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Download PDF 626 KB - Creative New Zealand

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there, they will feel that TPM is a diverse and inclusive organisation where they are<br />

welcome.<br />

Other bridge building initiatives have included:<br />

• A Naturists’ evening at the theatre – a performance where clothing was optional!<br />

A huge hit – and a great publicity opportunity.<br />

• Audience dramaturgy. The Buzz Festival is a new work and audience<br />

development festival where the audience become participants in the play<br />

development process. The audience is provided with background to each new<br />

work and there is an interchange of views between the audience and artists both<br />

during and after the play development sessions. With the artists always<br />

ultimately in control of the creative product, but the audience engaged in a new<br />

and intimate way, this has drawn positive reactions from both audience and<br />

artists.<br />

• Theatre Beyond Walls (a play on the company’s French name) is a pioneering<br />

programme where stories from the community will be the starting point for the<br />

development of new works. Artists will leave the building for a season to involve<br />

local audiences in 12 locations around Toronto in the development and creation<br />

of art works. Projects will include ”writers-out-of-residence” on the Toronto<br />

Queen Street car; verbatim texts and interviews with taxi drivers as the starting<br />

point for a theatre piece; and a play based on the homeless and mentally ill<br />

people who will also take part in creating the work.<br />

• The performance of Yichud (Seclusion), set in the orthodox Jewish community.<br />

In all these projects there is a strong desire to develop community collaborations with nonartistic<br />

organisations and communities. “We get to meet a community we don’t know,” said<br />

McKim, “and they might get to meet a culture they don’t know.”<br />

TPM is, through these and other initiatives (including social media to reach younger<br />

audiences) moving to an approach based on dialogue and interactivity. It aims to encourage<br />

people to create their own communities that reflect their own culture, and develop stories<br />

that are meaningful to them.<br />

“We hope this will be emblematic of a new way for a cultural institution and the city of<br />

Toronto and the citizens to engage with one another to create something that is inspiring to<br />

all of us and created by all of us.”<br />

There is a big job ahead for us as cultural leaders, he adds. How can we be the purveyors of<br />

the public’s ability to engage with art? TPM will continue to forge the path it has established,<br />

buoyed by the response to the engagement activities undertaken to date, and those on<br />

which they are about to embark.

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