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April 2011 (issue 123) - The Sussex Archaeological Society

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Library<br />

LIBRARY & BOOKSHOP<br />

FIREBACKS<br />

Books<br />

Library News<br />

Collection of Baxter prints on display<br />

hope this will be published in time for Members to visit Barbican<br />

I House Museum to see the display in the Temporary Exhibition Gallery<br />

of “John Baxter 1781-1858, Lewes printer and publisher”. This shows<br />

examples of the work of Baxter from the Library collections, of some<br />

books published between 1805 & 1847, together with a selection<br />

from the enormous range of handbills, advertisements and posters<br />

he printed (see article by Judy Brent in SP&P 121). Included are some<br />

fascinating auction and events posters, including cricket (one of his<br />

great interests). One poster shows that nothing really changes – it<br />

bans the letting off of fireworks in the street as Bonfire approaches,<br />

though in this case it includes avoiding frightening passing horses!<br />

Baxter both printed the poster, and signed it as Junior High Constable.<br />

<strong>The</strong> exhibition continues until 8th May.<br />

Continuing our attempts to make best use of the limited space in<br />

the Library, we intend to move the general English history volumes on<br />

to the landing, leaving space for expanding the <strong>Sussex</strong> places in the<br />

<strong>Sussex</strong> Room – apologies if this causes confusion.<br />

I list below some recent additions to the Library (all 2010):<br />

COLLINS, Rob, ed.<br />

HART, Stephen<br />

HIGHAM, Nicholas, ed.<br />

HOOKE, Della<br />

MAYS, Simon<br />

Finds from the Frontier<br />

Medieval Church Window Tracery in<br />

England<br />

Landscape Archaeology of Anglo Saxon<br />

England<br />

Trees in Anglo Saxon England<br />

Archaeology of Human Bones. 2nd ed.<br />

We are grateful to the following for their donations to the Library:<br />

Archaeology South-East; D Millum; W Muriel; N Read; R Nesbitt-<br />

Dufort; G Standing; G Thomas; D Worsell.<br />

Esme Evans<br />

Hon. Librarian<br />

Bookshop<br />

MANY members doubtless will<br />

remember the excavation run by the<br />

<strong>Society</strong> and, latterly, the University<br />

of Kent on the village green (the Egg)<br />

adjacent to Bishopstone church.<br />

<strong>The</strong> project was run by one-time<br />

Research Officer of the <strong>Society</strong>,<br />

Gabor Thomas, between 2002 and<br />

2005, and is now published in a<br />

handsome volume by the Council<br />

for British Archaeology.<br />

In addition to the archaeology there<br />

are chapters on the landscape and<br />

environmental context, and an<br />

historical synthesis, largely by John<br />

Blair, which offers an interpretation<br />

based on documentary,<br />

topographic, and toponymic<br />

sources of Bishopstone’s pre-<br />

Conquest development.<br />

<strong>The</strong> cover price of the book is £40<br />

but it is available to members for<br />

£34 (£38 to include inland postage)<br />

at Barbican House Bookshop.<br />

Payment with order please, but<br />

note that offer titles can be reserved<br />

at Barbican House for collection at<br />

a later date.<br />

Gabor Thomas (with contributions<br />

by many others), <strong>The</strong> later Anglo-<br />

Saxon settlement at Bishopstone:<br />

a downland manor in the making.<br />

York: CBA, 2010. (CBA Research<br />

Report 163); xviii, 270 pp.<br />

John Bleach<br />

Barbican House Bookshop<br />

British Cast-Iron<br />

Firebacks of the 16 th<br />

to mid 18 th Centuries<br />

FIREBACKS are among the most<br />

common surviving artefacts of the<br />

early modern iron industry. Whereas<br />

most cast-iron ordnance was either<br />

abandoned on the battlefield or<br />

re-melted, the latter fate shared<br />

by railings and other architectural<br />

ironwork, firebacks have fared much<br />

better. <strong>The</strong>y tended to be left in situ,<br />

at once both decorative and useful,<br />

Plate 269. Mid to late 17th century fireback bearing<br />

a phoenix rising from the flames. Anne of Cleves<br />

House Museum.<br />

as long as open fires remained<br />

the only form of domestic heating,<br />

and often afterwards. Some have<br />

been removed to museums, but<br />

thousands remain at the back of<br />

hearths in great and not-so-great<br />

houses all over the country. Survival<br />

is especially good in the South East,<br />

where the Wealden furnaces were<br />

major producers of castings.<br />

It is surprising to find how little<br />

has been written about firebacks.<br />

<strong>The</strong>re are, apparently, no early<br />

20 th -century collectors’ books, nor<br />

have historians of the iron industry,<br />

except H.R. Schubert and writers<br />

on the Weald, given them much<br />

attention. <strong>The</strong>y do not feature greatly<br />

in books on country houses and<br />

their contents. This new study by<br />

Jeremy Hodgkinson can, therefore,<br />

be unreservedly welcomed as the<br />

first large-scale monograph on<br />

the subject. It is a first-class piece<br />

of work in all respects, not least<br />

the high standard of design and<br />

printing, and the reasonable price.<br />

Plate 203. Wealden fireback of the early 17th<br />

century; this combination of the English crown and<br />

French arms is often copied and may relate to the<br />

marriage of Charles 1 and Princess Henrietta Maria<br />

of France in 1625. Michelham Priory.<br />

After explaining what a fireback is<br />

and discussing related artefacts<br />

such as graveslabs, the first chapter<br />

describes how they were made and<br />

(as far as is known) how they were<br />

marketed. <strong>The</strong> bulk of the book is<br />

a detailed catalogue of decoration<br />

on firebacks, progressing from<br />

designs created from individual<br />

stamps to backs cast from<br />

complete patterns. Hodgkinson<br />

shows how the basic fireback could<br />

be extended lengthways or with<br />

base panels, and suggests how<br />

purchasers today can distinguish<br />

an original from a copy. Virtually all<br />

the pieces discussed are illustrated<br />

with exceptionally well reproduced<br />

black and white photographs,<br />

printed to a constant scale. This is in<br />

itself a considerable achievement,<br />

since firebacks are often difficult<br />

of access and require skill to light<br />

successfully. Full details of each<br />

piece are given in an appendix,<br />

leaving the text to adopt a more<br />

discursive approach. This explores<br />

the iconography of firebacks in a<br />

highly original way. Hodgkinson<br />

has identified the sources for<br />

some of the best known designs,<br />

and analyses the royal and private<br />

heraldry found on firebacks. He has<br />

also located and illustrates several<br />

wooden patterns.<br />

Plate 245. Late 16th century or early 17th century<br />

fireback, probably cast in the Weald, portraying two<br />

protestant martyrs during the Marian persecution.<br />

Anne of Cleves House Museum.<br />

Most of the examples are drawn<br />

from the Weald, the major producing<br />

area and (outside London) the home<br />

of the major museum collections.<br />

To build on this study it would<br />

be useful to have gazetteers of<br />

firebacks in each county. It would<br />

also be good to know more about<br />

the fireback trade: how many were<br />

produced, were they made to<br />

order or for stock, and how much<br />

did they cost. <strong>The</strong>se would not be<br />

easy questions to answer but a full<br />

national catalogue would be a useful<br />

starting point. In the meantime,<br />

Jeremy Hodgkinson has done a<br />

first-class job in bringing together<br />

so much material and presenting<br />

his findings in such a scholarly and<br />

attractive volume.<br />

Philip Riden<br />

University of Nottingham<br />

By Jeremy Hodgkinson.<br />

Hodgersbooks, 2010. Paperback,<br />

278 pp., 342 illustrations, £24.99.<br />

ISBN 978-0-9566726-0-5.<br />

12 <strong>Sussex</strong> Past & Present <strong>April</strong> <strong>2011</strong><br />

www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>April</strong> <strong>2011</strong> 13

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