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The Current - The Rivers School

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Ceramics<br />

Sculpture<br />

Drawing<br />

prose<br />

Poetry<br />

Painting<br />

Photo


Judges and staff:<br />

Senior Editors - Evan Gallagher // Cara Vanin // jake roth<br />

Faculty Advisor - Dr. Willard<br />

Judges - Poetry // Adam Rubinstein<br />

- Prose // Barbara Ligon<br />

- 3d Art // Ben Eberle<br />

- 2d art // Joney Swift<br />

- Photo // Joseph Aliotto<br />

Printing - Signature Printing<br />

Staff - Tom, osa, marc, bruna, tessa, sarah, haleigh,<br />

erik, jack, katie, Kevin, Cal<br />

Special thanks to - the edge for all the furniture and lollipops!<br />

<strong>The</strong> <strong>Current</strong> is dedicated to providing the <strong>Rivers</strong> community with<br />

cultural enrichment as well as a stronger appreciation for the arts<br />

through poetry, prose, and artwork produced by <strong>Rivers</strong> students.<br />

1<br />

This year, we wanted to bring <strong>The</strong> <strong>Current</strong> back to its roots. We wanted<br />

to keep it simple and clean so that viewers can focus on the real star of<br />

the show - the fantastic art and literature. Speaking of which, this year’s<br />

batch of submissions was one of the best and most competitive we have<br />

ever had. We tried to include as many submissions as we could, but as<br />

always some really great stuff was left out. For everyone who submitted<br />

their work but was not included, please know that your contribution did<br />

not go unnoticed or unappreciated. It is people like you who allow us<br />

to keep printing, so keep it up! For those who did win, congratulations!<br />

Your work stood out because of its quality in an extremely competitive<br />

field. Enjoy your fame and gift cards! Of course, all this would not be<br />

possible without the constant support of our faculty advisor, Dr. Willard,<br />

and without the imput of our team of judges. And credit has to be given<br />

to the entire <strong>Current</strong> staff. Thanks for putting up with all the shenanigans<br />

and for helping us craft the best magazine evah! With you guys in<br />

charge, we all know next year’s magazine be in very, very good hands.<br />

But for now, take a well-deserved bow. Thank you all for a fantastic year!<br />

- <strong>The</strong> <strong>Current</strong> Editors<br />

From the editors...


03 - Jenna Dicicco // reality is dreaming<br />

Table of Contents<br />

- Nick Sia // rusty pipe // 3rd place<br />

04 - Griffin Kay // Fence<br />

- Stephanie Lie // Jordan pond<br />

21 - Ben Marcus // How was your day<br />

05 - Anna Teng // For <strong>The</strong>o // honorable mention<br />

22 - Casey Sunderland // falling water // 3rd place<br />

- Stephanie Lie // Rice Bowl<br />

23 - Austin Drucker // forever pond<br />

06 - Kate Bullion // Smoke and Smiles<br />

24 - Elaina Bell // Pouring the colors of summer<br />

07 - Lizzy Southwell // Transitional Moment // 1st place<br />

- Casey Sunderland // Sunny sorrows<br />

- Lizzy Southwell // I taste Society Feeling<br />

25 - Austin Drucker // organic puff<br />

08 - Anna Teng // Suspended // First PLace<br />

- Osa Okoh // Steeple<br />

09 - Sean Gannon // PLate // 1st PLace<br />

26 - Griffin Kay // light at the end<br />

- Ben Pasculano // Lily // 1st PLace<br />

- Cara Vanin // Splat<br />

10 - Osa Okoh // Snowy Woods<br />

27 - Evan Gallagher // Timeline // 2nd PLace<br />

- Annie Reardon // anything but ordinary<br />

- Haleigh Crossman // Libro-mar<br />

11 - Elaina Bell // Pad Thai // Honorable Mention<br />

- Margaret Taylor // Las hojas<br />

- Griffin Kay // Shadows of light // 2nd PLace<br />

28 - Andy Gelb // <strong>The</strong> four musketeers // honorable mention<br />

12 - Lizzy Southwell // Light Dance<br />

- Casey Sunderland // Polo players<br />

- Bruna Lee // This is where I belong<br />

29 - Stephanie Lie // Autumn Harvest<br />

13 - Tom Rehnert // Crow // 2nd Place<br />

- Anna Teng // Greener things // 2nd PLace<br />

- Summers Ford // <strong>The</strong> plains // 3rd place<br />

30 - Summers Ford // Me and my memory<br />

14 - Cara Vanin // Casey // Honorable Mention<br />

- Elaina Bell // Woodstock<br />

- Allison brustowicz // ocean pearl<br />

31 - Alejandra Gil // Not always so fortunate<br />

15 - Tessa Kadar // A lifetime’s Worth // 1st Place<br />

- Allison brustowicz // Drizzle<br />

16 - Griffin Kay // Snow<br />

32 - Lizzy Southwell // Engagement<br />

- Phoebe Melnick // ice angels // 2nd place<br />

- Salvatore Sprofera // portrait<br />

17 - Stephanie Lie // Simplicity<br />

33 - Osa okoh // midday church<br />

- Alexandra gaither // Autumn Puddle<br />

- molly steinfeld // absolute sacrifice<br />

18 - Lizzy Southwell // Rolling, looming hills // 2nd place<br />

34 - Allison brustowicz // Short and stout // 3rd place<br />

- Austin drucker // broken fence<br />

35 - Elaina bell // going green<br />

19 - Elaina Bell // Marilyn<br />

36 - Charlie Harrison // dne eht<br />

20 - Brooke Brennan // Nocturnal Jumper // honorable mention<br />

- Stephanie lie // prayer lodge<br />

- Evan Gallagher // Quantum Drop // 2nd place<br />

37 - <strong>The</strong> 7th grade // martin luther king<br />

// honorable mention<br />

38 - eric newman // final resting place // 1st place<br />

2


Crystallized whiteness<br />

Blankets the ancient earth<br />

Gently painting over a landscape of<br />

corruption<br />

Reality hides behind frigid simplicity<br />

Glowing with organic beauty<br />

Canopying eyes from life’s troubles<br />

Maybe for a second…<br />

Trees’ rusty arms clench onto dreamy<br />

sparkle<br />

For a moment…<br />

Jenna DiCicco // Reality Is Dreaming<br />

<strong>The</strong> world is still<br />

White wonderland<br />

Walks through a subconscious imagination<br />

Forever flowing<br />

Perfectly precious<br />

Don’t wake up yet.<br />

Nick Sia // Rusty Pipe // Third Place<br />

3


Stephanie Lie // Jordan Pond, Acadia<br />

Griffin Kay // Fence<br />

4


Anna Teng // For <strong>The</strong>o // honorable mention<br />

Stephanie Lie // Rice Bowl<br />

5


Kate Bullion // Smoke and Smiles<br />

<strong>The</strong> little girl sat in her room, puzzled by what she had just seen. She stared out at the spiraling<br />

snowflakes streaming from the sky. Yet her eyes were not focused on the crystals. She had<br />

long forgotten that her original intention upon arriving home had been to check how much<br />

snow her modest little town would be receiving. Alone after school; she had flipped on the<br />

black box sitting on her kitchen counter, praying that the magic screen would inform her that<br />

conditions would make school unsafe the next day. A meteorologist popped out of the black,<br />

in the midst of prattling on about an expected thirteen inches of accumulation. <strong>The</strong> slight,<br />

nimble figure commenced to twirl around the kitchen table, her laughter sparkling around<br />

the room like the ice outside. <strong>The</strong> sprite grabbed the phone off its receiver as she whizzed<br />

by, and, stopping mid-spin, she began punching in her mother’s number. But a new image<br />

on the screen interrupted her thin thumb in its descent. She looked upon a photo of two tan,<br />

tough-looking boots at the base of an odd-looking black pole. At the top of the pole rested<br />

a thick inverted bowl. <strong>The</strong> little girl giggled, reflecting that if she had been told to make a<br />

sculpture it would have turned out much better than this one. However, as she focused more<br />

of her attention on the screen, she realized that the black portion of the arrangement was no<br />

ordinary pole. It was a gun. A big gun. And the oddly-shaped bowl was not something out<br />

of which she would ever find herself eating cereal. It was a helmet. <strong>The</strong> scenario made little<br />

sense to the young mind, and soon a reporter’s voice floated through her confusion, only adding<br />

to the chaos of the girl’s thoughts. She caught the phrases, “three new deaths this week”<br />

and “withdrawal of troops” along with words she didn’t understand, like “suicide bomber” and<br />

“al qaeda.” <strong>The</strong> screen proceeded to show images of fiery explosions, heavy trucks zooming<br />

across a desert, crying men and women. <strong>The</strong> child was horrified. She threw down the phone,<br />

which she had been clutching tightly to her breast, and snatched up the remote. Yet as she<br />

scrambled to send the terrors before her back into darkness, the images shifted again. <strong>The</strong>re<br />

was a low, grey-brown building on the outskirts of a sprawling town. Filing into it were children,<br />

children about her age. <strong>The</strong> girl’s fears shrank and were replaced by a hesitant curiosity.<br />

She watched in rapture as the newscast took her through an off-white door into a simple<br />

classroom. In the space, the children, and what appeared to be a schoolteacher, were smiling<br />

unabashedly at two men dressed in thick vests and heavy helmets. But despite the busyness<br />

of the scene, the young girl’s eyes were drawn to the men’s footwear. <strong>The</strong>y wore boots. <strong>The</strong><br />

same boots as those that had been used in the strange sculpture at the beginning of the<br />

broadcast. <strong>The</strong>se two tall figures were handing out pencils and notebooks to the children in<br />

the report, and the little outside observer was amazed by how elated the students seemed.<br />

<strong>The</strong>y were only receiving school supplies after all, just pens and paper. She watched, befuddled,<br />

as the report ended with a shot of a boy’s dark beaming face. He reminded her of one<br />

of her classmates at school, a boy with whom she had talked not even a half an hour ago on<br />

the bus ride home. Abruptly, a blaring commercial burst onto the screen, and the miniature<br />

body quickly switched off the box. She distractedly mounted the stairs, contemplating in her<br />

adolescent thoughts all that she had just witnessed. A story beginning with death and fire<br />

had ended with smiling faces. Faces so small, so similar to her own. What did those men in the<br />

boots understand that she didn’t<br />

6


Lizzy Southwell // I Taste Society Feeling<br />

I taste society feeling, the quilted emotions I feel,<br />

Those of young girls, each one feeling hers as it bubbles up delicate and shimmering,<br />

<strong>The</strong> businesswoman feeling as she shrieks uselessly into her cold metal phone,<br />

<strong>The</strong> father feeling his as he searches for one more way to connect, or to disconnect,<br />

<strong>The</strong> college grad feeling what belongs to her in her fresh apartment, the grocery store<br />

worker feeling silently at the checkout counter,<br />

<strong>The</strong> football player feeling as he laughs in a restaurant, the new grandfather feeling as he<br />

weeps,<br />

<strong>The</strong> garbage man’s passions, the teacher’s subduing in the morning, or at the break of<br />

class or on a soccer field,<br />

<strong>The</strong> luscious feeling of the proud sister, or of the ailing young boy in his hospital bed, or of<br />

the man smiling or briskly walking,<br />

Each feeling what belongs to his own soul and to no one else,<br />

<strong>The</strong> evening what belongs to the smooth evening – at night the quieting of all minds,<br />

bouncing, swirling,<br />

Feeling with unlocked chains their secret silvery dreams.<br />

7<br />

Lizzy Southwell // Transitional Moment // 1st place


Anna Teng // Suspended // 1st place<br />

8


Ben Pasculano // Lily // 1st place<br />

Sean Gannon // Plate // 1st place<br />

9


Osa Okoh // Snowy Woods<br />

Annie Reardon // anything but ordinary<br />

It all began when I was told that William Tecumseh Sherman was my great-great-great grandfather. Having no knowledge of the Civil War, I felt a sort of entitlement<br />

that one of my relatives was a Civil War general. However, in seventh grade, when I learned about William Tecumseh Sherman, I was horrified that I was “related” to a man who<br />

burnt the entire South to ash. I kept asking myself, “How did my friend Margaret Taylor come to be related to William Clark, and I had to be related to man who was despised<br />

by the entire South”<br />

My grandfather, known as “Grandpadz” is somewhat of a pathological liar. He does not lie about important things, but instead, about foolish things, for his own<br />

amusement. It was because of him that I carried the burden of my ancestry from ages twelve to sixteen. Last Thanksgiving he sat across from me at the dinner table bragging<br />

about how women with oxygen tanks find him extremely attractive (partly true), or how the week prior, the Episcopal Bishop had given him a spectacular award because of<br />

his beautiful singing voice (the award was a lie, the voice was not). When he paused from his antics, I told him that last week in history we had covered our ancestor William<br />

Tecumseh Sherman. A smile broke from the corners of his mouth as he secretly congratulated himself, for I had given him the assurance that he was still the master of trickery<br />

even at age of ninety-one. For the next ten minutes he went on and on about how William’s rifle had been passed down from generation to generation, and now that he<br />

possessed this historical artifact, he was contemplating whether to donate it to a museum...unless perhaps I had wanted it. I responded with, “Grandpadz, do you really think<br />

I would want to have the rifle that obliterated the South and helped to kill thousands of Americans !” He chuckled to himself for he had hit a nerve, and went back to his<br />

antics.<br />

After supper, Grandpadz and my mom did the dishes. Sitting in the next room over, I overheard Grandpadz say to my mom,“<strong>The</strong> Sherman legend gets em’ every<br />

time: it fooled you, and fooled your daughter.” I heard my mom laugh, for she knew Grandpadz took great pride in his tall tales such as the Sherman legend.<br />

Grandpadz has mastered this art of fibbing. He can tell you the most ridiculous story but his convincing expression could make you believe that what he is telling<br />

you came directly from a history textbook. Grandpadz has cultivated a family full of fibbers. My family tells harmless lies because we wish to make our lives more exciting--<br />

something more than ordinary. But who are we kidding I come from a family who is the farthest thing from ordinary; let’s be honest, who in his right mind would contrive<br />

a legend that his family is related to a mass murderer<br />

10


Elaina Bell // Pad Thai // Honorable Mention<br />

Griffin Kay // shadows of light // Second Place<br />

11


I walk through the heavy metal doors of my condo apartment for the first time in three years. I immediately overflow with memories of my childhood, and while I head through the next set<br />

of doors to take the elevator, I think about how this place hasn’t changed at all over the years. It is November 19, 2009, and the same pink and blue abstract paintings that fill the building remind me of<br />

earlier years. I enter the elevator and search for the button numbered 4. It takes me a few seconds to find it, and I think it’s odd that I can’t remember where that button is, even after pressing it every day<br />

for eleven years. <strong>The</strong> light around the button turns red, and I’m taken back to the number of times I’ve seen that button light up.<br />

I remember being four, coming home after playing at the playground with my grandmother. I had just met a girl from my condo, Carol, who would later become one of my closest friends.<br />

We had played together all afternoon, and I was upset when I had to go back home for dinner. I remember being ten and getting home really late on a summer night after endless games of “manhunt”<br />

throughout our condo. <strong>The</strong> kids filled that condo with life, screaming and running all night long, always getting yelled at by the staff.<br />

<strong>The</strong> elevator reaches the fourth floor and I open the door to my apartment. I look around the apartment, searching for changes in what I remember this place to be like. <strong>The</strong> dull brown<br />

wooden furniture is the same, the decoration of Chinese paintings with animals and incomprehensible Chinese characters is the same, the statue of the Buddha is in the same altar it has always been in<br />

and everything else seems in place, with the exception that the apartment has a different feel to the one I am accustomed to. It seems empty and way too clean and organized for it to be the apartment<br />

I spent the first eleven years of my life in.<br />

Everything looks different, yet the same. I notice the flowery detail of the white curtains and the white stripes of the beige sofa for what seems like the first time. I reminisce about all the times<br />

around the glass dining room table, the many Christmas and New Year’s celebrations. I think about the times I quietly walked into my bedroom, being afraid of waking up my older sister, Helena, after I<br />

had just stayed up all night chatting online with my friends, so that she would not wake up and get into another fight with me. <strong>The</strong>re is a strange feel to the apartment, and yet I know this is exactly where<br />

I need to be: someplace in this condo, living a hectic, yet perfect life.<br />

Later that day I go downstairs and meet up with my friends, who also live in this condo. <strong>The</strong>y are the same three friends I’ve known since I was seven. <strong>The</strong> joy I feel when I see their faces after<br />

being separated for so long is inexplicable. I have never realized how much I missed them until now, when we are reunited. We walk through the condo, passing by the playground with the slide we played<br />

on, the bright pink color of the slide seeming so familiar even after all these years. Yet the slide looks worn out; the plastic material is no longer shiny against the warm sun on this spring day, but dirty<br />

and old. It is not as big and adventurous as it used to look, but small and fragile. We pass by the all purpose court where we spent so much time playing soccer, where I got hit in the face playing softball,<br />

where I learned how to play volleyball, where I first jumped rope, where I fell and scraped my knees so many times, and then got right back up to keep on having a good time with my friends.<br />

Right across from the court is the game room. My thoughts immediately fly over to my last New Year’s celebration spent in Brazil. On the first day of 2006, after the usual family celebration,<br />

the four of us spent New Year’s in this very room, talking and watching Project Runway all night. <strong>The</strong> game room looks different; the couch is different from the one I remember, and the TV is now a flat<br />

screen, in contrast to the old silver Toshiba TV we spent hours in front of. All the thoughts about that room make me smile.<br />

We continue walking around our condo building until we reach the pool. I have been waiting to see this pool again<br />

because of all the memories it brings me. <strong>The</strong> pool is unusually empty for a spring afternoon; there are a few kids playing in the<br />

kiddie pool, but the bigger pool is completely empty. <strong>The</strong> water is calm and clean, and I can see the end of the pool. It looks a<br />

lot shallower than I recall, making me realize how much I have grown. <strong>The</strong>n the memories really hit me hard. I reminisce about<br />

using a floatie in order to not drown when I was just seven and could not swim. When my sister and I were not on bad terms, she<br />

would bring me to this pool every day in the summer and help me learn how to swim. <strong>The</strong>n I think about all the races across the<br />

pool that we had, and I smile at the thought of a group of twenty teenagers waiting for the rain to stop on a summer afternoon<br />

so that we could all jump in the pool and feel the warmth of the water against our skins. Finally, my thoughts go back to just<br />

three years earlier, when the last time I was in this pool was my very last day in Brazil, and all four of us had jumped into the water<br />

with all our clothes on.<br />

I look over at my friends, and I know they are thinking about the same thing. <strong>The</strong>y look different; they are taller,<br />

their clothes and styles are a lot more mature, and their physical features look older and different. Yet when I look in their eyes<br />

I still see the eleven-year old us. I see the earlier version of ourselves, and how strong our friendship was even though we were<br />

so young and innocent. <strong>The</strong>n I shout, “let’s jump in!”<br />

And so we do. I run into the pool and feel the cool water against my skin as I slowly reach the bottom of the pool<br />

and come right back up. While I am underwater, I hear more bodies touching the surface of the water and I know all my friends<br />

have joined me. <strong>The</strong> feeling of my jeans and shirt pulling me down feels weird at first, but I quickly get over it and embrace the<br />

moment. I know this is exactly where I want to be, and this is exactly what I had waited three years for. So much time has passed,<br />

and so many things have changed about our lives: we are older, and we have been exposed to the cruelty and hardships of the<br />

world. We know things are not perfect. Yet at this very moment, I know our innocent selves are back and the all the worries are<br />

erased from our minds, even if only for these ten minutes in this pool. I am at peace, and I know that this bliss does not come<br />

very often. So I close my eyes, hold my breath, and go for another swim around the pool, with a huge smile on my face and a<br />

peace in my soul and mind that I have not felt for three years.<br />

Lizzy Southwell // Light Dance<br />

Bruna Lee // This is where I belong<br />

12


I remember when you took me to the ocean<br />

On my fifteenth birthday<br />

<strong>The</strong> sun so bright overhead.<br />

You said<br />

Tom Rehnert // Crow // 2nd Place<br />

13<br />

Summers Ford // <strong>The</strong> PLains // 3rd PLace<br />

Look around you, son<br />

This is our home<br />

See the yellow grass<br />

Shaking off the midnight frost<br />

Feel the hot wind dancing around you<br />

See the eagle soaring with the wind<br />

No<br />

Climb up on this hill, my son.<br />

Do you see the yellow ocean now<br />

See how it rolls with the breeze<br />

Can you smell the sweet sunshine<br />

No<br />

You got down on your hands and knees then<br />

Pressed your face into the dust<br />

For a moment you were lost<br />

Behind the tall grass<br />

But then you called out to me and told me<br />

To do the same<br />

So I hid behind the grass with you<br />

You said<br />

Shhh Shh, my son<br />

Be still my son<br />

Wait...<br />

So we waited, I don’t remember for how long<br />

And you asked me<br />

Do you feel it my son<br />

I didn’t<br />

But then<br />

Crouched behind the tall billowing grass<br />

<strong>The</strong> earth began to thunder<br />

I felt it in my bones<br />

In my heart<br />

In my blood<br />

You rose onto the balls of your feet<br />

Still crouching<br />

And I did the same<br />

Peeking out through the grass I saw<br />

<strong>The</strong> cloud of black smoke and the metal engine<br />

I saw the cruel mechanical beast<br />

But I didn’t understand<br />

I looked to you for some explanation<br />

But your eyes were so sad<br />

So sad<br />

I remember then you asked<br />

Do you know why we came here son<br />

No<br />

We must remember, my son<br />

We must remember the pounding<br />

Of a thousand hooves<br />

<strong>The</strong> snorting of a thousand beasts<br />

And the thunder of a stampede<br />

We must remember<br />

For if we forget that this is where we come from<br />

We lose who we are<br />

I still didn’t understand<br />

I remember on the drive home I stared out my<br />

window<br />

Watching the yellow ocean roll by<br />

It looked so empty and desolate<br />

Papa, I understand now<br />

We went today and scattered your ashes in the<br />

yellow ocean<br />

<strong>The</strong> sun shone golden overhead<br />

And the eagle soared with the hot wind<br />

And as I sprinkled your ashes I felt it<br />

<strong>The</strong> pounding of a thousand hooves<br />

<strong>The</strong> snorting of a thousand beasts<br />

And the thunder of a lost stampede<br />

Papa, I understand now


Cara Vanin // Casey // Honorable Mention<br />

Allison Brustowicz // Ocean Pearl<br />

14


15<br />

I’m sitting by the window in a red leather armchair, boxy and comfortable. Its cushion is soft enough to let me relax,<br />

yet firm enough that I’m not afraid it might swallow me. What’s perfect about it is that I can either sit up, a laptop on<br />

my knees, or recline, my legs thrown over one arm with my head resting on the other, or maybe with my feet propped<br />

up on the footstool that matches both the chair and its partner, which sits on the other side of a small red-mahogany<br />

coffee table. Right now I’m reclining, my knees drawn up nearly to my chest, in order to balance the book that’s open<br />

across them. Light slants through the floor-to-ceiling window, hitting the table and the carpet but avoiding my book.<br />

<strong>The</strong> canopy of trees, green with summer, numbs some of the light so that it’s not blinding and it doesn’t reflect off the<br />

1st Place<br />

white of the pages into my eyes.<br />

I reach over and take a sip of the hot chocolate that I’m drinking despite the fact that it’s summer. I can’t help it;<br />

something about the hot drink calms me. It doesn’t really matter. <strong>The</strong>re’s nobody here to care, anyway.<br />

I set it back down, my eyes never leaving the page in front of me. I hardly notice the gentle chirping of the birds<br />

outside, or the slightly musty smell of the room around me, or even the room itself. I notice nothing but the book in<br />

front of me and its ever-approaching ending.<br />

Finally, I turn the last page, read the last word. Slowly closing the book, I hold it in my hands and gaze into space,<br />

contemplating what I’ve just read. After a few moments, I sigh softly and shift my legs back around to stand up. I<br />

pick up my mug in one hand and, ignoring the stack of about ten books sitting beside it, endeavor to return the one<br />

tucked into the crook of my arm. I’m careful not to move the armchair, knowing that if I do, it will reveal the deep imprints<br />

it’s left in the thick carpet, and I will have to align it perfectly again, or it will bother me. <strong>The</strong> carpet, a pale yellow<br />

with a patterned design in the same red as the chairs and footstool, stretches throughout the whole room, and I know<br />

if I were to take out all the furniture, there would be deep, long ridges left by the red-mahogany bookshelves that<br />

take up most of the room. Each bookcase reaches ten shelves high, well over my head yet still not quite tall enough<br />

to brush the chandeliers that will illuminate the room once the sun goes down and the windows spanning one wall<br />

aren’t enough.<br />

I walk past a few shelves then head down a row. All of the bookcases are unmarked, partially because I think they<br />

look better that way and partially because I don’t need to mark them. I know where everything is. I know where to<br />

find every single book in this room, even the ones that I haven’t read. I haven’t read most of them, actually. <strong>The</strong>re’s a<br />

lifetime of books in here; I’m only sixteen. But I’m working on it.<br />

What I do know is that these shelves are full of adventures. <strong>The</strong>re are those books that are so old they’re still<br />

bound in cloth and look as though they might simply crumble into a pile of dust if I open them; there are brand-new<br />

hardcover books whose jackets don’t have so much as a tear or wrinkle; there are old paperbacks with broken spines<br />

and dog-eared pages, the kind that might look abused at first glance but are in fact the most loved of all. And each<br />

and every one of them holds a brand new tale, a shining new world that I can dive into. From Seuss to Rowling to<br />

Shakespeare to Dickens and everything in between: I have it all.<br />

I sip my hot chocolate and run my finger along the shelf, knowing that there will be no dust there. When I<br />

stop, my finger is pointing at an empty spot between two books, one that I’ve read and one that I haven’t. I gently<br />

slide my just-finished book in the space between them and leave it. Maybe I’ll miss it and return to it another day,<br />

maybe I’ll be too caught up in another book. I keep going to the end of the row, idly scanning titles. I know if I get<br />

to the end I’ll see my little nook, tucked into an alcove reached by three carpeted steps, and inside will be my desk,<br />

mahogany to match the shelves, with a red leather swivel chair. Inside, I know, are my notebooks, and sitting on top,<br />

beside my cup of pens and pencils, are both my laptop, for quicker, cleaner typing, and an old typewriter, for when I<br />

prefer the sharp smell of ink and the clackety-clack of keys that give me a sense of accomplishment with every letter I<br />

write. I know that I could mount those three stairs and settle down to write, delving into my own new world, or return<br />

to my armchair and pile of unread books, visiting somebody else’s creation.<br />

I do neither of these things. Instead, I take a deep breath and open my eyes. <strong>The</strong> shelves, the carpet, the hot<br />

chocolate, and the books all vanish before me, and are replaced with my bedroom, small and messy and real. I stretch<br />

and get up, rubbing my eyes. I’m done meditating: the room has done its work. I’m relaxed enough now to go to bed<br />

so that I can get up for school in the morning.<br />

I reflect back on the room. My library doesn’t exist. Not yet. But I know, instinctively, that someday it will.<br />

Someday I will walk between its shelves, read in its armchair, write on its old typewriter. And someday it will be full<br />

not of books that I intend to read, but books that I have read. And once I close the last cover of the last book and<br />

return it to its shelf, I will open the door, step out into the world, and go find more.<br />

A Lifetime’s Worth<br />

// Tessa Kadar


Griffin Kay // Snow<br />

She sits down crying, fat tears streaming down her face, dripping off the<br />

bridge of her nose, falling silently onto the ice below her wobbly skates.<br />

Sitting there in a puddle of tears, she has a look in her sad, watery eyes<br />

that says everything. It says she is sick of trying, sick of trying and failing.<br />

She is only five, and her helmeted head barely reaches my hip. She no<br />

longer cares that every mother and every father is staring at her with<br />

disapproving looks, each thinking to themselves how glad they are that<br />

they didn’t raise a quitter. But she’s not a quitter, she’s only five and no<br />

matter how hard she tries, she falls, and no matter how many times she<br />

gets up, the world seems to slip out from under her feet. “It’s too slippery,”<br />

she whispers to me, as she lies sprawled out on her back in her pink<br />

snowsuit. I lay down next to her, “is it too slippery to make snow angels” I<br />

ask quietly. She sits up and looks at me, eyes wide and full of life, the first<br />

time I’ve seen her happy, “is it allowed” she asks, still looking bewildered.<br />

I nod my head, and we lay there, in the middle of the rink, making<br />

snow angels. We ignore the longing looks of the other children skating<br />

and the begrudging looks from their parents because they will never<br />

understand the beauty in the simplicity of making a snow angel in the ice.<br />

Phoebe Melnick // Ice Angels<br />

// 2nd Place<br />

16


I lock my eyes with my grandmother,<br />

her own yellowed with disease. And there I am,<br />

my feet tucked under as I lie trapped<br />

in the screeching train taking me<br />

to the foreign land of her death. My tears<br />

are fists thumping on the windows as all<br />

normality streaks away behind the glass.<br />

I can visit grieving relations,<br />

I know how to be a tourist.<br />

Hear the call, make my travel plan and take the next<br />

flight over. Gawk at the strange inhabitants, try to speak<br />

the language of the eternally marred which seems<br />

Stephanie Lie // Simplicity<br />

sit in the seat cushioned by relief.<br />

impossible to understand. I take the flight back to my life,<br />

I can go home, I’m not bound to that charred landscape.<br />

But what if With guilty, contraband wondering I ask,<br />

how would I inhabit that alien land<br />

I could always wonder, but now there’s no time.<br />

<strong>The</strong> train doors have shut, the swarming nurses keep<br />

filling and filling the suffocated house. <strong>The</strong> relentless iron wheels<br />

turn beneath my feet in their flip-flops and my grandmother asks for<br />

a milkshake. Just let her have what she wants, said with a knowing look.<br />

And with a final crash, the noise stops. <strong>The</strong> kitchen phone rings,<br />

my mother’s screaming sobs are the train doors that open. <strong>The</strong> minister<br />

17<br />

Alexandra Gaither // Autumn Puddle<br />

at the funeral hands me a sermon as I stand smothered in confusion.<br />

Welcome, you have now reached your destination. Here is your passport.<br />

Now I’m a citizen.


I can’t stand the time change, wandering through the rooms of<br />

my new home. It’s my house, but I’m still a stranger. Sometimes<br />

I can’t remember I’m not at home in my old life. Every day<br />

I wake up and, with my eyes still bleary, I look around. I remember<br />

my new citizenship.<br />

Austin Drucker // Broken Fence<br />

I can shut myself away. I close the blinds<br />

of my thoughts, try to forget the painfully looming landscape<br />

behind the gauzy curtain. I convince myself I’m back home<br />

when loneliness bites, but this practice falls away<br />

just as I forget the language of what used to be normal.<br />

Sometimes I explore my grief. People reveal themselves<br />

in the streets of my new world to offer condolences, to<br />

say hello. I’ve gone my whole life never knowing this person’s<br />

true residency, thinking he lived just down the street.<br />

He lives secretly and far away. He had to pound his fists<br />

on the screeching train. A sigh escapes my lips,<br />

warmth fills my heart. I’m not alone in this far-off land.<br />

<strong>The</strong> gleam of a watch still lingering<br />

with the smell of death, an anonymous old<br />

woman in a squeaking wheelchair on cruel white hospital floor,<br />

Lizzy Southwell // Rolling, looming Hills // Second PLace<br />

and suddenly I look up and there it is. <strong>The</strong> sky of my new world,<br />

painted in dull gray and sharp black, arches over me. My eyes wander.<br />

I’ve learned the language, I live off of the food,<br />

but sometimes I still don’t understand the place.<br />

What I carry as a citizen of loss can’t be<br />

forgotten, surrounds everything.<br />

18


19<br />

Elaina Bell // Marilyn


In this world, people have learned to manufacture time. Boxes of it can be found pretty much anywhere. Gas stations,<br />

convenience stores, supermarkets: any store that hopes to remain competitive has to stock at least two or three major brands.<br />

Of course, the time purveyed at such stores is usually low quality time: the best stuff is generally reserved for those who can<br />

afford it. <strong>The</strong>se luxury brands are crafted in small batches and sent directly to distributers from remote, undisclosed locations in<br />

Siberia. <strong>The</strong>ir recipes are closely guarded secrets, and the companies that create them spend large portions of their revenues<br />

trying to improve their designs. After all, when people are willing to spend millions of dollars for a month of extra life, they<br />

expect it to be high-quality time. Glitches and bugs are acceptable when one buys Costco-brand time, but the million-dollar<br />

stuff has to be perfect.<br />

In this world, the men who make time dominate all aspects of life. <strong>The</strong>ir trade has made them rich beyond measure,<br />

and their influence is everywhere. Politicians are figureheads for the time corporations, exchanging their morals for a few<br />

years of extra life. Products are defined by how they interact with time: hot new fads include cars that come with extendedlifetime<br />

guarantees and moisturizers that actively prevent the aging process. And no one above a certain monetary<br />

threshold can really say how old they are. When they begin to feel weak or sick, they simply buy themselves a new<br />

lifespan. For them, time inflates just like money. As the decades go by, each passing year loses its identity and becomes<br />

a tally mark. Cherished childhood memories become dots on a rapidly receding horizon. Best friends fade away and are<br />

forgotten. Indeed, some of the patriarchs of time have lived for so long that they can only remember trends, their human<br />

memories failing to match the artificial longevity of their bodies. Incidentally, these same men are the ones who cling<br />

most dearly to their lives. <strong>The</strong> ones for whom each year is worth the least are the same ones who are most frantic to live<br />

as many years as possible.<br />

Of course, most people in this world cannot afford the luxury brands, and no one really trusts the gas station<br />

varieties after that one kid got stuck in 1642 for seventy eight years a few months ago. So those who don’t have<br />

fortunes to spend save up their meager wages for small, precious boxes of luxury time. <strong>The</strong>y are given as presents on<br />

very special occasions, and those who possess them are very careful with them. A high-school junior uses his to make<br />

his first kiss last 20 seconds longer. A college senior uses hers to give her some extra thinking time on the big exam.<br />

A 95-year-old grandfather uses his to ensure that he has enough time to kiss his grandkids goodbye. Of course,<br />

some people misuse their time and regret it for the rest of their lives. Those people live in the past, wishing they still<br />

had the little box that they squandered on some trivial matter long ago. <strong>The</strong>y find misery in even the happiest of<br />

moments because they are so fleeting and because they know that they could have lasted longer.<br />

And then there are those who can’t afford any extra time at all. <strong>The</strong>se people live short, natural lives,<br />

but they are happy with their lots. <strong>The</strong>y live their lives free of constriction and rejoice in that freedom. <strong>The</strong>y live<br />

their lives with purpose but without desperation. <strong>The</strong>y live their lives in acceptance. For they have come to<br />

embrace the idea of natural time, and have decided that time doesn’t have to be connected to happiness.<br />

Every joyous moment is something to treasure, and every new year brings the promise of new<br />

opportunities. <strong>The</strong>se people worry little about the length of their time, having neither the<br />

means nor the desire to extend it. <strong>The</strong>y take what is given<br />

to them, and ask for nothing more. <strong>The</strong> rich wonder how<br />

they can ever get anything done in so little time. <strong>The</strong>y<br />

wonder what the rich can possibly do with so much.<br />

<strong>The</strong> generations come and go at their own<br />

pace. Time rolls on.<br />

Evan Gallagher // Quantum Drop // 2nd place<br />

Brooke Brennan // Nocturnal Jumper //<br />

honorable mention<br />

20


Ben Marcus // How was your day<br />

“Fine…” it’s the now common absence of vitality<br />

So here is the reality<br />

Just the same, it was no abnormality<br />

Each time, the young boy responds with “fine”<br />

He, simply just wasting his time<br />

He’s not the overachiever<br />

<strong>The</strong>y thought he would be…sorry.<br />

Keep the idealism in check,<br />

He’s a nervous wreck<br />

<strong>The</strong>ir irrationality<br />

A one dimensionality<br />

“I told you, it was fine.”<br />

He’ll tell his parents another time<br />

It won’t alleviate the bad<br />

Face it, He’s just a tad<br />

Under-average…<br />

Done being mad<br />

Camouflage it all,<br />

At 5’5”…seems<br />

Ten feet tall,<br />

Just leave him alone,<br />

He’ll try to atone for<br />

What he left un-known.<br />

Disapproval,<br />

Scoured away<br />

with his pumice stone of emotion.<br />

Someday he hopes it’ll end<br />

He tries endlessly to transcend<br />

To ascend above<br />

<strong>The</strong> expectations<br />

Away from temptations<br />

Beyond his limitations<br />

And empty congratulations<br />

<strong>The</strong> incessant evaluations<br />

A mental degradation<br />

He longs for the day<br />

When he’ll no longer feel the obligation<br />

But for now, his life is simply one negative connotation<br />

21


Casey Sunderland // Falling Water // 3rd PLace<br />

22


23<br />

Austin Drucker // Forever Pond


<strong>The</strong> faint cries of seagulls intertwined with the subtle mourning of humans. I sat there fluctuating with the gentle bob of the ocean trying to grasp<br />

the actuality of the moment at hand. <strong>The</strong> gentle putter of boats’ engines and clinking of tacking sails filled the thick August air. <strong>The</strong> warm breeze swept over<br />

my face while I heard the faint echo of the fluttering American flag raised at half mast. <strong>The</strong> sun sent her beaming rays across my face, sending my eyes into a<br />

somnolent daze. Mother Nature was on our side today. I sat off the stern of the boat and dipped my feet into the cool ocean feeling a faint tickle as schools of<br />

minnows slid over my feet and around the tips of my toes. <strong>The</strong> shock of the cool water sent shivers up through my body, which was soon alleviated by the soft<br />

aroma of flower petals littered across the surface of the ocean. <strong>The</strong> seagulls’ cries dimmed and complete silence instilled the air. I then heard the distant sobs<br />

of Quatro’s family, the family of an instructor at the sailing club, echo across the harbor.<br />

Wooooooosh. Waves lapped against the shore and then receded over the crackling seashells. I couldn’t make out many of the words of the speeches<br />

given as they were interrupted by the steady ocean breeze and rolling waves. As more friends and family made their way out to the harbor the sounds<br />

of mourning were all that could be heard in the world during that moment. <strong>The</strong>se sobs, sniffles, and whimpers couldn’t help but make me wonder what<br />

happened on that very August night. How did this happen <strong>The</strong> bridge was only fifteen feet high. I had just seen him yesterday! <strong>The</strong>se thoughts and images<br />

whirled throughout my head desperate for an escape as they caused my temples to pulsate. I felt the tears well up around my eyes and stream down my<br />

salt-covered cheeks. <strong>The</strong> world fell dark and it had finally hit me. My heart was pounding from underneath my shirt. I didn’t even know Quatro very well, but I<br />

had a peculiar feeling deep within me as I heard the opening of the vase containing Quatro’s ashes flittering to the surface of the water. A heavy wind stirred,<br />

carrying away the sorrow that filled the ocean air.<br />

Casey Sunderland // Sunny Sorrows<br />

Elaina Bell // Pouring the Colors of Summer<br />

24


Austin Drucker // Organic Puff<br />

Austin Drucker // Arbitrary Title 1<br />

Osa Okoh // Steeple<br />

25


Griffin Kay // Light at the End<br />

Cara Vanin // splat<br />

26


Libro - Mar // Haleigh Crossman<br />

Evan Gallagher // timeline // 2nd place<br />

Abro un libro y es como el mar.<br />

Las palabras surgen a través de la página<br />

La marea de las letras sube y retrocede en mi mente<br />

Por un momento, estoy en otro mundo<br />

Me embelesa una vida que no es la vida mía<br />

Y por sólo un momento,<br />

El mundo es tranquilo y perfecto.<br />

Nacidas en la primavera<br />

con el poder de las lluvias de abril.<br />

Vividas por el verano<br />

balanceándose con las corrientes del aire.<br />

Barridas de su casa para lentamente secarse y morir.<br />

Después de la temporada de frío<br />

nacidas otra vez .<br />

27<br />

Las Hojas // Margaret Taylor


Past midnight, we, <strong>The</strong> Four Musketeers, dressed in chain mail and with swords wielded, walk through the shadow of the valley of hell in search of foul beasts and hidden<br />

wonders. Gray, Conor, Benj and I are the Four Musketeers, and together we are a legion. During the day we are just ordinary school children, but this Friday is not like most<br />

other Fridays because tonight we are having a sleepover.<br />

<strong>The</strong> clock is nearing midnight, and nothing stirs within the house except in the basement. At Conor’s house, we always have to sleep in the basement because we tend<br />

to be noisy during the nights. However, this basement is not like any ordinary basement. Divided by good and evil, the basement is. We fearless four sleep on the outskirts of a<br />

labyrinth; the evil within the basement. We lie on the rugged ground near the staircase and we are safe here. But if we wander too far past our territory, we enter the realm of the<br />

oil room. This oil room looks like a maze, and it is filled with giant furnaces and oil tanks that take up sixty percent of the basement. Most of its secrets remain a mystery to us, but<br />

we do not care to know what darkness dwells in that area. No soul has dared to venture there before. I think it is the scariest, creepiest, monster infested dungeon on the planet. I<br />

am sure that a plethora of evil creatures and beings lives there.<br />

As we all lie on the carpeted floor in the bleak basement, I look out the tiny window in the upper corner of the room and I see darkness outside. We are playing a peaceful<br />

game of cards to help us fall asleep, but little do I know that our night is only just beginning.<br />

Out of nowhere, a slow and soft slithering sound is heard from the oil room. It is as if something is moving across the floor. We all gasp simultaneously and look into the<br />

half open door to the dreaded room, then back at each other, fear in each person’s eyes.<br />

“Did you hear that” I ask out loud.<br />

“Uh-huh” I hear from someone else.<br />

We wait for a moment, each of us holding our breath. After a second sound is not heard, our shoulders drop and we relax for the moment. We continue our card game,<br />

everyone silent.<br />

Every few minutes, I glance over my shoulder, beyond the carpeted area and into the cement floored oil room. I can only see about ten feet into the room because<br />

everything past this is consumed by black night. All the territory out of our sight remains un-chartered by mankind.<br />

Our card game carries on, quietly, and I decide to eat some of the food we brought down earlier that day. I rummage through the remains of our Fritos supply, and<br />

salvage whatever scraps are left. I stuff the salty chip crumbs in my mouth and scatter the fallen crumbs around the carpet. I hear and feel the loud crunch in my mouth, and as I<br />

am chewing, I slow down because a louder sound overpowers me.<br />

This time it is a creaking. My chewing slows to a halt as we seem to hear a rusted door within the realm of the oil room open or close. As the creaking stops, I swallow<br />

the chips and gulp. <strong>The</strong>re’s not going to be any sleeping tonight, I conclude.<br />

“Guys, what was that” Benj asks.<br />

Nobody knows what to do, but after a moment, Gray stands up and begins suiting up. I watch as he puts a pillow under his shirt as armor. I stand up and do the same.<br />

I find a small flashlight and put it in my belt loop, then I scavenge for a plastic sword, and I grip it tight in my hand. I swing it left and right while maneuvering my feet in complex<br />

motions.<br />

It is now just past midnight, and all plump from our pillowed armor, we meet in the back of the basement and huddle in a circle.<br />

“Okay guys, time to see what’s out there” Gray says.<br />

“We are the Four Musketeers!” Conor shouts as he raises his sword to the heavens.<br />

“We have no fear!” Benj says with a trembling in his voice.<br />

I take a deep breath and then after making eye contact with each of my three comrades, I nod and we walk forward.<br />

As we make our way across the floor, I check my peripherals, and<br />

stare into the face of the oil room. We pause briefly at the half open door,<br />

and quietly crack it fully open. I turn on my flashlight, and my eyes widen<br />

at the mystery. All I can see are two doors and lots of crevices and nooks<br />

around me. I swing the flashlight around and view the ceiling chipping with<br />

ancient paint. I decide we must split up into groups. Conor and I go into the<br />

left door while Gray and Benj go right.<br />

Conor and I silently salute our comrades, and we watch as they<br />

disappear into the abyss. I hear myself swallow and my mouth dries up as<br />

I take my first step through the foreboding doorway. I look around and see<br />

that thousands of oil furnaces the size of skyscrapers are surrounding us.<br />

A reeking stench of mildew and cement pierces my nostrils. One furnace<br />

grumbles quietly, and we go to investigate. Our swords are fully brandished,<br />

and we walk side by side up to it. <strong>The</strong> furnace towers over me, and I am<br />

amazed by its vast age. <strong>The</strong> furnace emits a subtle heat that only makes me<br />

sweat more and become more nervous. I turn quickly with a gasp as I hear a<br />

mouse scurry across the floor and with a feint squeal hide within the wall.<br />

I start breathing heavily and Conor and I turn and we both see<br />

the shadow of a blob standing seven feet beside us.<br />

Andy Gelb<br />

<strong>The</strong> four Musketeers<br />

Casey Sunderland<br />

Polo PLayers<br />

28


I wipe my sweaty palm on my shirt and firmly grasp my weapon. I squint my eyes and let out a<br />

sigh of relief as I see Benj and Gray emerge from the other side of the room.<br />

“You guys find anything”<br />

“No”<br />

We proceed once again as the Four Musketeers deeper and deeper into the seemingly<br />

endless room, and we stop at a giant furnace. This must be the king furnace.<br />

We pause and eye the beast up and down. We have our weapons ready and we are<br />

eager to fight. All of a sudden a huge “WHOOSH” and then “VROOOOM” sound comes from the<br />

furnace, and me and Conor and Gray and Benj scream at the top of our lungs while hopelessly<br />

flailing our swords like madmen. We turn and make a break for the door, our only escape. I can’t<br />

help but feel that there is something chasing me so I try and run faster. We scramble through the<br />

doorway, each of us pushing to get through first, not wanting to be consumed by the monster<br />

that is surely behind us. We fight for our lives, and eventually break through the doorway and<br />

collapse on the carpeted floor. I get up, turn around and slam the door to the oil room with all<br />

my might and it closes with a smash.<br />

“I think it’s gone,” I say as I press my ear to the door.<br />

“We scared it away!” Benj remarks.<br />

I turn to my cronies with a smile, ready to celebrate, but we are interrupted by the<br />

distant sound of footsteps coming our way. <strong>The</strong> monster Conor’s parents Oh no! It is Conor’s<br />

parents! We were supposed to be asleep hours ago!<br />

“Everyone go to sleep. Now! Now!” Conor whispers as loud as he can.<br />

We take the pillows from our stomachs and toss them to the ground while we<br />

clumsily clamber to find blankets. I see Gray plummet to the ground and become engulfed by<br />

a red blanket. Conor turns off the lights and I see his shadow collapse. I watch as Benj becomes<br />

one with the ground. As the footsteps come closer, I enclose myself with a blanket, and hit the<br />

decks in my sleeping position. <strong>The</strong> door opens, and a dark figure walks down the stairs. Out of<br />

nowhere, Gray starts snoring, and I join in. <strong>The</strong> figure stands there for what seems like an hour,<br />

and then retreats back up the stairs. We all toss the blankets from ourselves and give each other<br />

quiet high-fives and congratulations. I chuckle to myself because this is not the first time I have<br />

gotten away with “fake sleeping”.<br />

“Well done, men, well done,” someone says as Gray searches for something behind a<br />

couch.<br />

Gray turns around holding four cans of Coke which we had pilfered and stored in<br />

the basement earlier today, and with a cheers and smiles all around, we sip our well deserved<br />

reward. I let out a belch as the cool bubbles trickle down my throat, and I smile to my friends.<br />

Another sleepover, another adventure for the storybooks.<br />

Anna teng // Greener things<br />

2nd place<br />

29<br />

Andy Gelb // <strong>The</strong> four Musketeers<br />

Honorable Mention<br />

Stephanie Lie<br />

Autumn Harvest<br />

Anna Teng // Greener Things // Second Place


<strong>The</strong> teacher said,<br />

Go home and write<br />

A page tonight.<br />

And let that page come out of you—<br />

<strong>The</strong>n, it will be true<br />

I wonder if it’s that easy<br />

I am seventeen, young, born in<br />

St.Louis, Missouri<br />

I moved to Washington, then Philly, then here<br />

To a town near the city of Boston<br />

Sometimes I miss our old houses<br />

I visit them in my memories<br />

Back down Washington St., to Philly<br />

<strong>The</strong>n back to DC and on to St. Louie<br />

Where I can find my way to Log Cabin Dr.<br />

And then to house number fifty-five<br />

Where I walk down the hall, turn left<br />

And find my yellow room<br />

Where I will sit down by the window, and write<br />

No, it’s not simple to remember, not easy<br />

At seventeen, my age. But I guess I recall what<br />

I felt and saw and heard; my memories<br />

I remember them, remember me<br />

I remember, on this page<br />

I hear them whisper to me, what<br />

Well, childhood games and imaginary friends<br />

Secret hiding places, hushed arguments<br />

And favorite books—Dr.Seuss, Silverstein, and Berenstein Bears<br />

I guess being old doesn’t keep me from remembering<br />

Even though it all happened so very, very<br />

Long ago.<br />

So I wonder, who am I<br />

Being me, am I not made of memory,<br />

But of what will come to be<br />

A part of me, made from past<br />

It is gone, but not lost<br />

Kept still, in my memory<br />

That’s Human.<br />

Sometimes perhaps you don’t want to remember<br />

What has been.<br />

Nor believe that our memories<br />

Have shaped us, me and you<br />

But they have, that’s true!<br />

As we are shaped by them,<br />

We also grow<br />

Although we get older<br />

We still remember who we are<br />

Where we come from<br />

Memories<br />

This is my page for English AP<br />

Summers Ford<br />

Me and my memory<br />

Elaina Bell<br />

woodstock<br />

30


Those tan and fragile boys on Main Street, that are too<br />

young to make the distinction between addition and<br />

subtraction from the poorly taken notes in their used and<br />

torn up math books, but that are the same boys that are<br />

old enough to hide behind the dumpsters of the mosquito<br />

filled marsh behind the Coca-Cola factory, and hold a<br />

cigarette properly decide to play outdoors in the hot boiling<br />

sun, at mid afternoon, holding stolen melting popsicles<br />

that form a sticky concoction of sugar and dirt under their<br />

fingernails, and they play games of war and throw vulgar<br />

language in the air that mists into clouds never seen again<br />

because their Mamas pretend to listen as they stand on the<br />

balcony, but in reality are too preoccupied as they calculate<br />

the possibility that their cheating husbands will arrive from<br />

work THIS TIME and bring enough money to feed the boys<br />

when the sun sets and the clock hits 6 and they charge<br />

up the crumbled stairs, holding onto the rusty railings of<br />

the front stair case that takes them into the empty dining<br />

table facing the pale yellow toned bricks that outline the<br />

house and embrace these young boys and their rumbling<br />

stomachs that haven’t been able to taste a decent plate<br />

of food in days without feeling guilty that their best friend<br />

from birth is drooling over the undercooked rice and soggy<br />

potatoes begging to share, and so the boys raced up the<br />

stairs just as Mama expected, but this time they were<br />

welcomed to a feast and gave thanks for the meal they<br />

had, because it wasn’t every year that they could do so.<br />

Alejandra Gil // Not always so fortunate<br />

Allison Brustowicz // Drizzle<br />

31


Salvatore Sprofera // portrait<br />

Lizzy Southwell // Engagement<br />

32


Osa Okoh Midday Church<br />

Molly Steinfeld Absolute Sacrifice<br />

Alone. He sits alone. He jiggles the handcuffs that restrict him to his own personal hell. He can see the deep red the cuffs have already left on his<br />

wrists after hours of sitting; thinking about what he did; how he ended up here and now. He raises his head in shame and looks curiously around this new<br />

room he knows will be his final home. <strong>The</strong> jail tender walks back towards him and unlocks him from the walls that seem to grow farther apart. <strong>The</strong>y walk<br />

backward to the door of the cell that the jail tender unlocks. <strong>The</strong>y back away and he pulls the tender along with him, straining to not enter this abode; wishing<br />

for a second chance.<br />

<strong>The</strong>y walk backwards up the stairs. Once reaching security, he retrieves his only belonging: a picture of her. <strong>The</strong>y walk back out the front door of the<br />

prison and the door of the car swings into the hand of the jail tender and he slides into the car. <strong>The</strong> car shifts into drive and they journey backwards to the<br />

courthouse. <strong>The</strong>y cross through intersections and wait once they reach the other side for the light to turn red. He sits in the back seat horrified by what has<br />

just occurred and distraught by his new situation. He pulls the picture out of his pocket and a tear comes off his shirt, touches his face, and returns to his eye<br />

as he reads “reverof dna syawla”. He reaches to his pocket, picture in hand, yearning to see her face again.<br />

As he lifts his head he sees for the last time the front steps of the courthouse covered with people holding video cameras and microphones describing<br />

the results of the trial. He walks backwards out of the car, up the stairs, through the courtroom, and to the witness stand with his head down the whole<br />

time and a police officer on either side holding him with unbearable force. He just now realizes the ramifications for the answer he has just given to the<br />

question of who committed the crime at hand. “I”, he said. He looks up from the stand and sees her, maybe for the last time before what he is about to do. He<br />

admires her childlike features. <strong>The</strong> way her eyes reflect even the most dismal of light found in a courtroom, and even now have hope streaming out of them<br />

where he could find none before. He remembers the night it happened. Her eyes had looked the same then except for the hope. <strong>The</strong> hope had disappeared.<br />

She thought it was the end, but here she is now sitting in the courtroom and as he entered the stand he knew that whatever punishment was given was worth<br />

seeing that look of hope in her eyes just once more to know that she was safe.<br />

He backs away from the stand and sits in his chair behind the desk. His lawyer preps him once more for the questioning he is about to endure. He<br />

recalls the night perfectly. He knows he cannot lie or even bend the truth. He knows what he must do. He remembers how he felt the same way when it was<br />

happening. How it felt like the right thing to do at the moment and for him that was all that mattered. Except on that night, the feeling that felt right was one<br />

of watching the bullet as it returned to his gun as he loosened his grip on the trigger.<br />

33<br />

Absolute Sacrifice // Molly Steinfeld


allison brustowicz Short and Stout // 3rd PLace<br />

34


Elaina Bell // Going Green<br />

Stephanie Lie // Prayer Lodge<br />

35


Things were perfect. <strong>The</strong> sky seemed as though it shined on every moment. Every Sunday drive or bike ride into town<br />

was covered in a sort of light that didn’t hurt your eyes, but illuminated them. You experience all time and all emotion at once, absorbing<br />

everything you’ve learned once again, then twice. Time shuffles past you like a flip book. Some moments you wait longer<br />

in, some pass you by with a wave and a wink. Here you face yourself and come to terms with everything selfish and wrong in you.<br />

Do you care Usually not but this case is special. It’s your last chance to love. Yourself Time will tell perhaps. In your peripheral you<br />

can see your face, as if in a mirror. <strong>The</strong> mirror is cracked but you smile back. You don’t feel alone. You walk on and find yourself in a<br />

hallway, with flipping images floating above and below you. You float with them, and gravity loses its pull. I can see on your face<br />

how you remember your first lost tooth. A gapped smile stays with you for a moment and is gone. Watching you bathe in a sea of<br />

memory, I close your eyes. You feel peace. Perfect peace.<br />

Things were beginning to lose focus. That could be a good thing, but you forget. What were you thinking again It was as<br />

if a storm cloud met a dust buster deity and they pitted it out for you to watch the fireworks. If your mouth worked you would smile.<br />

So far every attempt resulted in a numb resistance. A part of yourself was missing, of that much you were sure. But how much And<br />

what You hurriedly hope that it wasn’t anything important. You don’t feel all that different. Maybe a little nauseous, but that could<br />

just be from lack of sleep. You haven’t been sleeping well recently, remember You smile and thank yourself that a little insomnia is<br />

the least of your worries. <strong>The</strong> man could have cleared things up if he just opened his mouth. He kept cold silence around him like<br />

an icy blanket. Did he tell you a name You forget. You get a shiver down your spine for an instant when you remember his coat. It<br />

reminded you of winter.<br />

Things had frozen in time. You couldn’t focus on what was ahead, only on distractions. You were seventeen again, and<br />

procrastinating in any way possible, anything to keep from this ever approaching deadline. Your dead line. You noticed the water<br />

boiling. You were making tea, it should be ready now. <strong>The</strong> bubbles were frozen too. Did you remember to tell your wife that<br />

you love her You should have. It’s important to do things like that, in case you have an unexpected deadline. What would she<br />

remember You don’t want her to feel shame, do you<br />

Things were crystal clear. Your heart rate tripled in your paper chest.<br />

You were going to die. It was the swiftness of your realization that surprised you more than the whirl of action in front<br />

of you. You didn’t question the motives. Why would you What difference would it make anyway, whether or not your death was<br />

justified It was going to happen. Why waste the thought<br />

<strong>The</strong> man in the black coat is here. I crawled through the open window in the baby’s room. You take your last breath as I point my<br />

gun to your head.<br />

It takes you a second to die.<br />

Charlie Harrison // Dne Eht<br />

36


37<br />

<strong>The</strong> 7th Grade // Martin Luther King // Honorable Mention


Eric Newman // Final Resting Place // 1st place<br />

A sweltering heat creeps<br />

though window screens<br />

the door creaks open<br />

and with a crack<br />

like bat on ball,<br />

a heaviness hits,<br />

hopelessly fanning<br />

simply circulating discomfort.<br />

sweat drips<br />

from brow and<br />

chin.<br />

smooth stones<br />

surround the<br />

cool<br />

blue<br />

lake<br />

smooth<br />

to fingertips<br />

and eyes<br />

turned over<br />

in wet, warm<br />

palms<br />

gripped tightly<br />

and with a sidearm<br />

toss<br />

the heat is relieved<br />

a stone<br />

skips swiftly<br />

with silvery splashes<br />

across the flawless<br />

surface of the<br />

cool<br />

blue<br />

lake<br />

coming to<br />

a final resting place<br />

away from such<br />

heat.


<strong>The</strong> <strong>Current</strong> // 2011<br />

2011<br />

1

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