How to draw a Human base on foreign planet with Tria ... - Letraset
How to draw a Human base on foreign planet with Tria ... - Letraset
How to draw a Human base on foreign planet with Tria ... - Letraset
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<str<strong>on</strong>g>How</str<strong>on</strong>g> <str<strong>on</strong>g>to</str<strong>on</strong>g> <str<strong>on</strong>g>draw</str<strong>on</strong>g> a <str<strong>on</strong>g>Human</str<strong>on</strong>g> <str<strong>on</strong>g>base</str<strong>on</strong>g> <strong>on</strong> <strong>foreign</strong> <strong>planet</strong>: by Jan Kowalewicz<br />
The sec<strong>on</strong>d phase.<br />
From now <strong>on</strong>, we saturate the picture <strong>with</strong> more and more details<br />
and lines up <str<strong>on</strong>g>to</str<strong>on</strong>g> the darkest hues of colour we use according the<br />
following scheme.<br />
Pic. 07. Drawing the sky – wide tip of very wet CG 02.<br />
We start <strong>with</strong> CG 09 and CG 06 markers which we put <strong>on</strong> the whole<br />
picture <strong>with</strong> more or less the same intensity. Than we use darker and<br />
darker hues <strong>on</strong> more and more c<strong>on</strong>centrated space of the picture.<br />
Due <str<strong>on</strong>g>to</str<strong>on</strong>g> the compositi<strong>on</strong> we can distinguish three grounds – far<br />
background (mountains), middle ground (close mountains, crater)<br />
and foreground (astr<strong>on</strong>auts, vehicle and aerials). To make the<br />
<str<strong>on</strong>g>draw</str<strong>on</strong>g>ing simple and planned we divide the process of <str<strong>on</strong>g>draw</str<strong>on</strong>g>ing more<br />
or less in<str<strong>on</strong>g>to</str<strong>on</strong>g> the four stages: <str<strong>on</strong>g>draw</str<strong>on</strong>g>ing the sky, the background, the<br />
middle ground and the foreground.<br />
After the first phase (linear <str<strong>on</strong>g>draw</str<strong>on</strong>g>ing) we <str<strong>on</strong>g>draw</str<strong>on</strong>g> the dark night sky (pic.<br />
07.) using very wet CG 02 marker. To enhance the effect of hostility<br />
of the <strong>planet</strong> we do not <str<strong>on</strong>g>draw</str<strong>on</strong>g> any atmosphere so the sky is dark even<br />
at no<strong>on</strong>.<br />
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