700 Prospect St. La Jolla, CA 92037-4291 - Museum of ...
700 Prospect St. La Jolla, CA 92037-4291 - Museum of ...
700 Prospect St. La Jolla, CA 92037-4291 - Museum of ...
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<strong>700</strong> <strong>Prospect</strong> <strong>St</strong>. <strong>La</strong> <strong>Jolla</strong>, <strong>CA</strong> <strong>92037</strong>-<strong>4291</strong> 1100 & 1001 Kettner Blvd. San Diego, <strong>CA</strong> 92101-3306 858 454 3541 www.mcasd.org
This page: Rear view <strong>of</strong> M<strong>CA</strong>SD <strong>La</strong> <strong>Jolla</strong> and the Edwards Garden Gallery. Photo by Philipp<br />
Scholz Rittermann.<br />
Cover image: vik muniz, Cloud Cloud San Diego, 2008, gelatin silver print, sheet: 20 x 24 in.<br />
(50.8 x 61 cm), Gift <strong>of</strong> the artist.<br />
> Contents<br />
3 > Letter from the President and the Director<br />
4 > Exhibitions > <strong>La</strong> <strong>Jolla</strong><br />
5 > Exhibitions > Downtown, 1001 Kettner<br />
6 > Exhibitions > Downtown, Joan and Irwin Jacobs Building<br />
7 > Acquisitions<br />
10 > Publications<br />
11 > Public Programs<br />
12 > Films<br />
14 > TNT<br />
16 > Education Programs<br />
21 > Contributions<br />
22 > Grants<br />
23 > Donors<br />
25 > Board <strong>of</strong> Trustees<br />
26 > <strong>St</strong>aff<br />
27 > Financial <strong>St</strong>atements
M<strong>CA</strong>SD > FY08<br />
> Letter from the President and the Director<br />
At the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego, we embrace the idea that art<br />
and museums can transform lives, and over the fiscal year ending June 30, 2008,<br />
we challenged our audiences with fresh ways <strong>of</strong> seeing, thinking, and engaging<br />
with the world. No recent exhibition exemplifies that philosophy more than<br />
Robert Irwin: Primaries and Secondaries. The large, light-filled spaces <strong>of</strong> the Joan<br />
and Irwin Jacobs Building and 1001 Kettner galleries in downtown San Diego<br />
were both particularly well suited to show Irwin’s work to its best advantage. The<br />
artist made use <strong>of</strong> his singular knowledge <strong>of</strong> the galleries he helped design at<br />
1001 Kettner and he responded brilliantly to the new environment in the Jacobs<br />
Building with several new works that premiered in the exhibition. Working for<br />
months in the Robert Caplan Artist-in-Residence <strong>St</strong>udio, Irwin experimented<br />
with new concepts and ideas, ultimately creating the luminous Light and Space<br />
artwork that was a highlight <strong>of</strong> the exhibition and a premiere example <strong>of</strong> how<br />
M<strong>CA</strong>SD continues to be a laboratory for artists to experiment with new forms <strong>of</strong><br />
visual expression.<br />
As the region’s foremost forum for presenting the art <strong>of</strong> our time, M<strong>CA</strong>SD served<br />
more visitors than ever before in FY2008—193,428 in total—and continued to<br />
reach new audiences. During this period, the <strong>Museum</strong> presented 17 exhibitions at<br />
its downtown and <strong>La</strong> <strong>Jolla</strong> locations, acquired 45 artworks for the collection, and<br />
provided a range <strong>of</strong> innovative and informative education programs for visitors <strong>of</strong><br />
all ages.<br />
Thanks to the generous support <strong>of</strong> Qualcomm, M<strong>CA</strong>SD continued to <strong>of</strong>fer free<br />
admission to everyone ages 25 and under. While the <strong>Museum</strong> has long been free<br />
to children 12 and under, with this program we are signaling to young people that<br />
we want them to experience all that M<strong>CA</strong>SD has to <strong>of</strong>fer. The program has been<br />
an unqualified success: our attendance among 18- to 25-year-olds has grown<br />
124% since the inception <strong>of</strong> this free admission program in January 2007.<br />
The <strong>Museum</strong>’s artistic and educational achievements are realized because<br />
<strong>of</strong> the leadership and philanthropic commitment <strong>of</strong> the Board <strong>of</strong> Trustees;<br />
the exceptionally generous support <strong>of</strong> M<strong>CA</strong>SD’s many Donors, Members, and<br />
Supporters; and the dedication and talent <strong>of</strong> the <strong>Museum</strong>’s staff. We thank them<br />
all for continuing to inspire us to new levels <strong>of</strong> excellence.<br />
We are proud <strong>of</strong> M<strong>CA</strong>SD’s contributions to our community and to the field <strong>of</strong><br />
contemporary art, and we look forward to continuing to engage and inspire<br />
audiences with innovative artistic programming in the years to come.<br />
J. Todd Figi Hugh M. Davies, Ph.D.<br />
President The David C. Copley Director<br />
3
M<strong>CA</strong>SD > FY08<br />
> Exhibitions > <strong>La</strong> <strong>Jolla</strong> 4<br />
Vik Muniz: Reflex<br />
June 2, 2007 - September 2, 2007<br />
Traveling exhibition organized by the Miami Art <strong>Museum</strong>.<br />
Diagrammatic Logic: Selections from<br />
the Collection<br />
July 1, 2007 – September 2, 2007<br />
Cerca Series: Iana Quesnell<br />
September 23, 2007 – December 30, 2007<br />
Soundwaves: The Art <strong>of</strong> Sampling<br />
September 23, 2007 – May 4, 2008<br />
Erwin Redl: MATRIX II<br />
January 17, 2008 – May 4, 2008<br />
Selections from Skeet McAuley:<br />
The Garden <strong>of</strong> Golf<br />
April 11, 2008 – June 22, 2008<br />
Elusive Signs:<br />
Bruce Nauman Works with Light<br />
May 25, 2008 – August 31, 2008<br />
Traveling exhibition organized by the Milwaukee<br />
Art <strong>Museum</strong>.
M<strong>CA</strong>SD > FY08<br />
> Exhibitions > Downtown, 1001 Kettner 5<br />
Suburban Sublime<br />
July 21, 2007 – September 23, 2007<br />
Cerca Series: Peter Simensky<br />
July 21, 2007 – September 23, 2007<br />
Robert Irwin: Primaries<br />
and Secondaries<br />
October 21, 2007 – April 13, 2008<br />
Cerca Series: Nina Katchadourian<br />
May 3, 2008 – July 6, 2008<br />
Cerca Series: Joshua Mosley<br />
May 3, 2008 – July 6, 2008
M<strong>CA</strong>SD > FY08<br />
> Exhibitions > Downtown, Joan and Irwin Jacobs Building 6<br />
Ernesto Neto<br />
January 21, 2007 – September 20, 2007<br />
Richard Wright<br />
January 21, 2007 – September 23, 2007<br />
Robert Therrien<br />
June 10, 2007 – September 23, 2007<br />
Harold Cohen<br />
July 15, 2007 – September 23, 2007<br />
Robert Irwin: Primaries and Secondaries<br />
October 21, 2007 – February 23, 2008<br />
Maya Lin: Systematic <strong>La</strong>ndscapes<br />
March 30, 2008 – June 30, 2008<br />
Traveling exhibition organized by the Henry Art<br />
Gallery, Seattle.
M<strong>CA</strong>SD > FY08<br />
> Acquisitions<br />
Peter Alexander<br />
Ice III, 1989<br />
oil on canvas<br />
60 1/2 x 66 in. (153.7 x 167.6 cm)<br />
Gift <strong>of</strong> the Murray and<br />
Ruth Gribin Foundation<br />
John Baldessari<br />
Noses & Ears, Etc.: The Gemini Series: Face<br />
with Nose and (Green) Ear, 2006<br />
three-layer, six-color screenprint mounted<br />
on Sintra with hand painting, edition 26/45<br />
34 3 /4 x 63 1 /4 x 3 in. (88.3 x 160.7 x 7.6 cm)<br />
<strong>Museum</strong> purchase with funds from<br />
The Buddy Taub Foundation,<br />
Dennis Roach, Director<br />
karl Benjamin<br />
Untitled, 1958<br />
oil on canvas<br />
40 1/2 x 50 1/2 in. (102.9 x 128.3 cm)<br />
Gift <strong>of</strong> the Murray and Ruth<br />
Gribin Foundation<br />
Sandow Birk<br />
Secretary <strong>of</strong> Defense Donald Rumsfeld<br />
Presenting His Plan for the Invasion <strong>of</strong><br />
Iraq, 2007<br />
acrylic and oil on canvas<br />
53 x 68 in. (134.6 x 172.7 cm)<br />
<strong>Museum</strong> purchase with funds provided by<br />
Brian Pawlowski<br />
Harold Cohen<br />
Rainforest #4 - #070602.4, 2007<br />
sealed prints: pigment inks on paper<br />
overall dimensions: 114 x 343 in. (289.6 x<br />
871.2 cm)<br />
7 panels, each: 114 x 49 in. (289.6 x 124.5 cm)<br />
Gift <strong>of</strong> AARON Research Corporation<br />
Ron Cooper<br />
Untitled (Shadow Box), 1972<br />
colored polyester resin<br />
24 x 24 x 3 1 /2 in. (61 x 61 x 8.9 cm)<br />
Gift <strong>of</strong> Dr. and Mrs. Peter Sheerin<br />
Sam Durant<br />
The Other Side/El Otro <strong>La</strong>do, 2005<br />
United <strong>St</strong>ates and Mexican flags, embroidery<br />
24 x 37 in. (61 x 94 cm)<br />
Gift <strong>of</strong> Carol Randolph and Robert Caplan<br />
William Feeney<br />
Repetition Does Not Transform a Lie into the<br />
Truth, 2007<br />
surfboard, steel, wood, foam, fiberglass,<br />
paraffin, surf wax: Sex Wax, <strong>St</strong>icky Bumps,<br />
Bubble Gum<br />
<strong>Museum</strong> purchase, 2007 stART Up Award<br />
vernon Fisher<br />
Musée des Beaux Arts, 1982<br />
dipytch, acrylic on laminated paper and<br />
acrylic on wood<br />
overall: 49 3 /4 x 86 in. (126.4 x 218.4 cm)<br />
Gift <strong>of</strong> the Murray and Ruth Gribin<br />
Foundation<br />
Faiya Fredman<br />
#050726, 2007<br />
pigment print on paper, edition <strong>of</strong> 7<br />
39 1 /4 x 31 3 /4 x 1 1 /4 in. (99.7 x 80.6 x 3.2 cm)<br />
<strong>Museum</strong> purchase, Louise R. and Robert S.<br />
Harper Fund<br />
Charles Garabedian<br />
<strong>St</strong>ill Life with Self Portrait, 1982<br />
acrylic on canvas<br />
36 x 60 in. (91.4 x 152.4 cm)<br />
Gift <strong>of</strong> Hansen, Jacobson, Teller, Hoberman,<br />
Newman, Warren and Richman, LLP<br />
Charles Garabedian<br />
LAX, 1970<br />
rubber and acrylic on paper<br />
39 x 50 in. (99.1 x 127 cm)<br />
Gift <strong>of</strong> Hansen, Jacobson, Teller, Hoberman,<br />
Newman, Warren and Richman, LLP<br />
Charles Garabedian<br />
Dr. Jekyll and Mr. Hyde, 1970<br />
watercolor on paper<br />
24 x 33 in. (61 x 83.8 cm)<br />
Gift <strong>of</strong> Hansen, Jacobson, Teller, Hoberman,<br />
Newman, Warren and Richman, LLP<br />
7
M<strong>CA</strong>SD > FY08<br />
> Acquisitions<br />
Gregory Gillespie<br />
Warrior, n.d.<br />
mixed media on panel<br />
66 3 /4 x 48 1 /4 in. (169.5 x 122.6 cm)<br />
Gift <strong>of</strong> Robert and Cheryl Fishko<br />
Joe Goode<br />
McDonald, 1992<br />
oil on linen<br />
102 x 75 in. (259.1 x 190.5 cm)<br />
Gift <strong>of</strong> the Murray and Ruth Gribin<br />
Foundation<br />
Robert irwin<br />
Light and Space, 2007<br />
115 fluorescent lights<br />
one wall, 271 1 /4 x 620 in.<br />
<strong>Museum</strong> purchase with funds from the<br />
Annenberg Foundation<br />
Robert irwin<br />
Square the Room, 2007<br />
Tergal voile and framing materials<br />
14 ft. x 46 ft. x 2 in.<br />
<strong>Museum</strong> purchase with funds from the<br />
Annenberg Foundation<br />
Robert irwin<br />
Five x Five, 2007<br />
Tergal voile and framing materials<br />
10 panels, each panel: 201 x 176 x 2 3 /4 in.<br />
(510.5 x 447 x 7 cm)<br />
<strong>Museum</strong> purchase with funds from the<br />
Annenberg Foundation<br />
Robert irwin<br />
1º 2º 3º 4º, 1992<br />
three Tergal voile walls, five floating frames<br />
painted with black lacquer, fluorescent lights<br />
three walls, each: 14 x 38 in. (35.6 x 96.5 cm)<br />
five frames, each: 10 x 26 in. (25.4 x 66 cm)<br />
Gift <strong>of</strong> the artist<br />
Robert irwin<br />
Three Primary Forms (Battery Park City<br />
World Financial Center), 1983<br />
colored pencil on paper<br />
67 x 61 in. (170.2 x 154.9 cm)<br />
Gift <strong>of</strong> Arne and Milly Glimcher<br />
Robert irwin<br />
Who’s Afraid <strong>of</strong> Red, Yellow & Blue 3 ,<br />
2006–2007<br />
aircraft honeycomb aluminum<br />
six panels, each: 241 1 /4 x 265 1 /2 x 1 5 /8 in.;<br />
overall installation dimensions variable<br />
<strong>Museum</strong> purchase, Contemporary<br />
Collectors Fund<br />
Robert irwin<br />
Primaries and Secondaries, 2007<br />
aircraft honeycomb aluminum<br />
13 panels, each: 84 x 38 x 1 5 /8 in.; overall<br />
installation dimensions variable<br />
<strong>Museum</strong> purchase<br />
Clay ketter<br />
Working Sketch for Goodbye 3rd <strong>St</strong>reet,<br />
1998<br />
graphite and household enamel on<br />
graph paper<br />
14 1 /2 x 14 1 /2 x 1 1 /8 in. (36.8 x 36.8 x 2.9 cm)<br />
<strong>Museum</strong> purchase with funds from Hilarie<br />
and Mark Moore and the Moore Family Trust<br />
Clay ketter<br />
Brunswick Pumphouse 921, 1998<br />
household enamel paint, wallboard<br />
compound and steel corner bead on gypsum<br />
wallboard, wood frame<br />
35 1 /2 x 35 1 /2 x 1 1 /8 in. (90.2 x 90.2 x 4.4 cm)<br />
<strong>Museum</strong> purchase with funds from Hilarie<br />
and Mark Moore and the Moore Family Trust<br />
Los Carpinteros<br />
Archivo Flexible, 2001<br />
watercolor on paper<br />
29 1 /2 x 41 1 /2 in. (74.9 x 105.4 cm)<br />
32 3 /4 x 44 3 /4 x 1 1 /4 in. (83.2 x 113.7 x 3.2 cm)<br />
Gift <strong>of</strong> Carol Randolph and Robert Caplan<br />
morris Louis<br />
Untitled (<strong>La</strong>ndscape with a figure and<br />
pathway), c. 1938<br />
watercolor on illustration board<br />
25 1 /2 x 35 1 /2 x 1 3 /4 in. (64.8 x 90.2 x 4.4 cm)<br />
Gift <strong>of</strong> Charles M. Bernstein<br />
Jean Lowe<br />
View from <strong>La</strong>urentian <strong>St</strong>reet, 2000<br />
oil on canvas<br />
120 x 216 in. (304.8 x 548.6 cm)<br />
Gift <strong>of</strong> the artist<br />
nathan mabry<br />
Process Art (Dead Men Don’t Make<br />
Sculpture), 2008<br />
bronze<br />
87 x 58 x 41 in. (221 x 147.3 x 104.1 cm)<br />
Joint purchase in part with funds provided<br />
by Murray A. Gribin; Hammer <strong>Museum</strong>, Los<br />
Angeles; and the <strong>Museum</strong> <strong>of</strong> Contemporary<br />
Art San Diego<br />
Richard Allen morris<br />
Untitled (Broken Grid Painting), 1987<br />
acrylic on canvas<br />
49 x 48 in. (124.5 x 121.9 cm)<br />
Gift <strong>of</strong> the Wayne W. Buss Estate<br />
8
M<strong>CA</strong>SD > FY08<br />
> Acquisitions<br />
vik muniz<br />
Cloud Cloud San Diego, 2008<br />
gelatin silver print<br />
sheet: 20 x 24 in. (50.8 x 61 cm)<br />
Gift <strong>of</strong> the artist<br />
Yoshitomo nara<br />
After the deluge, 2006<br />
acrylic on canvas<br />
64 x 64 in. (162.6 x 162.6 cm)<br />
Gift <strong>of</strong> Ana and Ivan Boesky<br />
Eric Orr<br />
You Had the Meaning but Missed the<br />
Experience, ca. 1981–1982<br />
mixed-media collage on lead panel<br />
29 x 24 in. (73.7 x 61 cm)<br />
Gift <strong>of</strong> the Murray and Ruth Gribin Foundation<br />
Eric Orr<br />
Red Void II, 1992<br />
oil and blood on board<br />
22 x 18 x 1 1 /2 in. (55.9 x 45.7 x 3.8 cm)<br />
Gift <strong>of</strong> Dr. and Mrs. Merle S. Glick<br />
<strong>St</strong>ephen Pace<br />
Untitled (#52-W40A), 1952<br />
watercolor on paper<br />
sheet: 30 3 /4 x 22 1 /4 in. (78.1 x 56.5 cm)<br />
Gift <strong>of</strong> George Schwartz in honor <strong>of</strong><br />
John M. Day<br />
iana Quesnell<br />
Triptych: Migration Path, 2007<br />
graphite on paper<br />
3 sheets, each: 79 x 79 in. (200.7 x 200.7 cm)<br />
<strong>Museum</strong> purchase, Louise R. and Robert S.<br />
Harper Fund<br />
David Rabinowitch<br />
Untitled, 1973<br />
graphite on paper<br />
42 1 /4 x 32 1 /4 x 1 1 /2 in. (107.3 x 81.9 x 3.8cm)<br />
Gift <strong>of</strong> Charles and Cindy Castle<br />
David Ryan<br />
DC3 Fan, 2004<br />
acrylic on wood and Sintra<br />
46 1/2 x 50 in. (118.1 x 127 cm)<br />
Gift <strong>of</strong> the Murray and Ruth Gribin<br />
Foundation<br />
Peter Simensky<br />
NC 100 (Neutral Capital), 2005<br />
collaged bills made from fragments <strong>of</strong><br />
national currencies from countries with<br />
unstable economies<br />
16 3 /4 x 20 5 /8 x 1 3 /4 in. (42.5 x 52.4 x 4.4 cm)<br />
<strong>Museum</strong> purchase, Louise R. and Robert S.<br />
Harper Fund<br />
Don Sorenson<br />
Untitled, 1984<br />
oil on canvas<br />
57 1 /2 x 95 1 /4 in. (146.1 x 241.9 cm)<br />
Gift <strong>of</strong> the Murray and Ruth Gribin<br />
Foundation<br />
Henry Taylor<br />
Pho me, 2005<br />
mixed media on canvas<br />
40 x 27 in. (101.6 x 68.6 cm)<br />
Gift <strong>of</strong> Dean Valentine and Amy Adelson<br />
Robert Therrien<br />
Red Disc, c. 1975<br />
cast acrylic<br />
16 in. diameter<br />
Gift <strong>of</strong> the Murray and Ruth Gribin<br />
Foundation<br />
Robert venturi<br />
I AM A HOUSE, 2007<br />
oil-based silkscreen on paper, edition <strong>of</strong> 50<br />
Each sheet: 11 x 17 in. (27.9 x 43.2 cm)<br />
<strong>Museum</strong> purchase<br />
ursula von Rydingsvard<br />
Undo, 1991<br />
cedar and graphite<br />
94 x 91 x 18 in. (238.8 x 231.1 x 45.7 cm)<br />
Gift <strong>of</strong> Dr. Jack Grebb and George Merema<br />
Andre Yi<br />
Untitled, 2006<br />
acrylic and colored pencil on paper<br />
41 1 /2 x 82 1 /4 in. (105.4 x 208.9 cm)<br />
Gift <strong>of</strong> L.J. Cella<br />
Peter Young<br />
Untitled #7, 1971<br />
oil on canvas<br />
75 x 75 in. (190.5 x 190.5 cm)<br />
Gift <strong>of</strong> the Murray and Ruth Gribin<br />
Foundation<br />
9
M<strong>CA</strong>SD > FY08<br />
> Publications<br />
Catalogue > Robert Irwin: Primaries and Secondaries<br />
Brochure > Cerca Series: Peter Simensky<br />
Brochure > Cerca Series: Iana Quesnell<br />
Exhibition Guide > Soundwaves: The Art <strong>of</strong> Sampling<br />
Brochure > Cerca Series: Joshua Mosley<br />
Brochure > Cerca Series: Nina Katchadourian<br />
Robert Irwin: Primaries and Secondaries<br />
By Dr. Hugh M. Davies, with texts by Robert Irwin. Designed by Ursula Rothfuss. 224 pages.<br />
10
M<strong>CA</strong>SD > FY08<br />
> Public Programs<br />
2007<br />
July 19 > Conversation with the Curator: Vik Muniz: Reflex<br />
August 16 > Artist Talk: Jean Lowe<br />
September 28 > Soundbytes on Soundwaves<br />
October 6 > Circuit Bending Workshop with Beatrix*Jar<br />
October 8 > PBS ART21: Season 4 Sneak Preview Screening<br />
October 18 > Soundwaves Artist Talk: Julio César Morales<br />
November 15 > Soundwaves Artist Talk: Dario Robleto<br />
2008<br />
January 10 > Lecture: <strong>La</strong>wrence Weschler on Robert Irwin<br />
January 18 > Artist Talk: Erwin Redl<br />
January 25 > Special Filmmaker’s Screening > Robert Irwin: The Beauty<br />
<strong>of</strong> Questions<br />
January 26, February 2, and February 9 > Creating in Context: Soundwaves<br />
February 21 > M<strong>CA</strong>SD/UCSD 2008 Russell Lecture featuring Robert Irwin<br />
March 7 > Walking L.A./(Sur)facing the City: A New Performance by Sara Wookey<br />
April 4 > Ninth Annual SDMA/M<strong>CA</strong>SD Axline Lecture featuring Maya Lin<br />
April 17 > Special Filmmaker’s Screening > Maya Lin: A <strong>St</strong>rong Clear Vision<br />
May 10 and May 17 > Allan Kaprow: Reinvented Happenings<br />
May 29 > Roundtable Discussion: Allan Kaprow<br />
11
July 13<br />
Spirit <strong>of</strong> the Beehive<br />
Victor Erice’s classic film is one <strong>of</strong> cinema’s<br />
most haunting visions <strong>of</strong> childhood, and is<br />
widely regarded as Spain’s greatest film to<br />
emerge during the 1970s.<br />
July 12<br />
Parking Lot Pictures: Raising Arizona<br />
M<strong>CA</strong>SD invited visitors to bring a lawn<br />
chair or blanket and enjoy the <strong>Museum</strong>’s<br />
free outdoor Parking Lot Pictures event<br />
featuring the 20th-anniversary screening <strong>of</strong><br />
brothers Joel and Ethan Coen’s zany, heartwarming<br />
comedy.<br />
August 9<br />
Parking Lot Pictures: Wait Until Dark<br />
The summer-time fun continued with<br />
M<strong>CA</strong>SD > FY08<br />
> Films > 2007 ice cream and a second free Parking Lot<br />
12<br />
Pictures screening spotlighting icon Audrey<br />
Hepburn in this 1967 thriller.<br />
August 23<br />
alt.pictureshows ‘07<br />
M<strong>CA</strong>SD presented the fifth annual<br />
alt.pictureshows. Portions <strong>of</strong> M<strong>CA</strong>SD’s galleries<br />
were transformed into San Diego’s premier<br />
short-film showcase and the definitive<br />
experiment in “physical channel surfing.”<br />
September 13<br />
Dolls<br />
M<strong>CA</strong>SD and the San Diego Asian Film Festival<br />
co-presented Takeshi Kitano’s poetic film that<br />
unfolds as a trio <strong>of</strong> powerful love stories.<br />
September 23<br />
‘Toon Town Troublemakers ‘07<br />
M<strong>CA</strong>SD’s second annual animation showcase<br />
celebrated edgy, experimental animated<br />
short films by various filmmakers.<br />
October 11<br />
Freaks<br />
This haunting 1932 horror classic rattles<br />
filmgoers’ nerves with its weird, but always<br />
compassionate, menagerie <strong>of</strong> sideshow<br />
oddities.<br />
November 8<br />
Enemies <strong>of</strong> Happiness<br />
M<strong>CA</strong>SD and Cinefemme co-presented this<br />
documentary about a young woman running<br />
for <strong>of</strong>fice in post-Taliban Afghanistan.<br />
December 13<br />
Metropolis<br />
M<strong>CA</strong>SD marked the 80th anniversary <strong>of</strong><br />
Fritz <strong>La</strong>ng’s 1927 science-fiction classic that<br />
remains a marvel <strong>of</strong> dystopian imagery.
January 17<br />
The Fat Man Walking<br />
M<strong>CA</strong>SD hosted the San Diego premiere <strong>of</strong><br />
this documentary about Oceanside resident<br />
<strong>St</strong>eve Vaught, whose unusual weight-loss<br />
strategy involved walking from San Diego to<br />
New York.<br />
January 31<br />
Touch <strong>of</strong> Evil<br />
Orson Welles’ 1958 film noir classic brings a<br />
new wave enthusiasm to this tale <strong>of</strong> police<br />
corruption and violence in a border town.<br />
The film was followed by a Q&A session with<br />
Neil Kendricks, M<strong>CA</strong>SD Film Curator, and<br />
Pr<strong>of</strong>essor Bill Nericcio, Department <strong>of</strong> English<br />
and Comparative Literature at San Diego<br />
<strong>St</strong>ate University.<br />
February 14<br />
<strong>La</strong>st Tango in Paris<br />
Bernardo Bertolucci’s erotic shocker still<br />
manages to disturb with its pitiless vision <strong>of</strong><br />
human sexuality turned ugly.<br />
February 28<br />
Banished<br />
This documentary takes a hard look at the<br />
legacy <strong>of</strong> a Southern town’s ugly history <strong>of</strong><br />
using mob violence to drive out its African-<br />
American residents.<br />
March 13<br />
Performance<br />
This film fuses elements <strong>of</strong> the gangster<br />
genre with surrealism, and features a young<br />
and unapologetic Mick Jagger in his first<br />
movie role as decadent rocker Turner.<br />
March 27<br />
The Man Who Fell to Earth<br />
An alien, played by David Bowie, travels<br />
to Earth to find the means to rescue the<br />
survivors <strong>of</strong> his dying planet in this hallucinatory<br />
film.<br />
April 10<br />
Bicycle Thieves<br />
Film director Vittorio De Sica’s Italian neorealist<br />
masterwork is one <strong>of</strong> the undisputed<br />
treasures <strong>of</strong> world cinema with its honest<br />
observations <strong>of</strong> everyday life.<br />
April 24<br />
<strong>St</strong>range Culture<br />
This non-fiction film breaks the mold <strong>of</strong> the<br />
documentary with its exploration <strong>of</strong> <strong>St</strong>eve<br />
Kurtz, an artist whose artworks lead him to<br />
be accused <strong>of</strong> being a terrorist.<br />
M<strong>CA</strong>SD > FY08<br />
> Films > 2008 13<br />
May 8<br />
Lynch<br />
This documentary <strong>of</strong> artist-filmmaker David<br />
Lynch <strong>of</strong>fers an insider’s perspective <strong>of</strong> the<br />
creative process <strong>of</strong> the maverick filmmaker.<br />
May 22<br />
Eraserhead<br />
Director David Lynch once described the<br />
film’s Kafkaesque nightmare as “a dream <strong>of</strong><br />
dark and troubling things.”<br />
June 12<br />
2001: A Space Odyssey<br />
<strong>St</strong>anley Kubrick’s 1968 science-fiction classic<br />
is a cinematic head trip, launching viewers<br />
from the dawn <strong>of</strong> man to humanity’s future<br />
in the stars.<br />
June 26<br />
Planet <strong>of</strong> the Apes<br />
Film-goers revisited the still-startling film,<br />
complete with talking apes and bewildered<br />
human astronauts trying to survive.
2007<br />
July 5 > Graphic Identity<br />
TNT got graphic with some inspiration from<br />
the work <strong>of</strong> artist Ryan McGinness, who fuses<br />
influences such as corporate logos, graphic<br />
design, graffiti, and art history into his work.<br />
San Diego design icons Don Hollis and Dylan<br />
Jones, the duo behind Little Italy’s quirky<br />
design boutique, Subtext, led a discussion<br />
on graphic art—old and new, corporate and<br />
underground. Attendees participated in a<br />
“Which Pantone color are you?” interactive<br />
activity and made their personal mark in a<br />
collaborative collage. Live music was provided<br />
by The Brisbanes and The Prayers.<br />
August 2 > High Drama<br />
Inspired by artist Robert Therrien’s giant<br />
table and chair sculptures, TNT was larger<br />
than life. Renowned scholar and UCSD<br />
Pr<strong>of</strong>essor <strong>of</strong> Art History, Norman Bryson, led<br />
a talk on Therrien’s work. Throughout the<br />
night, TNT-goers tried their luck at musical<br />
chairs with live melodies by the Teeny Tiny<br />
Pit Orchestra. They also enjoyed rare, vintage<br />
cartoons (one <strong>of</strong> the artist’s inspirations) and<br />
in the spirit <strong>of</strong> Therrien’s sculptural whimsy,<br />
created their own flying mustache-on-astick—an<br />
object that is all at once a puppet<br />
and a mask, a bird and a mustache. Plus, live<br />
local bands ¡Society!, Fantastic Magic, and DJ<br />
duo S<strong>of</strong>ty performed.<br />
M<strong>CA</strong>SD > FY08<br />
October 4 > Select Mode: Music and<br />
December 6 > Color and Light<br />
Technology Fashion Show<br />
Like the luminous work <strong>of</strong> Robert Irwin, TNT<br />
> TNT 14<br />
September 6 > Neutral Capital<br />
TNT celebrated its fifth anniversary, taking its<br />
cue from Cerca Series artist Peter Simensky’s<br />
alternative currency Neutral Capital.<br />
Attendees heard the artist speak about his<br />
work, then, created their own museum-ina-matchbox,<br />
inspired by Simensky’s Neutral<br />
Capital Collection, a mobile gallery-in-a-box.<br />
The night ended with live jailhouse rock<br />
and blues music by Diablo Dimes and the<br />
Bloodhounds.<br />
TNT-goers grabbed a front-row seat to<br />
view original designs inspired by music and<br />
technology. Select designers from Tijuana<br />
and San Diego—including Acamonchi, Tania<br />
Candiani, EXIST1981, Grammatique, Mari Morales,<br />
Trista Roland, Jorge Sanchez, Sy, and<br />
Jorge Tellaeche—showcased their work to the<br />
sounds <strong>of</strong> Big<strong>St</strong>ereo’s Rchrd Oh?!. The night<br />
continued with a performance by electronic<br />
sound-art duo Beatrix*Jar.<br />
November 1 > Black and White<br />
Inspired by the monochromatic works<br />
<strong>of</strong> Robert Irwin, TNT revealed itself as a<br />
black-and-white masquerade. TNT-goers<br />
were encouraged to bring their own mask<br />
or make one at the <strong>Museum</strong>. With a diverse<br />
mix <strong>of</strong> events, the night was full <strong>of</strong> beautiful<br />
contrasts. The word “Zen” has been associated<br />
with Irwin’s work and artistic practice,<br />
which participants explored via meditation in<br />
the galleries and workshops led by the Matrix<br />
Mandala Garden and the Dharma Bums.<br />
There were also live performances from<br />
all-girl cover band Wild Weekend and local<br />
indie-electro duo Qu’est-ce Que C’est.<br />
shined in a brilliant end-<strong>of</strong>-the-year holiday<br />
bash. As the night unfolded, visitors experienced<br />
a spectrum <strong>of</strong> activities, including a<br />
kaleidoscope-making activity and colorful live<br />
performances by The S<strong>of</strong>tLightes and Red<br />
Pony Clock, plus DJ grooves by Dr. Indulgent.
2008<br />
February 7 > Through the Decades<br />
Inspired by Robert Irwin’s 50-year career,<br />
TNT took a nostalgic trip back in time with<br />
activities and live performances inspired by<br />
the past five decades. Attendees watched as<br />
guest musicians created impromptu scores<br />
to vintage home movies found at garage<br />
sales, courtesy <strong>of</strong> the Found Film Jam.<br />
TNT-goers also made their own pet rock,<br />
a 1970s mega-fad. Visitors caught the San<br />
Diego Premiere <strong>of</strong> Morgan Neville’s quickpaced<br />
documentary The Cool School, which<br />
recounts the rise and fall <strong>of</strong> the Ferus Gallery.<br />
Live music was provided by The Vision <strong>of</strong><br />
a Dying World, The Paddle Boat, and DJ<br />
grooves by Jeff Graves.<br />
March 6 > Urban Context<br />
TNT examined urban life and landscapes<br />
with an assortment <strong>of</strong> urban-themed events<br />
and activities. The evening started <strong>of</strong>f with a<br />
discussion by L.A.-based performance artist<br />
Sara Wookey and local urban designers<br />
Howard Blackson and Michael <strong>St</strong>epner on the<br />
“new urbanism” movement in architecture.<br />
Then, TNT-goers caught excerpts <strong>of</strong> Walking<br />
L.A./(Sur)facing the City, a dance and multidisciplinary<br />
performance by Sara Wookey.<br />
There was also garage-punk by BRAAIINS!<br />
and hip-hop beats provided by DJ Destijl and<br />
DJ Artistic.<br />
M<strong>CA</strong>SD > FY08<br />
> TNT or, The Recursive Synthesis <strong>of</strong> an Illusion, a Series: Joshua Mosley. TNT-goers joined the<br />
15<br />
April 3 > Systematic <strong>La</strong>ndscapes<br />
Inspired by the work <strong>of</strong> Maya Lin and her<br />
exhibition Maya Lin: Systematic <strong>La</strong>ndscapes,<br />
TNT investigated our relationship to the landscape.<br />
TNT-goers crafted their own recycled<br />
postcards using maps and M<strong>CA</strong>SD mailed<br />
their cartographic creations. Attendees also<br />
enjoyed mellow indie pop by Longstay; experimental<br />
funk by F.U.Z.Z.; spirited indie rock<br />
by The Exfriends; and funky dance grooves<br />
by DJ Mark E. Quark.<br />
May 1 > Shifting Perspectives<br />
TNT questioned time, context, and identity<br />
with a special preview <strong>of</strong> The Merry Chase,<br />
collaborative performance from The Hybrid<br />
Authorship Project that wrestles with issues<br />
<strong>of</strong> time and timing, dynamics and rhythm,<br />
meaning and cliché in a mini-universe <strong>of</strong><br />
shifting perspectives and contexts. Visitors<br />
were encouraged to put on a pair <strong>of</strong> 3-D<br />
glasses and using special stereoscopic paper,<br />
turn their doodles into a popping 3-D button.<br />
Attendees listened to Seesaw Ensemble’s<br />
impromptu blend <strong>of</strong> jazz and noise; Reverse<br />
Cowboy’s shape-shifting punk; and genrebending<br />
beats provided by DJs Adam Salter<br />
and Erick Diaz.<br />
June 5 > Media Mix-Up<br />
It was an evening <strong>of</strong> mixed-media madness<br />
as TNT celebrated the opening <strong>of</strong> Cerca<br />
artist as he discussed his mixed-media work,<br />
dread, which combines computer animation,<br />
stop-motion animation, digital sound,<br />
sculpture, music, and dialogue. Visitors<br />
created their own miniature, mixed-media<br />
installation inside a clear bar <strong>of</strong> soap using<br />
dread-inspired found objects and enjoyed live<br />
music by The Silent Comedy, Green Pitch,<br />
and DJ Saul Q.
M<strong>CA</strong>SD > FY08<br />
> Education Programs<br />
Family Days<br />
In FY08, Family Day participants enjoyed hands-on art-making activities inspired<br />
by exhibitions on view at M<strong>CA</strong>SD’s downtown galleries.<br />
2007<br />
July 1 > Pop Art<br />
August 5 > Honey, I Shrunk the Kids<br />
September 2 > Good as Gold<br />
October 7 > Sculpture Workshop<br />
November 4 > Color Suspension<br />
Family Happenings<br />
Families took part in Family Happening events, creating works <strong>of</strong> art inspired<br />
by the exhibitions Vik Muniz: Reflex and Soundwaves: The Art <strong>of</strong> Sampling.<br />
Participants enjoyed hands-on art-making activities in Axline Court, the Coast<br />
Room, and Miles Terrace during each event. M<strong>CA</strong>SD Gallery Guides were on-hand<br />
throughout both events to lead special family tours through the galleries.<br />
2007 2008<br />
July 15 > Vik Muniz: Reflex April 13 > Soundwaves: The Art <strong>of</strong> Sampling<br />
16
PROGRAMS FOR TEACHERS<br />
vAPA <strong>St</strong>andards Workshops<br />
In FY08, M<strong>CA</strong>SD continued its partnership with the San Diego County Office <strong>of</strong><br />
Education by hosting a series <strong>of</strong> Visual and Performing Arts (VAPA) <strong>St</strong>andards<br />
Workshops at both the downtown and <strong>La</strong> <strong>Jolla</strong> locations. VAPA Workshops provide<br />
an overview <strong>of</strong> the framework and content standards that are used by educators<br />
in the <strong>St</strong>ate <strong>of</strong> California. Teacher participants were able to earn credit for their<br />
participation through the University <strong>of</strong> San Diego.<br />
2008<br />
March 4 > VAPA <strong>St</strong>andards 101<br />
April 30 > VAPA <strong>St</strong>andards 102<br />
May 22 > VAPA <strong>St</strong>andards 103<br />
M<strong>CA</strong>SD > FY08<br />
> Education Programs<br />
Educators’ Receptions<br />
The Education Department welcomed teachers from all over San Diego County at<br />
each <strong>of</strong> their Educators’ Receptions in FY08. Guests enjoyed the opportunity to<br />
learn about the <strong>Museum</strong>’s school and teacher programs, pick up free classroom<br />
resources, participate in staff-led tours <strong>of</strong> current exhibitions, and mingle with<br />
fellow educators.<br />
2007<br />
October 11 > Soundwaves: The Art <strong>of</strong><br />
Sampling Educators’ Reception<br />
2008<br />
April 10 > Maya Lin: Systematic<br />
<strong>La</strong>ndscapes Educators’ Reception<br />
SCHOOL PROGRAMS<br />
<strong>CA</strong>RE<br />
M<strong>CA</strong>SD, in partnership with the <strong>Museum</strong> <strong>of</strong> Photographic Arts and the San Diego<br />
<strong>Museum</strong> <strong>of</strong> Art, continued to <strong>of</strong>fer art and museum education programs to Title<br />
1 schools in the San Diego Unified School District through the Collaborative Arts<br />
Resources for Education (<strong>CA</strong>RE) program (www.carearts.org). Several schools<br />
received classroom art instruction, materials for hands-on art workshops, and<br />
<strong>Museum</strong> visits through the program in FY08. At each <strong>of</strong> the selected schools,<br />
SDMA <strong>of</strong>fered classes to third-graders, MOPA <strong>of</strong>fered classes to fourth-graders,<br />
and M<strong>CA</strong>SD <strong>of</strong>fered classes to fifth-graders.<br />
Elizabeth Yang-Hellewell and Allana Taranto served as the <strong>CA</strong>RE Educators<br />
for M<strong>CA</strong>SD in FY08. As the Educators, Elizabeth and Allana developed curriculum<br />
based on current M<strong>CA</strong>SD exhibitions, facilitated hands-on art-making workshops<br />
for teachers and students, and led tours <strong>of</strong> the galleries at the M<strong>CA</strong>SD<br />
<strong>La</strong> <strong>Jolla</strong> location.<br />
FY08 <strong>CA</strong>RE Schools<br />
Carson Elementary<br />
Garfield Elementary<br />
17
M<strong>CA</strong>SD > FY08<br />
> Education Programs<br />
m<strong>CA</strong>SD After School<br />
FY08 marked the five-year anniversary <strong>of</strong> the M<strong>CA</strong>SD After School program.<br />
Monarch School participated in weekly sessions with local artists and <strong>Museum</strong><br />
staff members. All Monarch workshops took place at M<strong>CA</strong>SD’s Downtown location<br />
and included both a tour <strong>of</strong> current exhibitions and hands-on art-making activities.<br />
2008<br />
JAnuARY<br />
10 > Introduction to the <strong>Museum</strong> Workshop: Design Your Own <strong>Museum</strong>, Part 1<br />
17 > Introduction to the <strong>Museum</strong> Workshop: Design Your Own <strong>Museum</strong>, Part II<br />
24 > Artist-Led Workshop: Iana Quesnell<br />
31 > Introduction to Color Workshop: Make Your Own Color Wheel<br />
FEBRuARY<br />
7 > Robert Irwin Workshop: Color and Perception, Part 1<br />
14 > Robert Irwin Workshop: Color and Perception, Part II<br />
21 > Robert Irwin Workshop: Scrims and Spheres<br />
28 > Robert Irwin Workshop: Paintings<br />
mARCH<br />
13 > Site-Specific Workshop: Richard Wright<br />
20 > Site-Specific Workshop: Richard Serra<br />
27 > Site-Specific Workshop: Roman de Salvo<br />
APRiL<br />
10 > Maya Lin Workshop: Mapping<br />
17 > Maya Lin Workshop: 2x4 <strong>La</strong>ndscape<br />
24 > Maya Lin Workshop: Taking Cues from the Natural <strong>La</strong>ndscape<br />
mAY<br />
1 > Maya Lin Workshop: Atlas/Map Postcard<br />
8 > Maya Lin Workshop: Rubbings and Waterlines<br />
15 > Joshua Mosley Workshop: Theater Production, Day 1<br />
22 > Joshua Mosley Workshop: Theater Production, Day 2<br />
29 > Joshua Mosley Workshop: Theater Production, Day 3<br />
JunE<br />
5 > Artist-Led Workshop: Joshua Mosley<br />
18
M<strong>CA</strong>SD > FY08<br />
> Education Programs<br />
PROGRAMS FOR TEENS<br />
<strong>St</strong>reaming Dialogues<br />
FY08 marked the beginning <strong>of</strong> M<strong>CA</strong>SD’s partnership with High Tech High Media<br />
Arts to pilot an academic-year teen program based at the <strong>Museum</strong>’s downtown<br />
location. The program provided the opportunity for selected HTHMA students<br />
to research, meet, interview, and film artists whose work was on view in current<br />
exhibitions. The students’ artist interviews were converted to video podcasts and<br />
posted on the <strong>Museum</strong>’s iTunes page.<br />
In the fall <strong>of</strong> 2007, High Tech High Media Arts juniors Zachary Small, Hunter<br />
Moskowitz, and Walker <strong>La</strong>Fee interviewed artists Robert Irwin, Dario Robleto,<br />
and Julio César Morales. The trio<br />
participated in twice-weekly workshops<br />
with M<strong>CA</strong>SD staff members and filmmaker<br />
Nathan Gulick to hone their filming,<br />
editing, and interviewing techniques in<br />
preparation for their artist interviews.<br />
In the spring <strong>of</strong> 2008, High Tech High<br />
students Erin Bell, Ross Cummings, and<br />
Andres Navarrete interviewed artists<br />
Roman de Salvo, Nina Katchadourian, and<br />
Joshua Mosley. Each semester culminated<br />
with a public screening <strong>of</strong> the teens’ films<br />
at the <strong>Museum</strong>.<br />
19
M<strong>CA</strong>SD > FY08<br />
> Education Programs<br />
Gallery Guide Program<br />
In FY08, M<strong>CA</strong>SD welcomed four new Gallery Guides to its team. The expanded<br />
Gallery Guide program continued to provide scheduled school and adult tours, as<br />
well as public tours at all <strong>of</strong> the <strong>Museum</strong>’s locations. Once a month, the Gallery<br />
Guides participated in training workshops led by the M<strong>CA</strong>SD Education Department<br />
staff and museum education pr<strong>of</strong>essionals from other local arts institutions.<br />
FY08 Gallery Guide Roster<br />
Kate Beach<br />
Wes Bruce<br />
Josh Clavell<br />
Crystal Clem<br />
George Garcia<br />
Jia Gu<br />
Christina Hendershaw<br />
Valentina Martin<br />
Devin McClain<br />
Lindsay Preston<br />
Janet Rostovsky<br />
Anne Simon<br />
Sarah Trujillo<br />
20
M<strong>CA</strong>SD > FY08<br />
> Contributions<br />
membership<br />
Membership is integral to the <strong>Museum</strong>’s operations. M<strong>CA</strong>SD’s exhibitions and<br />
public programs would not be possible without the generous support <strong>of</strong> the<br />
<strong>Museum</strong>’s Members and Donors. M<strong>CA</strong>SD Members receive discounts at the<br />
<strong>Museum</strong>’s X <strong>St</strong>ore and the <strong>Museum</strong> Cafe; a subscription to the award-winning<br />
quarterly newsletter, VIEW; invitations to exclusive exhibition previews and events;<br />
and free or reduced admission to lectures, programs, and workshops throughout<br />
the year.<br />
In FY08, Members enjoyed a number <strong>of</strong> Members-only events including<br />
exhibition previews and opening receptions for Soundwaves: The Art <strong>of</strong> Sampling<br />
(9/28/07), Robert Irwin: Primaries and Secondaries (10/20/07), Erwin Redl:<br />
MATRIX II (1/18/08), Maya Lin: Systematic <strong>La</strong>ndscapes (4/3/08), and Elusive<br />
Signs: Bruce Nauman Works with Light (5/24/08). These exhibition previews and<br />
receptions allow Members to preview exhibitions before they open to the public,<br />
and include a curator-led tour <strong>of</strong> the exhibition. M<strong>CA</strong>SD Members also had the<br />
opportunity to attend the exclusive SDMA/M<strong>CA</strong>SD Axline Lecture featuring artist<br />
Maya Lin (4/4/08).<br />
monte Carlo<br />
On September 8, 2007, M<strong>CA</strong>SD jetsetted<br />
to Morocco for the 31st annual<br />
Monte Carlo gala fundraiser. Event<br />
chairs Gail and George Knox greeted<br />
San Diego’s philanthropists and<br />
corporate leaders as they entered<br />
Casablanca. Taking their cue from the<br />
classic Humphrey Bogart film, men<br />
donned white dinner jackets while<br />
women wore ‘40s cocktail gowns. Guests<br />
enjoyed Moroccan-inspired cuisine and<br />
cocktails, followed by gambling and<br />
dancing at the late-night party.<br />
21
Grants from private foundations and government agencies provide an important<br />
base <strong>of</strong> support for operations as well as for special projects, and M<strong>CA</strong>SD has an<br />
outstanding record <strong>of</strong> achievement with these competitive philanthropic organizations.<br />
In FY08, the <strong>Museum</strong> entered its third year <strong>of</strong> a major three-year grant<br />
from The James Irvine Foundation ($500,000), which provided vital support for<br />
the transition into the new downtown facilities. The James Irvine Foundation<br />
gave M<strong>CA</strong>SD a grant for long-range strategic planning, as well. Grants were<br />
also received from The San Diego Foundation; The Parker Foundation; Highland<br />
<strong>St</strong>reet Foundation; The Henry Luce Foundation; Mandell Weiss Foundation; LLWW<br />
Foundaton; The Nimoy Foundation; Thomas C. Ackerman Foundation; mediaThe<br />
Foundation, inc.; and the Weingart-Price Fund.<br />
Government agencies are also very important to the <strong>Museum</strong>’s operational<br />
well-being. The City <strong>of</strong> San Diego, through the Commission for Arts and Culture,<br />
is M<strong>CA</strong>SD’s most significant government supporter, with a grant <strong>of</strong> $315,002.<br />
M<strong>CA</strong>SD is grateful to Mayor Jerry Sanders and members <strong>of</strong> the City Council for<br />
their continued endorsement and support <strong>of</strong> the Commission, which is so vital<br />
to all <strong>of</strong> San Diego’s arts and culture organizations. The County <strong>of</strong> San Diego is<br />
also an important funder, and the <strong>Museum</strong> is grateful to Supervisors Pam Slater-<br />
Price, Ron Roberts, and Greg Cox, who made a $65,000 grant. Several government<br />
agencies made grants toward upcoming exhibitions, with the Australian<br />
M<strong>CA</strong>SD > FY08<br />
> Grants<br />
Arts Council giving $41,830 towards Rising Tide: Film and Video Works from the<br />
22<br />
<strong>Museum</strong> <strong>of</strong> Contemporary Art Collection, Sydney, and the federal agency, the<br />
National Endowment for the Arts, giving $40,000 towards Phenomenal: California<br />
Light and Space (on view in FY11). M<strong>CA</strong>SD also received a $7,900 grant from the<br />
California Arts Council for the Artists in Residence Program.
M<strong>CA</strong>SD > FY08<br />
> M<strong>CA</strong>SD Donors<br />
21st Century Campaign<br />
Founders $3,000,000+<br />
Joan and Irwin Jacobs<br />
David C. Copley<br />
Carolyn P. Farris<br />
Catellus, A Prologis Company<br />
Distinguished Benefactors<br />
$1,000,000—$2,999,999<br />
The Annenberg Foundation<br />
Sue K. and Dr. Charles C. Edwards<br />
Dr. Peter C. Farrell<br />
The Albatross Foundation<br />
Mary and James Berglund<br />
Jake and J. Todd Figi<br />
Pauline and <strong>St</strong>anley Foster<br />
Ruth and Murray A. Gribin<br />
<strong>St</strong>ephen Warren Miles and<br />
Marilyn Ross Miles Foundation<br />
Katherine and Mansfield Mills<br />
Maryanne and Irwin Pfister<br />
Elizabeth and Mason Phelps<br />
Dr. and Mrs. Kurt E. Shuler<br />
Iris and Matthew <strong>St</strong>rauss<br />
Patrons $500,000—$999,999<br />
Colette Carson Royston and Dr. Ivor Royston<br />
Drs. <strong>St</strong>acy and Paul Jacobs<br />
The Kresge Foundation<br />
Betlach Family Foundation<br />
Helen K. Copley<br />
James S. Copley Foundation<br />
Robert and Louise Harper<br />
National Endowment for the Humanities<br />
Benefactors $250,000—$499,999<br />
In Memory <strong>of</strong> Irene R. Jellinek<br />
National Endowment for the Arts<br />
Robin and Gerald Parsky<br />
Qualcomm<br />
Sheryl and Harvey White<br />
Contributors $100,000—$249,999<br />
Barbara and Charles Arledge<br />
Linnea and Frank Arrington<br />
Barbara Bloom Fund<br />
Nancy and Matt Browar<br />
Diane and Christopher Calkins<br />
Dr. Charles G. and Monica H. Cochrane<br />
County <strong>of</strong> San Diego, 3rd District Supervisor<br />
Pam Slater-Price<br />
County <strong>of</strong> San Diego, 4th District Supervisor<br />
Ron Roberts<br />
Danah H. Fayman<br />
David Guss Family<br />
Judith C. Harris and Robert Singer M.D.<br />
The James Irvine Foundation<br />
Arthur and Sandra Levinson<br />
Mary Keough Lyman<br />
Josephine R. MacConnell<br />
Patsy and David Marino<br />
Amelia and Kenneth Morris<br />
The Parker Foundation<br />
Fritz and Nora Sargent<br />
Seltzer Caplan McMahon Vitek<br />
In Memory <strong>of</strong> Dorothy Mitchell Shapiro<br />
Joyce and Ted <strong>St</strong>rauss<br />
John M. and Sally B. Thornton Foundation<br />
UBS<br />
Gilda and Victor Vilaplana<br />
Jo and Howard Weiner<br />
individual Giving<br />
m<strong>CA</strong>SD Annual Contributions<br />
$100,000+<br />
Anonymous Donors<br />
Axline Distribution Trust<br />
Mary and James Berglund<br />
David C.Copley<br />
Dr. Peter C. Farrell<br />
Carolyn P. Farris<br />
Jake and J. Todd Figi<br />
Joan and Irwin Jacobs<br />
Drs. <strong>St</strong>acy and Paul Jacobs<br />
Maryanne and Irwin Pfister<br />
Iris and Matthew <strong>St</strong>rauss<br />
<strong>La</strong>urie Mitchell and Brent Woods<br />
$25,000—$99,999<br />
Anonymous Donors<br />
Charles J. Betlach II<br />
Dr. Charles G. and Monica H. Cochrane<br />
Sue K. and Dr. Charles C. Edwards<br />
Faiya Fredman<br />
Audrey Geisel/Dr. Seuss Fund<br />
David Guss<br />
Gail and George Knox<br />
<strong>La</strong>s Patronas<br />
Mary Keough Lyman<br />
Patsy and David Marino<br />
Mark B. Moore<br />
Elizabeth and Mason Phelps<br />
Fritz and Nora Sargent<br />
<strong>St</strong>even M. <strong>St</strong>rauss and Lise Wilson<br />
$10,000—$24,999<br />
Anonymous Donors<br />
Barbara and Charles Arledge<br />
Linnea and Frank Arrington<br />
Melissa Garfield Bartell and Michael Bartell<br />
The Estate <strong>of</strong> Edith M. Barton<br />
David and Terri Bourne<br />
Barbara Bloom<br />
Carolin Botzenhardt<br />
Tanya and Charles Brandes<br />
Jeff and Sally Busby<br />
Ron and Cathy Busick<br />
Diane and Christopher Calkins<br />
Dr. Carol Randolph and Robert Caplan<br />
Colette Carson Royston and Dr. Ivor Royston<br />
Karen and Donald Cohn<br />
Kathryn S. Colachis<br />
Kathleen and Nicholas Connor<br />
Doug E. Edman<br />
Elaine and Murray Galinson<br />
<strong>St</strong>eve Grady and Joan Warren-Grady<br />
Pauline Foster<br />
Murray A. Gribin<br />
Judith C. Harris and Robert Singer, M.D.<br />
Jeanne Jones and Don Breitenberg<br />
William W. Karatz<br />
Sharon and Joel <strong>La</strong>bovitz<br />
<strong>St</strong>ephen and Marilyn Miles<br />
Garna G. Muller<br />
Estate <strong>of</strong> Susanna S. Oxley<br />
Robin and Gerald Parsky<br />
Brian Pawlowski<br />
Sheila Potiker<br />
Mr. and Mrs. Paul L. Reed<br />
Elizabeth Rose<br />
Richard and Faye Russell<br />
Cree and Ned Scudder<br />
Robert L. Shapiro and Flossie Cohen<br />
Mr. and Mrs. Forrest N. Shumway<br />
Karen and Kit Sickels<br />
Joyce and Ted <strong>St</strong>rauss<br />
Kevin and Haeyoung Tang<br />
Nancy B. Tieken<br />
Gilda and Victor Vilaplana<br />
Sheryl and Harvey White<br />
$5,000—$9,999<br />
Mary Beth Adderley-Wright and<br />
Richard Wright<br />
Patricia K. Applegate<br />
Nancy and Matt Browar<br />
Carlo Cetti<br />
Ellen and Joe Checota<br />
Trulette Clayes and Jeff Patrick<br />
Dr. and Mrs. William T. Comer<br />
Valerie and Harry Cooper<br />
Patti and Coop Cooprider<br />
Ellen and David Dolgen Foundation<br />
Donald and Nancy Dworken<br />
Danah H. Fayman<br />
Karen Fox<br />
Mitchell and Deborah Friendlaender<br />
Estate <strong>of</strong> Madeline L. Goldberg<br />
Dr. Richard and Jennifer Greenfield<br />
Terry Gulden and L. Renée Comeau<br />
Ingrid Hibben<br />
Margaret Jackson and Neil Hadfield<br />
Debby and Hal Jacobs<br />
Inge Johansen and Robert L. Gagnon<br />
Lynda and Richard Kerr<br />
Bryna and Jay Kranzler<br />
Carole E. <strong>La</strong>venthol<br />
Arthur and Sandra Levinson<br />
Josephine R. MacConnell and Guy R. Showley<br />
Ronald Mandel<br />
Liz and Chris McCullah<br />
Rebecca and John Moores<br />
Deborah and Charles Myers<br />
Robert and Anne Nugent<br />
Catherine and Bob Palmer<br />
Linda and Shearn Platt<br />
Peter and Peggy Preuss<br />
Dr. and Mrs. Justin W. Renaudin<br />
James Robbins<br />
Gad and Suzan Shaanan<br />
Erika and Dr. Fred Torri<br />
Jan Tuttleman<br />
Jo and Howard Weiner<br />
Helene and Allan Ziman<br />
$3,000–$4,999<br />
Gary Koerper and Tiffany Archer<br />
Betty Clarquist<br />
Robert W. Conn and Anne Hoger<br />
Gary Deutsch and Barbara Prince<br />
23
M<strong>CA</strong>SD > FY08<br />
> M<strong>CA</strong>SD Donors<br />
$3,000–$4,999 (continued)<br />
Phyllis and Dan Epstein<br />
Susanna and Michael Flaster<br />
Dr. and Mrs. George Goodman<br />
Dr. Linda Hirshberg and Gerald Hirshberg<br />
Dr. Warren and Karen Kessler<br />
Lewis and Marnie Klein<br />
Marvin Krichman and Francy <strong>St</strong>arr<br />
Robert and Susie <strong>La</strong>nkford<br />
Mr. and Mrs. Mitchell Leibovitz<br />
Jay and Jennifer Levitt<br />
Robin J. Lipman<br />
Claude Anthony and Deborah Marango<br />
Jeffrey Meyey and Mona Cacciari<br />
Yvonne and <strong>St</strong>eve Maloney<br />
Cebra McGinty-Poteet and <strong>La</strong>rry Poteet<br />
Vivian Lim and Joseph Wong<br />
Edward H. Richard and Warren P. Kendrick<br />
Ursula Sasso<br />
Dr. and Mrs. Kurt E. Shuler<br />
Jacquelyn and Robert Slotkin<br />
Elene and Herbert Solomon<br />
Gloria and Rod <strong>St</strong>one<br />
Allan D. and Anita Sutton<br />
Renée and Charles Taubman<br />
Joan and James Urdan<br />
Mr. and Mrs. Mel Wasserman<br />
Mr. and Mrs. Aaron Wechter<br />
Judy and Jack White<br />
Jeffrey Yates and Norma Rascón de Yates<br />
Emma and Leo Zuckerman<br />
Corporate, Foundation, and<br />
Government Donors<br />
$50,000 AND ABOVE<br />
91X<br />
Altria Group<br />
Bailey Gardiner, Inc.<br />
Catellus, a Prologis Company<br />
City <strong>of</strong> San Diego<br />
City <strong>of</strong> San Diego Commission for Arts<br />
and Culture<br />
The Christensen Fund<br />
Columbia Foundation<br />
County <strong>of</strong> San Diego<br />
Five <strong>St</strong>ar Parking<br />
The Getty Foundation<br />
Highland <strong>St</strong>reet Foundation<br />
Institute <strong>of</strong> <strong>Museum</strong> and Library Services<br />
The James Irvine Foundation<br />
<strong>La</strong>mar Outdoor Advertising<br />
National Endowment for the Arts<br />
Nordstrom<br />
The Parker Foundation<br />
Qualcomm<br />
The Rockefeller Foundation<br />
<strong>St</strong>eve Norton Perspectives<br />
UBS<br />
W Hotel San Diego<br />
The Andy Warhol Foundation for the<br />
Visual Arts<br />
$20,000—$49,999<br />
Cooley Godward Kronish LLP<br />
Fashion Valley<br />
Government <strong>of</strong> Baja California<br />
Hotel Solamar<br />
JSIX Restaurant<br />
Instituto Cultural de Baja California<br />
KPBS<br />
<strong>La</strong> <strong>Jolla</strong> Spa-MD<br />
<strong>La</strong>s Patronas<br />
The Legler Benbough Foundation<br />
Metropolitan Transit System<br />
Motorola<br />
Prescription Workout<br />
San Diego CityBeat<br />
San Diego Daily Transcript<br />
The James Irvine Foundation; the<br />
Oliver R. Porter Memorial Fund; Colonel<br />
Frank C. Wood Memorial Fund; Charles B.<br />
Cram Fund; and the David Huot West and<br />
Antoinette Huot West Endowment Fund <strong>of</strong><br />
The San Diego Foundation<br />
San Diego Magazine<br />
Sotheby’s<br />
Supervisors Ron Roberts, Pam Slater-Price,<br />
and Greg Cox and the County <strong>of</strong> San Diego<br />
Community Enhancement Fund<br />
Supervisor Pam Slater-Price and the County<br />
<strong>of</strong> San Diego Community Projects Fund<br />
$10,000—$19,999<br />
California Arts Council<br />
Chalk Hill Estate Vineyards & Winery<br />
Consulate General <strong>of</strong> Mexico<br />
Community Endowment Fund; and The San<br />
Diego Foundation Arts & Culture<br />
Working Group<br />
Cultural Coast, U.S. Mexico Foundation<br />
for Culture, Inc.<br />
Deutsche Bank<br />
The FrameMaker<br />
Friedman Billings Ramsey<br />
The Garfield Family Foundation<br />
The Henry Luce Foundation<br />
The <strong>St</strong>even R. and Garna G. Muller Fund<br />
<strong>of</strong> the Homebuilding Community<br />
Hyatt Regency <strong>La</strong> <strong>Jolla</strong><br />
Imperial Capital Bank<br />
<strong>La</strong>deki Restaurant Group<br />
LEVEL Vodka<br />
LLWW Foundation<br />
Mandell Weiss Charitable Trust<br />
The Nimoy Foundation<br />
Northern Trust Bank<br />
Ranch and Coast Magazine<br />
The Redducs Foundation<br />
The ResMed Foundation<br />
The Richard N. & Louette W. Smith Fund<br />
San Diego Sapphire Towers, LLC<br />
Sempra Energy<br />
<strong>St</strong>one Brewing Company<br />
Tapenade Restaurant and Catering Division<br />
Union Bank <strong>of</strong> California<br />
voice<strong>of</strong>sandiego.org<br />
W.P. <strong>St</strong>ewart & Company<br />
$5,000—$9,999<br />
AXA Advisors<br />
Ayres <strong>La</strong>nd Company<br />
The Buddy Taub Foundation<br />
CBIZ Nation Smith Hermes Diamond<br />
Classic Party Rentals<br />
Copley Newspapers<br />
Crown Point Catering<br />
Culinary Concepts<br />
Cymer, Inc.<br />
Elegant Events Catering<br />
Festivities Catering<br />
FRAME, Finnish Fund for Art Exchange<br />
Giuseppe Restaurants & Fine Catering<br />
Gifts in Kind Foundation/TechSoup<br />
HOIST Fitness Systems<br />
Investment Placement Group<br />
The Irvine Company<br />
JP Morgan Chase Foundation<br />
KPMG, LLP<br />
G.S. Levine Insurance Services<br />
mediaThe foundation, inc.<br />
Neiman Marcus<br />
Neyenesch Printing<br />
Peartrees Catering, Inc.<br />
The MPI Pfister Foundation<br />
San Diego Home/Garden Lifestyles<br />
Seltzer Caplan McMahon Vitek<br />
SignOnSanDiego.com<br />
The John M. and Sally B. Thornton<br />
Foundation<br />
TK&A Custom Catering<br />
Tasende Gallery<br />
The Thomas C. Ackerman Foundation<br />
Urban Kitchen Group<br />
Waters Fine Catering<br />
$2,500-$4,999<br />
Barona Band <strong>of</strong> Mission Indians<br />
James E. Schneider LL.M., Inc.<br />
<strong>La</strong> <strong>Jolla</strong> IVF<br />
The <strong>La</strong>ncer Group<br />
Lehman Brothers<br />
Nicholas-Applegate Capital Management<br />
Regents Bank<br />
Societe des Bains de Mer<br />
Thornton Winery<br />
These donor lists are current as <strong>of</strong> 6/30/08.<br />
We have made every effort to be accurate; if<br />
you have questions, please contact the <strong>Museum</strong><br />
at 858 454 3541 x117.<br />
24
Executive Committee<br />
J. Todd Figi, President<br />
David C. Copley, Vice President<br />
Paul Jacobs, Vice President<br />
Colette Carson Royston, Vice President<br />
Brent V. Woods, Vice President<br />
Mary Keough Lyman, Treasurer<br />
Barbara Bloom, Secretary<br />
Board <strong>of</strong> Trustees<br />
Barbara Arledge<br />
Linnea Arrington<br />
Charles Betlach II<br />
Barbara Bloom<br />
Charles Brandes<br />
Ronald L. Busick<br />
Christopher Calkins<br />
Charles G. Cochrane<br />
David C. Copley<br />
Sue K. Edwards<br />
Peter C. Farrell<br />
Carolyn Farris<br />
J. Todd Figi<br />
Pauline Foster<br />
Murray A. Gribin<br />
David Guss<br />
Paul Jacobs<br />
Gail Knox<br />
Mary Keough Lyman<br />
M<strong>CA</strong>SD > FY08<br />
> Board <strong>of</strong> Trustees<br />
Patsy Marino<br />
25<br />
ROBERT iRWin, Five x Five, 2007, Tergal voile and framing materials, 10 panels each 201 x 176 x 2 3/4 in. (510.5 x 447 x 7 cm).<br />
<strong>Museum</strong> purchase with funds from the Annenberg Foundation.<br />
Marilyn Ross Miles<br />
Robin Parsky<br />
Maryanne Pfister<br />
Mason Phelps<br />
Dr. Carol Randolph<br />
Colette Carson Royston<br />
Nora D. Sargent<br />
Matthew <strong>St</strong>rauss<br />
Sheryl White<br />
Brent V. Woods<br />
As <strong>of</strong> 6/30/08; please visit www.mcasd.org<br />
for current Board list.
Director’s Office<br />
Hugh M. Davies, Ph.D., The David C. Copley<br />
Director<br />
Inga Funck, Executive Assistant to the Director<br />
Tanya Lichtenstein, Administrative Assistant<br />
Business Office<br />
Charles E. Castle, Deputy Director<br />
Trulette M. Clayes, CPA, Controller<br />
Jen Riley, Accountant<br />
Catherine Lee, Human Resources<br />
Tiffani Mai, Accounting Clerk<br />
Cassandra Heiser, Business Office Assistant<br />
Curatorial<br />
<strong>St</strong>ephanie Hanor, Ph.D., Senior Curator<br />
Gabrielle Bridgeford, Education Curator<br />
Neil Kendricks, Film Curator<br />
Lucía Sanromán, Assistant Curator<br />
Anne Marie Purkey Levine, Registrar &<br />
Collection Manager<br />
Elizabeth Yang-Hellewell, Youth Programs<br />
Coordinator<br />
Michael Muehlhausen, Public Programs<br />
Coordinator<br />
Jenna Siman, Curatorial Coordinator<br />
Chelsea Jones, Curatorial Assistant<br />
Therese James, Assistant Registrar<br />
Ame Parsley, Chief Preparator<br />
Joshua Hartsough, Preparator<br />
Jeremy Woodall, Assistant Preparator<br />
Thomas Demello, Assistant Preparator<br />
Kate Beach, Education Assistant*<br />
Art Handlers*<br />
M<strong>CA</strong>SD > FY08<br />
> <strong>St</strong>aff 26<br />
*Denotes Part-time<br />
As <strong>of</strong> 6/30/08; please visit www.mcasd.org<br />
for current <strong>St</strong>aff list.<br />
Institutional Advancement<br />
Jane Rice, Director <strong>of</strong> Institutional<br />
Advancement<br />
Cynthia Tuomi, Corporate Partnerships/<br />
Special Events Manager<br />
Jaime Davis, Corporate Partnerships/Special<br />
Events Coordinator<br />
Katie Oram, Membership/Travel Coordinator<br />
Diana Mason, Membership Assistant<br />
Jasmine Erfe, Membership Coordinator<br />
External Affairs<br />
Anne Farrell, Director <strong>of</strong> External Affairs<br />
Ursula Rothfuss, Graphic Designer<br />
Alex Devereaux, Graphic Design Production<br />
Coordinator<br />
Communications<br />
Denise Montgomery, Director <strong>of</strong><br />
Communications<br />
Claire Caraska, Communications Coordinator<br />
Events and Visitor Services<br />
Edie Nehls, Events and Visitor Services<br />
Manager<br />
Mike Scheer, Production Manager<br />
Lesley Emery, Events Coordinator<br />
Eric Reichman, Events Assistant<br />
Shannon Lieberman, Visitor Services<br />
Coordinator<br />
Cindy Kinnard, Lead Visitor Services<br />
Representative<br />
Visitor Services Representatives*<br />
Event Technicians*<br />
Retail Services<br />
C. Monique Fuentes, Manager <strong>of</strong><br />
Retail Operations<br />
Ali Herndon Ortega, Associate Retail<br />
Manager<br />
Tim Jepson, Web <strong>St</strong>ore Coordinator<br />
X <strong>St</strong>ore Clerks*<br />
Facilities<br />
James Patocka, Facilities Manager<br />
Kathlene J. Gusel, IT & Projects Manager<br />
Tauno Hannula, Facilities Assistant<br />
Kris Krutz, Facilities Assistant<br />
Christian Akers, Facilities Assistant<br />
Jesse Watford, Facilities & Event Technician<br />
Security<br />
Justin Giampaoli, Chief <strong>of</strong> Security<br />
Javier Martinez, Security Manager<br />
Joseph Huppert, Security Services<br />
Supervisor – Downtown<br />
Kira Raduege, Security Services Supervisor<br />
– <strong>La</strong> <strong>Jolla</strong><br />
Scott Funderburk, Security Services<br />
Supervisor – <strong>La</strong> <strong>Jolla</strong><br />
Security Services Representatives*
introduction to Financial Highlights<br />
This report was prepared by the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego<br />
(M<strong>CA</strong>SD) from its FY2008 financial statements, which were audited by Mayer<br />
H<strong>of</strong>fman McCann PC.<br />
All debt and equity securities are recorded at fair market value. Realized<br />
gains and losses arising from the sale <strong>of</strong> investments are based upon the original<br />
cost <strong>of</strong> the security. Property and equipment purchases are recorded at cost. Depreciation<br />
and amortization <strong>of</strong> assets are calculated by the straight line method<br />
over the estimated useful lives <strong>of</strong> the related assets. Depreciation expense was<br />
approximately $1,063,000 for FY2008.<br />
In accordance with industry practice, the <strong>Museum</strong>’s collection, which has<br />
been acquired through purchases and contributions since M<strong>CA</strong>SD’s inception, is<br />
not recognized as an asset on the statement <strong>of</strong> financial position. Purchases <strong>of</strong><br />
collection items are recorded as decreases in unrestricted net assets in the year<br />
in which the items are acquired. Contributed collection items are not reflected on<br />
the financial statements. Proceeds from deaccessions or insurance recoveries are<br />
reflected as increases in the appropriate net asset classes.<br />
The complete audited financial statements, including the related notes and<br />
auditor’s report, are available upon written request.<br />
Charles E. Castle<br />
Deputy Director<br />
M<strong>CA</strong>SD > FY08<br />
> Financial <strong>St</strong>atements<br />
DARiO ROBLETO, The Diva Surgery, 2001-2002, various antique laboratory glassware<br />
(beakers, rods, test tubes, bottles, funnels, mortars and pestles, pipettes), magnifying glass, 27<br />
lab burner, glass breast pump, glass syringe, antique milk glass, antique powder box, vintage<br />
surgical equipment, tracheal extractor, scalpels, tweezers, scissors, glass beads, porcelain<br />
mortars and funnels, 45 rpm records, ground, spliced and melted vinyl records <strong>of</strong> various<br />
Diva vocals, audio tape, dissolved magnetic audio tape, various laboratory chemicals,<br />
sulfur, carbon, amino acids, crushed cubic zirconium, homemade crystals (monoammonium<br />
phosphate, water, dye), Novocain, sugar, honey, ocean water, oil, hummingbird and butterfly<br />
nectar, beeswax, polyester resin, mirrors, lights, wood, Plexiglas, letraset, vinyl lettering,<br />
paint. 77 x 81 x 56 in. <strong>Museum</strong> purchase, International and Contemporary Collectors Funds.
<strong>St</strong>atements <strong>of</strong> Financial Position as <strong>of</strong> June 30, 2008<br />
(With comparative summarized financial information for the year ended June 30, 2007)<br />
M<strong>CA</strong>SD > FY08<br />
> Financial <strong>St</strong>atements 28<br />
ASSETS<br />
2008 2007<br />
Cash and cash equivalents $1,059,504 $1,000,924<br />
Investments 37,733,797 46,754,184<br />
Accounts receivable 94,284 207,072<br />
Pledges and grants receivable 6,312,643 7,765,230<br />
Inventory 445,828 409,554<br />
Prepaid expenses and other assets 135,<strong>700</strong> 551,991<br />
Notes receivable from <strong>of</strong>ficers 1,070,256 1,165,081<br />
Property and equipment - net 38,277,090 34,148,718<br />
Deferred financing costs - net 405,012 420,392<br />
Total Assets $85,534,114 $92,423,146<br />
LiABiLiTiES AnD nET ASSETS<br />
Accounts payable and accrued expenses $512,200 $693,665<br />
Deferred revenue 647,133 1,534,638<br />
Deferred rent 1,024,414 224,482<br />
Deferred compensation 71,100 —<br />
Long-term debt 11,257,419 13,269,660<br />
Total liabilities $13,512,266 $15,722,445<br />
Net Assets:<br />
Unrestricted $21,491,617 $26,896,231<br />
Temporarily restricted 11,354,788 10,419,027<br />
Permanently restricted 39,175,443 39,385,443<br />
Total net assets $72,021,848 $76,<strong>700</strong>,701<br />
$85,534,114 $92,423,146
<strong>St</strong>atements <strong>of</strong> Financial Position as <strong>of</strong> June 30, 2008<br />
(With comparative summarized financial information for the year ended June 30, 2007)<br />
SuPPORT AnD REvEnuES:<br />
SUPPORT: 2008 2007<br />
Contributions $5,961,426 $3,265,290<br />
21 st Century Campaign 680,543 4,843,865<br />
Government support 477,791 767,456<br />
Total support $7,119,760 $8,876,611<br />
REVENUES:<br />
Investment income (loss) $(3,572,474) $6,951,249<br />
Special events 2,796,322 704,723<br />
Membership 551,821 523,886<br />
Auditorium, facility, and visitor services 798,292 660,256<br />
X <strong>St</strong>ore sales 331,125 276,689<br />
Program and other income 243,945 136,340<br />
Total revenues $1,149,032 $9,253,143<br />
Total support and revenues $8,268,792 $18,129,754<br />
EXPEnSES:<br />
Program activities:<br />
Permanent collection, circulation, and accessions $ 1,908,915 $2,917,050<br />
Exhibitions 3,833,522 3,708,590<br />
Education and Membership 1,140,618 1,339,068<br />
Auditorium, facility, and visitor services 789,824 934,481<br />
X <strong>St</strong>ore 471,399 394,289<br />
Total program services $8,144,277 $9,293,478<br />
Supporting services:<br />
General and administrative $2,196,407 $1,918,503<br />
Special events 1,806,638 536,794<br />
Communications and marketing 407,203 843,351<br />
External Affairs and Institutional Advancement 393,118 450,047<br />
Total supporting services $4,803,367 $3,748,695<br />
Total expenses $12,947,645 $13,042,173<br />
CHAnGE in nET ASSETS $(4,678,853) $5,087,581<br />
nET ASSETS - Beginning <strong>of</strong> year $76,<strong>700</strong>,701 $71,613,120<br />
nET ASSETS - End <strong>of</strong> year $72,021,848 $76,<strong>700</strong>,701<br />
M<strong>CA</strong>SD > FY08<br />
> Financial <strong>St</strong>atements 29
<strong>700</strong> <strong>Prospect</strong> <strong>St</strong>. <strong>La</strong> <strong>Jolla</strong>, <strong>CA</strong> <strong>92037</strong>-<strong>4291</strong><br />
1100 & 1001 Kettner Blvd. San Diego, <strong>CA</strong> 92101-3306<br />
858 454 3541 www.mcasd.org