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Design Professional Ethics<br />

<strong>Architecture</strong><br />

<strong>Case</strong> <strong>St</strong>u<strong>dies</strong><br />

<strong>and</strong><br />

<strong>Applicable</strong> <strong>AIA</strong> <strong>Code</strong> Sections<br />

pg. 1


<strong>Case</strong> <strong>St</strong>udy # 1<br />

Design Professional Ethics<br />

• An architect spent over thirty years developing<br />

expertise <strong>and</strong> personal credibility in health care<br />

facility design <strong>and</strong> retired at age 65;<br />

• Some months later, a competing firm invited the<br />

architect to serve as a consultant for an upcoming<br />

proposal;<br />

• The architect agreed <strong>and</strong> provided the firm with<br />

graphics <strong>and</strong> photographs of completed projects<br />

from his previous work;<br />

pg. 2


Design Professional Ethics<br />

• The proposal was prepared <strong>and</strong> submitted for<br />

a large hospital expansion project;<br />

• Thereafter the architect’s former employer<br />

submitted almost the exact same materials<br />

<strong>and</strong> examples of work;<br />

• The client, wanting to avoid an<br />

uncomfortable situation, rejected both<br />

proposals.<br />

pg. 3


Design Professional Ethics<br />

• Question: What were some of the ethical<br />

issues involved in this case?<br />

pg. 4


Design Professional Ethics<br />

Issue: Attribution<br />

• The most common violation i of the <strong>AIA</strong> A <strong>Code</strong> of<br />

Ethics is improper attribution;<br />

• Creativity it <strong>and</strong> design innovation is highly hl prized in<br />

architecture;<br />

• The collaborative nature of practice makes<br />

individual contribution difficult to define or<br />

document;<br />

• Dynamic <strong>and</strong> fluid nature of practice <strong>and</strong> the market<br />

attribution complicated <strong>and</strong> problematic<br />

pg. 5


Design Professional Ethics<br />

• Assigning proper attribution is further<br />

complicated by the wide variety of media;<br />

• Printed proposals, websites, mailers,<br />

PowerPoint presentations <strong>and</strong> e-mail all offer<br />

complexities of presentation <strong>and</strong> scale that<br />

require individual solutions.<br />

pg. 6


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics - Ethical <strong>St</strong><strong>and</strong>ard 4.2:<br />

Dignity i <strong>and</strong> Integrity. Members should<br />

strive, through their actions, to promote the<br />

dignity i <strong>and</strong> integrity i of the profession, <strong>and</strong> to<br />

ensure that their representatives <strong>and</strong><br />

employees conform their conduct to this<br />

<strong>Code</strong>.<br />

pg. 7


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics - Ethical <strong>St</strong><strong>and</strong>ard 5.3.<br />

Members should provide their associates <strong>and</strong><br />

employees with a suitable working<br />

environment, compensate them fairly, <strong>and</strong><br />

facilitate their professional development.<br />

pg. 8


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics – Rule 4.201: Members<br />

shall hllnot make misleading, il deceptive, or fl false<br />

statements or claims about their professional<br />

qualifications, i experience, or performance<br />

<strong>and</strong> shall accurately state the scope <strong>and</strong><br />

nature of their responsibilities i in connection<br />

with work for which they are claiming credit.<br />

pg. 9


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics – Rule 5.301: Members<br />

shall hllrecognize <strong>and</strong> respect the professional<br />

contributions of their employees, employers,<br />

professional colleagues, <strong>and</strong> business<br />

associates.<br />

pg. 10


Design Professional Ethics<br />

• NCARB Rules of Conduct Rule 3.2.: An<br />

architect shall accurately represent to a<br />

prospective or existing client his/her<br />

qualifications, i capabilities, i experience, <strong>and</strong><br />

the scope of his/her responsibility in<br />

connection with work for which h he/she h is<br />

claiming credit.<br />

pg. 11


Commentary<br />

Design Professional Ethics<br />

• <strong>Case</strong> illustrates the overlap that sometimes<br />

exists between law <strong>and</strong> ethics <strong>and</strong> how ethics<br />

(e.g. trade secrets, confidentiality, copyright,<br />

etc.)<br />

pg. 12


Design Professional Ethics<br />

<strong>Case</strong> <strong>St</strong>udy # 2<br />

• An architect was asked to design a strip<br />

shopping center in a suburban community;<br />

• The client had completed several similar<br />

projects, however, previous projects were not<br />

as large as the new project;<br />

• Although not particularly enthusiastic, the<br />

architect recognized that the project could be<br />

profitable <strong>and</strong> also offer design opportunities;<br />

pg. 13


Design Professional Ethics<br />

• The architect was also hesitant because the<br />

architect’s previous experience was limited to<br />

residential projects, including the client’s home;<br />

• The client’s program called for 34,000 square feet<br />

of retain space;<br />

• The client assured the architect that commercial<br />

design was not difficult <strong>and</strong> supplied drawings <strong>and</strong><br />

specifications from previous projects to provide an<br />

idea of the projects complexity <strong>and</strong> requirements;<br />

pg. 14


Design Professional Ethics<br />

• The client also had in-house staff to assist<br />

with ihcost estimation, i material <strong>and</strong> system<br />

selections, bidding <strong>and</strong> negotiation with<br />

contractors, <strong>and</strong> project supervision;<br />

i<br />

• The architect was advised that he developer’s<br />

staff typically h<strong>and</strong>led all of the day to day<br />

work during construction <strong>and</strong> that<br />

construction contract administration would<br />

not be required;<br />

pg. 15


Design Professional Ethics<br />

• The architect completed the work as<br />

contracted <strong>and</strong>, through the mechanical<br />

engineer, specified mechanical systems<br />

recommended by the client;<br />

• The structural engineer relied on the soil test<br />

provided by the client;<br />

• The project proceeded appropriately, the<br />

architect performed the requested services,<br />

produced the required construction drawings<br />

<strong>and</strong> was paid as agreed;<br />

pg. 16


Design Professional Ethics<br />

• When the project was put out to bid, costs exceeded<br />

the owner expectations by 30%;<br />

• The owner asked the architect to redesign the<br />

project to bring it in on budget, however, no<br />

directions were provided on necessary program<br />

adjustments to reduce costs;<br />

• The architect explained to the owner that in the<br />

current market, ,price escalations on material <strong>and</strong><br />

labor were to be expected <strong>and</strong> a reduction in scope<br />

would be necessary to reduce the budget;<br />

pg. 17


Design Professional Ethics<br />

• The owner decides to build the project as<br />

originally i<br />

drawn;<br />

• Following completion <strong>and</strong> for the next two<br />

years after occupancy, there were continual<br />

problems with the mechanical systems;<br />

• Constant repairs were required <strong>and</strong>, after two<br />

years, all main air-h<strong>and</strong>ling units had to be<br />

replaced;<br />

pg. 18


Design Professional Ethics<br />

• Cracks in the ceramic floor tiles in several<br />

retail spaces were evidence of cracks in<br />

concrete slabs;<br />

• Although the cracks were not substantial,<br />

they resulted in tenant complaints.<br />

pg. 19


Design Professional Ethics<br />

• Question: What were some of the ethical<br />

issues involved in this case?<br />

pg. 20


Design Professional Ethics<br />

Issue: Qualifications<br />

• Presentation of qualifications is often<br />

problematic;<br />

• It is human nature to want to present one’s<br />

credentials in the best possible light;<br />

• In competitive situations, trying to convince a<br />

new client or existing firm to hire an architect<br />

can create unrealistic expectations;<br />

pg. 21


Design Professional Ethics<br />

• Although legal <strong>and</strong> contractual obligations<br />

are generally well-defined, dfi dproject goals,<br />

client needs, building functions <strong>and</strong> other<br />

competitive ii factors place pressure on the<br />

architect <strong>and</strong> often make practice issues more<br />

subjective <strong>and</strong> more open to interpretation.<br />

i<br />

pg. 22


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics – Rule 1.101: In<br />

practicing ii architecture, members shall hll<br />

demonstrate a consistent pattern of<br />

reasonable care <strong>and</strong> competence, <strong>and</strong> shall<br />

apply the technical knowledge <strong>and</strong> skill<br />

which h is ordinarily il applied by architects of<br />

good st<strong>and</strong>ing practicing in the same locality<br />

pg. 23


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics – Rule 3.102: Members<br />

shall hllundertake to perform professional<br />

services only when they, together with those<br />

whom they may engage as consultants, are<br />

qualified by education, training, or<br />

experience in the specific technical areas<br />

involved.<br />

pg. 24


Design Professional Ethics<br />

• NCARB Rules of Conduct – Rule 1.3: An<br />

architect shall undertake to perform<br />

professional services only when he/she,<br />

together with those who the architect may<br />

engage as consultants, is qualified by<br />

education, training, i <strong>and</strong> experience in the<br />

specific technical areas involved.<br />

pg. 25


Design Professional Ethics<br />

• The realities of the design <strong>and</strong> construction<br />

industry <strong>and</strong> the job market underscore the<br />

importance of qualifications in relation to<br />

ethics;<br />

• Practice evolves over time <strong>and</strong> new<br />

competencies are developed with existing<br />

employees though practice <strong>and</strong> education;<br />

• However, expertise in a specific building<br />

type may be lost through staff attrition;<br />

pg. 26


Design Professional Ethics<br />

Commentary:<br />

• In addition to misstating qualifications, architects<br />

are often compelled to make statements about<br />

projects that could unintentionally yprove<br />

misleading;<br />

• Comments regarding budget or timing made in an<br />

informal manner may be misconstrued as<br />

commitments, it is incumbent upon the firm <strong>and</strong> the<br />

principals, p to assure that proposals, p marketing<br />

materials <strong>and</strong> statements accurately represent the<br />

firm’s current capabilities <strong>and</strong> resources.<br />

pg. 27


Design Professional Ethics<br />

<strong>Case</strong> <strong>St</strong>udy # 3<br />

• An architect was hired in the design of a<br />

single family home for a young couple;<br />

• A revision in the agreement excluded the<br />

architect from a specific budget, although the<br />

approximate size of the house was defined;<br />

• By their own estimation, the owners had a<br />

reasonable budget;<br />

pg. 28


Design Professional Ethics<br />

• However the architect was concerned about<br />

their hi budget bd <strong>and</strong>, at the completion of fh the<br />

schematic design, offered to have three<br />

contractors review the drawings <strong>and</strong> provide<br />

preliminary cost estimates;<br />

• Based on three favorable estimates, the<br />

clients directed the architect to continue with<br />

the construction drawings’;<br />

pg. 29


Design Professional Ethics<br />

• The final drawings did not alter the scope of<br />

the project;<br />

• However, additional details were provided<br />

defining the foundation, structural<br />

components <strong>and</strong> architectural features;<br />

• When the drawings were put out for bid, the<br />

cost of construction had escalated beyond the<br />

client’s resources;<br />

pg. 30


Design Professional Ethics<br />

• Even though the reasons for the cost<br />

increases were strictly market-driven, di the<br />

clients were upset.<br />

pg. 31


Design Professional Ethics<br />

• Question: What were some of the ethical<br />

issues involved in this case?<br />

pg. 32


Design Professional Ethics<br />

Issue: Expectations <strong>and</strong> Results<br />

• Responsibility for cost is a common<br />

complaint against architects;<br />

• An architect’s restraint in discussing<br />

expectations related to budget, building<br />

function, quality of materials <strong>and</strong> other<br />

anticipated results of the proposed p services<br />

may help to minimize potential<br />

misrepresentation;<br />

pg. 33


Design Professional Ethics<br />

• Contractual definition of all parties’<br />

responsibilities <strong>and</strong> reiteration of this<br />

definition as the project progresses can<br />

further minimize potential misrepresentation.<br />

pg. 34


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics – Rule 3.103: Members<br />

shall not materially alter the scope or<br />

objectives of a project without the client’s<br />

consent.<br />

pg. 35


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics – Rule 3.301: Members<br />

shall not intentionally or recklessly mislead<br />

existing or prospective clients about the<br />

results that can be achieved through the use<br />

of the member’s services, nor shall the<br />

members state that they can achieve results<br />

by means that violate applicable law or this<br />

<strong>Code</strong>.<br />

pg. 36


Commentary:<br />

Design Professional Ethics<br />

• The medical profession uses the concept of<br />

“informed consent” in which a patient must<br />

be informed of a situation to a level of<br />

underst<strong>and</strong>ing that allows for the patient to<br />

make an informed decision;<br />

• Architectural clients deserve <strong>and</strong> often<br />

dem<strong>and</strong> the same consideration;<br />

pg. 37


Design Professional Ethics<br />

• In order to achieve this, it is critical to keep<br />

expectations realistic, i <strong>and</strong> attainable;<br />

• Frequent verbal <strong>and</strong> written communication<br />

with the client at every stage of the project is<br />

a st<strong>and</strong>ard practice that architects employ to<br />

keep the project on track;<br />

• It also keeps the client involved, up to date,<br />

<strong>and</strong> able to make informed decisions that<br />

minimize potential misrepresentations.<br />

pg. 38


Design Professional Ethics<br />

<strong>Case</strong> <strong>St</strong>udy # 4<br />

• An architect who had worked for a firm for<br />

just over six years, was offered a position<br />

with a competing firm;<br />

• The new firm offered higher pay <strong>and</strong> new<br />

opportunities for growth;<br />

• The architect accepted the offer <strong>and</strong> provided<br />

two weeks notice;<br />

pg. 39


Design Professional Ethics<br />

• Although the architect offered to complete<br />

project responsibilities, i the firm declined d <strong>and</strong><br />

terminated the employment contract<br />

immediately;<br />

• The firm agreed to compensate the architect<br />

for outst<strong>and</strong>ing vacation time, however, the<br />

firm offered no other severance or assistance;<br />

pg. 40


Design Professional Ethics<br />

• During six years with the firm, the architect’s<br />

responsibilities i ranged from drafting <strong>and</strong><br />

CAD operation to project design <strong>and</strong> finally<br />

project management;<br />

• The firm’s marketing department possessed<br />

extensive project documentation, renderings<br />

by professional illustrators depicting his<br />

projects <strong>and</strong> a professional photographer<br />

documented completed projects;<br />

pg. 41


Design Professional Ethics<br />

• The firm also produced in-house computerdimages<br />

of some of the projects;<br />

generated • The architect believed he was entitled to<br />

copies of project renderings <strong>and</strong> photographs;<br />

• The architect was willing to pay for the<br />

copies but the firm was not cooperative;<br />

• Architect makes copies of some of the<br />

documents without advising the firm<br />

pg. 42


Design Professional Ethics<br />

• Question: What were some of the ethical<br />

issues involved in this case?<br />

pg. 43


Design Professional Ethics<br />

Issue: Examples of Work<br />

• For a wide variety of reasons, obtaining<br />

examples of professional work, particularly<br />

from a previous employer or firm, can be<br />

difficult <strong>and</strong> occasionally can result in an<br />

ethical violation;<br />

• Defining an architect’s role <strong>and</strong> specific work<br />

product can be difficult with today’s complex<br />

projects <strong>and</strong> electronic technologies;<br />

pg. 44


Design Professional Ethics<br />

• Rights <strong>and</strong> obligations of both employee <strong>and</strong><br />

firm must be protect;<br />

• However, technological complexities <strong>and</strong><br />

differing viewpoints make honoring both<br />

firm rights <strong>and</strong> employee rights problematic.<br />

pg. 45


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics – Rule 5.302: Members<br />

leaving a firm shall not, without the<br />

permission of their employer or partner, take<br />

design, drawings, data, reports, notes, or<br />

other materials, relating to the firm’s work,<br />

whether or not performed by the member.<br />

pg. 46


Design Professional Ethics<br />

• <strong>AIA</strong> <strong>Code</strong> of Ethics – Rule 5.303: Members<br />

shall not unreasonably withhold permission<br />

from a departing employee or partner to take<br />

copies of designs, drawings, data, reports,<br />

notes, or other materials relating to work<br />

performed by the employee or partner that<br />

are not confidential.<br />

pg. 47


Commentary:<br />

Design Professional Ethics<br />

• Employees rightfully expect to be permitted<br />

to retain <strong>and</strong> use reasonable documentation<br />

of their professional experience with a firm;<br />

• Determining which examples of projects<br />

might be useful in the future is not an issue<br />

that most employees consider during<br />

employment;<br />

pg. 48


Design Professional Ethics<br />

• Because departure from a firm or termination<br />

of employment is often awkward, emotional,<br />

or even volatile, the discussion of the right to<br />

retain examples of work is often overlloked<br />

or carefully avoided.<br />

pg. 49


Design Professional Ethics<br />

• Employers are not obligated to make the<br />

entire documentation available to employees;<br />

• Firms have an interest in retaining control of<br />

confidential materials <strong>and</strong> the work product it<br />

rightfully owns, such as copyrighted<br />

drawings, renderings, photography, or<br />

proprietary software.<br />

pg. 50


Design Professional Ethics<br />

Other Issue: Conflicting Loyalties<br />

• Honesty – at face value – seems easy enough,<br />

even effortless for most of us;<br />

• However, principled professionals are<br />

occasionally ypresented with competing<br />

obligations;<br />

• Business <strong>and</strong> financial responsibilities,<br />

family duties or professional aspirations <strong>and</strong><br />

other considerations could easily conflict;<br />

pg. 51


Design Professional Ethics<br />

• For example, an employee may decide to<br />

“moonlight” to build a client base, take<br />

advantage of opportunities to demonstrate<br />

design creativity, i or simply make extra<br />

money;<br />

• In doing so, the employee could unwittingly<br />

expose the firm to liability;<br />

• The employee may even compromise their<br />

own performance;<br />

pg. 52


Design Professional Ethics<br />

• Moonlighting is generally discouraged <strong>and</strong><br />

often formally restricted by company policy;<br />

• An employee may decide to use the firm’s<br />

software for personal use, believing (or<br />

rationalizing) that no harm is done or that the<br />

firm can easily afford it.<br />

pg. 53


Design Professional Ethics<br />

Summary <strong>and</strong> Conclusion<br />

pg. 54

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