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2011-2012 Dance Handbook - Missouri Valley College

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<strong>Dance</strong> is the only art of which<br />

we ourselves are the stuff of<br />

which it is made.<br />

~Ted Shawn<br />

www.moval.edu/fine_arts/index.php<br />

It takes an athlete to dance, but<br />

an artist to be a dancer.<br />

~Shanna LaFleur<br />

Copyright <strong>2011</strong>


Division of Fine Arts/ <strong>Dance</strong><br />

Page 2 THE CODE Page 15<br />

Student <strong>Handbook</strong><br />

The faculty of the Division of Fine Arts wishes to instill the highest level of<br />

discipline and professionalism in future artists.<br />

In that spirit, we have adopted the following:<br />

TABLE OF CONTENTS<br />

Division Faculty …………….………………...…..………….………..……...……pages 3/4<br />

Division of Fine Art Degrees……………………………………..……………...…..page 5<br />

Core Curriculum …………………….……..……………………..……………………..page 6<br />

<strong>Dance</strong> Curriculum ……………….………..…………………………..………………..page 7<br />

<strong>Dance</strong> Minor.. ……………….…………..………………………………….…………..page 8<br />

Repertory <strong>Dance</strong> Ensemble……………………………………………….………….page 9<br />

Student Performance Opportunities……….………...…………….……....…page 10<br />

Division Expectations……………………………………………...…………....…..page 11<br />

Student Juries/Critiques…………………………….………..…….…..……page 12/13<br />

Notes…………………………………………………………………………………...……page 14<br />

The Code of Conduct………………………………………………..…………..…..page 15<br />

AN ARTIST’S CODE OF CONDUCT:<br />

I will honor my personal creativity by expressing myself to the greatest<br />

ability.<br />

I am an integral part of the creative process and will function as an inventive<br />

collaborator. There is a time to give creative input and a time to take<br />

notes. I will learn the difference.<br />

I will take direction and constructive criticism from my director, teacher,<br />

or supervisor in the spirit they are given, knowing they serve to help me<br />

become a more powerful presence on stage or in the classroom.<br />

I will be emotionally ready and physically prepared to work when rehearsal,<br />

work call, or class begins.<br />

I will bring solutions, not problems to every rehearsal, work call, and class<br />

project.<br />

I will be an engaged artist<br />

I will honor my creativity and give it an expression.<br />

I will respect my reasonability as an artist in the larger community.<br />

I will give constructive criticism during critiques. I will not use mean,<br />

hateful, or unwarranted comments to my fellow artists.<br />

I will make no changes in costume, blocking, or any production aspect<br />

without proper permission from the director, musical director, choreographer,<br />

or designer.<br />

I will treat all production elements (sets, lights, sound devices, costumes,<br />

and props) with respect and care, knowing that someone worked hard to<br />

design or build them. I will touch no prop or costume piece that does not<br />

belong to me. No eating, drinking, or smoking in costumes.<br />

Out of respect for the space, I will not bring food or drink into the theatre<br />

or front of house. Eating and drinking is allowed in the green room or<br />

office area only. Bottled water is allowed in the wings.<br />

Love the art in yourself and not yourself in the art.<br />

Remember: there are no small parts, only small actors.<br />

Never come into the theatre with mud on your feet. Leave your dust and dirt outside.<br />

Check your little worries, squabbles, petty difficulties with your outside clothing --<br />

all the things that ruin your life and draw your attention away from your art -- at<br />

the door.<br />

-Konstantin Stanislavski-<br />

I don't want people who want to dance, I want people who have to<br />

dance. ~George Balanchine


Page 14<br />

NOTES The Faculty<br />

Page 3<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

_____________________________________________________<br />

Diana Malan - Division Chair: Associate Professor of Music/<br />

Theatre<br />

MA: Lindenwood University<br />

maland@moval.edu ex 4215; Morrison Fine Art Bldg<br />

Director of MVC Choirs (Show Choir, Gospel Singers, Concert Choir)<br />

Janie Morgan – Assistant Professor of <strong>Dance</strong><br />

MFA: Arizona State University<br />

morganj@moval.edu ex 4050; Morrison Fine Art Bldg<br />

Director of Repertory <strong>Dance</strong> Ensemble<br />

Garry Anders – Assistant Professor of Music<br />

MM: New Mexico State University<br />

andersg@moval.edu ex 4222; Morrison Fine Art Bldg<br />

Director of MVC Concert Band, Jazz Band & Drumline<br />

Wade Hughes – Associate Professor of Theatre<br />

MFA: University of North Carolina-Greensboro<br />

hughesw@moval.edu ex 4147; Eckilson Mabee Theatre<br />

Co-Director of Flatliner Improv Troupe<br />

Faculty Sponsor – Alpha Psi Omega<br />

Harold Hynick – Assistant Professor of Theatre<br />

MFA: University of South Dakota<br />

hynickh@moval.edu ex 4052; Eckilson Mabee Theatre<br />

Co-Director of Flatliner Improv Troupe<br />

Jay Rozema – Associate Professor of Theatre<br />

MFA: Florida State University<br />

rozemaj@moval.edu ex: 4140; Eckilson-Mabee Theatre<br />

Technical Director; Facilities Manager<br />

Valerie Wedel– Assistant Professor of Visual Arts<br />

MFA: University of <strong>Missouri</strong>- Columbia<br />

wedelv@moval.edu ex: 4207; Baity 108-2<br />

Charity-Mika Woodard- Assistant Professor of Visual Art<br />

MFA: New York Academy of Art<br />

woodardc@moval.edu ex 4175; Baity 303<br />

Faculty Sponsor- Art Club


The Faculty Page 4 Juries Form<br />

Page 13<br />

Adjuncts<br />

Haley Hoss-Jameson– Instructor of <strong>Dance</strong><br />

MFA: Texas Women’s University<br />

jamesonh@moval.edu<br />

Chuck Appleton– Instructor of Music<br />

MA: Central <strong>Missouri</strong> State University<br />

appletonc@moval.edu<br />

Charles Ferguson- Instructor of Applied Strings<br />

MM: University of Houston<br />

fergusonc@moval.edu<br />

Milena Simic - Instructor of Applied Piano<br />

MBA: Lindenwood University<br />

simicm@moval.edu<br />

Clarence Smith – Instructor of Music<br />

smithcla@moval.edu<br />

James Isaac – Instructor of Music<br />

Isaacjmoval.edu<br />

B.A <strong>Dance</strong> Jury Review Evaluation Criteria<br />

Student Name: _____________________________________ Major choice: __________________________<br />

Reviewer’s Name: ___________________________________________ Date: ______/______/__________<br />

Student has presented the following:<br />

_____ Resume (1 Hard Copy and Online)<br />

_____ Artist Statement (1 Hard Copy and Online)<br />

_____ Written response (1 Hard Copy and Online)<br />

_____ Headshot and <strong>Dance</strong>r shot (1 of each)<br />

_____ Transcript (1 Hard Copy and Online)<br />

_____ One-Two Minute Solo<br />

_____ Verbal One-Minute Explanation of the <strong>Dance</strong><br />

Students must prepare a three-minute verbal response and a typed written response to the<br />

following:<br />

1. Reflect on your growth and achievements over the past school year.<br />

2. What do you need to focus on to meet your long term goals?<br />

3. What areas have you addressed, that the panel suggested, since last years juries?<br />

Below Expectations Meets Expectations Exceeds Expectations<br />

Dyann Rozema –Instructor of Theatre<br />

MFA : University of <strong>Missouri</strong> –KC<br />

rozemad@moval.edu<br />

Costume Designer, costume shop supervisor<br />

Dan Gemkow—Instructor of Art<br />

MFA: University of <strong>Missouri</strong><br />

gemkowd@moval.edu<br />

Chad Jaecques- Instructor of Graphic Design<br />

MA: Lindenwood <strong>College</strong><br />

jaecquesc@moval.edu<br />

Matt Moyer—Instructor of Art<br />

MFA: University of <strong>Missouri</strong><br />

moyerm@moval.edu<br />

1 2 3 4 5<br />

Based on the juries and this past year, this student demonstrates the ability (ies) to:<br />

Clearly portray the intention of the choreographic<br />

piece. 1<br />

Technically perform the piece through safe dance<br />

practices. 1<br />

Compose a well-developed artist statement and<br />

resume. 1<br />

Present them self in a professional manner.<br />

1<br />

Apply and integrate knowledge.<br />

1<br />

Exhibit quality work in a timely manner.<br />

1<br />

Work within a collaborative environment by maintaining<br />

a positive attitude, showing respect, 1<br />

and contributing artistic input.<br />

2 3 4 5 NA<br />

2 3 4 5 NA<br />

2 3 4 5 NA<br />

2 3 4 5 NA<br />

2 3 4 5 NA<br />

2 3 4 5 NA<br />

2 3 4 5 NA<br />

What is this student’s major strength and what is the most significant area in which the student<br />

needs to improve? (Use reverse side of paper if needed.)


Juries & Critiques<br />

Page 12<br />

The Degrees Page 5<br />

Student Juries will take place in March (the week prior to Spring Break)<br />

All students pursuing degrees in The Division of Fine Arts are required to participate<br />

in yearly Student Juries. This is an opportunity for students to review their<br />

artistic background reflecting on what they’ve gained/learned through each experience.<br />

Juries are part of your required student assessment process which must be completed<br />

for approval of graduation. It is an opportunity to get feedback from your<br />

faculty, to set goals for yourself, and to learn more about where you are in your<br />

development.<br />

DANCE REQUIREMENTS<br />

Perform a one-two minute solo<br />

Portfolio Review<br />

Panel Interview<br />

Audition<br />

The dance should demonstrate your best work. You may choreography<br />

and perform your own piece or have someone else choreography the<br />

piece. You should be prepared to verbally explain the piece to the panel.<br />

Include: current resume, artist statement, head shot and body shot,<br />

transcript and a written response to the following questions.<br />

1.Reflect on your growth and achievements over the past school year.<br />

2. What do you need to focus on to meet your long term goals?<br />

3. What areas have you addressed, that the panel suggested, since last years juries?<br />

Artist Statement: is usually between a paragraph-page. It is a concise/<br />

articulate statement that expresses: Why you dance, what inspires you to<br />

dance/choreograph, and how you want others to view your art.<br />

Faculty will critique you based on your performance that day and your<br />

work over the course of the year.<br />

All theatre and dance students will participate in a ―cattle call‖ audition.<br />

All paper work must be submitted on Moodle by __Date TBA___. If the paper<br />

work is not submitted by the deadline students will not be allowed to participate<br />

in juries.<br />

Student will be able to sign-up for juries the Monday of Jury week in the Registrar’s<br />

office.<br />

BA (Bachelor of Arts) The BA degree is appropriate for students who<br />

plan to major in <strong>Dance</strong>, General Theatre or General Music. Art, Music<br />

and Speech/Theatre Education students may also elect to pursue a BA<br />

degree. The degree requires more coursework in the humanities area.<br />

emphasis areas:<br />

<strong>Dance</strong><br />

General Theatre<br />

General Music<br />

Speech/Theatre Education (9-12)<br />

Art Education (K-12)<br />

Music Education (K-12)<br />

BFA (Bachelor of Fine Arts) A BFA is a standard undergraduate degree<br />

for students seeking a professional education in the visual or performing<br />

arts and requires an area of specialty.<br />

emphasis areas:<br />

Studio Art<br />

Graphic Design<br />

Musical Theatre<br />

An internship is required.<br />

Technical Theatre<br />

An internship is required.<br />

Performance Theatre<br />

An internship is required.<br />

BS (Bachelor of Science) This degree is designed for students wanting<br />

to pursue teaching as a career. The degree requires more coursework<br />

in the math/science area.<br />

emphasis area:<br />

Speech/Theatre Education (9-12)<br />

Art Education (K-12)<br />

Music Education (K-12)<br />

Minors: Art • Theatre • Music • <strong>Dance</strong>


MVC GENERAL EDUCATION CORE CURRICULUM<br />

B.A.—Bachelor of Arts; B.S.Bachelor of Science; B.F.A.—Bachelor of Fine<br />

Page 6<br />

The Expectations<br />

Page 11<br />

Core I Communication Skills<br />

Required of all degree candidates<br />

EN 130—Rhet & Comp<br />

__________<br />

EN 160—Lit & Comp<br />

__________<br />

P 100—Public Speaking<br />

__________<br />

B.A. & B.F.A. degree candidates—two courses<br />

required.<br />

EN 200— World Literature I __________<br />

EN 201— World Literature II __________<br />

EN 220— American Literature I __________<br />

EN 225— American Literature II __________<br />

EN 230— British Literature I __________<br />

EN 235— British Literature II __________<br />

GK 100—Elementary Greek I __________<br />

LN 100— Elementary Latin I __________<br />

SN 111— Elementary Spanish I __________<br />

SN 112— Elementary Spanish II __________<br />

FR 110— Elementary French I __________<br />

FR 160— Elementary French II __________<br />

Core II—Math/Science<br />

B.A. and B.F.A. degree candidates—one course<br />

required. B.S. degree candidates—one course<br />

required if MA 185 or 190; otherwise two<br />

courses required. *MA 210 for Elementary and<br />

Middle School Education students only.<br />

MA 150—Topics in Modern Math __________<br />

MA 160—Finite Math<br />

MA 165—<strong>College</strong> Algebra<br />

MA 170—Pre-calculus<br />

MA 185—Calculus for Business<br />

MA 190—Calculus I<br />

MA 200—Intro to Statistics<br />

__________<br />

__________<br />

__________<br />

__________<br />

__________<br />

__________<br />

MA 210—Math for Elementary Teachers*__________<br />

B.A. & B.F.A. degree candidates—one course<br />

required. B.S. degree candidates—two courses<br />

required, one of which must include a lab (+)<br />

AY 103—Intro Biological Anthropology+__________<br />

BI 104— Principles of Biology+<br />

BI 124—Human Biology+<br />

BI 130—Plants & People<br />

CH 111—General Chemistry I<br />

CH 112—General Chemistry II<br />

PH 105—Environmental Science<br />

PH 109—Physical Science+<br />

PH 122—Astronomy<br />

__________<br />

__________<br />

__________<br />

__________<br />

__________<br />

__________<br />

__________<br />

__________<br />

All degree candidates—one course from:<br />

CS XXX - 3 hours of CIS<br />

__________<br />

AC 230—Accounting Computer App__________<br />

ED 310—Integration of Technology__________<br />

MC 201, 290, 301—Electronic Publishing__________<br />

Core III—Social Science<br />

All degree candidates—two courses from different<br />

disciplines<br />

AD 100—Psych of Substance Abuse__________<br />

AY 101—Intro to Archaeology __________<br />

AY 102—Intro to Cultural Anthropology__________<br />

EC 206—Macro Economics _________<br />

GE 250—Geography<br />

__________<br />

HM 100—Personal Growth __________<br />

PY 100—Principles of Psychology __________<br />

SC 100—Intro to Sociology __________<br />

SC 232—Marriage & Family _________<br />

PS 100*- Foundations of Federal Gov.__________<br />

Core IV—Civilization<br />

All degree candidates—one Religion course required.<br />

RE XXX—3 hours of Religion __________<br />

Plus two courses required.<br />

AY 104—World Archaeology __________<br />

AY 105—World Cultures __________<br />

CL 210—Greek Civilization __________<br />

CL 220—Roman Civilization __________<br />

HS 104* - American History I __________<br />

HS 105* - American History II __________<br />

HS 115—World Civilization I __________<br />

HS 116—World Civilization II __________<br />

PL 100—Intro to Philosophy __________<br />

PL 110—Intro to Critical Thinking __________<br />

*All graduates must satisfy the MO & Federal Constitution by<br />

passing one of the following courses: PS 100, HS 104/105<br />

Core V—Fine Arts<br />

All degree candidates—two courses required.<br />

AR 100—Intro to Drawing __________<br />

AR 120—Intro to Photography __________<br />

AR 210—Art Appreciation __________<br />

AR 224—Ceramics I<br />

__________<br />

CL 215—Greek Humanities __________<br />

CL 225—Roman Humanities __________<br />

DN102—<strong>Dance</strong> Appreciation __________<br />

HU 125—Humanities I<br />

__________<br />

HU 126—Humanities II<br />

__________<br />

MC 150—Intro to Mass Communication__________<br />

MU 101—Music Appreciation __________<br />

MU 105—Fundamentals of Music __________<br />

MU XXX—3 hours choir or band __________<br />

TH 105—Theatre Appreciation __________<br />

TH 115—Acting I<br />

__________<br />

Core VI—Physical Activity<br />

All degree candidates—2 hours required.<br />

PE 101—126: PE Activities __________<br />

PE 221—Lifetime Wellness __________<br />

PE 131—144: Varsity Sports _________<br />

DN 120—150: <strong>Dance</strong> Techniques __________<br />

MS 145 or 245: Military Science __________<br />

Expectations for Students in the<br />

Division of Fine Arts:<br />

Attend all classes<br />

Complete all assignments on time, and as directed<br />

Follow through on commitments<br />

Maintain focus on the task at hand<br />

Give your best efforts to all you undertake<br />

Academic Criteria for participation in productions and performance<br />

groups:<br />

Maintain an overall GPA of no less than 2.0<br />

Have a semester GPA of no less than 2.0<br />

Provide proof of current and overall GPA at all auditions<br />

Provide proof of class attendance and coursework at all auditions<br />

**Productions include all mainstage and black box shows<br />

**Performance groups include Repertory <strong>Dance</strong> Ensemble, Show Choir,<br />

Flatliners, and Instrumental audition groups.


Fine Arts Opportunities<br />

Page 10<br />

The MVC Choirs offer a variety of vocal opportunities for Core students. III—Social There Science are three<br />

choral groups for students to participate in: <strong>Valley</strong> Connection show choir, MVC Gospel<br />

disciplines<br />

Singers, and MVC Concert Choir. Each choral<br />

AD<br />

group<br />

100—Psych<br />

has their<br />

of Substance<br />

own diverse<br />

Abuse__________<br />

style and are<br />

open to all interested students. Small ensemble AY and 101—Intro solo work to Archaeology are also offered __________ within the<br />

choirs. The groups present annual Christmas AY and 102—Intro Spring to Shows. Cultural <strong>Valley</strong> Anthropology__________<br />

Connection and<br />

EC 206—Macro Economics _________<br />

Gospel Singers present numerous tour performances throughout the school year. Scholarships<br />

are available to qualified students. For HM more 100—Personal information Growth contact __________<br />

Professor Diana<br />

GE 250—Geography<br />

__________<br />

Malan (660) 831-4215 (Director)<br />

PY 100—Principles of Psychology __________<br />

All degree candidates—two courses from different<br />

SC 100—Intro to Sociology<br />

SC 232—Marriage & Family<br />

__________<br />

_________<br />

MVC Instrumental MVC‖s instrumental music PS 100*- department Foundations consists of Federal Gov.__________<br />

of a Drum Line/<br />

Pep Band that meets the first eight weeks of second semester, and performs at home<br />

Core IV—Civilization<br />

football games. The department also includes a Brass and Woodwind Ensemble that<br />

meets first and second semester. The band department<br />

RE XXX—3 hours<br />

includes<br />

of Religion<br />

a full Jazz<br />

__________<br />

Ensemble that<br />

meets all year long. Students also have the opportunity Plus two courses to take required. private lessons . Numerous<br />

scholarships are available to students who AY would 104—World like to Archaeology be involved with __________ the band<br />

AY 105—World Cultures __________<br />

department at MVC Garry Anders (660) 831-4222 (Director)<br />

All degree candidates—one Religion course required.<br />

CL 210—Greek Civilization<br />

CL 220—Roman Civilization<br />

__________<br />

__________<br />

The Flatliners (MVC’s own Improvisational HS Comedy 104* - American Troupe) History were I founded __________ in 2001<br />

and ever since, their performances have been<br />

HS<br />

a favorite<br />

105* - American<br />

of <strong>Valley</strong>’s<br />

History<br />

theatrical<br />

II __________<br />

offerings.<br />

HS 115—World Civilization I __________<br />

The students involved put on a monthly formatted improvisation show for the campus<br />

HS 116—World Civilization II __________<br />

and community. The performances are on Friday PL 100—Intro nights at to 10:00 Philosophy PM. Scholarships __________ are<br />

available to qualified students. If you are interested PL 110—Intro in participating to Critical Thinking ―The __________ Flatliners,‖<br />

*All graduates must satisfy the MO & Federal Constitution by<br />

booking the group to perform, or would just like more information contact Professor<br />

passing one of the following courses: PS 100, HS 104/105<br />

Wade Hughes (660) 831-4147 or Pro. Harold Hynick (660) 831-4052 (Co- Directors)<br />

MET (Morris Experimental Theatre) is designed for student directing and acting<br />

projects. Throughout the school year one act plays, original plays, and student generated<br />

projects are presented in the space. The studio is open to all interested students. For<br />

more information contact Professor Wade Hughes (660) 831-4147 (Manager)<br />

Alpha Psi Omega is a theatre fraternity and any student is welcome to participate if<br />

they meet the requirements. For more detail contact Wade Hughes .<br />

Vernon Nester Gallery Position There are many gallery position including Gallery<br />

Manager, Gallery Assistant, Lighting Designer, and more. For more information contact<br />

Charity Woodard or Val Wedel<br />

Art Club The purpose of the Art Club is to involve both art students and non-art students<br />

in the exploration of art. Some of our tentative activities for the upcoming year<br />

include: Holiday window painting on the square.; Face painting at Fall Homecoming;<br />

Film Festivals; Annual Masquerade Ball; Sponsoring Guest Artist lecture series; Independent<br />

and group art projects; Fieldtrips to the Nelson-Akins Museum and First Fridays;<br />

Community service for other groups within the school. If you are interested in the<br />

Art Club or Gallery Positions contact Charity Woodard or Val Wedel.<br />

CURRICULUM CHECK-LIST Page 7<br />

DANCE MAJOR (BA)<br />

43 Total Hours<br />

NAME:______________________________CATALOG YEAR:_____________<br />

DANCE CORE (18 HOURS) Semester Grade Repeat<br />

DN 115 Conditioning for <strong>Dance</strong>rs (S) ________ ________ ________<br />

DN 250 Improvisation (F even) ________ ________ ________<br />

DN 300 Choreography I (S even) ________ ________ ________<br />

DN 301 History of <strong>Dance</strong> (S Odd) ________ ________ ________<br />

MU 105 or 250<br />

Fund of Music/Music Theory I (S/F) ________ ________ ________<br />

EX 334 Kinesiology (S) ________ ________ ________<br />

TECHNIQUE REQUIREMENTS (12 HOURS)<br />

From Ballet, Tap, Jazz, Modern -- 2 hours must come from a 300 level class<br />

______ ______ ______ ______ ______ ______<br />

______ ______ ______ ______ ______ ______<br />

PERFORMANCE REQUIREMENTS (4 HOURS)<br />

2 hours must be 499<br />

DN 299/499 Repertory <strong>Dance</strong> Ensemble ______ ______ ______ ______<br />

ELECTIVE REQUIREMENTS (6 HOURS) from DN upper division<br />

_______ ________ ________ ________ ________ ________<br />

SENIOR ASSESSMENT (3 hours)<br />

DN 485 Senior Project ________ ________ ______<br />

<strong>Dance</strong> Internship (1-3 hours) (optional)<br />

DN 401 <strong>Dance</strong> Internship ________ ________ ________<br />

Participation in two theatre productions and all dance productions<br />

____________________________<br />

_____________________________


CURRICULUM CHECK-LIST: MINOR<br />

Page 8<br />

REPERTORY DANCE ENSEMBLE<br />

Page 9<br />

NAME:_______________________CATALOG YEAR:__________<br />

DANCE MINOR:<br />

(24 HOURS)<br />

REQUIRED COURSEWORK:<br />

Semester Grade Repeat<br />

DN 102 <strong>Dance</strong> Appreciation (S) ________ ________ ________<br />

DN 250 <strong>Dance</strong> Improvisation (F even) ________<br />

________ ________<br />

DN 300 Choreography I (S even ) ________ ________ ________<br />

MU 105 or 150 Fund of Music (S) ________ ________ ________<br />

2 hrs upper division dance ________ ________ ________<br />

10 hrs technique from: jazz, tap, ballet, modern<br />

________ ________ ________ ________ ________ ________<br />

________ ________ ________ ________ ________ ________<br />

The <strong>Missouri</strong> <strong>Valley</strong> <strong>College</strong> Repertory <strong>Dance</strong> Ensemble<br />

Provides performance, choreographic and pre-production opportunities for<br />

students throughout the year. The ensemble's broad repertory consists of<br />

modern, jazz, ballet, tap, hip-hop and ethnic dance works. Collaborations with<br />

musicians, guest artists and community members provides students with<br />

excellent pre-professional dance experience. Scholarships are available to<br />

qualified students. For information on upcoming performances see the Production<br />

Calendar. For more information please contact<br />

Professor Janie Morgan (660) 831-4050 (Artistic Director)

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