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MCASD AR FY04.qxd - Museum of Contemporary Art San Diego

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Annual Report FY04<br />

700 Prospect St. La Jolla, CA 92037-4291 T 858 454 3541 1001 Kettner Blvd. <strong>San</strong> <strong>Diego</strong>, CA T 619 234 1001 www.mcasd.org


<strong>MCASD</strong> > Annual Report FY04 Contents<br />

3 > Letter From The President<br />

5 > Letter From The Director<br />

9 > Exhibitions > La Jolla<br />

10 > Exhibitions > Downtown<br />

11 > Acquisitions<br />

15 > Publications<br />

16 > Lectures and Workshops<br />

17 > Films<br />

18 > TNT<br />

19 > Education & Programs<br />

22 > Contributions & Grants<br />

25 > 21st Century Campaign<br />

26 > Donors<br />

28 > Board <strong>of</strong> Trustees<br />

29 > Staff<br />

30 > Financial Statement<br />

31 > Income/Expense


3<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Letter From The President<br />

As President <strong>of</strong> the Board, it is my honor to acknowledge the accomplishments<br />

<strong>of</strong> the <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong> and introduce this<br />

Annual Report, covering the period from July 1, 2003 through June 30, 2004.<br />

In the accompanying Director’s Letter, Hugh Davies presents some <strong>of</strong> the<br />

highlights <strong>of</strong> the twelve-month period, as well as discusses some <strong>of</strong> the<br />

exciting activities now and in the period ahead.<br />

> It is our goal to advance the community’s understanding and appreciation<br />

<strong>of</strong> the art <strong>of</strong> our time with exhibitions and public programs that illuminate,<br />

inspire, stimulate, and kindle creativity in our audiences. Thanks to the<br />

extraordinary <strong>MCASD</strong> staff, under Hugh’s leadership, as well as our docents,<br />

interns, volunteers, and artists-in-residence, all <strong>of</strong> whom contribute to this<br />

creative spirit, the <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong> has been able to<br />

reach new heights this past year, and I am very proud <strong>of</strong> all we have done.<br />

> Considerable institutional efforts have been focused on the expansion<br />

downtown: creating physical facilities for the <strong>Museum</strong> that are worthy <strong>of</strong> the<br />

exhibitions and programs we <strong>of</strong>fer and that will be a complement to the wonderful<br />

facilities we have in La Jolla. To that end, we have undertaken one <strong>of</strong> our<br />

most important artistic commissions to date—expanding our downtown presence<br />

across from the existing <strong>MCASD</strong> Downtown space on Kettner Boulevard,<br />

designed by our architects Richard Gluckman, FAIA, and Wayne Donaldson, FAIA.<br />

We extend our heartfelt gratitude to the donors that have provided the support<br />

needed for this endeavor. I would especially like to recognize Joan and Irwin<br />

Jacobs, lead donors for the historic “baggage building” (now called the Jacobs<br />

Building, that will house exhibitions and programs) and David C. Copley, lead<br />

donor for the new David C. Copley Building (a contemporary three-story<br />

wing that will house a lecture hall, education facilities, art handling, and other<br />

support activities). Without the Jacobs and Copley families, we could never<br />

have moved ahead with this, the most ambitious capital project in the<br />

<strong>Museum</strong>’s history.<br />

> In the Director’s Letter and elsewhere in this Annual Report, you will<br />

find acknowledgment <strong>of</strong> the generous individuals, companies, foundations, and<br />

government agencies that not only support our operations but also are making<br />

our 21st Century Campaign such a success. However, I would especially like<br />

to recognize our heroic Campaign Co-Chairs, Carolyn P. Farris, Peter C. Farrell,<br />

and Pauline Foster, who have done such an outstanding job. We will break<br />

ground on the new Copley Building in summer 2005, complete the interiors<br />

<strong>of</strong> the Jacobs Building, and are looking forward to an early 2007 Grand Opening<br />

<strong>of</strong> both the Jacobs and Copley Buildings.


4<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Letter From The President<br />

> An art museum is a very labor-intensive undertaking, requiring many<br />

skilled and dedicated individuals to care for the artworks, install the exhibitions,<br />

write exhibition catalogues and curate exhibitions, organize events, manage<br />

budgets and financial accounts, design graphic materials, install exhibitions,<br />

maintain the facilities and grounds, seek contributions, care for the collection,<br />

write grants, issue press releases, and so forth. <strong>MCASD</strong> is lucky to have one <strong>of</strong><br />

the best teams to be found anywhere—a group <strong>of</strong> museum pr<strong>of</strong>essionals who<br />

take pride in everything they do, and whose primary concern is to serve the<br />

community and our audiences with quality programs. On behalf <strong>of</strong> the Board,<br />

I salute them all. As with any organization, large or small, the Director is at<br />

the center, and <strong>MCASD</strong> is extremely fortunate that Hugh Davies, The David C.<br />

Copley Director, has served this <strong>Museum</strong> and the <strong>San</strong> <strong>Diego</strong> community since<br />

1983. His passion for art and artists, knowledge <strong>of</strong> the field, and astute management<br />

skills are keystones to <strong>MCASD</strong>’s success, and it has been my personal<br />

pleasure to work so closely with Hugh and his team. The entire board and staff<br />

were proud when Hugh received the 2004 Director’s Award from the California<br />

<strong>Art</strong>s Council—a very special honor recognizing his more than two decades <strong>of</strong><br />

service to the arts in our state.<br />

> In the past year, the <strong>Museum</strong> has become even more integral to the<br />

cultural fabric <strong>of</strong> <strong>San</strong> <strong>Diego</strong>, the border region, and beyond. We are proud <strong>of</strong><br />

what <strong>MCASD</strong> has become, and are excited about what awaits us in the future.<br />

I assumed the presidency in July 2004, following the three-year term <strong>of</strong><br />

Pauline Foster. Pauline led <strong>MCASD</strong> through some challenging times, but was<br />

always a gracious, generous, and wise leader. We are in her debt, and are<br />

grateful that she agreed to assume a co-chair role for the 21st Century<br />

Campaign following her presidential tenure.<br />

> I also want to thank all <strong>of</strong> my fellow Trustees who are listed in this<br />

Report and on our Web site, both those who are currently serving and those<br />

whose terms have expired. The generosity <strong>of</strong> <strong>MCASD</strong>’s board is unparalleled in<br />

<strong>San</strong> <strong>Diego</strong>, and their passion and commitment to this uncompromising mission<br />

<strong>of</strong> excellence in contemporary art is what makes our <strong>Museum</strong> great.<br />

Mary F. Berglund, Ph.D.<br />

President


5<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Letter From The Director<br />

I am pleased to present this Annual Report for the <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong><br />

<strong>Art</strong> <strong>San</strong> <strong>Diego</strong> for the fiscal year 2003–2004, which highlights some <strong>of</strong> our<br />

achievements.<br />

> The <strong>Museum</strong>’s artistic program has maintained its international standard<br />

<strong>of</strong> excellence, with <strong>MCASD</strong>-organized exhibitions presented along with<br />

nationally touring exhibitions from other museums. Our educational programs<br />

have flourished, and the <strong>Museum</strong> has increasingly collaborated with many arts<br />

and cultural institutions throughout the community to bring a broad range <strong>of</strong><br />

experiences to our audience. Our membership is at its highest level ever,<br />

reflecting strong community support <strong>of</strong> our programs. And—perhaps most<br />

significantly—we are moving closer to realizing our expanded <strong>Museum</strong> in<br />

downtown <strong>San</strong> <strong>Diego</strong>, which will transform <strong>MCASD</strong> in myriad ways.<br />

> Exhibitions are the heart <strong>of</strong> our public programming and Fiscal Year<br />

2003–2004 saw a schedule with uncommon range and breadth. Andy<br />

Goldsworthy: Three Cairns had its only West Coast showing at <strong>MCASD</strong>, after<br />

touring in Des Moines and New York; it was a collaborative venture between<br />

<strong>MCASD</strong>, the Des Moines <strong>Art</strong> Center, and the Neuberger <strong>Museum</strong>, and a wonderful<br />

permanent reminder <strong>of</strong> the project is the extraordinary West Coast<br />

Cairn that Goldsworthy created and that is now installed in front <strong>of</strong> Sherwood<br />

Auditorium, an acquisition made possible by Sue and Charlie Edwards, long-time<br />

benefactors and supporters <strong>of</strong> our collection. Alex Webb: Crossings was on view<br />

at our downtown venue, and featured an extraordinary photographic record <strong>of</strong><br />

the border, with a handsome catalogue co-published by <strong>MCASD</strong> and Monacelli<br />

Press. Manny Farber: About Face, organized by our Curator, Dr. Stephanie Hanor,<br />

was one <strong>of</strong> our major efforts for the year, and following its <strong>San</strong> <strong>Diego</strong> showing,<br />

it drew appreciative audiences at the Austin <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> in Texas and<br />

MoMA/P.S.1 in New York City. Its catalogue won a design award at AAM. Baja to<br />

Vancouver: The West Coast and <strong>Contemporary</strong> <strong>Art</strong> was an exhibition that originated<br />

in an unusual collaboration between four west coast museums (<strong>MCASD</strong>,<br />

the Seattle <strong>Art</strong> <strong>Museum</strong>, the Vancouver <strong>Art</strong> Gallery, and the CCA Wattis Institute<br />

<strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong>). It was seen in all four cities, and its handsome catalogue<br />

also won an AAM design award. Chicano Visions: American Painters on the<br />

Verge, was an exceptional exhibition that featured works from the collection <strong>of</strong><br />

Cheech Marin and explored the rich heritage <strong>of</strong> Chicano art, both historical<br />

and contemporary. The companion exhibition, Chicano Now: American<br />

Expressions, was on view at <strong>MCASD</strong> Downtown, and both shows were popular<br />

summer attractions for thousands <strong>of</strong> visitors. During this time, we were also<br />

pleased to present Self-Help Graphics: Building Community Through <strong>Art</strong>, featuring<br />

the prints <strong>of</strong> this highly respected Los Angeles organization working in<br />

the Chicano community, and an installation by Einar and Jamex de la Torre.<br />

> Also downtown, we presented Everything Matters: Paul Kos, A<br />

Retrospective, which originated at the Berkeley <strong>Art</strong> <strong>Museum</strong>/Pacific Film<br />

Archive and featured the work <strong>of</strong> an important California artist. The Cerca<br />

Series at <strong>MCASD</strong> Downtown, under the direction <strong>of</strong> Curator Dr. Rachel Teagle,<br />

continues to showcase important emerging artists from Tijuana, Los Angeles,


6<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Letter From The Director<br />

and <strong>San</strong> <strong>Diego</strong>, and draws an impressive audience from the binational region.<br />

In FY04, in our downtown space, we featured a diverse range <strong>of</strong> artists including<br />

Yvonne Venegas, Dario Robleto, Adam Ross, Perry Vásquez and Victor Payan,<br />

Pasha Rafat, Wendell Gladstone, Anne Mudge, Gustavo <strong>Art</strong>igas, and Mark<br />

Mulroney. As many as 1,000 people a month attend TNT (our “Thursday Night<br />

Thing”) for an eclectic mix <strong>of</strong> music, performance, and visual arts that is a<br />

companion to the Cerca Series. The energized programming downtown is a<br />

precursor to our expanded venue, which will open in early 2007.<br />

> <strong>Art</strong>ists’ residencies are a long-standing and important part <strong>of</strong> <strong>MCASD</strong>’s<br />

artistic program, and many <strong>of</strong> our exhibitions included residencies. In addition,<br />

Gary Lang was commissioned to make a new work at <strong>MCASD</strong> La Jolla. And we<br />

began a new series in the <strong>Museum</strong> Cafe, curated by Stephanie Hanor, with<br />

an installation <strong>of</strong> paintings by <strong>San</strong> <strong>Diego</strong> artist Gail Roberts.<br />

> Under the leadership <strong>of</strong> Education Curator Monica Garza, the <strong>Museum</strong><br />

is undertaking an expansion <strong>of</strong> its interpretive programming, with particular<br />

focus on increasing collaborations and partnerships. Family Days celebrated its<br />

fifth anniversary, and continues to be an important family-based program serving<br />

the broader community. Through the <strong>Art</strong>s Partnership Program, <strong>MCASD</strong> has<br />

collaborated with many local arts organizations to present innovative programs,<br />

including lecture series with the AIA and ASLA that have been popular with the<br />

local design community as well as arts patrons. Services to the schools remain<br />

a high priority for <strong>MCASD</strong>, particularly in this era when arts programming is<br />

being reduced in public education. Students tour at both locations <strong>of</strong> <strong>MCASD</strong><br />

free <strong>of</strong> charge, including free buses for those schools that need it, thanks in<br />

part to generous support from such corporate partners as QUALCOMM, and<br />

government support from the City <strong>of</strong> <strong>San</strong> <strong>Diego</strong> and the County <strong>of</strong> <strong>San</strong> <strong>Diego</strong>.<br />

This year, over 5,000 students participated in our free education programs.<br />

> In 2004, we launched an innovative new collaboration with the <strong>San</strong><br />

<strong>Diego</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> and the <strong>Museum</strong> <strong>of</strong> Photographic <strong>Art</strong>s. Thanks to the<br />

commitment and extraordinary generosity <strong>of</strong> a family in <strong>San</strong> <strong>Diego</strong> concerned<br />

about the lack <strong>of</strong> art education in our schools, <strong>MCASD</strong>, SDMA, and MoPA<br />

inaugurated a new school initiative called Collaborative <strong>Art</strong>s Resources for<br />

Education (C<strong>AR</strong>E), bringing arts education to Title 1 (economically disadvantaged)<br />

schools in the <strong>San</strong> <strong>Diego</strong> Unified School District. The <strong>Museum</strong> also launched<br />

<strong>MCASD</strong> After School and the <strong>MCASD</strong> Downtown/Education Partnership, both<br />

programs serving to build stronger relationships with neighbor elementary<br />

schools such as Monarch and Harborside. These programs received significant<br />

seed funding from the <strong>San</strong> <strong>Diego</strong> Foundation and Union Bank <strong>of</strong> California.<br />

> In FY04, we joined with other “icons” <strong>of</strong> La Jolla to launch <strong>AR</strong>TWAVE,<br />

an innovative new marketing consortium to promote La Jolla as a cultural<br />

destination. <strong>MCASD</strong> worked with our arts partners—the La Jolla Music Society<br />

and the La Jolla Playhouse—and with our hospitality partners—George’s at the<br />

Cove, the La Jolla Beach and Tennis Club, La Valencia, Roppongi, and The<br />

Lodge at Torrey Pines—to initiate the program, which took place in October<br />

and November 2004, and will occur each year. In 2004, American Express<br />

joined <strong>AR</strong>TWAVE as well.<br />

> The <strong>Museum</strong>’s premier donor groups continue to provide critical<br />

support for operations as well as art acquisition. 2005 marks the twentieth<br />

anniversary <strong>of</strong> <strong>Contemporary</strong> Collectors, an impressive landmark. In these two<br />

decades, the collective support <strong>of</strong> this group, and its sister support group,<br />

International Collectors (founded in 2001), total some $1.3 million towards


7<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Letter From The Director<br />

acquisition <strong>of</strong> seventy artworks for the collection, and $1.6 million towards<br />

exhibitions and education programs. st<strong>AR</strong>T Up, the young pr<strong>of</strong>essionals support<br />

group, was very active in 2004, and saw the initiation <strong>of</strong> a new st<strong>AR</strong>T Up Award<br />

for emerging artists, that will be funded with their contributions. The <strong>MCASD</strong><br />

Corporate Council, a partnership between business and contemporary art,<br />

has grown dramatically in the past year, and provides significant support for<br />

operations. In May 2004, the annual Corporate Council Golf Tournament,<br />

sponsored by ResMed and supported by many companies and individuals, this<br />

year featured celebrity guest Cheech Marin, and artist Vernon Fisher.<br />

> Fundraising events are an important source <strong>of</strong> operating support as<br />

well as support for the collection, and in 2004, our 4th Benefit <strong>Art</strong> Auction<br />

netted over $250,000 for <strong>MCASD</strong>’s acquisition and exhibition programs. The<br />

27th annual Monte Carlo gala, under the leadership <strong>of</strong> Patsy and David Marino,<br />

with the theme Monte Carlo Under the Big Top, was likewise very successful.<br />

> Grants from public and private sources are a critical part <strong>of</strong> contributed<br />

income in FY04, and included major grants from the Rockefeller Foundation,<br />

the Andy Warhol Foundation for the Visual <strong>Art</strong>s, and Altria Group for our<br />

upcoming Tijuana exhibition. In addition, <strong>MCASD</strong> received a highly sought-after<br />

and very competitive $500,000 Challenge Grant from the National Endowment<br />

for the Humanities (our second), which, with $2,000,000 in matching donations<br />

to our 21st Century Campaign, will help augment the Education Endowment<br />

and permanently fund the position <strong>of</strong> Education Curator.<br />

> All <strong>of</strong> these activities throughout the past year are leading us to the<br />

most significant development in our history since the reopening <strong>of</strong> the renovated<br />

La Jolla facility in 1996. In early 2007, we will open the new Joan and Irwin<br />

Jacobs Building and David C. Copley Building that together comprise the<br />

expanded <strong>MCASD</strong> Downtown—located next to the historic <strong>San</strong>ta Fe Depot. This<br />

more significant presence downtown, which will result in a greater amount <strong>of</strong><br />

gallery space there than in La Jolla, will broaden our reach, and allow us to better<br />

focus on cultivating a binational and diverse audience in the region. The new<br />

<strong>MCASD</strong> Downtown, with its exceptional accessibility to transportation and its distinctive<br />

architecture designed by Richard Gluckman and Wayne Donaldson, will<br />

become even more <strong>of</strong> a cultural jewel for <strong>San</strong> <strong>Diego</strong>, and will be the centerpiece<br />

<strong>of</strong> a rapidly growing downtown community <strong>of</strong> residents as well as businesses.<br />

> The project is being made possible by a group <strong>of</strong> generous donors<br />

and patrons, without whom none <strong>of</strong> it would be possible. First and foremost,<br />

we are grateful to Irwin and Joan Jacobs, whose gift <strong>of</strong> $5,000,000 allowed<br />

the project to move forward. The 21st Century Campaign has received an


8<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Letter From The Director<br />

unprecedented number <strong>of</strong> major gifts, including $3,000,000 from David C.<br />

Copley, and gifts <strong>of</strong> $1,000,000 or more from Carolyn P. Farris, Peter C. Farrell,<br />

Pauline and Stanley Foster, Matthew and Iris Strauss, Mary and James Berglund,<br />

Sue K. and Charles C. Edwards, J. Todd Figi, and Catellus Development<br />

Corporation, as well as wonderful support from many other donors.<br />

> From the perspective <strong>of</strong> the operating fund, FY04 was a challenging<br />

economic period for the <strong>Museum</strong>, but our balance sheet is stronger than ever.<br />

Thanks to generous trustees and donors, assiduous management <strong>of</strong> expenses<br />

by the staff, and income from the Axline Investment Trust, we were able to<br />

balance the budget while also expanding education programming, <strong>of</strong>fering a<br />

wide-ranging series <strong>of</strong> exhibitions, publishing four catalogues, and providing the<br />

public many opportunities to see and experience the very best <strong>of</strong> contemporary<br />

art. This year, the <strong>Museum</strong> added over ninety new works to its permanent<br />

collection through the ongoing generosity <strong>of</strong> the Collectors groups, gifts from<br />

many donors, funds from the Elizabeth W. Russell Foundation, and other sources.<br />

> The <strong>Museum</strong> staff deserves special recognition this year, for their<br />

pr<strong>of</strong>essionalism, their perseverance, and their esprit de corps, which is what<br />

makes <strong>MCASD</strong> such a special place to visit and work. The department heads<br />

have been able to skillfully manage through challenging economic times, and<br />

I am grateful to our two Curators, Dr. Stephanie Hanor and Dr. Rachel Teagle,<br />

as well as Deputy Director Charles Castle, Director <strong>of</strong> Institutional Advancement<br />

Jane Rice, Director <strong>of</strong> External Affairs Anne Farrell, my Executive Assistant<br />

Sonia Lee, all the members <strong>of</strong> the staff listed in this report, and on our Web<br />

site at www.mcasd.org.<br />

> Of course, I also extend my gratitude to our many generous donors,<br />

and to each <strong>of</strong> our members. They provide the financial stability and basis for<br />

our operations. But I save my final and most heartfelt thanks to all the artists<br />

with whom we have worked this year—in exhibitions, programs, lectures, and<br />

residencies. They continue to inspire us to new levels <strong>of</strong> excellence.<br />

Hugh M. Davies<br />

The David C. Copley Director


9<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Exhibitions > La Jolla<br />

Andy Goldsworthy:<br />

Three Cairns<br />

April 27–August 26, 2003<br />

Traveling exhibition organized by the <strong>Museum</strong><br />

<strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong>, Des Moines<br />

<strong>Art</strong> Center, and the Neuberger <strong>Museum</strong>.<br />

Des Moines <strong>Art</strong> Center July 20–October 13,<br />

2002 / Neuberger <strong>Museum</strong> January 26–April<br />

13, 2003 / <strong>MCASD</strong> April 26–August 31, 2003<br />

Manny Farber: About Face<br />

September 14, 2003–January 6, 2004<br />

Traveling exhibition organized by the <strong>Museum</strong><br />

<strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong>.<br />

<strong>MCASD</strong> September 14, 2003–January 6, 2004<br />

/ Austin <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> June 5–August 29,<br />

2004 / P.S.1 <strong>Contemporary</strong> <strong>Art</strong> Center, New<br />

York October 5, 2004–January 10, 2005<br />

Self-Help Graphics: Building<br />

Community Through <strong>Art</strong><br />

September 14, 2003–January 6, 2004<br />

Baja To Vancouver: The West<br />

Coast And <strong>Contemporary</strong> <strong>Art</strong><br />

January 23–May 16, 2004<br />

Traveling exhibition organized by the <strong>Museum</strong><br />

<strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong>, the Seattle<br />

<strong>Art</strong> <strong>Museum</strong>, the Vancouver <strong>Art</strong> Gallery, and<br />

CCA Wattis Institute for <strong>Contemporary</strong> <strong>Art</strong>s.<br />

Seattle <strong>Art</strong> <strong>Museum</strong> October 9, 2003–January<br />

4, 2004 / <strong>MCASD</strong> January 23–May 16, 2004 /<br />

Vancouver <strong>Art</strong> Gallery June 5–September 6,<br />

2004 / CCA Wattis Institute for <strong>Contemporary</strong><br />

<strong>Art</strong>s October 6, 2004–January 10, 2005<br />

Collectors XIX<br />

February 2004<br />

In the Cafe: Gail Roberts<br />

April 14–August 5, 2004<br />

Self-Help Graphics: The<br />

Printed Image<br />

May 30–September 12, 2004<br />

Chicano Visions: American<br />

Painters On The Verge<br />

May 30–September 12, 2004<br />

Einar and Jamex De La<br />

Torre: Critical Mass<br />

May 30–September 12, 2004<br />

<strong>Art</strong>ist Residency: Gary Lang<br />

Ongoing


10<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Exhibitions > Downtown<br />

Mariners and Mandarins:<br />

Seafaring and the <strong>Art</strong>s <strong>of</strong> the<br />

China Trade*<br />

March 8–September 14, 2003<br />

Cerca Series: Yvonne Venegas<br />

May 4–July 6, 2003<br />

Cerca Series: Dario Robleto<br />

July 11–August 24, 2003<br />

Cerca Series: Adam Ross<br />

August 31–October 12, 2003<br />

Alex Webb: Crossings<br />

September 21–December 7, 2003<br />

Traveling exhibition organized by the <strong>Museum</strong><br />

<strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong>.<br />

<strong>MCASD</strong> September 21–December 7, 2003 /<br />

Massachusetts College <strong>of</strong> <strong>Art</strong> September 8–<br />

December 11, 2004 / Southeast <strong>Museum</strong> <strong>of</strong><br />

Photography, Daytona Beach September 13–<br />

December 12, 2005<br />

Keep On Crossin’… Perry<br />

Vasquez and Victor Payan<br />

September 21–December 7, 2003<br />

Luis Jiménez: Cruzando El<br />

Rio Bravo (Border Crossing)<br />

Ongoing<br />

<strong>San</strong> <strong>Diego</strong> City Hall / <strong>MCASD</strong> / SDMA<br />

Cerca Series: Pasha Rafat<br />

October 18–November 30, 2003<br />

Cerca Series:<br />

Wendell Gladstone<br />

December 4–January 18, 2004<br />

Of The Moment: Recent<br />

Acquisitions From The<br />

Permanent Collection<br />

December 14–January 25, 2004<br />

Everything Matters:<br />

Paul Kos, A Retrospective<br />

February 5–May 2, 2004<br />

Cerca Series: Anne Mudge<br />

February 12–April 4, 2004<br />

Cerca Series: Gustavo <strong>Art</strong>igas<br />

April 9–June 6, 2004<br />

Chicano Now:<br />

American Expressions<br />

May 30–September 12, 2004<br />

Cerca Series: Mark Mulroney<br />

June 13–August 8, 2004<br />

* <strong>MCASD</strong> extended the use <strong>of</strong> the Downtown<br />

galleries to the <strong>San</strong> <strong>Diego</strong> Maritime <strong>Museum</strong><br />

for this exhibition.


11<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Acquisitions<br />

Clytie Alexander<br />

The Burning <strong>of</strong> the Khandava Forest, 2001<br />

oil on linen<br />

49 x 42 inches<br />

Gift <strong>of</strong> the American Academy <strong>of</strong> <strong>Art</strong>s and<br />

Letters, New York: Hassam, Speicher, Betts<br />

and Symons Funds, 2003<br />

Helen Altman<br />

Blue Dog, 2002<br />

thermal transfer on canvas<br />

71 x 91 1 ⁄2 inches<br />

Gift <strong>of</strong> the artist and Moody Gallery,<br />

Houston, Texas<br />

Larry Bell<br />

Glass Cube, c. 1980<br />

coated glass and chrome frame<br />

18 1 ⁄8 x 18 1 ⁄8 x 18 1 ⁄8 inches<br />

Gift <strong>of</strong> Jerrold and <strong>San</strong>dra Canter<br />

Álvaro Blancarte<br />

Autorretrato from the series El Paseo del<br />

Caimán, 1999<br />

acrylic colors and texture on fabric<br />

39 3 ⁄8 x 23 5 ⁄8 inches<br />

<strong>Museum</strong> purchase with funds from <strong>Museum</strong><br />

<strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong> 2004<br />

Benefit <strong>Art</strong> Auction<br />

Migración from the series Una perra llamada<br />

la vaca, 1989<br />

pigment and found materials on fabric<br />

70 7 ⁄8 x 70 7 ⁄8 inches<br />

<strong>Museum</strong> purchase with funds from <strong>Museum</strong><br />

<strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong> 2004<br />

Benefit <strong>Art</strong> Auction<br />

Reventando el azul from the series Barroco<br />

Pr<strong>of</strong>undo, 2002<br />

pigment and found materials on fabric<br />

70 7 ⁄8 x 78 1 ⁄2 inches<br />

Gift <strong>of</strong> the artist<br />

Céleste Boursier-Mougenot<br />

from here to ear, 2002<br />

DVD, sound, color, edition 3 <strong>of</strong> 6<br />

21:57 minutes<br />

Gift <strong>of</strong> Mary and James Berglund<br />

Kenneth Capps<br />

Equator 105° S14, 1998<br />

paint, zinc, and steel<br />

30 x 30 x 30 inches<br />

Gift <strong>of</strong> Dr. Charles C. and Sue K. Edwards<br />

Alida Cervantes<br />

Irene, 1999<br />

Adela, 1999<br />

Margarita, 1999<br />

Vicenta, 1999<br />

Jema, 1999<br />

Toña, 1999<br />

Angela, 1999, from the Housekeeper series<br />

oil on canvas<br />

33 x 36 inches each<br />

<strong>Museum</strong> purchase, Elizabeth W. Russell<br />

Foundation Fund<br />

Anne Collier<br />

Untitled Aura Photo (A.C., 05/30/03, #2), 2003<br />

Polaroid, aura reading printout<br />

4 1 ⁄4 x 3 3 ⁄8 inches; 61 3 ⁄4 x 9 1 ⁄2 inches<br />

<strong>Museum</strong> purchase with funds from RSM<br />

Company, Charlotte, North Carolina<br />

Kota Ezawa<br />

The Simpson Verdict, 2002<br />

digital animation with audio<br />

3 minutes<br />

<strong>Museum</strong> purchase, Louise R. and Robert S.<br />

Harper Fund<br />

Rainer Fetting<br />

Arm und Ei, 1986<br />

bronze, edition 2 <strong>of</strong> 6<br />

92 1 ⁄2 x 35 1 ⁄2 x 31 1 ⁄2 inches<br />

Gift <strong>of</strong> Carla Kirkeby


12<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Acquisitions<br />

Daniela Gallois<br />

La Marcha de las Langostas, 1998<br />

oil on canvas<br />

29 x 55 inches<br />

<strong>Museum</strong> purchase, Louise R. and Robert S.<br />

Harper Fund<br />

Victoria Gitman<br />

On Display, 2001<br />

oil on board<br />

10 1 ⁄2 x 9 1 ⁄2 inches<br />

<strong>Museum</strong> purchase, Elizabeth W. Russell<br />

Foundation Fund<br />

Wendell Gladstone<br />

Funnel, 2003<br />

enamel on wood, acrylic on canvas<br />

painting: 60 x 60 in.; sculpture: 48 x 48 x 36 in.<br />

<strong>Museum</strong> purchase, International and<br />

<strong>Contemporary</strong> Collectors Funds, with additional<br />

funds from Joan and Irwin Jacobs, Sheryl and<br />

Harvey White, and general acquisition funds<br />

Felix Gonzalez-Torres<br />

Untitled, 1987<br />

Photostat, edition 2 <strong>of</strong> 3, 1 AP<br />

8 x 10 inches<br />

Gift <strong>of</strong> Armando Rascón in honor <strong>of</strong> María<br />

Herrera Rascón<br />

Robert Irwin<br />

Prism, circa 1970–1971<br />

cast acrylic<br />

44 x 9 x 3 inches<br />

Gift <strong>of</strong> Dr. and Mrs. Merle S. Glick<br />

Nina Katchadourian<br />

Endurance, 2003<br />

DVD, edition 3 <strong>of</strong> 5<br />

9:17 minutes<br />

<strong>Museum</strong> purchase, International and<br />

<strong>Contemporary</strong> Collectors Funds<br />

Ellsworth Kelly<br />

Blue, Green and Red, 1964<br />

oil on paper<br />

22 1 ⁄4 x 29 3 ⁄4 inches<br />

Red–Orange (III.3. Red–Orange; Rouge–Orange<br />

Série III, No. 3), 1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

23 5 ⁄8 x 35 1 ⁄4 inches<br />

Green (IV.4. Green; Vert Série IV, No. 4),<br />

1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

35 1 ⁄4 x 23 3 ⁄4 inches<br />

Blue and Orange (V.5. Blue and Orange; Bleu<br />

et Orange Série V, No. 5), 1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

23 5 ⁄8 x 35 5 ⁄16 inches<br />

Light Blue with Orange (VI. 11. Light Blue with<br />

Orange; Bleu Clair avec Orange Série VI, No.<br />

11), 1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

34 1 ⁄4 x 23 5 ⁄8 inches<br />

Blue and Orange and Green (VII.13. Dark Blue<br />

and Orange and Light Green; Bleu Foncé et<br />

Orange et Vert Clair Série VII, No. 13), 1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

35 3 ⁄8 x 23 7 ⁄8 inches<br />

Dark Blue and Red (VIII.15. Dark Blue and Red;<br />

Bleu Foncé et Rouge Série VIII, No. 15),<br />

1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

23 5 ⁄8 x 35 1 ⁄4 inches<br />

Red–Orange over Blue (IX.17. Red–Orange over<br />

Blue; Rouge–Orange sur Bleu Série IX, No. 17),<br />

1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

35 1 ⁄4 x 23 1 ⁄2 inches<br />

Orange over Green (X.24. Orange over Light<br />

Green; Orange sur Vert Clair Série X, No. 24),<br />

1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

35 1 ⁄4 x 23 3 ⁄4 inches<br />

Blue and Green over Orange (XI.26. Light Blue<br />

and Green over Orange; Bleu Clair et Vert sur<br />

Orange Série XI, No. 26), 1964–65<br />

lithograph on Rives BFK paper, edition 10 <strong>of</strong> 75<br />

23 15 ⁄16 x 35 1 ⁄4 inches<br />

Gifts <strong>of</strong> Ellsworth Kelly and Jack Shear<br />

Byron Kim<br />

Koryo Dynasty Cup with Dragon, 1993<br />

gouache on paper<br />

20 1 ⁄2 x 27 inches<br />

Koryo Dynasty Bowl #2, 1993<br />

gouache on paper<br />

20 1 ⁄2 x 27 inches<br />

Koryo Dynasty Bowl, 1993<br />

gouache on paper<br />

20 1 ⁄2 x 27 inches<br />

Yi Dynasty Water Dropper, 1993<br />

gouache on paper<br />

20 1 ⁄2 x 27 inches<br />

Gifts <strong>of</strong> Dr. Steven R. and Sheri S. Cohen<br />

Friedrich Kunath<br />

Going to Quauhnahuac, 2003<br />

DVD, sound, color, edition 4 <strong>of</strong> 10<br />

7.42 minutes<br />

<strong>Museum</strong> purchase with funds from Joyce R.<br />

Strauss Fund<br />

Gabriel Kuri<br />

Untitled (superama), 2003<br />

hand woven gobelin<br />

113 x 44 1 ⁄2 inches<br />

<strong>Museum</strong> purchase with funds from <strong>Museum</strong><br />

<strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong> 2004<br />

Benefit <strong>Art</strong> Auction


13<br />

Kim MacConnel<br />

The Theatre, 1981<br />

acrylic on paper<br />

18 x 68 inches<br />

Gift <strong>of</strong> David and Patsy Marino<br />

Daniel J. Martinez<br />

Self-portrait #9B, Fifth attempt to clone mental<br />

disorder or How one philosophizes with a hammer,<br />

After Gustave Moreau, Prometheus, 1868;<br />

David Cronenberg, Videodrome, 1981, 2001<br />

digital print<br />

48 x 60 inches<br />

<strong>Museum</strong> purchase<br />

John McLaughlin<br />

#6 1972, 1972<br />

oil and acrylic on canvas<br />

59 1 ⁄4 x 48 x 1 1 ⁄8 inches<br />

Gift <strong>of</strong> the Daniel Weinberg Gallery, Los<br />

Angeles<br />

Damián Ortega<br />

Proyecto para conjunta habitacional azul,<br />

2003<br />

cast pigmented concrete<br />

dimensions variable<br />

Proyecto para conjunta habitacional azul<br />

pulido, 2003<br />

cast pigmented concrete<br />

dimensions variable<br />

<strong>Museum</strong> purchase, Louise R. and Robert S.<br />

Harper Fund<br />

Pasha Rafat<br />

Untitled, 2003<br />

12mm Krypton gas tubing and steel framing<br />

6 ft. diameter<br />

Gift <strong>of</strong> the artist<br />

RGB (red), 1998<br />

digital airbrush<br />

8 x 15 ft.<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Acquisitions<br />

Untitled, 2003<br />

15 mm Argon/Mercury gas tubing and steel<br />

framing<br />

120 x 120 inches<br />

<strong>Museum</strong> purchases<br />

Armando Rascón<br />

Olmec Lightpiece for XX Century Fin de<br />

Siècle, 1997<br />

160 35mm Ektacolor slides transferred to<br />

DVD, projected onto painted oval floor<br />

overall dimensions vary<br />

<strong>Museum</strong> purchase with proceeds from<br />

<strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong> <strong>Art</strong><br />

Auction 2004<br />

Steve Roden<br />

moonfield, 2002–2003<br />

sculptural sound installation<br />

dimensions variable<br />

<strong>Museum</strong> purchase with partial funds from<br />

Ge<strong>of</strong>f Tuck and David Richards<br />

Adam Ross<br />

Untitled (Chronopolis 7), 2003<br />

oil and alkyd on canvas<br />

24 x 48 inches<br />

<strong>Museum</strong> purchase, Louise R. and Robert S.<br />

Harper Fund<br />

Jenny Saville<br />

Untitled, 1990<br />

oil on canvas<br />

65 1 ⁄2 x 47 3 ⁄4 inches<br />

<strong>Museum</strong> purchase in honor <strong>of</strong> Rea and<br />

Jackie Axline<br />

Italo Scanga<br />

Figure Holding Himself, 1986<br />

painted wood<br />

74 1 ⁄2 x 41 x 21 inches<br />

Gift <strong>of</strong> Su-Mei Yu<br />

Christoph Schmidberger<br />

Children’s Heaven, 2003<br />

oil on MDF<br />

12 x 9 3 ⁄4 inches<br />

Christoph 7, 2003<br />

acrylic and oil on MDF<br />

12 x 9 3 ⁄4 inches<br />

Who Cares 2, 2003<br />

graphite on MDF<br />

12 x 13 3 ⁄4 inches<br />

<strong>Museum</strong> purchases, Elizabeth W. Russell<br />

Foundation Fund<br />

Self-Help Graphics & <strong>Art</strong>, Los Angeles<br />

8 prints, Selections to be determined<br />

Taryn Simon<br />

Frederick Daye, 2002<br />

Alibi location, American Legion Post 310, <strong>San</strong><br />

<strong>Diego</strong>, California,<br />

Where 13 witnesses placed Daye at the time<br />

<strong>of</strong> the crime<br />

Served 10 years <strong>of</strong> a life sentence for kidnapping,<br />

rape and vehicle theft<br />

Chromogenic print, edition 1 <strong>of</strong> 5<br />

48 x 62 inches<br />

<strong>Museum</strong> purchase, International and<br />

<strong>Contemporary</strong> Collectors Funds<br />

Deborah Small, Elizabeth Sisco, Scott<br />

Kessler, Louis Hock, with Cheryl Lindley<br />

The America’s Finest City Vest from the<br />

“Friendly Fire” series, 1996<br />

fabric, silk-screen, buttons, and machined<br />

brass vest: 27 x 23 1 ⁄2 inches; bullet: 3 1 ⁄2 x 7 ⁄16<br />

inches<br />

Gift <strong>of</strong> Ellen Smart<br />

Alexis Smith<br />

The American Way, 1980<br />

mixed media collage<br />

16 x 52 inches<br />

Gift <strong>of</strong> Margo Leavin and Wendy Brandow in<br />

memory <strong>of</strong> Jim DeSilva<br />

Melanie Smith<br />

Six Steps to Reality, 2002<br />

mixed media video installation, edition <strong>of</strong> 1 <strong>of</strong> 5<br />

dimensions variable<br />

Gift <strong>of</strong> David Guss<br />

John Sonsini<br />

Gabriel and Ramon, 2003<br />

oil on canvas<br />

72 x 60 inches<br />

<strong>Museum</strong> purchase, International and<br />

<strong>Contemporary</strong> Collectors Funds and funds<br />

from an anonymous donor


14<br />

Mauro Staccioli<br />

Untitled, 1996<br />

graphite on paper<br />

34 3 ⁄4 x 32 3 ⁄4 x 2 inches, framed<br />

Gift <strong>of</strong> Margaret Porter Troupe<br />

Haim Steinbach<br />

beep, honk, toot, #1, 1989<br />

chrome laminated wood shelf with chrome<br />

teakettles and chrome trashcans<br />

55 x 121 1 ⁄2 x 21 inches<br />

<strong>Museum</strong> purchase, International and<br />

<strong>Contemporary</strong> Collectors Funds<br />

Sheila Sullivan<br />

Untitled, 1982<br />

ink on paper<br />

8 x 13 inches<br />

Gift <strong>of</strong> Marguerite Sullivan<br />

Richard Tuttle<br />

Entertaining..., 2002<br />

Sugar pine with satin polyurethane finish, maple<br />

plywood, letterpress on pigment, embossed<br />

cotton paper, edition 1 <strong>of</strong> 15, paper handmade<br />

by Paul Wong, Dieu Donné Papermill, NYC<br />

1 1 ⁄2 x 20 x 11 1 ⁄2 inches<br />

<strong>Museum</strong> purchase, Louise R. and Robert S.<br />

Harper Fund<br />

Hoang Van Bui<br />

Pointing Home #4 (Tro Ve), 1994<br />

bronze and eucalyptus oil<br />

5 x 12 1 ⁄4 x 12 1 ⁄4 inches<br />

Pointing Home #6, no date<br />

bronze<br />

3 1 ⁄4 x 16 1 ⁄4 x 16 1 ⁄4 inches<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Acquisitions<br />

Common Coasts (Doi Bo), 1995<br />

steel, bronze, pine, tar, tea dyed funeral fabric<br />

overall dimensions: 96 x 60 x 60 inches<br />

Bird Temple Two, 1995<br />

bronze, brick, leather, tar, tea bag<br />

19 3 ⁄4 x 9 x 9 1 ⁄8 inches<br />

Gifts <strong>of</strong> Dr. Steven R. and Sheri S. Cohen<br />

Yvonne Venegas<br />

Liza, 2002<br />

chromogenic print<br />

sheet: 23 3 ⁄4 x 18 inches<br />

Maribel en su despedida de soltera, 2001<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

Encendedor, 2001<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

Yordana, 2001<br />

chromogenic print<br />

sheet: 30 x 37 1 ⁄2 inches<br />

Todos listas, 2001<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

Paleta roja, 2000<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

Anette y Lizette, 2001<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

Bolsa de sabritas, 2002<br />

chromogenic print<br />

sheet: 23 3 ⁄4 x 18 inches<br />

Parejas, 2002<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

<strong>Museum</strong> purchases, Elizabeth W. Russell<br />

Foundation Fund<br />

Consuelo, 2001<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

Futbol, 2002<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

Bandera y Verónica, 2002<br />

chromogenic print<br />

sheet: 29 1 ⁄2 x 37 1 ⁄4 inches<br />

Erika y sus hijas, 2001<br />

chromogenic print<br />

sheet: 18 x 23 3 ⁄4 inches<br />

Gifts <strong>of</strong> Gough and Irene Thompson in gratitude<br />

to Hugh M. Davies and Lynda Forsha<br />

for their assistance with the organization <strong>of</strong><br />

the Alberta du Pont Bonsal Foundation<br />

Alex Webb<br />

Tijuana, Baja California, 1995<br />

Crystal Archive Lambda print<br />

sheet: 20 x 30 inches<br />

<strong>Museum</strong> purchase<br />

Tijuana, Baja California, 1999<br />

Crystal Archive Lambda print<br />

sheet: 20 x 30 inches<br />

Gift <strong>of</strong> the artist<br />

Tijuana, Baja California, 1995<br />

Crystal Archive Lambda print<br />

sheet: 20 x 30 inches<br />

Tijuana, Baja California, 1995<br />

Crystal Archive Lambda print<br />

sheet: 20 x 30 inches<br />

Tijuana, Baja California, 1995<br />

Crystal Archive Lambda print<br />

sheet: 20 x 30 inches<br />

Tijuana, Baja California, 1999<br />

Crystal Archive Lambda print<br />

sheet: 30 x 40 inches<br />

<strong>Museum</strong> purchases<br />

<strong>San</strong> Ysidro, California, 1979<br />

Crystal Archive Lambda print<br />

sheet: 30 x 40 inches<br />

Boquillas, Coahuila, 1979<br />

Crystal Archive Lambda print<br />

sheet: 30 x 40 inches<br />

Tijuana, Baja California, 1991<br />

Crystal Archive Lambda print<br />

sheet: 30 x 40 inches<br />

Outskirts <strong>of</strong> Tijuana, Baja California, 1995<br />

Crystal Archive Lambda print<br />

sheet: 30 x 40 inches<br />

Playa de Tijuana Baja California, 1995<br />

Crystal Archive Lambda print<br />

sheet: 30 x 40 inches<br />

Nuevo Laredo, Tamaulipas, 1996<br />

Crystal Archive Lambda print<br />

sheet: 30 x 40 inches<br />

Gifts <strong>of</strong> the artist<br />

Jozef Walezak<br />

IMAGO, 2003<br />

oil on canvas<br />

55 1 ⁄8 x 78 1 ⁄2 inches<br />

Gift <strong>of</strong> John Korbonski


15<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Publications<br />

Ellsworth Kelly: Red Green Blue<br />

Contributions by Hugh M. Davies, Toby Kamps, Roberta Bernstein, Dave Hickey,<br />

and Sarah K. Rich. Design by Takaaki Matsumoto. Won Second Prize, 2003<br />

AAM graphic design competition. 128pp.<br />

Baja to Vancouver: The West Coast and <strong>Contemporary</strong> <strong>Art</strong><br />

Contributions by Ralph Rug<strong>of</strong>f, Douglas Coupland, Daina Augaitas, Lisa Corrin,<br />

Matthew Higgs, Toby Kamps, Matthew Stadler, Torolab, and Matthew Coolidge.<br />

Design by Judith Steedman. Published in conjunction with the CCA Wattis<br />

Institute for <strong>Contemporary</strong> <strong>Art</strong>s, Seattle <strong>Art</strong> <strong>Museum</strong>, and Vancouver <strong>Art</strong><br />

Gallery. Won Honorable Mention, 2004 AAM graphic design competition<br />

(awarded to CCA Wattis). 152pp.<br />

Manny Farber: About Face<br />

Contributions by Hugh M. Davies, Jonathan Crary, Stephanie Hanor,<br />

Sheldon Nodelman, Robert Polito, and Robert Walsh. Design by Lehze Flax.<br />

Won Honorable Mention, 2004 AAM graphic design competition. 164pp.<br />

Alex Webb: Crossings<br />

Photographs From The U.S.-Mexico Border<br />

Co-published with The Monacelli Press, Inc. Contributions by Alex Webb and<br />

Tom Miller. Design by Astrid Lewis Reedy and Gan Yee Tsui. 152pp.


16<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Lectures and Workshops<br />

2003<br />

July 10 > Joanne Hayakawa on Andy Goldsworthy<br />

August 3 > The Elements <strong>of</strong> <strong>Art</strong>istic Inspiration<br />

October 2 > <strong>Art</strong>ists’ Talk: Alex Webb<br />

October 22 > Bram Dijkstra on American Expressionism<br />

November 6 > Bruce Mau—The Future <strong>of</strong> Design and Culture<br />

November 18 > Sheldon Nodelman on Manny Farber’s<br />

Abstract Paintings<br />

December 18 > Stephanie Hanor on Manny Farber<br />

2004<br />

January 22 > How the West Was One: Perspectives on New<br />

<strong>Art</strong> From the Left Coast<br />

February 26 > Toby Kamps on Baja to Vancouver<br />

March 18 > <strong>Art</strong>ists’ Talk: Vernon Fisher<br />

March 25 > Constance Lewallen on Everything Matters<br />

April 24 > North American Free Thinking Transnational <strong>Art</strong>ists I<br />

April 29 > Russell Lecture: Doug Aitken<br />

May 13 > North American Free Thinking Transnational <strong>Art</strong>ists II<br />

May 29 > Chicano Visions Panel Discussion<br />

May 30 > Chicano Visions and Chicano Now Block Party<br />

June 4 > The SDMA/<strong>MCASD</strong> Fifth Annual Axline Lecture<br />

Featuring Roberta Smith<br />

June 17 > Gallery Talk: Richard Griswold del Castillo


17 <strong>MCASD</strong> > Annual Report FY04 > Films<br />

2003<br />

Manny Farber at the Movies<br />

<strong>Art</strong>ist Manny Farber selected several <strong>of</strong><br />

his favorite films that were screened on<br />

every third Sunday throughout the run <strong>of</strong><br />

his retrospective exhibition Manny Farber:<br />

About Face. Films started with conversation<br />

with special guests, followed by a<br />

double feature.<br />

September 21, 2003 > Jean-Pierre Gorin,<br />

noted filmmaker and Pr<strong>of</strong>essor <strong>of</strong> Visual<br />

<strong>Art</strong>s at UCSD, introduced The Musketeers<br />

<strong>of</strong> Pig Alley (1912), and Grand Illusion (1937).<br />

October 19, 2003 > <strong>Art</strong>ists Manny Farber<br />

and Patricia Patterson spoke about Our<br />

Gang: Spanky (1932), and Pickup on South<br />

Street (1953).<br />

November 16, 2003 > Scott Marks, Film<br />

Curator <strong>of</strong> the <strong>Museum</strong> <strong>of</strong> Photographic<br />

<strong>Art</strong>s, discussed Two Tars (1928), and Taste<br />

<strong>of</strong> Cherry (1997).<br />

December 21, 2003 > Manny Farber and<br />

Jean-Pierre Gorin teamed up to talk<br />

about One Froggy Evening (1955), and<br />

Goodbye South, Goodbye (1996).<br />

Streaming Consciousness:<br />

Steve Fagin’s Oliver Kahn<br />

This piece was loosely based on the<br />

1958 one-act play by Samuel Beckett,<br />

Krapp’s Last Tape, in which an old man<br />

plays back audio tapes he recorded<br />

while young and reconsiders his early<br />

passions and ambitions. Fagin’s Oliver<br />

Kahn used soccer matches, Hollywood<br />

movies, and personal reverie to reflect<br />

on one’s life.<br />

2004<br />

World Cinema Series<br />

Selected by Andy Friedenberg, Director<br />

<strong>of</strong> the Cinema Society <strong>of</strong> <strong>San</strong> <strong>Diego</strong>, and<br />

David R. Ginsburg, an Independent<br />

Producer at Passport Entertainment in<br />

Los Angeles, this <strong>Art</strong> Partnership series<br />

presented six exciting and critically<br />

acclaimed new international films not<br />

widely available to audiences in the<br />

United States. Viewers were able to enjoy<br />

film as it was meant to be seen—in 35mm<br />

prints projected on the big screen.<br />

January 12, 2004 > Autumn Spring<br />

(“Babí léto” / 2001 / Czech Republic)<br />

January 26, 2004 > The Prompter<br />

(“Suffløsen” / 1999 / Norway)<br />

February 2, 2004 > Son <strong>of</strong> the Bride<br />

(“El Hijo de la Novia” / 2001 / Argentina)<br />

February 16, 2004 > Marion Bridge<br />

(2002 / Canada)<br />

March 1, 2004 > Beyond Silence<br />

(Jenseits der Stille / 1996 / Germany)<br />

March 15, 2004 > Zus & Zo<br />

(2001 / The Netherlands)


18 <strong>MCASD</strong> > Annual Report FY04 > TNT<br />

TNT (Thursday Night Thing) continued to be popular in FY04, celebrating<br />

its First Anniversary. Every first Thursday <strong>of</strong> the month, the downtown<br />

galleries open the doors to something new, from slide jams, DJs, and<br />

poetry readings, to live bands, artists’ talks, and video projections. Keeping<br />

pace with the rapid turnover <strong>of</strong> contemporary art in <strong>MCASD</strong> Downtown’s<br />

Cerca Series, TNT always features something exciting to learn, see, and do,<br />

and the eclectic events are occasions to interact with the arts and artists<br />

<strong>of</strong> the <strong>San</strong> <strong>Diego</strong> region. We are grateful for the support <strong>of</strong> 91X, <strong>San</strong> <strong>Diego</strong><br />

CityBEAT, Fox Rox, JP Morgan Chase Foundation, Stone Brewing Co., Level<br />

Vodka, and Interscope Records.<br />

2003<br />

July 3 > Muse Chasers Productions transformed<br />

TNT into alt.pictureshows. Live<br />

music by Billy Midnight and the Free*Stars.<br />

August 7 (1st Anniversary Event) > This<br />

month marked the one-year anniversary <strong>of</strong><br />

TNT. Turntablists <strong>of</strong>fered new interpretations<br />

<strong>of</strong> what it means to scratch and mix.<br />

Special performance by Electronic <strong>Art</strong>ist<br />

Bostich (<strong>of</strong> Nortec Collective).<br />

September 4 > Los Angeles-based artist<br />

Adam Ross discussed science-fiction inspirations<br />

for his new, 90-foot long panoramic<br />

drawing <strong>of</strong> an otherworldly, technological<br />

landscape. The Incredible Moses Leroy<br />

performed on the outdoor plaza.<br />

October 2 > October’s TNT explored images<br />

and issues <strong>of</strong> border crossing with performance<br />

art, poetry, and photography. Perry<br />

Vásquez and Victor Payan showcased their<br />

new work, Keep On Crossin’... Performances<br />

by Bartenders Bible and The Album Leaf.<br />

November 6 > Cerca Series: Pasha Rafat<br />

opened with an evening <strong>of</strong> dance from <strong>San</strong><br />

<strong>Diego</strong>. Live music featured art and pop wizard<br />

Bobby Fantasy and local sensation Bunky.<br />

December 4 > TNT featured the opening <strong>of</strong><br />

Cerca Series: Wendell Gladstone, an artist<br />

who creates paintings and sculptures using<br />

masking tape as templates. Live music by<br />

The Champagne Kiss and Reeve Oliver.<br />

2004<br />

February 5 > February’s TNT explored the<br />

work <strong>of</strong> artist Paul Kos, one <strong>of</strong> the first artists<br />

to incorporate video, as well as sound and<br />

interactivity, into sculptural installations. Video<br />

and film were screened outside. Live performances<br />

by Maquiladora and The Glossines.<br />

March 4 > The March TNT welcomed the<br />

opening <strong>of</strong> Cerca Series: Anne Mudge. The<br />

artist was in the galleries for a Q&A session.<br />

Live music inside by the Joe Guevara Jazz<br />

Trio. Live on the plaza: Scarlet Symphony<br />

and Operatic.<br />

April 1 > <strong>Art</strong> and sound converge. Tijuanabased<br />

artist Irma S<strong>of</strong>ia Poeter performed<br />

Poderosa (All in a day’s work). Caltranzit<br />

returned to TNT with their “taxi <strong>of</strong> love,”<br />

installed as an interactive film gallery. Live<br />

music by Billy Shaddox and The Silver Wizard.<br />

May 6 > Trummerflora Collective’s 3rd Annual<br />

Spring Reverb, an international multi-stage<br />

festival <strong>of</strong> original music, dance, and art.<br />

<strong>Art</strong>ists performing at TNT/Spring Reverb<br />

included Money Mark, John Butcher, DJ<br />

Jon Calzo, Cosmologic, DJ Ejival, Marcelo<br />

Radulovich, and Takeshi Kojima.<br />

June 3 > The June TNT celebrated the<br />

opening <strong>of</strong> Chicano Now: American<br />

Expressions, with performances by Agua<br />

Dulce and the B-Side Players. Los Able<br />

Minded Poets, a spoken word / beats collective,<br />

used bass, turntables, percussion, and<br />

vocals to create politically charged grooves.


19<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Education & Programs<br />

Community Partnerships<br />

Through the <strong>Art</strong>s Partnership Program, <strong>MCASD</strong> has annually collaborated<br />

with local arts organizations to present innovative programs. Through shared<br />

resources and expertise, these partnerships engaged new audiences in the<br />

contemporary arts, furthering the artistic purposes <strong>of</strong> both organizations. In<br />

FY04, <strong>MCASD</strong> worked with the American Society <strong>of</strong> Landscape Architects to<br />

present lectures by Isabelle Greene, Wolfgang Oehme, Walter Hood, and<br />

Joseph E. Brown; partnering with the American Institute <strong>of</strong> Landscape<br />

Architects <strong>San</strong> <strong>Diego</strong> brought Michael Maltzan, Antoine Predock, and Craig<br />

Hodgetts to <strong>San</strong> <strong>Diego</strong>; Working with inSITE, the <strong>Museum</strong> was able to present<br />

design guru Bruce Mau; choreographers Nina Martin, Patricia Rincon; John<br />

Malashock; and Nancy McCaleb have performed, and the Cinema Society<br />

screened their World Cinema Society film series in Sherwood Auditorium.<br />

<strong>MCASD</strong> also collaborated with the <strong>San</strong> <strong>Diego</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> to acquire a<br />

large-scale sculpture by renowned Mexican-American artist Luis Jiménez.<br />

The piece, titled Border Crossing/Cruzando El Rio Bravo, debuted at City Hall<br />

as a benefit to the community <strong>of</strong> <strong>San</strong> <strong>Diego</strong> before being presented on a<br />

rotating basis at both institutions. The jointly acquired work is a significant<br />

addition to each museum’s holdings in Latin American art.<br />

Family Programs<br />

Family Days celebrated its fifth anniversary in FY04. This audience development<br />

and family program continues to be very popular, averaging over 350<br />

people per event. Activities include hands-on workshops with local artists, family<br />

tours, dance, music, and more, taking place from 2 pm to 5 pm. <strong>MCASD</strong><br />

Members participate for free, and non-members attend for the price <strong>of</strong><br />

<strong>Museum</strong> admission.<br />

2003<br />

July 6 > Passages and Screens<br />

August 3 > Documenting Time<br />

September 7 > Patterning Ganesh<br />

October 5 > All About Painting<br />

November 2 > Dia de los Muertos<br />

December 7 > Holiday Celebration with the<br />

<strong>San</strong> <strong>Diego</strong> Culinary Institute<br />

2004<br />

January 4 > A Living Still Life<br />

February 1 > Sketching Session with<br />

Pomona artist Shari Wasson<br />

March 7 > Baja to Vancouver Exploration<br />

with artist Roman de Salvo<br />

April 4 > Karaoke Fun with <strong>San</strong> Francisco<br />

artist Michele O’Marah<br />

May 2 > Family Portraits with Tijuana artist<br />

Yvonne Venegas<br />

June 6 > Video Postcards with local artist<br />

Jones <strong>San</strong>chez


20<br />

C<strong>AR</strong>E<br />

In collaboration with the <strong>San</strong> <strong>Diego</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> and the <strong>Museum</strong> <strong>of</strong><br />

Photographic <strong>Art</strong>s, <strong>MCASD</strong> launched a new school initiative that will bring arts<br />

education to every Title 1 school in the <strong>San</strong> <strong>Diego</strong> Unified School District by<br />

2007. Thanks to the generosity <strong>of</strong> an anonymous donor family in <strong>San</strong> <strong>Diego</strong>,<br />

the three partner museums designed the initiative called “Collaborative <strong>Art</strong>s<br />

Resources for Education” (C<strong>AR</strong>E). Through this program, SDMA will expand<br />

their <strong>of</strong>ferings to third graders; MoPA to fourth graders; and <strong>MCASD</strong> to fifth<br />

graders. These <strong>of</strong>ferings include bus transportation, materials for workshops,<br />

classroom activities, and visits to the three museums. After C<strong>AR</strong>E’s first year<br />

in development, all curriculum and other educational materials will be posted<br />

on a special Web site that students and educators can access.<br />

> To assist with this project, Los Angeles-based educator Robin Kaplan<br />

was engaged as Program Coordinator. <strong>MCASD</strong> hired Gallery Educator Barak<br />

Smith, an experienced 5th grade teacher and artist, to develop curriculum,<br />

lead hands-on workshops for teachers and students, and tour the galleries.<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Education & Programs<br />

<strong>MCASD</strong> After School / Downtown School Partnership<br />

In FY04, the <strong>Museum</strong> launched <strong>MCASD</strong> After School, building new relation-<br />

ships between the Monarch School, Harborside School, and the <strong>Museum</strong> <strong>of</strong><br />

<strong>Contemporary</strong> <strong>Art</strong> <strong>San</strong> <strong>Diego</strong>. The goal was to give the students consistent<br />

exposure to contemporary art, and allow them direct contact with artists and<br />

museum staff members. Increasing the students’ awareness <strong>of</strong> the <strong>MCASD</strong><br />

downtown space also provides these students with a sense <strong>of</strong> ownership, as<br />

well as a new confidence in having mentors among staff.<br />

> The students visit the museum every first Thursday <strong>of</strong> the month,<br />

during afternoon preparations for TNT (Thursday Night Thing). This enables<br />

them to witness exhibition installations and meet with an artist or members<br />

<strong>of</strong> the curatorial, installation, and public relations departments. In 2005, the<br />

students will be creating works <strong>of</strong> art that will hang as banners on the construction<br />

fence <strong>of</strong> <strong>MCASD</strong> Downtown.<br />

May 6 > Students met with <strong>Museum</strong> Curator Rachel Teagle for an initial welcome to the<br />

downtown <strong>Museum</strong>, then met with musicians from the Trummerflora Collective.<br />

June 3 > The students toured Chicano Now with Education Curator Monica Garza and<br />

Education Assistant, Lauren Popp.<br />

July 1 > Students met with Registration Assistant Meghan McQuaide Reiff to learn how<br />

art is cared for, and examined several pieces using registration tools.


21<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Education & Programs<br />

School and Teacher Programs<br />

School groups continue to tour at both locations <strong>of</strong> <strong>MCASD</strong> free <strong>of</strong> charge,<br />

thanks in part to our corporate council members. At the end <strong>of</strong> FY04, 11,000<br />

students and 4,000 adults had been through the galleries for an educationrelated<br />

purpose. The Education Department also holds bi-annual Educator’s<br />

Receptions, <strong>of</strong>fering teachers free docent-led tours <strong>of</strong> the exhibitions, a<br />

chance to mingle with staff, and free classroom resources.<br />

September 30 > Educator’s Reception and Preview <strong>of</strong> Manny Farber: About Face<br />

February 19 > Educator’s Reception and Preview <strong>of</strong> Baja to Vancouver: The West Coast<br />

and <strong>Contemporary</strong> <strong>Art</strong><br />

March 9 > Workshop on the California State Visual and Performing <strong>Art</strong>s Standards<br />

Intern Program<br />

Student interns were able to work at the <strong>Museum</strong> during the summer for<br />

college credit and a $1,000 honorarium. The interns volunteered in every<br />

department, including development, curatorial, education, and registration.<br />

This year, interns came to <strong>MCASD</strong> from all over the country, representing<br />

Stanford University, USC, University <strong>of</strong> New Mexico, School <strong>of</strong> the <strong>Art</strong> Institute<br />

<strong>of</strong> Chicago, Boston University, Union College, Arizona State University, <strong>San</strong><br />

<strong>Diego</strong> State University, UCLA, and University <strong>of</strong> Florida.<br />

Docent Program<br />

A dedicated team <strong>of</strong> volunteer Docents leads tours <strong>of</strong> exhibitions for adults<br />

and children from 4th grade and up at <strong>MCASD</strong> La Jolla. Docents are pr<strong>of</strong>essionally<br />

trained by <strong>Museum</strong> staff and are responsible for structuring their<br />

own tours. Training includes art history lectures; art workshops; activities on<br />

touring techniques and public speaking; visits to local arts organizations and<br />

landmarks, such as the Centro Cultural de la Raza, Chicano Park, and the <strong>San</strong><br />

<strong>Diego</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>. Many <strong>of</strong> our Docents have volunteered at <strong>MCASD</strong> for<br />

over five years, and some have worked with us for fifteen years or more.<br />

<strong>MCASD</strong> education programs receive generous support from many donors. We wish to thank<br />

those who have helped sustain our programming, many <strong>of</strong> which are long-time supporters.<br />

Education Program donors include the National Endowment for the Humanities, an anonymous<br />

donor, the William Randolph Hearst Foundations, the City <strong>of</strong> <strong>San</strong> <strong>Diego</strong> Commission for <strong>Art</strong>s<br />

and Culture, QUALCOMM, Inc., the County <strong>of</strong> <strong>San</strong> <strong>Diego</strong> (Pam Slater-Price, Ron Roberts, and<br />

Greg Cox), The <strong>San</strong> <strong>Diego</strong> Foundation (Colonel Frank C. Wood Memorial, Ariel W. Coggeshall,<br />

Mary E. and Robert R. Hield Funds), the Baldwin Family Foundation, Union Bank <strong>of</strong> California,<br />

Sempra Energy, Pfizer, and contributors to the <strong>MCASD</strong> Annual Fund.


22<br />

Membership<br />

Membership remains a bedrock <strong>of</strong> the <strong>Museum</strong>’s operations. <strong>MCASD</strong> Members<br />

receive invitations to exhibition previews, discounts at the <strong>Museum</strong> Store and<br />

Cafe, and free or reduced admission to lectures and programs throughout the<br />

year. In FY04, Members enjoyed a number <strong>of</strong> exclusive events, including exhibition<br />

receptions for Manny Farber, Alex Webb, and Paul Kos, and popular<br />

programs such as the Patrons’ Sunday Brunch Series. <strong>MCASD</strong> Members also<br />

had the opportunity to meet guest artists at the Baja to Vancouver and Chicano<br />

exhibition previews, and enjoyed the annual New Members’ Party in May.<br />

> <strong>MCASD</strong> is now part <strong>of</strong> the Modern and <strong>Contemporary</strong> <strong>Art</strong> Reciprocal<br />

Membership Program. <strong>MCASD</strong> Members at the Contributing level ($125) and<br />

above can enjoy reciprocal benefits at more than forty museums nationwide,<br />

including free admission and discounts on programs and events.<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Contributions & Grants


23<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Contributions & Grants<br />

International and <strong>Contemporary</strong> Collectors<br />

International Collectors, Co-Chaired in FY04 by Joan and Irwin Jacobs and Peter<br />

Farrell, and <strong>Contemporary</strong> Collectors, Co-Chaired by <strong>MCASD</strong> Trustee Sheryl and<br />

Harvey White, are premiere membership groups that provide a combined total<br />

<strong>of</strong> almost $500,000 in support. <strong>Contemporary</strong> Collectors welcomed twenty-two<br />

new households this year, for a total <strong>of</strong> sixty-nine households now participating.<br />

> International Collectors sponsor an exhibition in La Jolla annually, in<br />

2004 supporting Baja to Vancouver: The West Coast and <strong>Contemporary</strong> <strong>Art</strong>.<br />

The group enjoys preview tours with curators, dinners at the homes <strong>of</strong> collectors,<br />

opportunities to meet artists, and art tours with the curators and<br />

Director Hugh Davies. This year, the group attended the opening <strong>of</strong> the <strong>Museum</strong>’s<br />

traveling show, Ellsworth Kelly: Red Green Blue, at the Whitney <strong>Museum</strong> <strong>of</strong><br />

American <strong>Art</strong>, as well as artists’ studios and private collections throughout<br />

New York. In June 2004, International Collectors visited Basel for the <strong>Art</strong> Fair,<br />

and Venice, Italy, for the Biennale.<br />

> One <strong>of</strong> the most highly anticipated events is the Annual Selection<br />

Dinner, held at <strong>MCASD</strong> La Jolla. Collectors have the opportunity to choose<br />

works to add to the <strong>Museum</strong>’s permanent collection. In 2004, the group voted<br />

to purchase Endurance (2003) by Nina Katchadourian; John Sonsini’s painting<br />

Gabriel and Ramon (2003); and Taryn Simon’s C-print, Frederick Daye (2002).<br />

Also acquired were Ernesto Neto’s commissioned new work that will be<br />

installed downtown when the new Jacobs Building opens in 2007; and the<br />

sculpture beep, honk, toot, #1 (1989), by Haim Steinbach. Thanks to the generosity<br />

<strong>of</strong> Joan and Irwin Jacobs and Harvey and Sheryl White, <strong>MCASD</strong> was<br />

also able to acquire Wendell Gladstone’s painting and sculpture, Funnel (2003).<br />

st<strong>AR</strong>T UP<br />

Comprised <strong>of</strong> energetic young pr<strong>of</strong>essionals with an interest in contemporary art,<br />

st<strong>AR</strong>T Up was Co-Chaired in FY04 by Stacy and Paul Jacobs, and Lise Wilson, and<br />

Steve Strauss. The group was very active, welcoming eleven new members and<br />

contributing $39,000 to the <strong>Museum</strong>’s operating fund.<br />

> st<strong>AR</strong>T Up toured studios, museums, and collections in Dallas and Fort<br />

Worth, accompanied by Director Hugh Davies and Curator Stephanie Hanor.<br />

FY04 launched the st<strong>AR</strong>T Up Emerging <strong>Art</strong>ist Tour, with visits to artists’ studios<br />

in <strong>San</strong> <strong>Diego</strong> and Tijuana. The group also enjoyed exclusive dinners, the annual<br />

Family Brunch, and more. 2004 also premiered the st<strong>AR</strong>T Up Award. Each year<br />

an artist receives a cash prize and a Cerca Series exhibition funded by st<strong>AR</strong>T<br />

Up membership dues.


24<br />

Corporate Council<br />

A unique partnership <strong>of</strong> business and art, the <strong>MCASD</strong> Corporate Council brings<br />

together many companies whose financial support is crucial to the <strong>Museum</strong>.<br />

<strong>MCASD</strong> looks to the annual partnership <strong>of</strong> these corporations—<strong>of</strong> all sizes and<br />

from all industries—to maintain its position as an international arts leader.<br />

> Corporate Council members receive many benefits, one <strong>of</strong> which is<br />

an invitation to the Annual Golf Tournament at the La Jolla Country Club.<br />

This year, thanks to the hard work <strong>of</strong> the co-chairs, guest artists Cheech Marin<br />

and Vernon Fisher, the event netted over $60,000 for education and outreach<br />

programs. Many companies play a key role in the <strong>Museum</strong>’s operations; for<br />

example QUALCOMM has a ten-year record <strong>of</strong> support for the <strong>Museum</strong>’s School<br />

Programs and in 2004 made a $25,000 grant.<br />

Monte Carlo Under the Big Top<br />

Over the years, the Monte Carlo gala has become one <strong>of</strong> the top charity<br />

events on the West Coast, and a yearly social highlight in <strong>San</strong> <strong>Diego</strong>. The 27th<br />

annual Monte Carlo gala was held at <strong>MCASD</strong> La Jolla on September 6th, with<br />

the theme, Monte Carlo Under the Big Top. Co-Chaired in FY04 by Patsy and<br />

David Marino, the event grossed over $400,000 (including $53,000 from the<br />

silent auction), making it one <strong>of</strong> the most significant fundraising events for<br />

the <strong>Museum</strong>. (The night <strong>of</strong> the gala, it was announced that the FY05 chairs<br />

would be Carolyn Farris and Eileen and George Haligowski.) All net proceeds<br />

from Monte Carlo support <strong>MCASD</strong>’s exhibitions and education programs.<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Contributions & Grants<br />

<strong>Art</strong> Auction<br />

In April, <strong>MCASD</strong> held its 4th Benefit <strong>Art</strong> Auction, and the results were spec-<br />

tacular. Thanks to lively and generous bidding by our guests, the auction<br />

brought in over $250,000 for <strong>MCASD</strong>’s acquisition and exhibition programs.<br />

Charity auctioneer George McNeely, Vice President <strong>of</strong> Business Development<br />

at Christie’s, New York, contributed greatly to the evening’s success, as did<br />

the generous support <strong>of</strong> numerous artists and galleries who donated works<br />

<strong>of</strong> art, the event’s corporate sponsors, and the many patrons who attended<br />

the event.<br />

Grants<br />

Public and private grants provided significant contributed income in FY04.<br />

Competitive, peer-reviewed grants remain an important source <strong>of</strong> support<br />

for the <strong>Museum</strong>, including exceptional support from the City <strong>of</strong> <strong>San</strong> <strong>Diego</strong><br />

Commission for <strong>Art</strong>s and Culture and the County <strong>of</strong> <strong>San</strong> <strong>Diego</strong>’s Community<br />

Enhancement Program (Supervisors Slater, Roberts, and Cox), and private<br />

foundations such as The James Irvine Foundation, The Rockefeller Foundation,<br />

The Andy Warhol Foundation for the Visual <strong>Art</strong>s, The <strong>San</strong> <strong>Diego</strong> Foundation,<br />

and others.<br />

> In June 2004, the <strong>Museum</strong> received a $500,000 Challenge Grant<br />

from the National Endowment for the Humanities. This major grant, part <strong>of</strong> the<br />

<strong>Museum</strong>’s 21st Century Campaign, must be matched 4-to-1 with private contributions<br />

over the next several years; ultimately the grant and its $2,000,000<br />

matching funds will permanently endow the position <strong>of</strong> Education Curator and<br />

augment the <strong>Museum</strong>’s endowment for education programs, particularly those<br />

that address border issues and the bicultural community.


25<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> 21st Century Campaign<br />

January 29, 2004, marked the eleventh anniversary <strong>of</strong> the opening <strong>of</strong><br />

<strong>MCASD</strong> Downtown at America Plaza. In the first decade <strong>of</strong> its operation, this<br />

downtown venue has become a vital cultural landmark in the heart <strong>of</strong> <strong>San</strong><br />

<strong>Diego</strong>, attracting thousands <strong>of</strong> residents and tourists.<br />

> Expanding the downtown facilities, building an Endowment Fund, and<br />

furthering the permanent collection continue to be top priorities. <strong>MCASD</strong>’s<br />

newest location, the 1915-era “baggage building” adjacent to the <strong>San</strong>ta Fe<br />

Depot in downtown <strong>San</strong> <strong>Diego</strong>, has been renamed the Jacobs Building honoring<br />

donors, Irwin and Joan Jacobs. Galleries and other spaces inside have been<br />

designated in the names <strong>of</strong> other key donors, acknowledging their significant<br />

contributions toward the 21st Century Campaign, including those from Carolyn<br />

P. Farris, Dr. Peter C. Farrell, Pauline and Stanley Foster, Matthew and Iris<br />

Strauss, and Catellus Development Corporation.<br />

> Developments in FY2004 included a final approved agreement with<br />

the City <strong>of</strong> <strong>San</strong> <strong>Diego</strong> in which the <strong>Museum</strong> will have complete control over the<br />

site and improvements. The exterior has been almost completely restored, and<br />

the interiors are scheduled to be completed in early 2007, along with the<br />

three-story, contemporary David C. Copley Building for education and support<br />

programs, a space designated in recognition <strong>of</strong> Mr. Copley’s major gift<br />

announced in September 2004.<br />

> With the new building and our future in mind, <strong>MCASD</strong> launched a<br />

planned giving program, the Axline Circle, honoring Jackie and Rea Axline,<br />

long-time benefactors whose estate gift in 1999 was a legacy that helped<br />

transform the <strong>Museum</strong>. Axline Circle members who make estate or other<br />

planned gifts to <strong>MCASD</strong> enjoy many benefits, including donor recognition and<br />

an exclusive annual reception held in their honor.


21st Century Campaign<br />

Lela (Jackie) and Rea Axline<br />

Joan and Irwin Jacobs<br />

David C. Copley<br />

Carolyn P. Farris<br />

Peter C. Farrell<br />

Dr. Mary and Dr. James Berglund<br />

Sue K. and Charles C. Edwards<br />

Pauline and Stanley Foster<br />

Matthew and Iris Strauss<br />

Norma “Jake” Yonchak and J. Todd Figi<br />

Catellus Development Corporation<br />

Robert and Louise Harper<br />

Drs. Paul and Stacy Jacobs<br />

Mason and Elizabeth Phelps<br />

Helen K. Copley<br />

The James S. Copley Foundation<br />

Anonymous<br />

Sheryl and Harvey White<br />

National Endowment for the Humanities<br />

National Endowment for the <strong>Art</strong>s<br />

In Memory <strong>of</strong> Irene R. Jellinek<br />

Fritz and Nora Sargent<br />

Barbara and Charles Arledge<br />

Barbara Bloom<br />

Joyce and Ted Strauss<br />

Victor and Gilda Vilaplana<br />

Dr. Charles G. and Monica Cochrane<br />

Mary Keough Lyman<br />

The James Irvine Foundation<br />

The Parker Foundation<br />

26 <strong>MCASD</strong> > Annual Report FY04 > Donors*<br />

*current as <strong>of</strong> April 25, 2005<br />

Individual Giving<br />

<strong>MCASD</strong> Annual Contributions<br />

$100,000+<br />

Anonymous<br />

Barbara and Charles Arledge<br />

City <strong>of</strong> <strong>San</strong> <strong>Diego</strong> Commission for <strong>Art</strong>s<br />

and Culture<br />

David C. Copley<br />

Sue K. and Charles C. Edwards<br />

Dr. Peter C. Farrell<br />

Carolyn P. Farris<br />

Pauline and Stanley Foster<br />

Mr. and Mrs. Robert S. Harper<br />

Institute <strong>of</strong> <strong>Museum</strong> and Library Services<br />

The James Irvine Foundation<br />

Joan and Irwin Jacobs<br />

Drs. Paul and Stacy Jacobs<br />

The William Randolph Hearst Foundations<br />

The Henry Luce Foundation<br />

The Parker Foundation<br />

Joyce and Ted Strauss<br />

Matthew and Iris Strauss<br />

Nancy B. Tieken<br />

Victor and Gilda Vilaplana<br />

Brent and Laurie Woods<br />

$50,000–$99,999<br />

Dr. Mary and Dr. James Berglund<br />

Colette Carson Royston and Dr. Ivor Royston<br />

Dr. Charles G. and Monica Cochrane<br />

County <strong>of</strong> <strong>San</strong> <strong>Diego</strong><br />

David Guss<br />

Mary Keough Lyman<br />

Mason and Elizabeth Phelps<br />

The Rockefeller Foundation<br />

The Andy Warhol Foundation for the Visual <strong>Art</strong>s<br />

$25,000–$49,999<br />

Anonymous<br />

Walter Fitch III<br />

Mr. and Mrs. Milton Fredman<br />

Audrey Geisel/Dr. Seuss Fund<br />

Murray A. Gribin<br />

The HBB Foundation<br />

David and Patsy Marino<br />

The Steven R. and Garna G. Muller Fund <strong>of</strong><br />

the Homebuilding Community Foundation<br />

National Endowment for the <strong>Art</strong>s<br />

<strong>San</strong> <strong>Diego</strong> Foundation: Col. Frank C. Wood<br />

Memorial, Ariel W. Coggeshall, Mary E.<br />

and Robert R. Hield Endowment Funds<br />

Gough and Irene Thompson<br />

$10,000–$24,999<br />

Anonymous Donors<br />

Frank and Linnea Arrington<br />

The Baldwin Family Foundation<br />

Barbara Bloom<br />

Ron and Cathy Busick<br />

California <strong>Art</strong>s Council<br />

Diane and Christopher Calkins<br />

Mr. Robert Caplan and Dr. Carol Randolph<br />

Gus and Terri Colachis<br />

Kathryn S. Colachis<br />

Kathleen and Nicholas Connor<br />

Cultural Contact Fideicomiso para la cultura<br />

México-Estados Unidos and the Jacques and<br />

Natasha Gelman Foundation<br />

Ellen and David Dolgen Foundation<br />

Norma “Jake” Yonchak and J. Todd Figi<br />

Madeline L. Goldberg<br />

Murray and Ruth Gribin Foundation<br />

Judith Harris and Dr. Robert Singer<br />

Lawrence and Jill Holland<br />

Deni and Jeff Jacobs<br />

William W. Karatz<br />

Gail and Fred Kittler<br />

Kockritz/Black Trust<br />

LEF Foundation<br />

Lehman Brothers<br />

Leanne Hull MacDougall and<br />

Donald J. Dalessio, MD<br />

<strong>Museum</strong> Loan Network<br />

Nimoy Fund Foundation<br />

Max Palevsky<br />

Maryanne and Irwin Pfister<br />

The Redducs Chartered Foundation<br />

Gail Richardson<br />

Fritz and Nora Sargent<br />

Robert L. Shapiro<br />

Mr. and Mrs. Jose M. Tasende<br />

Ron and Mary Taylor<br />

Sheryl and Harvey White<br />

Jeffrey Yates and Norma Rascón de Yates<br />

$5,000–$9,999<br />

Steve and Lisa Altman<br />

Anonymous<br />

Apple Valley Foundation<br />

Dr. Mary Bear<br />

The Betlach Family Foundation<br />

Ruby Blessing and Nicholas McCutcheon<br />

Carlo Cetti<br />

Mary and Adam Cherry<br />

Donald and Karen Cohn<br />

Dr. and Mrs. William T. Comer<br />

Chris and Eloisa Haudenschild


Keith Horne<br />

Ronald and Marci Morgan<br />

Deborah and Charles Myers<br />

David and Marty Pendarvis<br />

Peter and Peggy Preuss<br />

Judith Rothschild Foundation<br />

Jack Shear<br />

Mr. and Mrs. Forrest N. Shumway<br />

Takahashi Family Foundation<br />

Erika and Dr. Fred Torri<br />

Jan Tuttleman<br />

Marie Vickers Horne<br />

Barbara and Karl ZoBell<br />

$3,000–$4,999<br />

Patty and Brion Applegate<br />

Melissa and Michael Bartell<br />

Phil and Catherine Blair<br />

Nancy and Matt Brower<br />

Lee Clark and Jerry Pikolysky, D.D.S.<br />

Florence Cohen<br />

Robert W. Conn and Anne Hoger<br />

Susan Duboc<br />

Roberta and Stephen Edelstein<br />

Mr. and Mrs. David Fairchild<br />

Danah H. Fayman<br />

Mr. and Mrs. Elliot Feuerstein<br />

Jenny Freeborn<br />

Elaine and Murray Galinson<br />

Dr. and Mrs. George Goodman<br />

Cherie L. Halladay<br />

Dr. Linda Hirshberg and Mr. Gerald Hirshberg<br />

Margaret Jackson and Neil Hadfield<br />

Debby and Hal Jacobs<br />

Inge Johansen and Robert L. Gagnon<br />

Peggy and Eric Johnson<br />

S<strong>of</strong>ia and Leon Kassel<br />

Mel and Linda Katz<br />

Dr. Warren and Karen Kessler<br />

Bryna and Jay Kranzler<br />

Sharon and Joel Labovitz<br />

Robert and Susie Lankford<br />

Carole Laventhol and Alison Laventhol<br />

<strong>San</strong>dy and <strong>Art</strong>hur Levinson<br />

Vivian Lim and Joseph Wong<br />

Robin J. Lipman<br />

Josephine R. MacConnell and Guy R. Showley<br />

Steve and Yvonne Maloney<br />

Liz and Chris McCullah<br />

Debra McGinty-Poteet and Larry Poteet<br />

Mr. and Mrs. John Moores<br />

Amelia and Kenneth Morris<br />

Susan L. Drescher Mulzet and Mark Mulzet<br />

Robert and Anne Nugent<br />

Elizabeth and Morgan Dene Oliver<br />

Matthew O’Neill<br />

Robin and Gerald Parsky<br />

Jeff Patrick<br />

Kate and John Pifer<br />

Linda and Shearn Platt<br />

Sheila and Hughes Potiker<br />

Peter and Peggy Preuss<br />

Dr. and Mrs. Justin W. Renaudin<br />

Edward H. Richard and Warren P. Kendrick<br />

Dr. and Mrs. Alan W. Robbins<br />

James Robbins<br />

Ewa Robinson<br />

Glenda M. Rothberg and Peter L. Holstein<br />

Fay and Richard Russell<br />

Hermeen and Sam Scharaga<br />

Dr. and Mrs. Joseph D. Schmidt<br />

Dr. Myron and Doreen Schonbrun<br />

Cree and Ned Scudder<br />

Gad and Suzan Shaanan<br />

Susan Shmalo<br />

Dr. and Mrs. Kurt E. Shuler<br />

Mr. and Mrs. Marvin E. Simner<br />

Elene and Herbert Solomon<br />

Robin Stark<br />

Francy Starr and Marvin Krichman<br />

Rod and Gloria Stone<br />

Steven M. Strauss and Lise Wilson<br />

27 <strong>MCASD</strong> > Annual Report FY04 > Donors<br />

The John M. and Sally B. Thornton Foundation<br />

Erika and Fred Torri<br />

Barbara Walbridge<br />

Mr. and Mrs. Mel Wasserman<br />

Mr. and Mrs. Aaron Wechter<br />

David B. Wescoe and Dr. Sibyl G. Wescoe<br />

Mr. and Mrs. Jack K. White<br />

Carolyn Yorston<br />

Helene and Allan Ziman<br />

Corporate Giving<br />

$100,000+<br />

Altria Group<br />

$20,000+<br />

Barratt Urban Development<br />

BLADEdigital<br />

Catellus Development Corporation<br />

ClearChannel <strong>San</strong> <strong>Diego</strong><br />

Imperial Capital Bank<br />

QUALCOMM, Inc.<br />

<strong>San</strong> <strong>Diego</strong> Daily Transcript<br />

Tiffany & Co.<br />

$10,000–$19,999<br />

American Express*<br />

Brandes Investment Partners<br />

Champagne Pommery<br />

Cooley Godward<br />

The FrameMaker<br />

Fox 6/UPN 13<br />

George’s At The Cove*<br />

Kaleidoscope Productions, Inc<br />

La Jolla Beach and Tennis Club*<br />

La Valencia*<br />

The Lodge at Torrey Pines*<br />

Northern Trust Bank <strong>of</strong> California<br />

Procopio Cory Hargreaves & Savitch, LLP<br />

ResMed, Inc.<br />

Roppongi*<br />

<strong>San</strong> <strong>Diego</strong> CityBEAT<br />

Sempra Energy<br />

Tapenade<br />

Torrey Pines Bank<br />

W.P. Stewart & Co.<br />

* (<strong>AR</strong>TWAVE Hospitality Partners 2004)<br />

$5,000– $9,999<br />

Ayres Land Company<br />

Classic Party Rentals<br />

Copley Newspapers<br />

Crown Point Catering<br />

DLA Piper Rudnick Gray Cary<br />

Elegant Events<br />

ESCADA<br />

French Gourmet<br />

Giuseppe Restaurants and Fine Catering<br />

Hyatt Regency La Jolla at Aventine<br />

Irving Hughes<br />

La Jolla Lifestyles<br />

Legacy Bank<br />

Peartrees Catering<br />

Pfizer<br />

Riviera Magazine<br />

Ranch and Coast Magazine<br />

The Shidler Group<br />

Stone Brewing Co.<br />

TK&A Custom Catering<br />

Waters Fine Catering<br />

The WineSellar and Brasserie<br />

$1,500–$4,999<br />

Bank <strong>of</strong> America<br />

Best Beverage Catering<br />

ConAm Group <strong>of</strong> Companies<br />

Cox Communications<br />

First American Trust<br />

George’s at the Cove<br />

Goldman Sachs<br />

The Grand Colonial Hotel<br />

G.S. Levine Insurance Services<br />

Jack in the Box<br />

KPMG, LLP<br />

Ledcor Petty Construction<br />

Merrill Lynch<br />

Neyenesch Printers<br />

North Island Credit Union<br />

PriceWaterHouseCoopers, LLP<br />

Red Army Vodka<br />

Regents Bank<br />

Seltzer Caplan McMahon Vitek<br />

Spearhall Advertising<br />

Target<br />

UBS Wealth Management<br />

Van Rex Gourmet Foods<br />

$1,000–$1,499<br />

Austen Veum Robbins Partners<br />

Commonwealth Partners, LLC<br />

Howard-Sneed Architecture<br />

Hunter Industries<br />

La Valencia Hotel<br />

Lockton Insurance Brokers<br />

Pr<strong>of</strong>lowers.com<br />

South Coast Plaza<br />

Upholstery Fabric Outlet


28<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Board <strong>of</strong> Trustees FY04<br />

Pauline Foster, President<br />

Barbara Arledge<br />

Dr. Mary Berglund<br />

Charles J. Betlach, II<br />

Christopher C. Calkins<br />

Dr. Charles C. Cochrane<br />

August Colachis (until July 2003)<br />

Kathleen Conner<br />

David C. Copley<br />

Sue K. Edwards<br />

Dr. Peter C. Farrell<br />

J. Todd Figi<br />

Murray A. Gribin<br />

David Guss<br />

Judith C. Harris<br />

Paul Jacobs<br />

Mary Keough Lyman<br />

Dr. Carol Randolph<br />

Colette Carson Royston<br />

Nora D. Sargent<br />

Robert L. Shapiro<br />

Joyce Strauss<br />

Matthew C. Strauss<br />

Ron Taylor<br />

Nancy Tieken (as <strong>of</strong> September 2003)<br />

Victor Vilaplana<br />

Sheryl White<br />

Brent V. Woods<br />

Jeffrey D. Yates<br />

Please see our Web site for FY05 Board <strong>of</strong> Trustees list


Director’s Office<br />

Hugh M. Davies, Ph.D.,<br />

The David C. Copley Director<br />

Sonia Lee,<br />

Executive Assistant to the Director<br />

Business Office<br />

Charles E. Castle, Deputy Director<br />

Trulette M. Clayes, CPA, Controller<br />

John Virissimo, Accountant<br />

Kathlene J. Gusel,<br />

Business Office & IT Coordinator<br />

Robin Ross, Accounting/Personnel Clerk<br />

29 <strong>MCASD</strong> > Annual Report FY04 > Staff<br />

Curatorial<br />

Toby Kamps, Curator<br />

Stephanie Hanor, Ph.D., Curator<br />

Rachel Teagle, Ph.D., Curator<br />

Mary Johnson, Registrar<br />

Monica Garza, Education Curator<br />

Lauren Popp,<br />

Education Administrative Assistant<br />

Tracy Steel, Curatorial Manager<br />

Lauren Buscemi, Curatorial Assistant<br />

Meghan McQuaide Reiff,<br />

Registrarial Assistant<br />

Ame Parsley, Chief Preparator<br />

Dustin Gilmore, Preparator<br />

Andee Hales, Librarian*<br />

Institutional Advancement<br />

Jane Rice,<br />

Director <strong>of</strong> Institutional Advancement<br />

Synthia Malina, Annual Giving Manager<br />

Catherine Massey, Corporate<br />

Partnerships/Sponsorship Coordinator<br />

Joanne Leese, Membership Coordinator<br />

Cynthia Tuomi, Corporate<br />

Partnerships/Special Events Coordinator<br />

Blair Harris, Membership Assistant<br />

Kraig Cavanaugh, Database Clerk*<br />

External Affairs<br />

Anne Farrell, Director <strong>of</strong> External Affairs<br />

Bryan Spevak,<br />

Public Relations/Marketing Officer<br />

Laurie Chambliss, Public<br />

Relations/Marketing Coordinator<br />

Lehze Flax, Graphic Designer<br />

Stephanie Krieger, Grants<br />

Coordinator/Administrative Assistant<br />

Events and Visitor Services<br />

Edie Nehls,<br />

Events and Visitor Services Manager<br />

Lotte Watts,<br />

Events and Visitor Services Coordinator<br />

Mike Scheer, Production Manager<br />

Event Technicians*<br />

Retail Services<br />

JD Hancock, Manager <strong>of</strong> Retail Operations<br />

Kendra Kent, Assistant Bookstore Manager<br />

Bookstore Clerks*<br />

Facilities and Security<br />

Drei Kiel, <strong>Museum</strong> Manager<br />

James Patocka, Senior Facilities Assistant<br />

Tauno Hannula, Facilities Assistant<br />

Mario Torres, Facilities Assistant*<br />

David Lowry, Chief <strong>of</strong> Security<br />

Javier Martinez, Downtown Site Manager<br />

Carlos Enciso, Senior Gallery Attendant<br />

Ken Maloney, <strong>Museum</strong> Attendant<br />

Receptionist, La Jolla*<br />

<strong>Museum</strong> Attendants*<br />

* Denotes Part-time<br />

As <strong>of</strong> 6/30/04; please see our Web site for<br />

current Staff list


30<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Financial Statement<br />

Consolidated Statement <strong>of</strong> Activities for the Year Ended<br />

June 30, 2004<br />

Revenue<br />

Government Grants $627,793<br />

Contributions (Individual, Foundation, Corporate, Memberships) $3,121,758<br />

Special Events Support $1,281,267<br />

Education, Exhibition, Admission Fees $227,705<br />

Earned Revenue from Rentals, <strong>Museum</strong> Stores $696,889<br />

Endowment - Net realized & unrealized gains $6,070,796<br />

Dividend and Interest Income, Other Income $754,549<br />

Expense<br />

$12,780,757<br />

Curatorial Programs & Permanent Collection $2,157,655<br />

Auditorium & <strong>Museum</strong> Stores $615,944<br />

Membership Support $359,254<br />

Fund Raising $287,478<br />

Administration $1,419,724<br />

Special Events $761,745<br />

Marketing & Public Relations $403,048<br />

Buildings Operation $1,587,623<br />

Expansion Capital Campaign $287,355<br />

$7,879,826<br />

Change in Net Assets $4,900,931<br />

The <strong>Museum</strong>’s Auditor is Deloitte & Touche.


31<br />

Dividend and Interest Income, Other Income 6% Government Grants 5%<br />

Endowment 48%<br />

INCOME<br />

<strong>MCASD</strong> > Annual Report FY04<br />

> Income & Expense<br />

Education, Exhibition, Admission Fees 2%<br />

Earned Revenue<br />

from Rentals,<br />

<strong>Museum</strong> Stores 5%<br />

Buildings Operation 20%<br />

Marketing & Public Relations 5%<br />

Special Events 10%<br />

Contributions (Individual, Foundation,<br />

Corporate, Memberships) 24%<br />

Special Events Support 10%<br />

Administration 18%<br />

Expansion Capital Campaign 4%<br />

EXPENSE<br />

Fund Raising 4%<br />

Curatorial Programs &<br />

Permanent Collection 26%<br />

Auditorium & <strong>Museum</strong><br />

Stores 8%<br />

Membership Support 5%


700 Prospect St. La Jolla, CA 92037-4291 T 858 454 3541<br />

1001 Kettner Blvd. <strong>San</strong> <strong>Diego</strong>, CA T 619 234 1001<br />

<strong>MCASD</strong> > Annual Report FY04

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