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Editorial Board<br />

Editor-in-Chief<br />

Joseph Buck<br />

Editors<br />

Katelin Duffie<br />

Jacob Little<br />

Manuel Garcia<br />

Adam Mackall<br />

Bethany Kerstetter<br />

Kendra Mullison<br />

Allison Kunkel<br />

Faculty Advisor<br />

Rick Froman<br />

Journal Design<br />

Benjamin Martin<br />

Cover Art<br />

<strong>John</strong> Sebesta


Table of Contents<br />

1<br />

2<br />

3<br />

4<br />

Introduction<br />

Acknowledgements<br />

Faculty Note<br />

Projects<br />

4<br />

5<br />

5<br />

9<br />

Division of Biblical Studies<br />

Division of Business<br />

Division of Communication and Fine Arts<br />

Division of Humanities and Social Sciences


Introduction<br />

I hope that you enjoy reading this first volume of <strong>John</strong> <strong>Brown</strong> <strong>University</strong>’s new<br />

undergraduate, student-run <strong>journal</strong>: Broaden. Since this is the first year that Broaden is being<br />

published, the other editors and I had a lot of things to figure out along the way. Our first task as<br />

editors was to figure out how to raise awareness of a new <strong>journal</strong> that no one knew anything about.<br />

We talked to students and let them know what the <strong>journal</strong> is, and we urged faculty members to<br />

encourage the submission of top projects and papers. Submissions were divided by subject area, and<br />

the team of editors, representing many majors, evaluated submissions from fields with which they<br />

were most familiar. This represented the first round of evaluation. After the first editors finished<br />

with a list of possible publications, those submissions were evaluated again by different editors,<br />

often editors representing different disciplines. After approval from a first and a second editor, each<br />

published submission was then checked with a professor in the field. Our editors then asked the<br />

submitters to make any changes necessary in their projects before final publication.<br />

I hope that this <strong>journal</strong> will encourage future research and academic pursuit, and I am<br />

looking forward to even greater quality next year. The projects that are published this year should<br />

serve as an example of the kind of work that faculty want to encourage at JBU, the kind of work<br />

that JBU students are capable of. Broaden also gives JBU students an opportunity to share their best<br />

work with the world.<br />

All of the projects published in this first volume are worthy of congratulation, but three of<br />

those projects won our prizes as the top three academic projects submitted this year. Our three prize<br />

winners, each taking home $50, are Brandon Hix, Lindsey Zachary, and the business team Enterra,<br />

consisting of Marcus Naramore, Yaribeth Pacheco, Maria Jose Valencia, <strong>John</strong> Williams, and<br />

Micah Williams. In the main section of this <strong>document</strong>, readers will find abstracts for all the<br />

published projects, as well as titles, names of authors, and names of faculty sponsors. The abstracts<br />

are sorted by division, then alphabetically by authors’ last names.<br />

Joseph Buck, 2008 Editor-in-Chief<br />

1


Acknowledgements<br />

The following faculty members contributed to the evaluation process, giving valuable insight<br />

to the editors: Holly Allen, Dave Andrus, Jim Blankenship, Rick Froman, Gary Guinn, Jonathan<br />

Himes, Mandy Moore, Frank Niles, Nick Ogle, Bonnie Osmon, Trisha Posey, and Warren Roby.<br />

The editors would like to extend their appreciation to these faculty members.<br />

The editors would also like to thank all of JBU’s faculty for being supportive and willing<br />

to help by nominating projects and helping to evaluate them. Rick Froman deserves appreciation<br />

for his valuable insights in guiding this first volume of Broaden. He let the students make most of<br />

the decisions, since this is a student-run <strong>journal</strong>, but he was always there for advice and help when<br />

needed. Brad Gambill, as the Honors Director, helped get the <strong>journal</strong> going in the early stages. He<br />

provided some helpful ideas, and he was the one who hired me to start the process. Also, we would<br />

like to thank Hannah Toldt for providing the title of the <strong>journal</strong>.<br />

2


Faculty Note<br />

The publication of the inaugural volume of Broaden: The <strong>John</strong> <strong>Brown</strong> <strong>University</strong><br />

Undergraduate Journal marks a new opportunity for students at <strong>John</strong> <strong>Brown</strong> <strong>University</strong> to<br />

disseminate their original work. It was designed to be accessible to JBU students in all majors from<br />

Accounting to Youth Ministries (JBU really needs to consider starting a Zoology major to be truly<br />

comprehensive). It is also expected to bridge the gap between traditional undergraduates and adult<br />

completion students in providing recognition of high quality work.<br />

This <strong>journal</strong> has been designed with a number of purposes in mind. First, it is designed to<br />

encourage the highest level of student scholarship at JBU by rewarding excellence in scholarship<br />

with publication. Second, it is designed to strengthen the culture of scholarship at JBU by<br />

providing a publication outlet to demonstrate excellence in scholarship to both internal and<br />

external audiences. Third, it is designed to provide the student editorial board with an<br />

opportunity to have real life experience in the peer review process that characterizes the<br />

publication process of an academic <strong>journal</strong>.<br />

While the achievement of the first two purposes awaits the impact the <strong>journal</strong> will have on<br />

the campus in future years, the third one has already been achieved by this year’s student editorial<br />

staff, led by student editor Joseph Buck. Joseph has not only organized the editorial staff and<br />

managed the <strong>entire</strong> process, he had to create the process almost ex nihilo (of course, he had more<br />

to build on than the original Creator). I also appreciate the vision he has for the future of the<br />

<strong>journal</strong> and for providing future student editors with standardized policies and procedures to make<br />

their lives easier. The student editors carefully read many submissions and made decisions about<br />

publication. The high level of quality achieved by the <strong>journal</strong> in this first year is due almost <strong>entire</strong>ly<br />

to the hard work of the editor and the student editorial board. I expect that future editors and<br />

editorial boards will be able to continue to build an excellent <strong>journal</strong> on the foundation laid this year.<br />

I would also like to thank the following for their important roles in founding this <strong>journal</strong>:<br />

• Brad Gambill for providing financial support for the prizes and a home for the <strong>journal</strong> in the<br />

Honors Scholars Program.<br />

• Rick Ostrander and Galen <strong>John</strong>son for their encouragement and support in initiating the project.<br />

• Andrea Phillips, Mark Stoner, and Benjamin Martin for their encouragement and excitement<br />

about the project and their hard work in making the website a reality.<br />

• The JBU faculty who supported the project by nominating students editors from their<br />

disciplines, encouraging students to submit their work, and sponsoring the projects<br />

3<br />

that were published.<br />

Thank you all for bringing this dream to reality.<br />

Dr. Rick Froman, Faculty Advisor


Projects<br />

Division of Biblical Studies<br />

Christa Adams<br />

Sponsor: Holly Allen<br />

Nehemiah: The Good Hand of God (Click to open in web page)<br />

This is a children’s curriculum designed to teach the book of Nehemiah to children in grades 3-5.<br />

The purpose of this material is to teach children about what God did in the life of Nehemiah. The<br />

ideal outcome of all children’s curricula is that children will adopt the concepts and practices<br />

presented into their own lives. This material is a guideline to be used by teachers in preparation<br />

for a lesson, but accommodations should always be made according to the size and behavior of<br />

the group to which the material is being taught. The goal of this curriculum is to present the<br />

holistic, biblical material in an accurate, appealing, and age-appropriate manner.<br />

Jason Korner<br />

Sponsor: Jim Blankenship<br />

Developments in Ancient Israelite Religion as a Tool for Dating Hebrew Bible Authorship (Click to<br />

open in web page)<br />

This paper attempts to date the origins of authorship for parts of the Hebrew Bible. By<br />

examining parallels between the Canaanite god El and the Hebrew god of Yahweh, I argue that<br />

the patriarchal narratives have origins in the mid-second millennium B.C.E. In observing the<br />

Israelite condemnation of Baal worship during the divided monarchy, I argue in favor of dating<br />

the original authorship of Exodus before the ninth century B.C.E. due to the book’s lack of Baal<br />

condemnation. In addition to this, the changing role of Yahweh in the divine council as seen<br />

throughout the Hebrew Bible leads to the conclusion that Israel’s understanding of Yahweh changed<br />

over time. Therefore, the origins of certain Hebrew Scriptures can be dated according to the role<br />

of Yahweh in the divine council.<br />

Melissa Zabka<br />

Sponsor: Nick Ogle<br />

Capping Pharmaceuticals: Financial Limitations (Click to open in web page)<br />

Currently pharmaceutical companies are charging over 200% more for the products they sell<br />

than what they are paying to produce the same product. This turns the identity of a company that<br />

is allegedly aiming to save and heal people into a business corporation banking on illness. I am<br />

proposing a new law that sets a financial profit standard where the drug company can only charge<br />

75% more than what it costs them to produce the drug. This will make drugs more affordable<br />

and health care so that poorer people may have a chance at affording the means needed<br />

to live.<br />

4


Division of Business<br />

Marcus Naramore, Yaribeth Pacheco, Maria Jose Valencia, <strong>John</strong> Williams, and Micah<br />

Williams - Prize Winner<br />

Sponsor: Mandy Moore<br />

Enterra: Style from the Ground up (Click to open in web page)<br />

Enterra is a provider of sustainable apparel, accessories, shoes, and home goods to conscientious<br />

consumers in Northwest Arkansas. Enterra is a retail store located in Fayetteville Arkansas that<br />

sells environmentally sustainable, stylish products. With its smart mix of products from leading<br />

sustainable fashion companies such as TOMS shoes and Loomstate, Enterra will make sustainable<br />

fashion accessible to consumers who want to be environmentally friendly but are not yet acquainted<br />

with stylish sustainable clothing. Not only does Enterra sell sustainable products, but it is a holistically<br />

environmentally friendly business, using recycled displays, bamboo flooring, energy efficient utilities,<br />

and waste-saving reusable shopping bags. With its strategic location in Fayetteville Arkansas, which is<br />

renowned as a “green” hotspot, Enterra will yield a positive net income in year one of operation, and<br />

sustain a 12% growth in sales in each of the first five years. Through its physical location enabling<br />

consumers to touch and feel the products, its unique product line, and its passionate and knowledgeable<br />

sales team, Enterra will be profitable not only financially, but environmentally and socially as well.<br />

Division of Communication and Fine Arts<br />

Emily Caneday<br />

Sponsor: Dave Andrus<br />

A Social Awareness Poster (Click to open in web page)<br />

This is a social-awareness poster. The assignment was to promote a view on a logging<br />

environmental issue using typography and imagery. Using Adobe Illustrator, I created this poster<br />

(22” x 28”) explaining how logging kills and endangers salmon. I used the idea of a game to<br />

draw the viewer in. The poster asks the question “How many fish can you find?” Typography<br />

comes into play with this question. The “f”s are actually question marks flipped and “any” stands<br />

out in a different color to reiterate the question. The viewer begins looking through the logs for<br />

fish and cannot find any. Confused, the viewer looks below to the paragraph, discovers there are<br />

zero fish, and then reads the explanation.<br />

Song Lyrics (Click to open in web page)<br />

This open-ended typography assignment asked us to set the lyrics of a song in a creative way.<br />

Using the lyrics of Barlowgirl’s acoustic track “Never Alone,” I created in Adobe Illustrator this<br />

vector image. I created it at 12” x 9”, but it could be printed at any size. The overall feeling of<br />

this acoustic song is loneliness. In the end, the singer recognizes that God is always there for her,<br />

but she must first work through some of her thoughts. I decided that standing alone in the rain<br />

was the epitome of loneliness, so I created a vector image of a young woman with an umbrella.<br />

The lyrics of the song became a sad rainfall.<br />

5


Ben Congdon<br />

Sponsor: Dave Andrus<br />

Kangaroos (Click to open in web page)<br />

This assignment involved using India ink pens to create an illustration based on a photograph. I<br />

chose a photo my family had taken while we were living in Australia. In this project, more than<br />

any other I have done, I became so caught up with capturing the detail from the photograph that I<br />

worked well beyond the due date of the project. In the end, this 8 by 10 inch piece took over 4<br />

months of work to complete.<br />

Resolve (Click to open in web page)<br />

This is a charcoal drawing I did during my freshman year at JBU. The project was to experiment<br />

with foreshortening, a process where you intentionally distort the size of the foreground and<br />

background. In so doing, you make the viewer feel right there next to the action. The idea for<br />

using a World War II setting actually came after I had drawn the hand and the knife. The original<br />

size of this illustration is 12 by 18 inches.<br />

Jesse DeFriese<br />

Sponsor: Dave Andrus<br />

Teacup (Click to open in web page)<br />

This is a 33” x 47” painting from my two weeks at Oklahoma Summer Arts Institute 2007 under<br />

the instruction of Robert Zakanitch, a renowned painter. The assignment was to enlarge a teacup<br />

still life in acrylic paint. It was challenging to learn to see color: white is never white, but rather a<br />

blend of infinite tertiary colors. We also studied the effect that mixing black and white has with<br />

the six colors on the basic color-wheel. I learned how many colors contribute to creating gold—<br />

most important being black. Because the work was so large, it took more than one day to<br />

complete, and the light coming through the windows changed the reflections and highlights as<br />

the sun ran its course throughout the day.<br />

Justin Eddy<br />

Sponsor: Dave Andrus<br />

Corp ID (Click to open in web page)<br />

This identity system was designed for a company called Igloo Cocoa & Company. They specialize<br />

in hot drinks, specifically hot chocolate. Naturally, hot chocolate is the tastiest wherever the weather<br />

is the coldest, so the company is based in the middle of the frozen arctic. This idea is reinforced by<br />

the cool color palette, along with the igloo and polar bears. The Courier typeface helps reinforce the<br />

feeling of remoteness, which a company in the middle of the arctic probably has. At the same time,<br />

because people usually associate hot chocolate with curling up in front of the fireplace with a favorite<br />

book and under a favorite blanket, I wanted the look to feel comfortable.<br />

6


Rebuilding the Soul of Design (Click to open in web page)<br />

The assignment asked me to create a magazine spread for the magazine Christianity Today. The<br />

professor had me write an essay response to a chapter out of Daniel Kantor’s novel, Graphic<br />

Design & Religion, for which I was required to use original writing for the text in my magazine<br />

spread. The spread design had to reinforce the content of the article, which happened to cover the<br />

need for renewal in the relationship between the arts and the Church. So my concept was to make<br />

the spread itself feel like a construction blueprint, as if one was rebuilding the subject matter.<br />

The file was constructed in InDesign, and the imagery and text are completely original.<br />

Brandon Hix - Prize Winner<br />

Sponsor: Dave Andrus<br />

Honda Civic (Click to open in web page)<br />

I created this piece for a final project in my 3D Advanced class. The <strong>entire</strong> piece was created<br />

using Maya 8. I started with simple blueprints of a 2006 Honda Civic which I loaded into Maya.<br />

I then proceeded to sculpt the overall shape of the car from a single cube. After finishing the high<br />

resolution geometry for the car, I began to research methods which could be used to create the<br />

material for the car paint. This was the most difficult part of the process. About two weeks were<br />

spent mixing and matching colors and different reflection algorithms to get the finalized paint.<br />

From start to finish, I spent a total of about 40 hours on the project.<br />

Jamie Raymer<br />

Sponsor: Dave Andrus<br />

Children (Click to open in web page)<br />

I shot this photograph in Kenya, Africa using a Casio Exilim EX-S500 camera. I was on a<br />

missions trip during the summer of 2006. It was early afternoon, and I was visiting an orphanage<br />

for the day. In this picture, the children were lined up waiting to receive the clothing, shoes, and<br />

toys we had brought for them. It was an amazing experience to be able to interact with the<br />

children that many times are the very ones who are forgotten. They were such beautiful, happy<br />

children. I learned much in the little amount of time I got to spend with them. I hope these<br />

children are never forgotten.<br />

<strong>John</strong> Sebesta<br />

Sponsor: Dave Andrus<br />

Unexpected Beauty (Click to open in web page)<br />

This shot was taken around noon at San Gabriel Park in Georgetown, TX, on August 26, 2007. It<br />

was a slightly overcast day, contributing to the rich colors. I used my old but trusty Canon<br />

SD200. The shot was meant to show beauty in unexpected places. There are many things people<br />

pass over and I wanted this shot to show some of the beauty that can be found, even near a<br />

drainage pipe. I am also fascinated with the union of nature and humanity: the leaves as purely<br />

nature; the pipe as purely human; and the rock wall as humanity’s manipulation of nature.<br />

7


Jameson Sheppard<br />

Sponsor: Dave Andrus<br />

Burton Ad (Click to open in web page)<br />

The goal of this graphic design project, designed for Digital Darkroom, was to make a magazine<br />

advertisement (10’’ x 8’’) geared toward young women for Burton Snowboards. I used a royalty<br />

free image from www.sxc.hu (by Jaanus E. called ‘Big Air’) which composed the original portion<br />

of the image. With color correction, a textured brush and some contrast effects, I changed the<br />

look of the photo and added the purple, flowing dots and the clouds in the background. I also<br />

added the trees and snowboarder reflection in her goggles. I wanted to give Burton a completely<br />

new, fresh feel—one that you could almost taste and smell.<br />

Natalie Slater<br />

Sponsor: Dave Andrus<br />

Colors of the Night (Click to open in web page)<br />

The photos included are from a gallery show entitled Colors of the Night which is a night<br />

photography exhibit designed to illuminate the colors of small towns in the late hours of night.<br />

These long exposure photographs, preserved as digital prints on metallic paper, have depth and<br />

streaks of color that the human eye cannot perceive on its own. The surreal quality of these<br />

images is intriguing in both color and concept. Colors of the Night captures the beauty of the<br />

common night, be it foggy, cloudy, clear, or starry, revealing the night’s true colors to those who<br />

may never have stopped to look.<br />

Traditionally: Catholicism in Málaga, Spain (Click to open in web page)<br />

The photos included here are part of a book entitled Traditionally: Catholicism in Málaga, Spain,<br />

which is a study on how Catholic traditions are fully ingrained into the people of Málaga.<br />

Walking around the city, it was hard to miss how this belief system affects their every day lives.<br />

My hope with this collection was to visually communicate the vast, intricate details in the<br />

Catholic traditions. The series starts by showing how tall the cathedrals are on the outside, and it<br />

ends by showing the magnificent and impressive interiors of these gorgeous cathedrals. The<br />

images in this book were pulled together in a trip that encompassed five weeks. The camera of<br />

choice was a Nikon D200, and most of these images were not heavily edited (simple color<br />

corrections and cropping).<br />

Matthew Smith<br />

Sponsor: Dave Andrus<br />

My family has always loved traveling. This past summer my father and I decided to go visit<br />

some relatives who were on a sabbatical in Salzburg, Austria. As a photography major, I brought<br />

along my camera and took many photographs while we traveled and camped in Austria,<br />

Germany, Switzerland, and France. (Continued on next page)<br />

8


Gollinger Fall (Click to open in web page)<br />

1/60 sec at f / 3.5<br />

ISO 200<br />

Gollinger Fall<br />

Golling, Austria<br />

July 27, 2007 - 4:59PM<br />

Pentax K100D<br />

Neuschwanstein (Click to open in web page)<br />

1/1500 sec at f / 4.5<br />

ISO 200<br />

Neuschwanstein<br />

Near Munich, Germany<br />

July 31, 2007 - 2:34PM<br />

Pentax K100D<br />

Hallstattsee Nord (Click to open in web page)<br />

1/180 sec at f / 9.5<br />

ISO 200<br />

Hallstattsee Nord<br />

Hallstatt, Austria<br />

August 6, 2007 - 12:52PM<br />

Pentax K100D<br />

Division of Humanities and Social Sciences<br />

Caleb Barnet<br />

Sponsor: Trisha Posey<br />

The Spread and Appeal of Arianism (Click to open in web page)<br />

Arianism, an early fourth-century Trinitarian heresy that affirmed the Son Jesus Christ’s<br />

subordination to the Father, embodied, in many ways, the archetypal heterodoxy. It emerged at a<br />

rather unfortunate time in Christian history and precipitated substantial upheaval in its day.<br />

Nevertheless, Arianism, unlike most similar heresies, actually constituted the Christian orthodox<br />

belief at one time (A.D. 326-381). This paper will therefore address the period after the heresy’s<br />

official denunciation at Nicaea in 325—a period distinctively marked by its prominence in<br />

political spheres and among a substantial percentage of believers—and the principal factors that<br />

made such an ascension to power possible.<br />

9


Katelin Duffie<br />

Sponsor: Warren Roby<br />

The Role of Phonemic and Phonological Awareness in the Early Childhood Classroom (Click to<br />

open in web page)<br />

This paper defines phonemic and phonological awareness as they relate to reading instruction in<br />

the early childhood classroom. It focuses on why developing phonemic and phonological<br />

awareness is crucial for students as they begin to learn how to read as well as providing<br />

strategies for helping students develop these competencies. The paper emphasizes the importance<br />

of knowing the level of each student’s development of phonemic and phonological awareness so<br />

that instruction can be differentiated in such a way that each student is receiving the type of<br />

instruction that will be most beneficial to him or her.<br />

Nicole Ediger<br />

Sponsor: Frank Niles<br />

The Right Time to Go Left: Evangelicals and Religious Interest Groups (Click to open in web page)<br />

Evangelicalism is marked by authoritative biblical interpretation, which has driven both the<br />

Evangelical Left and Right to have strong, fundamentalist stances in their approach to<br />

government. As interest groups, both employ similar strategies of being prophetic outsiders that<br />

seek fundamental change. Their content differs, with the Evangelical Left focusing on social<br />

justice and economic issues while the Right is concerned about America’s morals. The Right also<br />

is more candidate-centered. Thus far, the voice of the Right has overshadowed the efforts of the<br />

Left, but conditions in the political climate and an opportunistic strategy of activism for Darfur<br />

could pull evangelicals toward more liberal ideology.<br />

Katherine Grimes<br />

Sponsor: Rick Froman<br />

Coming to College: Correlations between Loneliness, Homesickness and Spiritual Well-Being<br />

(Click to open in web page)<br />

Previous research shows that there is a negative relationship between loneliness and faith, and a<br />

positive relationship between loneliness and homesickness. However, research does not show if<br />

there is a connection between homesickness and faith. Thirty-nine college freshmen at <strong>John</strong><br />

<strong>Brown</strong> <strong>University</strong> took a survey examining these variables. Pearson-R correlations were done to<br />

examine the relationships between the three variables. Results show a significant positive<br />

correlation between homesickness and loneliness, but no significant correlations involving<br />

spiritual well-being. Discussion includes reasoning for the connection between loneliness and<br />

homesickness, and examines reasons why no correlation was found in regards to spirituality.<br />

10


Rachel Lapo<br />

Sponsor: Warren Roby<br />

Facilitation of Positive Transfer from Spanish to English: Analysis of Similarities and<br />

Differences in Regards to Semantics, Syntax, and Phonology (Click to open in web page)<br />

In consideration of the vast variance in syntax, semantics, and phonology among languages,<br />

learning a second language may seem daunting or even impossible at times. Although learning<br />

English is a challenging task for many Spanish speakers, positive transfer can simplify the<br />

process of acquisition. Regardless of the prevalence of similarities or differences between two<br />

languages, a person’s knowledge of their native language directly impacts their acquisition of a<br />

second language. Knowledge of the similarities and differences between Spanish and English is<br />

crucial in regards to establishing connections between the languages and in facilitating positive<br />

transfer from Spanish to English.<br />

Jacob Little<br />

Sponsor: Trisha Posey<br />

The Fall of the Roman Empire (Click to open in web page)<br />

The causes and effects of the fall of the Roman Empire have fueled much scholarly and political<br />

debate for centuries. In this paper, I examine the claims of St. Augustine, Bishop of Hippo and a<br />

contemporary of the sacking of Rome in 410 C.E, and Edward Gibbon, an 18th-century historian<br />

and author of The History of the Decline and Fall of the Roman Empire, and seek to find a<br />

synthesis of cause and effect between the two. Gibbon claims that Christians were largely at fault<br />

for the fall of the Empire while Augustine seeks to lift blame from Christians. The sources come<br />

from very different contexts, but both provide insight on a topic that has implications for the present.<br />

Matthew Nye<br />

Sponsor: Trisha Posey<br />

The Influence of Classical Ideas on Thomas Jefferson through an Examination of His View on<br />

Roman Law (Click to open in web page)<br />

At its broadest, this essay examines the effects of classical influences on early American history.<br />

More specifically, it looks at Thomas Jefferson’s opinion and possible use of Roman law. I will<br />

attempt to establish that Thomas Jefferson deemed that Roman law had contemporary legitimacy<br />

and that it had more than indirect influence (through its evolution through European legal<br />

systems) upon American legal issues. This issue is important because it elucidates one aspect of<br />

the tension that exists between civil vs. common law in American legal debates. It also provides<br />

a way to gauge whether classical ideas, which were often cited during the Revolutionary period,<br />

were truly influential upon early America or merely given lip service in order to provide a sense<br />

of legitimacy to Revolutionary ideas.<br />

11


Lindsey Zachary - Prize Winner<br />

Sponsor: Gary Guinn<br />

Formalist and Archetypal Interpretations of The Cat in the Hat (Click to open in web page)<br />

It might seem as if the scholarly realm of literary theory could have nothing to do with a<br />

children’s book such as The Cat in the Hat. However, by applying formalist criticism to Dr.<br />

Seuss’s story, the reader can see how elements of punctuation, meter, rhyme, and repetition work<br />

together to create a sense of constant action and spontaneity, paralleling the events of the story<br />

and the unpredictable character of the Cat himself. Secondly, when Seuss’s story is viewed<br />

through the lens of archetypal criticism, it becomes clear that The Cat in the Hat is not just a<br />

simple tale for children. Rather, it is a story which presents the playful Cat’s revolt against<br />

authority and subversion of traditional societal values and subtly affirms that insurrection.<br />

12

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