Download Auction Catalogue in PDF Format - Heffel
Download Auction Catalogue in PDF Format - Heffel
Download Auction Catalogue in PDF Format - Heffel
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HEFFEL FINE ART AUCTION HOUSE 11<br />
103 SYBIL ANDREWS<br />
CPE 1898 ~ 1992<br />
Skaters<br />
l<strong>in</strong>ocut <strong>in</strong> 4 colours, signed,<br />
titled and editioned 26/60, 1953<br />
7 7/8 x 14 3/4 <strong>in</strong>, 20 x 37.5 cm<br />
PROVENANCE:<br />
DeVooght Gallery, Vancouver<br />
Private Collection, Vancouver<br />
LITERATURE:<br />
Peter White, Sybil Andrews, Glenbow Museum, 1982,<br />
reproduced page 61<br />
Lora S. Urbanelli, The Grosvenor School: British L<strong>in</strong>ocuts Between<br />
the Wars, Museum of Art, Rhode Island School of Design, 1988,<br />
same image reproduced page 45<br />
Stephen Coppel, L<strong>in</strong>ocuts of the Mach<strong>in</strong>e Age, 1995, reproduced<br />
page 120, catalogue #SA 52<br />
EXHIBITED:<br />
Glenbow Museum, Calgary, Sybil Andrews, 1982, same image,<br />
catalogue #49<br />
Museum of Art, Rhode Island School of Design, The Grosvenor<br />
School: British L<strong>in</strong>ocuts Between the Wars, January 22 ~ March 20, 1988,<br />
travel<strong>in</strong>g <strong>in</strong> 1988 to the Cleveland Museum of Art and the Santa Barbara<br />
Museum of Art, same image, catalogue #8<br />
103<br />
The image of the skater on the left was <strong>in</strong>itially used <strong>in</strong> a design for a<br />
London Passenger Transport Board poster Sybil Andrews made <strong>in</strong> the<br />
1930s <strong>in</strong> collaboration with Cyril E. Power, advertis<strong>in</strong>g ice~hockey<br />
matches at Wembley Park. Although this l<strong>in</strong>ocut was made <strong>in</strong> 1953 after<br />
she had moved from England to Vancouver Island, it reta<strong>in</strong>s the spirit of<br />
the 1930s. While <strong>in</strong> England, Andrews was part of the Grosvenor School<br />
of l<strong>in</strong>ocut artists, whose modernist work was <strong>in</strong>fluenced by the Futurist<br />
movement and the changes wrought by <strong>in</strong>dustrialization. The subject of<br />
sport was ideal for portray<strong>in</strong>g the energy of coord<strong>in</strong>ated movement, and<br />
Andrews also depicted horse races, football players and rowers. What was<br />
emphasized about these figures <strong>in</strong> synchronized movement was their<br />
teamwork and their anonymity, as opposed to the <strong>in</strong>dividuality of sports<br />
heroes, reflect<strong>in</strong>g the social and egalitarian outlook shared by the<br />
Grosvenor School. This dynamic pr<strong>in</strong>t re<strong>in</strong>forces the <strong>in</strong>tensity of the<br />
skaters’ forward thrust by elongat<strong>in</strong>g their skate blades aga<strong>in</strong>st a<br />
background of the stylized curves of their track, their bodies mov<strong>in</strong>g as<br />
f<strong>in</strong>ely~balanced rac<strong>in</strong>g mach<strong>in</strong>es.<br />
This is a f<strong>in</strong>e impression with strong colours on thicker oriental paper.<br />
ESTIMATE: $10,000 ~ 15,000