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i-D Magazine

The world we live in today is wrought with controversy and drastic changes due to our ever-evolving lifestyle. The Internet and social media have had a revolutionary impact on the way we interact, socialize, and even think about the world around us. Even though this technologically induced society we live in is thriving with a plethora of knowledge, society has become even more self-centered. The Speak Up Issue of i-D strives to bring awareness to social, ethical, political, and caring causes. This publication was created as a project for a Current Trends and Forecasting class at the Savannah College of Art and Design. This is a recreation of a i-D magazine and is not an official i-D publication.

The world we live in today is wrought with controversy and drastic changes due to our ever-evolving lifestyle. The Internet and social media have had a revolutionary impact on the way we interact, socialize, and even think about the world around us. Even though this technologically induced society we live in is thriving with a plethora of knowledge, society has become even more self-centered. The Speak Up Issue of i-D strives to bring awareness to social, ethical, political, and caring causes. This publication was created as a project for a Current Trends and Forecasting class at the Savannah College of Art and Design. This is a recreation of a i-D magazine and is not an official i-D publication.

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talking mirrors<br />

TEXT BROOKE BENSON<br />

Standing before a wall of mirrors, I gaze at myself<br />

objectively. My body is simply a collection of lines,<br />

a form in which I reside. There is no criticism, disapproval<br />

or condemnation. Looking through my nineyear-old<br />

eyes, I see only a child. Judgement does<br />

not yet blur my vision, does not play cruel tricks on<br />

my eyes.<br />

By the age of nine I had been dancing at Miller<br />

Marley for nearly five years. My instructors were<br />

adults I looked up to as models of poise and control.<br />

Peering through the glass windows of Studio<br />

One, I imagined how one day I might be one of<br />

those graceful angels, performing a balancing act<br />

on wooden shoes.<br />

5:30pm. The tights, the leotard, the bag...<br />

the hair! Don’t forget the hair.<br />

6:00pm. File in...on with the shoes. “Pile, releve,<br />

lower...” a recorded voice would drone. The teacher<br />

came around and inspected our posture, our form,<br />

our point...and our bodies.<br />

“Pull that stomach in! Concentrate. Stop think about<br />

that McDonalds you had for dinner,” was Ms. Joan’s<br />

normal greeting. She was the first woman who ever<br />

taught me I had any reason to be dissatisfied with<br />

my body.<br />

A stiff, severe woman, Ms. Joan had all the warmth<br />

of a mannequin. With never a flaw in sight, she mesmerized<br />

me in a strange way. Her perfect blonde<br />

hair was most certainly a wig and I often got the<br />

inkling that she was not in fact human, but perhaps<br />

a robot sent to discern the human race, searching<br />

for those who reached her expectations.<br />

“There is a certain ‘dancer’ body type you must<br />

have if you want to succeed. Ballerinas are thin. The<br />

only way for you not to be fat is to stop eating all<br />

that junk you guys love,” she would preach, slipping<br />

shaming looks to any girl who had matured a bit<br />

faster than others, who had any trace of hips. She<br />

would conclude, “If you want to be thin, then no<br />

more candy bars for you.” Her words would echo in<br />

my mind...<br />

A couple of years ago, I ran into my old dance<br />

teacher. I had been struggling with anorexia for<br />

about a year at the time and needed desperately to<br />

gain weight. When Ms. Joan saw me, she practically<br />

gasped with delight. “Oh Brooke! You look fan-<br />

116 i-D THE SPEAK UP ISSUE

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