brief to the Ontario government's Subcommittee on ... - ACTRA Toronto
brief to the Ontario government's Subcommittee on ... - ACTRA Toronto
brief to the Ontario government's Subcommittee on ... - ACTRA Toronto
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purposes over a seven year period. 3 The Quebec model can certainly<br />
be improved up<strong>on</strong>. In particular, <strong>ACTRA</strong> objects <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> applicati<strong>on</strong> of<br />
<str<strong>on</strong>g>the</str<strong>on</strong>g> tax exempti<strong>on</strong> <strong>on</strong>ly <str<strong>on</strong>g>to</str<strong>on</strong>g> copyright income, since this provides no<br />
relief for most of <str<strong>on</strong>g>the</str<strong>on</strong>g> income of performing artists in <str<strong>on</strong>g>the</str<strong>on</strong>g> film and<br />
televisi<strong>on</strong> industry. The Quebec initiative illustrates, however, that a<br />
great deal can be d<strong>on</strong>e in this area at <str<strong>on</strong>g>the</str<strong>on</strong>g> provincial level.<br />
(c) The Welfare of Older Artists<br />
Because artists have been so poorly remunerated, many artists who have<br />
c<strong>on</strong>tributed enormously and over many years <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> cultural life of this province<br />
find <str<strong>on</strong>g>the</str<strong>on</strong>g>mselves facing poverty when old age or debilitating illness robs <str<strong>on</strong>g>the</str<strong>on</strong>g>m of<br />
<str<strong>on</strong>g>the</str<strong>on</strong>g>ir ability <str<strong>on</strong>g>to</str<strong>on</strong>g> earn a living. Typically, artists do not earn enough <str<strong>on</strong>g>to</str<strong>on</strong>g> bank<br />
significant credit in <str<strong>on</strong>g>the</str<strong>on</strong>g> Canada Pensi<strong>on</strong> Plan, and do not participate in employer<br />
pensi<strong>on</strong> plans.<br />
<strong>ACTRA</strong>, through <str<strong>on</strong>g>the</str<strong>on</strong>g> Actra Fraternal Benefit Society, administers individual<br />
RRSP accounts for artists. <strong>ACTRA</strong> agreements require producers/engagers <str<strong>on</strong>g>to</str<strong>on</strong>g><br />
make RRSP c<strong>on</strong>tributi<strong>on</strong>s <strong>on</strong> behalf of engaged artists. Because of <str<strong>on</strong>g>the</str<strong>on</strong>g>ir low<br />
earnings, however, <strong>ACTRA</strong> members do not as a rule have significant RRSP<br />
c<strong>on</strong>tributi<strong>on</strong> room. Fur<str<strong>on</strong>g>the</str<strong>on</strong>g>rmore, many artists are forced <str<strong>on</strong>g>to</str<strong>on</strong>g> collapse <str<strong>on</strong>g>the</str<strong>on</strong>g>ir plans<br />
during periods of low or no earnings; in essence, <str<strong>on</strong>g>the</str<strong>on</strong>g>y are forced <str<strong>on</strong>g>to</str<strong>on</strong>g> use <str<strong>on</strong>g>the</str<strong>on</strong>g>ir<br />
plans during <str<strong>on</strong>g>the</str<strong>on</strong>g>ir working lives as a form of income averaging. They lose both<br />
accumulated savings and RRSP c<strong>on</strong>tributi<strong>on</strong> room which cannot be recovered.<br />
RRSP savings are <str<strong>on</strong>g>the</str<strong>on</strong>g>refore often not available <str<strong>on</strong>g>to</str<strong>on</strong>g> artists <str<strong>on</strong>g>to</str<strong>on</strong>g> fund <str<strong>on</strong>g>the</str<strong>on</strong>g>ir<br />
retirements.<br />
Artists typically cannot afford <str<strong>on</strong>g>to</str<strong>on</strong>g> own <str<strong>on</strong>g>the</str<strong>on</strong>g>ir own homes. They have a pressing<br />
need for retirement housing tailored <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g>ir unique circumstances. Tor<strong>on</strong><str<strong>on</strong>g>to</str<strong>on</strong>g> arts<br />
uni<strong>on</strong>s, including <strong>ACTRA</strong> Tor<strong>on</strong><str<strong>on</strong>g>to</str<strong>on</strong>g> Performers, have funded <str<strong>on</strong>g>the</str<strong>on</strong>g> Performing Arts<br />
Lodges of Canada (PAL) <str<strong>on</strong>g>to</str<strong>on</strong>g> provide housing for older artists who are not able <str<strong>on</strong>g>to</str<strong>on</strong>g><br />
work any l<strong>on</strong>ger, and are in financial need. More assistance is needed <str<strong>on</strong>g>to</str<strong>on</strong>g> provide<br />
affordable housing tailored <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> needs of older artists.<br />
We urge <str<strong>on</strong>g>the</str<strong>on</strong>g> committee <str<strong>on</strong>g>to</str<strong>on</strong>g> support <str<strong>on</strong>g>the</str<strong>on</strong>g> following measures of benefit <str<strong>on</strong>g>to</str<strong>on</strong>g> older<br />
artists:<br />
• a statement of legislative principle that <str<strong>on</strong>g>Ontario</str<strong>on</strong>g> recognizes <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
c<strong>on</strong>tributi<strong>on</strong> of older artists <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> cultural life of our province and<br />
our communities;<br />
• income support measures for artists throughout <str<strong>on</strong>g>the</str<strong>on</strong>g>ir working lives,<br />
such as those recommended in this <str<strong>on</strong>g>brief</str<strong>on</strong>g>, in order <str<strong>on</strong>g>to</str<strong>on</strong>g> alleviate<br />
poverty in old age; and<br />
3 The Quebec provisi<strong>on</strong>s, which are very detailed, are more fully explained in Appendix B.<br />
<strong>ACTRA</strong> Tor<strong>on</strong><str<strong>on</strong>g>to</str<strong>on</strong>g> Performers<br />
Brief <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> Status of <str<strong>on</strong>g>the</str<strong>on</strong>g> Artist <str<strong>on</strong>g>Subcommittee</str<strong>on</strong>g> 8