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Spectacular Homes <strong>of</strong> <strong>London</strong><br />

Ant h o n y Co l l e t t<br />

And r z e j Za r z y c k i<br />

Collett-Zarzycki, Ltd.<br />

At Collett-Zarzycki, nothing succeeds like collaboration. Directors<br />

Anthony Collett and Andrzej Zarzycki encourage client<br />

participation to inspire a joint vision, which once created, the<br />

team <strong>of</strong> 25 staff members help bring to fruition. Nothing makes them<br />

happier than when clients present a new and unique challenge, since it<br />

provides an invigorating opportunity to learn and grow.<br />

Collett Zarzycki has an extremely diverse portfolio <strong>of</strong> work that takes in some<br />

<strong>of</strong> the most prestigious addresses in <strong>London</strong> as well as properties all over<br />

Europe, the US and the Far East. This international clientele is reflected by<br />

Anthony and Andrzej’s background: both were born in Zambia, but the pair<br />

only met when Andrzej joined Anthony’s <strong>London</strong> practice in the mid-1980s,<br />

and they discovered a shared aesthetic. They tend to work together on the<br />

The <strong>com</strong>pany’s staff works in a multidisciplinary interlocking fashion across<br />

the fields <strong>of</strong> architecture, interior decorating, furniture design and landscape<br />

design. This not only results in a fluid and dynamic creative environment<br />

where new skills are continuously learnt, but also makes for an extremely<br />

coherent finished product. Such a <strong>com</strong>plete set <strong>of</strong> in-house talent is rare:<br />

Anthony Collett likes to think <strong>of</strong> it as a 360-degree service.<br />

Above:<br />

A ripple sycamore cabinet and ebonized chaise were designed specifically for a project in<br />

Holland Park.<br />

Photograph by J. Mortimer<br />

Facing Page:<br />

This double volume space created from two floors provides a dramatic effect in a<br />

Kensington residence.<br />

Photograph by J. Mortimer

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