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April 2011 (issue 123) - The Sussex Archaeological Society

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Books<br />

BOOK REVIEWS<br />

BOOK REVIEWS<br />

Books<br />

A place-name history<br />

of Rottingdean and<br />

Ovingdean<br />

RICHARD Coates is one of the<br />

country’s leading place-name<br />

scholars and it is to the benefit of<br />

<strong>Sussex</strong> - and Brighton’s far eastern<br />

suburbs – that he has produced this<br />

multi-faceted volume. It can be read<br />

at a variety of levels, whether the<br />

interest is in the linguistic history of<br />

particular places or the derivation of<br />

suburban house-names and while<br />

Rottingdean has books a-plenty on<br />

its history there is little on Ovingdean,<br />

Saltdean and Woodingdean; so<br />

this composite territorial collection<br />

is indeed welcome. <strong>The</strong> research<br />

is assembled in discrete sections<br />

with a general account of the area,<br />

its geology and history, leading<br />

to a detailed listing of individual<br />

names and of geographical areas,<br />

which include offshore locations,<br />

an oft-forgotten aspect of coastal<br />

landscapes. <strong>The</strong> suburban nature<br />

of the contemporary landscape<br />

gives scope for sections on street<br />

names and detailed gazetteers<br />

of individual house-names; as a<br />

suburban aficionado this reviewer<br />

found the latter category a rich<br />

seam to mine!<br />

<strong>The</strong> book is illustrated with a<br />

selection of good quality images<br />

and its scholarly approach is<br />

attested by the inclusion of 13<br />

pages of bibliography, the only<br />

detraction has to be the lack of<br />

an index, which in a densely factpacked<br />

volume would be a bonus.<br />

Geoffrey Mead<br />

By Richard Coates, 2010.<br />

English Place-Name <strong>Society</strong>,<br />

Regional Series Vol. 2.<br />

Nottingham University.<br />

Paperback, 240 pp.<br />

ISBN 13: 978-0-904889-84-0.<br />

£18.00.<br />

West <strong>Sussex</strong><br />

Constabulary: 110<br />

years of history, <strong>April</strong><br />

1857-December 1967<br />

IF any book could be said to<br />

represent a labour of love, then this<br />

is one. It is the product of many<br />

years of research (and indeed<br />

frustration) on the part of the<br />

author who joined the West <strong>Sussex</strong><br />

Constabulary as a Cadet Clerk in<br />

September 1950 and remained with<br />

that force for his whole working<br />

life. It is an affectionate history but<br />

thankfully does not fall into the<br />

trap of unquestioning sycophancy<br />

as some individual force histories<br />

have been wont to do. It draws<br />

heavily on original documents and<br />

photographs now stored at West<br />

<strong>Sussex</strong> Record Office and articles<br />

published in the force magazine<br />

“Patrol” to give the reader a good<br />

impression of this police force from<br />

an insider’s perspective.<br />

For the historian of policing the<br />

book, at over 350 A4 sized pages,<br />

brings to a wider readership a great<br />

deal of previously unpublished<br />

empirical evidence, much of it<br />

from primary sources. For the<br />

more specialist student of police<br />

uniforms and insignia the vast<br />

number of illustrations (many<br />

never published before) provide an<br />

authoritative reference source, and<br />

for former members of the West<br />

<strong>Sussex</strong> Constabulary (probably a<br />

significant target audience for the<br />

author) the book will bring back<br />

many memories.<br />

It is not an easy read. Some of<br />

the text seems to assume a certain<br />

level of insider knowledge on the<br />

part of the reader, and whilst it<br />

takes a broadly chronological path<br />

from 1857 to 1967 some of the<br />

flashbacks (drawn from articles in<br />

“Patrol”) can catch out the unwary.<br />

Sadly there is also no index and the<br />

lack of a contents page belies the<br />

loose layout of chapters. It can also<br />

be difficult at times to determine<br />

where captions for illustrations<br />

end and the main text begins, and<br />

in one or two places the author’s<br />

comments can be mistaken for<br />

content from other sources.<br />

Since it primarily represents a<br />

history of West <strong>Sussex</strong> Constabulary<br />

(and not of policing in West <strong>Sussex</strong>)<br />

Chichester City Police receive some<br />

mention, but their counterparts in<br />

the one-time separate police forces<br />

of Arundel and Worthing get much<br />

less. <strong>The</strong> plethora of other policing<br />

organisations that existed in West<br />

<strong>Sussex</strong> before 1857 are, as a result,<br />

almost invisible.<br />

But every historical text has its<br />

limitations, and it is important to<br />

see this book in context: it actually<br />

does what it set out to do. It does<br />

not claim to be an encyclopaedic<br />

study of the policing history of<br />

West <strong>Sussex</strong>, but compared with<br />

many other individual police force<br />

histories it gets pretty close. It does<br />

not claim to be an academic work,<br />

but even if it isn’t intended to be,<br />

the text is nonetheless insightful.<br />

But having said this, and compared<br />

with the history published by the<br />

West <strong>Sussex</strong> Constabulary to<br />

mark its centenary in 1957, it is a<br />

vast improvement as an accurate<br />

historical source. <strong>The</strong> information is<br />

there, albeit that it might take you a<br />

while to find it.<br />

So is it worth reading or indeed<br />

buying? <strong>The</strong> answer on both counts<br />

must be an unequivocal yes. At<br />

£13.50 (for the current, second,<br />

print run) and £5 postage it is<br />

quite exceptional value for money.<br />

Unless and until someone gets<br />

round to a decent postgraduate<br />

thesis on the subject this book is<br />

likely to be seminal, and rightly so.<br />

<strong>The</strong> author can be contacted<br />

at 10 Duxford Close, Tangmere,<br />

Chichester, PO20 2JH or via e-mail<br />

on malmar.barrett@btinternet.<br />

com<br />

Dr Derek Oakensen<br />

Old Police Cells Museum <strong>Society</strong><br />

By Malcolm Barrett, 2010.<br />

M & M Barrett, Tangmere.<br />

<strong>The</strong> Discovery of<br />

SUSSEX<br />

WHAT more could Peter Brandon<br />

possibly have to say about <strong>Sussex</strong>?<br />

In a seemingly constant stream of<br />

publications, beginning for most of<br />

us with his <strong>The</strong> <strong>Sussex</strong> Landscape<br />

in 1974, he has been at the forefront<br />

of British academic regional writers,<br />

inviting us to think of the interplay<br />

between landscape history, artistic<br />

creativity and conservation.<br />

<strong>The</strong>re is, however, one important<br />

difference from his earlier<br />

publications. <strong>The</strong> latter offered<br />

long-term narratives relating<br />

to particular places: the South<br />

Downs, the Weald, or the historic<br />

county of <strong>Sussex</strong>. But this latest<br />

volume is thematic. It examines the<br />

social, cultural and environmental<br />

changes within <strong>Sussex</strong> from the<br />

end of the 18 th century through to<br />

1939 – covering roughly 150 years<br />

of ‘discovery’. Much is linked to<br />

the influx of Londoners to <strong>Sussex</strong><br />

and their impact on a county which<br />

otherwise seemed more resistant<br />

to metropolitan influence than<br />

other counties equidistant from<br />

the capital. <strong>The</strong>re were many who<br />

encouraged and initiated change,<br />

but also many who abhorred<br />

modernity in its many guises.<br />

Rapid urbanisation precipitated its<br />

own counter-culture, and <strong>Sussex</strong><br />

saw a remarkable flowering of<br />

painting, writing, arts and crafts<br />

design, vernacular architecture<br />

and landscape design, all charted<br />

carefully through this volume.<br />

Chapter 19 on Eric Gill and the<br />

artistic communities of Ditchling<br />

is a particularly delightful and<br />

knowledgeable example of these<br />

trends. We also hear of the radical<br />

poet Charlotte Smith, ensconced<br />

in the district around Bignor Park in<br />

the late 18 th century, writing of class<br />

warfare and moral degradation,<br />

and criticising the ‘polluted, smoky<br />

atmosphere and dark and stuffy<br />

streets’ of London and yearning<br />

for her South Downs. And other<br />

personalities loom large in the book:<br />

Belloc and Kipling make repeated<br />

appearances, and if Brandon<br />

characterises Belloc’s <strong>The</strong> Four<br />

Men (1912) as “the most passionate<br />

book on <strong>Sussex</strong>” (p.217), one could<br />

summon up a decent argument for<br />

making <strong>The</strong> Discovery of <strong>Sussex</strong> a<br />

close second!<br />

In any such examination of the<br />

discovery of a county there is one<br />

potential pitfall. Whose accounts<br />

are we following? Who had the<br />

articulacy to commit their thoughts<br />

on paper, for good or ill? Is the<br />

account therefore, one seen from<br />

above, from outside, from the<br />

vantage point of the literati? <strong>The</strong><br />

view of the discoverer, not the<br />

discovered? It can be argued that<br />

such a stance is inevitable, and<br />

we are certainly reminded of the<br />

existence of the <strong>Sussex</strong> natives<br />

but they are too often seen from<br />

outside, rather than revealing the<br />

complexities of the society, culture<br />

and economy that was to be<br />

discovered by incomers. How can<br />

we acquiesce, as Brandon seems<br />

to do, with Lady Asquith, who saw<br />

the only signs of the First World<br />

War in Brighton as being poor,<br />

legless men? Did she go anywhere<br />

near the Royal Pavilion, being used<br />

as a hospital for Indian troops? It is<br />

also surely going too far to suggest,<br />

as he does, that between 1918<br />

and 1939 “the most characteristic<br />

feature of country villages was the<br />

young man in the old cottages<br />

bursting forth with a motor cycle,<br />

collection of books, and strong<br />

and well-informed opinions as to<br />

the state of society…” (p.191). This<br />

is one example of a persuasive<br />

argument, almost a polemic, to<br />

promote what he refers to as ‘the<br />

<strong>Sussex</strong> tradition’ of a leading<br />

region for the manufacturing of the<br />

rural idyll. While acknowledging<br />

the huge burgeoning of creative<br />

talent which headed for <strong>Sussex</strong>,<br />

this reviewer feels uncomfortable<br />

in the knowledge that similar<br />

arguments might be made for the<br />

West Country, for the Lake District,<br />

or even for other Home Counties.<br />

But it is perhaps the intimate<br />

connection between London’s<br />

push from just 50 miles away and<br />

<strong>Sussex</strong>’s landscape pull for the<br />

creative artists that made such a<br />

difference.<br />

This book is well written, an<br />

erudite, lively and utterly readable<br />

account, even joyous on occasion,<br />

helped by 41 plates and 157 blackand-white<br />

illustrations. <strong>The</strong>re are<br />

some minor bibliographic <strong>issue</strong>s,<br />

but overall the excellent partnership<br />

with Phillimore has produced<br />

another Brandon classic.<br />

Brian Short<br />

Emeritus Professor of Historical<br />

Geography<br />

University of <strong>Sussex</strong><br />

By Peter Brandon, 2010. Phillimore.<br />

ISBN 978-1-86077-616-8. £25.00.<br />

14 <strong>Sussex</strong> Past & Present <strong>April</strong> <strong>2011</strong><br />

www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>April</strong> <strong>2011</strong> 15

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