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SPEECH MATTERS – The Danish Pavilion at the 54th International Art Exhibition – la Biennale di Venezia<br />
IMAGE CREDIT LIST<br />
FOR SPEECH MATTERS<br />
• Photo <strong>credit</strong>s <strong>for</strong> all <strong>image</strong>s, unless otherwise stated:<br />
Installation shot from Speech Matters<br />
The Danish Pavilion, 2011<br />
54th International Art Exhibition - la Biennale di Venezia<br />
Photographer: Panos Kokkinias<br />
• Copyright of <strong>image</strong>s, unless otherwise stated: The Danish Pavilion and the artists, 2011<br />
• Additional <strong>image</strong> material on all artists and the exhibition is available at: www.danish-pavilion.org<br />
• Artworks are <strong>list</strong>ed following the order from left to right in the picture<br />
Individual Artists<br />
1 7<br />
Agency<br />
Assembly (Speech Matters), 1992 -<br />
Mixed media<br />
Dimensions variable<br />
Ayreen Anastas & Rene Gabri<br />
Every Mine is a Line, 2011 (detail)<br />
Vitrine with notes, drawings, diagrams,<br />
maps, models, ephemera, paper, and<br />
wood<br />
Dimensions variable<br />
Courtesy the artists<br />
Ayreen Anastas & Rene Gabri<br />
Every Mine is a Line, 2011<br />
Vitrine with notes, drawings, diagrams,<br />
maps, models, ephemera, paper, and<br />
wood<br />
Dimensions variable<br />
Courtesy the artists<br />
Robert Crumb<br />
When the Niggers take over America,<br />
1993 (detail)<br />
6 drawings<br />
Ink on paper<br />
52,7 x 45,1 cm<br />
Courtesy the artist, Paul Morris, and<br />
David Zwirner, New York
SPEECH MATTERS – The Danish Pavilion at the 54th International Art Exhibition – la Biennale di Venezia<br />
2 7<br />
Robert Crumb<br />
When the Niggers take over America,<br />
1993<br />
6 drawings<br />
Ink on paper<br />
52,7 x 45,1 cm<br />
Courtesy the artist, Paul Morris, and<br />
David Zwirner, New York<br />
Stelios Faitakis<br />
Imposition Symphony, 2011 (detail)<br />
Latex, acrylic and spray paint<br />
4,67 x 20,02 m<br />
Courtesy the artist and The Breeder,<br />
Athens<br />
Stelios Faitakis<br />
Imposition Symphony, 2011 (detail)<br />
Latex, acrylic and spray paint<br />
4,67 x 20,02 m<br />
Courtesy the artist and The Breeder,<br />
Athens<br />
Stelios Faitakis<br />
Imposition Symphony, 2011 (detail)<br />
Latex, acrylic and spray paint<br />
4,67 x 20,02 m<br />
Courtesy the artist and The Breeder,<br />
Athens<br />
Sharon Hayes<br />
Ear to the Sounds of Our History,<br />
2011<br />
Installation of found LP covers<br />
316 x 147 cm<br />
Courtesy the artist and<br />
Tanya Leighton Gallery, Berlin
SPEECH MATTERS – The Danish Pavilion at the 54th International Art Exhibition – la Biennale di Venezia<br />
3 7<br />
FOS<br />
Osloo, 1999;2011<br />
Mixed media<br />
12,32 x 6,82 x 4,93 m<br />
Courtesy the artist, Andersen's<br />
Contemporary Copenhagen, and<br />
Max Wigram Gallery, London.<br />
Photo: FOS<br />
FOS<br />
Osloo, 1999;2011<br />
Mixed media<br />
12,32 x 6,82 x 4,93 m<br />
Courtesy the artist, Andersen's<br />
Contemporary Copenhagen, and<br />
Max Wigram Gallery, London.<br />
Photo: FOS<br />
Han Hoogerbrugge<br />
Quatrosopus, 2011 (still)<br />
Video animation<br />
3’ 48’’<br />
Courtesy the artist<br />
Han Hoogerbrugge<br />
Quatrosopus, 2011 (still)<br />
Video animation<br />
3’ 48’’<br />
Courtesy the artist<br />
Han Hoogerbrugge<br />
Quatrosopus, 2011 (still)<br />
Video animation<br />
3’ 48’’<br />
Courtesy the artist<br />
Mikhail Karikis<br />
High-flyer, 2011<br />
Per<strong>for</strong>mance<br />
10’<br />
Courtesy the artist<br />
Mikhail Karikis<br />
High-flyer, 2011<br />
Per<strong>for</strong>mance<br />
10’<br />
Courtesy the artist<br />
Photo: Uriel Orlow
SPEECH MATTERS – The Danish Pavilion at the 54th International Art Exhibition – la Biennale di Venezia<br />
4 7<br />
Runo Lagomarsino<br />
Full Spectrum Dominance (One must<br />
be very careful with one’s silence),<br />
2008<br />
Newsprint paper<br />
67,5 x 52,5 cm<br />
Collection Sanz Esquide & Cortell,<br />
Barcelona<br />
Photo: Anders Sune Berg<br />
Tala Madani<br />
Cake Silence, 2006<br />
Oil on canvas<br />
30,5 x 35,6 cm<br />
Private Collection<br />
Tala Madani<br />
Smiley, 2008<br />
Oil on linen<br />
190 x 210 cm<br />
The Angel Collection of<br />
Contemporary Art, Israel<br />
Tala Madani<br />
Aaaa, 2010<br />
Oil on canvas<br />
28 x 26,7 cm<br />
Collection of Vanessa Branson,<br />
London<br />
Wendelien van Oldenborgh<br />
Supposing I love you. And you also<br />
love me, 2011<br />
Digital slide installation with sound<br />
13’<br />
Courtesy the artist and Wilfried Lentz,<br />
Rotterdam<br />
Wendelien van Oldenborgh<br />
Supposing I love you. And you also<br />
love me, 2011<br />
Digital slide installation with sound<br />
13’<br />
Courtesy the artist and Wilfried Lentz,<br />
Rotterdam<br />
Wendelien van Oldenborgh<br />
Supposing I love you. And you also<br />
love me, 2011<br />
Digital slide installation with sound<br />
13’<br />
Courtesy the artist and Wilfried Lentz,<br />
Rotterdam
SPEECH MATTERS – The Danish Pavilion at the 54th International Art Exhibition – la Biennale di Venezia<br />
5 7<br />
Lilibeth Cuenca Rasmussen<br />
Afghan Hound, 2011<br />
Per<strong>for</strong>mance<br />
15’<br />
Courtesy the artist<br />
Photo: Anders Sune Berg<br />
Lilibeth Cuenca Rasmussen<br />
Afghan Hound, 2011<br />
Per<strong>for</strong>mance<br />
15’<br />
Courtesy the artist<br />
Photo: Anders Sune Berg<br />
Lilibeth Cuenca Rasmussen<br />
Afghan Hound, 2011<br />
Per<strong>for</strong>mance<br />
15’<br />
Courtesy the artist<br />
Photo: Anders Sune Berg<br />
Lilibeth Cuenca Rasmussen<br />
Afghan Hound, 2011<br />
Per<strong>for</strong>mance<br />
15’<br />
Courtesy the artist<br />
Photo: Anders Sune Berg<br />
Taryn Simon<br />
Zahra/Farah, 2007<br />
Chromogenic print<br />
152,4 cm x 196,8 cm<br />
Edition of 5<br />
© Taryn Simon. Courtesy Gagosian<br />
Gallery, New York<br />
Jan Švankmajer<br />
The Garden, 1968 (still)<br />
35 mm film transferred to Blu-ray<br />
16’<br />
Courtesy Jan Švankmajer
SPEECH MATTERS – The Danish Pavilion at the 54th International Art Exhibition – la Biennale di Venezia<br />
6 7<br />
Jan Švankmajer<br />
The Garden, 1968 (still)<br />
35 mm film transferred to Blu-ray<br />
16’<br />
Courtesy Jan Švankmajer<br />
Jan Švankmajer<br />
The Garden, 1968 (still)<br />
35 mm film transferred to Blu-ray<br />
16’<br />
Courtesy Jan Švankmajer<br />
Jan Švankmajer<br />
The Garden, 1968 (still)<br />
35 mm film transferred to Blu-ray<br />
16’<br />
Courtesy Jan Švankmajer<br />
Tilman Wendland<br />
Maquette of exhibition architecture,<br />
2011<br />
Cardboard<br />
Courtesy the artist<br />
Photo: Tilman Wendland<br />
Zhang Dali<br />
Second History, 2003-2010<br />
#24 Chairman Mao, with friends from<br />
Africa, Asia and Latin America, 1959<br />
C-prints (22 works out of a series of<br />
130)<br />
115,3 cm x 63,2 cm<br />
Courtesy the artist
SPEECH MATTERS – The Danish Pavilion at the 54th International Art Exhibition – la Biennale di Venezia<br />
7 7<br />
Zhang Dali<br />
A Second History, 2003-2010<br />
#27 Chairman Mao Inspects Anhui,<br />
1959<br />
C-prints (22 works out of a series of<br />
130)<br />
115,3 cm x 63,2 cm<br />
Courtesy the artist<br />
Danish Press:<br />
Marianne Strøm Hansen, The Danish Arts Council<br />
H.C. Andersens Boulevard 2, DK-1553 Copenhagen V<br />
E: stroem@kunst.dk<br />
T: +45 21452440<br />
International Press:<br />
Judith Eckstein, <strong>Goldmann</strong> <strong>Public</strong> <strong>Relations</strong><br />
Bruderstr. 5, D-80538 Munich<br />
E: jeckstein@goldmannpr.de<br />
T: +49 (0) 89 21116422
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