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Third Place - The Rivers School

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theCurrent2008<br />

<strong>The</strong> Current is dedicated to providing the <strong>Rivers</strong> community with cultural<br />

enrichment as well as a stronger appreciation for the arts<br />

through poetry, prose, and artwork produced by <strong>Rivers</strong> students.<br />

Jon Cryan ‘09 Phil Seidl ‘09 Suzanne Gray’09<br />

Each year, the Current holds a competition for all of the submissions received throughout the year. This year, with the<br />

number of submissions we received, we were able to have five categories: Poetry, Prose, Black and White Photography,<br />

Digital or Color Photography and Mixed Media (excluding photography). <strong>The</strong> judges all excel in their fields and<br />

were generous enough to give up some of their time to help us. <strong>The</strong> Poetry judge is well-known poet, Jeffrey Harrison,<br />

who has judged the Poetry competition for the last two years. Our Prose judge is Sharon Pywell, a local novelist. Anne<br />

Havinga, the photography curator of the Museum of Fine Arts in Boston, was willing to help us by judging both of the<br />

Photography categories. Carol Gildar, the former art editor of Scholastic Magazine and a renowned Chicago artist,<br />

judged the Mixed Media competition.<br />

A special Thank You to all who submitted work this year, and to our judges!<br />

Sarah Weintraub ‘08 Molly Jarvis ‘08 Olivia Frosch ‘08<br />

Editor’s Note<br />

This year has been an amazing one for theCurrent. I want to thank our amazing<br />

designer, Molly Jarvis, and my fellow editor, Olivia Frosch. Without you guys,<br />

this magazine would not have been finished on time. I would also like to thank<br />

the rest of the staff, who cram into the tiny Current room during Monday<br />

meetings. You have all been such a big help and a wonderful team of people. I<br />

know you’ll continue to make theCurrent a stunning magazine in the years to<br />

come. Thank you also to everyone who submitted to theCurrent. Regrettably,<br />

we were not able to include every submission, but even if nothing of yours<br />

made it into the magazine, we want to know that your contribution did not go<br />

unappreciated. Congratulations to the prize winners, and thank you to all of<br />

our judges for your input. Also, thank you to Dr. Willard, our wonderful<br />

faculty advisor. We hope you like the ninjas! Lastly, I want to dedicate this<br />

edition of theCurrent to Suzanne Gray, who was our junior editor for the<br />

first half of the year. Unfortunately, she was not able to continue the rest<br />

of the year at <strong>Rivers</strong>, and she has really been missed. Sue Gray, we love you<br />

and we hope you feel better. Thanks to everyone for a fabulous year.<br />

Sarah Weintraub, Senior Editor<br />

theCurrent 2008<br />

Stephanie King ‘10 Brigitte Laukien ‘10 Kathryn Najarian ‘10 Vanesa Pacheco ‘10 Alejandra Rojo ‘11


Table of Contents<br />

4. A Room With A View by Kathryn Najarian<br />

Building by Kate Szostkowski<br />

5. Snakes by Greg Clifford<br />

Trapped in a Pinwheel by Molly Jarvis<br />

6. Kaiser Wilhelm’s Watch by Molly Jarvis<br />

7. Sammie Says by Shannon Deady<br />

Honorable Mention - Poetry<br />

8. Tiger by Kat Gourinovich<br />

First <strong>Place</strong> - Art<br />

9. A Hobby by Jon Cryan<br />

Harbor by Alex Marz<br />

10. Sacrilegious by Vanesa Pacheco<br />

In a Luxurious Dungeon by Molly Jarvis<br />

11. “Doomed for a Certain Term…” by Lori Suvajian<br />

<strong>Third</strong> <strong>Place</strong> - Prose<br />

12. Liquidating Virtue by Rachel Hunter<br />

Discards by Molly Barstow<br />

13. <strong>The</strong> Tunnel of Memoirs by Molly Jarvis<br />

14. Sonnet 26 by Jon Cryan<br />

D&G by Charlie Rugg<br />

15. Biting the Bullet of Hope by Callie Bullion<br />

16. Horizons by Cristina Taylor<br />

17. Stone Cloaks by James Bowman<br />

Second <strong>Place</strong> - Poetry<br />

Julie and the Chocolate Factory by Molly Jarvis<br />

18. Nature’s Term by Lori Suvajian<br />

Water Hands by Alex Marz<br />

First <strong>Place</strong> - Digital Photography<br />

19. Gathering by Molly Barstow<br />

Waiting by Olivia Frosch<br />

20. <strong>The</strong> Mirthless Shadow by Sean Gannnon<br />

<strong>Third</strong> <strong>Place</strong> - Poetry<br />

Tree Puddle by Phil Seidl<br />

Second <strong>Place</strong> - Black and White Photography<br />

21. Five Hundred, Twenty-Five Thousand, Six Hundred<br />

by Anonymous<br />

Second <strong>Place</strong> - Prose<br />

22. Masquerade by Sarah Weintraub<br />

23. <strong>The</strong> Street by Stephanie McCartney<br />

Second <strong>Place</strong> - Art<br />

Color Dance by Olivia Frosch<br />

Honorable Mention - Art<br />

24. Lunchtime by Molly Barstow<br />

<strong>Third</strong> <strong>Place</strong> - Black and White Photography<br />

25. Cellar Door by Matt Segal<br />

Honorable Mention - Prose<br />

26. Joey’s Park by Jen Keefe<br />

Pointe Shoes by Kate Szostkowski<br />

27. Supply & Demand by Brigitte Laukien<br />

<strong>Third</strong> <strong>Place</strong> - Digital Photography<br />

28. Cornucopia of Love by Lila Knisely<br />

29. Lines Composed in My West Newton Home by<br />

Brian Hoefling<br />

Lap by Leah Stansky<br />

First <strong>Place</strong> - Black and White Photography<br />

30. A Product of the Game by Brigitte Laukien<br />

Ruthi by Aaron Behr<br />

31. Rosela by Sarah Weintraub<br />

32. Civil War by Matt McGuinness<br />

First <strong>Place</strong> - Prose<br />

Untitled by Alec Long<br />

<strong>Third</strong> <strong>Place</strong> - Art<br />

34. Chains of Inheritance by Brigitte Laukien<br />

Generations by Molly Barstow<br />

35. <strong>The</strong> Death of a Father by Shannon Deady<br />

First <strong>Place</strong> - Poetry<br />

Scattered by Sarah Weintraub<br />

36. Untitled by Anonymous<br />

Guitar by Alex Marz<br />

Second <strong>Place</strong> - Digital Photography<br />

Mmm... I Wanna Linger by Olivia Frosch<br />

37. Giraffes by Kat Gourinovich<br />

38. Liberty by Jon Cryan<br />

Leap by Kate Szostkowski


Trapped in a Pinwheel<br />

5<br />

Snakes<br />

I hate snakes<br />

slithering snakes long slithering snakes<br />

I hate them<br />

sneaky slithering snakes long sneaky snakes<br />

snakes slide through life<br />

sometimes never seen<br />

I hate snakes<br />

I hate their bodies<br />

I hate their tongues<br />

I hate how they hiss<br />

I hate snakes<br />

slithering snakes<br />

I hate their sleek camouflage skin<br />

I hate their sneakiness<br />

snakes have secrets<br />

they kill<br />

they eat<br />

they slither<br />

I hate snakes<br />

slithering snakes long slithering snakes<br />

I hate them<br />

I hate snakes.<br />

Greg Clifford<br />

Molly Jarvis<br />

Opposite Page: Building by Kate Szostkowski, A Room With a View by Kathryn Najarian


Kaiser Wilhelm’s Watch<br />

Molly Jarvis<br />

6


Sitting on a father’s knee,<br />

He tells her,<br />

“You can be anything you want.”<br />

Instead of being anything<br />

She’s everything:<br />

A waitress,<br />

a chef,<br />

a hairdresser,<br />

a mother.<br />

Without ever leaving the playroom,<br />

Sammie can be all of these things<br />

She believes.<br />

Corvette, red lipstick,<br />

Bold brown eyes, and playful pigtails<br />

clunk clumsily down the hardwood hallway<br />

In six-sizes too big black pumps.<br />

Looking in the mirror,<br />

She sees Cinderella winking back.<br />

To be smart, to be beautiful, to be satisfied.<br />

To be the dreams of all girls<br />

is to be Sammie<br />

Sammie spins.<br />

Arms extended,<br />

offering the world an embrace.<br />

Sammie spins,<br />

giggling and rejoicing,<br />

and finally tumbling gracelessly to the ground.<br />

Her white eyes glance to the sky<br />

she finds her world overturned,<br />

but blurry with bliss.<br />

<strong>The</strong> big blue above<br />

and the soft green below<br />

swirl together<br />

like the finest of finger painting.<br />

SammieSays<br />

Shannon Deady<br />

Honorable Mention<br />

With the help of her imaginary best friend,<br />

Sammie scrambles to her bare feet.<br />

<strong>The</strong> pair skips sprightly up the wooden steps<br />

flinging open the creaky porch door<br />

which slams behind.<br />

Sammie lies<br />

in the damp grass in a midsummer’s eve.<br />

Sammie lies<br />

Kept warm under a blanket made of stars<br />

woven by god.<br />

Tightening the lid,<br />

pressing her face glowing with curiosity<br />

to the glass,<br />

her coffee eyes observe her firefly glow<br />

against the backdrop of a blank night’s sky.<br />

Sammie serves me the sincerest of smiles<br />

and says that she wishes to someday be a firefly.<br />

So, she too, can light the world when it’s dark.<br />

I want to tell her she already does<br />

Hoping to someday find truth exist within my words,<br />

I return a convincing smile and tell her<br />

Dreams are never as far as they seem.<br />

7


First <strong>Place</strong><br />

Kat Gourinovich<br />

8<br />

Tiger


A Hobby<br />

<strong>The</strong> day is fresh within my memory:<br />

<strong>The</strong> day I first set sail. Some northern gale<br />

Blew crisply, growing to a steady wail.<br />

Her pine and crimson hull-work seemed to bury<br />

A hot coal in my chest, a fiery<br />

Emotion; Robin’s wing, a fleshy pale,<br />

Embraced me as I crossed the gunnel-rail.<br />

No angel could more of my fancy curry<br />

Than my vessel cardinal, my Robin.<br />

Alone with her, out on the surf, the sea<br />

And breeze quick-kissed me tenderly.<br />

Return to port did seem to me a sin,<br />

But was inev’table: can’t avoid land.<br />

While on the sea, no sight is worse than sand!<br />

Jon Cryan<br />

Harbor<br />

Digital Print by Alex Marz<br />

9


10<br />

Sacrilegious<br />

Reminiscing on my beatific past.<br />

Meditating on an emotion of security.<br />

I felt safe hiding this secret of pain.<br />

But with one quick jolt.<br />

I could collapse & choke myself to death.<br />

A fall from grace.<br />

Forsaken from the eyes of the lord<br />

& Indifference creeping over me…<br />

Vanesa Pacheco<br />

gradually sinking deeper inside of me.<br />

A stab.<br />

A wound.<br />

I bled.<br />

I dissolved into a profound slumber<br />

& my memories rolled into a hidden<br />

chamber.<br />

But I bled until I was dry.<br />

And then I remembered too late.<br />

Too sick. Too infected.<br />

Contaminated by the disease of a lecher.<br />

<strong>The</strong>y found my flaccid body,<br />

in a wan & gloomy palace,<br />

surrounded by my blissful memories,<br />

& a stain so invisible<br />

it was painful to acknowledge.<br />

In a Luxurious Dungeon Molly Jarvis


Doomed for a certain term to walk the night<br />

And for the day confined to fast in fires<br />

Till the foul crimes done in my days of nature<br />

Are purged and burned away<br />

(Hamlet 1.5.15-18)<br />

<strong>Third</strong> <strong>Place</strong><br />

I imagine it had started as a clear day, that day. Spring air warm as it greeted the waking family.<br />

<strong>The</strong> late April sun starting to rise, anxious to reach its full potential. It would soon get too heated,<br />

though. Blood is hot, and that summer, that year, it would fill the streets with its violent heat. But<br />

they didn’t know. How could they? To think that man was capable of such evils. <strong>The</strong>y didn’t know.<br />

A father, a mother, their children. Close, together. Love. A little one tugs at his mother’s apron as<br />

she cooked breakfast. A father makes the familiar walk down the road to bring home the day’s milk.<br />

A son helps his younger sister dress as time quietly plans to transform him from a boy into a man.<br />

If only. Because soon, the blue sky would darken as their lives are ripped apart.<br />

<strong>The</strong> officers arrive and charge through the door. <strong>The</strong>y knock the little girl off her father’s lap, drag<br />

him from his seat, from his life. His family watches. He is taken to a prison, stomach still filled with<br />

breakfast, and beaten, kicked, broken, shot. Over the next few months, his family would endure the<br />

same torture. His family, his neighbor’s family, a thousand families. In that genocide, over a million<br />

would die. Killed because of who they were, what they were. What I am.<br />

I did not know them, but know them too well. In my dreams the young girl reaches out to me. Her<br />

face is smashed. Her hair is matted with blood. She has the same color hair as me. She screams<br />

my name, eyes wide. She has the same color eyes as me. She grabs my arm, her fingers leaving<br />

bloody marks on my skin. She has the same color blood as me. I wake and feel my face. It is slick<br />

with red, skull cracked, bones snapped and hanging at sharp angles. She was me. She is me. Her<br />

sorrow and her anger live inside my mind, my heart, and they burn through my being when I make<br />

myself remember: <strong>The</strong>y have shot my brother. <strong>The</strong>y have raped my mother. <strong>The</strong>y have shoved<br />

knives beneath my father’s nail beds because they did not like his last name. And the world has<br />

forgotten, left our bodies to rot, and the truth with it. <strong>The</strong>y have buried the truth with our corpses,<br />

and we cannot begin to heal until it is brought to light. We started our suffering ninety two year<br />

ago, and continue to be killed by the lies that live on. Wandering, in limbo. Politics and cowardice<br />

conceal our history, as we are informed that our murders never occurred.<br />

That is why my hair is black. Why my fists tighten. Why my chest pounds, literally pounds, when<br />

it is mentioned. No one knows, no one cares, save the people who were killed, and those who came<br />

from them. Save us. Save me.<br />

Lori Suvajian<br />

11


12<br />

Discards Molly Barstow<br />

Liquidating Virtue<br />

Blinded by tangible temptation<br />

Eden’s apple spoils<br />

corporation perfection.<br />

Raw military emotion<br />

screams in uniform silence<br />

against Purity’s unsung strain.<br />

Rachel Hunter


Molly Jarvis<br />

<strong>The</strong> Tunnel of Memoirs<br />

13


Sonnet 26<br />

How odd it is that I should feel this way.<br />

My breath is short; my heart beat’s quick; my mind<br />

Is rambling and left with naught to say.<br />

I’m speechless in this atmosphere divine.<br />

Your presence is a strong tropical breeze;<br />

My spirit is a tossed and stormy sea.<br />

When you approach, my common sense is seized;<br />

When you depart, my heart breaks callowly.<br />

Your voice, an angel’s song: perfectly versed<br />

And tuned to an enchanting melody.<br />

Your wake: perfume. I’d rather be immersed<br />

In yours than any Paris offers me.<br />

Some gorgeous sirens beg me anchor to<br />

<strong>The</strong> lovely floating isle that is you.<br />

Jon Cryan<br />

14<br />

D&Gby Charlie Rugg


15<br />

Biting the Bullet<br />

of Hope<br />

Callie Bullion<br />

My head is aching and my stomach is churning, threatening to show me all that I haven’t eaten. I don’t know<br />

how long I’ve been here, probably a month or two. But I know they’ll come for me, they’ll come. I can still smell<br />

the smoke and hear the explosion and feel the shrapnel and fear flying past my face that started this nightmare, and<br />

it makes me drunk with nerves. Those dirty men dragged me here, wherever here is, and beat me ’til I had to cry<br />

for mercy. <strong>The</strong>y just laughed and left me in this room, blindfolded and terrified. But they’ll come for me, they’ll<br />

come. I’ve never felt true fear before; maybe I thought that I had a few times, but it was nothing compared to this. I<br />

don’t know where I am, I don’t know what’s going on around me, and I can’t even understand what my guards and<br />

captors say. I think I regret not taking that Intro to Arabic course I was offered freshman year. For all I know they<br />

could be plotting where to dump my body once they kill me. But no. <strong>The</strong>y’ll come for me, I know they’ll come.<br />

It’s chokingly hot in here and I haven’t breathed fresh, free air since they brought me here. I’m hungry,<br />

I’m thirsty, and I have way too much time to spend thinking, which is the most dangerous thing of all. I think<br />

about my mom, my dad, my little brother, and I know that my situation is causing them as much fear and<br />

pain as it’s causing me. I think about my buddies back home and over here with me. What I wouldn’t give to<br />

be with them now, safe and laughing, without the constant fear that I might not live through the next day. But<br />

they’ll come for me, they’ll come. I’m too weak and tired for tears anymore and mostly lie curled on my side,<br />

trying to sleep and only succeeding when I either worry myself to sleep or when fear exhausts me so much<br />

that I can’t do anything more than hide in the dark wings of sleep. But they’ll come for me, they’ll come.<br />

<strong>The</strong> only sickeningly ironic upside to all this is the fact that I’ve probably been on TV more times than<br />

I was in my school newspaper. <strong>The</strong> only time I’ve moved from this room was when they wanted to make their<br />

tapes. <strong>The</strong>y blindfolded me and either placed a gun to my head or a sword to my neck, made threats, and made<br />

me beg desperately for my life in front of the whole world. But I pray that no one listens to my false pleas. One<br />

of these days they’ll kill me, but don’t give them what they want. That’d be a dishonor to my memory. You<br />

won’t have to give in to their demands anyway, because they’ll come for me, they’ll come. At first I tried to fight<br />

them, but I’ve long since lost that strength and courage, preferring to keep my head for as long as I can, just a<br />

kid cowering in a corner now. I wanted to be a hero, but what am I now, lying broken on some stone floor, my<br />

throat almost too dry to speak, my clothes torn to rags, and my thoughts wandering wildly around my head,<br />

crazy with loneliness and fear? I’m no hero. I’m a prisoner waiting for my death sentence to be carried out and<br />

my only bail is the lives of others. But it won’t matter soon because they’ll come for me, they have to come.<br />

All the survival training that I’ve ever gotten has left me now and I’m only living day to day, minute to minute,


eath to breath, trying to force the panic rising in my heart and mind back down into my stomach, where at least<br />

I know what it is I’m feeling. It’s hard to make out individual emotions now, fear and panic and pain and despair all<br />

mixing together in some disturbingly hard to endure concoction in my mind. But it’ll all end when they come for<br />

me, once they come. <strong>The</strong>y can’t forget me here. I’d always seen myself as an optimist before this, but I’m becoming<br />

more and more of a pessimist with every second that ticks by no matter how hard I try to fight it, hoping they’ll<br />

come for me, hoping they’ll come. <strong>The</strong>y promised.<br />

I hear gunshots. That’s nothing new at all. I hear what I think is English being spoken but don’t dare to<br />

hope, barely giving it notice, knowing that I’ve heard and even seen things before that weren’t really there. But<br />

never before have figments of my imagination sworn and yelled and kicked down doors. My heart jumps into<br />

my mouth and I choke on it and on pain as two of my buddies grab my arms and pull them over their shoulders,<br />

supporting me like they always have. I feel weak with pain and relief as they half carry me out into the sweet,<br />

fresh air and the clean, bright sunlight that my body hasn’t felt in months. My eyes water in the almost blindingly<br />

beautiful light and I find that I’m crying as I remember the one thing that I clung to through everything, the<br />

lifeline that I had almost let go of, and they came for me, they came.<br />

Horizons by Christina Taylor<br />

16


Stone<br />

17<br />

Cloaks<br />

Second <strong>Place</strong><br />

JamesBowman<br />

When one talks of the Veil of Secrecy<br />

And the tricks that it plays<br />

On the mind<br />

I can’t help but think to myself<br />

If they only knew<br />

How it really felt inside<br />

For Secrecy isn’t a veil my friend<br />

It can’t be seen through<br />

Or cast to the side<br />

It’s a long sweeping cloak,<br />

Stitched with long chunks of Granite<br />

Not silk<br />

Or cotton<br />

Or wool<br />

But yards and yards of<br />

Cold<br />

Hard<br />

Oppressive<br />

Unforgiving<br />

Granite<br />

Which engulfs, enwraps and envelops all inside<br />

<strong>The</strong> stone hangs concretely over my shoulders<br />

Pressing down with the weight of my lies<br />

<strong>The</strong> lies that were told to keep up the secret,<br />

<strong>The</strong> secret that hangs<br />

Obstructing my eyes<br />

Julie and the Chocolate Factory Molly Jarvis


Water Hands by Alex Marz<br />

First <strong>Place</strong><br />

Her belly swollen from an aching frost,<br />

A white expanse across a mounded field.<br />

But underneath the soil seedlings dost<br />

Grow until that pregnant state is yield.<br />

<strong>The</strong> young green babes are naked in their youth,<br />

Protected from corruption above,<br />

For with their shelter comes a naked truth:<br />

Naught is purer than a mother’s love.<br />

For though she braves the icy winds herself,<br />

Her children are protected from the blast.<br />

Through all of January, like an elf,<br />

<strong>The</strong> greenery will hide till born at last.<br />

In sacrifice will Nature bear her load<br />

18<br />

So in April beauty can be told.<br />

Nature’s Term by Lori Suvajian


19<br />

Gathering by<br />

Molly Barstow<br />

Waiting by<br />

Olivia Frosch


20<br />

Oh I can see it coming now<br />

I can see it coming down the lane<br />

One, two… one, two…<br />

Through the mossy wood growing greener by cycle<br />

Across the flowing stream of yesterday’s sorrows<br />

Past the rocky crevasse of age-old stones<br />

Past the traveler’s mailbox rooted to the earth<br />

And out into the open where love roams free<br />

And where the air above is light and calm<br />

It pauses here to say goodbye<br />

Because the truth told was surely a lie<br />

Stopping just long enough for me to know what I need<br />

For the tears to stroll down and the heart to shower blood<br />

I guess that way we feel is in the waves<br />

Flushed out into nothing with the changing tides<br />

And so it heads back from where it thrives<br />

Trampling on my reason in the passing way<br />

Back to where the sky’s cloudy and dark<br />

And she’s on the other side of the stream now<br />

Because I dread tomorrow sorrows<br />

That ever-present wretch knocking on the door<br />

One, two… one, two…<br />

I let her slip and now she’s gone<br />

<strong>The</strong> hope I saw was never there at all<br />

And as I reach out, there’s no pull, no one holding on<br />

Tree Puddle by Phil Seidl<br />

Second <strong>Place</strong><br />

[<br />

<strong>The</strong> Mirthless Shadow by Sean Gannon]<br />

<strong>Third</strong> <strong>Place</strong>


So here’s the honest truth about all of it. I know that you probably expected that from the beginning,<br />

and thank you for over-estimating me.<br />

You promised you’d call me on my birthday, but you never did. I know you weren’t in any shape to be<br />

making promises when I asked you if you’d sing ‘happy birthday’ to me again like you had a year ago, but I<br />

foolishly thought you would remember. You forgot, and on my seventeenth birthday I sat by a window and<br />

counted the smoldering leaves tumble from the oak trees and waited and wished to hear your voice. On the<br />

first day of my seventeenth year, I would have gladly forsaken every gift and every hallway smile just to hear<br />

you speak one word. Just to know that I had occupied your thoughts for one minute of the one-thousandfour-hundred-and-forty<br />

that constitute your day. That would have been enough. But as I waited through noon,<br />

sunset, evening, and midnight, I gradually came to reach a dreamlike realization that the damage was done<br />

long ago. I am far less innocent than I like to make myself out to be. I imagine you know this by now.<br />

A year before that day, I had answered my cell phone as I had walked over the rolling, sunny green<br />

hills. It was an Indian summer, and your resonant baritone had sighed a smiling rendition of the Birthday song<br />

as I scuffed my bare feet through the grass and smiled into the approaching sunset. You and I had sat close at<br />

bonfires and roasted one another marshmallows until our eyes burned from the smoke. You and I stargazed on<br />

a steep hill in silence until I fell asleep. You woke me the next morning, and I was happy. I made a playlist for<br />

you before you left for the weekend, and as I saw you getting into your car I wanted to give you a sixth hug,<br />

but I didn’t. Until I saw your car pull out of the dusty driveway, I didn’t realize how much I would miss you. I<br />

still don’t.<br />

I know now that I said too much and too little. I both loved you more than my mind could bear and<br />

gave you such a small corner in my heart that I should find no wonder in the failure of our friendship. I<br />

ignored you and simultaneously had an insatiable thirst for your attention. I failed to see how sorry I was until<br />

that door had closed and you were long gone, and I failed to make you hear me when I asked you to come<br />

back. For all this and more, I am impossibly, infinitely, agonizingly sorry.<br />

You were it, as far as I’m concerned. My best friend, my mentor, that one person I would have, in all<br />

pathetic honesty, done anything for. Which is why I still can’t think this is at all real. Which is why, even after<br />

repeating the truth, all I can know is a hazy unreality in which you are still my favorite part of my dull and<br />

insignificant existence.<br />

I mean, has this ever happened to you? Have you ever had someone ripped out of your heart before<br />

you had time to make it better? Before you could kick or scream or cry and beg for the universe to<br />

take something else, anything else, instead? It’s still too huge for me to understand the magnitude of this loss.<br />

And the worst part is that you aren’t even gone – you’re as tangible, as real and wonderful as you always have<br />

been. But you tiptoed out of my life before, in my excruciating naïveté, I saw the symptoms of my beginning to<br />

drift from you.<br />

That’s what you say happened – we grew apart, plain and mind-numbingly simple. And maybe I’m<br />

525,600 Anonymous<br />

Second <strong>Place</strong><br />

21


22<br />

an idiot, but honestly? Life hasn’t been that easy since I stopped playing Legos and cowboy games with the<br />

boys and started wearing dresses. Even I know that you don’t just let someone special go without the fight<br />

of your life. I knew I wasn’t special long before you did, but I wasn’t about to tell you. <strong>The</strong>re’s a lot I never<br />

bothered to tell you that now seems so urgent and important, and yet so irrelevant.<br />

You now live in a world in which I do not exist but for fleeting, second-long thoughts. I forget when<br />

your birthday is, but I will remember on one of those days when the thought of you gives me phantom<br />

pains. And I will want desperately to call you and sing to you like I used to.<br />

But if you don’t ask me to, I won’t. I know that it’s a little too late, but I will take the blame for this.<br />

I hope you never know I wrote you a letter, and I hope you don’t miss me, because the notion of<br />

you needing me back as badly as I need you makes me sick to my stomach. Two-way streets are where<br />

accidents happen. I hope you don’t miss me, but I wish you would.<br />

Masquerade<br />

Sarah Weintraub


<strong>The</strong> Street<br />

Stephanie McCartney<br />

Second <strong>Place</strong><br />

23<br />

Color Dance<br />

Honorable Mention<br />

Olivia Frosch


24<br />

Lunchtime<br />

Molly Barstow<br />

<strong>Third</strong> <strong>Place</strong>


As I walk through the yellow-tiled linoleum kitchen, I spot the white wooden door, with the slightly rusty and<br />

age-worn brass doorknob. I turn it, and it yields with little protest as I swing open the cellar door and descend into<br />

the abyss. Going down the thirteen creaky stairs, I see boxes piled up on a shelf to the right. I pick one up and feel<br />

Cellar Door<br />

a slight, cool breeze. I read the label: bike riding. I suddenly<br />

find myself on a sunny knoll. It’s a late fall day, and my sister<br />

is busy at her figure skating lessons. <strong>The</strong> crisp autumn air fills<br />

my lungs and whips past my smiling face as I speed down the<br />

hill, with the trees whizzing by me. I go faster, and faster, and faster, until suddenly I’m back on that fifth stair.<br />

I place the box back on the shelf, pull a beautiful reddish gold maple leaf out of my hair, and continue<br />

downwards. I reach the grey stone floor, and wince as my bare feet encounter its frigidity. Reaching up, I pull on the<br />

small chain, and a single, naked, forty-watt bulb fills the room with a tired yellow light. I kneel down and blow the<br />

dust off a storage bin marked Legos. I reach in, and am immediately upstairs in my living room, sifting through the<br />

plastic jungle of pieces, looking for one of the perfect size and color needed to complete my latest creation. I find it,<br />

and my face lights up as I click it into place and sprint around to the other side of the recently finished track. I pick<br />

up the two cars that I had made earlier, and begin to race them, adding sound effects that are thousands of times<br />

better than any you could find in a computer file because they are my own. <strong>The</strong> drivers are neck and neck, and the<br />

squealing of brakes fills the room as I stand up slowly from the box, detecting the faint smell of burning rubber and<br />

watching as the single bulb casts a weary shadow on the opposite wall.<br />

I glance farther back, and see a cobweb hanging lazily from the top corner of a blue aluminum filing cabinet.<br />

I walk over, and train my eyes on the middle drawer. I’m assaulted by a puff of stale air as I reach out and grab it.<br />

I instantly pull my hand back as if the handle had been burning hot; hot enough to melt steel. I look down at my<br />

hand, but it is the same, unblemished as it has always been except for the occasional childhood scrape or cut. Out of<br />

nowhere, I’m filled with a sense of dread, and all my mind wants to do is to retreat, back to that cool autumn day,<br />

back to my sunny living room, but again, my hand is drawn towards the handle. I grasp it, white knuckled, and find<br />

myself waving goodbye to my mom, as Evan and I head off to the nearby school to skateboard. It’s a warm summer<br />

day, but the heat is nowhere near as oppressive as it could have been. As we begin walking down my secluded street,<br />

I hear a crow, unusual for this time of day and this season. I pass it off as nothing, and continue towards my school.<br />

We each carry a board, and the rough sandpaper grip rubs against my arm. I shift my board as we begin to cross the<br />

steet, and the sound of a glaring car horn getting nearer and nearer assaults my ears. But it’s only our neighbors,<br />

honking hello to us. I wave back, and find myself already at the school’s basketball court. We put on our helmets, and<br />

I tentatively inch along as Evan zooms around me. We both laugh at the difference of our riding styles, and he starts<br />

to do wheelies, balancing expertly. I look jealously over at him, as he glides by a weeping willow. Not to be left out,<br />

I build up speed, and lean back on the tail end of the board. Everything starts happening slowly. I can pinpoint the<br />

exact moment when the board begins to fly out from under me, when I can see it rocket across the pavement, when<br />

Matt Segal<br />

I’m completely in the air, suspended above the unforgiving earth, when I reach out with my<br />

elbow to break my fall. I land. Hard. But I feel fine. I get up, and then notice the dark maroon<br />

stain, fouling the ground. I glance at my elbow and see the gash, leaking blood all over my shirt. My mind is racing<br />

as I inhale a sharp, ragged breath and let it out in an ear-shattering scream that reverberates and echoes off every<br />

surface in the cold, dark basement.<br />

I jerk away from the cabinet, bathed in a frigid sweat, panting. My wild eyes flit down to my elbow and see<br />

the scar there, exactly where it has always been. Trying to calm myself down, I turn around and head back to the<br />

stairs, still cold, still scared, still adrenalized. I pass by dozens of cartons, each uniquely shaped, labeled and colored,<br />

but I give them no notice. About to walk up the thirteen creaky stairs, I glance sadly at all of the boxes that I lack the<br />

courage to unpack as I turn off the tired yellow light for the last time.<br />

Honorable Mention


26<br />

Joey’s Park<br />

Jen Keefe<br />

Mechanically rings a bell<br />

Books drop, paints drop, blocks drop<br />

Like falling rain of Thunder’s storm.<br />

“Go single file up.”<br />

In cadence fifty feet approach<br />

<strong>The</strong> breath of recess. Yawns<br />

Humidity through open doors.<br />

Shoes clambering fast over lawn<br />

<strong>The</strong>n cross black asphalt quick. From heat<br />

Rise hazy tendrils of steam.<br />

Like bugs that gravitate towards light<br />

In summer, kids amass<br />

Pointe Shoes<br />

Kate Szostkowski<br />

At Joey’s Park. <strong>The</strong> gravel gives,<br />

Releasing wispy gas,<br />

A cloud of dust, polluting lungs<br />

Of young. Protecting high<br />

Above the dust, a fortress---slides<br />

Of metal, chains of fence,<br />

Slade towers, wooden turrets---guards<br />

All childhoods. Innocence<br />

Remains untouched here. Sacred still<br />

Is mud as worshipped by<br />

Hands, sweaty, pink things, clutching Earth’s<br />

Warm blanket under sky.<br />

When grown remember how mud feels<br />

With gravel at your heels.


27<br />

Supply & Demand<br />

<strong>Third</strong> <strong>Place</strong><br />

Brigitte Laukien


28<br />

Cornucopia of Love<br />

Lila Knisley


First <strong>Place</strong><br />

Lap<br />

Leah Stansky<br />

Lines Composed in My West Newton Home<br />

Some restless nights I lie awake;<br />

On others, quiet steps I take<br />

To view through glass the silent world<br />

And think that day is some mistake.<br />

Brian Hoefling<br />

A gentle snow begins to fall,<br />

Obscuring land and buildings all,<br />

<br />

Wished Christendom to join her thrall.<br />

<strong>The</strong> yellow streetlight makes no glare,<br />

And earth is stripped of all her cares.<br />

Soft shadows ëround the street lie curled<br />

And all is still in the cold night air.<br />

<strong>The</strong> world is cleansed of all her sins,<br />

And over chaos, stillness wins.<br />

But such a peace is much too thin<br />

When daybreak comes, and life begins.<br />

29


Kick me again,<br />

Just another time,<br />

As you ruin my rhythm,<br />

And smother my rhyme,<br />

A Product of<br />

the Game<br />

Keep on laughing even after you’ve called me a disgrace,<br />

All you friends stand by you, kicking dirt in my face,<br />

And since OBVIOUSLY I don’t know my place,<br />

You are more than ready, ready to erase,<br />

My ways, my words, my wisdom and love,<br />

But I’m not ready to fall and let my soul rise above,<br />

I’ve just started down this fresh road,<br />

But I guess since I don’t fit your code,<br />

<strong>The</strong> “powers-that-be”<br />

Have a problem with me,<br />

Funny how the ones who marked my words with rage,<br />

Are the ones who are trying to keep me in my cage,<br />

What powerful feelings they gave to a lonesome child,<br />

I guess they didn’t know I would have gone wild,<br />

So I bite, I fight, I scream and I shout,<br />

Because I know no other way to let my frustration out,<br />

Now I’m breaking hearts, throwing loved ones to the floor,<br />

And yet I still find I’m yearning, reaching for more!<br />

Brigitte Laukien<br />

Ruthi Aaron Behr<br />

30


31<br />

Rosela<br />

Sarah Weintraub


32<br />

<strong>Third</strong> <strong>Place</strong><br />

Untitled, Alec Long<br />

Civil War<br />

<strong>The</strong> two boys stumble across the threshold, dripping with sweat from the hike. <strong>The</strong> first is older,<br />

with a grizzly beard and a long, flowing mane of hair bursting out of his helmet from all sides. He is much<br />

larger, strong as a mule, and takes great pride in his physical dominance. <strong>The</strong> second, younger boy is leaner,<br />

with sharper features. He carries a look of determination, despite his state of exhaustion. He has always<br />

been the mouse to his brother’s lion, but his more reserved personality doesn’t keep him from remaining<br />

competitive. <strong>The</strong> two wearily change out of their sweat drenched ski clothes with nothing but thoughts of<br />

a hot tub and a nap on their minds, a relaxing end to a day of intense action.


Later that night, the brothers sit idly as they watch a movie on the couch, occasionally trading<br />

sarcastic remarks about the on screen happenings. <strong>The</strong>y sit in utter peace, a peace that is about to be<br />

shattered and replaced by bitter rivalry. <strong>The</strong> elder turns to the younger and confidently asks, “Can I beat<br />

you in a game?” He is met with a defiant, “You can try.” <strong>The</strong> game, of course, is the last pure sport on earth,<br />

and the only true test of a man’s worth: foosball. Though misplayed by many, the truly skilled know just<br />

how difficult it is to truly become a master. Both boys have been brought up on the game, and are among the<br />

most talented men on earth, artfully controlling every twitch and shift of the little men skewered on metal<br />

poles. <strong>The</strong> boys take their usual positions, the mouse fielding the red team while the lion fields the blue. <strong>The</strong><br />

elder hands the younger the ball to drop ceremoniously into play, a sign of his perceived superiority, giving<br />

up an advantage he feels he doesn’t need. <strong>The</strong> ball is dropped begrudgingly into play as opposing sides tense,<br />

both aware of the war about to be waged.<br />

<strong>The</strong> older brother jumps out ahead to a quick three-nothing lead with a series of powerful and<br />

accurate wrist shots, using his strength to his advantage. “It looks like you’ve lost a step,” he confidently<br />

boasts, an insult his younger counterpart has learned to bear without words. In silence, he shoves the<br />

ball back into play, ready for another bout, consumed by his focus. He quickly fires a half field shot past<br />

his brother’s defenders, putting himself on the scoreboard and showing that despite his slimmer frame,<br />

he too can hammer the ball. “All luck,” his older brother quickly retorts as he takes the ball out of his own<br />

net, disappointment evident in his eyes. “Mine always are,” replies the younger, used to such excuses. <strong>The</strong><br />

battle rages on in this fashion, both fully aware of the pride that is on the line. <strong>The</strong> two boys stand at the<br />

table, sweating inexplicably considering the minimal movement required, as they read the scoreboard: nine<br />

to nine. Game point, sudden death, a winner take all battle for foosball supremacy, and the title of greatest<br />

man on earth that comes with the foosball crown. <strong>The</strong> boys grip their handles with such ferocity that the<br />

bars bend slightly under the strain, and the game’s pace is moved to a new level. <strong>The</strong> ball flies around the<br />

table as if propelled by wings, slamming into the walls with resounding thuds; it’s a wonder the ball doesn’t<br />

split in two. Suddenly struck with an eerie calm, the younger brother gains control of the ball, and with two<br />

quick passes fakes out his brother’s defenders. He knows the shot is going in before he even strikes the ball.<br />

<strong>The</strong> ball flies into the net with such force that it manages to fly out of the hole in the back, hitting the heater<br />

with a satisfying “ping” and falling motionless on the floor. <strong>The</strong> elder slams his fists down on the table in<br />

pure rage, shaking the entire house with the force of his blow. He is filled with shame, bested by his “feeble”<br />

younger brother. <strong>The</strong> younger brother stands still in complete silence, proud of his victory, but afraid of how<br />

his brother will take defeat. <strong>The</strong> anticipation builds as they both stand still for what seems like an eternity.<br />

Slowly, the older mountain of a man picks his head up from the table to say just one word: “Again.”<br />

Matt McGuinness<br />

First <strong>Place</strong><br />

33


Chains of Inheritance<br />

Brigitte Laukien<br />

the rising dust in this lifeless town<br />

comes up only enough to suffocate the youth down.<br />

clogging up their innocent, struggling lungs,<br />

until, at last, a hero comes<br />

to save them from the dark ways of old.<br />

if only one of them were that bold,<br />

that brave, that unique, that strong,<br />

to teach the old that they were wrong.<br />

to inspire the uninspired, and take action.<br />

so one day, young and old could feel satisfaction.<br />

and break free from their self-imposed chains<br />

in this stolid town where the skies forgot how to rain.<br />

break the mold, and speak for all to hear,<br />

and for once not live silenced by fear.<br />

if only the youth would wake-up,<br />

and show the adults it isn’t too late to make-up<br />

for the lives they let pass them by<br />

for the kids they left alone to learn to fly.<br />

after all, in this dying, desolate town,<br />

where all faces are marked with a frown,<br />

what are the adults here, but children that waited too long?<br />

Generations Molly Barstow<br />

34


Scattered Sarah Weintraub<br />

35<br />

<strong>The</strong> Death of a Father<br />

You looked so little when you answered the door.<br />

Press 1 to listen to your voicemail.<br />

“I need you, call when you can”<br />

That’s how I knew he was gone.<br />

You looked so little when you answered the door.<br />

I didn’t know how to help you.<br />

I grabbed you.<br />

Your face pressed into my shoulder,<br />

You shivered<br />

And I held onto your hair.<br />

<strong>The</strong> grief, like cold air, sunk deep into your bones.<br />

I tried to protect you,<br />

To let you know I was there<br />

But the pain held you tighter than I ever could have.<br />

Convulsing,<br />

You told me<br />

“I miss my dad.”<br />

Those words grabbed me,<br />

Robbed the breath from my lungs.<br />

White-knuckled, I clenched you closer.<br />

I didn’t know how to help you.<br />

With each heave of your back,<br />

Each tear on my shoulder,<br />

<strong>The</strong> clamp on my chest tightened.<br />

First <strong>Place</strong><br />

You looked so little when you answered the door.<br />

I had you right there in my arms,<br />

Right there in the doorway,<br />

But I couldn’t save you from the cold.<br />

Shannon Deady


Second <strong>Place</strong><br />

Guitar<br />

Alex Marz<br />

Mmm... I Wanna<br />

Linger Olivia Frosch<br />

36<br />

Untitled, Anonymous<br />

My eyes try to pierce through<br />

<strong>The</strong> fog who lives below<br />

While the cliff holds my feet before hell<br />

Disaster grapples at my back<br />

its frigid breath lingers across my neck.<br />

Freedom sleeps beneath me,<br />

Cradled in Death’s sweet release.<br />

Forward or Back?<br />

Forward, back<br />

I close my eyes and take step.


Giraffes<br />

Kat Gourinovich<br />

37


Leap Kate Szostkowski<br />

Liberty<br />

A bird is free; it dives and flies,<br />

Exchanging dirt for solitary skies.<br />

A fish is free: beneath the sea,<br />

In public reef, or cavern’s privacy.<br />

A dragonfly has not a care;<br />

His home’s untamed and he controls the air.<br />

A tick, a pest, is free to suck<br />

<strong>The</strong> blood of any beast caught by bad luck.<br />

Even a rat is free to live,<br />

And scurry, lay, and feast on what arrives.<br />

A man is free to be alone;<br />

A roach is free to feed his self and own.<br />

But I am always monitored,<br />

Contained, and watched like I’m a prisoner.<br />

My privacy’s forbidden, so that<br />

I am, to you, less human than a rat.<br />

Jon Cryan<br />

38


What we don’t understand we can make mean anything.<br />

Chuck Palahniuk

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