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Jun - Ruhani Satsang USA

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NOTES ON PHOTOGRAPHING<br />

KIRPAL SINGH<br />

N SAN JOSE I was asked to do some<br />

I portraits of Kirpal Singh. If you have<br />

ever looked into His eyes and looked into<br />

a camera, which through its limitational<br />

viewing brings the attention into<br />

eye focus, you can imagine what happens<br />

when you combine the two experiences.<br />

I was using a view-camera of sorts,<br />

which heightened the photographic-viewing<br />

experience. I looked into the groundglass<br />

and came out shaking my head, I<br />

tographer and author of photography<br />

books, is the compiler of Kirpal Singh:<br />

A Visual Biography, just published by<br />

Images Press.<br />

words and pictures by<br />

Robert Lever ant<br />

had gone so far in.<br />

Then the Master was a perfect subject.<br />

His attention was always on me. He<br />

was there one thousand per cent and<br />

wanted also to please. By this I mean He<br />

went through all of the standard facial<br />

attitudes one would expect from a per- .<br />

fect subject. This was for the photographer<br />

and those who wanted the photoraphy.<br />

He didn't want to be photographed.<br />

He would ask, "What is this<br />

for? There are so many already." Nonetheless,<br />

He also wanted to please. "What<br />

do you want?" He frequently asked.<br />

Frankly, I was too frightened to tell<br />

Him. What I wanted was for Him to<br />

talk about Hazur and I would photo-

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