12.11.2014 Views

August/September/October/November 2012 - Museum of ...

August/September/October/November 2012 - Museum of ...

August/September/October/November 2012 - Museum of ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

VIEW Summer/FALL <strong>2012</strong><br />

< Above: John Valadez, Car Show, 2001, oil<br />

on canvas 76 x 96¼ IN. Collection <strong>of</strong> the<br />

<strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego,<br />

<strong>Museum</strong> Purchase with funds provided by<br />

an Anonymous Donor. © John Valadez.<br />

Three <strong>Museum</strong>s; One incredible exhibition.<br />

Don’t miss Behold, America!, P. 3<br />

City Heights native takes MCASD<br />

Downtown by storm, P. 4<br />

Get Your Grub on at Loading Dock<br />

Lunches, P. 6<br />

TNT is back! LIVE LOCAL with us on<br />

<strong>August</strong> 9, P. 6<br />

alt.pictureshows celebrates its 10-year<br />

anniversary, P. 11


EXHIBITIONS LA JOLLA<br />

Santa Ana Condition: John Valadez > ON View<br />

THROUGH 9/2/12 > LA JOLLA<br />

John Valadez is widely considered the most significant artist<br />

to have developed a realist pictorial language recording<br />

the Chicano experience in Los Angeles during the 1970s,<br />

‘80s, and ‘90s. His work has come to define the iconography<br />

<strong>of</strong> Chicano identity <strong>of</strong> the period, situating it within<br />

the changing dynamics <strong>of</strong> the city rather than nostalgically<br />

attempting to reconstruct a mythical and distant past. His<br />

style is derived from street photography as he records the<br />

life <strong>of</strong> his community and <strong>of</strong> other inhabitants <strong>of</strong> downtown<br />

Los Angeles. Yet, his interest in the documentary photographic<br />

tradition is also closely related to the use <strong>of</strong> this<br />

genre by experimental L.A. artists who, since the 1960s when<br />

portable cameras became ubiquitous, have directed their<br />

lenses toward artistic ends.<br />

Valadez turned the ordinary snapshot into a source for<br />

his portrayal <strong>of</strong> a large, diverse cast <strong>of</strong> urban inhabitants<br />

drawn from his everyday life. Born in Los Angeles in 1951,<br />

Valadez began as a muralist, presenting themes <strong>of</strong> invisible<br />

borders and histories binding together Spanish, Mexican, and<br />

American culture. Valadez’s intense and colorful artworks<br />

express the Chicano experience in a contemporary representational<br />

style infused with elements <strong>of</strong> magical realism.<br />

His virtuoso pastel drawings present intense contrasts: the<br />

formal and narrative interpretations resemble unlikely photographs<br />

that <strong>of</strong>fer social commentary on everyday urban life.<br />

Santa Ana Condition: John Valadez is the first survey exhibition<br />

<strong>of</strong> this important Mexican-American artist and muralist,<br />

who has had pr<strong>of</strong>ound influence on the Chicano art movement<br />

in the United States. This exhibition spans 35 years <strong>of</strong><br />

Valadez’s photographs, paintings, pastels, and other works on<br />

paper. Santa Ana Condition: John Valadez presents, for the<br />

first time, the development <strong>of</strong> Valadez’s studio works: from his<br />

early use <strong>of</strong> documentary and street photography to the influence<br />

<strong>of</strong> European Baroque and Rococo painting and sculpture,<br />

and finally, to his more recent amalgamation <strong>of</strong> photographybased<br />

imagery with a spatial and temporal structure pointing<br />

towards Surrealism. The exhibition explores the specific<br />

documentary implications <strong>of</strong> Valadez’s paintings, pastels, and<br />

drawings <strong>of</strong> the late 1970s and early 1980s, and their later<br />

evolution into cityscapes imbued with his desire to depict the<br />

nitty-gritty <strong>of</strong> urban life in L.A. and its ethnic underclass.<br />

Pastels and paintings from the 1990s and 2000s are also<br />

included in the exhibition. These works, which depart from his<br />

earlier strict adherence to deadpan representation towards<br />

a more Baroque compositional structure, are marked by a<br />

need to push the boundaries <strong>of</strong> structure and style. Memory,<br />

desire, intuition, and humor blend in these masterfully<br />

accomplished works on canvas and paper, which are thrust by<br />

their very excess into a territory that materializes a personal<br />

iconography beyond the limits <strong>of</strong> cultural identity. In his later<br />

works, Valadez aims to make familiar the unfamiliar—whether<br />

dreams and fantasies, or the cultural identity <strong>of</strong> others.<br />

Santa Ana Condition: John Valadez is organized by<br />

the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. Support for<br />

the exhibition is made possible by the National Endowment<br />

for the Arts, the Mandel Weiss Charitable Trust, the LLWW<br />

Foundation and the County <strong>of</strong> San Diego Community<br />

Enhancement Fund. Additional funding is provided by the<br />

Cochrane Exhibition Fund. Related programs are supported<br />

by grants from The James Irvine Foundation Arts Innovation<br />

Fund. Institutional support for MCASD is provided, in part, by<br />

the City <strong>of</strong> San Diego Commission for Arts and Culture.<br />

Behold, America!: Art <strong>of</strong> the United States<br />

from Three San Diego <strong>Museum</strong>s > 9/16/12 THROUGH<br />

2/10/13 > LA JOLLA<br />

Behold, America! is a dynamic collaboration between three<br />

<strong>of</strong> San Diego’s most important art institutions: the <strong>Museum</strong><br />

<strong>of</strong> Contemporary Art San Diego, The San Diego <strong>Museum</strong> <strong>of</strong><br />

Art, and the Timken <strong>Museum</strong> <strong>of</strong> Art. The exhibition is an unrivalled<br />

opportunity to see these three collections united for<br />

the first time. By bringing together the finest American works<br />

from these institutions, this exhibition <strong>of</strong>fers the public an<br />

opportunity to witness the sweeping changes in art created<br />

in the United States across three centuries. The show presents<br />

a rich array <strong>of</strong> paintings, sculpture, and photography,<br />

most <strong>of</strong> which have not been together before. Moreover, by<br />

presenting works ranging from the colonial period to the<br />

present, Behold, America! provides viewers with a visual<br />

testament to the history <strong>of</strong> the United States.<br />

The exhibition is grouped into three main sections,<br />

Frontiers, Figures, and Forms, with each venue showing works<br />

from all three collections.<br />

Frontiers, opening on <strong>September</strong> 16 at the <strong>Museum</strong> <strong>of</strong><br />

Contemporary Art San Diego, celebrates landscape: the rich<br />

natural beauty <strong>of</strong> the United States, its vibrant urban spaces,<br />

its legendary westward settlement, and the breathtakingly<br />

beautiful California landscape. It includes works by revered<br />

American landscape painters such as Asher B. Durand and<br />

Albert Bierstadt as well as American interpretations <strong>of</strong> distant<br />

places: Italian views by George Inness and Thomas Moran.<br />

Mid-century modernists John Sloan and Marsden Hartley<br />

anticipate the changing concept <strong>of</strong> frontier by contemporary<br />

artists Jenny Holzer and Alfredo Jaar.<br />

Figures, opening <strong>November</strong> 10 at The San Diego <strong>Museum</strong><br />

<strong>of</strong> Art, examines the human form, most notably presented by<br />

some <strong>of</strong> the most significant artists in the history <strong>of</strong> American<br />

art: John Singleton Copley, Eastman Johnson, Thomas Eakins,<br />

Mary Cassatt, Cindy Sherman, and John Currin.<br />

The Forms section, opening <strong>November</strong> 10 at the Timken<br />

<strong>Museum</strong> <strong>of</strong> Art, examines more inanimate objects, including<br />

works that range from early nineteenth-century still-lifes to<br />

more avant-garde interpretations. This section includes stilllifes<br />

<strong>of</strong> meat by Raphaelle Peale and a magnolia blossom by<br />

Martin Johnson Heade; abstractions by prominent American<br />

modernists Georgia O’Keeffe, Arthur Dove, and Stuart Davis<br />

are major strengths <strong>of</strong> the exhibition; and pure formal sculptures<br />

by Sol Le Witt and Martin Puryear are likewise included.<br />

This section reveals changing attitudes to form and represent<br />

a pioneering approach by American artists in their attention<br />

to color, shape, and line.<br />

In addition to seeing several exquisite works by major<br />

artists, Behold, America! viewers will address how our own<br />

perception <strong>of</strong> our American culture has changed. The works<br />

in the exhibition reflect how we as Americans have understood<br />

ourselves over time, our national priorities and how we<br />

have transformed over the course <strong>of</strong> three centuries.<br />

Behold, America! Art <strong>of</strong> the United States from Three<br />

San Diego <strong>Museum</strong>s is a collaborative exhibition organized<br />

by the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego, The San<br />

Diego <strong>Museum</strong> <strong>of</strong> Art, and the Timken <strong>Museum</strong> <strong>of</strong> Art. Lead<br />

support for the show is provided by a generous grant from<br />

the Qualcomm Foundation. Further major funding has been<br />

received from The Henry Luce Foundation, and Jake and Todd<br />

Figi. Institutional funding for all three <strong>Museum</strong>s is supplied by<br />

the City <strong>of</strong> San Diego Commission for Arts and Culture.<br />

Also on View<br />

Selected Works on Paper > LA JOLLA<br />

This presentation <strong>of</strong> works on paper from the <strong>Museum</strong>’s<br />

permanent collection features drawings, photographs, and<br />

prints—many <strong>of</strong> which have rarely been on view. Included<br />

in the selection are two prints by California artist Richard<br />

Diebenkorn (1922–1993) as well as works by John Divola, Sam<br />

Francis, Joe Goode, and Richard Misrach.<br />

Selected Works from the Permanent Collection<br />

> LA JOLLA<br />

The works on view in the Meyer Gallery in La Jolla represent<br />

the range <strong>of</strong> holdings from the <strong>Museum</strong>’s permanent collection.<br />

Highlights include Charles Garabedian’s Dr. Jekyll and<br />

Mr. Hyde (1970), Claes Oldenburg’s Alphabet/Good Humor<br />

(1975), and Kenneth Price’s Yang (2000).<br />

< This Page: Kenneth Price, Yang, 2000, acrylic on fired ceramic.<br />

<strong>Museum</strong> purchase, International and Contemporary Collectors<br />

Funds. / Charles Garabedian, Dr. Jeckyll and Mr. Hyde, 1970.<br />

Watercolor on paper, 19¾ x 29½ in. Collection <strong>Museum</strong> <strong>of</strong><br />

Contemporary Art San Diego, Gift <strong>of</strong> Hansen, Jacobson, Teller,<br />

Hoberman, Newman, Warren and Richman, LLP. ©1970 Charles<br />

Garabedian.<br />

< Opposite: Sergio de la Torre, Thinking About Expansion, Digital<br />

photograph on Lite paper, mounted on Plexi and metal, 2003.<br />

Collection <strong>of</strong> <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. <strong>Museum</strong><br />

Purchase, Louise R. and Robert S. Harper Fund. This work will be<br />

featured in the Frontiers section <strong>of</strong> Behold, America!<br />

2<br />

3


EXHIBITIONS DOWNTOWN<br />

Isaac Julien: Ten Thousand Waves > ON VIEW<br />

THROUGH 12/1/12 > DOWNTOWN, JACOBS BUILDING<br />

British artist Isaac Julien is equally acclaimed for his arresting<br />

films and his vibrant gallery installations. With rich imagery<br />

that soars between the cold northwest coast <strong>of</strong> England, the<br />

buzzing rush hour <strong>of</strong> Shanghai, and the lush landscape <strong>of</strong><br />

bamboo forest and stony mountains, Ten Thousand Waves represents<br />

a dynamic form <strong>of</strong> filmic storytelling as the multiple<br />

tales unfold across nine screens. Filmed in the dramatic landscape<br />

<strong>of</strong> the Guangxi province, the celebrated Shanghai Film<br />

Studios, and various contemporary sites around Shanghai,<br />

Ten Thousand Waves combines fact, fiction, and film essay<br />

genres against a background <strong>of</strong> Chinese history, legend, and<br />

landscape to create a meditation on global human migrations.<br />

The original inspiration for Ten Thousand Waves was<br />

the Morecambe Bay tragedy <strong>of</strong> 2004, in which 23 Chinese<br />

cockle-pickers died in the rising tide. Julien commissioned<br />

the poet Wang Ping to come to England and write a poem<br />

in response to this event. The resulting poem, Small Boats,<br />

is recited in the work. In the successive years, conversations<br />

with academics, curators, and artists helped Julien uncover a<br />

symbolic body <strong>of</strong> material through which he explores modern<br />

and traditional Chinese values and superstitions. Julien references<br />

the Tale <strong>of</strong> Yishan and the goddess Mazu, a protector<br />

<strong>of</strong> sailors and fishermen who comes from the Fujian Province,<br />

like the Morecambe Bay workers. The fable recounts a story<br />

<strong>of</strong> 16th-century fishermen lost at sea until the goddess,<br />

played by Maggie Chung, leads them to safety. Julien draws<br />

on the poignant connection between this legend and the 21stcentury<br />

tragedy <strong>of</strong> the migrant workers.<br />

The film references ideas <strong>of</strong> death, spiritual displacement,<br />

and the Chinese connection with “ghosts” or “lost<br />

souls.” Linking the Shanghai <strong>of</strong> the past with the Shanghai<br />

<strong>of</strong> the present, Julien symbolizes China’s transition towards<br />

modernity, aspiration, and affluence. Julien employs the<br />

visual language <strong>of</strong> ghost stories as figures recur and images<br />

appear and disappear. Indeed, Mazu’s spectral figure traverses<br />

time and space, serving as a guide through the interlocking<br />

strands <strong>of</strong> the work. Similarly, a ghostly protagonist, played<br />

by Zhao Tao, leads viewers through the world <strong>of</strong> Shanghai<br />

cinema, including a restaging by Julien <strong>of</strong> scenes from the<br />

classic Chinese film The Goddess (1934), and finally back to<br />

the streets <strong>of</strong> old and modern Shanghai. In Ten Thousand<br />

Waves, Julien deftly deploys the visual and aural textures <strong>of</strong><br />

film to elicit a visceral response from viewers, submerging<br />

them in a world <strong>of</strong> his own making.<br />

Isaac Julien: Ten Thousand Waves is organized by the<br />

<strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego and is made possible<br />

thanks to a generous gift from Maryanne and Irwin<br />

Pfister. Additional support for this exhibition is provided by<br />

the Linda Pace Foundation. Related programs are supported<br />

by grants from The James Irvine Foundation Arts Innovation<br />

Fund, and the County <strong>of</strong> San Diego Community Enhancement<br />

Fund. Institutional support for MCASD is provided, in part, by<br />

the City <strong>of</strong> San Diego Commission for Arts and Culture.<br />

Margaret Noble: 44 th and Landis > ON VIEW<br />

8/9/12 THROUGH 1/20/13 > DOWNTOWN, JACOBS BUILDING<br />

Part <strong>of</strong> MCASD’s ongoing Cerca series, this mixed media<br />

installation by sound artist Margaret Noble charts a<br />

psychogeographical path through San Diego’s City Heights<br />

neighborhood, where the artist grew up. Combining visual<br />

traces <strong>of</strong> the neighborhood’s early Victorian years and motifs<br />

drawn from 1980s urban pop culture, Margaret Noble: 44 th and<br />

Landis takes the form <strong>of</strong> an ephemeral sculptural environment<br />

comprising hundreds <strong>of</strong> cut paper forms. The installation also<br />

incorporates an experiential soundscape spread over fourteen<br />

handmade paper speakers, and will serve as the set for a<br />

series <strong>of</strong> sound-based performances by Noble. Performances<br />

will take place on <strong>October</strong> 20, and <strong>November</strong> 17.<br />

Mixing imagery appropriated from video games,<br />

Victorian paper dolls, and 1980s hip hop culture, the work<br />

evokes the external and internal worlds <strong>of</strong> a child navigating<br />

the streets <strong>of</strong> a city pressured by waves <strong>of</strong> disinvestment and<br />

gentrification. Integrating memory and fantasy, and public<br />

and private histories, Margaret Noble: 44 th and Landis <strong>of</strong>fers<br />

insights into a San Diego neighborhood’s past and present.<br />

A limited-edition artist’s book accompanies the exhibition,<br />

and will available at the front desk.<br />

Noble holds a BA in philosophy from the University <strong>of</strong><br />

California, San Diego, and a MFA in sound art from The School<br />

<strong>of</strong> the Art Institute <strong>of</strong> Chicago. Growing up San Diego’s City<br />

Heights neighborhood, Noble was influenced by the beatdriven<br />

dance culture <strong>of</strong> the 1980s; she later performed as an<br />

electronic music DJ in the underground club community <strong>of</strong><br />

Chicago for five years. Noble’s work as a sound artist and storyteller<br />

explores the industrial and sociological evolution <strong>of</strong><br />

communities and urban spaces, weaving together text, visual<br />

mixed media, and sonic arrangements to create innovative<br />

narrative experiences.<br />

Margaret Noble: 44 th and Landis is organized by the<br />

<strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. Funding for the<br />

exhibition has been provided by a grant from The San<br />

Diego Foundation, which was made possible by the Carl<br />

William Henry Pollier Fund; the Creative Catalyst Fund; and<br />

the Colonel Frank C. Wood Memorial Fund <strong>of</strong> The San Diego<br />

Foundation, in Partnership with the James Irvine Foundation.<br />

Institutional support for MCASD is provided, in part, by the<br />

City <strong>of</strong> San Diego Commission for Arts and Culture.<br />

Also On View<br />

Marcos Ramírez ERRE > DOWNTOWN, 1001 KETTNER<br />

BLVD.<br />

Marcos Ramírez (also known as ERRE, from the Spanish<br />

pronunciation <strong>of</strong> the first letter in his surname), creates<br />

large-scale public installations informed by a deep political<br />

and social consciousness. His large-scale sculpture Sing-Sing<br />

is on view in the Fayman Gallery in the 1001 Kettner building.<br />

Sol Lewitt’s Six-Part Modular Cube > DOWNTOWN,<br />

JACOBS BUILDING<br />

Installed in the Strauss Gallery <strong>of</strong> MCASD’s Jacobs Building,<br />

Sol LeWitt’s Six-Part Modular Cube presents the geometric<br />

forms typical <strong>of</strong> the artist, yet opened and enlarged to monumental<br />

scale.<br />

Doug Wheeler: DW 68 VEN MCASD 11 > DOWNTOWN,<br />

JACOBS BUILDING<br />

Doug Wheeler’s room-size, light-infused environment is a<br />

recent addition to the MCASD collection. Originally conceived<br />

in the artist’s Venice, CA studio in 1968, the work was realized<br />

for MCASD’s Foster Gallery and presented as part <strong>of</strong> the<br />

critically-acclaimed exhibition Phenomenal: California Light,<br />

Space, Surface.<br />

Juan Downey: The Laughing Alligator > Downtown,<br />

1001 Kettner Blvd.<br />

Part travelogue and part ethnographic documentary, this<br />

28-minute video playfully mocks the supposed objectivity <strong>of</strong><br />

traditional anthropological films.<br />

Richard Long: Baja California Circle > Downtown,<br />

1001 Kettner Blvd.<br />

This 14-foot sculpture from the artist’s 1989 residency at<br />

MCASD is on view along with other works from the collection.<br />

< This page: Isaac Julien, Ten Thousand Waves, 2010, as presented<br />

at the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. Nine-screen<br />

installation 35mm film, transferred to High Definition, 9.2<br />

surround sound. Courtesy <strong>of</strong> the artist, Metro Pictures, New<br />

York and Victoria Miro Gallery, London. Photo: Pablo Mason.<br />

> Opposite page: Marcos Ramírez ERRE, Sing-Sing, 1999, iron<br />

structure and wood, pillow, bedsheet. Collection <strong>of</strong> <strong>Museum</strong><br />

<strong>of</strong> Contemporary Art San Diego. <strong>Museum</strong> purchase with funds<br />

from the Benefit Art Auction 1999.<br />

4<br />

5


LECTURES AND EVENTS<br />

AUG/SEPT/OCT/NOV<br />

Lectures and events<br />

M T W TH F SA SU<br />

All events take place at MCASD La Jolla<br />

unless otherwise noted with (DT)<br />

TNT: LIVE LOCAL > Thursday, <strong>August</strong> 9 > 7–10 PM > DOWNTOWN > FREE TO MEMBERS;<br />

$8 STUDENTS; $10 NON-MEMBERS<br />

TNT: LIVE LOCAL celebrates the arts and culture <strong>of</strong> San Diego, in particular that <strong>of</strong> City<br />

Heights. Discover the exhibition Margaret Noble: 44th and Landis as you enjoy live music,<br />

drinks, art-making activities, and delicious bites from MIHO, everyone’s favorite food truck.<br />

Kick back in the Lawrance Furniture lounge, delve deeper into the art, and enjoy gallery conversations<br />

led by Gallery Educators. Members are invited to a special Q&A with Associate<br />

Curator Jill Dawsey and artist Margaret Noble at 7 PM sharp.<br />

Loading Dock Lunches > Friday, <strong>August</strong> 10 > 11:30 AM–1:30 PM > Downtown<br />

Feed your hunger for art! This summer MCASD launched a new experiment by pairing lunch<br />

with art conversations about site specific works in our permanent collection. Buy lunch from<br />

MIHO Gastrotruck and dine in our loading dock for a true behind-the-scenes experience.<br />

Introductions: Margaret Noble: 44 th and Landis > Monday, <strong>August</strong> 13 > 2 PM ><br />

Downtown > Free to Members; Free to Non-Members with <strong>Museum</strong> Admission<br />

As we celebrate the opening <strong>of</strong> Margaret Noble: 44 th and Landis, take part in a gallery walkthrough<br />

with Associate Curator Jill Dawsey who will <strong>of</strong>fer insider knowledge about the<br />

installation and process relating to the artist and the exhibition. Introductions is a series that<br />

welcomes visitors to join in conversation with our curators and ask questions about the exhibition,<br />

artists’ processes, or particular works <strong>of</strong> art.<br />

1 2 3 4 5<br />

6 7 8 9 10 11 12<br />

all mcasd locations closed<br />

13 14 15 16 17 18 19<br />

Introductions<br />

2 PM (DT)<br />

La Jolla Music Society<br />

7:30 PM<br />

La Jolla Music Society<br />

7:30 PM<br />

La Jolla Music Society<br />

7:30 PM<br />

La Jolla Music Society<br />

7:30 PM<br />

TNT 7-10 PM (DT)<br />

Perspectives<br />

7 PM<br />

FREE Third<br />

Thursday<br />

5–7 PM (DT & LJ)<br />

20 21 22 23 24 25 26<br />

La Jolla Music Society<br />

7:30 PM<br />

La Jolla Music Society<br />

7:30 PM<br />

Xcerpts<br />

4 PM (DT)<br />

La Jolla Music Society<br />

7:30 PM<br />

27 28 29 30 31 1 2<br />

Alt.pictureshows ’12<br />

7 PM<br />

La Jolla Music Society<br />

7:30 PM<br />

LOADING DOCK LUNCHES<br />

11:30 AM (DT)<br />

La Jolla Music Society<br />

7:30 PM<br />

La Jolla Music Society<br />

7:30 PM<br />

La Jolla Music Society<br />

7:30 PM<br />

La Jolla Music Society<br />

3 PM<br />

La Jolla Music Society<br />

3 PM<br />

Perspectives: Resurrected Histories > Thursday, <strong>August</strong> 16 > 7–8:30 PM ><br />

La Jolla > Free to Members and SDSU students; $5 students; $10 General<br />

Admission<br />

Join us for the screening <strong>of</strong> the documentary Resurrected Histories: Voices from the Chicano<br />

Arts Collectives <strong>of</strong> Highland Park and take part in a conversation about the state <strong>of</strong> Chicano<br />

Arts today led by director Kathleen Gallegos. Perspectives is a series that invites the public<br />

to take a seat at the table with artists, curators, and specialists in various fields <strong>of</strong> knowledge,<br />

and enrich discussions about works <strong>of</strong> art or exhibitions.<br />

Xcerpts: Victorian San Diego > Thursday, <strong>August</strong> 23 > 4–5 PM > Downtown ><br />

Free to Members; Free to Non-Members with <strong>Museum</strong> Admission<br />

Join us as we discuss the chapter “The Victorian Era: 1890-1910” in the book San Diego:<br />

California’s Cornerstone by Iris Wilson Engstrand and explore the exhibition Margaret Noble:<br />

44 th and Landis. Xcerpts is a reading and discussion group that takes place in thoughtLAB—a<br />

space for creativity, curiosity, and dialogue.<br />

alt.pictureshows > Thursday, <strong>August</strong> 30 > 7–10 PM > La Jolla > Free to Members;<br />

$5 General Admission<br />

Join us as we celebrate the 10th anniversary <strong>of</strong> alt.pictureshows, a popular micro-cinema experience<br />

where viewers are invited to “physically channel surf” from room to room. The evening’s<br />

short films will be screened on a loop throughout the event.<br />

Camera Dances: Ad Lib > Fridays from <strong>September</strong> 14–<strong>October</strong> 12 > 11 AM–2 PM ><br />

Downtown, 1001 Kettner > Free to Members; Free to Non-Members with <strong>Museum</strong><br />

Admission<br />

Join dance artists Eric Geiger, Liam Clancy, and media artist Tara Knight for a series <strong>of</strong> five<br />

live improvised performances that invite you to widen the frame <strong>of</strong> the <strong>Museum</strong> experience<br />

to include the architecture itself, the space in between and around artworks, the city soundscapes,<br />

and all bodies inside and beyond the <strong>Museum</strong> walls. Following these performances join<br />

us for a lively conversation with the artists as they discuss their practice. These performances<br />

will take place every Friday from <strong>September</strong> 14 through <strong>October</strong> 12.<br />

Educator First Look Tour: 44 th & Landis > Thursday, <strong>September</strong> 20 > 3:30–5 PM<br />

> Downtown > Free to Educators<br />

Following the opening <strong>of</strong> Margaret Noble: 44th & Landis, MCASD will <strong>of</strong>fer a free, one-hour<br />

Educator First Look Tour. This tour <strong>of</strong>fers teachers in the formal school system, higher education<br />

faculty, and educators working in out-<strong>of</strong>-school time programs the opportunity to view<br />

and learn about the current exhibition as well as gain gallery teaching strategies prior to<br />

scheduling a group tour.<br />

Xcerpts: LeWitt’s Instructions and Texts > Thursday, <strong>September</strong> 27 > 4–5 PM<br />

> Downtown > Free to Members; Free to Non–Members with <strong>Museum</strong> Admission<br />

Join us as we take a closer look at Sol LeWitt’s work and discuss selections taken from Adam<br />

D.Weinberg, “LeWitt’s Autobiography: Inventory <strong>of</strong> the Present,” Sol Lewitt A Retrospective,<br />

SFMOMA, (2000)100–108, Print. To obtain a copy <strong>of</strong> the excerpt to prepare for the discussion,<br />

send an e-mail to education@mcasd.org.<br />

For more information go to<br />

www.mcasd.org<br />

3 4 5 6 7 8 9<br />

10 11 12 13 14 15 16<br />

17 18 19 20 21 22 23<br />

24 25 26 27 28 29 30<br />

TAG Applications<br />

Due<br />

San Diego Film<br />

Festival <strong>2012</strong><br />

Xcerpts 4 PM DT<br />

FREE Third<br />

Thursday<br />

5–7 PM (DT & LJ)<br />

Educator First<br />

Look Tour<br />

3:30 PM (DT)<br />

Camera<br />

Dances: Ad Lib<br />

11 aM–2 PM (DT)<br />

Camera<br />

Dances: Ad Lib<br />

11 aM–2 PM (DT)<br />

Camera<br />

Dances: Ad Lib<br />

11 aM–2 PM (DT)<br />

San Diego Film<br />

Festival <strong>2012</strong><br />

Monte Carlo<br />

On Screen 6:30 PM<br />

San Diego Film<br />

Festival <strong>2012</strong><br />

1 2 3 4 5 6 7<br />

Camera Dances:<br />

Ad Lib<br />

11 aM–2 PM (DT)<br />

8 9 10 11 12 13 14<br />

Camera<br />

Dances: Ad Lib<br />

11 aM–2 PM (DT)<br />

15 16 17 18 19 20 21<br />

FREE Third<br />

Thursday<br />

5–7 PM (DT & LJ)<br />

22 23 24 25 26 27 28<br />

Orchestra Nova<br />

7:30 PM<br />

La Jolla Music Society<br />

8 PM<br />

29 3 0 3 1 1 2 3 4<br />

5 6 7 8 9 10 11<br />

San Diego Film<br />

Festival <strong>2012</strong><br />

12 13 14 15 16 17 18<br />

Introductions<br />

2 PM<br />

19 20 21 22 23 24 25<br />

Xcerpts<br />

4 PM<br />

FREE Third<br />

Thursday<br />

5–7 PM (DT & LJ)<br />

Sound Off 5 PM<br />

La Jolla Music Society<br />

8 PM<br />

Members’ opening<br />

Behold, America!<br />

11 AM-8 PM<br />

Educator First<br />

Look Tour 3:30 PM<br />

Educator’s<br />

Reception 6 PM<br />

Perspectives<br />

7 PM<br />

Margaret Noble<br />

performance 7-8:30 (DT)<br />

Educator Art<br />

Fair 9 AM*<br />

Family ArtLab<br />

2-4 PM<br />

Margaret Noble<br />

performance 7-8:30 (DT)<br />

Frontiers section<br />

<strong>of</strong> Behold, America!<br />

opens to public<br />

at MCASD<br />

26 27 28 29 30<br />

TNT 7-10 PM (DT)<br />

*This event will be held at the San Diego <strong>Museum</strong> <strong>of</strong> Art.<br />

Visit sdmart.org for more details.<br />

< This page, top to bottom: Margaret Noble: 44th and Landis (detail) <strong>2012</strong>, mixed media installation /<br />

Still from alt.pictureshows’ 12 film Eternal Gaze by Sam Chen / Camera Dances: Ad Lib<br />

6<br />

LJMS > ljms.org<br />

Orchestra Nova > orchestranova.org<br />

For a detailed schedule <strong>of</strong> San Diego Film Festival<br />

events, please visit www.SDFilmFest.com


This piece will be featured in the Frontier portion <strong>of</strong> Behold, America! at MCASD. Mark Dion, Landfill, mixed media, 1999–2000. Collection <strong>of</strong><br />

<strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. <strong>Museum</strong> purchase, Contemporary Collectors Fund, <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego.


Thanks to Our donors!<br />

It is through the generous support <strong>of</strong> MCASD’s Members and donors that thousands <strong>of</strong> San Diegans<br />

and visitors alike enjoy our world-class <strong>Museum</strong> in downtown San Diego and La Jolla. At the $1,500<br />

level and above, current donors are listed quarterly for the period <strong>of</strong> one year. At the $300–$1,499<br />

level, current donors are listed once, in the quarter following the date <strong>of</strong> the gift to MCASD.<br />

LECTURES AND EVENTS<br />

21ST CENTURY<br />

CAMPAIGN DONORS<br />

FOUNDERS<br />

$3,000,000 AND ABOVE<br />

JOAN AND IRWIN JACOBS<br />

DAVID C. COPLEY<br />

CAROLYN P. FARRIS<br />

CATELLUS, A PROLOGIS COMPANY<br />

DISTINGUISHED BENEFACTORS<br />

$1,000,000–$2,999,999<br />

THE ANNENBERG FOUNDATION<br />

SUE K. AND DR. CHARLES C. EDWARDS<br />

DR. PETER C. FARRELL<br />

THE ALBATROSS FOUNDATION<br />

MARY AND JAMES BERGLUND<br />

JAKE AND J. TODD FIGI<br />

PAULINE AND STANLEY FOSTER<br />

RUTH AND MURRAY A. GRIBIN<br />

STEPHEN WARREN MILES AND<br />

MARILYN ROSS MILES FOUNDATION<br />

KATHERINE AND MANSFIELD MILLS<br />

MARYANNE AND IRWIN PFISTER<br />

DR. AND MRS. KURT E. SHULER<br />

IRIS AND MATTHEW STRAUSS<br />

PATRONS<br />

$500,000–$999,999<br />

COLETTE CARSON ROYSTON AND<br />

DR. IVOR ROYSTON<br />

DRS. STACY AND PAUL JACOBS<br />

THE KRESGE FOUNDATION<br />

BETLACH FAMILY FOUNDATION<br />

HELEN K. COPLEY<br />

JAMES S. COPLEY FOUNDATION<br />

ROBERT AND LOUISE HARPER<br />

NATIONAL ENDOWMENT<br />

FOR THE HUMANITIES<br />

ELIZABETH AND MASON PHELPS<br />

BENEFACTORS<br />

$250,000–$499,999<br />

IN MEMORY OF IRENE R. JELLINEK<br />

NATIONAL ENDOWMENT FOR THE ARTS<br />

ROBIN AND GERALD PARSKY<br />

QUALCOMM<br />

SHERYL AND HARVEY WHITE<br />

CONTRIBUTORS<br />

$100,000–$249,999<br />

BARBARA AND CHARLES ARLEDGE<br />

LINNEA AND FRANK ARRINGTON<br />

BARBARA BLOOM FUND<br />

NANCY AND MATT BROWAR<br />

DIANE AND CHRISTOPHER CALKINS<br />

DR. CHARLES G. AND<br />

MONICA H. COCHRANE<br />

COUNTY OF SAN DIEGO, 3RD DISTRICT<br />

SUPERVISOR PAM SLATER-PRICE<br />

COUNTY OF SAN DIEGO, 4TH DISTRICT<br />

SUPERVISOR RON ROBERTS<br />

DANAH H. FAYMAN<br />

DAVID GUSS FAMILY<br />

JUDITH C. HARRIS AND<br />

ROBERT SINGER, M.D.<br />

THE JAMES IRVINE FOUNDATION<br />

ARTHUR AND SANDRA LEVINSON<br />

MARY KEOUGH LYMAN<br />

JOSEPHINE R. MACCONNELL<br />

PATSY AND DAVID MARINO<br />

AMELIA AND KENNETH MORRIS<br />

THE PARKER FOUNDATION<br />

FRITZ AND NORA SARGENT<br />

SELTZER CAPLAN MCMAHON VITEK<br />

IN MEMORY OF DOROTHY<br />

MITCHELL SHAPIRO<br />

JOYCE AND TED STRAUSS<br />

JOHN M. AND SALLY B.<br />

THORNTON FOUNDATION<br />

UBS<br />

GILDA AND VICTOR VILAPLANA<br />

JO AND HOWARD WEINER<br />

MCASD ANNUAL<br />

FUND DONORS<br />

INDIVIDUAL DONORS<br />

$100,000 and above<br />

Anonymous<br />

Valerie and Harry Cooper<br />

David C. Copley<br />

Olivia and Peter Farrell<br />

Carolyn P. Farris<br />

Pauline Foster<br />

Joan and Irwin Jacobs<br />

Drs. Stacy and Paul Jacobs<br />

The Mark and Hilarie Moore Family Trust<br />

Maryanne and Irwin Pfister<br />

Faye Hunter Russell<br />

Barbara Walbridge<br />

The Sheryl and Harvey White Foundation<br />

$50,000–$99,999<br />

Mary and James Berglund<br />

Trulette Clayes and Jeff Partrick<br />

Mrs. Sue K. Edwards<br />

Karen Fox<br />

Deni and Jeff Jacobs<br />

Colette Carson and Dr. Ivor Royston<br />

Iris and Matthew Strauss<br />

$25,000–$49,999<br />

Anonymous<br />

Barbara and Charles Arledge<br />

Frank and Linnea Arrington<br />

Melissa Garfield Bartell and<br />

Michael Bartell<br />

Barbara Bloom Fund<br />

Matt and Nancy Browar<br />

Dr. Charles G.Cochrane and<br />

Monica H. Cochrane<br />

Donald and Karen Cohn<br />

Isabel and Agustín Coppel<br />

Lisette and Michael Farrell<br />

Margaret Jackson and Neil Hadfield<br />

Jeanne Jones and Don Breitenberg<br />

Mary Keough Lyman<br />

Garna G. Muller<br />

Elizabeth and Mason Phelps<br />

Suzan and Gad Shaanan<br />

Tina Simner<br />

Joyce and Ted Strauss<br />

$10,000–$24,999<br />

Anonymous Fund at the San Diego<br />

Foundation<br />

Shannon Bartlett<br />

Charles and Tanya Brandes<br />

Wendy and Bill Brody<br />

Linda Chester and Dr. Kenneth Rind<br />

Renée Comeau and Terry Gulden<br />

Courtney Ann Coyle, Esq. and<br />

Steven P. McDonald, Esq.<br />

Audrey S. Geisel/Dr. Seuss Fund<br />

Bo and Anita Hedfors<br />

Sheri and Dr. Stuart Jamieson<br />

Leon and S<strong>of</strong>ia Kassel<br />

Vekeno Kennedy<br />

Gail and George Knox<br />

Sharon and Sami Ladeki<br />

Holly McGrath and David Bruce<br />

Rebecca Moores<br />

Catherine and Bob Palmer<br />

Scott H. Peters and Lynn E. Gorguze<br />

Robert Caplan and Dr. Carol Randolph<br />

James K. Robbins<br />

Fritz and Nora Sargent<br />

Jordan D. Schnitzer<br />

Mr. and Mrs. Forrest N. Shumway<br />

Dr. Marie Tartar and Dr. Steve Eilenberg<br />

The John M. and<br />

Sally B. Thornton Foundation<br />

Nancy B. Tieken<br />

Erika and Dr. Fred Torri<br />

Jo and Howard Weiner<br />

Faye Wilson<br />

Vivian Lim and Joseph Wong<br />

$5,000–$9,999<br />

Viveca Bissonnette and Jeff Hollander<br />

Ralph and Gail Bryan<br />

Cathy and Ron Busick<br />

Diane and Christopher Calkins<br />

Judge Jonathan T. Colby<br />

Maru and Andrew Dumke<br />

Dan and Phyllis Epstein<br />

Susanna and Michael Flaster<br />

Eric S. Fuller<br />

Elaine and Murray Galinson<br />

Carol and Lawrence Gartner<br />

Lauren and Greg Garbacz<br />

Abeer and George Hage<br />

Debby and Hal Jacobs<br />

Lynda and Richard Kerr<br />

Dr. Warren and Karen Kessler<br />

Fraeda and Bill Kopman<br />

Arthur and Sandra Levinson<br />

Leanne Hull MacDougall<br />

Sonia Kassel Mandelbaum and<br />

Gavin Mandelbaum<br />

Patsy and David Marino<br />

Stephen Warren Miles and Marilyn Ross<br />

Miles Foundation<br />

Betsy Mitchell<br />

Ron and Lucille Neeley<br />

Robin and Gerald Parsky<br />

Sheila Potiker<br />

Timothy Radke<br />

John G. Rebelo Jr. and Sarah B.<br />

Marsh-Rebelo<br />

Victoria and Tom Reed<br />

Cele and Justin Renaudin<br />

Miriam Rosas<br />

Clifford Schireson and John Venekamp<br />

Anne and Ronald Simon<br />

Elene and Herbert Solomon<br />

Steven M. Strauss and Lise Wilson<br />

Mr. and Mrs. Donald R. Swortwood<br />

Jen Tuomi and Mark MacEwen<br />

Dr. Emad and Mrs. May Zawaideh<br />

Helene and Allan Ziman<br />

$1,500–$4,999<br />

Liz and Richard Bartell<br />

Rusti Bartell<br />

Rita Bassi<br />

Joan and Jeremy Berg<br />

Robert W. Blanchard<br />

Mr. and Mrs. Aldis J. Browne<br />

Mrs. Lee Clark and Jerry Pikolysky D.D.S.<br />

Diane Clarke and Dan Moore<br />

Elaine and Dave Darwin<br />

Luis De Jesus<br />

Scott Dunklee<br />

Cindy Engles<br />

Rocio and Michael Flynn<br />

William Georgis and Richard Marshall<br />

Lee and Frank Goldberg<br />

Jane Gribin and Amy Dater<br />

Richard Gribin<br />

Dennis Kern<br />

Lewis and Marnie Klein<br />

Carmela and Miguel Koenig<br />

Annika and Gordon Kovton<br />

Jeanne and Bill Larson<br />

Dr. and Mrs. James E. Lasry<br />

Ken Little<br />

Jennifer Luce<br />

Catherina and Michael Madani<br />

Liz and Chris McCullah<br />

Edward J. G. Mracek<br />

Jennifer Nelson and John Dineen<br />

Christopher Nielsen and<br />

Paula M.D. Fitzgerald<br />

Lawrence Paull and Marcy Bolotin Paull<br />

Rose Marie and Charlie Pipitone<br />

Conrad Prebys and Debbie Turner<br />

Dr. J. Harley Quint<br />

Randy S. Robbins<br />

Dr. and Mrs. Thomas J. Sergott<br />

Dr. Alessandro Sette and<br />

Ms. Suzanne Melvin<br />

Dr. and Mrs. Kurt E. Shuler<br />

Michael R. Somin, AIA<br />

Elizabeth and Joseph Taft<br />

Jose M. Tasende<br />

Sylvia and Aaron Wechter<br />

Mary Ann Weisberg and<br />

Bryce Perry Foundation<br />

Judith and Jack White<br />

Scott White<br />

Lisa and Corey Wilson-Wirth<br />

Lorna York<br />

Emma & Leo Zuckerman<br />

$600–$1,499<br />

Sandro Alberti<br />

Mr. and Mrs. Charles E. Castle<br />

Mr. Jeff Dunigan<br />

Dr. and Mrs. Max L. Elliott<br />

Kathryn Kanjo<br />

Nancy J. Robertson<br />

Cris Scorza<br />

Stephanie and Paul Strong<br />

Vera and Brian Sweeney<br />

Cynthia Tuomi<br />

Diana and Matthew Valji<br />

Jesse Yi<br />

$300–$599<br />

Anonymous<br />

Robert E. Asher<br />

Mr. and Mrs. Michael P. Batter<br />

Carmine Boccuzzi and Bernard Lumpkin<br />

Anthony Buccola<br />

George & Mary Cory<br />

David J. Davis<br />

Mary and James Dawe<br />

Nicole Eppley<br />

Thayer Flynn<br />

Marc Matys and Robert H. Gleason<br />

Richard L. Gomez, M.D.<br />

Dr. and Mrs. John B. Holden<br />

Margot and Dennis Knight<br />

Dr. and Mrs. Elliott C. Lasser<br />

Nina MacConnel and Tom Chino<br />

Dennis A. McConnell<br />

Holly McGrath and David Bruce<br />

Hon. and Mrs. James A. McIntyre<br />

Elizabeth Nolan<br />

Rukiye Oygar<br />

Michael Parme<br />

John M. Seiber<br />

Esther Shapiro<br />

Joyce Cutler Shaw<br />

Curt Sherman<br />

Esther and Alan Siman<br />

Dr. and Mrs. Lawrence Solomon<br />

Claudia and Hans Stadler<br />

Theresa Dailey and Paul Steitz<br />

Elizabeth and Joseph Taft<br />

Susan and John Thompson<br />

Claudia and Ge<strong>of</strong>frey Turchin<br />

Susan and Richard Ulevitch<br />

Daniel W. Vecchitto<br />

Isabelle and Mel Wasserman<br />

Annasue and John Wilson<br />

Rolfe Wyer and Doris Sosin<br />

Jeanna Yoo<br />

Lorna York<br />

Bradley Zlotnik<br />

Corporate, Foundation,<br />

and Government Donors<br />

$100,000 and Above<br />

City <strong>of</strong> San Diego Commission<br />

for Arts and Culture<br />

The Getty Foundation<br />

The James Irvine Foundation<br />

$50,000–$99,999<br />

County <strong>of</strong> San Diego<br />

Move National Endowment for the Arts<br />

The Qualcomm Foundation<br />

The Andy Warhol Foundation<br />

$25,000–$49,999<br />

GUCCI<br />

National Endowment for the Arts<br />

The Linda Pace Foundation<br />

$10,000–$24,999<br />

California Bank & Trust<br />

Christie’s<br />

Cooley LLP<br />

La Jolla IVF<br />

LLWW Foundation<br />

Mandell Weiss Charitable Trust<br />

Nordstrom<br />

Northern Trust Bank<br />

Pfizer Foundation Matching<br />

Gifts Program<br />

The ResMed Foundation<br />

Van Cleef & Arpels<br />

$5,000–$9,999<br />

Bank <strong>of</strong> America<br />

KPMG LLP<br />

Pacific Sotheby’s International Realty<br />

South Coast Plaza<br />

Rémy Cointreau USA<br />

Tasende Gallery<br />

$1,500–$4,999<br />

G.S. Levine Insurance Services<br />

Google, Inc.<br />

Merck Partnership For Giving<br />

Price Family Charitable Fund<br />

$600–$1,499<br />

Paul and Magdalena Ecke Poinsettia<br />

Foundation<br />

$300–$599<br />

The Arts Federation<br />

Consulate General <strong>of</strong> Mexico<br />

In-Kind Support<br />

$25,000 and above<br />

91X<br />

UT San Diego<br />

The Art <strong>of</strong> Photography Show<br />

the i.d.e.a. brand<br />

KPBS<br />

La Jolla Light<br />

$10,000–$24,999<br />

The FrameMaker<br />

Riviera Magazine<br />

San Diego CityBeat<br />

$5,000–$9,999<br />

Art Works San Diego<br />

Authentic Flavors Catering<br />

Crown Point Catering<br />

Elegant Events Catering Company<br />

Festivities Catering<br />

Giuseppe Restaurants and Fine Catering<br />

Hyatt Regency La Jolla<br />

Lawrance Furniture<br />

Peartrees Catering, Inc<br />

Ranch & Coast Magazine<br />

Roppongi Restaurant and Sushi Bar<br />

Sammy’s Woodfired Pizza<br />

San Diego Magazine<br />

Stone Brewing Company<br />

Tapenade<br />

The French Gourmet<br />

TK&A Custom Catering<br />

LECTURES AND EVENTS<br />

Margaret Noble: 44 th and Landis Performances > Saturday, <strong>October</strong> 20 and<br />

Saturday, <strong>November</strong> 17 > 7–8:30 PM > Downtown > Free to Members and High<br />

Tech High Students; $5 Students; $10 General Admission<br />

Join Margaret Noble for her second sound performance as she activates her installation with<br />

live sound using voice and electronic instruments. Following the performance, participants<br />

will be invited to engage in conversation with the artist. Capacity for these performances will<br />

be limited.<br />

Xcerpts: Marcos Ramirez ERRE > Thursday, <strong>October</strong> 25 > 4–5 PM > Downtown ><br />

Free to Members; Free to Non–Members with <strong>Museum</strong> Admission<br />

Join us as we discuss excerpts from Marcos Ramirez ERRE’s book and draw connections to<br />

Sing-Sing, currently on view at MCASD Downtown at 1001 Kettner Blvd.<br />

Introductions: Behold, America! > Monday, <strong>November</strong> 12 > 2 PM >La Jolla ><br />

Free to members; Free to non-members with <strong>Museum</strong> admission<br />

As we celebrate the opening <strong>of</strong> the Frontiers section <strong>of</strong> the exhibition Behold, America!, take<br />

part in a gallery walkthrough with the exhibition curator, Amy Galpin, who will <strong>of</strong>fer insider<br />

knowledge about the installation and process relating to the artists and the exhibition.<br />

Sound Off: Performances, Screenings, and Dialogue > Thursday, <strong>November</strong><br />

15 > 5–7 PM Performances, 7–9 PM Screening and Lecture > La Jolla > Free to<br />

Members and San Diego college students, $10 General Admission<br />

Sound Off is a unique program geared towards local college students and combines performances<br />

<strong>of</strong> music, poetry, and prose to be submitted and performed by local young artists.<br />

Following these performances there will be a screening <strong>of</strong> Rebirth <strong>of</strong> a Nation. To learn more<br />

about performing at Sound Off, visit www.mcasd.org or e-mail education@mcasd.org.<br />

Educator First Look Tour: Behold, America! > Friday, <strong>November</strong> 16 > 3:30–5 PM<br />

> La Jolla > Free to Educators<br />

The first Thursday following an exhibition opening, MCASD <strong>of</strong>fers free tours and admission<br />

for educators. These tours <strong>of</strong>fer teachers the opportunity to view and learn about the current<br />

exhibition as well as gain gallery teaching strategies prior to scheduling a group tour. Tours<br />

begin at 3:30 PM and 4:30 PM. During your tour our Gallery Educators will share in-gallery<br />

activities and ideas about how to introduce this exhibition to your students. E-mail education@mcasd.org<br />

to register.<br />

Educator’s Reception: Behold, America! > Friday, <strong>November</strong> 16 > 6–7 PM > La<br />

Jolla > Free to Educators*<br />

MCASD, The San Diego <strong>Museum</strong> <strong>of</strong> Art, and the Timken <strong>Museum</strong> <strong>of</strong> Art welcome you to our<br />

joint Educator Reception to celebrate the work that you do in the classroom! Explore one <strong>of</strong><br />

the exhibitions that make up Behold America! and imagine the possibilities for curriculum connections.<br />

Consider ways in which to use American art from three eras and three institutions to<br />

inspire your students to ask their own questions through conversations with MCASD Gallery<br />

Educators. Following the reception join us for a Perspectives program featuring Curator Amy<br />

Galpin and artist Ruben Ortiz Torres. Light refreshments will be served. RSVP by Tuesday,<br />

<strong>November</strong> 12 to education@mcasd.org with subject line “Educator Reception.”<br />

*Free admission applies to teachers in the formal school system, higher education faculty, and<br />

educators working in out-<strong>of</strong>-school time programs.<br />

Perspectives: Behold, America! > Friday, <strong>November</strong> 16 > 7–8:30 PM > La Jolla ><br />

Free to MCASD, SDMA & Timken Members & Educators*; $5 to Students and $10<br />

to General Admission<br />

From depictions <strong>of</strong> the landscape to its innovative approach and political visions, American<br />

artists have presented us with new frontiers. Join us for a conversation with Curator Amy<br />

Galpin and artist Ruben Ortiz Torres as they share their perspectives.<br />

Educator Art Fair: Behold, America! > Saturday, <strong>November</strong> 17 > 9 AM–1 PM ><br />

The San Diego <strong>Museum</strong> <strong>of</strong> Art > Free for Educators<br />

This event is open to all educators. Register at www.sdmart.org.<br />

Family ArtLab: Unbound Borders > Saturday, <strong>November</strong> 17 > 2–4 PM > La Jolla<br />

Take part in a Look/Explore tour and let our Gallery Educators lead you and your family in<br />

lively conversation about the exhibition Behold, America! Following your gallery exploration<br />

part take a in a hands-on workshop exploring the theme <strong>of</strong> Frontiers, which gives way to the<br />

grouping <strong>of</strong> the works in this exhibition. Get your hands messy and your creative juices flowing!<br />

This program is $10 for Members and military families, and $25 for non-member families. The<br />

price includes <strong>Museum</strong> admission and program fee for two adults and up to three youth. Program<br />

starts promptly at 2 PM. Capacity is limited.<br />

TNT > Thursday, <strong>November</strong> 29 > 7–10 PM > Downtown > Free to Members; $8 students;<br />

$10 Non-members<br />

Don’t miss this fall’s hottest ticket. Join us as we celebrate downtown’s newest exhibitions<br />

with art-making activities, tasty cocktails, delicious bites from MIHO, and live music.<br />

For more information go to<br />

www.mcasd.org<br />

We’ve made every effort to be accurate.<br />

This list is current as <strong>of</strong> 7/13/12. Please<br />

call 858 454 3541 x172 if you should find<br />

an error, or if you have other inquiries<br />

about Membership.<br />

> This page, top to bottom: John Valadez, Pelota (detail), 1995, oil on canvas, 46 x 42 in. Courtesy <strong>of</strong> a<br />

private collection. © John Valadez / Artist Margaret Noble. Photo by David Max Steinburg. / Salomón<br />

Huerta, Untitled Figure (detail), Oil on canvas on panel, 2000. Collection <strong>of</strong> <strong>Museum</strong> <strong>of</strong> Contemporary<br />

Art San Diego, <strong>Museum</strong> purchase, International and Contemporary Collectors Funds.<br />

10<br />

11


MEMBER NEWS & EVENTS<br />

MEMBER NEWS & EVENTS<br />

Member Q&A:<br />

Christopher Plouffe<br />

Occupation: Paleontologist<br />

Residence: University Heights<br />

Q: What do you enjoy most about contemporary art?<br />

The broad spectrum <strong>of</strong> events that occur to produce contemporary works. From concept and<br />

design, to materials used, to the manufacturing, installation, and eventual curation <strong>of</strong> a piece.<br />

Q: What has been one <strong>of</strong> your favorite exhibitions at MCASD?<br />

Do I have to pick JUST one? Baldassari was brilliant. Phenomenal: California Light, Space,<br />

Surface was exquisite. Tara Donovan was outrageous. Viva la Revolución was unique and unparalleled.<br />

I think I returned to the exhibit upwards <strong>of</strong> 10 times. No joke.<br />

Q: Why did you become a Member?<br />

As a Natural History <strong>Museum</strong> employee, I receive the benefit <strong>of</strong> complimentary admission to<br />

many San Diego museums. Of the multiple institutions I’ve visited, I found myself constantly<br />

returning to MCASD. The quality <strong>of</strong> the exhibits far surpassed my expectations for a museum<br />

in San Diego. Due to my frequent attendance, it became apparent that it was my responsibility<br />

to endorse and support the museum and its endeavors through membership.<br />

Q: What is the most rewarding part <strong>of</strong> membership?<br />

Surrounding myself with like-minded individuals that share an appreciation for art.<br />

Q: Why do you think it’s important to support the arts in San Diego?<br />

It’s an investment in our cultural future here in San Diego. I would love to see our city recognized<br />

one day as a hub for contemporary art.<br />

Q: Beyond MCASD, what is another one <strong>of</strong> your favorite spots in San Diego?<br />

As a geologist I appreciate the large scale view <strong>of</strong> San Diego County from Mt. Soledad. It gives<br />

you the ability to take a step back and observe—to see the big picture.<br />

Q: Does your job ever intertwine with art?<br />

At the Natural History <strong>Museum</strong> I’m primarily in the field recovering fossils and data. One day<br />

I may be collecting leaf imprints, or shells, and on the rare occasion charismatic megafauna<br />

like whales or mammoths. Other days I’m in the museum preparing fossils. I’ve been told that<br />

my graphic representation <strong>of</strong> sediments (stratigraphic columns as they are called) have an<br />

artistic flair to them, so I guess it depends on your definition <strong>of</strong> art.<br />

MEMBER EVENTS<br />

Monte Carlo On Screen > Saturday, <strong>September</strong> 8 > 7 PM > La Jolla<br />

Every fall MCASD, from the galleries to the terrace, is magically transformed for the <strong>Museum</strong>’s<br />

annual fundraiser, Monte Carlo. This year we’re celebrating the incredible legacy <strong>of</strong> contemporary<br />

art and the silver screen with Monte Carlo On Screen, the <strong>Museum</strong>’s 36th annual gala.<br />

Art has been intersecting with film, video, and celluloid for more than a century, and this<br />

year MCASD itself will become ‘The Screen.’ Our walls, floors, and ceilings will be bathed in<br />

flickering lights and the saturated colorful glow <strong>of</strong> masterful artists, from the well known to<br />

the obscure, creating a truly magical feast for the senses. Get out your red carpet attire and<br />

prepare to be treated to the ‘A List’ experience. At Monte Carlo On Screen, you are the star!<br />

For more information contact kdeuparo@mcasd.org. Purchase tickets at www.mcasd.org.<br />

TNT: LIVE LOCAL > Thursday, <strong>August</strong> 9 > 7 PM > Downtown<br />

Kick <strong>of</strong>f TNT with an exclusive members-only artist talk at 7 PM. Sit in on a Q&A with Associate<br />

Curator Jill Dawsey and artist Margaret Noble as they discuss Noble’s process and practice.<br />

Enjoy the first cocktails poured <strong>of</strong> the evening and delicious appetizers from Whole Foods as<br />

you celebrate TNT with fellow members.<br />

TNT > Thursday, <strong>November</strong> 29 > 7 PM > Downtown<br />

Join us as we celebrate downtown’s newest exhibitions with art-making activities, tasty cocktails,<br />

delicious bites from MIHO, and live music.<br />

Members’ Openings for Behold, America!<br />

Thursday, <strong>November</strong> 8 > CIRCLE MEMBERS AND COLLECTOR’S CIRCLE PROGRESSIVE<br />

OPENING > 5:30–9 PM > MCASD La Jolla/SDMA/The Timken<br />

This fall, MCASD is proud to present Behold, America!, a dynamic collaboration between three<br />

<strong>of</strong> San Diego’s most important art institutions: MCASD, The San Diego <strong>Museum</strong> <strong>of</strong> Art, and<br />

the Timken <strong>Museum</strong> <strong>of</strong> Art. The exhibition presents an unrivalled opportunity to see these<br />

three collections united for the first time, and to enjoy some <strong>of</strong> the finest works <strong>of</strong> American<br />

art. Begin in La Jolla from 5:30–7 PM with cocktails and appetizers and progress downtown to<br />

SDMA and the Timken for more drinks, bites, and dessert from 7–9 PM.<br />

Friday, <strong>November</strong> 9 > BEHOLD: AMERICA! GENERAL MEMBERS PROGRESSIVE Opening<br />

DAY AND RECEPTION > 11 AM–8 PM > MCASD La Jolla/SDMA/The Timken<br />

Don’t miss the general Members’ Opening at all three institutions—be sure to visit all three<br />

locations to enjoy this festive night.<br />

< This page, top to bottom: MCASD Member Christopher Plouffe / Members Enjoy the 2nd annual<br />

Avant Garde Summer Solstice Soiree. Photo by Marisa Holmes / MCASD Members enjoy the opening<br />

<strong>of</strong> John Baldessari: A Print Retrospective from the Collections <strong>of</strong> Jordan D. Schnitzer and his<br />

Family Foundation.<br />

Alt.pictureshows Q&A:<br />

Neil Kendricks<br />

Q: In 30 words or less, tell us what a Film Curator does.<br />

Like my curatorial colleagues in painting, sculpture, and photography, a film curator seeks<br />

and secures exceptional artworks, in this case films, for non-theatrical screenings in a<br />

<strong>Museum</strong> context. You strike a balance between your own curatorial tastes with what realistically<br />

can be achieved within the limitations <strong>of</strong> your resources. Sorry that’s over 30 words.<br />

Q: We know you’re not supposed to play favorites, but which films are you most excited<br />

about showing this year?<br />

There are so many extraordinary short films to watch that viewers in San Diego wouldn’t get<br />

a chance to see otherwise. The two most poignant films are Anna Musso’s sublime L Train and<br />

Lucy Walker’s Oscar-nominated documentary short The Tsunami and the Cherry Blossom. I<br />

saw both films at Sundance and I was struck by the extraordinary power <strong>of</strong> the filmmakers’<br />

respective skills for compelling storytelling using the short-film format. Without relying on<br />

dialogue or visual effects, L Train is a small-scale epic <strong>of</strong> the human heart in conflict with itself.<br />

Q: How do you pick films for alt.pictureshows? What’s your process like?<br />

I look for unique short films that move my heart while making me think. The rest is similar to being<br />

a producer. I negotiate with filmmakers about screening their work with my eye on the prize <strong>of</strong><br />

organizing the range <strong>of</strong> work in a manner where the short films resonate with one another.<br />

Q: What is it you’re looking for as a film curator? What is it about a film that stands out or<br />

grabs your attention?<br />

I’m looking for films that have something original to say; films with a unique point <strong>of</strong> view. Of<br />

course, this description is an oversimplification <strong>of</strong> the multi-faceted challenges <strong>of</strong> creating<br />

a one-<strong>of</strong>-a-kind, micro-cinema experience from the ground up. The detailed process is very<br />

organic since I’m looking at films throughout the year and developing each viewing station<br />

as I go. Patience and having a good eye and ear for powerful, original short films that will<br />

connect with viewers are crucial.<br />

Q: Tell us a little bit about your current film projects.<br />

My current project is the feature-length documentary-in-progress Comics Are Everywhere,<br />

which chronicles the personal journeys <strong>of</strong> emerging artists JJ Villard, Danni Shinya Luo, and<br />

master cartoonists Daniel Clowes <strong>of</strong> Ghost World fame, Love and Rockets co-creator Jaime<br />

Hernandez and others navigating the vibrant, pop-cultural intersection where alternative<br />

comics, animation and the Art World collide. I will be launching the film’s Web site, www.comicsareeverywhere.com<br />

this summer.<br />

Q: This is the 10th anniversary <strong>of</strong> alt.pictureshows. Why do you think it’s stuck around so long?<br />

What separates this unique short-film showcase from more traditional film festivals is<br />

alt.pictureshows’ unique viewing format for “physically channel surfing” and my approach<br />

to selecting films. Rather than use a call for entries, I’ve always made my carefully selected<br />

choices from the vantage point <strong>of</strong> an artist finding work that really has something to say. It’s<br />

not unlike a curator making visits to a painter’s studio and crafting a show while the work is<br />

still being made. In the case <strong>of</strong> several films, I negotiated with the filmmakers over a period<br />

<strong>of</strong> years until the lineup and timing was right to show their work at MCASD.<br />

MEMBER NEWS<br />

MCASD’S COLLECTORS EXPLORE THE ART AND CULTURE OF SANTA FE<br />

In late April, MCASD Collectors, along with Director and CEO Hugh M. Davies and Chief<br />

Curator Kathryn Kanjo, visited Santa Fe, New Mexico to experience the city’s vibrant contemporary<br />

art scene. The group experienced a personal tour <strong>of</strong> Time Lapse at SITE Santa Fe with<br />

Director Irene H<strong>of</strong>mann, and visited key local galleries, including James Kelly Contemporary<br />

and Charlotte Jackson Fine Art. Artists James Drake and Nic Nicosia opened up their studios<br />

and shared both their current projects and past works. They also had the opportunity<br />

to visit the home <strong>of</strong> SITE Santa Fe Board Member Marlene Meyerson, whose contemporary<br />

space included works by MCASD favorites Jenny Holzer and Jennifer Steinkamp. The group<br />

traversed to the home <strong>of</strong> Jeanne and Mickey Klein, which featured a commissioned James<br />

Turrell sky space and sprawling outdoor walking paths dotted with Andy Goldsworthy sitespecific<br />

sculptures.<br />

Summer Solstice<br />

MCASD celebrated the start <strong>of</strong> summer with the 2nd Annual Summer Solstice Soiree, hosted<br />

by Avant Garde. Guests enjoyed a deconstructed dinner party on the oceanfront terrace at<br />

MCASD La Jolla with mouthwatering dishes from local restaurants, specialty cocktails, and<br />

an art installation by Brian Dick and Wendell Kling. Guests also had the opportunity to bid on<br />

contemporary design goods in the silent auction.<br />

upcoming Travel Opportunities<br />

Collectors can look forward to an exciting travel schedule in the coming months; first, with<br />

our International Collectors Art Tour to Brazil, taking place <strong>October</strong> 20–30, <strong>2012</strong>. This trip will<br />

include a visit to the Sao Paolo Biennial, a stop at the famed Inhotim Institute and Bernardo<br />

Paz Collection, an artist studio visit with Ernesto Neto, and visits to top Brazilian Collectors.<br />

Contemporary Collectors will also have the opportunity to travel to Denver, Colorado from<br />

April 27–30, 2013. For more information regarding the MCASD Travel Program, please contact<br />

Jeanna Yoo at 858 454 3541 x179 or jyoo@mcasd.org.<br />

> Opposite, top to bottom: MCASD’s Film Curator Neil Kendricks / Still from Alt.pictureshows<br />

’12 film Tumult by Johnny Barrington / Still from alt.pictureshows ‘12 film Tooty’s Wedding by<br />

Federic Casella<br />

12<br />

1313


MEMBER NEWS<br />

EXHIBITIONS<br />

MEMBER NEWS Cont’D<br />

The<br />

STORE<br />

MCASD’S COLLECTION EXPANDS WITH NEW ACQUISITIONS AT THE SELECTION DINNER<br />

On April 25, <strong>2012</strong>, MCASD’s International and Contemporary Collectors gathered in La<br />

Jolla for the Annual Selection Dinner, celebrating MCASD’s Collectors Circle and their<br />

27-year history <strong>of</strong> support. Sponsored by Northern Trust, the evening began with a reception<br />

and guided tours <strong>of</strong> the works with MCASD curators. Following a lively debate over<br />

dinner, catered by Tapenade, the collectors voted to purchase three new works for the<br />

<strong>Museum</strong>’s collection, including an expansive, scrim-covered lens by Spencer Finch, Rome<br />

Pantheon, Noon, June 14, 2011 (2011); a precocious abstract canvas by seasoned New York<br />

artist Jack Whitten, Chinese Sincerity (1974); and a keystone work by celebrated photographer<br />

Catherine Opie, Burnt House from Burlington and Ninth Street (1990). The <strong>Museum</strong> is<br />

thrilled to have made these key acquisitions.<br />

MCASD’s International and Contemporary Collectors have been instrumental in expanding<br />

the <strong>Museum</strong>’s permanent collection with 93 works <strong>of</strong> art since 1985 – works that were<br />

collectively purchased for approximately $3 million and that today are valued at over<br />

$12.6 million. The support <strong>of</strong> the International and Contemporary Collectors has allowed<br />

MCASD curators to discover new artists, enrich the MCASD collection, and build an engaged<br />

and informed community <strong>of</strong> collectors in San Diego. For more information about joining<br />

Collectors Circle, please contact Jeanna Yoo at 858 454 3541 x179 or jyoo@mcasd.org.<br />

GRANT NEWS<br />

MCASD is the recipient <strong>of</strong> a major grant from Qualcomm Foundation for the exhibition<br />

Behold, America! Qualcomm Foundation, which has awarded $250,000, is the lead patron<br />

for the unprecedented project, which brings together American art from MCASD, The San<br />

Diego <strong>Museum</strong> <strong>of</strong> Art, and the Timken <strong>Museum</strong> <strong>of</strong> Art.<br />

The <strong>Museum</strong> has also received another major grant: $90,000 from the Andy Warhol<br />

Foundation for the Visual Arts in support <strong>of</strong> Jack Whitten: Five Decades <strong>of</strong> Painting, a retrospective<br />

for the New York based painter, which will go on view at MCASD in February 2014.<br />

MCASD is pleased to announce that it is the recipient <strong>of</strong> a generous $10,000 grant<br />

from the LLWW Foundation. The funds are being used to support exhibitions costs related<br />

to Santa Ana Condition: John Valadez. MCASD would like to thank the National Endowment<br />

for the Arts and the County <strong>of</strong> San Diego Community Enhancement Fund for earlier grants<br />

that have helped make possible the Valadez retrospective, the accompanying catalog, and<br />

related programming. The <strong>Museum</strong> remains grateful to the City <strong>of</strong> San Diego Commission<br />

for Arts and Culture for their continuing institutional support.<br />

The <strong>Museum</strong> is also pleased to announce a $25,000 grant from the District Three<br />

Neighborhood Reinvestment Program. This generous and timely funding, approved by<br />

County Supervisor Pam Slater-Price and the Board <strong>of</strong> Supervisors, will cover the cost <strong>of</strong><br />

replacing the climate control (HVAC) system for the Foster, Meyer, and Baja Fayman galleries,<br />

as well as a long needed awning for the loading dock in La Jolla.<br />

MCASD Receives Major Gift<br />

MCASD and The San Diego <strong>Museum</strong> <strong>of</strong> Art were the recipients <strong>of</strong> a major bequest from the<br />

late Dr. Vance E. Kondon and his wife Elisabeth Giesberger. Kondon was one <strong>of</strong> San Diego’s<br />

premier art collectors and an avid supporter <strong>of</strong> the city’s cultural scene. MCASD received<br />

30 important works <strong>of</strong> contemporary art from the 1950s to the early 1980s. The works<br />

were featured in the spring exhibition Iconic: Gifts from the Kondon-Giesberger Collection.<br />

Banksy—You Are An Acceptable Level <strong>of</strong> Threat > The single best collection<br />

<strong>of</strong> photographs <strong>of</strong> Banksy’s street work. Period. Banksy—You Are An Acceptable Level <strong>of</strong><br />

Threat concentrates on this singular artist’s iconic imagery, spanning the late ’90s up until<br />

the end <strong>of</strong> 2011. The locations are from around the world (predominantly the UK, US and<br />

Europe), and many images have never been seen before. When Banksy began painting,<br />

the political landscape was bleak. Fortunately now, it’s ten times worse. As Banksy’s cheerfully<br />

aggressive political work becomes ever more relevant, this comprehensive tome sets<br />

about presenting his art in the context <strong>of</strong> the era he was responding to. 228 pages, hardcover,<br />

8¾’’x 10¼’’, 250 color illustrations, English.<br />

Regular price: $35 / Member price: $31<br />

MCASD –clusive: Mon Père > Mon Père translates to “My Father” in French.<br />

Christina Shrigley is the designer and creator <strong>of</strong> Mon Père. She lost her father to cancer<br />

before she turned 2 years old. Her father is the constant inspiration and force behind the<br />

line. Being able to create with him in mind is a way <strong>of</strong> healing and coping with his loss on<br />

a positive level. A significant portion from each sale goes to kids fighting cancer at Rady<br />

Children’s Hospital in San Diego, California.<br />

The core value <strong>of</strong> this capsule line <strong>of</strong> tee’s can be summed up in its motto, “Let Love<br />

Grow.” Giving back to those in need through unique designs and craftsmanship is the main<br />

idea. Each blank tee is 100% organic cotton. Christina cuts and sews each pocket on personally<br />

at her home in La Jolla, California. She finishes every one with a hand drawn label,<br />

making each handcrafted tee completely unique to itself. Available in sizes 12–18m through<br />

3T. Available exclusively at MCASD. Wear a Mon Père tee and “Let Love Grow.”<br />

Regular price: $30 / Member price: $27<br />

<strong>2012</strong> Biennial Art Auction<br />

27th Annual Selection Dinner<br />

MCASD Board <strong>of</strong> Trustees <strong>2012</strong>–2013<br />

David C. Copley, President / Barbara Arledge / Linnea Arrington / Melissa Garfield Bartell / Dr.<br />

Mary F. Berglund / Barbara Bloom / Wendy H. Brody / Nancy Browar / Ronald L. Busick / Dr.<br />

Charles G. Cochrane / Valerie Cooper / David C. Copley / Isabel Coppel / Dr. Peter C. Farrell /<br />

Carolyn P. Farris / Pauline Foster / John Ippolito / Margaret A. Jackson / Dr. Paul Jacobs / Vekeno<br />

Kennedy / Sami Ladeki / Holly McGrath / Scott Peters / Mason Phelps / Dr. Carol Randolph /<br />

Colette Carson Royston / Nora D. Sargent / Gad Shaanan / Joyce Strauss / Matthew C. Strauss /<br />

Sheryl White / Brent V. Woods<br />

Honorary Trustee, Sue K. Edwards<br />

Dr. Hugh M. Davies, The David C. Copley Director and CEO<br />

Newsletter Editor: Leah Masterson / Newsletter Contributors: Julia Altieri, Heather Cook, Jill<br />

Dawsey, Kate Deuparo, April Farrell, Rebecca Handelsman, Elizabeth Harker, Kathryn Kanjo, Anne<br />

Kindseth, Eric Reichman, Megan Nesbit, Robert Pincus, Cris Scorza, Jenna Siman, Shannel Smith,<br />

Jeanna Yoo / Design: Ursula Rothfuss and Kasey Reis / Printer: Neyenesch Printers, San Diego<br />

The <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego, founded in 1941, is a Member-supported, private,<br />

nonpr<strong>of</strong>it organization dedicated to the collection, exhibition, and interpretation <strong>of</strong> contemporary<br />

art. MCASD, accredited by the Association <strong>of</strong> <strong>Museum</strong>s, is one museum with two locations:<br />

La Jolla and downtown San Diego. All programs and activities are made possible by generous<br />

contributions from MCASD Members and many individuals, foundations, corporations, and government<br />

agencies.<br />

Institutional support for MCASD is provided by the City <strong>of</strong> San Diego Commission for Arts<br />

and Culture.<br />

Collectors Trip to Santa Fe<br />

Kick <strong>of</strong>f fall with an MCASD Tour!<br />

MCASD <strong>of</strong>fers tours tailored for school, higher education, and adult groups. Learn more<br />

about the different tours led by the <strong>Museum</strong>’s pr<strong>of</strong>essional Gallery Educators as well as<br />

how to book your tour at www.mcasd.org.<br />

When is the last time you Fed Your Greedy Organ?<br />

MCASD launched the Feed Your Greedy Organ campaign last spring, promoting our initiative<br />

that <strong>of</strong>fers free admission for people age 25 and under, sponsored by Qualcomm<br />

Foundation. The campaign kicked <strong>of</strong>f with an art contest, and we received some truly<br />

amazing entries. After careful consideration, our panel chose 25 finalists whose work was<br />

included in a showcase at the <strong>Museum</strong>. The contest was a huge success but the Feed Your<br />

Greedy Organ campaign continues. Do you know anyone who is 25 and under? If so, spread<br />

the word- ADMISSION IS FREE!<br />

MCASD Is Looking For a Few Good Teens!<br />

MCASD is currently accepting applications for the <strong>2012</strong>–2013 Teen Advisory Group (TAG).<br />

TAG is composed <strong>of</strong> 20 diverse teens representing high schools from across San Diego.<br />

TAG meets the first Tuesday <strong>of</strong> each month at the <strong>Museum</strong> to explore contemporary art in<br />

the galleries and develops a project designed to reach the wider teen and <strong>Museum</strong> audience.<br />

Learn more at www.mcasd.org.<br />

get<br />

famous<br />

with the<br />

Greedy organ<br />

> This page, top to bottom: Banksy—You Are An Acceptable Level <strong>of</strong> Threat / Mon Père Tees /<br />

MCASD’s Feed Your Greedy Organ Campaign<br />

14<br />

15


For information 24 hours a day:<br />

858 454 3541<br />

www.mcasd.org<br />

MCASD Downtown<br />

1100 and 1001 Kettner Blvd., San Diego<br />

MCASD la jolla<br />

700 Prospect Street, La Jolla<br />

HOURS<br />

11 AM–5 PM Daily<br />

Closed Wednesday<br />

Free on the third Thursday<br />

<strong>of</strong> every month 5–7 PM<br />

MCASD is accessible to all its visitors<br />

store<br />

www.mcasd.org/store<br />

<strong>Museum</strong> Cafe<br />

858 456 6427<br />

public Tours<br />

La Jolla and Downtown<br />

Weekends at 2 PM<br />

Third Thursdays at 5 and 6 PM<br />

MCASD E-mail Announcements<br />

Don’t miss a single moment at MCASD.<br />

Receive up-to-the-minute announcements<br />

on events, special programs, upcoming<br />

exhibitions, and more! To sign up, send<br />

your e-mail address to jaltieri@mcasd.org.<br />

Admission<br />

MCASD Members Free<br />

$10 General<br />

$5 Seniors (age 65+)<br />

Free for Military (with ID)<br />

Free for ages 25 and under<br />

Admission valid for 7 days at all<br />

MCASD locations.<br />

25 and under free admission generously<br />

supported by<br />

Parking<br />

Free two-hour street parking is available<br />

in La Jolla near the <strong>Museum</strong>.<br />

Public garages are nearby MCASD<br />

Downtown. Two-hour metered street<br />

parking is also available.<br />

stay in the loop<br />

with all things mcasd!<br />

Find us on Facebook at facebook.com/mcasd<br />

Follow us on Twitter @mcasd<br />

Follow us on Tumblr at mcasd.tumblr.com<br />

How do you like your news?<br />

Do you prefer to peruse MCASD news and<br />

happenings online, rather than in print? If so,<br />

please opt out <strong>of</strong> receiving a printed version<br />

<strong>of</strong> VIEW by e-mailing jaltieri@mcasd.org.<br />

700 Prospect St. La Jolla, CA 92037-4291<br />

change service requested<br />

Non-pr<strong>of</strong>it Organization<br />

U.S. Postage PAID<br />

Permit Number 3426<br />

San Diego, California

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!