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<strong>700</strong> <strong>Prospect</strong> <strong>St</strong>. <strong>La</strong> <strong>Jolla</strong>, <strong>CA</strong> <strong>92037</strong>-<strong>4291</strong> 1100 & 1001 Kettner Blvd. San Diego, <strong>CA</strong> 92101-3306 858 454 3541 www.mcasd.org


This page: Rear view <strong>of</strong> M<strong>CA</strong>SD <strong>La</strong> <strong>Jolla</strong> and the Edwards Garden Gallery. Photo by Philipp<br />

Scholz Rittermann.<br />

Cover image: vik muniz, Cloud Cloud San Diego, 2008, gelatin silver print, sheet: 20 x 24 in.<br />

(50.8 x 61 cm), Gift <strong>of</strong> the artist.<br />

> Contents<br />

3 > Letter from the President and the Director<br />

4 > Exhibitions > <strong>La</strong> <strong>Jolla</strong><br />

5 > Exhibitions > Downtown, 1001 Kettner<br />

6 > Exhibitions > Downtown, Joan and Irwin Jacobs Building<br />

7 > Acquisitions<br />

10 > Publications<br />

11 > Public Programs<br />

12 > Films<br />

14 > TNT<br />

16 > Education Programs<br />

21 > Contributions<br />

22 > Grants<br />

23 > Donors<br />

25 > Board <strong>of</strong> Trustees<br />

26 > <strong>St</strong>aff<br />

27 > Financial <strong>St</strong>atements


M<strong>CA</strong>SD > FY08<br />

> Letter from the President and the Director<br />

At the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego, we embrace the idea that art<br />

and museums can transform lives, and over the fiscal year ending June 30, 2008,<br />

we challenged our audiences with fresh ways <strong>of</strong> seeing, thinking, and engaging<br />

with the world. No recent exhibition exemplifies that philosophy more than<br />

Robert Irwin: Primaries and Secondaries. The large, light-filled spaces <strong>of</strong> the Joan<br />

and Irwin Jacobs Building and 1001 Kettner galleries in downtown San Diego<br />

were both particularly well suited to show Irwin’s work to its best advantage. The<br />

artist made use <strong>of</strong> his singular knowledge <strong>of</strong> the galleries he helped design at<br />

1001 Kettner and he responded brilliantly to the new environment in the Jacobs<br />

Building with several new works that premiered in the exhibition. Working for<br />

months in the Robert Caplan Artist-in-Residence <strong>St</strong>udio, Irwin experimented<br />

with new concepts and ideas, ultimately creating the luminous Light and Space<br />

artwork that was a highlight <strong>of</strong> the exhibition and a premiere example <strong>of</strong> how<br />

M<strong>CA</strong>SD continues to be a laboratory for artists to experiment with new forms <strong>of</strong><br />

visual expression.<br />

As the region’s foremost forum for presenting the art <strong>of</strong> our time, M<strong>CA</strong>SD served<br />

more visitors than ever before in FY2008—193,428 in total—and continued to<br />

reach new audiences. During this period, the <strong>Museum</strong> presented 17 exhibitions at<br />

its downtown and <strong>La</strong> <strong>Jolla</strong> locations, acquired 45 artworks for the collection, and<br />

provided a range <strong>of</strong> innovative and informative education programs for visitors <strong>of</strong><br />

all ages.<br />

Thanks to the generous support <strong>of</strong> Qualcomm, M<strong>CA</strong>SD continued to <strong>of</strong>fer free<br />

admission to everyone ages 25 and under. While the <strong>Museum</strong> has long been free<br />

to children 12 and under, with this program we are signaling to young people that<br />

we want them to experience all that M<strong>CA</strong>SD has to <strong>of</strong>fer. The program has been<br />

an unqualified success: our attendance among 18- to 25-year-olds has grown<br />

124% since the inception <strong>of</strong> this free admission program in January 2007.<br />

The <strong>Museum</strong>’s artistic and educational achievements are realized because<br />

<strong>of</strong> the leadership and philanthropic commitment <strong>of</strong> the Board <strong>of</strong> Trustees;<br />

the exceptionally generous support <strong>of</strong> M<strong>CA</strong>SD’s many Donors, Members, and<br />

Supporters; and the dedication and talent <strong>of</strong> the <strong>Museum</strong>’s staff. We thank them<br />

all for continuing to inspire us to new levels <strong>of</strong> excellence.<br />

We are proud <strong>of</strong> M<strong>CA</strong>SD’s contributions to our community and to the field <strong>of</strong><br />

contemporary art, and we look forward to continuing to engage and inspire<br />

audiences with innovative artistic programming in the years to come.<br />

J. Todd Figi Hugh M. Davies, Ph.D.<br />

President The David C. Copley Director<br />

3


M<strong>CA</strong>SD > FY08<br />

> Exhibitions > <strong>La</strong> <strong>Jolla</strong> 4<br />

Vik Muniz: Reflex<br />

June 2, 2007 - September 2, 2007<br />

Traveling exhibition organized by the Miami Art <strong>Museum</strong>.<br />

Diagrammatic Logic: Selections from<br />

the Collection<br />

July 1, 2007 – September 2, 2007<br />

Cerca Series: Iana Quesnell<br />

September 23, 2007 – December 30, 2007<br />

Soundwaves: The Art <strong>of</strong> Sampling<br />

September 23, 2007 – May 4, 2008<br />

Erwin Redl: MATRIX II<br />

January 17, 2008 – May 4, 2008<br />

Selections from Skeet McAuley:<br />

The Garden <strong>of</strong> Golf<br />

April 11, 2008 – June 22, 2008<br />

Elusive Signs:<br />

Bruce Nauman Works with Light<br />

May 25, 2008 – August 31, 2008<br />

Traveling exhibition organized by the Milwaukee<br />

Art <strong>Museum</strong>.


M<strong>CA</strong>SD > FY08<br />

> Exhibitions > Downtown, 1001 Kettner 5<br />

Suburban Sublime<br />

July 21, 2007 – September 23, 2007<br />

Cerca Series: Peter Simensky<br />

July 21, 2007 – September 23, 2007<br />

Robert Irwin: Primaries<br />

and Secondaries<br />

October 21, 2007 – April 13, 2008<br />

Cerca Series: Nina Katchadourian<br />

May 3, 2008 – July 6, 2008<br />

Cerca Series: Joshua Mosley<br />

May 3, 2008 – July 6, 2008


M<strong>CA</strong>SD > FY08<br />

> Exhibitions > Downtown, Joan and Irwin Jacobs Building 6<br />

Ernesto Neto<br />

January 21, 2007 – September 20, 2007<br />

Richard Wright<br />

January 21, 2007 – September 23, 2007<br />

Robert Therrien<br />

June 10, 2007 – September 23, 2007<br />

Harold Cohen<br />

July 15, 2007 – September 23, 2007<br />

Robert Irwin: Primaries and Secondaries<br />

October 21, 2007 – February 23, 2008<br />

Maya Lin: Systematic <strong>La</strong>ndscapes<br />

March 30, 2008 – June 30, 2008<br />

Traveling exhibition organized by the Henry Art<br />

Gallery, Seattle.


M<strong>CA</strong>SD > FY08<br />

> Acquisitions<br />

Peter Alexander<br />

Ice III, 1989<br />

oil on canvas<br />

60 1/2 x 66 in. (153.7 x 167.6 cm)<br />

Gift <strong>of</strong> the Murray and<br />

Ruth Gribin Foundation<br />

John Baldessari<br />

Noses & Ears, Etc.: The Gemini Series: Face<br />

with Nose and (Green) Ear, 2006<br />

three-layer, six-color screenprint mounted<br />

on Sintra with hand painting, edition 26/45<br />

34 3 /4 x 63 1 /4 x 3 in. (88.3 x 160.7 x 7.6 cm)<br />

<strong>Museum</strong> purchase with funds from<br />

The Buddy Taub Foundation,<br />

Dennis Roach, Director<br />

karl Benjamin<br />

Untitled, 1958<br />

oil on canvas<br />

40 1/2 x 50 1/2 in. (102.9 x 128.3 cm)<br />

Gift <strong>of</strong> the Murray and Ruth<br />

Gribin Foundation<br />

Sandow Birk<br />

Secretary <strong>of</strong> Defense Donald Rumsfeld<br />

Presenting His Plan for the Invasion <strong>of</strong><br />

Iraq, 2007<br />

acrylic and oil on canvas<br />

53 x 68 in. (134.6 x 172.7 cm)<br />

<strong>Museum</strong> purchase with funds provided by<br />

Brian Pawlowski<br />

Harold Cohen<br />

Rainforest #4 - #070602.4, 2007<br />

sealed prints: pigment inks on paper<br />

overall dimensions: 114 x 343 in. (289.6 x<br />

871.2 cm)<br />

7 panels, each: 114 x 49 in. (289.6 x 124.5 cm)<br />

Gift <strong>of</strong> AARON Research Corporation<br />

Ron Cooper<br />

Untitled (Shadow Box), 1972<br />

colored polyester resin<br />

24 x 24 x 3 1 /2 in. (61 x 61 x 8.9 cm)<br />

Gift <strong>of</strong> Dr. and Mrs. Peter Sheerin<br />

Sam Durant<br />

The Other Side/El Otro <strong>La</strong>do, 2005<br />

United <strong>St</strong>ates and Mexican flags, embroidery<br />

24 x 37 in. (61 x 94 cm)<br />

Gift <strong>of</strong> Carol Randolph and Robert Caplan<br />

William Feeney<br />

Repetition Does Not Transform a Lie into the<br />

Truth, 2007<br />

surfboard, steel, wood, foam, fiberglass,<br />

paraffin, surf wax: Sex Wax, <strong>St</strong>icky Bumps,<br />

Bubble Gum<br />

<strong>Museum</strong> purchase, 2007 stART Up Award<br />

vernon Fisher<br />

Musée des Beaux Arts, 1982<br />

dipytch, acrylic on laminated paper and<br />

acrylic on wood<br />

overall: 49 3 /4 x 86 in. (126.4 x 218.4 cm)<br />

Gift <strong>of</strong> the Murray and Ruth Gribin<br />

Foundation<br />

Faiya Fredman<br />

#050726, 2007<br />

pigment print on paper, edition <strong>of</strong> 7<br />

39 1 /4 x 31 3 /4 x 1 1 /4 in. (99.7 x 80.6 x 3.2 cm)<br />

<strong>Museum</strong> purchase, Louise R. and Robert S.<br />

Harper Fund<br />

Charles Garabedian<br />

<strong>St</strong>ill Life with Self Portrait, 1982<br />

acrylic on canvas<br />

36 x 60 in. (91.4 x 152.4 cm)<br />

Gift <strong>of</strong> Hansen, Jacobson, Teller, Hoberman,<br />

Newman, Warren and Richman, LLP<br />

Charles Garabedian<br />

LAX, 1970<br />

rubber and acrylic on paper<br />

39 x 50 in. (99.1 x 127 cm)<br />

Gift <strong>of</strong> Hansen, Jacobson, Teller, Hoberman,<br />

Newman, Warren and Richman, LLP<br />

Charles Garabedian<br />

Dr. Jekyll and Mr. Hyde, 1970<br />

watercolor on paper<br />

24 x 33 in. (61 x 83.8 cm)<br />

Gift <strong>of</strong> Hansen, Jacobson, Teller, Hoberman,<br />

Newman, Warren and Richman, LLP<br />

7


M<strong>CA</strong>SD > FY08<br />

> Acquisitions<br />

Gregory Gillespie<br />

Warrior, n.d.<br />

mixed media on panel<br />

66 3 /4 x 48 1 /4 in. (169.5 x 122.6 cm)<br />

Gift <strong>of</strong> Robert and Cheryl Fishko<br />

Joe Goode<br />

McDonald, 1992<br />

oil on linen<br />

102 x 75 in. (259.1 x 190.5 cm)<br />

Gift <strong>of</strong> the Murray and Ruth Gribin<br />

Foundation<br />

Robert irwin<br />

Light and Space, 2007<br />

115 fluorescent lights<br />

one wall, 271 1 /4 x 620 in.<br />

<strong>Museum</strong> purchase with funds from the<br />

Annenberg Foundation<br />

Robert irwin<br />

Square the Room, 2007<br />

Tergal voile and framing materials<br />

14 ft. x 46 ft. x 2 in.<br />

<strong>Museum</strong> purchase with funds from the<br />

Annenberg Foundation<br />

Robert irwin<br />

Five x Five, 2007<br />

Tergal voile and framing materials<br />

10 panels, each panel: 201 x 176 x 2 3 /4 in.<br />

(510.5 x 447 x 7 cm)<br />

<strong>Museum</strong> purchase with funds from the<br />

Annenberg Foundation<br />

Robert irwin<br />

1º 2º 3º 4º, 1992<br />

three Tergal voile walls, five floating frames<br />

painted with black lacquer, fluorescent lights<br />

three walls, each: 14 x 38 in. (35.6 x 96.5 cm)<br />

five frames, each: 10 x 26 in. (25.4 x 66 cm)<br />

Gift <strong>of</strong> the artist<br />

Robert irwin<br />

Three Primary Forms (Battery Park City<br />

World Financial Center), 1983<br />

colored pencil on paper<br />

67 x 61 in. (170.2 x 154.9 cm)<br />

Gift <strong>of</strong> Arne and Milly Glimcher<br />

Robert irwin<br />

Who’s Afraid <strong>of</strong> Red, Yellow & Blue 3 ,<br />

2006–2007<br />

aircraft honeycomb aluminum<br />

six panels, each: 241 1 /4 x 265 1 /2 x 1 5 /8 in.;<br />

overall installation dimensions variable<br />

<strong>Museum</strong> purchase, Contemporary<br />

Collectors Fund<br />

Robert irwin<br />

Primaries and Secondaries, 2007<br />

aircraft honeycomb aluminum<br />

13 panels, each: 84 x 38 x 1 5 /8 in.; overall<br />

installation dimensions variable<br />

<strong>Museum</strong> purchase<br />

Clay ketter<br />

Working Sketch for Goodbye 3rd <strong>St</strong>reet,<br />

1998<br />

graphite and household enamel on<br />

graph paper<br />

14 1 /2 x 14 1 /2 x 1 1 /8 in. (36.8 x 36.8 x 2.9 cm)<br />

<strong>Museum</strong> purchase with funds from Hilarie<br />

and Mark Moore and the Moore Family Trust<br />

Clay ketter<br />

Brunswick Pumphouse 921, 1998<br />

household enamel paint, wallboard<br />

compound and steel corner bead on gypsum<br />

wallboard, wood frame<br />

35 1 /2 x 35 1 /2 x 1 1 /8 in. (90.2 x 90.2 x 4.4 cm)<br />

<strong>Museum</strong> purchase with funds from Hilarie<br />

and Mark Moore and the Moore Family Trust<br />

Los Carpinteros<br />

Archivo Flexible, 2001<br />

watercolor on paper<br />

29 1 /2 x 41 1 /2 in. (74.9 x 105.4 cm)<br />

32 3 /4 x 44 3 /4 x 1 1 /4 in. (83.2 x 113.7 x 3.2 cm)<br />

Gift <strong>of</strong> Carol Randolph and Robert Caplan<br />

morris Louis<br />

Untitled (<strong>La</strong>ndscape with a figure and<br />

pathway), c. 1938<br />

watercolor on illustration board<br />

25 1 /2 x 35 1 /2 x 1 3 /4 in. (64.8 x 90.2 x 4.4 cm)<br />

Gift <strong>of</strong> Charles M. Bernstein<br />

Jean Lowe<br />

View from <strong>La</strong>urentian <strong>St</strong>reet, 2000<br />

oil on canvas<br />

120 x 216 in. (304.8 x 548.6 cm)<br />

Gift <strong>of</strong> the artist<br />

nathan mabry<br />

Process Art (Dead Men Don’t Make<br />

Sculpture), 2008<br />

bronze<br />

87 x 58 x 41 in. (221 x 147.3 x 104.1 cm)<br />

Joint purchase in part with funds provided<br />

by Murray A. Gribin; Hammer <strong>Museum</strong>, Los<br />

Angeles; and the <strong>Museum</strong> <strong>of</strong> Contemporary<br />

Art San Diego<br />

Richard Allen morris<br />

Untitled (Broken Grid Painting), 1987<br />

acrylic on canvas<br />

49 x 48 in. (124.5 x 121.9 cm)<br />

Gift <strong>of</strong> the Wayne W. Buss Estate<br />

8


M<strong>CA</strong>SD > FY08<br />

> Acquisitions<br />

vik muniz<br />

Cloud Cloud San Diego, 2008<br />

gelatin silver print<br />

sheet: 20 x 24 in. (50.8 x 61 cm)<br />

Gift <strong>of</strong> the artist<br />

Yoshitomo nara<br />

After the deluge, 2006<br />

acrylic on canvas<br />

64 x 64 in. (162.6 x 162.6 cm)<br />

Gift <strong>of</strong> Ana and Ivan Boesky<br />

Eric Orr<br />

You Had the Meaning but Missed the<br />

Experience, ca. 1981–1982<br />

mixed-media collage on lead panel<br />

29 x 24 in. (73.7 x 61 cm)<br />

Gift <strong>of</strong> the Murray and Ruth Gribin Foundation<br />

Eric Orr<br />

Red Void II, 1992<br />

oil and blood on board<br />

22 x 18 x 1 1 /2 in. (55.9 x 45.7 x 3.8 cm)<br />

Gift <strong>of</strong> Dr. and Mrs. Merle S. Glick<br />

<strong>St</strong>ephen Pace<br />

Untitled (#52-W40A), 1952<br />

watercolor on paper<br />

sheet: 30 3 /4 x 22 1 /4 in. (78.1 x 56.5 cm)<br />

Gift <strong>of</strong> George Schwartz in honor <strong>of</strong><br />

John M. Day<br />

iana Quesnell<br />

Triptych: Migration Path, 2007<br />

graphite on paper<br />

3 sheets, each: 79 x 79 in. (200.7 x 200.7 cm)<br />

<strong>Museum</strong> purchase, Louise R. and Robert S.<br />

Harper Fund<br />

David Rabinowitch<br />

Untitled, 1973<br />

graphite on paper<br />

42 1 /4 x 32 1 /4 x 1 1 /2 in. (107.3 x 81.9 x 3.8cm)<br />

Gift <strong>of</strong> Charles and Cindy Castle<br />

David Ryan<br />

DC3 Fan, 2004<br />

acrylic on wood and Sintra<br />

46 1/2 x 50 in. (118.1 x 127 cm)<br />

Gift <strong>of</strong> the Murray and Ruth Gribin<br />

Foundation<br />

Peter Simensky<br />

NC 100 (Neutral Capital), 2005<br />

collaged bills made from fragments <strong>of</strong><br />

national currencies from countries with<br />

unstable economies<br />

16 3 /4 x 20 5 /8 x 1 3 /4 in. (42.5 x 52.4 x 4.4 cm)<br />

<strong>Museum</strong> purchase, Louise R. and Robert S.<br />

Harper Fund<br />

Don Sorenson<br />

Untitled, 1984<br />

oil on canvas<br />

57 1 /2 x 95 1 /4 in. (146.1 x 241.9 cm)<br />

Gift <strong>of</strong> the Murray and Ruth Gribin<br />

Foundation<br />

Henry Taylor<br />

Pho me, 2005<br />

mixed media on canvas<br />

40 x 27 in. (101.6 x 68.6 cm)<br />

Gift <strong>of</strong> Dean Valentine and Amy Adelson<br />

Robert Therrien<br />

Red Disc, c. 1975<br />

cast acrylic<br />

16 in. diameter<br />

Gift <strong>of</strong> the Murray and Ruth Gribin<br />

Foundation<br />

Robert venturi<br />

I AM A HOUSE, 2007<br />

oil-based silkscreen on paper, edition <strong>of</strong> 50<br />

Each sheet: 11 x 17 in. (27.9 x 43.2 cm)<br />

<strong>Museum</strong> purchase<br />

ursula von Rydingsvard<br />

Undo, 1991<br />

cedar and graphite<br />

94 x 91 x 18 in. (238.8 x 231.1 x 45.7 cm)<br />

Gift <strong>of</strong> Dr. Jack Grebb and George Merema<br />

Andre Yi<br />

Untitled, 2006<br />

acrylic and colored pencil on paper<br />

41 1 /2 x 82 1 /4 in. (105.4 x 208.9 cm)<br />

Gift <strong>of</strong> L.J. Cella<br />

Peter Young<br />

Untitled #7, 1971<br />

oil on canvas<br />

75 x 75 in. (190.5 x 190.5 cm)<br />

Gift <strong>of</strong> the Murray and Ruth Gribin<br />

Foundation<br />

9


M<strong>CA</strong>SD > FY08<br />

> Publications<br />

Catalogue > Robert Irwin: Primaries and Secondaries<br />

Brochure > Cerca Series: Peter Simensky<br />

Brochure > Cerca Series: Iana Quesnell<br />

Exhibition Guide > Soundwaves: The Art <strong>of</strong> Sampling<br />

Brochure > Cerca Series: Joshua Mosley<br />

Brochure > Cerca Series: Nina Katchadourian<br />

Robert Irwin: Primaries and Secondaries<br />

By Dr. Hugh M. Davies, with texts by Robert Irwin. Designed by Ursula Rothfuss. 224 pages.<br />

10


M<strong>CA</strong>SD > FY08<br />

> Public Programs<br />

2007<br />

July 19 > Conversation with the Curator: Vik Muniz: Reflex<br />

August 16 > Artist Talk: Jean Lowe<br />

September 28 > Soundbytes on Soundwaves<br />

October 6 > Circuit Bending Workshop with Beatrix*Jar<br />

October 8 > PBS ART21: Season 4 Sneak Preview Screening<br />

October 18 > Soundwaves Artist Talk: Julio César Morales<br />

November 15 > Soundwaves Artist Talk: Dario Robleto<br />

2008<br />

January 10 > Lecture: <strong>La</strong>wrence Weschler on Robert Irwin<br />

January 18 > Artist Talk: Erwin Redl<br />

January 25 > Special Filmmaker’s Screening > Robert Irwin: The Beauty<br />

<strong>of</strong> Questions<br />

January 26, February 2, and February 9 > Creating in Context: Soundwaves<br />

February 21 > M<strong>CA</strong>SD/UCSD 2008 Russell Lecture featuring Robert Irwin<br />

March 7 > Walking L.A./(Sur)facing the City: A New Performance by Sara Wookey<br />

April 4 > Ninth Annual SDMA/M<strong>CA</strong>SD Axline Lecture featuring Maya Lin<br />

April 17 > Special Filmmaker’s Screening > Maya Lin: A <strong>St</strong>rong Clear Vision<br />

May 10 and May 17 > Allan Kaprow: Reinvented Happenings<br />

May 29 > Roundtable Discussion: Allan Kaprow<br />

11


July 13<br />

Spirit <strong>of</strong> the Beehive<br />

Victor Erice’s classic film is one <strong>of</strong> cinema’s<br />

most haunting visions <strong>of</strong> childhood, and is<br />

widely regarded as Spain’s greatest film to<br />

emerge during the 1970s.<br />

July 12<br />

Parking Lot Pictures: Raising Arizona<br />

M<strong>CA</strong>SD invited visitors to bring a lawn<br />

chair or blanket and enjoy the <strong>Museum</strong>’s<br />

free outdoor Parking Lot Pictures event<br />

featuring the 20th-anniversary screening <strong>of</strong><br />

brothers Joel and Ethan Coen’s zany, heartwarming<br />

comedy.<br />

August 9<br />

Parking Lot Pictures: Wait Until Dark<br />

The summer-time fun continued with<br />

M<strong>CA</strong>SD > FY08<br />

> Films > 2007 ice cream and a second free Parking Lot<br />

12<br />

Pictures screening spotlighting icon Audrey<br />

Hepburn in this 1967 thriller.<br />

August 23<br />

alt.pictureshows ‘07<br />

M<strong>CA</strong>SD presented the fifth annual<br />

alt.pictureshows. Portions <strong>of</strong> M<strong>CA</strong>SD’s galleries<br />

were transformed into San Diego’s premier<br />

short-film showcase and the definitive<br />

experiment in “physical channel surfing.”<br />

September 13<br />

Dolls<br />

M<strong>CA</strong>SD and the San Diego Asian Film Festival<br />

co-presented Takeshi Kitano’s poetic film that<br />

unfolds as a trio <strong>of</strong> powerful love stories.<br />

September 23<br />

‘Toon Town Troublemakers ‘07<br />

M<strong>CA</strong>SD’s second annual animation showcase<br />

celebrated edgy, experimental animated<br />

short films by various filmmakers.<br />

October 11<br />

Freaks<br />

This haunting 1932 horror classic rattles<br />

filmgoers’ nerves with its weird, but always<br />

compassionate, menagerie <strong>of</strong> sideshow<br />

oddities.<br />

November 8<br />

Enemies <strong>of</strong> Happiness<br />

M<strong>CA</strong>SD and Cinefemme co-presented this<br />

documentary about a young woman running<br />

for <strong>of</strong>fice in post-Taliban Afghanistan.<br />

December 13<br />

Metropolis<br />

M<strong>CA</strong>SD marked the 80th anniversary <strong>of</strong><br />

Fritz <strong>La</strong>ng’s 1927 science-fiction classic that<br />

remains a marvel <strong>of</strong> dystopian imagery.


January 17<br />

The Fat Man Walking<br />

M<strong>CA</strong>SD hosted the San Diego premiere <strong>of</strong><br />

this documentary about Oceanside resident<br />

<strong>St</strong>eve Vaught, whose unusual weight-loss<br />

strategy involved walking from San Diego to<br />

New York.<br />

January 31<br />

Touch <strong>of</strong> Evil<br />

Orson Welles’ 1958 film noir classic brings a<br />

new wave enthusiasm to this tale <strong>of</strong> police<br />

corruption and violence in a border town.<br />

The film was followed by a Q&A session with<br />

Neil Kendricks, M<strong>CA</strong>SD Film Curator, and<br />

Pr<strong>of</strong>essor Bill Nericcio, Department <strong>of</strong> English<br />

and Comparative Literature at San Diego<br />

<strong>St</strong>ate University.<br />

February 14<br />

<strong>La</strong>st Tango in Paris<br />

Bernardo Bertolucci’s erotic shocker still<br />

manages to disturb with its pitiless vision <strong>of</strong><br />

human sexuality turned ugly.<br />

February 28<br />

Banished<br />

This documentary takes a hard look at the<br />

legacy <strong>of</strong> a Southern town’s ugly history <strong>of</strong><br />

using mob violence to drive out its African-<br />

American residents.<br />

March 13<br />

Performance<br />

This film fuses elements <strong>of</strong> the gangster<br />

genre with surrealism, and features a young<br />

and unapologetic Mick Jagger in his first<br />

movie role as decadent rocker Turner.<br />

March 27<br />

The Man Who Fell to Earth<br />

An alien, played by David Bowie, travels<br />

to Earth to find the means to rescue the<br />

survivors <strong>of</strong> his dying planet in this hallucinatory<br />

film.<br />

April 10<br />

Bicycle Thieves<br />

Film director Vittorio De Sica’s Italian neorealist<br />

masterwork is one <strong>of</strong> the undisputed<br />

treasures <strong>of</strong> world cinema with its honest<br />

observations <strong>of</strong> everyday life.<br />

April 24<br />

<strong>St</strong>range Culture<br />

This non-fiction film breaks the mold <strong>of</strong> the<br />

documentary with its exploration <strong>of</strong> <strong>St</strong>eve<br />

Kurtz, an artist whose artworks lead him to<br />

be accused <strong>of</strong> being a terrorist.<br />

M<strong>CA</strong>SD > FY08<br />

> Films > 2008 13<br />

May 8<br />

Lynch<br />

This documentary <strong>of</strong> artist-filmmaker David<br />

Lynch <strong>of</strong>fers an insider’s perspective <strong>of</strong> the<br />

creative process <strong>of</strong> the maverick filmmaker.<br />

May 22<br />

Eraserhead<br />

Director David Lynch once described the<br />

film’s Kafkaesque nightmare as “a dream <strong>of</strong><br />

dark and troubling things.”<br />

June 12<br />

2001: A Space Odyssey<br />

<strong>St</strong>anley Kubrick’s 1968 science-fiction classic<br />

is a cinematic head trip, launching viewers<br />

from the dawn <strong>of</strong> man to humanity’s future<br />

in the stars.<br />

June 26<br />

Planet <strong>of</strong> the Apes<br />

Film-goers revisited the still-startling film,<br />

complete with talking apes and bewildered<br />

human astronauts trying to survive.


2007<br />

July 5 > Graphic Identity<br />

TNT got graphic with some inspiration from<br />

the work <strong>of</strong> artist Ryan McGinness, who fuses<br />

influences such as corporate logos, graphic<br />

design, graffiti, and art history into his work.<br />

San Diego design icons Don Hollis and Dylan<br />

Jones, the duo behind Little Italy’s quirky<br />

design boutique, Subtext, led a discussion<br />

on graphic art—old and new, corporate and<br />

underground. Attendees participated in a<br />

“Which Pantone color are you?” interactive<br />

activity and made their personal mark in a<br />

collaborative collage. Live music was provided<br />

by The Brisbanes and The Prayers.<br />

August 2 > High Drama<br />

Inspired by artist Robert Therrien’s giant<br />

table and chair sculptures, TNT was larger<br />

than life. Renowned scholar and UCSD<br />

Pr<strong>of</strong>essor <strong>of</strong> Art History, Norman Bryson, led<br />

a talk on Therrien’s work. Throughout the<br />

night, TNT-goers tried their luck at musical<br />

chairs with live melodies by the Teeny Tiny<br />

Pit Orchestra. They also enjoyed rare, vintage<br />

cartoons (one <strong>of</strong> the artist’s inspirations) and<br />

in the spirit <strong>of</strong> Therrien’s sculptural whimsy,<br />

created their own flying mustache-on-astick—an<br />

object that is all at once a puppet<br />

and a mask, a bird and a mustache. Plus, live<br />

local bands ¡Society!, Fantastic Magic, and DJ<br />

duo S<strong>of</strong>ty performed.<br />

M<strong>CA</strong>SD > FY08<br />

October 4 > Select Mode: Music and<br />

December 6 > Color and Light<br />

Technology Fashion Show<br />

Like the luminous work <strong>of</strong> Robert Irwin, TNT<br />

> TNT 14<br />

September 6 > Neutral Capital<br />

TNT celebrated its fifth anniversary, taking its<br />

cue from Cerca Series artist Peter Simensky’s<br />

alternative currency Neutral Capital.<br />

Attendees heard the artist speak about his<br />

work, then, created their own museum-ina-matchbox,<br />

inspired by Simensky’s Neutral<br />

Capital Collection, a mobile gallery-in-a-box.<br />

The night ended with live jailhouse rock<br />

and blues music by Diablo Dimes and the<br />

Bloodhounds.<br />

TNT-goers grabbed a front-row seat to<br />

view original designs inspired by music and<br />

technology. Select designers from Tijuana<br />

and San Diego—including Acamonchi, Tania<br />

Candiani, EXIST1981, Grammatique, Mari Morales,<br />

Trista Roland, Jorge Sanchez, Sy, and<br />

Jorge Tellaeche—showcased their work to the<br />

sounds <strong>of</strong> Big<strong>St</strong>ereo’s Rchrd Oh?!. The night<br />

continued with a performance by electronic<br />

sound-art duo Beatrix*Jar.<br />

November 1 > Black and White<br />

Inspired by the monochromatic works<br />

<strong>of</strong> Robert Irwin, TNT revealed itself as a<br />

black-and-white masquerade. TNT-goers<br />

were encouraged to bring their own mask<br />

or make one at the <strong>Museum</strong>. With a diverse<br />

mix <strong>of</strong> events, the night was full <strong>of</strong> beautiful<br />

contrasts. The word “Zen” has been associated<br />

with Irwin’s work and artistic practice,<br />

which participants explored via meditation in<br />

the galleries and workshops led by the Matrix<br />

Mandala Garden and the Dharma Bums.<br />

There were also live performances from<br />

all-girl cover band Wild Weekend and local<br />

indie-electro duo Qu’est-ce Que C’est.<br />

shined in a brilliant end-<strong>of</strong>-the-year holiday<br />

bash. As the night unfolded, visitors experienced<br />

a spectrum <strong>of</strong> activities, including a<br />

kaleidoscope-making activity and colorful live<br />

performances by The S<strong>of</strong>tLightes and Red<br />

Pony Clock, plus DJ grooves by Dr. Indulgent.


2008<br />

February 7 > Through the Decades<br />

Inspired by Robert Irwin’s 50-year career,<br />

TNT took a nostalgic trip back in time with<br />

activities and live performances inspired by<br />

the past five decades. Attendees watched as<br />

guest musicians created impromptu scores<br />

to vintage home movies found at garage<br />

sales, courtesy <strong>of</strong> the Found Film Jam.<br />

TNT-goers also made their own pet rock,<br />

a 1970s mega-fad. Visitors caught the San<br />

Diego Premiere <strong>of</strong> Morgan Neville’s quickpaced<br />

documentary The Cool School, which<br />

recounts the rise and fall <strong>of</strong> the Ferus Gallery.<br />

Live music was provided by The Vision <strong>of</strong><br />

a Dying World, The Paddle Boat, and DJ<br />

grooves by Jeff Graves.<br />

March 6 > Urban Context<br />

TNT examined urban life and landscapes<br />

with an assortment <strong>of</strong> urban-themed events<br />

and activities. The evening started <strong>of</strong>f with a<br />

discussion by L.A.-based performance artist<br />

Sara Wookey and local urban designers<br />

Howard Blackson and Michael <strong>St</strong>epner on the<br />

“new urbanism” movement in architecture.<br />

Then, TNT-goers caught excerpts <strong>of</strong> Walking<br />

L.A./(Sur)facing the City, a dance and multidisciplinary<br />

performance by Sara Wookey.<br />

There was also garage-punk by BRAAIINS!<br />

and hip-hop beats provided by DJ Destijl and<br />

DJ Artistic.<br />

M<strong>CA</strong>SD > FY08<br />

> TNT or, The Recursive Synthesis <strong>of</strong> an Illusion, a Series: Joshua Mosley. TNT-goers joined the<br />

15<br />

April 3 > Systematic <strong>La</strong>ndscapes<br />

Inspired by the work <strong>of</strong> Maya Lin and her<br />

exhibition Maya Lin: Systematic <strong>La</strong>ndscapes,<br />

TNT investigated our relationship to the landscape.<br />

TNT-goers crafted their own recycled<br />

postcards using maps and M<strong>CA</strong>SD mailed<br />

their cartographic creations. Attendees also<br />

enjoyed mellow indie pop by Longstay; experimental<br />

funk by F.U.Z.Z.; spirited indie rock<br />

by The Exfriends; and funky dance grooves<br />

by DJ Mark E. Quark.<br />

May 1 > Shifting Perspectives<br />

TNT questioned time, context, and identity<br />

with a special preview <strong>of</strong> The Merry Chase,<br />

collaborative performance from The Hybrid<br />

Authorship Project that wrestles with issues<br />

<strong>of</strong> time and timing, dynamics and rhythm,<br />

meaning and cliché in a mini-universe <strong>of</strong><br />

shifting perspectives and contexts. Visitors<br />

were encouraged to put on a pair <strong>of</strong> 3-D<br />

glasses and using special stereoscopic paper,<br />

turn their doodles into a popping 3-D button.<br />

Attendees listened to Seesaw Ensemble’s<br />

impromptu blend <strong>of</strong> jazz and noise; Reverse<br />

Cowboy’s shape-shifting punk; and genrebending<br />

beats provided by DJs Adam Salter<br />

and Erick Diaz.<br />

June 5 > Media Mix-Up<br />

It was an evening <strong>of</strong> mixed-media madness<br />

as TNT celebrated the opening <strong>of</strong> Cerca<br />

artist as he discussed his mixed-media work,<br />

dread, which combines computer animation,<br />

stop-motion animation, digital sound,<br />

sculpture, music, and dialogue. Visitors<br />

created their own miniature, mixed-media<br />

installation inside a clear bar <strong>of</strong> soap using<br />

dread-inspired found objects and enjoyed live<br />

music by The Silent Comedy, Green Pitch,<br />

and DJ Saul Q.


M<strong>CA</strong>SD > FY08<br />

> Education Programs<br />

Family Days<br />

In FY08, Family Day participants enjoyed hands-on art-making activities inspired<br />

by exhibitions on view at M<strong>CA</strong>SD’s downtown galleries.<br />

2007<br />

July 1 > Pop Art<br />

August 5 > Honey, I Shrunk the Kids<br />

September 2 > Good as Gold<br />

October 7 > Sculpture Workshop<br />

November 4 > Color Suspension<br />

Family Happenings<br />

Families took part in Family Happening events, creating works <strong>of</strong> art inspired<br />

by the exhibitions Vik Muniz: Reflex and Soundwaves: The Art <strong>of</strong> Sampling.<br />

Participants enjoyed hands-on art-making activities in Axline Court, the Coast<br />

Room, and Miles Terrace during each event. M<strong>CA</strong>SD Gallery Guides were on-hand<br />

throughout both events to lead special family tours through the galleries.<br />

2007 2008<br />

July 15 > Vik Muniz: Reflex April 13 > Soundwaves: The Art <strong>of</strong> Sampling<br />

16


PROGRAMS FOR TEACHERS<br />

vAPA <strong>St</strong>andards Workshops<br />

In FY08, M<strong>CA</strong>SD continued its partnership with the San Diego County Office <strong>of</strong><br />

Education by hosting a series <strong>of</strong> Visual and Performing Arts (VAPA) <strong>St</strong>andards<br />

Workshops at both the downtown and <strong>La</strong> <strong>Jolla</strong> locations. VAPA Workshops provide<br />

an overview <strong>of</strong> the framework and content standards that are used by educators<br />

in the <strong>St</strong>ate <strong>of</strong> California. Teacher participants were able to earn credit for their<br />

participation through the University <strong>of</strong> San Diego.<br />

2008<br />

March 4 > VAPA <strong>St</strong>andards 101<br />

April 30 > VAPA <strong>St</strong>andards 102<br />

May 22 > VAPA <strong>St</strong>andards 103<br />

M<strong>CA</strong>SD > FY08<br />

> Education Programs<br />

Educators’ Receptions<br />

The Education Department welcomed teachers from all over San Diego County at<br />

each <strong>of</strong> their Educators’ Receptions in FY08. Guests enjoyed the opportunity to<br />

learn about the <strong>Museum</strong>’s school and teacher programs, pick up free classroom<br />

resources, participate in staff-led tours <strong>of</strong> current exhibitions, and mingle with<br />

fellow educators.<br />

2007<br />

October 11 > Soundwaves: The Art <strong>of</strong><br />

Sampling Educators’ Reception<br />

2008<br />

April 10 > Maya Lin: Systematic<br />

<strong>La</strong>ndscapes Educators’ Reception<br />

SCHOOL PROGRAMS<br />

<strong>CA</strong>RE<br />

M<strong>CA</strong>SD, in partnership with the <strong>Museum</strong> <strong>of</strong> Photographic Arts and the San Diego<br />

<strong>Museum</strong> <strong>of</strong> Art, continued to <strong>of</strong>fer art and museum education programs to Title<br />

1 schools in the San Diego Unified School District through the Collaborative Arts<br />

Resources for Education (<strong>CA</strong>RE) program (www.carearts.org). Several schools<br />

received classroom art instruction, materials for hands-on art workshops, and<br />

<strong>Museum</strong> visits through the program in FY08. At each <strong>of</strong> the selected schools,<br />

SDMA <strong>of</strong>fered classes to third-graders, MOPA <strong>of</strong>fered classes to fourth-graders,<br />

and M<strong>CA</strong>SD <strong>of</strong>fered classes to fifth-graders.<br />

Elizabeth Yang-Hellewell and Allana Taranto served as the <strong>CA</strong>RE Educators<br />

for M<strong>CA</strong>SD in FY08. As the Educators, Elizabeth and Allana developed curriculum<br />

based on current M<strong>CA</strong>SD exhibitions, facilitated hands-on art-making workshops<br />

for teachers and students, and led tours <strong>of</strong> the galleries at the M<strong>CA</strong>SD<br />

<strong>La</strong> <strong>Jolla</strong> location.<br />

FY08 <strong>CA</strong>RE Schools<br />

Carson Elementary<br />

Garfield Elementary<br />

17


M<strong>CA</strong>SD > FY08<br />

> Education Programs<br />

m<strong>CA</strong>SD After School<br />

FY08 marked the five-year anniversary <strong>of</strong> the M<strong>CA</strong>SD After School program.<br />

Monarch School participated in weekly sessions with local artists and <strong>Museum</strong><br />

staff members. All Monarch workshops took place at M<strong>CA</strong>SD’s Downtown location<br />

and included both a tour <strong>of</strong> current exhibitions and hands-on art-making activities.<br />

2008<br />

JAnuARY<br />

10 > Introduction to the <strong>Museum</strong> Workshop: Design Your Own <strong>Museum</strong>, Part 1<br />

17 > Introduction to the <strong>Museum</strong> Workshop: Design Your Own <strong>Museum</strong>, Part II<br />

24 > Artist-Led Workshop: Iana Quesnell<br />

31 > Introduction to Color Workshop: Make Your Own Color Wheel<br />

FEBRuARY<br />

7 > Robert Irwin Workshop: Color and Perception, Part 1<br />

14 > Robert Irwin Workshop: Color and Perception, Part II<br />

21 > Robert Irwin Workshop: Scrims and Spheres<br />

28 > Robert Irwin Workshop: Paintings<br />

mARCH<br />

13 > Site-Specific Workshop: Richard Wright<br />

20 > Site-Specific Workshop: Richard Serra<br />

27 > Site-Specific Workshop: Roman de Salvo<br />

APRiL<br />

10 > Maya Lin Workshop: Mapping<br />

17 > Maya Lin Workshop: 2x4 <strong>La</strong>ndscape<br />

24 > Maya Lin Workshop: Taking Cues from the Natural <strong>La</strong>ndscape<br />

mAY<br />

1 > Maya Lin Workshop: Atlas/Map Postcard<br />

8 > Maya Lin Workshop: Rubbings and Waterlines<br />

15 > Joshua Mosley Workshop: Theater Production, Day 1<br />

22 > Joshua Mosley Workshop: Theater Production, Day 2<br />

29 > Joshua Mosley Workshop: Theater Production, Day 3<br />

JunE<br />

5 > Artist-Led Workshop: Joshua Mosley<br />

18


M<strong>CA</strong>SD > FY08<br />

> Education Programs<br />

PROGRAMS FOR TEENS<br />

<strong>St</strong>reaming Dialogues<br />

FY08 marked the beginning <strong>of</strong> M<strong>CA</strong>SD’s partnership with High Tech High Media<br />

Arts to pilot an academic-year teen program based at the <strong>Museum</strong>’s downtown<br />

location. The program provided the opportunity for selected HTHMA students<br />

to research, meet, interview, and film artists whose work was on view in current<br />

exhibitions. The students’ artist interviews were converted to video podcasts and<br />

posted on the <strong>Museum</strong>’s iTunes page.<br />

In the fall <strong>of</strong> 2007, High Tech High Media Arts juniors Zachary Small, Hunter<br />

Moskowitz, and Walker <strong>La</strong>Fee interviewed artists Robert Irwin, Dario Robleto,<br />

and Julio César Morales. The trio<br />

participated in twice-weekly workshops<br />

with M<strong>CA</strong>SD staff members and filmmaker<br />

Nathan Gulick to hone their filming,<br />

editing, and interviewing techniques in<br />

preparation for their artist interviews.<br />

In the spring <strong>of</strong> 2008, High Tech High<br />

students Erin Bell, Ross Cummings, and<br />

Andres Navarrete interviewed artists<br />

Roman de Salvo, Nina Katchadourian, and<br />

Joshua Mosley. Each semester culminated<br />

with a public screening <strong>of</strong> the teens’ films<br />

at the <strong>Museum</strong>.<br />

19


M<strong>CA</strong>SD > FY08<br />

> Education Programs<br />

Gallery Guide Program<br />

In FY08, M<strong>CA</strong>SD welcomed four new Gallery Guides to its team. The expanded<br />

Gallery Guide program continued to provide scheduled school and adult tours, as<br />

well as public tours at all <strong>of</strong> the <strong>Museum</strong>’s locations. Once a month, the Gallery<br />

Guides participated in training workshops led by the M<strong>CA</strong>SD Education Department<br />

staff and museum education pr<strong>of</strong>essionals from other local arts institutions.<br />

FY08 Gallery Guide Roster<br />

Kate Beach<br />

Wes Bruce<br />

Josh Clavell<br />

Crystal Clem<br />

George Garcia<br />

Jia Gu<br />

Christina Hendershaw<br />

Valentina Martin<br />

Devin McClain<br />

Lindsay Preston<br />

Janet Rostovsky<br />

Anne Simon<br />

Sarah Trujillo<br />

20


M<strong>CA</strong>SD > FY08<br />

> Contributions<br />

membership<br />

Membership is integral to the <strong>Museum</strong>’s operations. M<strong>CA</strong>SD’s exhibitions and<br />

public programs would not be possible without the generous support <strong>of</strong> the<br />

<strong>Museum</strong>’s Members and Donors. M<strong>CA</strong>SD Members receive discounts at the<br />

<strong>Museum</strong>’s X <strong>St</strong>ore and the <strong>Museum</strong> Cafe; a subscription to the award-winning<br />

quarterly newsletter, VIEW; invitations to exclusive exhibition previews and events;<br />

and free or reduced admission to lectures, programs, and workshops throughout<br />

the year.<br />

In FY08, Members enjoyed a number <strong>of</strong> Members-only events including<br />

exhibition previews and opening receptions for Soundwaves: The Art <strong>of</strong> Sampling<br />

(9/28/07), Robert Irwin: Primaries and Secondaries (10/20/07), Erwin Redl:<br />

MATRIX II (1/18/08), Maya Lin: Systematic <strong>La</strong>ndscapes (4/3/08), and Elusive<br />

Signs: Bruce Nauman Works with Light (5/24/08). These exhibition previews and<br />

receptions allow Members to preview exhibitions before they open to the public,<br />

and include a curator-led tour <strong>of</strong> the exhibition. M<strong>CA</strong>SD Members also had the<br />

opportunity to attend the exclusive SDMA/M<strong>CA</strong>SD Axline Lecture featuring artist<br />

Maya Lin (4/4/08).<br />

monte Carlo<br />

On September 8, 2007, M<strong>CA</strong>SD jetsetted<br />

to Morocco for the 31st annual<br />

Monte Carlo gala fundraiser. Event<br />

chairs Gail and George Knox greeted<br />

San Diego’s philanthropists and<br />

corporate leaders as they entered<br />

Casablanca. Taking their cue from the<br />

classic Humphrey Bogart film, men<br />

donned white dinner jackets while<br />

women wore ‘40s cocktail gowns. Guests<br />

enjoyed Moroccan-inspired cuisine and<br />

cocktails, followed by gambling and<br />

dancing at the late-night party.<br />

21


Grants from private foundations and government agencies provide an important<br />

base <strong>of</strong> support for operations as well as for special projects, and M<strong>CA</strong>SD has an<br />

outstanding record <strong>of</strong> achievement with these competitive philanthropic organizations.<br />

In FY08, the <strong>Museum</strong> entered its third year <strong>of</strong> a major three-year grant<br />

from The James Irvine Foundation ($500,000), which provided vital support for<br />

the transition into the new downtown facilities. The James Irvine Foundation<br />

gave M<strong>CA</strong>SD a grant for long-range strategic planning, as well. Grants were<br />

also received from The San Diego Foundation; The Parker Foundation; Highland<br />

<strong>St</strong>reet Foundation; The Henry Luce Foundation; Mandell Weiss Foundation; LLWW<br />

Foundaton; The Nimoy Foundation; Thomas C. Ackerman Foundation; mediaThe<br />

Foundation, inc.; and the Weingart-Price Fund.<br />

Government agencies are also very important to the <strong>Museum</strong>’s operational<br />

well-being. The City <strong>of</strong> San Diego, through the Commission for Arts and Culture,<br />

is M<strong>CA</strong>SD’s most significant government supporter, with a grant <strong>of</strong> $315,002.<br />

M<strong>CA</strong>SD is grateful to Mayor Jerry Sanders and members <strong>of</strong> the City Council for<br />

their continued endorsement and support <strong>of</strong> the Commission, which is so vital<br />

to all <strong>of</strong> San Diego’s arts and culture organizations. The County <strong>of</strong> San Diego is<br />

also an important funder, and the <strong>Museum</strong> is grateful to Supervisors Pam Slater-<br />

Price, Ron Roberts, and Greg Cox, who made a $65,000 grant. Several government<br />

agencies made grants toward upcoming exhibitions, with the Australian<br />

M<strong>CA</strong>SD > FY08<br />

> Grants<br />

Arts Council giving $41,830 towards Rising Tide: Film and Video Works from the<br />

22<br />

<strong>Museum</strong> <strong>of</strong> Contemporary Art Collection, Sydney, and the federal agency, the<br />

National Endowment for the Arts, giving $40,000 towards Phenomenal: California<br />

Light and Space (on view in FY11). M<strong>CA</strong>SD also received a $7,900 grant from the<br />

California Arts Council for the Artists in Residence Program.


M<strong>CA</strong>SD > FY08<br />

> M<strong>CA</strong>SD Donors<br />

21st Century Campaign<br />

Founders $3,000,000+<br />

Joan and Irwin Jacobs<br />

David C. Copley<br />

Carolyn P. Farris<br />

Catellus, A Prologis Company<br />

Distinguished Benefactors<br />

$1,000,000—$2,999,999<br />

The Annenberg Foundation<br />

Sue K. and Dr. Charles C. Edwards<br />

Dr. Peter C. Farrell<br />

The Albatross Foundation<br />

Mary and James Berglund<br />

Jake and J. Todd Figi<br />

Pauline and <strong>St</strong>anley Foster<br />

Ruth and Murray A. Gribin<br />

<strong>St</strong>ephen Warren Miles and<br />

Marilyn Ross Miles Foundation<br />

Katherine and Mansfield Mills<br />

Maryanne and Irwin Pfister<br />

Elizabeth and Mason Phelps<br />

Dr. and Mrs. Kurt E. Shuler<br />

Iris and Matthew <strong>St</strong>rauss<br />

Patrons $500,000—$999,999<br />

Colette Carson Royston and Dr. Ivor Royston<br />

Drs. <strong>St</strong>acy and Paul Jacobs<br />

The Kresge Foundation<br />

Betlach Family Foundation<br />

Helen K. Copley<br />

James S. Copley Foundation<br />

Robert and Louise Harper<br />

National Endowment for the Humanities<br />

Benefactors $250,000—$499,999<br />

In Memory <strong>of</strong> Irene R. Jellinek<br />

National Endowment for the Arts<br />

Robin and Gerald Parsky<br />

Qualcomm<br />

Sheryl and Harvey White<br />

Contributors $100,000—$249,999<br />

Barbara and Charles Arledge<br />

Linnea and Frank Arrington<br />

Barbara Bloom Fund<br />

Nancy and Matt Browar<br />

Diane and Christopher Calkins<br />

Dr. Charles G. and Monica H. Cochrane<br />

County <strong>of</strong> San Diego, 3rd District Supervisor<br />

Pam Slater-Price<br />

County <strong>of</strong> San Diego, 4th District Supervisor<br />

Ron Roberts<br />

Danah H. Fayman<br />

David Guss Family<br />

Judith C. Harris and Robert Singer M.D.<br />

The James Irvine Foundation<br />

Arthur and Sandra Levinson<br />

Mary Keough Lyman<br />

Josephine R. MacConnell<br />

Patsy and David Marino<br />

Amelia and Kenneth Morris<br />

The Parker Foundation<br />

Fritz and Nora Sargent<br />

Seltzer Caplan McMahon Vitek<br />

In Memory <strong>of</strong> Dorothy Mitchell Shapiro<br />

Joyce and Ted <strong>St</strong>rauss<br />

John M. and Sally B. Thornton Foundation<br />

UBS<br />

Gilda and Victor Vilaplana<br />

Jo and Howard Weiner<br />

individual Giving<br />

m<strong>CA</strong>SD Annual Contributions<br />

$100,000+<br />

Anonymous Donors<br />

Axline Distribution Trust<br />

Mary and James Berglund<br />

David C.Copley<br />

Dr. Peter C. Farrell<br />

Carolyn P. Farris<br />

Jake and J. Todd Figi<br />

Joan and Irwin Jacobs<br />

Drs. <strong>St</strong>acy and Paul Jacobs<br />

Maryanne and Irwin Pfister<br />

Iris and Matthew <strong>St</strong>rauss<br />

<strong>La</strong>urie Mitchell and Brent Woods<br />

$25,000—$99,999<br />

Anonymous Donors<br />

Charles J. Betlach II<br />

Dr. Charles G. and Monica H. Cochrane<br />

Sue K. and Dr. Charles C. Edwards<br />

Faiya Fredman<br />

Audrey Geisel/Dr. Seuss Fund<br />

David Guss<br />

Gail and George Knox<br />

<strong>La</strong>s Patronas<br />

Mary Keough Lyman<br />

Patsy and David Marino<br />

Mark B. Moore<br />

Elizabeth and Mason Phelps<br />

Fritz and Nora Sargent<br />

<strong>St</strong>even M. <strong>St</strong>rauss and Lise Wilson<br />

$10,000—$24,999<br />

Anonymous Donors<br />

Barbara and Charles Arledge<br />

Linnea and Frank Arrington<br />

Melissa Garfield Bartell and Michael Bartell<br />

The Estate <strong>of</strong> Edith M. Barton<br />

David and Terri Bourne<br />

Barbara Bloom<br />

Carolin Botzenhardt<br />

Tanya and Charles Brandes<br />

Jeff and Sally Busby<br />

Ron and Cathy Busick<br />

Diane and Christopher Calkins<br />

Dr. Carol Randolph and Robert Caplan<br />

Colette Carson Royston and Dr. Ivor Royston<br />

Karen and Donald Cohn<br />

Kathryn S. Colachis<br />

Kathleen and Nicholas Connor<br />

Doug E. Edman<br />

Elaine and Murray Galinson<br />

<strong>St</strong>eve Grady and Joan Warren-Grady<br />

Pauline Foster<br />

Murray A. Gribin<br />

Judith C. Harris and Robert Singer, M.D.<br />

Jeanne Jones and Don Breitenberg<br />

William W. Karatz<br />

Sharon and Joel <strong>La</strong>bovitz<br />

<strong>St</strong>ephen and Marilyn Miles<br />

Garna G. Muller<br />

Estate <strong>of</strong> Susanna S. Oxley<br />

Robin and Gerald Parsky<br />

Brian Pawlowski<br />

Sheila Potiker<br />

Mr. and Mrs. Paul L. Reed<br />

Elizabeth Rose<br />

Richard and Faye Russell<br />

Cree and Ned Scudder<br />

Robert L. Shapiro and Flossie Cohen<br />

Mr. and Mrs. Forrest N. Shumway<br />

Karen and Kit Sickels<br />

Joyce and Ted <strong>St</strong>rauss<br />

Kevin and Haeyoung Tang<br />

Nancy B. Tieken<br />

Gilda and Victor Vilaplana<br />

Sheryl and Harvey White<br />

$5,000—$9,999<br />

Mary Beth Adderley-Wright and<br />

Richard Wright<br />

Patricia K. Applegate<br />

Nancy and Matt Browar<br />

Carlo Cetti<br />

Ellen and Joe Checota<br />

Trulette Clayes and Jeff Patrick<br />

Dr. and Mrs. William T. Comer<br />

Valerie and Harry Cooper<br />

Patti and Coop Cooprider<br />

Ellen and David Dolgen Foundation<br />

Donald and Nancy Dworken<br />

Danah H. Fayman<br />

Karen Fox<br />

Mitchell and Deborah Friendlaender<br />

Estate <strong>of</strong> Madeline L. Goldberg<br />

Dr. Richard and Jennifer Greenfield<br />

Terry Gulden and L. Renée Comeau<br />

Ingrid Hibben<br />

Margaret Jackson and Neil Hadfield<br />

Debby and Hal Jacobs<br />

Inge Johansen and Robert L. Gagnon<br />

Lynda and Richard Kerr<br />

Bryna and Jay Kranzler<br />

Carole E. <strong>La</strong>venthol<br />

Arthur and Sandra Levinson<br />

Josephine R. MacConnell and Guy R. Showley<br />

Ronald Mandel<br />

Liz and Chris McCullah<br />

Rebecca and John Moores<br />

Deborah and Charles Myers<br />

Robert and Anne Nugent<br />

Catherine and Bob Palmer<br />

Linda and Shearn Platt<br />

Peter and Peggy Preuss<br />

Dr. and Mrs. Justin W. Renaudin<br />

James Robbins<br />

Gad and Suzan Shaanan<br />

Erika and Dr. Fred Torri<br />

Jan Tuttleman<br />

Jo and Howard Weiner<br />

Helene and Allan Ziman<br />

$3,000–$4,999<br />

Gary Koerper and Tiffany Archer<br />

Betty Clarquist<br />

Robert W. Conn and Anne Hoger<br />

Gary Deutsch and Barbara Prince<br />

23


M<strong>CA</strong>SD > FY08<br />

> M<strong>CA</strong>SD Donors<br />

$3,000–$4,999 (continued)<br />

Phyllis and Dan Epstein<br />

Susanna and Michael Flaster<br />

Dr. and Mrs. George Goodman<br />

Dr. Linda Hirshberg and Gerald Hirshberg<br />

Dr. Warren and Karen Kessler<br />

Lewis and Marnie Klein<br />

Marvin Krichman and Francy <strong>St</strong>arr<br />

Robert and Susie <strong>La</strong>nkford<br />

Mr. and Mrs. Mitchell Leibovitz<br />

Jay and Jennifer Levitt<br />

Robin J. Lipman<br />

Claude Anthony and Deborah Marango<br />

Jeffrey Meyey and Mona Cacciari<br />

Yvonne and <strong>St</strong>eve Maloney<br />

Cebra McGinty-Poteet and <strong>La</strong>rry Poteet<br />

Vivian Lim and Joseph Wong<br />

Edward H. Richard and Warren P. Kendrick<br />

Ursula Sasso<br />

Dr. and Mrs. Kurt E. Shuler<br />

Jacquelyn and Robert Slotkin<br />

Elene and Herbert Solomon<br />

Gloria and Rod <strong>St</strong>one<br />

Allan D. and Anita Sutton<br />

Renée and Charles Taubman<br />

Joan and James Urdan<br />

Mr. and Mrs. Mel Wasserman<br />

Mr. and Mrs. Aaron Wechter<br />

Judy and Jack White<br />

Jeffrey Yates and Norma Rascón de Yates<br />

Emma and Leo Zuckerman<br />

Corporate, Foundation, and<br />

Government Donors<br />

$50,000 AND ABOVE<br />

91X<br />

Altria Group<br />

Bailey Gardiner, Inc.<br />

Catellus, a Prologis Company<br />

City <strong>of</strong> San Diego<br />

City <strong>of</strong> San Diego Commission for Arts<br />

and Culture<br />

The Christensen Fund<br />

Columbia Foundation<br />

County <strong>of</strong> San Diego<br />

Five <strong>St</strong>ar Parking<br />

The Getty Foundation<br />

Highland <strong>St</strong>reet Foundation<br />

Institute <strong>of</strong> <strong>Museum</strong> and Library Services<br />

The James Irvine Foundation<br />

<strong>La</strong>mar Outdoor Advertising<br />

National Endowment for the Arts<br />

Nordstrom<br />

The Parker Foundation<br />

Qualcomm<br />

The Rockefeller Foundation<br />

<strong>St</strong>eve Norton Perspectives<br />

UBS<br />

W Hotel San Diego<br />

The Andy Warhol Foundation for the<br />

Visual Arts<br />

$20,000—$49,999<br />

Cooley Godward Kronish LLP<br />

Fashion Valley<br />

Government <strong>of</strong> Baja California<br />

Hotel Solamar<br />

JSIX Restaurant<br />

Instituto Cultural de Baja California<br />

KPBS<br />

<strong>La</strong> <strong>Jolla</strong> Spa-MD<br />

<strong>La</strong>s Patronas<br />

The Legler Benbough Foundation<br />

Metropolitan Transit System<br />

Motorola<br />

Prescription Workout<br />

San Diego CityBeat<br />

San Diego Daily Transcript<br />

The James Irvine Foundation; the<br />

Oliver R. Porter Memorial Fund; Colonel<br />

Frank C. Wood Memorial Fund; Charles B.<br />

Cram Fund; and the David Huot West and<br />

Antoinette Huot West Endowment Fund <strong>of</strong><br />

The San Diego Foundation<br />

San Diego Magazine<br />

Sotheby’s<br />

Supervisors Ron Roberts, Pam Slater-Price,<br />

and Greg Cox and the County <strong>of</strong> San Diego<br />

Community Enhancement Fund<br />

Supervisor Pam Slater-Price and the County<br />

<strong>of</strong> San Diego Community Projects Fund<br />

$10,000—$19,999<br />

California Arts Council<br />

Chalk Hill Estate Vineyards & Winery<br />

Consulate General <strong>of</strong> Mexico<br />

Community Endowment Fund; and The San<br />

Diego Foundation Arts & Culture<br />

Working Group<br />

Cultural Coast, U.S. Mexico Foundation<br />

for Culture, Inc.<br />

Deutsche Bank<br />

The FrameMaker<br />

Friedman Billings Ramsey<br />

The Garfield Family Foundation<br />

The Henry Luce Foundation<br />

The <strong>St</strong>even R. and Garna G. Muller Fund<br />

<strong>of</strong> the Homebuilding Community<br />

Hyatt Regency <strong>La</strong> <strong>Jolla</strong><br />

Imperial Capital Bank<br />

<strong>La</strong>deki Restaurant Group<br />

LEVEL Vodka<br />

LLWW Foundation<br />

Mandell Weiss Charitable Trust<br />

The Nimoy Foundation<br />

Northern Trust Bank<br />

Ranch and Coast Magazine<br />

The Redducs Foundation<br />

The ResMed Foundation<br />

The Richard N. & Louette W. Smith Fund<br />

San Diego Sapphire Towers, LLC<br />

Sempra Energy<br />

<strong>St</strong>one Brewing Company<br />

Tapenade Restaurant and Catering Division<br />

Union Bank <strong>of</strong> California<br />

voice<strong>of</strong>sandiego.org<br />

W.P. <strong>St</strong>ewart & Company<br />

$5,000—$9,999<br />

AXA Advisors<br />

Ayres <strong>La</strong>nd Company<br />

The Buddy Taub Foundation<br />

CBIZ Nation Smith Hermes Diamond<br />

Classic Party Rentals<br />

Copley Newspapers<br />

Crown Point Catering<br />

Culinary Concepts<br />

Cymer, Inc.<br />

Elegant Events Catering<br />

Festivities Catering<br />

FRAME, Finnish Fund for Art Exchange<br />

Giuseppe Restaurants & Fine Catering<br />

Gifts in Kind Foundation/TechSoup<br />

HOIST Fitness Systems<br />

Investment Placement Group<br />

The Irvine Company<br />

JP Morgan Chase Foundation<br />

KPMG, LLP<br />

G.S. Levine Insurance Services<br />

mediaThe foundation, inc.<br />

Neiman Marcus<br />

Neyenesch Printing<br />

Peartrees Catering, Inc.<br />

The MPI Pfister Foundation<br />

San Diego Home/Garden Lifestyles<br />

Seltzer Caplan McMahon Vitek<br />

SignOnSanDiego.com<br />

The John M. and Sally B. Thornton<br />

Foundation<br />

TK&A Custom Catering<br />

Tasende Gallery<br />

The Thomas C. Ackerman Foundation<br />

Urban Kitchen Group<br />

Waters Fine Catering<br />

$2,500-$4,999<br />

Barona Band <strong>of</strong> Mission Indians<br />

James E. Schneider LL.M., Inc.<br />

<strong>La</strong> <strong>Jolla</strong> IVF<br />

The <strong>La</strong>ncer Group<br />

Lehman Brothers<br />

Nicholas-Applegate Capital Management<br />

Regents Bank<br />

Societe des Bains de Mer<br />

Thornton Winery<br />

These donor lists are current as <strong>of</strong> 6/30/08.<br />

We have made every effort to be accurate; if<br />

you have questions, please contact the <strong>Museum</strong><br />

at 858 454 3541 x117.<br />

24


Executive Committee<br />

J. Todd Figi, President<br />

David C. Copley, Vice President<br />

Paul Jacobs, Vice President<br />

Colette Carson Royston, Vice President<br />

Brent V. Woods, Vice President<br />

Mary Keough Lyman, Treasurer<br />

Barbara Bloom, Secretary<br />

Board <strong>of</strong> Trustees<br />

Barbara Arledge<br />

Linnea Arrington<br />

Charles Betlach II<br />

Barbara Bloom<br />

Charles Brandes<br />

Ronald L. Busick<br />

Christopher Calkins<br />

Charles G. Cochrane<br />

David C. Copley<br />

Sue K. Edwards<br />

Peter C. Farrell<br />

Carolyn Farris<br />

J. Todd Figi<br />

Pauline Foster<br />

Murray A. Gribin<br />

David Guss<br />

Paul Jacobs<br />

Gail Knox<br />

Mary Keough Lyman<br />

M<strong>CA</strong>SD > FY08<br />

> Board <strong>of</strong> Trustees<br />

Patsy Marino<br />

25<br />

ROBERT iRWin, Five x Five, 2007, Tergal voile and framing materials, 10 panels each 201 x 176 x 2 3/4 in. (510.5 x 447 x 7 cm).<br />

<strong>Museum</strong> purchase with funds from the Annenberg Foundation.<br />

Marilyn Ross Miles<br />

Robin Parsky<br />

Maryanne Pfister<br />

Mason Phelps<br />

Dr. Carol Randolph<br />

Colette Carson Royston<br />

Nora D. Sargent<br />

Matthew <strong>St</strong>rauss<br />

Sheryl White<br />

Brent V. Woods<br />

As <strong>of</strong> 6/30/08; please visit www.mcasd.org<br />

for current Board list.


Director’s Office<br />

Hugh M. Davies, Ph.D., The David C. Copley<br />

Director<br />

Inga Funck, Executive Assistant to the Director<br />

Tanya Lichtenstein, Administrative Assistant<br />

Business Office<br />

Charles E. Castle, Deputy Director<br />

Trulette M. Clayes, CPA, Controller<br />

Jen Riley, Accountant<br />

Catherine Lee, Human Resources<br />

Tiffani Mai, Accounting Clerk<br />

Cassandra Heiser, Business Office Assistant<br />

Curatorial<br />

<strong>St</strong>ephanie Hanor, Ph.D., Senior Curator<br />

Gabrielle Bridgeford, Education Curator<br />

Neil Kendricks, Film Curator<br />

Lucía Sanromán, Assistant Curator<br />

Anne Marie Purkey Levine, Registrar &<br />

Collection Manager<br />

Elizabeth Yang-Hellewell, Youth Programs<br />

Coordinator<br />

Michael Muehlhausen, Public Programs<br />

Coordinator<br />

Jenna Siman, Curatorial Coordinator<br />

Chelsea Jones, Curatorial Assistant<br />

Therese James, Assistant Registrar<br />

Ame Parsley, Chief Preparator<br />

Joshua Hartsough, Preparator<br />

Jeremy Woodall, Assistant Preparator<br />

Thomas Demello, Assistant Preparator<br />

Kate Beach, Education Assistant*<br />

Art Handlers*<br />

M<strong>CA</strong>SD > FY08<br />

> <strong>St</strong>aff 26<br />

*Denotes Part-time<br />

As <strong>of</strong> 6/30/08; please visit www.mcasd.org<br />

for current <strong>St</strong>aff list.<br />

Institutional Advancement<br />

Jane Rice, Director <strong>of</strong> Institutional<br />

Advancement<br />

Cynthia Tuomi, Corporate Partnerships/<br />

Special Events Manager<br />

Jaime Davis, Corporate Partnerships/Special<br />

Events Coordinator<br />

Katie Oram, Membership/Travel Coordinator<br />

Diana Mason, Membership Assistant<br />

Jasmine Erfe, Membership Coordinator<br />

External Affairs<br />

Anne Farrell, Director <strong>of</strong> External Affairs<br />

Ursula Rothfuss, Graphic Designer<br />

Alex Devereaux, Graphic Design Production<br />

Coordinator<br />

Communications<br />

Denise Montgomery, Director <strong>of</strong><br />

Communications<br />

Claire Caraska, Communications Coordinator<br />

Events and Visitor Services<br />

Edie Nehls, Events and Visitor Services<br />

Manager<br />

Mike Scheer, Production Manager<br />

Lesley Emery, Events Coordinator<br />

Eric Reichman, Events Assistant<br />

Shannon Lieberman, Visitor Services<br />

Coordinator<br />

Cindy Kinnard, Lead Visitor Services<br />

Representative<br />

Visitor Services Representatives*<br />

Event Technicians*<br />

Retail Services<br />

C. Monique Fuentes, Manager <strong>of</strong><br />

Retail Operations<br />

Ali Herndon Ortega, Associate Retail<br />

Manager<br />

Tim Jepson, Web <strong>St</strong>ore Coordinator<br />

X <strong>St</strong>ore Clerks*<br />

Facilities<br />

James Patocka, Facilities Manager<br />

Kathlene J. Gusel, IT & Projects Manager<br />

Tauno Hannula, Facilities Assistant<br />

Kris Krutz, Facilities Assistant<br />

Christian Akers, Facilities Assistant<br />

Jesse Watford, Facilities & Event Technician<br />

Security<br />

Justin Giampaoli, Chief <strong>of</strong> Security<br />

Javier Martinez, Security Manager<br />

Joseph Huppert, Security Services<br />

Supervisor – Downtown<br />

Kira Raduege, Security Services Supervisor<br />

– <strong>La</strong> <strong>Jolla</strong><br />

Scott Funderburk, Security Services<br />

Supervisor – <strong>La</strong> <strong>Jolla</strong><br />

Security Services Representatives*


introduction to Financial Highlights<br />

This report was prepared by the <strong>Museum</strong> <strong>of</strong> Contemporary Art San Diego<br />

(M<strong>CA</strong>SD) from its FY2008 financial statements, which were audited by Mayer<br />

H<strong>of</strong>fman McCann PC.<br />

All debt and equity securities are recorded at fair market value. Realized<br />

gains and losses arising from the sale <strong>of</strong> investments are based upon the original<br />

cost <strong>of</strong> the security. Property and equipment purchases are recorded at cost. Depreciation<br />

and amortization <strong>of</strong> assets are calculated by the straight line method<br />

over the estimated useful lives <strong>of</strong> the related assets. Depreciation expense was<br />

approximately $1,063,000 for FY2008.<br />

In accordance with industry practice, the <strong>Museum</strong>’s collection, which has<br />

been acquired through purchases and contributions since M<strong>CA</strong>SD’s inception, is<br />

not recognized as an asset on the statement <strong>of</strong> financial position. Purchases <strong>of</strong><br />

collection items are recorded as decreases in unrestricted net assets in the year<br />

in which the items are acquired. Contributed collection items are not reflected on<br />

the financial statements. Proceeds from deaccessions or insurance recoveries are<br />

reflected as increases in the appropriate net asset classes.<br />

The complete audited financial statements, including the related notes and<br />

auditor’s report, are available upon written request.<br />

Charles E. Castle<br />

Deputy Director<br />

M<strong>CA</strong>SD > FY08<br />

> Financial <strong>St</strong>atements<br />

DARiO ROBLETO, The Diva Surgery, 2001-2002, various antique laboratory glassware<br />

(beakers, rods, test tubes, bottles, funnels, mortars and pestles, pipettes), magnifying glass, 27<br />

lab burner, glass breast pump, glass syringe, antique milk glass, antique powder box, vintage<br />

surgical equipment, tracheal extractor, scalpels, tweezers, scissors, glass beads, porcelain<br />

mortars and funnels, 45 rpm records, ground, spliced and melted vinyl records <strong>of</strong> various<br />

Diva vocals, audio tape, dissolved magnetic audio tape, various laboratory chemicals,<br />

sulfur, carbon, amino acids, crushed cubic zirconium, homemade crystals (monoammonium<br />

phosphate, water, dye), Novocain, sugar, honey, ocean water, oil, hummingbird and butterfly<br />

nectar, beeswax, polyester resin, mirrors, lights, wood, Plexiglas, letraset, vinyl lettering,<br />

paint. 77 x 81 x 56 in. <strong>Museum</strong> purchase, International and Contemporary Collectors Funds.


<strong>St</strong>atements <strong>of</strong> Financial Position as <strong>of</strong> June 30, 2008<br />

(With comparative summarized financial information for the year ended June 30, 2007)<br />

M<strong>CA</strong>SD > FY08<br />

> Financial <strong>St</strong>atements 28<br />

ASSETS<br />

2008 2007<br />

Cash and cash equivalents $1,059,504 $1,000,924<br />

Investments 37,733,797 46,754,184<br />

Accounts receivable 94,284 207,072<br />

Pledges and grants receivable 6,312,643 7,765,230<br />

Inventory 445,828 409,554<br />

Prepaid expenses and other assets 135,<strong>700</strong> 551,991<br />

Notes receivable from <strong>of</strong>ficers 1,070,256 1,165,081<br />

Property and equipment - net 38,277,090 34,148,718<br />

Deferred financing costs - net 405,012 420,392<br />

Total Assets $85,534,114 $92,423,146<br />

LiABiLiTiES AnD nET ASSETS<br />

Accounts payable and accrued expenses $512,200 $693,665<br />

Deferred revenue 647,133 1,534,638<br />

Deferred rent 1,024,414 224,482<br />

Deferred compensation 71,100 —<br />

Long-term debt 11,257,419 13,269,660<br />

Total liabilities $13,512,266 $15,722,445<br />

Net Assets:<br />

Unrestricted $21,491,617 $26,896,231<br />

Temporarily restricted 11,354,788 10,419,027<br />

Permanently restricted 39,175,443 39,385,443<br />

Total net assets $72,021,848 $76,<strong>700</strong>,701<br />

$85,534,114 $92,423,146


<strong>St</strong>atements <strong>of</strong> Financial Position as <strong>of</strong> June 30, 2008<br />

(With comparative summarized financial information for the year ended June 30, 2007)<br />

SuPPORT AnD REvEnuES:<br />

SUPPORT: 2008 2007<br />

Contributions $5,961,426 $3,265,290<br />

21 st Century Campaign 680,543 4,843,865<br />

Government support 477,791 767,456<br />

Total support $7,119,760 $8,876,611<br />

REVENUES:<br />

Investment income (loss) $(3,572,474) $6,951,249<br />

Special events 2,796,322 704,723<br />

Membership 551,821 523,886<br />

Auditorium, facility, and visitor services 798,292 660,256<br />

X <strong>St</strong>ore sales 331,125 276,689<br />

Program and other income 243,945 136,340<br />

Total revenues $1,149,032 $9,253,143<br />

Total support and revenues $8,268,792 $18,129,754<br />

EXPEnSES:<br />

Program activities:<br />

Permanent collection, circulation, and accessions $ 1,908,915 $2,917,050<br />

Exhibitions 3,833,522 3,708,590<br />

Education and Membership 1,140,618 1,339,068<br />

Auditorium, facility, and visitor services 789,824 934,481<br />

X <strong>St</strong>ore 471,399 394,289<br />

Total program services $8,144,277 $9,293,478<br />

Supporting services:<br />

General and administrative $2,196,407 $1,918,503<br />

Special events 1,806,638 536,794<br />

Communications and marketing 407,203 843,351<br />

External Affairs and Institutional Advancement 393,118 450,047<br />

Total supporting services $4,803,367 $3,748,695<br />

Total expenses $12,947,645 $13,042,173<br />

CHAnGE in nET ASSETS $(4,678,853) $5,087,581<br />

nET ASSETS - Beginning <strong>of</strong> year $76,<strong>700</strong>,701 $71,613,120<br />

nET ASSETS - End <strong>of</strong> year $72,021,848 $76,<strong>700</strong>,701<br />

M<strong>CA</strong>SD > FY08<br />

> Financial <strong>St</strong>atements 29


<strong>700</strong> <strong>Prospect</strong> <strong>St</strong>. <strong>La</strong> <strong>Jolla</strong>, <strong>CA</strong> <strong>92037</strong>-<strong>4291</strong><br />

1100 & 1001 Kettner Blvd. San Diego, <strong>CA</strong> 92101-3306<br />

858 454 3541 www.mcasd.org

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