Spring/Summer 2009 - University of Toronto Press Publishing
Spring/Summer 2009 - University of Toronto Press Publishing
Spring/Summer 2009 - University of Toronto Press Publishing
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m e d i e va l a n d r e n a i s s a n c e s t u d i e s<br />
Lincolnshire<br />
Edited by James Stokes<br />
Records <strong>of</strong> Early English Drama<br />
In the great tradition <strong>of</strong> other volumes in the<br />
Records <strong>of</strong> Early English Drama, Lincolnshire presents<br />
an exhaustive collection <strong>of</strong> primary archival<br />
materials related to drama, music, custom, and<br />
ceremony in Lincolnshire county from 1236–1642.<br />
Covering the City <strong>of</strong> Lincoln, its cathedral, and<br />
numerous towns, villages, religious houses, and<br />
private households, its extensive research reveals the<br />
nature and development <strong>of</strong> drama in the area.<br />
Among the topics addressed by editor<br />
James Stokes are the nature <strong>of</strong> parish drama in<br />
Lincolnshire; various dramatic traditions within the<br />
region; Marian drama, ceremony, and spectacle; the<br />
numerous contributions <strong>of</strong> women to drama and<br />
custom; and the wide variety <strong>of</strong> venues. Including<br />
thorough appendixes <strong>of</strong> related areas <strong>of</strong> interest,<br />
Lincolnshire is a comprehensive account <strong>of</strong> this<br />
region and provides remarkable insight into early<br />
English drama.<br />
James Stokes is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />
English at the <strong>University</strong> <strong>of</strong> Wisconsin-Stevens<br />
Point.<br />
Playing a Part in History<br />
The York Mysteries, 1951–2006<br />
Margaret Rogerson<br />
Studies in Early English Drama<br />
The York Mystery Plays<br />
are a cycle <strong>of</strong> dramatic<br />
works originally performed<br />
on wagons in<br />
the city. They date from<br />
the fourteenth century<br />
and form a Biblical narrative<br />
from Creation to<br />
Last Judgment. After<br />
nearly four hundred<br />
years without a performance,<br />
a revival <strong>of</strong> the<br />
York Mysteries began in 1951 when local amateurs<br />
led by pr<strong>of</strong>essional theatre practitioners staged<br />
them during the festival <strong>of</strong> Britain. Playing a Part<br />
in History examines the ways in which the revival<br />
<strong>of</strong> these plays transformed them for twentieth- and<br />
twenty-first-century audiences.<br />
Considering such topics as the contemporary<br />
popularity <strong>of</strong> the plays, the agendas <strong>of</strong> the revivalists,<br />
and major production differences, Margaret<br />
Rogerson provides a fascinating comparison <strong>of</strong><br />
medieval and modern English drama. Drawing<br />
extensively on archival material, and newspaper<br />
and academic reviews <strong>of</strong> the plays in recent years,<br />
Playing a Part in History is not only an illuminating<br />
account <strong>of</strong> early English drama, but also <strong>of</strong> the<br />
ways in which theatre allows people to interact with<br />
the past.<br />
Margaret Rogerson is a senior lecturer in the<br />
Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />
Sydney.<br />
Approx. 908 pp / 6 ¾ x 9 ¾ / June <strong>2009</strong><br />
Cloth ISBN 978-1-4426-4000-9 $400.00 E<br />
World rights less UK and Europe.<br />
Other rights held by the British Library.<br />
Approx. 328 pp / 6 x 9 / March <strong>2009</strong><br />
14 photos<br />
Cloth ISBN 978-0-8020-9924-2 £42.00 $65.00 E<br />
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