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Sensory devices: - Helen Hamlyn Centre - Royal College of Art

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<strong>Sensory</strong> <strong>devices</strong>:<br />

communication in domestic appliances to aid use by<br />

older people<br />

<strong>Helen</strong> <strong>Hamlyn</strong> Research Associate:<br />

Bryn Griffiths<br />

RCA Industrial Design Engineering<br />

Research Partner:<br />

Dyson Research<br />

October 2000


i~design case studies<br />

This is one <strong>of</strong> a series <strong>of</strong> inclusive design case<br />

studies published as part <strong>of</strong> the i~design research<br />

programme. These case studies document inclusive<br />

design collaborations between the <strong>Helen</strong> <strong>Hamlyn</strong><br />

<strong>Centre</strong> (HHC) and industry and voluntary sector<br />

partners, under the <strong>Helen</strong> <strong>Hamlyn</strong> Research<br />

Associates programme. They also document the<br />

results <strong>of</strong> the ‘Inclusive Design Challenge’, a<br />

design competition co-ordinated by the <strong>Helen</strong><br />

<strong>Hamlyn</strong> Research <strong>Centre</strong> and the Design Business<br />

Association.<br />

i~design is a multi-centre collaborative research<br />

programme funded by the Engineering and Physical<br />

Sciences Research Council (EPSRC). The purpose<br />

is to foster the adoption <strong>of</strong> inclusive design by<br />

business decision makers and pr<strong>of</strong>essional designers,<br />

in particular by presenting the business case,<br />

developing tools and techniques, and building<br />

a network <strong>of</strong> researchers around the projects.<br />

i~design partners<br />

• The <strong>Helen</strong> <strong>Hamlyn</strong> <strong>Centre</strong> at the <strong>Royal</strong> <strong>College</strong> <strong>of</strong><br />

<strong>Art</strong>, London, is a centre for inclusive design, with<br />

extensive contacts in industry and<br />

design pr<strong>of</strong>essions.<br />

• The Engineering Design <strong>Centre</strong> at the University<br />

<strong>of</strong> Cambridge has a strong reputation in<br />

the improvement <strong>of</strong> design process and<br />

development <strong>of</strong> design methodologies<br />

to address specific issues.<br />

• Applied Computing at the University <strong>of</strong> Dundee<br />

develops information technology systems to<br />

support older and disabled people.<br />

• The HCI Group at the University <strong>of</strong> York has<br />

a long history <strong>of</strong> inter-disciplinary research<br />

in the area <strong>of</strong> user centred design arising from<br />

collaboration between the departments <strong>of</strong><br />

Psychology and Computer Science.<br />

• The Design Council inspires and enables the<br />

basic use <strong>of</strong> design by business, education<br />

and government to improve prosperity and<br />

well-being.


<strong>Sensory</strong> <strong>devices</strong>:<br />

communication in domestic appliances to aid use by<br />

older people<br />

Abstract<br />

It is <strong>of</strong>ten the familiarity <strong>of</strong> everyday domestic appliances which obscures shortcomings in the<br />

way they operate. The physical interfaces <strong>of</strong> such products as vacuum cleaners, kettles and<br />

washing machines remain unchanged and unyielding to older users in particular, while newer<br />

product categories afford much easier interaction. This applied research study investigates<br />

new ways to communicate the product functions <strong>of</strong> Dyson vacuum cleaners to older users (Fig<br />

8). More than a quarter <strong>of</strong> Dyson’s customers are aged 55 and over and through this project<br />

Dyson Research has a new road map for future development <strong>of</strong> new features to aid older<br />

users. Many <strong>of</strong> the findings are much more widely applicable. Product communication audits,<br />

ethnographic and other research findings were mapped against a parallel investigation <strong>of</strong><br />

automotive interface issues to produce a set <strong>of</strong> guidelines for inclusive design. Such issues as<br />

form, colour, orientation, consistency and commonality <strong>of</strong> features, signs and symbols, and<br />

reassurance through other senses were mapped and used to help direct the design process. A<br />

series <strong>of</strong> design proposals then showed how audio and textural sensory <strong>devices</strong> can be incorporated<br />

to improve the ease <strong>of</strong> use <strong>of</strong> domestic appliances for all. Concepts include polymers,<br />

which change colour when appliances get hot, sound reeds which emit audio signals and buttons<br />

that deploy textural contrasts and vibration in use.<br />

Keywords<br />

Domestic appliances, vacuum cleaners, older users, inclusive design, sensory feedback,<br />

physical product interface.<br />

Project period<br />

October 2000 - October 2001<br />

Overview<br />

Over recent years In many new product and<br />

technology categories consumers have<br />

seen much progress in the quality <strong>of</strong> both<br />

physical and digital interaction as the idea <strong>of</strong> the<br />

user interface has become more sophisticated. In<br />

the domestic appliance industry, by comparison, a<br />

reliance on instruction manuals, rather than intrinsic<br />

design features, has resulted in everyday products<br />

that do not communicate their operation to the user.<br />

This problem has been compounded by domestic<br />

appliance producers ignoring the needs <strong>of</strong> an ageing<br />

population; it is older users in particular, with<br />

a range <strong>of</strong> physical impairments, who require<br />

the improved clarity <strong>of</strong> operation that benefits all.<br />

As the population ages across the developed<br />

world, the key role <strong>of</strong> everyday domestic<br />

appliances to support in independent living for<br />

older users becomes clearer. Figures for sensory<br />

and physical impairment are set to becomes more<br />

influential in the creation <strong>of</strong> products and<br />

environments (Table 1).<br />

1<br />

© helen hamlyn research centre 2001


<strong>Sensory</strong> Devices | Bryn Griffiths<br />

Numbers <strong>of</strong> people with physical and sensory impairment across Europe 2000<br />

Number in millions<br />

Poor vision 12<br />

Reduced strength 22<br />

Reduced co-ordination 12<br />

Intellectually impaired 30<br />

Table 1. European levels <strong>of</strong> physical and sensory impairment (source: Dr John Gill RNIB)<br />

The overall objective <strong>of</strong> several strands <strong>of</strong> research<br />

deployed in this project was to identify the critical<br />

areas <strong>of</strong> performance in the interaction between<br />

the user and appliance. Research focused on the<br />

Dyson vacuum cleaner and formed the basis <strong>of</strong> an<br />

inclusive design framework and other recommendations,<br />

which would provide industry partner,<br />

Dyson Research with a comprehensive guide to<br />

specific and overall issues <strong>of</strong> inclusivity in its products.<br />

As is customary in HHRC Research Associate<br />

projects the one-year project was divided into four<br />

stages:<br />

Stage 1: Explore (October-December)<br />

Stage 2: Focus (January- March)<br />

Stage 3: Develop (April-June)<br />

Stage 4: Deliver (July-September)<br />

Methods<br />

The four main stages were intended together identify<br />

the critical areas on the vacuum cleaner where opportunity<br />

for enhanced user understanding lay.<br />

• A product communication audit, along with other<br />

desk research carried out at Dyson Research identified<br />

the information available to Dyson customers<br />

at one step removed from the product: packaging,<br />

graphics, instructions, advertising, point <strong>of</strong> sale, in<br />

the media etc.<br />

• Generic user scenarios identified potential older users<br />

and the appliance-related problems and opportunities<br />

they face.<br />

• An investigation into interface issues in the automotive<br />

industry was made to see how designers<br />

enable complex information to be conveyed quickly<br />

and effectively to users.<br />

Product Audit<br />

Generic User Scenarios<br />

Critical Areas<br />

Automotive Industry<br />

Ethnographic Research<br />

Figure 1. The separate sub-research phases feed into identification <strong>of</strong> the critical areas<br />

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<strong>Sensory</strong> Devices | Bryn Griffiths<br />

• The final stage <strong>of</strong> research, comprised ethnographic<br />

studies on 12 individuals aged between 55 and<br />

85. This in-depth observation <strong>of</strong> older users who<br />

had never encountered, or used a Dyson vacuum<br />

cleaner, compared responses across a set series <strong>of</strong><br />

tasks or scenarios such as assembly, stair and other<br />

cleaning, bin-emptying etc (Table 2).<br />

• Additional areas <strong>of</strong> enquiry included listening in<br />

on customer help-lines at Dyson during the explore<br />

phase <strong>of</strong> the project and incorporating material and<br />

feedback data into the develop phase.<br />

Figure 2. Turning the vacuum cleaner on: an ethnographic<br />

study focused on a range <strong>of</strong> key interactions or scenarios<br />

Ethnographic vacuum cleaning scenarios: detailed observation <strong>of</strong> vacuum cleaner use among older<br />

people aged between 55 and 85<br />

Scenario 1<br />

Presenting the interviewee with the product and asking them<br />

for feedback on the assembly process<br />

Scenario 2<br />

Cleaning the kitchen<br />

Scenario 3<br />

Cleaning the stairs<br />

Scenario 4<br />

Emptying the bin<br />

Table 2. Tasks observed during ethnographic vacuum-cleaning scenarios<br />

These scenarios required the user to perform nearly<br />

all <strong>of</strong> the tasks needed to operate the product effectively.<br />

Analysis, along with the findings <strong>of</strong> the other<br />

strands <strong>of</strong> research mapped the cleaning scenarios<br />

against emerging ‘critical areas’ <strong>of</strong> interaction with<br />

the product.<br />

The detailed identification <strong>of</strong> the critical areas <strong>of</strong><br />

interaction with the vacuum cleaner were developed<br />

into a framework for use in the early stages <strong>of</strong> the<br />

design process and a series <strong>of</strong> recommendations<br />

made for the development <strong>of</strong> inclusive vacuum<br />

cleaners in the future.<br />

AREA SCENARIO 1:<br />

Accessing, assembling, turning on /<strong>of</strong>f dismantling, putting away<br />

Colour<br />

Discordant<br />

Changing colours<br />

Meanings <strong>of</strong> colours<br />

Black & White<br />

Patterns<br />

Metaphors/Symbols/Semiotics<br />

Understanding<br />

Ease <strong>of</strong> seeing<br />

Diagram v text<br />

Tactile aspects<br />

Texture<br />

Sensation<br />

Force Required<br />

Sound<br />

Can it be used as a medium?<br />

Would users be able to understand a warning noise?<br />

Reference Points/commonality <strong>of</strong> features<br />

Where do I instinctively go?<br />

What do I want to grab?<br />

Form<br />

What does the form tell me?<br />

Scale/shape/action <strong>of</strong> buttons/<br />

catches .... / What do they want you to do?<br />

Figure 2. Turning the vacuum cleaner on: an ethnographic study focused on a range <strong>of</strong> key interactions or scenarios<br />

3<br />

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<strong>Sensory</strong> Devices | Bryn Griffiths<br />

Results and design outcomes<br />

The four main streams <strong>of</strong> initial research produced<br />

findings which were grouped into six main areas <strong>of</strong><br />

consideration for the improvement <strong>of</strong> interaction<br />

between older users and the product; Form, colour,<br />

orientation, consistency and commonality <strong>of</strong> features,<br />

signage and sensory reassurance (see Table 3).<br />

A further step used these ‘critical areas’ to generate<br />

guidelines and recommendations for use in the<br />

early stages <strong>of</strong> the design process for new product<br />

development in the vacuum cleaner sector and<br />

beyond.<br />

On/<strong>of</strong>f button with contrast<br />

Juxtaposition <strong>of</strong> two components to provide good contrast<br />

between symbol and button<br />

Use <strong>of</strong> colour within a thermo sensitive polymer to reveal a thermal cut-out<br />

Table 3. Design ideas<br />

In addition to generating detailed Dyson-specific<br />

observations, the research produced general conclusions<br />

about the diffuculties relating to shape, colour<br />

and communication in products used by older users.<br />

Form<br />

The ethnographic research revealed that the complex<br />

form <strong>of</strong> the vacuum cleaner – termed ‘complicated’<br />

or ‘busy’ by users – made it difficult to understand<br />

and use. Along with such overall perceptions and<br />

attitudes, the research gave specific insights into the<br />

form <strong>of</strong> vacuum cleaners such as buttons that do not<br />

reveal the motion required to operate them. Most<br />

found it extremely difficult to stand on one leg in<br />

order to activate the brush tool bar mechanism. Each<br />

informant felt that more hands were required to<br />

separate the components for use. The symbol for on/<br />

<strong>of</strong>f has little contrast between symbol and the shiny<br />

surface <strong>of</strong> the button: glare interferes with clarity.<br />

Colour<br />

Colour should be viewed as a tool to assist the user in<br />

the navigation <strong>of</strong> the product and not solely to make<br />

the product look appealing. There are many ways<br />

to interpret an object but in general the number <strong>of</strong><br />

misleading elements can be kept to a minimum, for<br />

4<br />

© helen hamlyn research centre 2001


<strong>Sensory</strong> Devices | Bryn Griffiths<br />

Figure 4. During interviews the users were asked to remove<br />

the cylinder from the machine. Having located the button they<br />

applied force apparently indicated by the surface shape and<br />

dismissed it upon lack <strong>of</strong> reaction.<br />

example: users believed the yellow components on the<br />

product to be dynamic, expecting four stationary yellow<br />

blades on the bin interior to rotate. Buttons with<br />

shiny surfaces create light-scatter within the eye; increased<br />

sensitivity to glare and recovery from this glare<br />

takes longer for older users, making shiny buttons<br />

extremely difficult to see. Older users need contrast<br />

between the symbols on the buttons and the colour <strong>of</strong><br />

the buttons themselves. The size <strong>of</strong> any symbol should<br />

be relative to the distance at which it is viewed.<br />

Figure 5. The introduction <strong>of</strong> another colour on a button<br />

provides contrast that may help users with reduced vision<br />

Orientation<br />

The orientation <strong>of</strong> buttons and features is extremely<br />

important if the product is to send out a clear coherent<br />

message. For older users, it is better to have features<br />

or buttons that the hand can operate since our<br />

hands are generally more capable <strong>of</strong> movement than<br />

feet. By careful positioning, the designer can create<br />

an intuitive process for the user: buttons located so<br />

that only the correct button can be seen – activation<br />

reveals the second button when the previous operation<br />

had been successfully carried out. This example<br />

can be described as ‘layering’.<br />

Figure 6. Many users were confused by the sequence <strong>of</strong> actions<br />

required to operate these buttons<br />

Figure 7. Here there is only one correct choice; a second<br />

switch underneath could become apparent on operation<br />

<strong>of</strong> the first<br />

Consistency and commonality <strong>of</strong> features<br />

As manufacturers brings out new products, it is<br />

important that there is consistency between each<br />

new model. The ability for older users to break<br />

previous habits is hard to overcome and may persist<br />

in interfering with the development <strong>of</strong> new skills.<br />

People with memory restrictions in particular rely<br />

on familiar and consistent controls, symbols and<br />

procedures.<br />

Signage<br />

This complex area has no set standards. The designer<br />

should not design a feature and assume that the<br />

graphics will explain how it should be operated.<br />

Thought and attention should be paid to the<br />

component at a much earlier stage so that the<br />

shape, colour etc. can be used to assist the user<br />

in its operation.<br />

5<br />

© helen hamlyn research centre 2001


<strong>Sensory</strong> Devices | Bryn Griffiths<br />

Reassurance through other senses<br />

Most domestic appliances rely heavily on the user’s<br />

sense <strong>of</strong> sight, causing real problems for those with<br />

visual impairment. Domestic goods must engage<br />

other senses, in particular touch and hearing; for elderly<br />

users it can mean the difference between being<br />

able to use the product and not use it and impacts on<br />

their capacity for independent living.<br />

Reassurance through sound<br />

The research showed that sounds could comfort users.<br />

Many find it satisfying to hear the dirt hitting the<br />

hose as it is drawn into the cleaner. There are many<br />

ways in which sound can be used to inform the user<br />

<strong>of</strong> a problem or to alert them that they should perform<br />

a service task. For example, the filter, as it becomes<br />

blocked reduces the suction <strong>of</strong> the cleaner. The<br />

use <strong>of</strong> reducing: sensors might trigger various audible<br />

prompts to indicate that the filter needs changing or<br />

cleaning. The same effect may be achieved by diverting<br />

air through reeds or beads etc. to produce sound.<br />

Reassurance through touch<br />

Tactile sensitivity reduces with age, especially at frequencies<br />

<strong>of</strong> 250Hz and above. Interviewees used their<br />

sense <strong>of</strong> touch to confirm that they had performed<br />

tasks; feeling clicks, vibrations and the resistance <strong>of</strong><br />

different vacuum heads in use. Many products lack<br />

textural contrast. The use <strong>of</strong> rubber in conjunction<br />

with polycarbonates may be all that is required to<br />

deliver textural contrast sufficient for an elderly user<br />

with reduced vision.<br />

Figure 8. Findings were expressed as a framework to guide the design <strong>of</strong> vacuum cleaners in the future<br />

6<br />

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<strong>Sensory</strong> Devices | Bryn Griffiths<br />

Inclusive Design Framework<br />

The findings from the tasks in Stage 3 (Develop) have<br />

been used to formulate a design framework (Figure<br />

8). It encourages designers to consider the important<br />

aspects when designing products for an ageing population.<br />

The framework should be used within the<br />

early stages <strong>of</strong> the design process so that the product<br />

does not rely solely on graphics to communicate its<br />

features. It aims to encourage product designers,<br />

amongst other things, to use the third dimension<br />

and not rely solely on two-dimensional symbols.<br />

Discussion<br />

The stated aim <strong>of</strong> the brief was to investigate new<br />

ways to communicate Dyson product functions to older<br />

users. In combining a thorough assessment <strong>of</strong> all<br />

the ways that the vacuum cleaner communicates its<br />

characteristics and functions with examples from the<br />

automotive sector, the study was grounded in a high<br />

standard <strong>of</strong> physical interface. Ethnographic methods<br />

enabled observation <strong>of</strong> the reality <strong>of</strong> interaction<br />

with products that occurs among older users within a<br />

structure that identified key areas <strong>of</strong> interaction and<br />

their precise performance in use.<br />

Central to the challenge <strong>of</strong> this project was<br />

the ambition to enhance product communication<br />

through formal and sensory qualities, without resorting<br />

to descriptions and instructions unsuited to a<br />

domestic product in daily use. In seeking to inform<br />

Dyson Research activity at a strategic level, the full<br />

effect <strong>of</strong> this research is embedded in the time constraints<br />

<strong>of</strong> the product development cycle. Long lead<br />

times mean that the results <strong>of</strong> this research will reveal<br />

themselves over a matter <strong>of</strong> years. The methods used<br />

clearly demonstrate that it is possible to map the performance<br />

<strong>of</strong> everyday domestic appliances for their<br />

inclusivity and provide clear examples and direction<br />

for the improvement required in interface issues. As<br />

such the project is a useful model for the potential<br />

improvement <strong>of</strong> a wide range <strong>of</strong> domestic and other<br />

products.<br />

take little or no account <strong>of</strong> the needs <strong>of</strong> older users:<br />

in particular assumptions about visual, memory and<br />

manipulative capacity.<br />

• User testing can readily demonstrate the difficulties<br />

<strong>of</strong> older users in using appliances.<br />

• Design measures to address the different sensory<br />

world <strong>of</strong> some older users are relatively simple to<br />

develop.<br />

• Mapping and forming solutions to the interface<br />

shortcomings <strong>of</strong> products can suggest an entire<br />

framework for the future development <strong>of</strong> more<br />

inclusive products.<br />

Conclusions and future work<br />

The main conclusions <strong>of</strong> this project have revealed<br />

great scope for the improvement <strong>of</strong> the interface<br />

between domestic appliances and older users.<br />

• Many assumptions about the form and orientation<br />

<strong>of</strong> vacuum cleaner and their role in its operability<br />

7<br />

© helen hamlyn research centre 2001


<strong>Sensory</strong> Devices | Bryn Griffiths<br />

Select Bibliography<br />

• Warren, G. Green Ideology: Construction and<br />

Consumption In The Home<br />

• Morley, C. Homemakers and Design Advice in the<br />

Postwar Period<br />

• Wengraf, T. Documenting Domestic Culture by<br />

Ethnographic Interview<br />

• Clifford J. and Marcus G. Ethnographic Principles<br />

in Practice<br />

• Spradley, J.P. The Ethnographic Interview<br />

• Semiotics And The Philosophy Of Language – Umberto<br />

Eco<br />

• Bailey, R. W., Matejka, L. and Stein, P. The Sign:<br />

Semiotics Around the World<br />

• MacCannell, D. and MacCannell, J. F. The Time Of<br />

The Sign: A Semiotic Interpretation <strong>of</strong> Modern<br />

Culture<br />

• Cobley, P. and Jansz, L. Introducing Semiotics<br />

• Mandel, T. The Elements Of Interface Design<br />

• The Third Age Driver, their Characteristics and<br />

Needs – ICE Ergonomics<br />

• ISO/IEC Guide 71 – Guide To Address The Needs Of<br />

Older Persons With Disabilities In Standardisation<br />

• ISO/COPOLCO - Working Group On Elderly And<br />

People With Disabilities<br />

• Hackos, J. T. and Redish, J. C. User And Task Analysis<br />

for Interface Design<br />

Acknowledgements<br />

• Design Council – Andreas Fruchtl (research analyst)<br />

• Age Concern Service support<br />

• Peter Hings – RNIB<br />

• Rolls Royce Motor Cars Ltd. – Steve Rawley (Head <strong>of</strong><br />

interiors)<br />

• Autodesign – Colin Harvey<br />

• Ford Motors – Mike Bradley (ergonomics)<br />

• Cambridge Ergonomics – Mike Stearn<br />

• MSX – Collin Clifton (ergonomics)<br />

• Rebecca Pockney – Lecturer in Occupational Therapy<br />

• Hilary Dalke – Colour Research Unit, South Bank<br />

University<br />

• London Taxis – Collin Smith<br />

• Hawthall Whiting – Russel Murphy<br />

Thanks also to members <strong>of</strong> staff at the <strong>Helen</strong> <strong>Hamlyn</strong><br />

Research <strong>Centre</strong>, <strong>Royal</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong>.<br />

8<br />

© helen hamlyn research centre 2001


About the research partners<br />

Dyson Research: Dyson, inventor and manufacturer<br />

<strong>of</strong> the Dyson Dual Cyclone vacuum cleaner, launched<br />

its first product – the DC01 – in 1993. Dyson cleaners<br />

are now best sellers in the UK and they are sold<br />

in 18 countries across the world. Dyson believes in<br />

investing in R&D to create new technologies to make<br />

better products.<br />

www.dyson.com/<br />

About the Research Associate<br />

Bryn Griffiths: British. MA<br />

(RCA) Industrial Design Engineering<br />

1999; BSc (Hons)Ist<br />

Class, Industrial Systems &<br />

Business Management, University<br />

<strong>of</strong> Westminster 1994.<br />

Work experience: Rolls Royce<br />

Motor Cars; Isis UK design consultants.<br />

Awards: Rio Tinto Travel Awards; Engineering<br />

and Physical Research Council Scholarship.<br />

Contact: 07967 326869/b.griffiths@ukgateway.net.<br />

The <strong>Helen</strong> <strong>Hamlyn</strong> <strong>Centre</strong> was set up at the <strong>Royal</strong><br />

<strong>College</strong> <strong>of</strong> <strong>Art</strong> in January 1999 to alert design and<br />

business to the far-reaching implications <strong>of</strong> a rapidly<br />

changing society. It works to advance a socially inclusive<br />

approach to design through practical research<br />

and projects with industry. Its Research<br />

Associates Programme teams new RCA<br />

graduates with industry partners.<br />

www.hhrc.rca.ac.uk


The <strong>Helen</strong> <strong>Hamlyn</strong><br />

<strong>Centre</strong><br />

<strong>Royal</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong><br />

Kensington Gore<br />

London SW7 2EU<br />

T +44 (0)20 7590 4242<br />

F +44 (0)20 7590 4244<br />

hhc@rca.ac.uk<br />

www.hhc.rca.ac.uk

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