August/September/October/November 2012 - Museum of ...
August/September/October/November 2012 - Museum of ...
August/September/October/November 2012 - Museum of ...
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VIEW Summer/FALL <strong>2012</strong><br />
< Above: John Valadez, Car Show, 2001, oil<br />
on canvas 76 x 96¼ IN. Collection <strong>of</strong> the<br />
<strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego,<br />
<strong>Museum</strong> Purchase with funds provided by<br />
an Anonymous Donor. © John Valadez.<br />
Three <strong>Museum</strong>s; One incredible exhibition.<br />
Don’t miss Behold, America!, P. 3<br />
City Heights native takes MCASD<br />
Downtown by storm, P. 4<br />
Get Your Grub on at Loading Dock<br />
Lunches, P. 6<br />
TNT is back! LIVE LOCAL with us on<br />
<strong>August</strong> 9, P. 6<br />
alt.pictureshows celebrates its 10-year<br />
anniversary, P. 11
EXHIBITIONS LA JOLLA<br />
Santa Ana Condition: John Valadez > ON View<br />
THROUGH 9/2/12 > LA JOLLA<br />
John Valadez is widely considered the most significant artist<br />
to have developed a realist pictorial language recording<br />
the Chicano experience in Los Angeles during the 1970s,<br />
‘80s, and ‘90s. His work has come to define the iconography<br />
<strong>of</strong> Chicano identity <strong>of</strong> the period, situating it within<br />
the changing dynamics <strong>of</strong> the city rather than nostalgically<br />
attempting to reconstruct a mythical and distant past. His<br />
style is derived from street photography as he records the<br />
life <strong>of</strong> his community and <strong>of</strong> other inhabitants <strong>of</strong> downtown<br />
Los Angeles. Yet, his interest in the documentary photographic<br />
tradition is also closely related to the use <strong>of</strong> this<br />
genre by experimental L.A. artists who, since the 1960s when<br />
portable cameras became ubiquitous, have directed their<br />
lenses toward artistic ends.<br />
Valadez turned the ordinary snapshot into a source for<br />
his portrayal <strong>of</strong> a large, diverse cast <strong>of</strong> urban inhabitants<br />
drawn from his everyday life. Born in Los Angeles in 1951,<br />
Valadez began as a muralist, presenting themes <strong>of</strong> invisible<br />
borders and histories binding together Spanish, Mexican, and<br />
American culture. Valadez’s intense and colorful artworks<br />
express the Chicano experience in a contemporary representational<br />
style infused with elements <strong>of</strong> magical realism.<br />
His virtuoso pastel drawings present intense contrasts: the<br />
formal and narrative interpretations resemble unlikely photographs<br />
that <strong>of</strong>fer social commentary on everyday urban life.<br />
Santa Ana Condition: John Valadez is the first survey exhibition<br />
<strong>of</strong> this important Mexican-American artist and muralist,<br />
who has had pr<strong>of</strong>ound influence on the Chicano art movement<br />
in the United States. This exhibition spans 35 years <strong>of</strong><br />
Valadez’s photographs, paintings, pastels, and other works on<br />
paper. Santa Ana Condition: John Valadez presents, for the<br />
first time, the development <strong>of</strong> Valadez’s studio works: from his<br />
early use <strong>of</strong> documentary and street photography to the influence<br />
<strong>of</strong> European Baroque and Rococo painting and sculpture,<br />
and finally, to his more recent amalgamation <strong>of</strong> photographybased<br />
imagery with a spatial and temporal structure pointing<br />
towards Surrealism. The exhibition explores the specific<br />
documentary implications <strong>of</strong> Valadez’s paintings, pastels, and<br />
drawings <strong>of</strong> the late 1970s and early 1980s, and their later<br />
evolution into cityscapes imbued with his desire to depict the<br />
nitty-gritty <strong>of</strong> urban life in L.A. and its ethnic underclass.<br />
Pastels and paintings from the 1990s and 2000s are also<br />
included in the exhibition. These works, which depart from his<br />
earlier strict adherence to deadpan representation towards<br />
a more Baroque compositional structure, are marked by a<br />
need to push the boundaries <strong>of</strong> structure and style. Memory,<br />
desire, intuition, and humor blend in these masterfully<br />
accomplished works on canvas and paper, which are thrust by<br />
their very excess into a territory that materializes a personal<br />
iconography beyond the limits <strong>of</strong> cultural identity. In his later<br />
works, Valadez aims to make familiar the unfamiliar—whether<br />
dreams and fantasies, or the cultural identity <strong>of</strong> others.<br />
Santa Ana Condition: John Valadez is organized by<br />
the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. Support for<br />
the exhibition is made possible by the National Endowment<br />
for the Arts, the Mandel Weiss Charitable Trust, the LLWW<br />
Foundation and the County <strong>of</strong> San Diego Community<br />
Enhancement Fund. Additional funding is provided by the<br />
Cochrane Exhibition Fund. Related programs are supported<br />
by grants from The James Irvine Foundation Arts Innovation<br />
Fund. Institutional support for MCASD is provided, in part, by<br />
the City <strong>of</strong> San Diego Commission for Arts and Culture.<br />
Behold, America!: Art <strong>of</strong> the United States<br />
from Three San Diego <strong>Museum</strong>s > 9/16/12 THROUGH<br />
2/10/13 > LA JOLLA<br />
Behold, America! is a dynamic collaboration between three<br />
<strong>of</strong> San Diego’s most important art institutions: the <strong>Museum</strong><br />
<strong>of</strong> Contemporary Art San Diego, The San Diego <strong>Museum</strong> <strong>of</strong><br />
Art, and the Timken <strong>Museum</strong> <strong>of</strong> Art. The exhibition is an unrivalled<br />
opportunity to see these three collections united for<br />
the first time. By bringing together the finest American works<br />
from these institutions, this exhibition <strong>of</strong>fers the public an<br />
opportunity to witness the sweeping changes in art created<br />
in the United States across three centuries. The show presents<br />
a rich array <strong>of</strong> paintings, sculpture, and photography,<br />
most <strong>of</strong> which have not been together before. Moreover, by<br />
presenting works ranging from the colonial period to the<br />
present, Behold, America! provides viewers with a visual<br />
testament to the history <strong>of</strong> the United States.<br />
The exhibition is grouped into three main sections,<br />
Frontiers, Figures, and Forms, with each venue showing works<br />
from all three collections.<br />
Frontiers, opening on <strong>September</strong> 16 at the <strong>Museum</strong> <strong>of</strong><br />
Contemporary Art San Diego, celebrates landscape: the rich<br />
natural beauty <strong>of</strong> the United States, its vibrant urban spaces,<br />
its legendary westward settlement, and the breathtakingly<br />
beautiful California landscape. It includes works by revered<br />
American landscape painters such as Asher B. Durand and<br />
Albert Bierstadt as well as American interpretations <strong>of</strong> distant<br />
places: Italian views by George Inness and Thomas Moran.<br />
Mid-century modernists John Sloan and Marsden Hartley<br />
anticipate the changing concept <strong>of</strong> frontier by contemporary<br />
artists Jenny Holzer and Alfredo Jaar.<br />
Figures, opening <strong>November</strong> 10 at The San Diego <strong>Museum</strong><br />
<strong>of</strong> Art, examines the human form, most notably presented by<br />
some <strong>of</strong> the most significant artists in the history <strong>of</strong> American<br />
art: John Singleton Copley, Eastman Johnson, Thomas Eakins,<br />
Mary Cassatt, Cindy Sherman, and John Currin.<br />
The Forms section, opening <strong>November</strong> 10 at the Timken<br />
<strong>Museum</strong> <strong>of</strong> Art, examines more inanimate objects, including<br />
works that range from early nineteenth-century still-lifes to<br />
more avant-garde interpretations. This section includes stilllifes<br />
<strong>of</strong> meat by Raphaelle Peale and a magnolia blossom by<br />
Martin Johnson Heade; abstractions by prominent American<br />
modernists Georgia O’Keeffe, Arthur Dove, and Stuart Davis<br />
are major strengths <strong>of</strong> the exhibition; and pure formal sculptures<br />
by Sol Le Witt and Martin Puryear are likewise included.<br />
This section reveals changing attitudes to form and represent<br />
a pioneering approach by American artists in their attention<br />
to color, shape, and line.<br />
In addition to seeing several exquisite works by major<br />
artists, Behold, America! viewers will address how our own<br />
perception <strong>of</strong> our American culture has changed. The works<br />
in the exhibition reflect how we as Americans have understood<br />
ourselves over time, our national priorities and how we<br />
have transformed over the course <strong>of</strong> three centuries.<br />
Behold, America! Art <strong>of</strong> the United States from Three<br />
San Diego <strong>Museum</strong>s is a collaborative exhibition organized<br />
by the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego, The San<br />
Diego <strong>Museum</strong> <strong>of</strong> Art, and the Timken <strong>Museum</strong> <strong>of</strong> Art. Lead<br />
support for the show is provided by a generous grant from<br />
the Qualcomm Foundation. Further major funding has been<br />
received from The Henry Luce Foundation, and Jake and Todd<br />
Figi. Institutional funding for all three <strong>Museum</strong>s is supplied by<br />
the City <strong>of</strong> San Diego Commission for Arts and Culture.<br />
Also on View<br />
Selected Works on Paper > LA JOLLA<br />
This presentation <strong>of</strong> works on paper from the <strong>Museum</strong>’s<br />
permanent collection features drawings, photographs, and<br />
prints—many <strong>of</strong> which have rarely been on view. Included<br />
in the selection are two prints by California artist Richard<br />
Diebenkorn (1922–1993) as well as works by John Divola, Sam<br />
Francis, Joe Goode, and Richard Misrach.<br />
Selected Works from the Permanent Collection<br />
> LA JOLLA<br />
The works on view in the Meyer Gallery in La Jolla represent<br />
the range <strong>of</strong> holdings from the <strong>Museum</strong>’s permanent collection.<br />
Highlights include Charles Garabedian’s Dr. Jekyll and<br />
Mr. Hyde (1970), Claes Oldenburg’s Alphabet/Good Humor<br />
(1975), and Kenneth Price’s Yang (2000).<br />
< This Page: Kenneth Price, Yang, 2000, acrylic on fired ceramic.<br />
<strong>Museum</strong> purchase, International and Contemporary Collectors<br />
Funds. / Charles Garabedian, Dr. Jeckyll and Mr. Hyde, 1970.<br />
Watercolor on paper, 19¾ x 29½ in. Collection <strong>Museum</strong> <strong>of</strong><br />
Contemporary Art San Diego, Gift <strong>of</strong> Hansen, Jacobson, Teller,<br />
Hoberman, Newman, Warren and Richman, LLP. ©1970 Charles<br />
Garabedian.<br />
< Opposite: Sergio de la Torre, Thinking About Expansion, Digital<br />
photograph on Lite paper, mounted on Plexi and metal, 2003.<br />
Collection <strong>of</strong> <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. <strong>Museum</strong><br />
Purchase, Louise R. and Robert S. Harper Fund. This work will be<br />
featured in the Frontiers section <strong>of</strong> Behold, America!<br />
2<br />
3
EXHIBITIONS DOWNTOWN<br />
Isaac Julien: Ten Thousand Waves > ON VIEW<br />
THROUGH 12/1/12 > DOWNTOWN, JACOBS BUILDING<br />
British artist Isaac Julien is equally acclaimed for his arresting<br />
films and his vibrant gallery installations. With rich imagery<br />
that soars between the cold northwest coast <strong>of</strong> England, the<br />
buzzing rush hour <strong>of</strong> Shanghai, and the lush landscape <strong>of</strong><br />
bamboo forest and stony mountains, Ten Thousand Waves represents<br />
a dynamic form <strong>of</strong> filmic storytelling as the multiple<br />
tales unfold across nine screens. Filmed in the dramatic landscape<br />
<strong>of</strong> the Guangxi province, the celebrated Shanghai Film<br />
Studios, and various contemporary sites around Shanghai,<br />
Ten Thousand Waves combines fact, fiction, and film essay<br />
genres against a background <strong>of</strong> Chinese history, legend, and<br />
landscape to create a meditation on global human migrations.<br />
The original inspiration for Ten Thousand Waves was<br />
the Morecambe Bay tragedy <strong>of</strong> 2004, in which 23 Chinese<br />
cockle-pickers died in the rising tide. Julien commissioned<br />
the poet Wang Ping to come to England and write a poem<br />
in response to this event. The resulting poem, Small Boats,<br />
is recited in the work. In the successive years, conversations<br />
with academics, curators, and artists helped Julien uncover a<br />
symbolic body <strong>of</strong> material through which he explores modern<br />
and traditional Chinese values and superstitions. Julien references<br />
the Tale <strong>of</strong> Yishan and the goddess Mazu, a protector<br />
<strong>of</strong> sailors and fishermen who comes from the Fujian Province,<br />
like the Morecambe Bay workers. The fable recounts a story<br />
<strong>of</strong> 16th-century fishermen lost at sea until the goddess,<br />
played by Maggie Chung, leads them to safety. Julien draws<br />
on the poignant connection between this legend and the 21stcentury<br />
tragedy <strong>of</strong> the migrant workers.<br />
The film references ideas <strong>of</strong> death, spiritual displacement,<br />
and the Chinese connection with “ghosts” or “lost<br />
souls.” Linking the Shanghai <strong>of</strong> the past with the Shanghai<br />
<strong>of</strong> the present, Julien symbolizes China’s transition towards<br />
modernity, aspiration, and affluence. Julien employs the<br />
visual language <strong>of</strong> ghost stories as figures recur and images<br />
appear and disappear. Indeed, Mazu’s spectral figure traverses<br />
time and space, serving as a guide through the interlocking<br />
strands <strong>of</strong> the work. Similarly, a ghostly protagonist, played<br />
by Zhao Tao, leads viewers through the world <strong>of</strong> Shanghai<br />
cinema, including a restaging by Julien <strong>of</strong> scenes from the<br />
classic Chinese film The Goddess (1934), and finally back to<br />
the streets <strong>of</strong> old and modern Shanghai. In Ten Thousand<br />
Waves, Julien deftly deploys the visual and aural textures <strong>of</strong><br />
film to elicit a visceral response from viewers, submerging<br />
them in a world <strong>of</strong> his own making.<br />
Isaac Julien: Ten Thousand Waves is organized by the<br />
<strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego and is made possible<br />
thanks to a generous gift from Maryanne and Irwin<br />
Pfister. Additional support for this exhibition is provided by<br />
the Linda Pace Foundation. Related programs are supported<br />
by grants from The James Irvine Foundation Arts Innovation<br />
Fund, and the County <strong>of</strong> San Diego Community Enhancement<br />
Fund. Institutional support for MCASD is provided, in part, by<br />
the City <strong>of</strong> San Diego Commission for Arts and Culture.<br />
Margaret Noble: 44 th and Landis > ON VIEW<br />
8/9/12 THROUGH 1/20/13 > DOWNTOWN, JACOBS BUILDING<br />
Part <strong>of</strong> MCASD’s ongoing Cerca series, this mixed media<br />
installation by sound artist Margaret Noble charts a<br />
psychogeographical path through San Diego’s City Heights<br />
neighborhood, where the artist grew up. Combining visual<br />
traces <strong>of</strong> the neighborhood’s early Victorian years and motifs<br />
drawn from 1980s urban pop culture, Margaret Noble: 44 th and<br />
Landis takes the form <strong>of</strong> an ephemeral sculptural environment<br />
comprising hundreds <strong>of</strong> cut paper forms. The installation also<br />
incorporates an experiential soundscape spread over fourteen<br />
handmade paper speakers, and will serve as the set for a<br />
series <strong>of</strong> sound-based performances by Noble. Performances<br />
will take place on <strong>October</strong> 20, and <strong>November</strong> 17.<br />
Mixing imagery appropriated from video games,<br />
Victorian paper dolls, and 1980s hip hop culture, the work<br />
evokes the external and internal worlds <strong>of</strong> a child navigating<br />
the streets <strong>of</strong> a city pressured by waves <strong>of</strong> disinvestment and<br />
gentrification. Integrating memory and fantasy, and public<br />
and private histories, Margaret Noble: 44 th and Landis <strong>of</strong>fers<br />
insights into a San Diego neighborhood’s past and present.<br />
A limited-edition artist’s book accompanies the exhibition,<br />
and will available at the front desk.<br />
Noble holds a BA in philosophy from the University <strong>of</strong><br />
California, San Diego, and a MFA in sound art from The School<br />
<strong>of</strong> the Art Institute <strong>of</strong> Chicago. Growing up San Diego’s City<br />
Heights neighborhood, Noble was influenced by the beatdriven<br />
dance culture <strong>of</strong> the 1980s; she later performed as an<br />
electronic music DJ in the underground club community <strong>of</strong><br />
Chicago for five years. Noble’s work as a sound artist and storyteller<br />
explores the industrial and sociological evolution <strong>of</strong><br />
communities and urban spaces, weaving together text, visual<br />
mixed media, and sonic arrangements to create innovative<br />
narrative experiences.<br />
Margaret Noble: 44 th and Landis is organized by the<br />
<strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. Funding for the<br />
exhibition has been provided by a grant from The San<br />
Diego Foundation, which was made possible by the Carl<br />
William Henry Pollier Fund; the Creative Catalyst Fund; and<br />
the Colonel Frank C. Wood Memorial Fund <strong>of</strong> The San Diego<br />
Foundation, in Partnership with the James Irvine Foundation.<br />
Institutional support for MCASD is provided, in part, by the<br />
City <strong>of</strong> San Diego Commission for Arts and Culture.<br />
Also On View<br />
Marcos Ramírez ERRE > DOWNTOWN, 1001 KETTNER<br />
BLVD.<br />
Marcos Ramírez (also known as ERRE, from the Spanish<br />
pronunciation <strong>of</strong> the first letter in his surname), creates<br />
large-scale public installations informed by a deep political<br />
and social consciousness. His large-scale sculpture Sing-Sing<br />
is on view in the Fayman Gallery in the 1001 Kettner building.<br />
Sol Lewitt’s Six-Part Modular Cube > DOWNTOWN,<br />
JACOBS BUILDING<br />
Installed in the Strauss Gallery <strong>of</strong> MCASD’s Jacobs Building,<br />
Sol LeWitt’s Six-Part Modular Cube presents the geometric<br />
forms typical <strong>of</strong> the artist, yet opened and enlarged to monumental<br />
scale.<br />
Doug Wheeler: DW 68 VEN MCASD 11 > DOWNTOWN,<br />
JACOBS BUILDING<br />
Doug Wheeler’s room-size, light-infused environment is a<br />
recent addition to the MCASD collection. Originally conceived<br />
in the artist’s Venice, CA studio in 1968, the work was realized<br />
for MCASD’s Foster Gallery and presented as part <strong>of</strong> the<br />
critically-acclaimed exhibition Phenomenal: California Light,<br />
Space, Surface.<br />
Juan Downey: The Laughing Alligator > Downtown,<br />
1001 Kettner Blvd.<br />
Part travelogue and part ethnographic documentary, this<br />
28-minute video playfully mocks the supposed objectivity <strong>of</strong><br />
traditional anthropological films.<br />
Richard Long: Baja California Circle > Downtown,<br />
1001 Kettner Blvd.<br />
This 14-foot sculpture from the artist’s 1989 residency at<br />
MCASD is on view along with other works from the collection.<br />
< This page: Isaac Julien, Ten Thousand Waves, 2010, as presented<br />
at the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. Nine-screen<br />
installation 35mm film, transferred to High Definition, 9.2<br />
surround sound. Courtesy <strong>of</strong> the artist, Metro Pictures, New<br />
York and Victoria Miro Gallery, London. Photo: Pablo Mason.<br />
> Opposite page: Marcos Ramírez ERRE, Sing-Sing, 1999, iron<br />
structure and wood, pillow, bedsheet. Collection <strong>of</strong> <strong>Museum</strong><br />
<strong>of</strong> Contemporary Art San Diego. <strong>Museum</strong> purchase with funds<br />
from the Benefit Art Auction 1999.<br />
4<br />
5
LECTURES AND EVENTS<br />
AUG/SEPT/OCT/NOV<br />
Lectures and events<br />
M T W TH F SA SU<br />
All events take place at MCASD La Jolla<br />
unless otherwise noted with (DT)<br />
TNT: LIVE LOCAL > Thursday, <strong>August</strong> 9 > 7–10 PM > DOWNTOWN > FREE TO MEMBERS;<br />
$8 STUDENTS; $10 NON-MEMBERS<br />
TNT: LIVE LOCAL celebrates the arts and culture <strong>of</strong> San Diego, in particular that <strong>of</strong> City<br />
Heights. Discover the exhibition Margaret Noble: 44th and Landis as you enjoy live music,<br />
drinks, art-making activities, and delicious bites from MIHO, everyone’s favorite food truck.<br />
Kick back in the Lawrance Furniture lounge, delve deeper into the art, and enjoy gallery conversations<br />
led by Gallery Educators. Members are invited to a special Q&A with Associate<br />
Curator Jill Dawsey and artist Margaret Noble at 7 PM sharp.<br />
Loading Dock Lunches > Friday, <strong>August</strong> 10 > 11:30 AM–1:30 PM > Downtown<br />
Feed your hunger for art! This summer MCASD launched a new experiment by pairing lunch<br />
with art conversations about site specific works in our permanent collection. Buy lunch from<br />
MIHO Gastrotruck and dine in our loading dock for a true behind-the-scenes experience.<br />
Introductions: Margaret Noble: 44 th and Landis > Monday, <strong>August</strong> 13 > 2 PM ><br />
Downtown > Free to Members; Free to Non-Members with <strong>Museum</strong> Admission<br />
As we celebrate the opening <strong>of</strong> Margaret Noble: 44 th and Landis, take part in a gallery walkthrough<br />
with Associate Curator Jill Dawsey who will <strong>of</strong>fer insider knowledge about the<br />
installation and process relating to the artist and the exhibition. Introductions is a series that<br />
welcomes visitors to join in conversation with our curators and ask questions about the exhibition,<br />
artists’ processes, or particular works <strong>of</strong> art.<br />
1 2 3 4 5<br />
6 7 8 9 10 11 12<br />
all mcasd locations closed<br />
13 14 15 16 17 18 19<br />
Introductions<br />
2 PM (DT)<br />
La Jolla Music Society<br />
7:30 PM<br />
La Jolla Music Society<br />
7:30 PM<br />
La Jolla Music Society<br />
7:30 PM<br />
La Jolla Music Society<br />
7:30 PM<br />
TNT 7-10 PM (DT)<br />
Perspectives<br />
7 PM<br />
FREE Third<br />
Thursday<br />
5–7 PM (DT & LJ)<br />
20 21 22 23 24 25 26<br />
La Jolla Music Society<br />
7:30 PM<br />
La Jolla Music Society<br />
7:30 PM<br />
Xcerpts<br />
4 PM (DT)<br />
La Jolla Music Society<br />
7:30 PM<br />
27 28 29 30 31 1 2<br />
Alt.pictureshows ’12<br />
7 PM<br />
La Jolla Music Society<br />
7:30 PM<br />
LOADING DOCK LUNCHES<br />
11:30 AM (DT)<br />
La Jolla Music Society<br />
7:30 PM<br />
La Jolla Music Society<br />
7:30 PM<br />
La Jolla Music Society<br />
7:30 PM<br />
La Jolla Music Society<br />
3 PM<br />
La Jolla Music Society<br />
3 PM<br />
Perspectives: Resurrected Histories > Thursday, <strong>August</strong> 16 > 7–8:30 PM ><br />
La Jolla > Free to Members and SDSU students; $5 students; $10 General<br />
Admission<br />
Join us for the screening <strong>of</strong> the documentary Resurrected Histories: Voices from the Chicano<br />
Arts Collectives <strong>of</strong> Highland Park and take part in a conversation about the state <strong>of</strong> Chicano<br />
Arts today led by director Kathleen Gallegos. Perspectives is a series that invites the public<br />
to take a seat at the table with artists, curators, and specialists in various fields <strong>of</strong> knowledge,<br />
and enrich discussions about works <strong>of</strong> art or exhibitions.<br />
Xcerpts: Victorian San Diego > Thursday, <strong>August</strong> 23 > 4–5 PM > Downtown ><br />
Free to Members; Free to Non-Members with <strong>Museum</strong> Admission<br />
Join us as we discuss the chapter “The Victorian Era: 1890-1910” in the book San Diego:<br />
California’s Cornerstone by Iris Wilson Engstrand and explore the exhibition Margaret Noble:<br />
44 th and Landis. Xcerpts is a reading and discussion group that takes place in thoughtLAB—a<br />
space for creativity, curiosity, and dialogue.<br />
alt.pictureshows > Thursday, <strong>August</strong> 30 > 7–10 PM > La Jolla > Free to Members;<br />
$5 General Admission<br />
Join us as we celebrate the 10th anniversary <strong>of</strong> alt.pictureshows, a popular micro-cinema experience<br />
where viewers are invited to “physically channel surf” from room to room. The evening’s<br />
short films will be screened on a loop throughout the event.<br />
Camera Dances: Ad Lib > Fridays from <strong>September</strong> 14–<strong>October</strong> 12 > 11 AM–2 PM ><br />
Downtown, 1001 Kettner > Free to Members; Free to Non-Members with <strong>Museum</strong><br />
Admission<br />
Join dance artists Eric Geiger, Liam Clancy, and media artist Tara Knight for a series <strong>of</strong> five<br />
live improvised performances that invite you to widen the frame <strong>of</strong> the <strong>Museum</strong> experience<br />
to include the architecture itself, the space in between and around artworks, the city soundscapes,<br />
and all bodies inside and beyond the <strong>Museum</strong> walls. Following these performances join<br />
us for a lively conversation with the artists as they discuss their practice. These performances<br />
will take place every Friday from <strong>September</strong> 14 through <strong>October</strong> 12.<br />
Educator First Look Tour: 44 th & Landis > Thursday, <strong>September</strong> 20 > 3:30–5 PM<br />
> Downtown > Free to Educators<br />
Following the opening <strong>of</strong> Margaret Noble: 44th & Landis, MCASD will <strong>of</strong>fer a free, one-hour<br />
Educator First Look Tour. This tour <strong>of</strong>fers teachers in the formal school system, higher education<br />
faculty, and educators working in out-<strong>of</strong>-school time programs the opportunity to view<br />
and learn about the current exhibition as well as gain gallery teaching strategies prior to<br />
scheduling a group tour.<br />
Xcerpts: LeWitt’s Instructions and Texts > Thursday, <strong>September</strong> 27 > 4–5 PM<br />
> Downtown > Free to Members; Free to Non–Members with <strong>Museum</strong> Admission<br />
Join us as we take a closer look at Sol LeWitt’s work and discuss selections taken from Adam<br />
D.Weinberg, “LeWitt’s Autobiography: Inventory <strong>of</strong> the Present,” Sol Lewitt A Retrospective,<br />
SFMOMA, (2000)100–108, Print. To obtain a copy <strong>of</strong> the excerpt to prepare for the discussion,<br />
send an e-mail to education@mcasd.org.<br />
For more information go to<br />
www.mcasd.org<br />
3 4 5 6 7 8 9<br />
10 11 12 13 14 15 16<br />
17 18 19 20 21 22 23<br />
24 25 26 27 28 29 30<br />
TAG Applications<br />
Due<br />
San Diego Film<br />
Festival <strong>2012</strong><br />
Xcerpts 4 PM DT<br />
FREE Third<br />
Thursday<br />
5–7 PM (DT & LJ)<br />
Educator First<br />
Look Tour<br />
3:30 PM (DT)<br />
Camera<br />
Dances: Ad Lib<br />
11 aM–2 PM (DT)<br />
Camera<br />
Dances: Ad Lib<br />
11 aM–2 PM (DT)<br />
Camera<br />
Dances: Ad Lib<br />
11 aM–2 PM (DT)<br />
San Diego Film<br />
Festival <strong>2012</strong><br />
Monte Carlo<br />
On Screen 6:30 PM<br />
San Diego Film<br />
Festival <strong>2012</strong><br />
1 2 3 4 5 6 7<br />
Camera Dances:<br />
Ad Lib<br />
11 aM–2 PM (DT)<br />
8 9 10 11 12 13 14<br />
Camera<br />
Dances: Ad Lib<br />
11 aM–2 PM (DT)<br />
15 16 17 18 19 20 21<br />
FREE Third<br />
Thursday<br />
5–7 PM (DT & LJ)<br />
22 23 24 25 26 27 28<br />
Orchestra Nova<br />
7:30 PM<br />
La Jolla Music Society<br />
8 PM<br />
29 3 0 3 1 1 2 3 4<br />
5 6 7 8 9 10 11<br />
San Diego Film<br />
Festival <strong>2012</strong><br />
12 13 14 15 16 17 18<br />
Introductions<br />
2 PM<br />
19 20 21 22 23 24 25<br />
Xcerpts<br />
4 PM<br />
FREE Third<br />
Thursday<br />
5–7 PM (DT & LJ)<br />
Sound Off 5 PM<br />
La Jolla Music Society<br />
8 PM<br />
Members’ opening<br />
Behold, America!<br />
11 AM-8 PM<br />
Educator First<br />
Look Tour 3:30 PM<br />
Educator’s<br />
Reception 6 PM<br />
Perspectives<br />
7 PM<br />
Margaret Noble<br />
performance 7-8:30 (DT)<br />
Educator Art<br />
Fair 9 AM*<br />
Family ArtLab<br />
2-4 PM<br />
Margaret Noble<br />
performance 7-8:30 (DT)<br />
Frontiers section<br />
<strong>of</strong> Behold, America!<br />
opens to public<br />
at MCASD<br />
26 27 28 29 30<br />
TNT 7-10 PM (DT)<br />
*This event will be held at the San Diego <strong>Museum</strong> <strong>of</strong> Art.<br />
Visit sdmart.org for more details.<br />
< This page, top to bottom: Margaret Noble: 44th and Landis (detail) <strong>2012</strong>, mixed media installation /<br />
Still from alt.pictureshows’ 12 film Eternal Gaze by Sam Chen / Camera Dances: Ad Lib<br />
6<br />
LJMS > ljms.org<br />
Orchestra Nova > orchestranova.org<br />
For a detailed schedule <strong>of</strong> San Diego Film Festival<br />
events, please visit www.SDFilmFest.com
This piece will be featured in the Frontier portion <strong>of</strong> Behold, America! at MCASD. Mark Dion, Landfill, mixed media, 1999–2000. Collection <strong>of</strong><br />
<strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego. <strong>Museum</strong> purchase, Contemporary Collectors Fund, <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego.
Thanks to Our donors!<br />
It is through the generous support <strong>of</strong> MCASD’s Members and donors that thousands <strong>of</strong> San Diegans<br />
and visitors alike enjoy our world-class <strong>Museum</strong> in downtown San Diego and La Jolla. At the $1,500<br />
level and above, current donors are listed quarterly for the period <strong>of</strong> one year. At the $300–$1,499<br />
level, current donors are listed once, in the quarter following the date <strong>of</strong> the gift to MCASD.<br />
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UBS<br />
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Rebecca Moores<br />
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$5,000–$9,999<br />
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$1,500–$4,999<br />
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$600–$1,499<br />
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$300–$599<br />
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Isabelle and Mel Wasserman<br />
Annasue and John Wilson<br />
Rolfe Wyer and Doris Sosin<br />
Jeanna Yoo<br />
Lorna York<br />
Bradley Zlotnik<br />
Corporate, Foundation,<br />
and Government Donors<br />
$100,000 and Above<br />
City <strong>of</strong> San Diego Commission<br />
for Arts and Culture<br />
The Getty Foundation<br />
The James Irvine Foundation<br />
$50,000–$99,999<br />
County <strong>of</strong> San Diego<br />
Move National Endowment for the Arts<br />
The Qualcomm Foundation<br />
The Andy Warhol Foundation<br />
$25,000–$49,999<br />
GUCCI<br />
National Endowment for the Arts<br />
The Linda Pace Foundation<br />
$10,000–$24,999<br />
California Bank & Trust<br />
Christie’s<br />
Cooley LLP<br />
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LLWW Foundation<br />
Mandell Weiss Charitable Trust<br />
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Northern Trust Bank<br />
Pfizer Foundation Matching<br />
Gifts Program<br />
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$5,000–$9,999<br />
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$1,500–$4,999<br />
G.S. Levine Insurance Services<br />
Google, Inc.<br />
Merck Partnership For Giving<br />
Price Family Charitable Fund<br />
$600–$1,499<br />
Paul and Magdalena Ecke Poinsettia<br />
Foundation<br />
$300–$599<br />
The Arts Federation<br />
Consulate General <strong>of</strong> Mexico<br />
In-Kind Support<br />
$25,000 and above<br />
91X<br />
UT San Diego<br />
The Art <strong>of</strong> Photography Show<br />
the i.d.e.a. brand<br />
KPBS<br />
La Jolla Light<br />
$10,000–$24,999<br />
The FrameMaker<br />
Riviera Magazine<br />
San Diego CityBeat<br />
$5,000–$9,999<br />
Art Works San Diego<br />
Authentic Flavors Catering<br />
Crown Point Catering<br />
Elegant Events Catering Company<br />
Festivities Catering<br />
Giuseppe Restaurants and Fine Catering<br />
Hyatt Regency La Jolla<br />
Lawrance Furniture<br />
Peartrees Catering, Inc<br />
Ranch & Coast Magazine<br />
Roppongi Restaurant and Sushi Bar<br />
Sammy’s Woodfired Pizza<br />
San Diego Magazine<br />
Stone Brewing Company<br />
Tapenade<br />
The French Gourmet<br />
TK&A Custom Catering<br />
LECTURES AND EVENTS<br />
Margaret Noble: 44 th and Landis Performances > Saturday, <strong>October</strong> 20 and<br />
Saturday, <strong>November</strong> 17 > 7–8:30 PM > Downtown > Free to Members and High<br />
Tech High Students; $5 Students; $10 General Admission<br />
Join Margaret Noble for her second sound performance as she activates her installation with<br />
live sound using voice and electronic instruments. Following the performance, participants<br />
will be invited to engage in conversation with the artist. Capacity for these performances will<br />
be limited.<br />
Xcerpts: Marcos Ramirez ERRE > Thursday, <strong>October</strong> 25 > 4–5 PM > Downtown ><br />
Free to Members; Free to Non–Members with <strong>Museum</strong> Admission<br />
Join us as we discuss excerpts from Marcos Ramirez ERRE’s book and draw connections to<br />
Sing-Sing, currently on view at MCASD Downtown at 1001 Kettner Blvd.<br />
Introductions: Behold, America! > Monday, <strong>November</strong> 12 > 2 PM >La Jolla ><br />
Free to members; Free to non-members with <strong>Museum</strong> admission<br />
As we celebrate the opening <strong>of</strong> the Frontiers section <strong>of</strong> the exhibition Behold, America!, take<br />
part in a gallery walkthrough with the exhibition curator, Amy Galpin, who will <strong>of</strong>fer insider<br />
knowledge about the installation and process relating to the artists and the exhibition.<br />
Sound Off: Performances, Screenings, and Dialogue > Thursday, <strong>November</strong><br />
15 > 5–7 PM Performances, 7–9 PM Screening and Lecture > La Jolla > Free to<br />
Members and San Diego college students, $10 General Admission<br />
Sound Off is a unique program geared towards local college students and combines performances<br />
<strong>of</strong> music, poetry, and prose to be submitted and performed by local young artists.<br />
Following these performances there will be a screening <strong>of</strong> Rebirth <strong>of</strong> a Nation. To learn more<br />
about performing at Sound Off, visit www.mcasd.org or e-mail education@mcasd.org.<br />
Educator First Look Tour: Behold, America! > Friday, <strong>November</strong> 16 > 3:30–5 PM<br />
> La Jolla > Free to Educators<br />
The first Thursday following an exhibition opening, MCASD <strong>of</strong>fers free tours and admission<br />
for educators. These tours <strong>of</strong>fer teachers the opportunity to view and learn about the current<br />
exhibition as well as gain gallery teaching strategies prior to scheduling a group tour. Tours<br />
begin at 3:30 PM and 4:30 PM. During your tour our Gallery Educators will share in-gallery<br />
activities and ideas about how to introduce this exhibition to your students. E-mail education@mcasd.org<br />
to register.<br />
Educator’s Reception: Behold, America! > Friday, <strong>November</strong> 16 > 6–7 PM > La<br />
Jolla > Free to Educators*<br />
MCASD, The San Diego <strong>Museum</strong> <strong>of</strong> Art, and the Timken <strong>Museum</strong> <strong>of</strong> Art welcome you to our<br />
joint Educator Reception to celebrate the work that you do in the classroom! Explore one <strong>of</strong><br />
the exhibitions that make up Behold America! and imagine the possibilities for curriculum connections.<br />
Consider ways in which to use American art from three eras and three institutions to<br />
inspire your students to ask their own questions through conversations with MCASD Gallery<br />
Educators. Following the reception join us for a Perspectives program featuring Curator Amy<br />
Galpin and artist Ruben Ortiz Torres. Light refreshments will be served. RSVP by Tuesday,<br />
<strong>November</strong> 12 to education@mcasd.org with subject line “Educator Reception.”<br />
*Free admission applies to teachers in the formal school system, higher education faculty, and<br />
educators working in out-<strong>of</strong>-school time programs.<br />
Perspectives: Behold, America! > Friday, <strong>November</strong> 16 > 7–8:30 PM > La Jolla ><br />
Free to MCASD, SDMA & Timken Members & Educators*; $5 to Students and $10<br />
to General Admission<br />
From depictions <strong>of</strong> the landscape to its innovative approach and political visions, American<br />
artists have presented us with new frontiers. Join us for a conversation with Curator Amy<br />
Galpin and artist Ruben Ortiz Torres as they share their perspectives.<br />
Educator Art Fair: Behold, America! > Saturday, <strong>November</strong> 17 > 9 AM–1 PM ><br />
The San Diego <strong>Museum</strong> <strong>of</strong> Art > Free for Educators<br />
This event is open to all educators. Register at www.sdmart.org.<br />
Family ArtLab: Unbound Borders > Saturday, <strong>November</strong> 17 > 2–4 PM > La Jolla<br />
Take part in a Look/Explore tour and let our Gallery Educators lead you and your family in<br />
lively conversation about the exhibition Behold, America! Following your gallery exploration<br />
part take a in a hands-on workshop exploring the theme <strong>of</strong> Frontiers, which gives way to the<br />
grouping <strong>of</strong> the works in this exhibition. Get your hands messy and your creative juices flowing!<br />
This program is $10 for Members and military families, and $25 for non-member families. The<br />
price includes <strong>Museum</strong> admission and program fee for two adults and up to three youth. Program<br />
starts promptly at 2 PM. Capacity is limited.<br />
TNT > Thursday, <strong>November</strong> 29 > 7–10 PM > Downtown > Free to Members; $8 students;<br />
$10 Non-members<br />
Don’t miss this fall’s hottest ticket. Join us as we celebrate downtown’s newest exhibitions<br />
with art-making activities, tasty cocktails, delicious bites from MIHO, and live music.<br />
For more information go to<br />
www.mcasd.org<br />
We’ve made every effort to be accurate.<br />
This list is current as <strong>of</strong> 7/13/12. Please<br />
call 858 454 3541 x172 if you should find<br />
an error, or if you have other inquiries<br />
about Membership.<br />
> This page, top to bottom: John Valadez, Pelota (detail), 1995, oil on canvas, 46 x 42 in. Courtesy <strong>of</strong> a<br />
private collection. © John Valadez / Artist Margaret Noble. Photo by David Max Steinburg. / Salomón<br />
Huerta, Untitled Figure (detail), Oil on canvas on panel, 2000. Collection <strong>of</strong> <strong>Museum</strong> <strong>of</strong> Contemporary<br />
Art San Diego, <strong>Museum</strong> purchase, International and Contemporary Collectors Funds.<br />
10<br />
11
MEMBER NEWS & EVENTS<br />
MEMBER NEWS & EVENTS<br />
Member Q&A:<br />
Christopher Plouffe<br />
Occupation: Paleontologist<br />
Residence: University Heights<br />
Q: What do you enjoy most about contemporary art?<br />
The broad spectrum <strong>of</strong> events that occur to produce contemporary works. From concept and<br />
design, to materials used, to the manufacturing, installation, and eventual curation <strong>of</strong> a piece.<br />
Q: What has been one <strong>of</strong> your favorite exhibitions at MCASD?<br />
Do I have to pick JUST one? Baldassari was brilliant. Phenomenal: California Light, Space,<br />
Surface was exquisite. Tara Donovan was outrageous. Viva la Revolución was unique and unparalleled.<br />
I think I returned to the exhibit upwards <strong>of</strong> 10 times. No joke.<br />
Q: Why did you become a Member?<br />
As a Natural History <strong>Museum</strong> employee, I receive the benefit <strong>of</strong> complimentary admission to<br />
many San Diego museums. Of the multiple institutions I’ve visited, I found myself constantly<br />
returning to MCASD. The quality <strong>of</strong> the exhibits far surpassed my expectations for a museum<br />
in San Diego. Due to my frequent attendance, it became apparent that it was my responsibility<br />
to endorse and support the museum and its endeavors through membership.<br />
Q: What is the most rewarding part <strong>of</strong> membership?<br />
Surrounding myself with like-minded individuals that share an appreciation for art.<br />
Q: Why do you think it’s important to support the arts in San Diego?<br />
It’s an investment in our cultural future here in San Diego. I would love to see our city recognized<br />
one day as a hub for contemporary art.<br />
Q: Beyond MCASD, what is another one <strong>of</strong> your favorite spots in San Diego?<br />
As a geologist I appreciate the large scale view <strong>of</strong> San Diego County from Mt. Soledad. It gives<br />
you the ability to take a step back and observe—to see the big picture.<br />
Q: Does your job ever intertwine with art?<br />
At the Natural History <strong>Museum</strong> I’m primarily in the field recovering fossils and data. One day<br />
I may be collecting leaf imprints, or shells, and on the rare occasion charismatic megafauna<br />
like whales or mammoths. Other days I’m in the museum preparing fossils. I’ve been told that<br />
my graphic representation <strong>of</strong> sediments (stratigraphic columns as they are called) have an<br />
artistic flair to them, so I guess it depends on your definition <strong>of</strong> art.<br />
MEMBER EVENTS<br />
Monte Carlo On Screen > Saturday, <strong>September</strong> 8 > 7 PM > La Jolla<br />
Every fall MCASD, from the galleries to the terrace, is magically transformed for the <strong>Museum</strong>’s<br />
annual fundraiser, Monte Carlo. This year we’re celebrating the incredible legacy <strong>of</strong> contemporary<br />
art and the silver screen with Monte Carlo On Screen, the <strong>Museum</strong>’s 36th annual gala.<br />
Art has been intersecting with film, video, and celluloid for more than a century, and this<br />
year MCASD itself will become ‘The Screen.’ Our walls, floors, and ceilings will be bathed in<br />
flickering lights and the saturated colorful glow <strong>of</strong> masterful artists, from the well known to<br />
the obscure, creating a truly magical feast for the senses. Get out your red carpet attire and<br />
prepare to be treated to the ‘A List’ experience. At Monte Carlo On Screen, you are the star!<br />
For more information contact kdeuparo@mcasd.org. Purchase tickets at www.mcasd.org.<br />
TNT: LIVE LOCAL > Thursday, <strong>August</strong> 9 > 7 PM > Downtown<br />
Kick <strong>of</strong>f TNT with an exclusive members-only artist talk at 7 PM. Sit in on a Q&A with Associate<br />
Curator Jill Dawsey and artist Margaret Noble as they discuss Noble’s process and practice.<br />
Enjoy the first cocktails poured <strong>of</strong> the evening and delicious appetizers from Whole Foods as<br />
you celebrate TNT with fellow members.<br />
TNT > Thursday, <strong>November</strong> 29 > 7 PM > Downtown<br />
Join us as we celebrate downtown’s newest exhibitions with art-making activities, tasty cocktails,<br />
delicious bites from MIHO, and live music.<br />
Members’ Openings for Behold, America!<br />
Thursday, <strong>November</strong> 8 > CIRCLE MEMBERS AND COLLECTOR’S CIRCLE PROGRESSIVE<br />
OPENING > 5:30–9 PM > MCASD La Jolla/SDMA/The Timken<br />
This fall, MCASD is proud to present Behold, America!, a dynamic collaboration between three<br />
<strong>of</strong> San Diego’s most important art institutions: MCASD, The San Diego <strong>Museum</strong> <strong>of</strong> Art, and<br />
the Timken <strong>Museum</strong> <strong>of</strong> Art. The exhibition presents an unrivalled opportunity to see these<br />
three collections united for the first time, and to enjoy some <strong>of</strong> the finest works <strong>of</strong> American<br />
art. Begin in La Jolla from 5:30–7 PM with cocktails and appetizers and progress downtown to<br />
SDMA and the Timken for more drinks, bites, and dessert from 7–9 PM.<br />
Friday, <strong>November</strong> 9 > BEHOLD: AMERICA! GENERAL MEMBERS PROGRESSIVE Opening<br />
DAY AND RECEPTION > 11 AM–8 PM > MCASD La Jolla/SDMA/The Timken<br />
Don’t miss the general Members’ Opening at all three institutions—be sure to visit all three<br />
locations to enjoy this festive night.<br />
< This page, top to bottom: MCASD Member Christopher Plouffe / Members Enjoy the 2nd annual<br />
Avant Garde Summer Solstice Soiree. Photo by Marisa Holmes / MCASD Members enjoy the opening<br />
<strong>of</strong> John Baldessari: A Print Retrospective from the Collections <strong>of</strong> Jordan D. Schnitzer and his<br />
Family Foundation.<br />
Alt.pictureshows Q&A:<br />
Neil Kendricks<br />
Q: In 30 words or less, tell us what a Film Curator does.<br />
Like my curatorial colleagues in painting, sculpture, and photography, a film curator seeks<br />
and secures exceptional artworks, in this case films, for non-theatrical screenings in a<br />
<strong>Museum</strong> context. You strike a balance between your own curatorial tastes with what realistically<br />
can be achieved within the limitations <strong>of</strong> your resources. Sorry that’s over 30 words.<br />
Q: We know you’re not supposed to play favorites, but which films are you most excited<br />
about showing this year?<br />
There are so many extraordinary short films to watch that viewers in San Diego wouldn’t get<br />
a chance to see otherwise. The two most poignant films are Anna Musso’s sublime L Train and<br />
Lucy Walker’s Oscar-nominated documentary short The Tsunami and the Cherry Blossom. I<br />
saw both films at Sundance and I was struck by the extraordinary power <strong>of</strong> the filmmakers’<br />
respective skills for compelling storytelling using the short-film format. Without relying on<br />
dialogue or visual effects, L Train is a small-scale epic <strong>of</strong> the human heart in conflict with itself.<br />
Q: How do you pick films for alt.pictureshows? What’s your process like?<br />
I look for unique short films that move my heart while making me think. The rest is similar to being<br />
a producer. I negotiate with filmmakers about screening their work with my eye on the prize <strong>of</strong><br />
organizing the range <strong>of</strong> work in a manner where the short films resonate with one another.<br />
Q: What is it you’re looking for as a film curator? What is it about a film that stands out or<br />
grabs your attention?<br />
I’m looking for films that have something original to say; films with a unique point <strong>of</strong> view. Of<br />
course, this description is an oversimplification <strong>of</strong> the multi-faceted challenges <strong>of</strong> creating<br />
a one-<strong>of</strong>-a-kind, micro-cinema experience from the ground up. The detailed process is very<br />
organic since I’m looking at films throughout the year and developing each viewing station<br />
as I go. Patience and having a good eye and ear for powerful, original short films that will<br />
connect with viewers are crucial.<br />
Q: Tell us a little bit about your current film projects.<br />
My current project is the feature-length documentary-in-progress Comics Are Everywhere,<br />
which chronicles the personal journeys <strong>of</strong> emerging artists JJ Villard, Danni Shinya Luo, and<br />
master cartoonists Daniel Clowes <strong>of</strong> Ghost World fame, Love and Rockets co-creator Jaime<br />
Hernandez and others navigating the vibrant, pop-cultural intersection where alternative<br />
comics, animation and the Art World collide. I will be launching the film’s Web site, www.comicsareeverywhere.com<br />
this summer.<br />
Q: This is the 10th anniversary <strong>of</strong> alt.pictureshows. Why do you think it’s stuck around so long?<br />
What separates this unique short-film showcase from more traditional film festivals is<br />
alt.pictureshows’ unique viewing format for “physically channel surfing” and my approach<br />
to selecting films. Rather than use a call for entries, I’ve always made my carefully selected<br />
choices from the vantage point <strong>of</strong> an artist finding work that really has something to say. It’s<br />
not unlike a curator making visits to a painter’s studio and crafting a show while the work is<br />
still being made. In the case <strong>of</strong> several films, I negotiated with the filmmakers over a period<br />
<strong>of</strong> years until the lineup and timing was right to show their work at MCASD.<br />
MEMBER NEWS<br />
MCASD’S COLLECTORS EXPLORE THE ART AND CULTURE OF SANTA FE<br />
In late April, MCASD Collectors, along with Director and CEO Hugh M. Davies and Chief<br />
Curator Kathryn Kanjo, visited Santa Fe, New Mexico to experience the city’s vibrant contemporary<br />
art scene. The group experienced a personal tour <strong>of</strong> Time Lapse at SITE Santa Fe with<br />
Director Irene H<strong>of</strong>mann, and visited key local galleries, including James Kelly Contemporary<br />
and Charlotte Jackson Fine Art. Artists James Drake and Nic Nicosia opened up their studios<br />
and shared both their current projects and past works. They also had the opportunity<br />
to visit the home <strong>of</strong> SITE Santa Fe Board Member Marlene Meyerson, whose contemporary<br />
space included works by MCASD favorites Jenny Holzer and Jennifer Steinkamp. The group<br />
traversed to the home <strong>of</strong> Jeanne and Mickey Klein, which featured a commissioned James<br />
Turrell sky space and sprawling outdoor walking paths dotted with Andy Goldsworthy sitespecific<br />
sculptures.<br />
Summer Solstice<br />
MCASD celebrated the start <strong>of</strong> summer with the 2nd Annual Summer Solstice Soiree, hosted<br />
by Avant Garde. Guests enjoyed a deconstructed dinner party on the oceanfront terrace at<br />
MCASD La Jolla with mouthwatering dishes from local restaurants, specialty cocktails, and<br />
an art installation by Brian Dick and Wendell Kling. Guests also had the opportunity to bid on<br />
contemporary design goods in the silent auction.<br />
upcoming Travel Opportunities<br />
Collectors can look forward to an exciting travel schedule in the coming months; first, with<br />
our International Collectors Art Tour to Brazil, taking place <strong>October</strong> 20–30, <strong>2012</strong>. This trip will<br />
include a visit to the Sao Paolo Biennial, a stop at the famed Inhotim Institute and Bernardo<br />
Paz Collection, an artist studio visit with Ernesto Neto, and visits to top Brazilian Collectors.<br />
Contemporary Collectors will also have the opportunity to travel to Denver, Colorado from<br />
April 27–30, 2013. For more information regarding the MCASD Travel Program, please contact<br />
Jeanna Yoo at 858 454 3541 x179 or jyoo@mcasd.org.<br />
> Opposite, top to bottom: MCASD’s Film Curator Neil Kendricks / Still from Alt.pictureshows<br />
’12 film Tumult by Johnny Barrington / Still from alt.pictureshows ‘12 film Tooty’s Wedding by<br />
Federic Casella<br />
12<br />
1313
MEMBER NEWS<br />
EXHIBITIONS<br />
MEMBER NEWS Cont’D<br />
The<br />
STORE<br />
MCASD’S COLLECTION EXPANDS WITH NEW ACQUISITIONS AT THE SELECTION DINNER<br />
On April 25, <strong>2012</strong>, MCASD’s International and Contemporary Collectors gathered in La<br />
Jolla for the Annual Selection Dinner, celebrating MCASD’s Collectors Circle and their<br />
27-year history <strong>of</strong> support. Sponsored by Northern Trust, the evening began with a reception<br />
and guided tours <strong>of</strong> the works with MCASD curators. Following a lively debate over<br />
dinner, catered by Tapenade, the collectors voted to purchase three new works for the<br />
<strong>Museum</strong>’s collection, including an expansive, scrim-covered lens by Spencer Finch, Rome<br />
Pantheon, Noon, June 14, 2011 (2011); a precocious abstract canvas by seasoned New York<br />
artist Jack Whitten, Chinese Sincerity (1974); and a keystone work by celebrated photographer<br />
Catherine Opie, Burnt House from Burlington and Ninth Street (1990). The <strong>Museum</strong> is<br />
thrilled to have made these key acquisitions.<br />
MCASD’s International and Contemporary Collectors have been instrumental in expanding<br />
the <strong>Museum</strong>’s permanent collection with 93 works <strong>of</strong> art since 1985 – works that were<br />
collectively purchased for approximately $3 million and that today are valued at over<br />
$12.6 million. The support <strong>of</strong> the International and Contemporary Collectors has allowed<br />
MCASD curators to discover new artists, enrich the MCASD collection, and build an engaged<br />
and informed community <strong>of</strong> collectors in San Diego. For more information about joining<br />
Collectors Circle, please contact Jeanna Yoo at 858 454 3541 x179 or jyoo@mcasd.org.<br />
GRANT NEWS<br />
MCASD is the recipient <strong>of</strong> a major grant from Qualcomm Foundation for the exhibition<br />
Behold, America! Qualcomm Foundation, which has awarded $250,000, is the lead patron<br />
for the unprecedented project, which brings together American art from MCASD, The San<br />
Diego <strong>Museum</strong> <strong>of</strong> Art, and the Timken <strong>Museum</strong> <strong>of</strong> Art.<br />
The <strong>Museum</strong> has also received another major grant: $90,000 from the Andy Warhol<br />
Foundation for the Visual Arts in support <strong>of</strong> Jack Whitten: Five Decades <strong>of</strong> Painting, a retrospective<br />
for the New York based painter, which will go on view at MCASD in February 2014.<br />
MCASD is pleased to announce that it is the recipient <strong>of</strong> a generous $10,000 grant<br />
from the LLWW Foundation. The funds are being used to support exhibitions costs related<br />
to Santa Ana Condition: John Valadez. MCASD would like to thank the National Endowment<br />
for the Arts and the County <strong>of</strong> San Diego Community Enhancement Fund for earlier grants<br />
that have helped make possible the Valadez retrospective, the accompanying catalog, and<br />
related programming. The <strong>Museum</strong> remains grateful to the City <strong>of</strong> San Diego Commission<br />
for Arts and Culture for their continuing institutional support.<br />
The <strong>Museum</strong> is also pleased to announce a $25,000 grant from the District Three<br />
Neighborhood Reinvestment Program. This generous and timely funding, approved by<br />
County Supervisor Pam Slater-Price and the Board <strong>of</strong> Supervisors, will cover the cost <strong>of</strong><br />
replacing the climate control (HVAC) system for the Foster, Meyer, and Baja Fayman galleries,<br />
as well as a long needed awning for the loading dock in La Jolla.<br />
MCASD Receives Major Gift<br />
MCASD and The San Diego <strong>Museum</strong> <strong>of</strong> Art were the recipients <strong>of</strong> a major bequest from the<br />
late Dr. Vance E. Kondon and his wife Elisabeth Giesberger. Kondon was one <strong>of</strong> San Diego’s<br />
premier art collectors and an avid supporter <strong>of</strong> the city’s cultural scene. MCASD received<br />
30 important works <strong>of</strong> contemporary art from the 1950s to the early 1980s. The works<br />
were featured in the spring exhibition Iconic: Gifts from the Kondon-Giesberger Collection.<br />
Banksy—You Are An Acceptable Level <strong>of</strong> Threat > The single best collection<br />
<strong>of</strong> photographs <strong>of</strong> Banksy’s street work. Period. Banksy—You Are An Acceptable Level <strong>of</strong><br />
Threat concentrates on this singular artist’s iconic imagery, spanning the late ’90s up until<br />
the end <strong>of</strong> 2011. The locations are from around the world (predominantly the UK, US and<br />
Europe), and many images have never been seen before. When Banksy began painting,<br />
the political landscape was bleak. Fortunately now, it’s ten times worse. As Banksy’s cheerfully<br />
aggressive political work becomes ever more relevant, this comprehensive tome sets<br />
about presenting his art in the context <strong>of</strong> the era he was responding to. 228 pages, hardcover,<br />
8¾’’x 10¼’’, 250 color illustrations, English.<br />
Regular price: $35 / Member price: $31<br />
MCASD –clusive: Mon Père > Mon Père translates to “My Father” in French.<br />
Christina Shrigley is the designer and creator <strong>of</strong> Mon Père. She lost her father to cancer<br />
before she turned 2 years old. Her father is the constant inspiration and force behind the<br />
line. Being able to create with him in mind is a way <strong>of</strong> healing and coping with his loss on<br />
a positive level. A significant portion from each sale goes to kids fighting cancer at Rady<br />
Children’s Hospital in San Diego, California.<br />
The core value <strong>of</strong> this capsule line <strong>of</strong> tee’s can be summed up in its motto, “Let Love<br />
Grow.” Giving back to those in need through unique designs and craftsmanship is the main<br />
idea. Each blank tee is 100% organic cotton. Christina cuts and sews each pocket on personally<br />
at her home in La Jolla, California. She finishes every one with a hand drawn label,<br />
making each handcrafted tee completely unique to itself. Available in sizes 12–18m through<br />
3T. Available exclusively at MCASD. Wear a Mon Père tee and “Let Love Grow.”<br />
Regular price: $30 / Member price: $27<br />
<strong>2012</strong> Biennial Art Auction<br />
27th Annual Selection Dinner<br />
MCASD Board <strong>of</strong> Trustees <strong>2012</strong>–2013<br />
David C. Copley, President / Barbara Arledge / Linnea Arrington / Melissa Garfield Bartell / Dr.<br />
Mary F. Berglund / Barbara Bloom / Wendy H. Brody / Nancy Browar / Ronald L. Busick / Dr.<br />
Charles G. Cochrane / Valerie Cooper / David C. Copley / Isabel Coppel / Dr. Peter C. Farrell /<br />
Carolyn P. Farris / Pauline Foster / John Ippolito / Margaret A. Jackson / Dr. Paul Jacobs / Vekeno<br />
Kennedy / Sami Ladeki / Holly McGrath / Scott Peters / Mason Phelps / Dr. Carol Randolph /<br />
Colette Carson Royston / Nora D. Sargent / Gad Shaanan / Joyce Strauss / Matthew C. Strauss /<br />
Sheryl White / Brent V. Woods<br />
Honorary Trustee, Sue K. Edwards<br />
Dr. Hugh M. Davies, The David C. Copley Director and CEO<br />
Newsletter Editor: Leah Masterson / Newsletter Contributors: Julia Altieri, Heather Cook, Jill<br />
Dawsey, Kate Deuparo, April Farrell, Rebecca Handelsman, Elizabeth Harker, Kathryn Kanjo, Anne<br />
Kindseth, Eric Reichman, Megan Nesbit, Robert Pincus, Cris Scorza, Jenna Siman, Shannel Smith,<br />
Jeanna Yoo / Design: Ursula Rothfuss and Kasey Reis / Printer: Neyenesch Printers, San Diego<br />
The <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego, founded in 1941, is a Member-supported, private,<br />
nonpr<strong>of</strong>it organization dedicated to the collection, exhibition, and interpretation <strong>of</strong> contemporary<br />
art. MCASD, accredited by the Association <strong>of</strong> <strong>Museum</strong>s, is one museum with two locations:<br />
La Jolla and downtown San Diego. All programs and activities are made possible by generous<br />
contributions from MCASD Members and many individuals, foundations, corporations, and government<br />
agencies.<br />
Institutional support for MCASD is provided by the City <strong>of</strong> San Diego Commission for Arts<br />
and Culture.<br />
Collectors Trip to Santa Fe<br />
Kick <strong>of</strong>f fall with an MCASD Tour!<br />
MCASD <strong>of</strong>fers tours tailored for school, higher education, and adult groups. Learn more<br />
about the different tours led by the <strong>Museum</strong>’s pr<strong>of</strong>essional Gallery Educators as well as<br />
how to book your tour at www.mcasd.org.<br />
When is the last time you Fed Your Greedy Organ?<br />
MCASD launched the Feed Your Greedy Organ campaign last spring, promoting our initiative<br />
that <strong>of</strong>fers free admission for people age 25 and under, sponsored by Qualcomm<br />
Foundation. The campaign kicked <strong>of</strong>f with an art contest, and we received some truly<br />
amazing entries. After careful consideration, our panel chose 25 finalists whose work was<br />
included in a showcase at the <strong>Museum</strong>. The contest was a huge success but the Feed Your<br />
Greedy Organ campaign continues. Do you know anyone who is 25 and under? If so, spread<br />
the word- ADMISSION IS FREE!<br />
MCASD Is Looking For a Few Good Teens!<br />
MCASD is currently accepting applications for the <strong>2012</strong>–2013 Teen Advisory Group (TAG).<br />
TAG is composed <strong>of</strong> 20 diverse teens representing high schools from across San Diego.<br />
TAG meets the first Tuesday <strong>of</strong> each month at the <strong>Museum</strong> to explore contemporary art in<br />
the galleries and develops a project designed to reach the wider teen and <strong>Museum</strong> audience.<br />
Learn more at www.mcasd.org.<br />
get<br />
famous<br />
with the<br />
Greedy organ<br />
> This page, top to bottom: Banksy—You Are An Acceptable Level <strong>of</strong> Threat / Mon Père Tees /<br />
MCASD’s Feed Your Greedy Organ Campaign<br />
14<br />
15
For information 24 hours a day:<br />
858 454 3541<br />
www.mcasd.org<br />
MCASD Downtown<br />
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store<br />
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your e-mail address to jaltieri@mcasd.org.<br />
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Free two-hour street parking is available<br />
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Public garages are nearby MCASD<br />
Downtown. Two-hour metered street<br />
parking is also available.<br />
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