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Spring/Summer 2009 - University of Toronto Press Publishing

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m e d i e va l a n d r e n a i s s a n c e s t u d i e s<br />

Lincolnshire<br />

Edited by James Stokes<br />

Records <strong>of</strong> Early English Drama<br />

In the great tradition <strong>of</strong> other volumes in the<br />

Records <strong>of</strong> Early English Drama, Lincolnshire presents<br />

an exhaustive collection <strong>of</strong> primary archival<br />

materials related to drama, music, custom, and<br />

ceremony in Lincolnshire county from 1236–1642.<br />

Covering the City <strong>of</strong> Lincoln, its cathedral, and<br />

numerous towns, villages, religious houses, and<br />

private households, its extensive research reveals the<br />

nature and development <strong>of</strong> drama in the area.<br />

Among the topics addressed by editor<br />

James Stokes are the nature <strong>of</strong> parish drama in<br />

Lincolnshire; various dramatic traditions within the<br />

region; Marian drama, ceremony, and spectacle; the<br />

numerous contributions <strong>of</strong> women to drama and<br />

custom; and the wide variety <strong>of</strong> venues. Including<br />

thorough appendixes <strong>of</strong> related areas <strong>of</strong> interest,<br />

Lincolnshire is a comprehensive account <strong>of</strong> this<br />

region and provides remarkable insight into early<br />

English drama.<br />

James Stokes is a pr<strong>of</strong>essor in the Department <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> Wisconsin-Stevens<br />

Point.<br />

Playing a Part in History<br />

The York Mysteries, 1951–2006<br />

Margaret Rogerson<br />

Studies in Early English Drama<br />

The York Mystery Plays<br />

are a cycle <strong>of</strong> dramatic<br />

works originally performed<br />

on wagons in<br />

the city. They date from<br />

the fourteenth century<br />

and form a Biblical narrative<br />

from Creation to<br />

Last Judgment. After<br />

nearly four hundred<br />

years without a performance,<br />

a revival <strong>of</strong> the<br />

York Mysteries began in 1951 when local amateurs<br />

led by pr<strong>of</strong>essional theatre practitioners staged<br />

them during the festival <strong>of</strong> Britain. Playing a Part<br />

in History examines the ways in which the revival<br />

<strong>of</strong> these plays transformed them for twentieth- and<br />

twenty-first-century audiences.<br />

Considering such topics as the contemporary<br />

popularity <strong>of</strong> the plays, the agendas <strong>of</strong> the revivalists,<br />

and major production differences, Margaret<br />

Rogerson provides a fascinating comparison <strong>of</strong><br />

medieval and modern English drama. Drawing<br />

extensively on archival material, and newspaper<br />

and academic reviews <strong>of</strong> the plays in recent years,<br />

Playing a Part in History is not only an illuminating<br />

account <strong>of</strong> early English drama, but also <strong>of</strong> the<br />

ways in which theatre allows people to interact with<br />

the past.<br />

Margaret Rogerson is a senior lecturer in the<br />

Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong><br />

Sydney.<br />

Approx. 908 pp / 6 ¾ x 9 ¾ / June <strong>2009</strong><br />

Cloth ISBN 978-1-4426-4000-9 $400.00 E<br />

World rights less UK and Europe.<br />

Other rights held by the British Library.<br />

Approx. 328 pp / 6 x 9 / March <strong>2009</strong><br />

14 photos<br />

Cloth ISBN 978-0-8020-9924-2 £42.00 $65.00 E<br />

24

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