapping into the expertise <strong>of</strong> a new graduate, or a final year student, can bring an<br />

injection <strong>of</strong> innovation into an organisation. Games Design students Dan Startin and Harry<br />

Prestidge have been working with Claire Holt from Flashbang Science for a number <strong>of</strong> months.<br />

Their remit was to develop an eye catching educational game that could take the company to<br />

the next level <strong>of</strong> interaction with its client base – school children.


18 Feature Articles<br />

Truly celebrating the region’s young talent<br />

<strong>Lancashire</strong>’s future stars shine bright at the inaugural Young ‘Uns Awards.<br />

More than 250 young entrepreneurs,<br />

young pr<strong>of</strong>essionals, new businesses and<br />

young achievers from across the region<br />

descended on UCLan’s Westleigh<br />

Conference Centre in June for the<br />

inaugural Young ‘Uns Awards <strong>2011</strong>.<br />

Whilst some award events adopt a more<br />

formal approach, the region’s talent were<br />

welcomed by stilt walkers, magicians, a<br />

samba drumming band and a hog roast!<br />

UCLan graduate and one <strong>of</strong> the presenters<br />

on internet TV channel <strong>Lancashire</strong> One, Jonny<br />

Nelson compered the evening, which<br />

concluded with a live set from Manchester<br />

band Slydigs.<br />

UCLan collaborated with <strong>Lancashire</strong> Business<br />

View magazine who for the past three years,<br />

have pr<strong>of</strong>iled some <strong>of</strong> <strong>Lancashire</strong>’s up and<br />

coming entrepreneurs and business people<br />

and hosted a number <strong>of</strong> networking events.<br />

<strong>Lancashire</strong> Business School also included an<br />

additional award in which tutors nominated<br />

outstanding final year students who have<br />

been working on business-related projects.<br />

The awards celebrated the talent <strong>of</strong><br />

<strong>Lancashire</strong> young business people, aged 36<br />

and under, as well as young businesses (three<br />

years old less), as well as inspiring the young<br />

achievers. More than 100 nominations were<br />

received and a panel <strong>of</strong> independent judges<br />

were sought to ensure a worthy shortlist.<br />

Facilitated by Michael Gregory from Freshfield<br />

Marketing Communications, the judging<br />

panel consisted <strong>of</strong> Peter Mileham DL,<br />

<strong>Lancashire</strong>’s newly appointed High Sheriff;<br />

Sarah Booth, <strong>Lancashire</strong> Chair <strong>of</strong> the Institute<br />

<strong>of</strong> Directors (IOD); Nick Hyde, Editor <strong>of</strong><br />

<strong>Lancashire</strong> Business View; UCLan Honorary<br />

Fellow, Ishwer Tailor, MBE, JP, DL and Mark<br />

Collin, Chair <strong>of</strong> the North West Young<br />

Directors forum (YDF). All were impressed<br />

with the calibre <strong>of</strong> nominations and the<br />

business successes they had within the early<br />

stages <strong>of</strong> their career journeys.<br />

All eight awards were sponsored by industry,<br />

including a special ‘Young ‘Un’ Award which<br />

was announced on the night by <strong>Lancashire</strong><br />

Business View’s editor, Nick Hyde. All winners<br />

were presented with a trophy and had the<br />

opportunity to say a few words about their<br />

business and what it means to win such a<br />

new and prestigious award.<br />

On behalf <strong>of</strong> the judging panel, Mark Collin<br />

commented; “The judging panel completely<br />

agreed that we have some outstanding talent<br />

in the region and that we should be<br />

incredibly proud <strong>of</strong> this; this unique event<br />

recognises all <strong>of</strong> those who are pushing the<br />

boundary locally. The field was varied and<br />

surprisingly plentiful, ranging from students<br />

with great ideas, one-man incubators just<br />

getting their ideas and businesses <strong>of</strong>f the<br />

ground through to established well known<br />

large corporates looking to recognise their<br />

best and brightest.<br />

“This is the first ‘young un’s’ event and we all<br />

hope that in celebrating our local<br />

entrepreneurs and budding next generation<br />

<strong>of</strong> business leaders we will be able to<br />

encourage others to aspire to the same<br />

ambitions but also establish this as a<br />

permanent fixture in the calendar.”<br />

Nick Hyde from <strong>Lancashire</strong> Business View<br />

added; “It was a pleasure to see the future <strong>of</strong><br />

<strong>Lancashire</strong>’s businesses gathered for the<br />

awards. It gives us great hope that this<br />

generation <strong>of</strong> entrepreneurs will continue<br />

driving the county forward.”<br />

><br />

“The judging panel completely agreed that we have some<br />

outstanding talent in the region and that we should be<br />

incredibly proud <strong>of</strong> this; this unique event recognises all <strong>of</strong><br />

those who are pushing the boundary locally.”


Feature Articles<br />

19<br />

...and the winners are...<br />

Most Innovative Business Idea<br />

Kenneth Cheung - BEEcycle<br />

Presented by Richard Young,<br />

North West Fund for Venture Capital<br />

Young Business Person Award<br />

Stuart Mitchell<br />

– Mitchell’s Scaffolding Ltd<br />

Presented by Judith Dugdale,<br />

Moore and Smalley<br />

Kenneth Cheung<br />

Stuart Mitchell and the Mitchell’s<br />

Scaffolding Ltd team<br />

Social Enterprise Award<br />

Graham Easterlow<br />

– Bluestreak Arts<br />

Presented by Mark Drage,<br />

Enterprise4All<br />

The One to Watch Award<br />

Rob Scott<br />

– Denwa Communications<br />

Presented by Michael Gregory,<br />

Freshfield<br />

Outstanding Achiever Award<br />

Joe McInerney<br />

– Darwen Aldridge<br />

Community Academy<br />

Presented by Kristen Durose,<br />

Red Star Wealth Management<br />

Mark Drage presents Graham Easterlow<br />

with his award<br />

Michael Gregory, presents Rob Scott<br />

with his award<br />

Northern Lights Outstanding<br />

Business Award<br />

Graham Easterlow<br />

– Bluestreak Arts<br />

Presented by Jeremy<br />

Lefton,Roundhouse Properties and<br />

Peter Rawling, Northern Lights<br />

<strong>Lancashire</strong> Business School<br />

Outstanding Student<br />

Achievement Award<br />

Emma Newnes<br />

– Best Live Student Project<br />

Presented by Jan Hewitt,<br />

<strong>Lancashire</strong> Business School<br />

Joe McInerney<br />

Jeremy Lefton and Peter Rawling present<br />

Graham Easterlow with his award<br />

Young ‘Un Award<br />

Esmail Patel – DEAF Education<br />

Advocacy Fellowship<br />

Presented by Nick Hyde,<br />

<strong>Lancashire</strong> Business View<br />

Emma Newnes<br />

Esmail Patel


20 Funding, Awards and Recognition<br />

Pr<strong>of</strong>essor Jaipaul Singh receives<br />

the <strong>University</strong>’s first DSc<br />

Jai is a true scientist<br />

with an immense<br />

enthusiasm for his<br />

subject which he<br />

conveys to his research<br />

students wherever they<br />

are working.<br />

Pr<strong>of</strong>essor Jaipaul Singh has been awarded<br />

the <strong>University</strong>’s first Doctor <strong>of</strong> Science (DSc)<br />

at an award ceremony on 11th July <strong>2011</strong>.<br />

This is in recognition <strong>of</strong> his outstanding<br />

contribution to research in the area <strong>of</strong><br />

diabetes and physiology in general. Whilst<br />

many in the audience <strong>of</strong> the award<br />

ceremony would have probably thought he<br />

was “just another doctorate” walking across<br />

the stage, the award is for a two volume<br />

thesis containing over 180 previously<br />

refereed and published papers from his long<br />

career and an overview summary. The thesis<br />

was examined by two world leading experts<br />

in the fields <strong>of</strong> exocrine glands and the heart.<br />

Their reports recognised his outstanding<br />

scientific contribution.<br />

Pr<strong>of</strong>essor Jaipaul Singh gained his BSc degree<br />

from the <strong>University</strong> <strong>of</strong> Guyana in 1971. In<br />

1974 he joined the <strong>University</strong> <strong>of</strong> St Andrews<br />

in Scotland where he obtained his PhD for a<br />

thesis entitled<br />

‘Evidence for the<br />

involvement <strong>of</strong><br />

intracellular cyclic<br />

nucleotides in the<br />

control <strong>of</strong> myocardial<br />

contractility’. On completion <strong>of</strong> his PhD he<br />

worked at St Andrews (1978-1980), the<br />

<strong>University</strong> <strong>of</strong> Dundee (1980-1981) and the<br />

Liverpool (1981-1984). He joined Preston<br />

Polytechnic (now UCLan) in 1984 and became<br />

Pr<strong>of</strong>essor in 1993.<br />

His research has concentrated on two main<br />

areas. The first is on exocrine glands and the<br />

mechanism <strong>of</strong> stimulus-secretion coupling in<br />

the exocrine pancreas, the parotid salivary<br />

gland and the lacrimal glands. The research<br />

has been concerned with neuroendocrine<br />

control and the effect <strong>of</strong> age on these glands<br />

in normal and pathophysiological conditions<br />

(e.g. diabetes, dry eyes and Sjörgen<br />

Syndrome) and the relationship between<br />

magnesium and calcium signalling in the<br />

control <strong>of</strong> exocrine secretion. The second<br />

area <strong>of</strong> his research has focussed on the<br />

heart and the mechanism <strong>of</strong> excitationcontraction<br />

coupling in the myocardium in<br />

normal and pathophysiological conditions<br />

(eg. diabetes-induced cardiomyopathy and<br />

hypomagnesemia). The work has focussed<br />

upon the sub-cellular roles <strong>of</strong> calcium and<br />

magnesium in the control <strong>of</strong> myocardial<br />

contractility. Some work also involves the role<br />

<strong>of</strong> exercise in the development <strong>of</strong> the<br />

athlete’s heart and the beneficial use <strong>of</strong><br />

exercise in type II diabetic patients.<br />

He has worked with 47 research students and<br />

with many collaborators nationally and<br />

internationally including long standing<br />

collaborations in Spain and the UAE.<br />

The work he has done has<br />

immeasurably<br />

increased our knowledge <strong>of</strong> exocrine glands<br />

and the heart and the effects <strong>of</strong> age. Of his<br />

190 published papers he attracts on average<br />

some 45 citations per year.<br />

Jai is a true scientist with an immense<br />

enthusiasm for his subject which he conveys<br />

to his research students wherever they are<br />

working. I have travelled with him to India,<br />

the Middle East and Spain and I have been<br />

impressed by his ability to communicate his<br />

enthusiasm and knowledge. This is to<br />

individual students and to assembled groups<br />

<strong>of</strong> several hundred including leading<br />

academics in his field. He has also been able<br />

to broaden his research base with work on<br />

the beneficial effects <strong>of</strong> momordica charantia<br />

(bitter gourd) juice on the pancreas and on<br />

its anti-cancer properties. During his time<br />

here at the <strong>University</strong> he has been<br />

responsible for the development <strong>of</strong> an active<br />

research culture first in the Department <strong>of</strong><br />

Biological Sciences and more recently in the<br />

schools <strong>of</strong> Forensic and Investigative Sciences<br />

and Pharmacy and Biomedical Sciences. He<br />

has supported many students through their<br />

research degrees and has influenced the<br />

development <strong>of</strong> research at a <strong>University</strong> level.<br />

Will he stop now that he has the DSc?<br />

Probably not!<br />

Pr<strong>of</strong>essor Mike Holmes<br />

Picture: Pr<strong>of</strong>essor Jaipaul Singh DSc (centre) with<br />

Pr<strong>of</strong>essor Tony D’Emanuele, Dean <strong>of</strong> the School<br />

<strong>of</strong> Pharmacy and Biomedical Sciences (left) and<br />

Pr<strong>of</strong>essor Mike Holmes, Head <strong>of</strong> the Graduate<br />

Research School (right).


Funding, Awards and Recognition<br />

21<br />

Queen honours UCLan staff<br />

Double success for <strong>University</strong> as Deputy Vice-Chancellor<br />

(International) and midwifery expert receive OBEs<br />

They have joined a growing<br />

list <strong>of</strong> UCLan academics<br />

who have been rewarded by<br />

her Majesty for their service<br />

and dedication.<br />

Far left: Angela Murphy<br />

Left: Pr<strong>of</strong>essor Soo Downe.<br />

Two members <strong>of</strong> staff at the <strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong>’s have<br />

received prestigious awards in the Queen’s Birthday Honours List.<br />

Angela Murphy, Deputy Vice-Chancellor<br />

(International), and Soo Downe, Pr<strong>of</strong>essor <strong>of</strong><br />

Midwifery, both received OBEs.<br />

They have joined a growing list <strong>of</strong> UCLan<br />

academics who have been rewarded by her<br />

Majesty for their service and dedication.<br />

Angela Murphy has been given her award<br />

for her services to Higher Education.<br />

A <strong>University</strong> spokesperson said: “We are<br />

delighted that Angela has been recognised for<br />

her life time commitment to Higher Education<br />

with such a prestigious, personal honour.<br />

“She has served UCLan for more than 30<br />

years and during this time has played the<br />

major role in working with international<br />

partners. Angela was one <strong>of</strong> the leading<br />

educationalists who took UK education to<br />

such places as China and Hong Kong, and<br />

who has put in place the foundations at<br />

UCLan that allow over 5,500 international<br />

students to obtain a UK education each year.”<br />

Pr<strong>of</strong>essor Downe, who is based in the School<br />

<strong>of</strong> Health, received her OBE for services to<br />

midwifery. She started her clinical career in<br />

1985 working in Derby City Hospital before<br />

progressing into the world <strong>of</strong> midwifery<br />

research. In 2001 she left the health service<br />

and joined UCLan as an academic.<br />

She said: “It was very surprising and<br />

unexpected to hear I’d been awarded an<br />

OBE but obviously I was delighted. I’ve<br />

known for five weeks but have had to keep<br />

quiet so it’s nice that everyone knows. I’m<br />

now looking forward to a pre-Christmas trip<br />

to Buckingham Palace and the opportunity<br />

to buy a new hat and dress.”


22 Funding, Awards and Recognition<br />

UCLan once again shortlisted in the<br />

prestigious Times Higher Education Awards<br />

UCLan has been nominated for Research<br />

Project <strong>of</strong> the Year and Entrepreneurial<br />

<strong>University</strong> <strong>of</strong> the Year in the seventh year<br />

<strong>of</strong> the Awards, which celebrates the<br />

achievements <strong>of</strong> Higher Education<br />

institutions throughout the UK.


Funding, Awards and Recognition<br />

23<br />

For the second year in a row, Dr Charlie<br />

Frowd from UCLan and Pr<strong>of</strong>essor Peter<br />

Hancock from the <strong>University</strong> <strong>of</strong> Stirling have<br />

been shortlisted in the Research Project <strong>of</strong> the<br />

Year category, this time for their novel<br />

caricature animation technique that enhances<br />

the effectiveness <strong>of</strong> facial composites.<br />

Dr Frowd, who has recently demonstrated<br />

the technology live on the Crimewatch<br />

Roadshow television programme,<br />

commented: “Facial composites are used by<br />

police forces to enable witnesses and<br />

victims <strong>of</strong> crimes to create a likeness <strong>of</strong> the<br />

face <strong>of</strong> a perpetrator. These images appear<br />

on Crimewatch and in the media generally,<br />

as part <strong>of</strong> a public appeal for information,<br />

but trying to recognise a composite can be<br />

very difficult, limiting the effectiveness <strong>of</strong><br />

police investigations.”<br />

“Our facial composite system has made a<br />

great impact in its field and has led to real<br />

results for the police in quite a few high<br />

pr<strong>of</strong>ile cases. We are thrilled to be recognised<br />

for this through the nomination.”<br />

It is also the second year in a row that UCLan<br />

has been nominated in the Entrepreneurial<br />

<strong>University</strong> <strong>of</strong> the Year category, which<br />

acknowledges the enterprising spirit that is<br />

embedded within the institution.<br />

Commenting on the news, Director <strong>of</strong><br />

Knowledge Transfer, Bede Mullen, said:<br />

“UCLan has transformed its culture and<br />

operates as an entrepreneurial <strong>University</strong> on all<br />

levels with the spirit <strong>of</strong> enterprise embedded<br />

within its staff, curriculum and systems.<br />

We have established strategic partnerships<br />

with world class organisations such as Sony<br />

Computer Games Europe, Newsquest Ltd<br />

and BAE Systems. Our entrepreneurial<br />

culture is spread right across the <strong>University</strong><br />

and can be seen in the increasing number <strong>of</strong><br />

start-up student businesses and enterprising<br />

graduates we have."<br />

UCLan is up against five other universities in<br />

each category it has been nominated in.<br />

Winners will be announced at the awards<br />

dinner at the Grosvenor House Hotel,<br />

London on Thursday 24 November <strong>2011</strong>.<br />

“Our facial composite<br />

system has made a<br />

great impact in its field<br />

and has led to real<br />

results for the police in<br />

quite a few high pr<strong>of</strong>ile<br />

cases. We are thrilled to<br />

be recognised for this<br />

through the<br />

nomination.”


24 Funding, Awards and Recognition<br />

Excellence in research<br />

development recognised<br />

UCLan receives EU Commission's prestigious badge <strong>of</strong> distinction<br />

The <strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong> (UCLan)<br />

has joined a select group <strong>of</strong> UK universities<br />

to gain the HR Excellence in Research award<br />

from the European Commission.<br />

UCLan was among 15 universities to receive<br />

the honour at the recent Vitae Researcher<br />

Development International Conference in<br />

Manchester. The UK now has 38 <strong>of</strong> its higher<br />

education institutions recognised in this way.<br />

The award acknowledges UCLan’s alignment<br />

with the principles <strong>of</strong> the European Charter<br />

for Researchers and Code <strong>of</strong> Conduct for<br />

their recruitment.<br />

The UK process incorporates both the QAA<br />

Code <strong>of</strong> Practice for Research Degree<br />

Programmes and the Concordat to support<br />

the career development <strong>of</strong> researchers to<br />

enable institutions that have published<br />

Concordat implementation plans to gain the<br />

HR Excellence in Research badge.<br />

UCLan’s Emma Sandon Hesketh, Graduate<br />

Research School, prepared the submission in<br />

conjunction with Wilma Butterworth, HR<br />

Staff Development Manager. On accepting<br />

the award on behalf <strong>of</strong> the <strong>University</strong> Emma<br />

said: “We’re delighted to have achieved this<br />

award which acknowledges our completion<br />

<strong>of</strong> a gap analysis <strong>of</strong> existing policies and<br />

practice against the Concordat, recognises<br />

our efforts to take account <strong>of</strong> the views <strong>of</strong><br />

UCLan researchers, and underlines our<br />

development <strong>of</strong> a robust action plan for<br />

implementation.<br />

“Currently there are only 38 UK universities<br />

who have reached the standard to obtain<br />

this recognition and we’re very pleased to be<br />

one <strong>of</strong> them.”<br />

Speaking from Brussels Máire Geoghegan-<br />

Quinn, Commissioner for Research,<br />

Innovation and Science said: "The European<br />

Commission, through its Innovation Union<br />

flagship initiative, is committed to putting<br />

research and innovation at the top <strong>of</strong> the<br />

political agenda. We want to turn ideas into<br />

growth and jobs. UK universities play an<br />

important part in strengthening the excellent<br />

research base in Europe and ensure that our<br />

researchers have the right skills to maximise<br />

the value <strong>of</strong> innovation across all sectors."<br />

Pr<strong>of</strong>essor Sir Ivor Crewe, Chair <strong>of</strong> the<br />

Concordat Strategy Group added: “I am<br />

“We’re delighted to<br />

have achieved this<br />

award which<br />

acknowledges our<br />

completion <strong>of</strong> a gap<br />

analysis <strong>of</strong> existing<br />

policies and practice<br />

against the<br />

Concordat, recognises<br />

our efforts to take<br />

account <strong>of</strong> the views<br />

<strong>of</strong> UCLan researchers"<br />

delighted that a further 15 UK institutions<br />

have gained the HR Excellence in Research<br />

award from the European Commission.<br />

These announcements highlight our<br />

commitment in the UK to training and<br />

developing researchers and to continual<br />

improvements in provision as we implement<br />

the Concordat to Support the Career<br />

Development <strong>of</strong> Researchers.<br />

Ellen Pearce, Director, Vitae, UK representative<br />

on the European Commission HR Strategy<br />

Group: “We are delighted that UK universities<br />

are receiving international recognition for their<br />

work to develop researcher careers. We hope<br />

that many other UK institutions will gain the<br />

recognition from the European Commission<br />

over the coming months.”


Conference Reviews<br />

25<br />

History <strong>of</strong> food and drink on research menu<br />

Conference attracts international delegates from four continents<br />

Food for thought was on the menu for<br />

delegates from four continents who arrived<br />

at UCLan recently for what was believed to<br />

be the UK’s first interdisciplinary conference<br />

on the history <strong>of</strong> food and drink.<br />

Food and Drink: Social, Political and Cultural<br />

Histories attracted delegates from the US,<br />

Canada, Australia, India and many EU<br />

countries as well as the UK.<br />

Historical debate ranged from food and drink<br />

in medieval times to the 1980s, from healthrelated<br />

topics to feasting, from Turkish tea to<br />

tripe, and from the movement for Real Ale to<br />

Temperance organisations.<br />

The conference was organised by Dr Billy<br />

Frank and Dr Annemarie McAllister from<br />

UCLan’s History research cluster within the<br />

School <strong>of</strong> Education and Social Sciences.<br />

Dr Frank said: “Food and drink are essentials<br />

– yet they also represent luxuries. We must<br />

eat to live, sometimes we live to eat, and<br />

alcoholic drink can be seen either as a<br />

blessing which enlivens existence or a curse<br />

which destroys it.<br />

From agrarian production to their<br />

commercial promotion, from the effects <strong>of</strong><br />

famine and shortages to the promotion <strong>of</strong><br />

healthy eating for national social and<br />

economic benefits, food and drink are key<br />

aspects <strong>of</strong> social and political history.”<br />

Keynote speakers included: Pr<strong>of</strong>essor<br />

Stephen Yeo, Visiting Pr<strong>of</strong>essor at the Centre<br />

for Civil Society at the London School <strong>of</strong><br />

Economics and at the <strong>University</strong> <strong>of</strong> Warwick,<br />

who delivered: ‘Food for Thought:<br />

'Knowledge is food'’; Pr<strong>of</strong>essor John<br />

Bohstedt, <strong>University</strong> <strong>of</strong> Tennessee, whose<br />

keynote address was entitled: ‘Food Riots,<br />

Moral Economy, and the Politics <strong>of</strong> Provisions<br />

in World History’ and Dr James Nicholls, Bath<br />

Spa <strong>University</strong>, who delivered ‘Tall orders:<br />

drink, culture and politics in England’.<br />

Dr McAllister said the conference had<br />

developed from an idea to explore links<br />

between research on food production,<br />

supply and consumption and on<br />

Temperance organisations.<br />

“UCLan holds the internationally important<br />

Livesey Collection <strong>of</strong> Temperance-related<br />

material and we wanted to combine this with<br />

the historical food-related expertise which<br />

also exists within the <strong>University</strong>. We received<br />

a huge response to our call for papers and<br />

we brought together scholars from four<br />

continents to not only speak about their own<br />

research but also to explore links and themes<br />

such as food and national identity.<br />

The conference really caught the imagination<br />

<strong>of</strong> the world’s academic community and we<br />

believe it was the first in the UK to explore<br />

the interdisciplinary nature <strong>of</strong> the history <strong>of</strong><br />

food and drink.”<br />

The conference was supported by the<br />

Co-operative Membership Services, and the<br />

first day featured papers on this aspect <strong>of</strong><br />

food supply.<br />

“Food and drink – the<br />

provision, choice, use,<br />

restriction or lack <strong>of</strong><br />

them – provided<br />

a fascinating focus for<br />

historical inquiry and<br />

for those who attended<br />

this conference.”


26 Conference Reviews<br />

Pr<strong>of</strong>essors in Pr<strong>of</strong>ile:<br />

Learning to Build or Building to Learn?<br />

An Interview With Jack Goulding<br />

School <strong>of</strong> Built and Natural Environment<br />

Jack Goulding is Pr<strong>of</strong>essor <strong>of</strong> Construction<br />

Project Management in the School <strong>of</strong> Built<br />

and Natural Environment and Director <strong>of</strong><br />

the Centre for Sustainable Development at<br />

UCLan. He is a Charted Construction<br />

Manager and sits on several industry panels.<br />

Jack has worked on numerous national and<br />

international projects in the areas <strong>of</strong> ICT,<br />

Virtual Reality, Strategic Planning,<br />

Organisational Learning, and Open<br />

Manufacturing. He has also developed<br />

several undergraduate and postgraduate<br />

ICT/construction-related programmes, and<br />

helped many construction organisations<br />

with their research and development and<br />

training initiatives.<br />

Following Jack’s Inaugural Pr<strong>of</strong>essorial<br />

Lecture, which provided an insight into the<br />

myriad <strong>of</strong> challenges facing construction<br />

pr<strong>of</strong>essionals and explored issues from a<br />

multi-dimensional learning stakeholder<br />

perspective, Mike Holmes and Emma<br />

Hesketh joined Jack in his <strong>of</strong>fice in Harris<br />

Building to find out more.<br />

><br />

Could you just give us an outline <strong>of</strong> your<br />

research area?<br />

My research area covers a wide range <strong>of</strong><br />

construction-related issues. Chronologically,<br />

my focus has always been to look at<br />

developing a strategic focus for construction<br />

organisations, particularly with respect to<br />

business trajectories and core business<br />

operations. That led me to be involved in<br />

training and development; and more<br />

recently through some <strong>of</strong> my research<br />

projects, I have been involved in virtual reality<br />

simulation and immersive environments.<br />

Having just finished a major EU research<br />

project that involved 23 partners; part <strong>of</strong> my<br />

deliverable was to develop a construction<br />

site training simulator for <strong>of</strong>f-site<br />

manufacturing. This opened up a lot <strong>of</strong><br />

avenues with both industry and academia,<br />

and is now starting to include such issues as<br />

learning styles, through to logistics<br />

management etc. This will help high level<br />

managers to appreciate the different<br />

concepts and techniques associated with <strong>of</strong>fsite<br />

manufacturing, in contrast to traditional<br />

methods <strong>of</strong> working in construction. Offsite<br />

manufacturing has been quite prevalent in<br />

places such as Japan, Sweden and the USA,<br />

but is a relatively new concept elsewhere.<br />

So, my research focus is still predominantly<br />

helping construction companies move their<br />

corporate strategies forward; and skill<br />

development [using a construction site<br />

simulator] is an important part <strong>of</strong> this.<br />

We are currently developing a<br />

Construction Site VR Simulator, in order<br />

to train construction pr<strong>of</strong>essionals in this<br />

new way <strong>of</strong> working and thinking.<br />

You have mentioned <strong>of</strong>f-site<br />

manufacturing. Is that where a complete<br />

unit, e.g. a bathroom, is manufactured<br />

<strong>of</strong>f site, shipped in, and placed in the<br />

building?<br />

Absolutely, but things have moved on a little.<br />

Part <strong>of</strong> supply chain management is that we<br />

now have the capability <strong>of</strong> being able to use<br />

what are called “smart objects” or<br />

“intelligent components”. These form part<br />

<strong>of</strong> product catalogues, which are basically<br />

databases <strong>of</strong> objects. These are able to store<br />

knowledge and intelligence; for example,<br />

behavioural aspects, design characteristics,<br />

life cycle requirements etc. They can also be<br />

integrated into Building Information<br />

Modelling (BIM) systems. From this, you can<br />

select an appropriate ‘object’ to see how it<br />

will perform in a particular environment.<br />

You are also able to see which<br />

manufacturers are available, the time taken<br />

to make, deliver etc. This could be for<br />

example a simple bathroom unit, through to<br />

a complete bathroom, or a full house for<br />

that matter. The only constraint really is on<br />

size. Logistics are important here. If it can fit<br />

within a container, then we can generally<br />

have this manufactured <strong>of</strong>f-site and bring it<br />

directly to site for assembly. This approach<br />

has many benefits, not least improvements<br />

in quality, faster erection times, less wet<br />

trades, reduced waste, improvements in<br />

Health and Safety etc. So, put simply, almost<br />

a “plug and fit” approach. This method<br />

takes away many <strong>of</strong> the traditional on-site<br />

activities, and replicates these in a controlled<br />

environment (the factory), which also has<br />

the additional benefit <strong>of</strong> not being affected<br />

by weather conditions etc. However, there is<br />

a cultural mind set change that is needed<br />

within the industry. People are still a little bit<br />

wary <strong>of</strong> this new approach as opposed to<br />

the traditional brick-block, concrete or steel<br />

frame construction that we are traditionally<br />

used to. This is predominantly a culture<br />

issue, which is slightly different in other<br />

countries. So, this is one <strong>of</strong> the things that<br />

we need to deal with, as it has a knock-on<br />

effect on all parts <strong>of</strong> the business, including


Conference Reviews<br />

27<br />

company business models (as they will have<br />

to re-visit things in a different way e.g.<br />

logistics, dealing with supply chain partners;<br />

what happens if a supplier goes out <strong>of</strong><br />

business? etc). These issues are important,<br />

as you need to have a critical mass in the<br />

supply chain. For example, if you design<br />

something that has certain constraints and<br />

technical requirements (to fit in with your<br />

design), and that manufacturer goes out <strong>of</strong><br />

business, it may not always be that easy to<br />

then procure another alternative from a<br />

different manufacturer.<br />

You were also talking about the use <strong>of</strong><br />

virtual reality, so is that about allowing<br />

companies to see how this would fit<br />

together to create a virtual building?<br />

Correct. One <strong>of</strong> the issues now, is that we<br />

have an industry that is steeped in tradition.<br />

It is somewhat parochial, with deep-rooted<br />

values that are embedded in contracts,<br />

relationships, trust, ethics etc. For people to<br />

step out <strong>of</strong> that mindset and into new ways<br />

<strong>of</strong> looking at manufacturing (for example),<br />

new methodologies, new technologies, new<br />

processes etc, then the commercial drivers<br />

and benefits need to be more overt. Some<br />

companies are already doing this with great<br />

success. They are also very good at doing<br />

this, and are now creating competitive<br />

advantage in the marketplace. However, you<br />

need to have commercial tacit knowledge to<br />

take advantage <strong>of</strong> this; and at this present<br />

moment in time within the industry, there<br />

are only a few companies in the UK that<br />

have this. This is one <strong>of</strong> the reasons we are<br />

currently developing a Construction Site VR<br />

Simulator, in order to train construction<br />

pr<strong>of</strong>essionals in this new way <strong>of</strong> working and<br />

thinking. Saying that, the inertia and<br />

momentum is now gathering pace. For<br />

example, I am a Coordinator <strong>of</strong> CIB TG74<br />

looking at “New Production and Business<br />

Models in Construction”. CIB is the<br />

International Council for Research and<br />

Innovation in Building and Construction<br />

(www.cibworld.nl). I am also a member <strong>of</strong><br />

CIB W119 – “Customised Industrial<br />

Construction”. Work undertaken to date has<br />

identified some significant breakthroughs.<br />

One <strong>of</strong> the things we are hoping to do next<br />

is to determine a five-year vision for the<br />

industry, which will include key priority areas.<br />

This will also include an international<br />

research strategy that addresses both theory<br />

and practice - highlighting barriers and<br />

opportunities (cognisant <strong>of</strong> stakeholder<br />

needs, market demand, cultural and societal<br />

influences etc).<br />

Do you consider the new methods <strong>of</strong><br />

construction to have appealing<br />

environmental factors that will<br />

incentivise the use <strong>of</strong> them?<br />

One <strong>of</strong> the benefits <strong>of</strong> adopting new<br />

methodologies and techniques such as this<br />

includes its impact on the environment. This<br />

includes a variety <strong>of</strong> issues, such as a lower<br />

carbon footprint, improved waste control,<br />

fewer defects, more efficient processes,<br />

creating and engendering Corporate Social<br />

Responsibility etc. This means that<br />

companies are now increasingly aware <strong>of</strong><br />

their responsibilities and are actively aligning<br />

these into cogent sustainable building<br />

practices. Therefore, using an approach<br />

such as <strong>of</strong>fsite construction can have a<br />

positive impact on this. For example, the<br />

ability to procure materials, products and<br />

services at a much earlier stage in the<br />

process allows everyone to think about<br />

issues at a very early stage, including: the<br />

pre-vetting <strong>of</strong> suppliers, manufacturers,<br />

contractors etc (regarding their sustainability<br />

credentials), through to looking at aspects<br />

<strong>of</strong> design, functionality, maintenance etc<br />

(over the lifecycle <strong>of</strong> the product).<br />

So this is about making the building<br />

industry more environmentally friendly,<br />

more energy efficient and more<br />

sustainable?<br />

Yes, but again, it is much more than this.<br />

All these benefits are overt and well<br />

documented. Controlled environments such<br />

as factories can help companies achieve<br />

defendable sustainability solutions. However,<br />

what tends to happen now is that the design<br />

<strong>of</strong>ten evolves in parallel with construction to<br />

save time. Using modern methods <strong>of</strong><br />

construction requires people to make<br />

different decisions, and much earlier well in<br />

advance <strong>of</strong> construction. Making those<br />

decisions early means that you can make<br />

parts <strong>of</strong> the product in the factory very<br />

quickly. You therefore know the costs in<br />

advance, know what you are getting, and<br />

everything is very well defined. The downside<br />

is that once you have made these decisions,<br />

you do not have the flexibility to change your<br />

mind as a client that easily, as the products<br />

may be being assembled in multiple factories<br />

for the deliverable dates you have agreed<br />

with them. Changing your mind would<br />

therefore tend to incur additional costs with<br />

cancelled contracts, materials no longer being<br />

needed etc. In this respect, clients within the<br />

industry <strong>of</strong>ten change their minds during the<br />

construction stage for a variety <strong>of</strong> reasons.<br />

So these new methods are as applicable<br />

for small housing projects as for large<br />

construction sites?<br />

Yes, you are right. I have worked with people<br />

on simple commercial dwellings, through to<br />

large-scale projects. The principles are the<br />

same, only the scale and complexity changes.<br />

For example, it is now possible to create such<br />

things as “pods”, which could be a complete<br />

bathroom, kitchen etc which can be slotted<br />

into a building, through to panelised walls<br />

that look exactly like external brickwork – but<br />

much better. The finishes are exemplary; you<br />

would not know for example (even looking<br />

up close) whether panelised walls were brick<br />

or not - you would not know the difference.<br />

Looking at recent show homes, there<br />

was an en-suite bathroom that seemed<br />

poorly designed in terms <strong>of</strong> space utility.<br />

Are we getting to the stage where a<br />

whole bathroom will be designed and<br />

fitted as a unit?<br />

You have highlighted a problem that has<br />

existed for a long time. Traditional house<br />

builders have existing “house types” and<br />

models that they work with. The problem is<br />

construction, and the workmanship used to<br />

create the rooms and spaces needed. If there is<br />

a problem with the construction <strong>of</strong> the space<br />

or quality <strong>of</strong> workmanship, then problems<br />

inevitably arise. This does not tend to happen<br />

with <strong>of</strong>fsite manufacturing, as these two issues<br />

are taken out <strong>of</strong> the equation. You asked if the<br />

whole bathroom could be designed and fitted<br />

as one unit; the simple answer is “yes”.<br />

We have been doing this for some time now.<br />

The clients (you and I) are king here. If you<br />

come to me and tell me what you want, all I<br />

need to know is the specifications you want<br />

(quality and product-wise), along with the<br />

dimensions or constraints that I have to<br />

comply with. This is obviously more expensive<br />

for a one <strong>of</strong>f, but if you are working for one <strong>of</strong><br />

the traditional house builders, then they will<br />

have all the design styles available for you to<br />

choose. In some cases, you will be able to go<br />

online and see your design changes being<br />

made live. Changes that cannot be made will<br />

be for example, ‘greyed out’ as they may<br />

already be in the production process. Virtual<br />

imagery <strong>of</strong> the end products is also available<br />

online. One particular advantage we have here<br />

is the increased use <strong>of</strong> BIM I mentioned earlier.<br />

BIM can provide real-time, on-demand<br />

building information over the Internet. This not<br />

only helps support the design and construction<br />

process, but can also help generate more<br />

environmentally sustainable and energy<br />

efficient buildings.


28 Conference Reviews<br />

Sunbeam: 9th to 12th May <strong>2011</strong><br />

Sunbeam Project team:<br />

(L to R) Dr Robert Walsh, Stephane Regnier,<br />

Chris Meigh-Andrews and David Henckel.<br />

could affect power transmission and<br />

communications here on Earth.<br />

Sunbeam in May was possibly a unique event<br />

for the <strong>University</strong> bringing together<br />

contemporary electronic art, cutting edge<br />

solar research, and state <strong>of</strong> the art<br />

technology. Chris Meigh-Andrews, Pr<strong>of</strong>essor<br />

<strong>of</strong> Electronic and Digital Art and Dr Robert<br />

Walsh, Director <strong>of</strong> Research at UCLan have<br />

come together in collaboration which uses<br />

one <strong>of</strong> UCLan’s tracking solar panels. The<br />

solar trackers located between Allen Building<br />

and Harrington Car Park are designed to<br />

follow the position <strong>of</strong> the Sun. Each tracker<br />

comprises 30 solar panels, which should<br />

generate about 5.4 MWh <strong>of</strong> energy per year<br />

and save 3.1 tonnes <strong>of</strong> CO2. The trackers are<br />

about 40% more efficient than panels that<br />

are mounted on a static frame. The trackers,<br />

which are believed to be unique in the UK<br />

were installed by Facilities Management and<br />

Energi Plc with support from BRE’s Low<br />

Carbon Building Programme.<br />

Robert Walsh’s area <strong>of</strong> research is solar<br />

physics and has been instrumental in<br />

working with NASA to make UCLan the<br />

European data hub for the solar images from<br />

the Solar Dynamics Observatory (SDO). An<br />

image is taken every 10 seconds at very high<br />

resolution and across a range <strong>of</strong><br />

wavelengths. These images are used by solar<br />

physicists across the globe to understand the<br />

processes taking place on our Sun and to act<br />

as an early warning <strong>of</strong> out bursts which<br />

Sunbeam was a project by Chris Meigh-<br />

Andrews with assistance from Dr. Stephane<br />

Regnier and David Henckel. It was the latest<br />

in a series <strong>of</strong> projects by Chris Meigh-<br />

Andrews over the years, which have involved<br />

the use <strong>of</strong> renewable energy technology as<br />

both subject and the power source, for<br />

example Perpetual Motion from 1994, Fire,<br />

Ice and Steam, from 1995, Mothlight in<br />

1998, and Resurrection from 2005/6. For this<br />

project, sequences <strong>of</strong> images <strong>of</strong> the Sun<br />

taken from the SDO were projected onto one<br />

<strong>of</strong> the solar tracker platforms. The artwork<br />

represents both the energy <strong>of</strong> the Sun and<br />

displays its effects by using the energy to<br />

make the projected image possible.<br />

References<br />

Bataille G. (1991), The Accursed Share,<br />

vol. 1 (New York: Zone Books)<br />

Gere C. (<strong>2011</strong>), http://www.meighandrews.com/archives/2569,<br />

accessed<br />

27 June <strong>2011</strong><br />

><br />

Sunbeam in May was possibly a unique event for<br />

the <strong>University</strong> bringing together contemporary<br />

electronic art, cutting edge solar research, and<br />

state <strong>of</strong> the art technology.


Conference Reviews<br />

29<br />

Graduate Research School – Inaugural<br />

Research Student Conference June <strong>2011</strong><br />

“Very high standard <strong>of</strong> research this year. Engaging with people<br />

from other departments and hearing their projects with their<br />

>unique enthusiasm was most definitely the highlight”<br />

This year saw the launch <strong>of</strong> the first cross<br />

<strong>University</strong> Research Student Conference,<br />

7th – 9th June <strong>2011</strong>, after the centralisation<br />

<strong>of</strong> research development under the new<br />

Graduate Research School. Over the three<br />

days, more than 90 students and staff<br />

attended the inaugural event convened in<br />

Brook Building on the Preston Campus. The<br />

programme allowed for oral presentations by<br />

students nominated from their respective<br />

schools. Nomination categories included<br />

“Best Presenter” and “Best First Timer” to<br />

allow all students irrespective <strong>of</strong> the stage <strong>of</strong><br />

their research to participate. Thirty three<br />

students presented in these two categories<br />

over the first two days <strong>of</strong> the event.<br />

Also accommodated were the “Best”<br />

(nominations from Schools) and “General”<br />

(open nominations) poster categories. Over<br />

twenty four students took part in this section,<br />

with separate rooms being allocated for the<br />

effective display <strong>of</strong> their combined works.<br />

The Conference was opened by Dr Robert<br />

Walsh, <strong>University</strong> Director <strong>of</strong> Research. In his<br />

welcoming address, he emphasised the<br />

purpose <strong>of</strong> the event as a celebration <strong>of</strong> the<br />

rich diversity <strong>of</strong> UCLan’s research<br />

environment; the opportunities the<br />

conference presented for inter-disciplinary<br />

networking; and the benefit to research<br />

students <strong>of</strong> rehearsing academic presentation<br />

skills in a supportive peer group setting.<br />

The event will also have a longer term<br />

educational benefit to students who<br />

participated, as all presentations were<br />

recorded and edited sections will be given to<br />

the respective speakers to allow them to<br />

conduct their own evaluation <strong>of</strong> their<br />

performance. Judging at the event itself was<br />

by a combination <strong>of</strong> audience participation<br />

using sophisticated hand held voting devices,<br />

and an academic panel. Prizes were awarded<br />

to – Best Oral (Winner) Helen Godfrey, School<br />

<strong>of</strong> Forensic and Investigative Sciences; Runner<br />

Up Dorothee Boughton, School <strong>of</strong> Forensic<br />

and Investigative Sciences. First Timer<br />

(Winner) Michelle Wienhold, School <strong>of</strong><br />

Forensic and Investigative Sciences; Runner<br />

Up Robin Moll, School <strong>of</strong> Postgraduate<br />

Medical and Dental Education. Best Poster<br />

(Winner) Jennifer Rhodes, School <strong>of</strong> Forensic<br />

and Investigative Sciences; Runner Up<br />

Shradda Aptekar, School <strong>of</strong> Pharmacy and<br />

Biomedical Science. General Poster (Winner)<br />

Simon Murphy, School <strong>of</strong> Computing,<br />

Engineering and Physical Sciences; Runner Up<br />

Caroline Alexander, School <strong>of</strong> Computing,<br />

Engineering and Physical Sciences.<br />

Comprehensive evaluation <strong>of</strong> the Conference<br />

took place with all those who attended.<br />

Comments were extremely encouraging on<br />

the format <strong>of</strong> the conference, “It felt like a real<br />

conference – with time to get absorbed into<br />

the ‘feel’ <strong>of</strong> a research setting”; “I have really<br />

enjoyed it. I feel proud to do my PhD at UCLan<br />

when I see such passionate PhD candidates<br />

talking about their research”; “Very high<br />

standard <strong>of</strong> research this year. Engaging with<br />

people from other departments and hearing<br />

their projects with their unique enthusiasm<br />

was most definitely the highlight”.<br />

For further details on next year’s conference,<br />

please contact Emma Sandon-Hesketh,<br />

Research Development Manager, Graduate<br />

Research School on 01772 892735 or<br />

ehesketh@uclan.ac.uk


30 Book Launches<br />

Book Launches<br />

Biomechanics <strong>of</strong> Hard Tissues<br />

Biomechanics, the application <strong>of</strong> mechanical methods to biological systems, is a rapidly growing<br />

area <strong>of</strong> immense importance. The ability to influence the “lifetime” <strong>of</strong> parts <strong>of</strong> the human body<br />

or to <strong>of</strong>fer adequate replacements in the case <strong>of</strong> failure has a direct influence on our entire well<br />

being. This becomes increasingly important during old age when joints must be replaced in order<br />

to guarantee an adequate mobility <strong>of</strong> the various components <strong>of</strong> the human body. To adopt the<br />

mechanical performance <strong>of</strong> structural parts <strong>of</strong> the body or to <strong>of</strong>fer alternatives if they do not<br />

function properly any more in order to meet the biological life expectancy is a major challenge<br />

that requires coordinated efforts <strong>of</strong> a number <strong>of</strong> academic disciplines.<br />

Editors<br />

Pr<strong>of</strong>essor Andreas Öchsner<br />

Universiti Teknologi Malaysia, and<br />

Pr<strong>of</strong>essor Waqar Ahmed<br />

<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong><br />

Wiley-VCH<br />

ISBN 978-3-527-32431-6<br />

Copyright Wiley-VCH Verlag GmbH & Co.<br />

KGaA. Reproduced with permission.<br />

The application <strong>of</strong> analytical, numerical and experimental characterization methods, which<br />

were originally applied to engineering structures, allows us to model, analyze and understand<br />

the behaviour and performance biological structures. However, this area is much more<br />

complicated than engineering structures. For example, classical test specimens, as in the case <strong>of</strong><br />

metals, are difficult to manufacture from biological materials. Biological materials are in many<br />

cases not as isotropic and homogeneous as traditional engineering materials and their<br />

properties depend on many factors and may be subject to considerable variation during the<br />

lifetime <strong>of</strong> the structure.<br />

This monogram focuses on hard tissues, that is, tissues having a firm intercellular structure such<br />

as bone and cartilage. Their physical properties are described in detail. Modeling approaches on<br />

different length scale are presented in order to predict mechanical properties. The influence <strong>of</strong><br />

different biological, mechanical, and other physical factors and stimuli on the performance and<br />

regeneration ability is discussed in several chapters. Other chapters include topics related to<br />

bone replacement using implants. Different types <strong>of</strong> implants are characterized, tribilogical<br />

aspects covered and the bone-implant interaction modeled and simulated numerically. Finally<br />

the design <strong>of</strong> bone implants based on mathematical criteria is presented.


Book Launches<br />

31<br />

Creating Memorials Building Identities<br />

A groundbreaking investigation <strong>of</strong> memorials and monuments to slavery throughout the<br />

African diaspora, Creating Memorials, Building Identities analyses not only physical memorials<br />

(and their absence) but also the practice <strong>of</strong> remembering in museums and plantation houses,<br />

and through contemporary cultural forms – visual art, literature, music and film. A series <strong>of</strong> case<br />

studies, ranging from the 18th to the 21st century, from Senegal and Montserrat to<br />

Manchester and Paris, explore issues such as the <strong>Lancashire</strong> cotton famine, black soldiers in<br />

World War II and the 2007 commemoration <strong>of</strong> abolition in regional museums. The book also<br />

looks at ‘guerrilla memorialisation’, with its refusal to consider amnesia as an option, and the<br />

artistic interventions it has provoked.<br />

Author<br />

Dr. Alan Rice<br />

<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong><br />

Liverpool <strong>University</strong> Press<br />

ISBN 978-1-84631-471-1<br />

Expanding on recent theoretical writing on memory and memorialisation, Creating Memorials,<br />

Building Identities draws on the work <strong>of</strong> contemporary thinkers, writers and artists <strong>of</strong> the black<br />

Atlantic, such as Toni Morrison, Jackie Kay, Lubaina Himid and Caryl Phillips. The book presents<br />

a compelling case for the continuing importance <strong>of</strong> the legacy <strong>of</strong> slavery, whilst engaging with<br />

the complex problem <strong>of</strong> how traumatic histories are best commemorated.<br />

‘Rice’s book combines breadth <strong>of</strong> learning, enthusiastic engaged scholarship, and commitment<br />

to freedom and equality.’<br />

Pr<strong>of</strong>essor Gen Doy, De Montfort <strong>University</strong><br />

‘...an insightful and <strong>of</strong>ten moving critical response to the diaspora-wide search for memorials<br />

“that conserve memory without being conservative.”’<br />

Pr<strong>of</strong>essor Arlene R. Keizer, author <strong>of</strong> Black Subjects: Identity Formation in the Contemporary<br />

Narrative <strong>of</strong> Slavery<br />

‘Interdisciplinary work is <strong>of</strong>ten called for but rarely achieved. Alan Rice’s Creating Memorials,<br />

Building Identities is a striking example <strong>of</strong> how it is best done. With this new book, British<br />

“heritage” is considerably enriched and diversified.’<br />

Pr<strong>of</strong>essor Richard H.King, <strong>University</strong> <strong>of</strong> Nottingham


32 Book Launches<br />

Ethics and Self Knowledge<br />

Author<br />

Dr Peter Lucas<br />

<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong><br />

Springer<br />

This book makes a contribution to ongoing research in ethical theory and applied ethics,<br />

in which several members <strong>of</strong> the UCLan Philosophy team are engaged. Until now, the human<br />

capacities that have received most attention from ethicists have been our capacity for pleasure<br />

and suffering, and our capacity to make self-determining choices. However, human beings<br />

also have a distinctive capacity for self-interpretation and self-knowledge. The aim <strong>of</strong> this<br />

book is to outline and account for our ethical responsibilities to others in respect <strong>of</strong> this<br />

capacity. It focuses in particular on a distinctive class <strong>of</strong> moral wrongs – interpretive moral<br />

wrongs – which affect others at the level <strong>of</strong> their self-understanding. When we (e.g.)<br />

discriminate against someone, when we objectify or commodify them, we wrong them in a<br />

manner that promises to impact not only on their wellbeing and their autonomy, but also on<br />

their understanding <strong>of</strong> who and what they are. By highlighting the importance <strong>of</strong> this theme,<br />

the book aims to re-connect contemporary moral theorising with the tradition <strong>of</strong> philosophical<br />

reflection on ethics and self-knowledge, which links philosophers as diverse as Hegel, Sartre<br />

and Foucault, amongst others. The book will be <strong>of</strong> interest to anyone with an interest in the<br />

philosophical underpinnings <strong>of</strong> contemporary applied and pr<strong>of</strong>essional ethics.<br />

ISBN 978-94-007-1559-2<br />

Online Learning<br />

With the recent emergence <strong>of</strong> Web 2.0 technologies and the widespread use and availability <strong>of</strong><br />

laptop computers and wireless networks, the integration <strong>of</strong> digital technologies is increasingly<br />

seen as an inevitable factor in e-Learning and education. Published in June <strong>2011</strong> by Sage,<br />

Online Learning (Volumes I-IV) examines the influence <strong>of</strong> new technologies on online pedagogy<br />

and provides an authoritative synthesis <strong>of</strong> existing research in the field. It also investigates the<br />

direction <strong>of</strong> e-Learning in the digital age. Consisting <strong>of</strong> approximately 85 articles, the five parts<br />

focus on:<br />

Part One: Pr<strong>of</strong>essional Development and Training<br />

Editor<br />

Dr Michael Thomas<br />

<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong><br />

Sage<br />

ISBN 978-0-857-02765-8<br />

Part Two: Digital Pedagogies<br />

Part Three: Digital Literacies<br />

Part Four: New and Emerging Technologies<br />

Part Five: Online Assessment<br />

“Online learning is growing rapidly as a discipline and in terms <strong>of</strong> its influence on education<br />

and training. Many activities that seemed impossible a decade ago - such as person to person<br />

online video - are now common place. The last five years have produced dramatic change in<br />

how individuals interact with each other and with information. This publication provides among<br />

the best theorizing, research, and implementation on online learning. Those who are new to<br />

technology in learning will find it a wonderful starting point. Those with extensive experience in<br />

online learning will find it to be an excellent foundation to revisit.”<br />

George Siemens, Athabasca <strong>University</strong>, Canada


Book Launches<br />

33<br />

Deconstructing Digital Natives<br />

There have been many attempts to define the generation <strong>of</strong> students who emerged with the<br />

Web and new digital technologies in the early 1990s. The term "digital native" refers to the<br />

generation born after 1980, which has grown up in a world where digital technologies and the<br />

internet are a normal part <strong>of</strong> everyday life. Young people belonging to this generation are<br />

therefore supposed to be "native" to the digital lifestyle, always connected to the internet and<br />

comfortable with a range <strong>of</strong> cutting-edge technologies.<br />

Editor<br />

Dr Michael Thomas<br />

<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong><br />

Routledge<br />

ISBN 978-0-415-88993-3<br />

Deconstructing Digital Natives <strong>of</strong>fers the most balanced, research-based view <strong>of</strong> this group to<br />

date. Existing studies <strong>of</strong> digital natives lack application to specific disciplines or conditions,<br />

ignoring the differences <strong>of</strong> educational fields and gender. How, and how much, are learners<br />

changing in the digital age? How can a more pluralistic understanding <strong>of</strong> these learners be<br />

developed? Contributors to this volume produce an international overview <strong>of</strong> developments in<br />

digital literacy among today’s young learners, <strong>of</strong>fering innovative ways to steer a productive<br />

path between traditional narratives that <strong>of</strong>fer only complete acceptance or total dismissal <strong>of</strong><br />

digital natives.<br />

“Deconstructing Digital Natives uses multiple analytic/descriptive lenses to bring the mercurial<br />

lives, literacies, and learning <strong>of</strong> digital youth into sharp focus. This comprehensive compilation<br />

<strong>of</strong> studies by noted, international scholars provides the most compelling understandings to<br />

date <strong>of</strong> how global youth engage in meaning making, personal representation, and social<br />

participation enabled by new media. These rich, research-based discussions also deconstruct<br />

myths, assumptions, and either/or projections about digital youth promoted both by disciples<br />

and dissenters <strong>of</strong> increasingly immersive digital technologies.”<br />

Pr<strong>of</strong>essor Jabari Mahiri, Graduate School <strong>of</strong> Education, <strong>University</strong> <strong>of</strong> California, USA<br />

Enhancing Asia-Europe Co-operation<br />

through Educational Exchange<br />

Author<br />

Pr<strong>of</strong>essor Georg Wiessala<br />

<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong> and<br />

Routledge<br />

ISBN 978-0-415-48194-6<br />

Reproduced with permission <strong>of</strong><br />

Taylor & Francis.<br />

This book examines the ideas <strong>of</strong> knowledge-transfer and higher education exchange in the<br />

relationship between the European Union and countries, regions, universities and think-tanks<br />

across Asia. It critically investigates some discourses <strong>of</strong> particular relevance to the cognitive<br />

framework <strong>of</strong> the academic discipline <strong>of</strong> ‘European Studies’, as currently taught across a<br />

number <strong>of</strong> countries in the Asia Pacific. For this purpose, this book presents a range <strong>of</strong><br />

theoretical explanations, drawn from notions such as the global knowledge village, intercultural<br />

dialogue, regional integration, foreign policy analysis and international education. The author<br />

<strong>of</strong>fers a unique, in-depth, investigation <strong>of</strong> a range <strong>of</strong> EU policies and agendas towards Asia,<br />

scrutinizing a number <strong>of</strong> contemporary centers, curricula and exchange initiatives in the field <strong>of</strong><br />

European Studies in Asia, and analyzing over-arching themes, such as human rights and further<br />

sheds light on the long history <strong>of</strong> the exchange <strong>of</strong> ideas and knowledge between East and<br />

West, surveying the function <strong>of</strong> educational and intellectual exchange as a developing foreign<br />

policy tool <strong>of</strong> the European Union in Asia.<br />

This book is essential reading for anyone interested in the relation between Europe and Asia,<br />

within Politics, International Relations, Asia-Pacific Studies, European Studies, Education, Law<br />

and Human Rights.


34 Book Launches<br />

Ethics and Burial Archaeology<br />

The investigation <strong>of</strong> human remains has always been central to archaeological, but archaeologists<br />

are not the only ones with an interest in their treatment. Political groups, religious organisations,<br />

descendant communities and disenfranchised interest groups are all becoming more vocal in<br />

expressing their opinions on this subject on a world stage.<br />

Author<br />

Dr Duncan Sayer<br />

<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong><br />

This book sets a new agenda for ethical studies in mortuary investigation, adducing a series <strong>of</strong> case<br />

studies which can be used to understand the questions facing burial archaeology. Who owns the<br />

dead – not just their bodies but also their stories? Do the remains themselves matter or are there<br />

other political agendas which influence interest groups? The author encourages archaeologists to<br />

be more open and inclusive when conducting mortuary projects, as it is <strong>of</strong>ten the perception <strong>of</strong><br />

secrecy or interference with the dead that raises concern about the treatment <strong>of</strong> historical and<br />

scientifically important skeletal remains.<br />

Gerald Duckworth & Co Ltd<br />

ISBN 978-0-71563-893-4<br />

Jerzy Skolimowski: The Cinema <strong>of</strong> a Nonconformist<br />

Jerzy Skolimowski is one <strong>of</strong> the most original Polish directors and one <strong>of</strong> only a handful who<br />

has gained genuine recognition abroad. This is the first monograph, written in English, to be<br />

devoted to his cinema. It covers Skolimowski’s career from his early successes in Poland, such as<br />

Identification Marks: None and Barrier, through his émigré films, Deep End, Moonlighting and<br />

The Lightship, to his return to Poland where, in 2008, he made the internationally acclaimed<br />

Four Nights with Anna.<br />

Author<br />

Pr<strong>of</strong>essor Ewa Mazierska<br />

<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong><br />

Berghahn Books<br />

ISBN 978-1-8454-677-1<br />

Ewa Mazierska addresses the main features <strong>of</strong> Skolimowski’s films, such as their affinity to<br />

autobiographism and surrealism, while discussing their characters, narratives, visual style,<br />

soundtracks, and the uses <strong>of</strong> literature. She draws on a wide range <strong>of</strong> cinematic and literary<br />

texts, situating Skolimowski’s work within the context <strong>of</strong> Polish and world cinema, and drawing<br />

parallels between his work and that <strong>of</strong> two directors, with whom he tends to be compared,<br />

Roman Polański and Jean-Luc Godard.<br />

‘Ewa Mazierska’s monograph is the first book-length study <strong>of</strong> his [Jerzy Skolimowski’s] work,<br />

nearly half a century after his emergence as a one-man Polish New Wave ... Mazierska eschews<br />

a chronological survey in favour <strong>of</strong> five themed essays ... this approach allows her to make<br />

connections between outwardly disparate films and mount a convincing challenge to the<br />

received opinion that there are fundamental differences between his Polish and non-Polish<br />

output ... this is an important, desperately overdue book.’ Sight & Sound


35<br />

Editorial team<br />

Pr<strong>of</strong>essor Mike Holmes<br />

Head <strong>of</strong> Graduate Research School/Co-Editor<br />

MCHolmes@uclan.ac.uk<br />

01772 893561<br />

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Research Development Manager/Co-Editor<br />

Graduate Research School<br />

EHesketh@uclan.ac.uk<br />

01772 892735<br />

Alison Naylor<br />

Senior Administrative Assistant – Research<br />

Graduate Research School<br />

AZNaylor@uclan.ac.uk<br />

01772 892728<br />

Sarah Warren<br />

Communications Manager<br />

Knowledge Transfer Service<br />

SWarren@uclan.ac.uk<br />

01772 895377<br />

Carolyn Stanley<br />

Marketing Manager<br />

Advancement<br />

CStanley@uclan.ac.uk<br />

01772 894441


<strong>University</strong> <strong>of</strong> <strong>Central</strong> <strong>Lancashire</strong>, Preston, PR1 2HE<br />

Tel: 01772 201201 Email: breakthrough@uclan.ac.uk www.uclan.ac.uk/research<br />

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