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brief to the Ontario government's Subcommittee on ... - ACTRA Toronto

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However, <str<strong>on</strong>g>the</str<strong>on</strong>g> Copyright Act c<strong>on</strong>fers up<strong>on</strong> a performer a copyright in <str<strong>on</strong>g>the</str<strong>on</strong>g><br />

performer’s performance. As a rule, <str<strong>on</strong>g>the</str<strong>on</strong>g> performer’s copyright in his<br />

performance includes <str<strong>on</strong>g>the</str<strong>on</strong>g> exclusive right <str<strong>on</strong>g>to</str<strong>on</strong>g> authorize or prohibit <str<strong>on</strong>g>the</str<strong>on</strong>g> fixati<strong>on</strong> of<br />

<str<strong>on</strong>g>the</str<strong>on</strong>g> performance in any material form and <str<strong>on</strong>g>the</str<strong>on</strong>g> renting out of <str<strong>on</strong>g>the</str<strong>on</strong>g> sound<br />

recording. It also gives performers a certain degree of c<strong>on</strong>trol over <str<strong>on</strong>g>the</str<strong>on</strong>g><br />

communicati<strong>on</strong> of <str<strong>on</strong>g>the</str<strong>on</strong>g>ir performance <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> public, where <str<strong>on</strong>g>the</str<strong>on</strong>g> performance is<br />

not already fixed, and over <str<strong>on</strong>g>the</str<strong>on</strong>g> reproducti<strong>on</strong> of <str<strong>on</strong>g>the</str<strong>on</strong>g> fixati<strong>on</strong> of <str<strong>on</strong>g>the</str<strong>on</strong>g>ir<br />

performance.<br />

C<strong>on</strong>sequently, <str<strong>on</strong>g>the</str<strong>on</strong>g> tax legislati<strong>on</strong> will be amended <str<strong>on</strong>g>to</str<strong>on</strong>g> extend <str<strong>on</strong>g>the</str<strong>on</strong>g> deducti<strong>on</strong><br />

respecting copyright income <str<strong>on</strong>g>to</str<strong>on</strong>g> income derived from a performer’s copyright in<br />

his performance.<br />

More specifically, <str<strong>on</strong>g>the</str<strong>on</strong>g> rules used <str<strong>on</strong>g>to</str<strong>on</strong>g> determine eligible income for this<br />

deducti<strong>on</strong>, for a recognized artist, will be changed so that <str<strong>on</strong>g>the</str<strong>on</strong>g> amounts<br />

derived from a performer’s copyright in his performance is included in <str<strong>on</strong>g>the</str<strong>on</strong>g><br />

calculati<strong>on</strong> of <str<strong>on</strong>g>the</str<strong>on</strong>g> performer’s copyright income, where <str<strong>on</strong>g>the</str<strong>on</strong>g>se amounts are<br />

included in <str<strong>on</strong>g>the</str<strong>on</strong>g> calculati<strong>on</strong> of <str<strong>on</strong>g>the</str<strong>on</strong>g> performer’s income for <str<strong>on</strong>g>the</str<strong>on</strong>g> year.<br />

<br />

Recogniti<strong>on</strong> of performers’ right <str<strong>on</strong>g>to</str<strong>on</strong>g> equitable remunerati<strong>on</strong><br />

Under <str<strong>on</strong>g>the</str<strong>on</strong>g> Copyright Act, performers are generally entitled <str<strong>on</strong>g>to</str<strong>on</strong>g> equitable<br />

remunerati<strong>on</strong> for <str<strong>on</strong>g>the</str<strong>on</strong>g> performance in public or <str<strong>on</strong>g>the</str<strong>on</strong>g> communicati<strong>on</strong> <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> public<br />

by telecommunicati<strong>on</strong> of <str<strong>on</strong>g>the</str<strong>on</strong>g> sound recording of <str<strong>on</strong>g>the</str<strong>on</strong>g>ir performance.29 Thus,<br />

royalties may be paid where, for example, such a sound recording is<br />

broadcast <strong>on</strong> <str<strong>on</strong>g>the</str<strong>on</strong>g> radio or is used as mood music in certain establishments,<br />

such as restaurants.<br />

In short, <str<strong>on</strong>g>the</str<strong>on</strong>g> royalties paid pursuant <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> right <str<strong>on</strong>g>to</str<strong>on</strong>g> equitable remunerati<strong>on</strong> are,<br />

in <str<strong>on</strong>g>the</str<strong>on</strong>g> case of sound recordings of musical works, primarily levied by a<br />

collective society according <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> tariff certified by <str<strong>on</strong>g>the</str<strong>on</strong>g> Copyright Board of<br />

Canada. The royalties are <str<strong>on</strong>g>the</str<strong>on</strong>g>n divided am<strong>on</strong>g <str<strong>on</strong>g>the</str<strong>on</strong>g> performers according <str<strong>on</strong>g>to</str<strong>on</strong>g><br />

specific terms and c<strong>on</strong>diti<strong>on</strong>s.<br />

To account for <str<strong>on</strong>g>the</str<strong>on</strong>g> fact that <str<strong>on</strong>g>the</str<strong>on</strong>g> amounts received by performers pursuant <str<strong>on</strong>g>to</str<strong>on</strong>g><br />

<str<strong>on</strong>g>the</str<strong>on</strong>g>ir right <str<strong>on</strong>g>to</str<strong>on</strong>g> equitable remunerati<strong>on</strong> are closely related <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> royalties<br />

received by authors of musical works for <str<strong>on</strong>g>the</str<strong>on</strong>g>ir copyright, notably for radio play<br />

of <str<strong>on</strong>g>the</str<strong>on</strong>g>ir music, <str<strong>on</strong>g>the</str<strong>on</strong>g> tax legislati<strong>on</strong> will be amended so that <str<strong>on</strong>g>the</str<strong>on</strong>g>se royalties are<br />

also c<strong>on</strong>sidered for <str<strong>on</strong>g>the</str<strong>on</strong>g> purposes of <str<strong>on</strong>g>the</str<strong>on</strong>g> deducti<strong>on</strong> respecting copyright<br />

income.<br />

More specifically, <str<strong>on</strong>g>the</str<strong>on</strong>g> rules used <str<strong>on</strong>g>to</str<strong>on</strong>g> determine eligible income for this<br />

deducti<strong>on</strong>, for a recognized artist, will be changed so that <str<strong>on</strong>g>the</str<strong>on</strong>g> amounts<br />

derived from <str<strong>on</strong>g>the</str<strong>on</strong>g> right <str<strong>on</strong>g>to</str<strong>on</strong>g> equitable remunerati<strong>on</strong> c<strong>on</strong>ferred by <str<strong>on</strong>g>the</str<strong>on</strong>g> Copyright<br />

Act for <str<strong>on</strong>g>the</str<strong>on</strong>g> performance in public or <str<strong>on</strong>g>the</str<strong>on</strong>g> communicati<strong>on</strong> <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> public by<br />

telecommunicati<strong>on</strong> of a sound recording of <str<strong>on</strong>g>the</str<strong>on</strong>g> performer’s performance are<br />

included in <str<strong>on</strong>g>the</str<strong>on</strong>g> calculati<strong>on</strong> of <str<strong>on</strong>g>the</str<strong>on</strong>g> performer’s copyright income, where <str<strong>on</strong>g>the</str<strong>on</strong>g>se<br />

amounts are included in <str<strong>on</strong>g>the</str<strong>on</strong>g> calculati<strong>on</strong> of <str<strong>on</strong>g>the</str<strong>on</strong>g> performer’s income for <str<strong>on</strong>g>the</str<strong>on</strong>g> year.<br />

<strong>ACTRA</strong> Tor<strong>on</strong><str<strong>on</strong>g>to</str<strong>on</strong>g> Performers<br />

Brief <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> Status of <str<strong>on</strong>g>the</str<strong>on</strong>g> Artist <str<strong>on</strong>g>Subcommittee</str<strong>on</strong>g> 20

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