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MSS 506<br />

Interviews with Musicians about Jelly Roll Morton<br />

1938-1991<br />

Bulk dates 1968-1970<br />

Extent: 487 items<br />

Th<strong>is</strong> collection, a part of the larger William Russell Collection, cons<strong>is</strong>ts of typed interviews<br />

about the jazz composer, pian<strong>is</strong>t, and conductor Ferdinand “Jelly Roll” Morton (1885?-1941) and<br />

of other material which Russell collected for an intended book about Morton. The title of the<br />

collection derives from Russell‟s own descriptive phrase on folders and other packing material.<br />

However, the interviews were conducted not only with musicians, but also with others who could<br />

shed some light on Morton‟s story, including Frances M. Oliver (folder #118), Morton‟s s<strong>is</strong>ter;<br />

Joseph Fogarty (folder #54), grandson of Judge John J. Fogarty, who <strong>is</strong> mentioned in a Morton<br />

song; two retired vaudeville performers known as Mack and Mack (folder #108); Morton‟s onetime<br />

manager Harr<strong>is</strong>on Smith (folder #174); and many others.<br />

Also in th<strong>is</strong> collection are a few letters (folder #157, for instance), many of Jelly Roll‟s own<br />

autobiographical writings (folder #104), and several clippings, including an important obituary<br />

of Roy Carew (folder #87). The few photographs (none of Morton) are generally those<br />

mentioned in the accompanying interview article, and were probably intended as illustrations.<br />

Russell also collected the output of other people‟s research. John Steiner‟s chronology, “Jelly<br />

Roll in The Chicago Defender” (folders 183-185) and the beginning of Dave Stuart‟s book about<br />

h<strong>is</strong> own friendship with Morton (folders 187-191) are examples of these.<br />

Th<strong>is</strong> material served as the bas<strong>is</strong> for William Russell‟s book “Oh M<strong>is</strong>ter Jelly!”: A Jelly Roll<br />

Morton Scrapbook.<br />

Cite as:<br />

Arrangement:<br />

Language:<br />

Restrictions:<br />

How to Order:<br />

Accession number:<br />

Interviews with Musicians about Jelly Roll Morton, MSS 506, Williams<br />

Research Center, The H<strong>is</strong>toric New Orleans Collection.<br />

Original order.<br />

Engl<strong>is</strong>h.<br />

Researchers may be limited to consulting one or two items at a time, per<br />

the d<strong>is</strong>cretion of the Reading Room staff. Reproduction of original<br />

documents, when permitted, must be performed by the Williams Research<br />

Center staff.<br />

Please provide the reference staff with the manuscript call number and<br />

folder number.<br />

92-48-L


MSS 506, Williams Research Center, page 2<br />

Table of Contents<br />

Folder #<br />

Name of Interviewee<br />

1-2 Bernard Add<strong>is</strong>on<br />

3-4 Red Allen (by John Chilton)<br />

5-6 Shep Allen<br />

7-8 Hayes Alv<strong>is</strong> (by Bob Greene)<br />

9-11 Frank Amacker<br />

12-13 Lil Hardin Armstrong<br />

14-15 Lou<strong>is</strong> Armstrong<br />

16-17 Lovie Austin<br />

18-19 Paul Barbarin<br />

20-21 Danny Barker<br />

22-24 Paul Barnes<br />

25-27 Tommy Benford<br />

28-30 Barney Bigard (by Floyd Levin)<br />

31-34 Eubie Blake<br />

35-36 Rudi Blesh<br />

37-38 Joseph “Fan” Bourgeau<br />

39-40 Bricktop<br />

41-42 Georg Brun<strong>is</strong><br />

43-44 Albert “Happy” Caldwell<br />

45-47 Roy Carew<br />

[See also George W. Kay]<br />

48-49 Lillie Delk Chr<strong>is</strong>tian


MSS 506, Williams Research Center, page 3<br />

50-53 Amide Colas and Gene Colas<br />

54-57 Bill Colburn<br />

58-59 Lee Collins<br />

60-62 Sam Dav<strong>is</strong> (by John G. Heinz)<br />

63-64 Volly De Faut<br />

65-66 Wilbur De Par<strong>is</strong><br />

67-68 Baby Dodds<br />

69-70 Natty Dominque<br />

71-72 Harold Drob<br />

73-74 Charles Elgar<br />

75-78 [Duke] Ellington, Etc.<br />

“A Few Other Opinions on Jelly Roll”<br />

Wallace B<strong>is</strong>hop<br />

Shelton Brooks<br />

Dave Brubeck<br />

Duke Ellington<br />

John Hammond<br />

Earl Hines<br />

Lou<strong>is</strong> Metcalf<br />

Marili Morden [Levin]<br />

Rex Stewart<br />

79-81 “Quotes by Others Not Used”<br />

Donald Byrd<br />

Cozy Cole<br />

Leonard Feather<br />

Lou<strong>is</strong> Metcalf<br />

George Orendorff<br />

Harry Prather<br />

Charley Thompson<br />

Joe Turner<br />

82-83 Don Ewell


MSS 506, Williams Research Center, page 4<br />

84-85 Joseph Fogarty<br />

(Interviewed about Judge John J. Fogarty)<br />

86-87 Pops [George Murphy] Foster<br />

88-89 Ed “Montudi” Garland<br />

90-91 Bob [Robert S.] Greene<br />

92-93 George Guesnon<br />

94-95 J. C. Higginbotham<br />

96-97 Paul Howard<br />

98-99 Kenneth Hulsizer<br />

100-101 Willie Humphrey<br />

102-103 Preston Johnson<br />

104-105 Dink Johnson<br />

106-107 Bunk Johnson<br />

108-110 James P. Johnson<br />

111-112 Manzie Johnson<br />

113-114 Rosalind Johnson<br />

115-122 George W. Kay<br />

123-124 Karl Kramer<br />

125-126 Floyd Levin<br />

127-128 Creole Charlie Levy<br />

129-130 Harry Lim<br />

131-133 Alan Lomax<br />

134-135 Jelly Roll Morton<br />

“Jelly Writings” (autobiographical essays)<br />

[see also William Russell]


MSS 506, Williams Research Center, page 5<br />

136-137 Lawrence Lucie<br />

138-139 Billy McBride and Mary McBride<br />

[Mack & Mack]<br />

140-141 Manuel “Fess” Manetta<br />

142-143 Punch Miller<br />

144-145 George Mitchell<br />

146-147 Albert Nicholas<br />

148-149 Frances M. Oliver<br />

150-151 Kid Ory<br />

152-153 Russell Procope<br />

154-155 Fred Ramsey (Frederic Ramsey, Jr.)<br />

156-157 Bill [Beale A.] Riddle<br />

158-159 “Banjo” Ikey Robinson<br />

160-161 Al Rose<br />

162-163 Jimmy Rushing<br />

164-167 William Russell<br />

“Jelly Roll at the Music Box”<br />

168-186 William Russell<br />

“Orchestration” and “Jelly Orchestration” files<br />

174 Frog-I-More Rag<br />

175 Morton‟s piano style<br />

176-178 Stop & Go<br />

179 Fingerbreaker<br />

183 Victor Album Notes<br />

187-190 William Russell<br />

“Jelly in Europe”<br />

191 William Russell<br />

“Order of Pages in Jelly Book”


MSS 506, Williams Research Center, page 6<br />

192-193 Eleanor Simeon<br />

194-195 Omer Simeon<br />

196-197 Marge Creath Singleton<br />

198-201 Zutty Singleton<br />

202-203 Charles Edward Smith<br />

204-207 Harr<strong>is</strong>on Smith<br />

208-210 Stephen W. Smith<br />

211-212 Willie “The Lion” Smith<br />

213-214 “Reb” and Johnny Spikes<br />

216-217 Johnny St. Cyr<br />

218-221 John Steiner<br />

“Jelly Roll in The Chicago Defender”<br />

(Chronology)<br />

222-226 Dave Stuart<br />

224-226 “Dave Stuart‟s Jelly Roll Book”<br />

227-228 Billy Taylor<br />

229-231 Butch Thompson<br />

232-233 Benny Waters<br />

234-235 J. Mayo “Ink” Williams<br />

236-237 Willie Woodman<br />

238-239 Al[bert] Wynn<br />

240-241 Trummy Young


Folder L<strong>is</strong>t<br />

Folder 1 Bernard Add<strong>is</strong>on (New York, 1970 May 7)<br />

Typed interview with introduction. Annotated.<br />

Introduction, [1] p. (p. “A”); interview, 4 pp., 1 item<br />

Folder 2<br />

Folder marked “Bernard Add<strong>is</strong>on,” with other notations (pencil), 1 item<br />

Folder 3 Red Allen (London, 1973 August 30)<br />

“John Chilton‟s Notes on Red Allen and Jelly Roll.”<br />

Typed, with annotations in ink and red pencil.<br />

Page four in pencil in Russell‟s hand.<br />

4 pp., 1 item<br />

Folder 4<br />

Folder marked “Red Allen (Chilton),” with other notations (pencil)<br />

Verso: flyer for “Stand Up for Life” Rally, 2 items<br />

Folder 5 Shep Allen (Washington, DC, 1970 July 15)<br />

Typed interview with introduction.<br />

Introduction, [1] p. (p. “A”); interview (photocopy), 3 pp., 1 item<br />

Folder 6<br />

Folder marked “Shep Allen,” with other notations (pencil)<br />

Note, “Shep Al<br />

2 items<br />

Folder 7 Hayes Alvin (Washington, DC, 1968 October 23)<br />

Typed interview by Bob Greene, with introduction<br />

Introduction, [1] p. (p. “A”); interview, 4 pp.<br />

With duplicate , 2 items<br />

Folder 8<br />

Folder marked “Hayes Alv<strong>is</strong>,” with other notations (pencil), 1 item<br />

Folder 9 Frank Amacker (New Orleans, 1970 October 23)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 2 pp., 1 item<br />

Folder 10<br />

Folder 11<br />

Photograph (glossy black and white, 12½ cm X 17½ cm), of Frank Amacker.<br />

With duplicate (photocopy), 2 items<br />

Folder marked “Amacker,” with other notations (pencil)<br />

Note, “Frank Amacker” (ink and pencil), 2 items<br />

Folder 12 Lil Armstrong (New Orleans, 1969 Jan. 19)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 3 pp., 1 item


Folder 13<br />

Folder marked “Lil Armstrong” with other notations (pencil)<br />

Two notes, “Lil Armstrong” and “Lil” about interview<br />

and photographs. 3 items<br />

Folder 14 Lou<strong>is</strong> Armstrong (1970 May 5)<br />

Typed article from interview.<br />

Article, 3 pp., 1 item<br />

Folder 15<br />

Folder marked “Lou<strong>is</strong> Armstrong Jelly Roll Article” with other notations (pencil),<br />

1 item<br />

Folder 16 Lovie Austin (Chicago, 1969 April 25)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 3 pp., 1 item<br />

Folder 17<br />

Folder marked “Lovie Austin,” with other notations (pencil)<br />

Note, “Lovie Austin” (pencil), 2 items<br />

Folder 18 Paul Barbarin (New Orleans, 1968 December 4)<br />

Typed interview with introduction. Annotated.<br />

Introduction [1] p.; interview, 5 pp., 1 item<br />

Folder 19<br />

Folder marked “Paul Barbarin,” with other notations (pencil)<br />

Note, “Use with Paul Barbarin” (ink and pencil)<br />

Note, “Pau<br />

, 3 items<br />

Folder 20 Danny Barker (New Orleans, 1968 August 18; 1985 December 21)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 12 pp., 1 item<br />

Folder 21<br />

Folder marked “Danny Barker” (pencil)<br />

Clipping, advert<strong>is</strong>ement for Hart Schaffner & Marx suits, 4 items<br />

Folder 22 Paul Barnes (New Orleans, 1968 October 15)<br />

Typed interview with annotations, 6 pp., 1 item<br />

Folder 23<br />

Two drafts of a biographical sketch of Paul Barnes<br />

Each <strong>is</strong> 1 p. (pencil with ink annotations)<br />

Verso: 1955 Oct. 31 invoice, Co-Service Printing Co., Newark, NJ, to<br />

American Music Records, Chicago, IL<br />

Verso: 1949 July 19 TLS, Lee Ruttle, Oakland, CA, to [William] Russell,<br />

[Pittsburgh, PA?]<br />

Photo of Jelly Roll Morton and band (photocopy), 3 items


Folder 24<br />

Folder marked “Paul Barnes,” with other notations (pencil)<br />

ncil)<br />

Note, “Make Correc<br />

3 items<br />

Folder 25 Tommy Benford (New York City, 1970 May 4)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 4 pp. (photocopy), 1 item<br />

Folder 26<br />

Folder 27<br />

Photograph (black and white, 26 cm X 21 cm) of Palm Cafe (photocopy)<br />

Photograph (black and white, 6½ cm X 14 cm) of Tommy Benford (photocopy), 2<br />

items<br />

Folder marked “Tommy Benford,” with other notations (pencil)<br />

, 2 items<br />

Folder 28 Barney Bigard (Los Angeles, 1969 July 25)<br />

Typed interview by Floyd Levin, with introduction<br />

Introduction, [1] p. (p. “A”); interview (photocopy), 4 pp., 1 item<br />

Folder 29<br />

Folder 30<br />

Clipping, “Jelly Roll Morton, an Interview with Barney Bigard [by Floyd Levin]”<br />

by Bill Russell, Footnote, 1980 Aug./Sept.<br />

Annotated photocopy.<br />

Includes cover (photograph of Barney Bigard), 1 item<br />

Folder marked “Barney Bigard,” with other notations (pencil)<br />

, 2 items<br />

Folder 31 Eubie Blake (New Orleans, 1969 June 5)<br />

“Eubie Blake Talks About Jelly”<br />

Typed interview<br />

Includes photocopy of photograph of Eubie Blake by Jules Cahn.<br />

Interview, 6 pp.; photograph, [1] p. (photocopies), 1 item<br />

Folder 32 Eubie Blake (New Orleans, 1969 June 5)<br />

“Eubie Blake Talks About Jelly”<br />

Typed interview, 5 pp., 1 item<br />

Folder 33<br />

Folder 34<br />

Photocopy of clipping about Vladimir de Pachmann.<br />

Annotated., 1 item<br />

Folder marked “Eubie Blake” with other notations.<br />

Note, “Eubie Blake” (ink and pencil), 2 items


Folder 35<br />

Folder 36<br />

Rudi Blesh (1944 Aug.)<br />

Manuscript interview, reconstructed by Russell from notes.<br />

With note attached, “The character in Oliver Tw<strong>is</strong>t ...”<br />

Interview, 3 pp. (ink); note, 1 p. (ink), 2 items<br />

Folder marked “Rudi Blesh,” 1 item<br />

Folder 37 Joseph “Fan” Bourgeau (New Orleans, 1970 Jan. 24)<br />

Typed interview with introduction<br />

Introduction, [1] p. (“A”); interview, 2 pp., 1 item<br />

Folder 38<br />

Folder marked “Fan Bourgeau” with other annotations<br />

Two notes, “Fan” and “Fan Bourgeau” (both ink and pencil), 3 items<br />

Folder 39 Bricktop (New York, Nov. 1974)<br />

Typed article, written 1985.<br />

Article, 2 pp., 1 item<br />

Folder 40<br />

Folder marked “Bricktop” with other notations<br />

Note, “Bricktop ...” (ink), 2 items<br />

Folder 41 Georg Brun<strong>is</strong> (Chicago, 1958 June 3; New Orleans, 1971 Nov. 14)<br />

Typed interview with introduction<br />

Introduction, [2] pp. (“A” and “A-2”); interview, 2 pp., 1 item<br />

Folder 42<br />

Folder marked “Geo. Brun<strong>is</strong>” with other notations<br />

Note, “Geo. Brun<strong>is</strong> ...”, about photographs, 2 items<br />

Folder 43 Albert “Happy” Caldwell (New York, 1970 Dec. 24)<br />

Typed interview with introduction<br />

Introduction, [2] pp. (“A” and “A-2”); interview, 4 pp., 1 item<br />

Folder 44<br />

Folder marked “Happy Caldwell” with other notations<br />

Two notes, about which photographs to use with article, 3 items


Folder 45<br />

Roy Carew, several parts of the typescript of “Oh M<strong>is</strong>ter Jelly!” A Jelly Roll<br />

Morton Scrapbook compiled by William Russell (Washington, DC, 1947 March)<br />

Title page: “Oh M<strong>is</strong>ter Jelly!” A Jelly Roll Morton Scrapbook compiled<br />

by William Russell<br />

“Preface” by William Russell, 1 p.<br />

At bottom: “Add second page” (pencil)<br />

[See folder 28 for second page notes]<br />

New Orleans Recollections, Roy J. Carew<br />

“Milneburg Joys”, pp. 1-4<br />

“Parades, Gretna, Blues, Rain”, pp. 5-18<br />

“1211 U Street, Northwest”, pages numbered 1-9<br />

“Let Jelly Speak for Himself”, 1 p.<br />

At bottom: “R.C.”<br />

Total of 30 pp., typed (photocopy), 1 item<br />

Folder 46 <strong>Item</strong>s that were in the “Roy Carew” folder in folder 29:<br />

Rough draft, “Page Two of Preface” [See folder 27], 1 p. (pencil)<br />

L<strong>is</strong>t of names of people and institutions, 1 p. (pencil); Verso: TLS, Harry E.<br />

Godwin, [Memph<strong>is</strong>, TN] to Bill [Russell], 1982 January 20<br />

Note, “Use with Roy Carew<br />

Clipping, “Jelly Roll Charts Jazz” by Harold Philips, Washington Daily News,<br />

Washington, DC, 1938 Mar. 19 (photocopy), 4 items<br />

Folder 47<br />

Folder marked “Roy Carew,” with other notations (pencil) 1 item<br />

Folder 48 Lillie Delk Chr<strong>is</strong>tian (Chicago, 1970 Nov. 23)<br />

Typed interview with introduction<br />

Introduction, [1] p. (“A”); interview, 1 p., 1 item<br />

Folder 49<br />

Folder marked “Lillie Delk Chr<strong>is</strong>tian” with other notations, 1 item<br />

Folder 50 Amide Colas (Los Angeles, 1969 July 28)<br />

Typed interview<br />

Interview, 3 pp., 1 item<br />

Folder 51 Amide Colas and Gene Colas (New York, 1978)<br />

Typed article, possible introduction to Amide Colas interview.<br />

Article, [2] pp. (“A” and “B”), 1 item<br />

Folder 52<br />

Folder 53<br />

Photocopy of photograph of Amide Colas, 1980 Nov.<br />

Photograph by Tim Fitak, 1 item<br />

Folder marked “Amide Colas and Gene Colas” with other notations<br />

Three notes (ink and pencil), 4 items


Folder 54 Bill Colburn (written, New Orleans, 1971 Jan. 7)<br />

“Storm Over the Golden Gate”<br />

Typed article by William Russell<br />

Article, 11 pp.; with 4 additional, unpaginated leaves of illustrations, 1<br />

item<br />

Folder 55<br />

Folder 56<br />

Folder 57<br />

Folder 58<br />

Folder 59<br />

Folder 60<br />

Dav<strong>is</strong>.<br />

Folder 61<br />

Folder 62<br />

Hand-copy of Golden Gate Stamp from 1915 Panama-Pacific Exposition (ink and<br />

pencil, with photocopy)<br />

Note, “Bill Colburn Article” with l<strong>is</strong>t of possible illustrations<br />

Note, “Cats” with quotations taken from The Literary Cat.<br />

Postcard showing aerial view of San Franc<strong>is</strong>co, from C. & J. to Bill Russell, New<br />

Orleans, La. 1988 July 4<br />

Clipping of small photograph in envelope marked “Bill Colburn from Esquire,<br />

Stand. Oil Ory Bd.”<br />

Envelope, 8 items<br />

Envelope marked “Cat Photos”<br />

Clipping from USA Today about best-selling cat books.<br />

Two photocopies of a picture of a black cat in silhouette<br />

Postcard of drawing of cat, with edges trimmed off<br />

Postcard of photograph of three kittems asleep on a book<br />

Birthday card in envelope with picture of cat on front, 8 items<br />

Folder marked “Bill Colburn” with other notations, 1 item<br />

Lee Collins<br />

“Lee Collins Talks about Jelly Roll”<br />

Excerpt from Oh, Didn’t He Ramble. The Life Story of Lee Collins as told<br />

to Mary Collins (in Evergreen Review, No. 30, 1965 March, p. 70)<br />

Typed article, 3 pp., 1 item<br />

Folder marked “Lee Collins” with other notations<br />

Two notes (ink and pencil), 3 items<br />

“Sam Dav<strong>is</strong>” by John G. Heinz<br />

Th<strong>is</strong> article <strong>is</strong> taken from Heinz‟s notes of a 1948 interview with Sam<br />

Typed, 7 pp., plus introduction, 1 p., 1 item<br />

Photograph (black and white, 18 cm X 13 cm) of Sam Dav<strong>is</strong> (photocopy)<br />

Labeled on verso: “Sam Dav<strong>is</strong> at Circle Inn, Lathams, N.Y. c. 1951”<br />

(ink), 1 item<br />

Folder marked “Heinz - Sam Dav<strong>is</strong>,” with other notations (pencil)<br />

Note, “Sam Dav<strong>is</strong> -<br />

), 2 items


Folder 63 Volly De Faut (Chicago, 1970 November 21)<br />

[Although the spelling “Volly” <strong>is</strong> generally accepted, and th<strong>is</strong> <strong>is</strong> how Russell had<br />

spelled the name originally, he went back and changed it to “Volley” everywhere<br />

it appears in these two folders.]<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 4 pp., 1 item<br />

Folder 64<br />

Folder marked “Volley De Faut” with other notations (pencil)<br />

Note, “Volley De Faut<br />

2 items<br />

Folder 65 Wilbur De Par<strong>is</strong> (New York City, 1970 July 13)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 3 pp., 1 item<br />

Folder 66<br />

Folder 67<br />

Folder 68<br />

Folder marked “Wilbur de Par<strong>is</strong>,” with other notations (pencil)<br />

Note, “Wilbur DePar<strong>is</strong>” (pencil and ink), 2 items<br />

Baby Dodds ([no place or date])<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 5 pp., 1 item<br />

Folder marked “Baby Dodds” with other notations (pencil)<br />

Note, “Baby Dodds” (green paper, ink and pencil)<br />

paper, pencil and ink), 3 items<br />

Folder 69 Natty Dominique (Chicago, 1968 November 6)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 4 pp., 1 item<br />

Folder 70<br />

Folder marked “Natty Dominique” with other notations (pencil)<br />

Note, “Natty Dominique” (ink and pencil), 2 items<br />

Folder 71 Harold Drob (Palo Alto, CA, 1969 July 17)<br />

“Harold Drob Talks about Jelly Roll”<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 4 pp., 1 item<br />

Folder 72<br />

Folder marked “Herold [sic] Drob” (pencil) with other notations, 1 item<br />

Folder 73 Charles Elgar ([no place], 1970 November 20)<br />

Typed interview with other notations<br />

Introduction, [1] p. (p. “A”); interview, 2 pp. (photocopy), 1 item<br />

Folder 74<br />

Folder marked “Ch. Elgar,” with other notations (pencil)<br />

No<br />

2 items


Folder 75<br />

Folder 76<br />

[Duke] Ellington, etc.<br />

“A Few Other Opinions on Jelly Roll”<br />

Quotes from various sources; individuals represented: Duke Ellington,<br />

John Hammond, Rex Stewart, Dave Brubeck, Shelton Brooks,<br />

Wallace B<strong>is</strong>hop, Earl Hines, Lou<strong>is</strong> Metcalf, and Marili Morden.<br />

From folder, “Ellington, Etc.”<br />

Typewritten; 5 pp., 5 items<br />

Handwritten notes and reproductions from printed sources. These contain many<br />

of the quotes used in “A Few Other Opinions about Jelly Roll” (folder 45)<br />

From folder, “Ellington, Etc.”<br />

Includes:<br />

il)<br />

Clipping, “Duke Ellington‟s Intro. to [Leonard] Feather‟s Encyclopedia”<br />

(photocopy)<br />

Clipping, “Jelly Roll 30 Years Ago” by Marili Levin, Rag Times, 1970 Sept.<br />

(photocopy)<br />

Clipping, “Duke Ellington and John Hammond on Jelly. ([Leonard] F[eather]‟s<br />

Encyclopedia)” (photocopy, annotated)<br />

Note, “Jelly Material in Books” (pencil, 2 pp.)<br />

Note, “Brubeck, Down Beat Sept. 5, 1957” (pencil and ink)<br />

Note, “Earl Hines” and “Trumpeter Lou<strong>is</strong> Metcalf” (ink)<br />

Note, “Shelton Brooks on Jelly Roll” (pencil, 2 pp.)<br />

Note, “The World of Earl Hines” (ink, 2 pp.), 10 items<br />

Folder 77 Various items related to the jazz drummer Wallace B<strong>is</strong>hop (1906-1986.)<br />

From folder, “Ellington, Etc.”<br />

Includes:<br />

Note, “W. B<strong>is</strong>hop on Jelly<br />

Used envelope relabeled “Wallace B<strong>is</strong>hop” (pencil)<br />

[The Wallace B<strong>is</strong>hop Story by Henk Kleinhout and Wim VanEyle], p. 9 and 11<br />

(photocopy)<br />

____, p. 13 (photocopy, same page on back and front)<br />

____, p. 13 (photocopy) with handwritten notes about the book on the verso<br />

____, p. 13 and 15 (photocopy, annotated)<br />

The World of Earl Hines, by Stanley Dance, 1977, p. 175 (photocopy, annotated)<br />

Note, “Wallace B<strong>is</strong>hop (A Jazzman in Europe) by Roger Richard” (pencil, 2 pp.),<br />

9 items<br />

Folder 78<br />

Folder marked “Ellington, etc.” with other notations (pencil), 1 item


Folder 79<br />

Folder 80<br />

Folder 81<br />

<strong>Item</strong>s from folder marked “Quotes by Others Not Used”:<br />

Note, “Lou<strong>is</strong> Metcalf on Jelly” (pencil)<br />

Note, “Cozy Cole on Jelly” (pencil)<br />

Note, “Mezz Mezzrow on Jelly” (pencil, 2 pp.)<br />

Note, “Charley Thompson on Jelly Roll” (pencil)<br />

Clipping, “Red Hot Pepper to Ink Spot” by Jeff Aldam, Melody Maker, 1958 June<br />

30 (photocopy)<br />

Clipping, “A Night at the Grand Theater, An Interview with George Orendorff”<br />

by Dave Bourne, [RagTimes], 1970 Sept. (photocopy)<br />

Clipping, album liner notes, “Joe Turner Stride by Stride” (photocopied on 2 pp.),<br />

8 items<br />

Folder marked “Quotes by Others Not Used,” with other notations on inside of<br />

folder (pencil), 1 item<br />

[Milw(aukee)?] Journal,<br />

1971 Feb. 2<br />

About the jazz trumpeter and teacher Donald Byrd (b. 1932); includes h<strong>is</strong><br />

opinion of Jelly Roll Morton.<br />

At top: “From J.[ohn] S.[teiner]” (pencil), 1 item<br />

Folder 82 Don Ewell (New Orleans, 1969 February 19)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 6 pp., 1 item<br />

Folder 83<br />

Folder marked “Don Ewell,” with other notations<br />

Note, “Don Ewell” (salmon paper, ink and pencil), 3 items<br />

Folder 84<br />

Folder 85<br />

Joseph Fogarty (New Orleans, 1969 June)<br />

Typed biography of Judge John J. Fogarty and interview with h<strong>is</strong><br />

grandson, Joseph Fogarty, with introduction<br />

4 pp., numbered 1-5, with pages three and five photocopied onto one<br />

sheet, 1 item<br />

Folder marked “Fogarty,” with other notations (pencil)<br />

Used envelope marked “Judge Fogarty Photo etc.” (pencil)<br />

Note, “Judge Fogarty” (ink and pencil)<br />

Clipping, photo and biographical sketch of Judge John J. Fogarty from Behrman<br />

Admin<strong>is</strong>tration Biography (3 photocopies)<br />

Fragment with the words “Judge John J. Fogarty” (reproduction of printed<br />

source), 7 items


Folder 86 Pops [George Murphy] Foster (St. Paul, MN, 1968 October 21)<br />

“Pops Foster Talks about Jelly Roll”<br />

Introduction, [1] p. (p. “A”); article, 4 pp. Typed<br />

With second copy (4 pp., no p. “A”) Typed carbon copy, 2 items<br />

Folder 87<br />

Folder marked “Pops Foster,” with other notations (pencil)<br />

Note, “Pops Foster” (salmon paper, ink)<br />

Note, “Pops Foster for [Page] A” (white paper, ink and pencil, 2 pp.), 3 items<br />

Folder 88 Edward “Montudi” Garland (Los Angeles, 1969 July 30)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 6 pp., 1 item<br />

Folder 89<br />

Folder 90<br />

Folder 91<br />

Folder 92<br />

Folder 93<br />

Folder marked “Ed „Montudi‟ Garland,” with introduction (pencil)<br />

Note, “Ed Garland” (ink and pencil), 2 items<br />

Bob [Robert S.] Greene (no place, no date)<br />

“Bob Greene Writes about Jelly Roll”<br />

Introduction, [1] p. (p. “A”); interview, 3 pp.<br />

Typed (photocopy), 1 item<br />

Folder marked “Bob Greene,” with other notations (pencil)<br />

Note, “Bob Greene” (ink), 2 items<br />

George Guesnon (New Orleans; 1958 June 21; 1959 September 18; 1967 May<br />

25)<br />

Typed summary of interviews, with introduction<br />

Introduction, [1] p. (p. “A”); interview, 12 pp. (photocopy), 1 item<br />

Folder marked “Geo. Guesnon,” with other notations (pencil)<br />

Note, “George Guesnon” (yellow paper, ink and pencil)<br />

Note, “Photo Jno. T.<br />

3 items<br />

Folder 94 J. C. Higginbotham (New York City, 1970 December 23)<br />

Typed interview with introduction<br />

Intorduction, [1] p.; interview, 2 pp. (photocopy), 1 item<br />

Folder 95<br />

Folder marked “J. C. Higginbotham,” with other notations (pencil)<br />

Note, “Higginbotham” (ink and pencil), 2 items<br />

Folder 96 Paul Howard (Los Angeles, CA, 1969 July 31)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”), interview, 3 pp. (photocopy), 1 item


Folder 97<br />

Folder 98<br />

Folder 99<br />

Folder marked “Paul Howard,” with other notations (pencil)<br />

Note, “Paul Howard” (ink and pencil), 2 items<br />

Kenneth Hulsizer, “Jelly Roll Morton in Washington”<br />

Article based on conversations with Jelly Roll Morton beginning ca. 1935-<br />

1936.<br />

With introduction by William Russell<br />

Typed<br />

Introduction, 1 p.; article, 17 pp.<br />

Article pages numbered 1-18; p. 15 m<strong>is</strong>sing, 1 item<br />

Folder marked “Kenneth Hulsizer,” with other notations (pencil)<br />

Note, “Ken Hulsizer” (ink and pencil), 2 items<br />

Folder 100 Willie Humphrey (Stanford University [Palo Alto], CA, 1969 July 25)<br />

Typed interview, 2 pp., 1 item<br />

Folder 101<br />

Folder marked “Willie Humphrey,” with other notations (pencil)<br />

Note, “Willie Humphrey” (ink and pencil), 2 items<br />

Folder 102 Preston Jackson (New Orleans, 1974 April 24)<br />

“Jelly Roll Morton in Chicago”<br />

Typed interview with Preston Jackson, with introduction<br />

Introduction, [1] p. (p. “A”); interview, 3 pp. (photocopy), 1 item<br />

Folder 103<br />

Folder marked “Preston Jackson,” with other notations, 1 item<br />

Folder 104 “Dink Johnson (1892-1954)”<br />

Biographical article by William Russell focusing on Johnson‟s connection<br />

to Jelly Roll Morton<br />

At end: “W.R. New Orleans, February 20, 1989”<br />

10 pp., typed with annotations, and 1 p., pencil, of “inserts,” 1 item<br />

Folder 105<br />

Folder 106<br />

Note, “Use with Dink Article,” (yellow paper)<br />

Verso: last page (unnumbered) of ALS, Tommy Boone, Houston, TX, to<br />

[William Russell]<br />

Note (“For Dink Article”) (pencil)<br />

Verso: note, scratched out, “Reproduce Business Cards of Interviewees<br />

2 items<br />

“Bunk [Johnson] Writes about Jelly Roll”<br />

Article by William Russell focusing on excerpts of letters written by<br />

Johnson about Morton<br />

At end: “New Orleans, May 31, 1988 WR”<br />

Typed, 4 pp. (photocopy?), 1 item


Folder 107<br />

Folder 108<br />

Folder marked “Bunk” [Johnson], with other notations (ink)<br />

Note, “Bunk Photos” (ink and pencil), 2 items<br />

“James P. Johnson” [probably by William Russell], three drafts of an article:<br />

Handwritten draft (pencil) with numerous rev<strong>is</strong>ions (red pencil), 2 pp.<br />

Verso of page one: “Official Inventory Mags page 1 / Magazines - Tulane<br />

U[niversity] - Jazz Archives” (typed with notations in pencil and<br />

ink)<br />

Verso of page two: “Richard B. Allen - Sell to Tulane,” p. 2 (typed)<br />

Handwritten draft (ink), 2 pp.<br />

Verso of page one: “Barney Bigard,” p. 1 only (typed)<br />

Typed draft with photo illustration, 2 pp. (photocopy), 3 items<br />

Folder 109 Notes for James P. Johnson article (see folder 78):<br />

Note, “Tom Davin Conversations with James P. Johnson” (pencil)<br />

Note, “James P. Johnson” (unlined scrap paper, pencil)<br />

Note, “Davin‟s remarks in Hasse Ragtime” (pencil)<br />

Note, “James P. Johnson” (lined notebook paper, pencil)<br />

Note, “The Jazz Review -<br />

Johnson by Tom Davin” (ink) 2 pp., 5 items<br />

Folder 110<br />

Folder marked “James P. Johnson,” with other notations (pencil), 1 item<br />

Folder 111 Manzie Johnson (New York City, 1969 April 21)<br />

Typed interview with introduction<br />

Introduction, p. [1] (p. “A”); interview, 5 pp., 1 item<br />

Folder 112<br />

Folder marked “Manzie Johnson,” with other notations (pencil), 1 item<br />

Folder 113 Rosalind Johnson (New Orleans, 1970 Feb. 23)<br />

Typed interview with other notations<br />

Introduction, [1] p. (p. “A”); interview, 7 pp., 1 item<br />

Folder 114<br />

Folder 115<br />

Folder marked “Rosalind Johnson,” with other notations (pencil), 1 item<br />

[George W. Kay folder] “A Tribute to Roy Carew, Not Forgetting Jelly Roll”<br />

Typescript copy of article from Jazz Journal, May 1968, Vol. 21, No. 5<br />

Main body of article <strong>is</strong> by Roy J. Carew, with introduction by Geo[rge] W.<br />

Kay.<br />

Typed, 8 pp., 1 item


Folder 116<br />

Folder 117<br />

Folder 118<br />

Folder 119<br />

Folder 120<br />

Folder 121<br />

Three short letters from George W. Kay to William Russell:<br />

ND, TLS, George W. Kay to Bill [Russell]<br />

1968 July 23, TLS, George W. Kay, Washington, DC to William Russell, New<br />

Orleans, LA<br />

1976 Jan. 15, TLS, George W. Kay, St. Petersburg, Fla., to Bill [Russell], 3 items<br />

Clipping, “Roy J. Carew” by George W. Kay, The Second Line, 1967 Sept./ Oct.<br />

Obituary.<br />

Photocopy, 3 pp., 1 item<br />

Carbon copy of handwritten notes about article to be written about Roy J. Carew<br />

by George W. Kay for Russell‟s book on Morton:<br />

“Jelly Roll Book / G[eorge] W. K[ay] on Roy J. Carew“<br />

Verso: “Bill Russell has the following tape[?] / Interviews of R. J. Carew that<br />

belong / to G. W. Kay - Feb. 13, 1975,” 1 item<br />

Article, “Movie Ball Fiasco” by George W. Kay, 1970 Dec.<br />

Typed, 1 p., 1 item<br />

Clippings:<br />

Three xerox pages containing two articles:<br />

“Basin Street Stroller, Part 1: New Orleans and Tony Jackson” by George<br />

W. Kay, Jazz Journal, June 1951.<br />

“Basin Street Stroller, Part 2: Washington, DC and Jelly Roll Morton” by<br />

George W. Kay, Jazz Journal, 1951 July/ Aug.<br />

The second page of Part One <strong>is</strong> on the verso of the first page of Part Two.<br />

[“A Tribute to Roy Carew, Not Forgetting Jelly Roll”] Photocopy of part of th<strong>is</strong><br />

article by Roy J. Carew, with introduction by George W. Kay from Jazz<br />

Journal, May 1968. [See folder 85 for complete article in typescript.], 3<br />

items<br />

<strong>Item</strong>s relating to George W. Kay:<br />

Advert<strong>is</strong>ement, “Cabaret Night,” Jelly Roll Morton, Friday, June 3, 1938<br />

(photocopy, with copy, also a photocopy)<br />

Calling card, George W. Kay, St. Petersburg, Fla. Address typed on verso.<br />

Cancelled check, William Russell, New Orleans, La., to George W. Kay for “Jelly<br />

Roll - Roy Carew Article,” 1970 Dec. 30<br />

Note, “G. W. Kay. 1969 (Sept.)” (pencil)<br />

Verso: clipping, “Music: P. D. Q. Bach at Carnegie Hall” by Michael<br />

Kimmelman, [New York Times?] (photocopy)<br />

Advert<strong>is</strong>ement, “Grand Movie Ball,” Jelly Roll Morton, at the Collonnade, Wed.,<br />

Sept. 21 (photocopy), 9 items


Folder 122<br />

Folder 123<br />

Folder 124<br />

Folder 125<br />

Folder 126<br />

Folder marked “Geo. W. Kay,” (pencil)<br />

Envelope addressed to William Russell, New Orleans, LA, from George W. Kay,<br />

New Orleans, LA, 1970 July 28, 2 items<br />

Karl Kramer, “Jelly Roll in Chicago; The M<strong>is</strong>sing Chapter”<br />

With introduction by William Russell<br />

Typescript, 11 pp., 1 item<br />

Folder marked “Karl Kramer,” with other notations (pencil), 1 item<br />

“Floyd Levin Writes about Anita Gonzales” by Floyd Levin<br />

Typed with annotations<br />

Introduction, 1 p. (p. “A”); interview, 12 pp., 1 item<br />

Folder marked “Floyd Levin,” with other notations (pencil)<br />

Note, “Notes about Anita Gonzales …” (ink and pencil) 1 p., 2 items<br />

Folder 127 Creole Charlie Levy (Chicago, Ill., 1969 April 24)<br />

Typed interview, 3 pp. (photocopy)<br />

Two drafts of introduction, 1 p. each (p. “A”), one typed, one ink and pencil, 3<br />

items<br />

Folder 128<br />

Folder marked “Creole Charlie Levy Apr. 24 „69,” with other notations (pencil)<br />

Note, “Creole Charlie Levy” (ink), 2 items<br />

Folder 129 Harry Lim (New York, 1970 July 14)<br />

Typed interview with introduction. Annotated.<br />

Introduction, [2] pp. (p. “A”); interview (photocopy), 3 pp.<br />

Notes for introduction, “Harry Lim (from Met, Dec. 43) [Leonard] Feather”. 1<br />

pp. (ink), 2 items<br />

Folder 130<br />

Folder 131<br />

Folder marked “Harry Lim,” with other notations (pencil)<br />

Note, “Harry Lim” (ink), 2 items<br />

[Alan Lomax<br />

May 7, 1982”<br />

Part of transcript of symposium; participants quoted here include [Alan]<br />

Lomax, Danny Barker, [?] Joyce, and Al Rose.<br />

Pp. 24-34<br />

11 p., photocopy of computer printout, annotated, 1 item


Folder 132 Alan Lomax (New Orleans, 1982 May 7)<br />

Three drafts of an article taken from remarks made by Lomax at the Jelly Roll<br />

Morton Symposium at Tulane University, 1982 May 7:<br />

Draft in pencil with numerous corrections and rewrites, 5 pp.<br />

Versos:<br />

Page one: p. 9 of a report on the work of the Jazz Archive at Tulane<br />

University<br />

Page two: Request by Lou<strong>is</strong>iana Endowment for the Humanities for<br />

“Humanities Scholar Evaluation” to be done by William Russell.<br />

Page three: ALS, 1988 Feb. 29, Barry Kernfeld, The New Grove<br />

Dictionary of Jazz, State College, PA, to Bill [Russell]<br />

Page four: Flyer for Lou<strong>is</strong> Armstrong Foundation, Inc., New Orleans, LA,<br />

lecture “Jelly-Roll - a New Insight,” with photograph of Jelly Roll<br />

Morton<br />

Typed draft, two copies, 2 pp. each, 3 items<br />

Folder 133<br />

Folder marked “Alan Lomax” (pencil)<br />

Note, “Lomax photo? See h<strong>is</strong> video tape” (pencil)<br />

Note (pencil), “p. 24 -<br />

(Page numbers here refer to the transcript in folder 101)<br />

Verso: TLS, [date cropped off], Don [Marqu<strong>is</strong>], New Orleans Jazz Club<br />

Collections of The Lou<strong>is</strong>iana State Museum to Bill [Russell], New<br />

Orleans, La, 3 items


Folder 134<br />

Folder 135<br />

[“Jelly Writings”]<br />

Typescript, 41 pp. (Various paginations)<br />

Composed of eight essays with the following titles:<br />

1 - “Fragment of an Autobiography” by Jelly Roll Morton;<br />

introduction by R. J. Carew, 1944. 8 pp.; plus introduction,<br />

[1] p.<br />

2 - “Th<strong>is</strong> short autobiography of Jelly came from the Tempo Music<br />

Co. files and dates from 1938” 6 pp.<br />

3 - “Library of Congress Material” [by Alan Lomax?] from 1938<br />

interviews with Jelly Roll Morton; introduction by<br />

W[illiam] R[ussell] 11 pp.; plus introduction, [1] p.<br />

4 - “The Texas Invasion,” “The New Orleans D<strong>is</strong>trict,” and “A L<strong>is</strong>t<br />

of Some New Orleans Pimps” by Jelly Roll Morton, ca.<br />

1938. [4] pp. (Paginated by hand 12-15)<br />

5 - “Jelly Roll‟s Own Chronology” and “Notes on Jelly‟s<br />

Chronology by WR” [2] pp. (Paginated by hand 16 and 17)<br />

6 - “H<strong>is</strong>tory of the Elite No. 2” by Jelly Roll Morton, ca. 1938,<br />

with closing “Commentary” by W[illiam] R[ussell], 1988.<br />

[4] pp.; plus commentary, [1] p.<br />

7 - “Buddy Petit” by Jelly Roll Morton (as told to Herman<br />

Rosenberg), originally publ<strong>is</strong>hed in Jazz Information, 1940<br />

Sept. 20. 2 pp.<br />

8 - “We the People” taken from remarks by Jelly Roll Morton on<br />

the “We the People” radio program, 1939 Oct. 31. [1] p., 1<br />

item<br />

Folder marked “Jelly Writings,” with other notations (pencil)<br />

Note, “Jelly Corrections for Denmark” (white paper, pencil and ink)<br />

Verso: note, “Xerox Interviews” (pencil and ink)<br />

Note, “Page 8 -<br />

Note, “Use with „Jelly‟s Writings‟ Section” (blue paper, ink)<br />

Verso: page 2 of TLS, 1958 April 21, Sidney Shalett to Bill Russell, 5<br />

items<br />

Folder 136 Lawrence Lucie (New York, 1971 Sept. 11)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”), interview, 6 pp.<br />

Note by and signature of Lawrence Lucie on p. 6.<br />

Introduction and pp. 1-5 of interview are photocopies, 1 item<br />

Folder 137<br />

Folder marked “Lawrence Lucie,” with other notations (pencil)<br />

Note, “Keep orig. page 6” (white paper, pencil)<br />

Note, “Lawrence Lucie A” (yellow paper, pencil), 3 items


Folder 138 Billy McBride and Mary McBride [Mack and Mack] (Chicago, 1970 Nov. 23)<br />

Typed interview with introduction; photocopy<br />

Introduction, [1] p. (p. “A”); interview, 3 pp., 1 item<br />

Folder 139<br />

Folder 140<br />

Folder 141<br />

Folder marked “Mack & Mack,” with other notations (pencil)<br />

” (White paper, ink andpencil), 2 items<br />

Manuel „Fess‟ Manetta (no place or date)<br />

“Fess Manuel Manetta Talks about Jelly Roll”<br />

Typescript, 8 pp. including introduction<br />

With editing marks in pink pencil<br />

With duplicate of page two, 2 items<br />

Folder marked “Manuel Manetta,” with other notations (pencil)<br />

Note, “Man.<br />

2 items<br />

Folder 142 Punch Miller (New Orleans, 1968 Oct. 1)<br />

“Punch Talks about Jelly Roll”<br />

Typed; Introduction, [1] p. (p. “A”), interview, 9 pp.<br />

With duplicate copy of interview, 2 items<br />

Folder 143<br />

Folder marked “Punch,” with other notations (pencil)<br />

(beige paper, ink and pencil), 2 items<br />

Folder 144 George Mitchell (Chicago, 1959 July 1)<br />

Typed interview with introduction<br />

Editing marks in pencil and ink<br />

Introduction, [1] p. (p. “A”); interview, 2 pp., 1 item<br />

Folder 145<br />

Folder marked “Geo. Mitchell,” with other notations (pencil)<br />

Verso: three paragraphs of TLS, ca. 1947 Sept., Hugh Dav<strong>is</strong>, [Technical<br />

Recording Service, Chicago, IL?] to [William Russell, Canton,<br />

MO?], 2 items<br />

Folder 146 Albert Nicholas (New Orleans, 1970 Jan. 8)<br />

“Albert Nicholas Talks about Jelly Roll”<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 18 pp., 1 item<br />

Folder 147<br />

Folder marked “Albert Nicholas,” with other notations (ink and pencil)<br />

Note, “Albert Nicholas” (ink and pencil)<br />

Verso: first two paragraphs of TL, 1948 June 13, [Hugh Dav<strong>is</strong>], Technical<br />

Recording Service, Chicago, IL, to William Russell, AM Records,<br />

Canton, MO (For end of letter, see folder 119.), 2 items


Folder 148 Frances M. Oliver (New Orleans, 1969 May 10)<br />

[The younger s<strong>is</strong>ter of Jelly Roll Morton.]<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 7 pp., 1 item<br />

Folder 149<br />

Folder marked “Frances Oliver,” with other notations (pencil)<br />

Verso: last paragraph of TLS, [1948 June 13], Hugh Dav<strong>is</strong>, [Technical<br />

Recording Service, Chicago, IL], to [William Russell, AM<br />

Records, Canton, MO] (For beginning of letter, see folder 117.), 2<br />

items<br />

Folder 150 Kid Ory (Honolulu, Hawaii, 1969 Aug. 2)<br />

Typed interview with introduction; with editing marks<br />

Introduction, [1] p. (p. “A”); interview, 3 pp., 1 item<br />

Folder 151<br />

Folder marked “Kid Ory,” with other notations (pencil)<br />

Verso: first paragraph of TL, [Hugh Dav<strong>is</strong>?, Technical Recording<br />

Service, Chicago, IL], to Bill [Russell, AM Records, Canton, MO],<br />

2 items<br />

Folder 152 Russell Procope (New Orleans, 1970 Apr. 25)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 3 pp. (photocopy), 1 item<br />

Folder 153<br />

Folder 154<br />

Folder 155<br />

Folder marked “Russell Procope,” with other notations, 1 item<br />

Fred Ramsey<br />

Ramsey‟s notes on Jelly Roll‟s recording sessions in 1939 and 1940, with<br />

introduction by W[illiam] R[ussell].<br />

Typed (photocopy)<br />

Introduction, [1] p. (p. “A”); interview, [14] pp., numbered 1-13 with<br />

page 4A (hand-drawn diagram of RCA Victor Studio #3) inserted<br />

after page 4<br />

With duplicate of p. 4A, 2 items<br />

Folder marked “Ramsey,” with other notations (pencil)<br />

Note, “Fred Ramsey<br />

2 items<br />

Folder 156 Bill [Beale E.] Riddle ([1969], 1971, 1985)<br />

Typed interview (photocopy)<br />

Introduction by William Russell (1988)<br />

Introduction, [1] p. (p. “A”); interview, 8 pp., 1 item


Folder 157<br />

Folder marked “Bill Riddle,” with other notations (pencil), 1 item<br />

Folder 158 “Banjo” Ikey Robinson (Chicago, 1969 April 23)<br />

Typed interview with introduction; photocopy, annotated.<br />

Introduction, [1] p. (p. “A”); interview, 5 pp.<br />

With duplicate of interview (photocopy, annotated), 2 items<br />

Folder 159<br />

Folder 160<br />

Folder 161<br />

Folder marked “Banjo Ikey Robinson,” with other notations (pencil)<br />

(on used envelope, pencil), 2 items<br />

Al Rose, “Recommended for Mature Adults Only”<br />

Typed note on page 1: “Material on Jelly Roll Morton for Bill Russell‟s<br />

book”<br />

Typed, 8 pp. with introduction, 1 p., 1 item<br />

Folder marked “Al Rose,” with other notations (pencil), 1 item<br />

Folder 162 Jimmy Rushing (New York, 1971 Sept. 13)<br />

Typed interview with introduction (photocopy)<br />

Introduction, [1] p. (p. “A”); interview, 4 pp., 1 item<br />

Folder 163<br />

Folder marked “Jimmy Rushing,” with other notations (pencil)<br />

, 3 items<br />

Folder 164 William Russell, “Jelly Roll at the Music Box” (1986)<br />

Typed, 10 pp. (photocopy)<br />

[See following two folders for accompanying photograph and floor plan],<br />

1 item<br />

Folder 165<br />

Folder 166<br />

Folder 167<br />

[William Russell, “Jelly Roll at the Music Box”]<br />

Photo (black and white) of 1211 U Street, Washington, DC, illustration for “Jelly<br />

Roll at the Music Box” (in folder 134), 1 item<br />

[William Russell, “Jelly Roll at the Music Box”]<br />

Two versions of floor plan of 1211 U Street, Washington, DC, illustration for<br />

“Jelly Roll at the Music Box” (in folder 134)<br />

Sketch #1, with two duplicates, all xeroxes with annotations<br />

Sketch #1, with sketch #2 on verso, photocopy with annotations<br />

Sketch #2, photocopy with annotations, 5 items<br />

Folder marked “W. R.,” with notations (pencil), 1 item


Folder 168<br />

Fragments of clippings about orchestration, most marked “Orchestration” or<br />

“Jelly Orchestration,” and several annotated<br />

newspaper<br />

d newspaper<br />

Metronome<br />

No title, newspaper article about Duke Ellington; annotation (pencil,) “J. S.<br />

Wilson May 25, 74”<br />

No title, newspaper article about [?] Pasatieri, a composer, with one section<br />

highlighted<br />

“Notes on the Program,” page from concert program?; section highlighted, “Five<br />

Preludes / Ruth Crawford”; with extensive annotations titled “Jelly<br />

Orchestration”<br />

“Gil Evans,” obituary, [International Musician?], 1988 May, underlined<br />

No title, article about Jelly Roll Morton‟s arrangements, [New Yorker?], 1980<br />

June 23. Photocopy, with annotation: “c. 41-42 / Baby Dodds /<br />

Orchestration”<br />

“Gerry Mulligan” by Burt Korall, International Musician, 1973 March,<br />

underlined, 9 items<br />

Folder 169<br />

Fragments of clippings in which the word “orchestration” <strong>is</strong> used in a non-musical<br />

sense:<br />

newspaper<br />

Ford Times<br />

in red pencil)<br />

“According to Plan,” unidentified magazine<br />

Part of newspaper advert<strong>is</strong>ement for [Schwegma]nn‟s [Supermarket], 1975 Jan.<br />

(written in red pencil), 5 items<br />

Folder 170<br />

Clippings:<br />

“Stravinsky, Ives, and Jelly Roll‟s Jazz” by Donal Henahan, New York Times,<br />

1973 Nov. 20. Review of a Gunther Schuller concert.<br />

No title, [unidentified newspaper], 1974 Nov. Fragment of a review of a<br />

performance of the Viola Concerto by William Walton, 2 items<br />

Folder 171 Clipping, “Charivari” by Don Cerulli, Down Beat, 1957 Nov. 14, pp. 40-42.<br />

Concerning Martin Williams‟s notes for the Riverside re-release of Jelly<br />

Roll Morton‟s Library of Congress interview.<br />

Photocopy with duplicate, 2 items


Folder 172<br />

Folder 173<br />

Folder 174<br />

Folder 175<br />

Clipping, “Thomson at Seventy-Five” by C. J. Luten, Opera News , 1972 April<br />

15, p. 12. Fragment.<br />

With underlining, and annotation, “Jelly Orchestration,” 1 item<br />

Clipping, “Instrumentation in Jazz” by John S. Wilson, International Musician,<br />

1962 Jan., pp. [?], 19 and 45, 1 item<br />

William Russell, two notes on the Jelly Roll Morton composition “Frog-I- More<br />

Rag”:<br />

“Review of Frogie,” [draft of an article?] (2 pp., pencil)<br />

“Additions & Rev<strong>is</strong>ions” (1 p., pencil), 2 items<br />

William Russell, notes on Jelly Roll Morton‟s piano style (?), some possibly<br />

drafts of sections of an article:<br />

, 2 pp., pencil)<br />

“Chicago Style -<br />

cut off, 2 pp., pencil)<br />

working draft. (2 pp., pencil)<br />

e 6. Apparently<br />

, 5 items<br />

Folder 176<br />

Folder 177<br />

Folder 178<br />

William Russell, notes for orchestration article:<br />

“Orch Outline,” outline of article (2 pp., ink)<br />

“WRs Orchestration Article” (2 pp., pencil)<br />

“If Bartok‟s [Concerts?] for Ork<br />

for World Watch, pencil)<br />

“Jelly Orchestration” Possibly working draft of article (1 p., pencil)<br />

“For [some reason?] Jelly of course was def pred against L.<br />

pencil), 5 items<br />

William Russell, “Thoughts on the Publication of Jelly‟s „Stop & Go‟ (including<br />

possible notes to be printed with the music.)”<br />

6 pp., ink, 1 item<br />

William Russell, notes on the Jelly Roll Morton composition “Stop & Go”:<br />

“Stop & Go -<br />

Verso: one measure of music (ink)<br />

“Intro - Stop and Go” Contains several measures of music (pencil and ink)<br />

The Nation,<br />

pencil, red pencil, and ink)<br />

“Stop & Go / (Errors - in notation both parts & score.)” With one musical<br />

example on verso. (on ACLU flyer, pencil), 4 items


Folder 179<br />

Folder 180<br />

William Russell, “Note for score of Finger Breaker”<br />

Rough draft (ink)<br />

Verso: Photocopy of clipping, “Early Jazz with Lou McElroy,” 1 item<br />

William Russell, two drafts of “Jelly Roll‟s Orchestration”<br />

Verso: flyer for Handgun Control Inc.<br />

Verso: Notes, “„The Art of Orchestration‟ Radio Program (Karl Haas)”<br />

(pencil), 2 items<br />

Folder 181<br />

William Russell, notes on orchestration:<br />

“Orchestration - Grove Dict.” (2 pp., ink)<br />

“Orchestration D. Beat (Handy article)” (pencil)<br />

“Orchestration (from Balliett)” (ink)<br />

pencil)<br />

“Jelly - Orchestration” (2 pp., pencil)<br />

Verso: TL, Harry Fox, New York, NY, to American Music Records,<br />

Chicago, IL, 1953 Sept. 23, 6 items<br />

Folder 182<br />

William Russell, notes on Jelly Roll Morton‟s orchestration:<br />

“Orchestration<br />

the ACLU Foundation of Lou<strong>is</strong>iana, ink)<br />

“Jelly Ork / oom-pah / dynamics<br />

The Progressive, ink)<br />

Verso: “Big Lip Story” (pencil)<br />

)<br />

“Palladrum<br />

Verso: ALS, Frank Cassare, New York, NY, to Mr. [William] Russell,<br />

1991 Nov. 8<br />

scratched out] (pencil), 11<br />

items


Folder 183<br />

Folder 184<br />

Folder 185<br />

Folder 186<br />

Folder 187<br />

Notes, on pages from a small loose-leaf binder, each marked “Jelly Roll Morton”<br />

and about Victor Album Notes:<br />

“Victor Album Notes” with sections titled “Sidewalk Bl[ues],” “Deep Creek,”<br />

“Ice Berg,” “Pretty Lil,” and (on verso) “Jelly‟s Style,” and “Life” (2 pp.,<br />

pencil and ink)<br />

“Material for Victor Notes” Verso <strong>is</strong> titled but has no notes. (2 pp., pencil)<br />

“Victor Notes” with sections titled “Deep Creek,” Dead Men,” “Sidewalk,” and<br />

(on verso) “Style” (2 pp., pencil), 3 items<br />

William Russell, “Jelly Roll‟s Orchestratons” (pencil and ink)<br />

(Draft of #155)<br />

At end of p. Z: “WR New Orleans Dec. 1991”<br />

12 numbered pages, plus pages marked 5A, 8A, 9A, Y, Z, ZA and a final<br />

leaf titles “Notes at end of Orch Article”<br />

Pages Y, Z, and ZA are between pages 9A and 10. 5A, 8A, and 9A follow<br />

pages 5, 8, and 9, respectively.<br />

Verso of page 2: “Jelly‟s Orchestration Outline”<br />

Verso of page 3: part of an article about [George] Niangoran-Bouah‟s<br />

photographs of Africa, New Yorker. (photocopy)<br />

Verso of page 4: flyer from RCAR<br />

Verso of page 5: part of an article about [George] Niangoran-Bouah‟s<br />

photographs of Africa, New Yorker. (photocopy)<br />

Verso of page 5A: TLS, 1948 May 18, Hugh Dav<strong>is</strong>, Technical Recording<br />

Service, Chicago, IL, to William Russell, Canton, MO<br />

Verso of page 6: flyer for Co-op America<br />

Verso of page 7: flyer for Guarneri House 1983 Catalogue<br />

Verso of page 8: pre-reg<strong>is</strong>tration form, international association for the<br />

study of popular music<br />

Verso of 8A: ALS, 1989 Jan. 2, Gene Anderson, Richmond, VA, to Bill<br />

[Russell]<br />

Verso of page 9A: circular for Altru<strong>is</strong>t Foundation for Musicians, 1 item<br />

William Russell, “Jelly Roll‟s Orchestration” (1992 Jan.)<br />

Photocopy of handwritten draft of an article<br />

10 pp., numbered, 1 item<br />

Four folders and six used envelopes, most marked “Jelly‟s Orchestration,” “Jelly<br />

Material,” “Orchestration,” etc.<br />

One folder has a l<strong>is</strong>t of its former contents, 10 items<br />

TLS, 1979 June 30, Karl Gert zur Heide, Bremen, West Germany, to Bill<br />

[Russell]. Concerning Jelly Roll Morton in England in 1911, and other<br />

topics, 1 item


Folder 188<br />

Folder 189<br />

Folder 190<br />

Folder 191<br />

William Russell, “Jelly Roll in Europe”<br />

Draft of article in folder 159<br />

On verso of pages from chronology [of Jelly Roll Morton?]<br />

2 leaves, ink, 1 item<br />

William Russell, “Jelly Roll in Europe”<br />

Article with musical illustration<br />

Typed, 2 pp., 1 item<br />

Folder marked “Jelly in Europe” (pencil), 1 item<br />

William Russell, “Order of Pages in Jelly Book”<br />

Photocopy of handwritten document, 6 pp., 1 item<br />

Folder 192 Eleanor Simeon (Chicago, 1956 Jan. 5, 1973 Aug. 10)<br />

Typed interview, 4 pp., 1 item<br />

Folder 193<br />

Folder marked “Eleanore Simeon” (pencil)<br />

items<br />

” (on used envelope, ink), 2<br />

Folder 194 Omer Simeon (Chicago, 1955 Aug. 18)<br />

Typed interview with introduction<br />

Interview section has editing marks<br />

Introduction (p. “A,” photocopy), 1 p.; interview, 2 pp., 1 item<br />

Folder 195<br />

Folder marked “Omer Simeon,” with other notations (pencil)<br />

(yellow paper, ink and pencil), 2 items<br />

Folder 196 Marge Creath Singleton (New York, 1969 Feb. 9)<br />

“Marge Creath Singleton Remembers Jelly Roll in East St. Lou<strong>is</strong>”<br />

Typed interview with introduction<br />

Editing marks (red pencil)<br />

Introduction, 1 p. (paginated “1” in top center, and “A” in upper right);<br />

interview, pp. 2-8, 1 item<br />

Folder 197<br />

Folder marked “Marge Creath Singleton” (pencil), 1 item<br />

Folder 198 Zutty Singleton (New York, 1969 Feb. 9)<br />

“Zutty Singleton Talks about Jelly Roll to Bob Greene”<br />

Typed interview with introduction<br />

Editing marks (red pencil)<br />

Introduction, p. 1/A; interview, pp. 2-9, with insert page 7A (after p. 7)<br />

10 pp. total, 1 item


Folder 199<br />

Folder 200<br />

Folder 201<br />

“Zutty Singleton by Picasso (& Zutty)”<br />

Pencil drawing on brown paper taped to typed note<br />

“From a xerox of the original, done in ink on a scrap of tan wrapping<br />

paper,” 1 item<br />

Clipping, photocopy of cover, The Second Line magazine (<strong>is</strong>sue?)<br />

Photographed cover with caption, “„The Hands of Zutty [Singleton]‟ by<br />

George Fletcher (Des Moines),” 1 item<br />

Folder marked “Zutty Singleton,” with other notations (pencil)<br />

Note, “Original Waters” (on used envelope, pencil)<br />

(white paper, pencil), 5 items<br />

Folder 202 “Charles Edward Smith (1904-1970)”<br />

Article about Smith and Jelly Roll Morton by William Russell<br />

At end: “WR, New Orleans, 1990 June 7”<br />

Typed, [25] pp., paginated 1-26 (p. 10 and p. 11 on same leaf), 1 item<br />

Folder 203<br />

Folder marked “Chas. Ed. Smith,” with other notations (pencil)<br />

Note, “Use with Ch. E. Smith Article” (ink and pencil)<br />

Verso: reprint of an article from Times-Picayune / States-<strong>Item</strong>, 1986 June<br />

12, “Jazzfest Foundation Agrees to Purchase Station WWOZ-FM,”<br />

by Benjamin Morr<strong>is</strong>on, 2 items<br />

Folder 204 Harr<strong>is</strong>on Smith (Brooklyn, NY, 1970 July 13)<br />

Typed interview with introduction<br />

10 pp. labeled A, B, 1-8<br />

P. 8 titled “Harr<strong>is</strong>on Smith‟s 1971 Notes on Ben Garr<strong>is</strong>on”<br />

Second version of p. 7, without illustration<br />

[See also folders 175 and 176], 2 items<br />

Folder 205<br />

Folder 206<br />

Photocopied sheet of illustrations [referred to on last page of interview in folder<br />

174]:<br />

TLS, 1965 Feb. 20, Jimmy Durante to Harr<strong>is</strong>on [Smith]<br />

Drawing of Harr<strong>is</strong>on Smith, 1 item<br />

Photocopies of photograph of Ben Garr<strong>is</strong>on, labeled “from Harr<strong>is</strong>on Smith, …<br />

New York, NY”:<br />

Two 8½” x 10‟ sheets, each containing four copies of photograph<br />

Three loose copies of photograph<br />

One typed label, “Ben Garr<strong>is</strong>on,” 6 items


Folder 207<br />

Folder marked “Harr<strong>is</strong>on Smith,” with other notations (pencil)<br />

Note, “Harr<strong>is</strong>on Smith” (pink<strong>is</strong>h paper, ink and pencil)<br />

Note, “Harr<strong>is</strong>on Smith Article” (green paper, ink)<br />

Note, “Xerox / Harr<strong>is</strong>on Smith / etc.” (on used envelope, grey)<br />

Note, “1945 – 802 Union – N.Y.” (white paper, pencil)<br />

Note, “Oct. 24th 1929 …” (white paper, pencil), 6 items<br />

Folder 208 Stephen W. Smith, “The 1939 RCA-Victor Recording Sessions” (1972 Jan. 5)<br />

Typed, 3 pp., 1 item<br />

Folder 209<br />

Folder 210<br />

Contract, “Art<strong>is</strong>ts Letter Agreement,” between RCA Manufacturing Company,<br />

Inc., Camden, NJ, and Jelly Roll Morton, c/o Steve Smith, HRS Record<br />

Shop, New York, NY<br />

Contract dated 1939 Sept. 26, for four recordings to be made 1939 Sept.<br />

28<br />

Signed by an RCA vice-president and Jelly Roll Morton<br />

Form with blanks filled in by typewriter (photocopy), 2 pp.<br />

Receipt (photocopy), 1939 Oct. 13<br />

For $210.00, received from Stephen W. Smith by Jelly Roll Morton<br />

Signed by Morton, 2 items<br />

Folder marked “Steve Smith” (pencil)<br />

Note, “Steve Smith …” (blue paper, ink and pencil), 2 items<br />

Folder 211 Willie “The Lion” Smith (New York City, 1970 Dec. 23)<br />

“Willie „The Lion‟ Smith Talks About Jelly Roll”<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 3 pp., 1 item<br />

Folder 212<br />

Folder marked “Willie „The Lion‟ Smith,” with other notations (pencil)<br />

Note, “Willie The Lion Smith” (yellow paper, ink)<br />

Note, “Add Insert page 1A …” (white paper, ink and pencil), 3 items<br />

Folder 213 [Benjamin] “Reb” Spikes (Los Angeles, 1969 July 30)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 3 pp., 1 item<br />

Folder 214 John C. Spikes (Pasadena, Calif., 1955 March 3)<br />

Introduction by William Russell<br />

Typed interview, with editing marks<br />

Introduction, 1 p. (p. “B”); interview, 3 pp., 1 item<br />

Folder 215<br />

Folder marked “Reb Spikes (& John) July 30 „69,” with other notations<br />

Note, “Reb Spikes …” (blue paper, ink and pencil)<br />

Note, “Print & Neg. …” (on used envelope, ink), 3 items


Folder 216 Johnny St. Cyr (Los Angeles, 1958 Aug. 27)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 2 pp., 1 item<br />

Folder 217<br />

Folder 218<br />

Folder 219<br />

Folder 220<br />

Folder 221<br />

Folder marked “St. Cyr,” with other notations (pencil)<br />

Note, “St. Cyr …” (ink and pencil), 2 items<br />

John Steiner, compiler, “Jelly Roll in the Chicago Defender”<br />

At top: “Not final copy”<br />

Introduction by [William Russell], [2] pp. (pp. 1 and 1A), handwritten<br />

(photocopy)<br />

The rest of the pages mainly cons<strong>is</strong>t of paste-ups of typed sections of<br />

chronology.<br />

8 pp., numbered 1-7, with p. 1A following p. 1<br />

Verso of P. 1A: ALS, [no date], Lars Edegran, New Orleans, LA, to Bill<br />

[Russell] (Concerning a Mosaic Records Catalogue)<br />

Verso of p. 3: “Archive of Jazz in New Orleans,” typed, p. 1.<br />

Verso of p. 7: TLS, 1987 June 2, Eva Soltes, Lou Harr<strong>is</strong>on 70th Birthday,<br />

Berkeley, CA, to Bill Russell, New Orleans, LA. (Thank-you<br />

letter for Russell‟s donation), 1 item<br />

John Steiner, compiler, “Jelly Roll in The Chicago Defender”<br />

At top: “Not final copy”<br />

“WR” in upper right corner of each page<br />

Different version of document in folder 183<br />

Typed, with editing, 5 pp. (photocopy), 1 item<br />

“Jelly Roll in the Chicago Defender”<br />

Chronology by [John Steiner], with introduction by William Russell<br />

Later [final?] version of document in folders 183 and 184<br />

Typed, 7 pp., 1 item<br />

Folder Marked “John Steiner” (pencil), 1 item<br />

Folder 222 Dave Stuart (Hollywood, CA, 1969 July 28)<br />

Typed (photocopy) with introduction<br />

Introduction by William Russell (New Orleans, 1984)<br />

Introduction, [1] p. (p. “A”); interview, 3 pp., 1 item<br />

Folder 223<br />

Folder marked “Dave Stuart,” with other notations (pencil)<br />

Note, “Dave Stuart” (blue paper, pencil and ink), 2 items


Folder 224<br />

David Stuart, “Dave Stuart‟s Jelly Roll Book”<br />

Introduction, “Notes on David Stuart‟s Jelly Roll Book”, by William<br />

Russell, New Orleans, 1984<br />

Typed (photocopy), 20 pp., plus introduction, 1 p. (page “B”), 1 item<br />

Folder 225 Photograph (photocopy), Bud Scott, ca. 1944, approximately 8” X 10”<br />

Labeled on verso (ink)<br />

Also on verso: “Use for Dave Stuart Book” (pencil), 1 item<br />

Folder 226 Folder marked “Dave Stuart‟s Jelly Roll Book,” with other notations (pencil), 1<br />

item<br />

Folder 227<br />

Folder 228<br />

Billy Taylor, “The „Lost Generation‟ of Jazz”<br />

With introduction<br />

“Reprinted by perm<strong>is</strong>sion of Esquire magazine, © 1958 by Esquire, Inc.”<br />

Typed, 4 pp., 1 item<br />

Folder marked “Billy Taylor,” with other notations (pencil), 1 item<br />

Folder 229 “Butch Thompson Jelly Article” (New Orleans, 1987 Nov. 19)<br />

With introduction by [William Russell?]<br />

Typed; introduction, 1 p. (p. “A”); interview, 3 pp.<br />

With ½ page of musical examples on music paper marked: “Musical<br />

Examples for Butch Thompson Article for Morton Book”<br />

(photocopy), 1 item<br />

Folder 230<br />

Folder 231<br />

Thompson, Butch, “Some Notes on the Piano Arrangement of Stop and Go”<br />

With postscript by William Russell<br />

Typed, 2 pp., 1 item<br />

Folder marked “Butch Thompson,” with other notations, including Thompson‟s<br />

address (pencil)<br />

Note, “Butch Thompson …” (green paper, ink and pencil)<br />

Note, “For Butch File …” (white paper, pencil), 3 items<br />

Folder 232 Benny Waters (New Orleans, 1988 April 30)<br />

Typed interview with introduction (photocopy)<br />

Introduction, [1] p. (p. “A”), interview, 3 pp., 1 item<br />

Folder 233<br />

Folder marked “Benny Waters,” with other notations (ink)<br />

Note, “Benny Waters …” (buff paper, ink and pencil), 2 items<br />

Folder 234 J. Mayo “Ink” Williams (Chicago, IL, 1970 Nov. 21)<br />

Typed interview with introduction (photocopy)<br />

Introduction, [1] p. (p. “A”), interview, 4 pp., 1 item


Folder 235<br />

Folder marked “J. Mayo „Ink‟ Williams,” with other notations (pencil)<br />

Note, “Mayo Wms …” (ink and pencil), 2 items<br />

Folder 236 Willie Woodman (Los Angeles, 1969 Aug. 5)<br />

Typed interview with introduction<br />

Introduction, [1] p.; interview, 3 pp., 1 item<br />

Folder 237<br />

Folder marked “Willie Woodman Aug. 5 „69” (pencil)<br />

Note (ink and pencil), 2 items<br />

Folder 238 Al[bert] Wynn (Chicago, 1969 Apr. 24)<br />

Typed interview with introduction<br />

Introduction, [1] p. (p. “A”); interview, 1 p., 1 item<br />

Folder 239<br />

Folder marked “Al Wynn Apr. 24 „69,” with other notations (pencil)<br />

Note, “Al Wynn …” (ink and pencil), 2 items<br />

Folder 240 Trummy Young (Honolulu, 1969 Aug. 2)<br />

Typed interview with introduction<br />

Introduction, [1] p. (photocopy); interview, 3 pp., 1 item<br />

Folder 241<br />

Folder marked “Trummy Young Aug. 2 „69,” with other notations (pencil)<br />

Note, “Trummy Young …” (ink and pencil), 2 items

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