How to draw a Human base on foreign planet with Tria ... - Letraset

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<strong>How</strong> <strong>to</strong> <strong>draw</strong> a <strong>Human</strong> <strong>base</strong> on foreign planet: by Jan Kowalewicz The first phase. Moreover, the next picture (pic. 03.) shows contrasts of heights and depressions both in foreground and in the background. Those contrasts give us a feeling of a strong tension in a composition. These effects will be strengthened by the contrasts of light. Pic. 03. Contrast of heights and depressions www.letraset.com
<strong>How</strong> <strong>to</strong> <strong>draw</strong> a <strong>Human</strong> <strong>base</strong> on foreign planet: by Jan Kowalewicz The first phase. In further process of saturation we get further contrasts – light and textures of the materials. As it was mentioned above, linear <strong>draw</strong>ing has <strong>to</strong> be finished before the details and the shadows are given. Therefore, we saturate the picture setting more or less all the objects (pic. 04.). Pic. 04. Saturating linear <strong>draw</strong>ing by CG 09 and 06 markers It is important in such a theme <strong>to</strong> <strong>draw</strong> many different machines and buildings which suits the roughness of the environment – vehicles, various broadcasting devices, hangars, covered roads, flying ships, fac<strong>to</strong>ry chimneys etc. The human figures ought <strong>to</strong> be equipped for space travelling <strong>to</strong> enhance the effect of inaccessibility and even hostility of the planet. www.letraset.com
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How to draw a Human base on foreign planet with Tria ... - Letraset

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