Item-level PDF finding aid is available online - Minisis
Item-level PDF finding aid is available online - Minisis
Item-level PDF finding aid is available online - Minisis
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
MSS 501<br />
Jelly Roll Morton Manuscript Music Collection<br />
1834-1989<br />
Bulk dates 1900-1950<br />
Extent: Ca. 510 items<br />
Scope and content: Th<strong>is</strong> series contains manuscript music, primarily original works by Jelly Roll<br />
Morton. Many are in Mr. Morton’s own hand, and were arranged for big band or written by Mr.<br />
Morton around 1939 for Tempo-Music Publ<strong>is</strong>hing Co. Also included are transcriptions of Mr.<br />
Morton’s music taken from h<strong>is</strong> recordings, and a few pieces of music by other composers.<br />
Biographical note: William Russell (1905-1992) was a jazz h<strong>is</strong>torian and researcher who focused<br />
on traditional New Orleans jazz. Jelly Roll Morton (d. 1941) was a pian<strong>is</strong>t, jazz composer and<br />
arranger, and conductor. In the late 1930s he was staff writer for Tempo-Music Publ<strong>is</strong>hing<br />
Company (Washington, DC), which was owned by Roy Carew. William Russell bought the<br />
items in th<strong>is</strong> series from the widow of Roy Carew.<br />
Cite as:<br />
Arrangement:<br />
Language:<br />
Restrictions:<br />
How to Order:<br />
Accession number:<br />
Jelly Roll Morton Manuscript Music Collection, MSS 501, Williams<br />
Research Center, The H<strong>is</strong>toric New Orleans Collection.<br />
Original order.<br />
Engl<strong>is</strong>h.<br />
Researchers may be limited to consulting one or two items at a time, per<br />
the d<strong>is</strong>cretion of the Reading Room staff. Reproduction of any item in<br />
MSS 501 <strong>is</strong> prohibited. Performance rights to the music in th<strong>is</strong> collection<br />
are reserved by the copyright holders of record.<br />
Please provide the reference staff with the manuscript call number and<br />
folder number.<br />
92-48-L<br />
Folder L<strong>is</strong>t<br />
Folder 1<br />
Folder 2<br />
“Zip Coon”<br />
Anonymous<br />
Includes cover<br />
New York: Thomas Birch, 1834<br />
Neg. Stats. 2 pp. 1 item<br />
“The Negro Blues”<br />
Words and music by Le Roy White<br />
In upper right corner after composer’s name: “Happy Hour Theatre,<br />
Dallas, Texas”<br />
No words<br />
Neg. Stat of Ms.<br />
1 item
MSS 501, Williams Research Center, page 2<br />
Folder 3<br />
Folder 4<br />
Folder 5<br />
“The Famous Big Fat Ham”<br />
Ferdinand J. Morton<br />
Arranged by J. Lawrence Cook<br />
Character<strong>is</strong>tic piano solo<br />
Patch: “Mamanita” (originally clipped over title)<br />
Washington, DC: R. J. Carew (818 Quintana Place, NW)<br />
4 pp. 2 items<br />
“Buddy Bolden’s Blues (I thought I heard Buddy Bolden Say)”<br />
Ferdinand J. Morton<br />
“American Edition”<br />
As recorded by Jelly Roll.<br />
Transcribed and edited by J. Lawrence Cook.<br />
Washington, DC: Tempo Music Publ<strong>is</strong>hing Company, R. J. Carew, Prop., (818<br />
Quintana Place, NW), c. 1939, 1940, 1950<br />
6 pp. 1 item<br />
“Winin’ Boy Blues”<br />
Ferdinand J. Morton<br />
“Americana Edition”<br />
As recorded by Jelly Roll.<br />
Transcribed and edited by J. Lawrence Cook.<br />
Washington, DC: Tempo-Music Publ<strong>is</strong>hing Company, R. J. Carew, Prop., (818<br />
Quintana Place, NW), c. 1939, 1940, 1950...<br />
5 pp. 2 items<br />
Folder 6<br />
“Frog-I-More Rag”<br />
[Ferd Morton], writer of Jelly Roll Blues<br />
“Reproduction from Morton’s original copyrighted manuscript”<br />
1 item<br />
Folder 7<br />
Pp. 203-208; 241-246, “From Silverman Book” [written at head of pp. 204 and<br />
206] Includes the following songs:<br />
“Mamie’s Blues” Words and music by Mamie Desdoumes [Desdume].<br />
“Don’t You Leave Me Here” Words and music by Jelly Roll Morton.<br />
“Buddy Bolden’s Blues” Words and music by Jelly Roll Morton.<br />
“Winin’ Boy Blues” Words and music by Jelly Roll Morton.<br />
6 pp. 1 item
MSS 501, Williams Research Center, page 3<br />
Folder 8<br />
Folder 9<br />
Folder 10<br />
Instrumental-Reihe<br />
Contents:<br />
“Africaan Beat” (c. 1961), musik: Bert Kaempfert<br />
“Mexican Hat Tw<strong>is</strong>t” (c. 1962), musik: Chr<strong>is</strong>tian Mondstein<br />
“Suleika’s Dance” (volkwe<strong>is</strong>e) (c. 1962), bearbeitet von: Ch. Mondstein/<br />
H. Zacharias<br />
“Schott<strong>is</strong>ch” (swing) (c. 1962), musik: Franz Frankenberg<br />
“Get the Bucket” (foxtrot) (C. 1940), original text und musik: “Jelly Roll”<br />
Morton<br />
“M<strong>is</strong>s Universum” (c. 1962), musik: Heinz Kiessling<br />
“A Swingin’ Safari” (c. 1962), musik: Bert Kaempfert<br />
Aberbach (Hamburg) G.M.B.H., Musikverlag 16 pp. 1 item<br />
[Four Jelly Roll Morton compostions] Includes:<br />
“Winin’ Boy Blues”<br />
“Buddy Bolden’s Blues”<br />
“The Naked Dance”<br />
“The M<strong>is</strong>erere from Il Trovatore (A Transformation)”<br />
On outside of “Winin’ Boy Blues”: “Used for Lomax Book - Negs.”<br />
Neg. Stats.<br />
4 items<br />
[Two versions of Morton’s “Frog-I-More”]:<br />
“Frog-I-More Rag”<br />
Ferdinand J. Morton (Jelly Roll)<br />
Edited by J. Lawrence Cook<br />
Also known as Froggie Moore and Sweetheart O’Mine.<br />
[Publ<strong>is</strong>her] 1918, 1946, 1947 pp. 2-7<br />
_____ (Second copy) P. 7 wanting.<br />
_____ P. 2 and title.<br />
“Frog-I-More Rag” Second version<br />
Credits same; music simplified<br />
(Publ<strong>is</strong>her)<br />
2 copies<br />
Folder 11<br />
All material reproductions.<br />
“35th St. Blues”<br />
Words and music [by] Chas. J. Levy<br />
[P. 2] Copy 23<br />
Plus xerox copy: “ from John Steiner - 1989”<br />
Melody line, ink; some text.<br />
2 items<br />
6 items
MSS 501, Williams Research Center, page 4<br />
Folder 12<br />
“Note to Print Before Jazz Jubilee Music”<br />
Transcript that includes a musical example.<br />
With duplicate of musical example.<br />
2 items<br />
Folder 13<br />
“Jazz Jubilee - Lyrics”<br />
Transcript and two handwritten copies.<br />
3 items<br />
Folder 14<br />
Folder 14A<br />
Folder 15<br />
Folder 16<br />
Folder 17<br />
Folder 18<br />
“Jazz Jubilee”<br />
[Jelly Roll Morton]<br />
Piano solo<br />
Written upper right in pencil: “Not needed bars 6,14,16 & Intro”<br />
Handwritten in ink 2 pp. 1 item<br />
“Jazz Jubilee”<br />
[Probably not by Jelly Roll Morton]<br />
Piano solo<br />
Musically identical to Folder 14, but lacking its last 8 measures.<br />
Verso: 24 measures of score for string quartet, not by Morton.<br />
One leaf crossed out. 2 leaves 1 item<br />
M<strong>is</strong>c. notes and labels<br />
One note <strong>is</strong> written on verso of a xeroxed clipping from Times-Picayune,<br />
10-5-77. 7 items<br />
“Creepy Feeling”<br />
[Jelly Roll Morton]<br />
“Poor xerox of J. Lawrence Cook’s Ms. transcription”<br />
Piano<br />
“Has sources of ‘Corrections’ marked”<br />
Xerox 8 pp. 1 item<br />
“Maple Leaf Rag”<br />
[Scott Joplin]<br />
[Arr. by] Jelly Roll<br />
Piano<br />
At top: “Cook arr. 7 sheets. Should be in key of A flat”<br />
Xerox 7 pp. 1 item<br />
“Notes on ‘Creepy Feeling”<br />
Transcript 1 p. 1 item
MSS 501, Williams Research Center, page 5<br />
Folder 19<br />
“High Society”<br />
Porter Steele<br />
Arr. by Robert Recker<br />
March and two step<br />
Piccolo<br />
Brooks & Denton, NY 1 p. 1 item<br />
Folder 20<br />
Notes<br />
Re “High Society” and “Pacific Rag”<br />
2 items<br />
Folder 21<br />
Notes<br />
Re “Finger Breaker”<br />
5 items<br />
Folder 22<br />
Notes<br />
Re “Maple Leaf Rag” and “Creepy Feeling”<br />
5 items<br />
Folder 23<br />
“Maple Leaf Rag”<br />
Scott Joplin<br />
Piano<br />
On title page: “The Maple Leaf Club”<br />
Bears written name: “Wm Russell”<br />
Stamped: “Sep 1971”<br />
John Stack & Son, 1899<br />
Miniature reproduction<br />
3 pp.<br />
Two Ms. musical examples from “Maple Leaf Rag”<br />
1 - A Strain, Bars 1-2 (in 4/4 meter)<br />
2 - Bass of Maple Leaf, Bars 10, 11, 12 and 13<br />
Ms.<br />
3 items<br />
Folder 24<br />
“Maple Leaf Rag”<br />
Scott Joplin<br />
Piano<br />
Stamped at bottom: “Panama Rag”<br />
John Stark & Son, 1899 3 pp. 1 item<br />
Folder 25<br />
Notes<br />
Mostly re “Creepy Feeling”<br />
10 items<br />
Folder 26<br />
“Butch Thompson - Rev<strong>is</strong>ions - Oct. 1985 [Creepy Feeling]”<br />
Four lines of music<br />
Music Ms. 1 p. 1 item<br />
Folder 27<br />
Notes, labels, envelopes<br />
Re “Stop & Go” and “Finger Breaker”<br />
11 items
MSS 501, Williams Research Center, page 6<br />
Folder 28<br />
Folder 29<br />
Folder 30<br />
Folder 31<br />
Folder 32<br />
Folder 33<br />
“Maple Leaf Rag”<br />
Arr. by Jelly [Roll Morton]<br />
Piano<br />
“Butch - 1st Draft.”<br />
Xerox, Ms. 6 pp. 1 item<br />
“Maple Leaf Rag”<br />
Scott Joplin<br />
“Xerox of Butch rev<strong>is</strong>ion and edited”<br />
“Trans. by J. Law Cook, rev<strong>is</strong>ed and edited by Butch Thompson”<br />
“Jelly arrangement with corrections - BT”<br />
Piano<br />
Xerox, Ms. 6 pp. 1 item<br />
“Creepy Feeling”<br />
Jelly Roll Morton<br />
Rev<strong>is</strong>ed<br />
“Rev<strong>is</strong>ed and edited by Butch Thompson (from J. Lawrence Cook’s<br />
transcription) (July 3, 1986)”<br />
Piano<br />
“Xerox of Butch original ms. rev<strong>is</strong>ed”<br />
Xerox, Ms. 9 pp. 1 item<br />
“Lend Me a Nickle”<br />
Words and music by Tony Cantalona<br />
Divergent spelling of composer’s name on title page - Tony Contallanno<br />
Song<br />
Copyright deposit stamp on upper left of title page<br />
New Orleans: Puderer, 1909<br />
Publ<strong>is</strong>hed by Puderer Publ<strong>is</strong>hing Co., 117 Centre St., New Orleans<br />
Neg. Stats. 5 pp. 1 item<br />
“My Red Carnation”<br />
Words by John J. Puderer<br />
Music by Lawrence J. Pico<br />
Song<br />
Copyright deposit stamp on upper left of title page<br />
New Orleans: Hakenjos Piano Mfg. Co., Inc., 1903<br />
Neg. Stats.<br />
Pp. 3-51 item<br />
“Music of the Ethiopian Serenaders”<br />
“The Only Correct and Authorized Edition”<br />
“1848” written at bottom and on verso<br />
New York: William Hall and Son... and Firth Pond and Co.<br />
Cover only, Neg. Stat.<br />
1 item
MSS 501, Williams Research Center, page 7<br />
Folder 34<br />
Folder 35<br />
Folder 36<br />
Folder 37<br />
Folder 38<br />
Folder 39<br />
Folder 40<br />
“The Negro Blues”<br />
Words and music by LeRoy White, Happy Hour Theatre, Dallas, Tex.<br />
No words<br />
Neg. Stat. 1 pp. 1 item<br />
“All Coons Look Alike to Me”<br />
Words and music by Ernest Hogan<br />
On cover: May Irwin’s New Coon Song Hits<br />
New York: M. Witmark and Sons, 1896<br />
Song, sheet music 8 pp. 1 item<br />
“All Coons Look Alike to Me”<br />
Words and music by Ernest Hogan<br />
On cover: The New Sensation<br />
New York: ...M. Witmark and Sons, 1896<br />
Song, sheet music 6 pp. 1 item<br />
“Hen House”<br />
[Jelly Roll Morton]<br />
Piano<br />
Ms., Xerox, 2 copies of one page 2 pp. 1 item<br />
“The Pacific Rag”<br />
Ferd Morton<br />
“By Original Jelly Roll”<br />
Troublesome Novelty Jazz<br />
Troublesome Rag Jazz<br />
Piano<br />
Ms., xerox, also duplicate copy 2 p. 2 items<br />
“Finger Breaker”<br />
Ferdinand “Jelly Roll” Morton<br />
Transcribed by Don Ewell<br />
“WR Copy”<br />
“Xerox - corrected”<br />
Xerox<br />
7 pp., only p. 7 loose 1 item<br />
[“Finger Breaker”]<br />
Ferdinand “Jelly Roll” Morton<br />
Caption: “Finger Buster” (Last word crossed out, “Breaker” written above<br />
it)<br />
“Corrected”<br />
Xerox<br />
7 pp., all pages loose<br />
With envelope addressed from Charlie DeVore, St. Paul, MN to Bill Russell, New<br />
Orleans, La.<br />
2 items
MSS 501, Williams Research Center, page 8<br />
Folder 41<br />
Folder 42<br />
Folder 43<br />
“Jelly Original Music Etc. and Wed. Certified, Etc. Hand Bills, Etc.”<br />
Carton segment<br />
1 item<br />
“Twenty Four Hours of Love Every Day”<br />
“Jelly Roll” Morton<br />
Piano<br />
On three staves<br />
In lower right corner of p. 2: “Carew”<br />
Xerox, also duplicate copy 2 pp. 2 items<br />
“Stop and Go”<br />
Jelly Roll Morton<br />
“Piano arrangement by Butch Thompson”<br />
Xerox 8 pp. 1 item<br />
Folder 44<br />
Caricature of Jelly Roll Morton playing the piano<br />
In lower right corner: “Ivey”<br />
1 item<br />
Folders 45 and 46 are in a single mylar folder.<br />
Folder 45<br />
Folder 46<br />
Folder 47<br />
Folder 48<br />
“One Straight Melody”<br />
Piano<br />
Music Ms., Pencil 1 leaf 1 item<br />
“Gold F<strong>is</strong>h Blues” ([“Boogaboo”])<br />
[Jelly Roll Morton]<br />
On one staff<br />
Music Ms., Pencil 1 leaf 1 item<br />
“Betty”<br />
On one and two staves<br />
Two leaves blank<br />
Music Ms., Pencil 4 leaves 1 item<br />
“Hog Function”<br />
Two leaves: music on 2 staves, mostly with text<br />
One leaf: blank except title<br />
One leaf: marked “5”; on three staves (different piece); th<strong>is</strong><br />
leaf <strong>is</strong> the 5 th of 5 pages whose first four are in folder<br />
170.<br />
Music Ms., Pencil 4 leaves 1 item
MSS 501, Williams Research Center, page 9<br />
Folder 49<br />
Folder 50<br />
Folder 51<br />
Folder 52<br />
“Sugary”<br />
“Jelly Roll” Morton<br />
Piano<br />
Two leaves blank<br />
Continues in folder 171; not completed.<br />
Music Ms., Ink 4 leaves 1 item<br />
“Superior”<br />
(Jelly Roll) Morton<br />
Piano<br />
One leaf blank<br />
Music Ms., Pencil 4 leaves 1 item<br />
“My Darling <strong>is</strong> the Only One for Me”<br />
(Jelly Roll) Morton<br />
Piano<br />
On blank leaf: “‘My Darling’ 2½ pages (incomplete)”<br />
One leaf blank<br />
Music Ms., Pencil 4 leaves 1 item<br />
“Try and Get It”<br />
Mostly on three staves<br />
Music Ms., Pencil and Ink 2 leaves 1 item<br />
Folder 53<br />
“Stop and Go”<br />
[Jelly Roll Morton]<br />
Short score (band) - p. 1<br />
Music Ms., Pencil<br />
1 leaf<br />
`<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Top of one leaf: “Prob. 1st draft - WR”<br />
Second trumpet<br />
Music Ms., Ink 3 leaves 1 item<br />
Folder 54<br />
“Stop and Go”<br />
[Jelly Roll Morton]<br />
Short score (band) - p. 2<br />
Music Ms., Pencil<br />
1 leaf<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Top on one leaf: “Prob. 1st draft - WR”<br />
First trumpet<br />
Music Ms., Ink 3 leaves 1 item
MSS 501, Williams Research Center, page 10<br />
Folder 55<br />
“Stop and Go”<br />
[Jelly Roll Morton]<br />
Short score (band) - p. 3<br />
Music Ms., Pencil<br />
1 leaf<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
First trombone<br />
Music Ms., Ink 3 leaves 1 item<br />
Folder 56<br />
“Stop and Go”<br />
[Jelly Roll Morton]<br />
Short score (band) - p. 4<br />
Music Ms., Pencil<br />
1 leaf<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
First trombone<br />
Music Ms., Ink 3 leaves 1 item<br />
Folder 57<br />
Folder 58<br />
Folder 59<br />
“Stop and Go’<br />
[Jelly Roll Morton]<br />
Short score (band) - pp. 5-8<br />
Music Ms., Pencil<br />
“Stop and Go”<br />
Short score (band) - pp. 9-11<br />
One leaf blank<br />
Music Ms., Pencil<br />
Used brown envelope<br />
Marked “Stop and Go<br />
Parts for 3 Trombones<br />
(which Jelly neglected to copy from the score)<br />
Final Rev<strong>is</strong>ed 1st ‘Draft’”<br />
“Stop and Go”<br />
“Rev<strong>is</strong>ion of intro”<br />
First - third trombone parts<br />
Music Ms., Pencil and Ink<br />
1 item<br />
1 item<br />
2 items<br />
Folder 60<br />
“Stop and Go”<br />
First trumpet<br />
One leaf blank<br />
Music Ms., Ink 4 leaves 1 item
MSS 501, Williams Research Center, page 11<br />
Folder 61<br />
Folder 62<br />
Folder 63<br />
Folder 64<br />
Folder 65<br />
Folder 66<br />
Folder 67<br />
Folder 68<br />
Folder 69<br />
“Stop and Go”<br />
Second trumpet<br />
One leaf blank<br />
Music Ms., Ink 4 leaves 1 item<br />
“Stop and Go”<br />
Third trumpet<br />
One leaf blank<br />
Music Ms., Ink 4 leaves 1 item<br />
“Stop and Go”<br />
Piano<br />
Music Ms., Ink 4 leaves 1 item<br />
“Stop and Go”<br />
Bass<br />
Music Ms., Pencil 4 leaves 1 item<br />
“Stop and Go”<br />
First alto saxophone<br />
One leaf blank<br />
Music Ms., Ink 4 leaves 1 item<br />
“Stop and Go”<br />
Second alto saxophone<br />
One leaf blank<br />
Music Ms., Ink 4 leaves 1 item<br />
“Stop and Go”<br />
Third tenor saxophone<br />
One leaf blank<br />
Music Ms., Ink 4 leaves 1 item<br />
“Stop and Go”<br />
Fourth alto saxophone<br />
One leaf blank<br />
Music Ms., Ink 4 leaves 1 item<br />
“Stop and Go”<br />
Guitar<br />
Fragment of first trumpet part on one leaf<br />
One leaf blank<br />
Music Ms., Ink 3 leaves 1 item
MSS 501, Williams Research Center, page 12<br />
Folder 70<br />
Folder 71<br />
Folder 72<br />
“Stop and Go”<br />
Drum<br />
Fragment of second trumpet part on one leaf<br />
One leaf blank<br />
Music Ms., Ink 3 leaves 1 item<br />
“Stop and Go”<br />
“‘Stop and Go’ Score (2 m<strong>is</strong>sing bars) strain section B (page 4 of score) -<br />
Bars 15 and 16”<br />
Short score<br />
Four fragments of music-ms.-paper<br />
Note on verso of one page<br />
Music Mss., Pencil and Ink, Xerox and Original<br />
1 item<br />
“Stop and Go”<br />
Trombones 1, 2 and 3<br />
On two staves<br />
Leaves numbered<br />
Music Ms., Pencil 4 leaves 1 item<br />
Folder 73 and Folder 74 are in one mylar sheet.<br />
Folder 73<br />
Folder 74<br />
Folder 75<br />
“Stop and Go”<br />
First trombone<br />
Ms. patch on two bars<br />
Leaves numbered<br />
Music Ms., Xerox 2 leaves 1 item<br />
“Stop and Go”<br />
Second trombone<br />
Leaves numbered<br />
Music Ms., Xerox 2 leaves 1 item<br />
“Stop and Go”<br />
Third trombone<br />
Leaves numbered<br />
Music Ms., Xerox 2 leaves 1 item
MSS 501, Williams Research Center, page 13<br />
Folder 76<br />
Folder 77<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
First strain - tenor<br />
Third sax melody - first strain<br />
Saxophones I-IV, trombones I-III (i.e. 5 parts), trumpets I-III (i.e. 5 parts)<br />
- bars 1-9<br />
Piano<br />
Bars 5-6<br />
Two leaves numbered one and two<br />
On verso of one leaf: “‘Finger Breaker’ - Score - Ms - (A Strain)”, pencil<br />
On verso of one leaf: “‘Finger Breaker’ (Group),” “Intro” (8 bars),<br />
clarinets and trumpets, pencil<br />
Music Ms., Ink and Pencil<br />
1 item<br />
“Finger Breaker<br />
Jelly Roll Morton<br />
Saxophones, trombones, trumpets - bars 10-18; piano - bars 13-15<br />
Leaves numbered three and four<br />
Leaves numbered five and six on verso<br />
On two staves<br />
Music Ms., Ink and Pencil<br />
1 item<br />
Folder 78 and Folder 79 are in one mylar folder.<br />
Folder 78<br />
“Finger Breaker”<br />
Jelly Roll Morton<br />
On two staves<br />
Leaves numbered seven and eight<br />
Leaf eight also contains six bars of music sketch<br />
Music Ms., Ink and Pencil<br />
1 item<br />
Folder 79<br />
“Finger Breaker”<br />
Jelly Roll Morton<br />
Two unnumbered leaves:<br />
One unnumbered leaf: “Intro” (parts for saxophones I-IV)<br />
One unnumbered leaf: “Intro” (blank lines marked trumpet first, second,<br />
third; first trombone, second trombone, third trombone); 16 bars of<br />
music sketch<br />
Music Ms., Ink and Pencil<br />
1 item<br />
Folder 80<br />
“High Society”<br />
On one and two staves<br />
Four leaves (two numbered one and two)<br />
Music Ms., Pencil<br />
1 item
MSS 501, Williams Research Center, page 14<br />
Folder 81<br />
“High Society”<br />
Guitar<br />
Music Ms., Pencil<br />
Third leaf: “Didn’t He Ramble”<br />
Guitar<br />
2 leaves<br />
Fourth leaf: Blank except for the words “Guit High So”<br />
1 item<br />
Folder 82<br />
“High Society”<br />
Bass<br />
Music Ms., Ink 1 leaf 1 item<br />
Folder 83 and Folder 84 are in one mylar folder.<br />
Folder 83<br />
Folder 84<br />
“High Society”<br />
Tenor saxophone<br />
At top: “155 E. 24th St., N.Y.C. 11.30”<br />
Dated at top: “9/14/39”<br />
Second leaf: “Happy Caldwell. Original. Swing Tenor Sax”<br />
Music Ms., Ink and Pencil 2 leaves 1 item<br />
“High Society”<br />
Clarinet<br />
Music Ms., Ink 2 leaves 1 item<br />
Folder 85 and Folder 86 are in one mylar folder.<br />
Folder 85<br />
Folder 86<br />
“High Society”<br />
Trumpet<br />
Music Ms., Ink 2 leaves 1 item<br />
“High Society”<br />
Trombone<br />
Music ms., Ink 2 leaves 1 item<br />
Folder 87 and Folder 88 are in one mylar folder.<br />
Folder 87<br />
“Prologue Opening”<br />
Jelly Roll Morton<br />
Trombone<br />
Music Ms., Ink ½ sheet 1 item
MSS 501, Williams Research Center, page 15<br />
“Prologue Opening”<br />
Jelly Roll Morton<br />
Cornet<br />
Music Ms., Ink ½ sheet 1 item<br />
Folder 88<br />
“Prologue Opening”<br />
Jelly Roll Morton<br />
Drum part<br />
Music Ms., Ink ½ sheet 1 item<br />
“Prologue Opening”<br />
Jelly Roll Morton<br />
Clarinet<br />
Music Ms., Ink ½ sheet 1 item<br />
Folder 89 and Folder 90 are in one mylar folder.<br />
Folder 89<br />
“Prologue Opening”<br />
Jelly Roll Morton<br />
Piano<br />
Music Ms., Ink 1 leaf 1 item<br />
“Prologue Opening”<br />
Jelly Roll Morton<br />
Violin<br />
Music Ms., Ink ½ sheet 1 item<br />
Folder 90<br />
“Prologue Opening”<br />
Jelly Roll Morton<br />
Bass<br />
Music Ms., Ink ½ sheet 1 item<br />
Folder 91 and Folder 92 are in one mylar folder.<br />
Folder 91<br />
“Creepy Feeling”<br />
Jelly Roll Morton<br />
“Rev<strong>is</strong>ed and edited by Butch Thompson (from J. Lawrence Cook’s<br />
transcription) (July 3, 1986)”<br />
Piano<br />
“Original” and “Butch Orig Ms”<br />
Leaves one and two<br />
Music Ms., Pencil<br />
1 item
MSS 501, Williams Research Center, page 16<br />
Folder 92<br />
“Creepy Feeling”<br />
Rev<strong>is</strong>ed<br />
Piano<br />
Leaves three and four<br />
Music Ms., Pencil<br />
1 item<br />
Folder 93 and Folder 94 are in one mylar folder.<br />
Folder 93<br />
Folder 94<br />
Folder 95<br />
“Creepy Feeling”<br />
Rev<strong>is</strong>ed<br />
Piano<br />
Leaves five and six<br />
Music Ms., Pencil<br />
“Creepy Feeling”<br />
Rev<strong>is</strong>ed<br />
Piano<br />
Leaf eight<br />
Music Ms., pencil<br />
“Creepy Feeling”<br />
Rev<strong>is</strong>ed<br />
Piano<br />
Leaves seven and nine<br />
Music Ms., Pencil<br />
1 item<br />
1 item<br />
1 item<br />
Folder 96 and Folder 97 are in one mylar folder.<br />
Folder 96<br />
Folder 97<br />
“Creepy Feeling”<br />
Ferdinand Joseph Morton “Jelly Roll”<br />
Transcription by Cook<br />
Corrected<br />
Piano<br />
“Roy’s Hand Copy”<br />
Copyright stamp at top dated Aug. 25, 1944<br />
Leaves one and four<br />
Xerox with Manuscript Notations<br />
“Creepy Feeling”<br />
Jelly Roll<br />
Transcription by Cook<br />
Piano<br />
Leaves two and three<br />
2 items<br />
2 items
MSS 501, Williams Research Center, page 17<br />
Folder 98<br />
“Creepy Feeling”<br />
Ferdinand Joseph Morton ‘Jelly Roll’<br />
Transcription by Cook<br />
Piano<br />
Leaves five and six<br />
R. J. Carew 818 Quintana Pl. N.W., Washington, D.C.<br />
Xerox with Manuscript Notations<br />
2 items<br />
Folder 99 and Folder 100 are in one mylar folder.<br />
Folder 99<br />
Folder 100<br />
Folder 101<br />
“Jazz Jubilee”<br />
[Jelly Roll Morton]<br />
On three staves<br />
Leaf one<br />
Music Ms., Pencil<br />
“Jazz Jubilee”<br />
Chorus<br />
On three staves<br />
Leaf two<br />
Music Ms., Pencil<br />
“Jazz Jubilee”<br />
On three staves<br />
Leaf three<br />
A few musical notes on verso<br />
Music Ms., Pencil<br />
1 item<br />
1 item<br />
1 item<br />
Folder 102 and Folder 103 are in one mylar folder.<br />
Folder 102<br />
Folder 103<br />
“Didn’t He Ramble”<br />
Short score or for trumpet and piano<br />
On two and three staves<br />
Pages one and two<br />
Music Ms., Pencil<br />
“Didn’t He Ramble”<br />
Short score or for trumpet and piano<br />
On three staves<br />
Pages three and four<br />
Music Ms., Pencil<br />
1 item<br />
1 item<br />
Folder 104 and Folder 105 are in one mylar folder.
MSS 501, Williams Research Center, page 18<br />
Folder 104<br />
“Didn’t He Ramble”<br />
Tenor; clarinet<br />
Notes on tenor part: “Recorded 9/14/39 Victor RCA...155 E. 24th St.,<br />
N.Y.C.”<br />
Music Ms., Ink<br />
2 items<br />
Folder 105<br />
Folder 106<br />
“Didn’t He Ramble”<br />
Trumpet; trombone<br />
Music Ms., Ink<br />
“Didn’t He Ramble”<br />
Bass; drum<br />
Music Ms., Ink<br />
2 items<br />
2 items<br />
Folder 107<br />
Folder 108<br />
“The Pacific Rag”<br />
Ferd Morton<br />
“Troublesome Novelty Jazz”<br />
“By Jelly Roll Original”<br />
“Troublesome Rag Jazz”<br />
“Full of Originality”<br />
Piano<br />
At bottom: seven measures of music in pencil and titles []<br />
Music Ms., Ink<br />
1 item<br />
“Why”<br />
Jelly Roll Morton<br />
On three staves<br />
Music Ms., Pencil 4 pp. on one folio 1 item<br />
Folder 109 and Folder 110 are in one mylar folder.<br />
Folder 109<br />
“Why”<br />
On three staves<br />
Page five<br />
One leaf blank<br />
Music Ms., Pencil 2 leaves 1 item<br />
Folder 110<br />
“Why”<br />
Trumpet and bass<br />
Music Ms., Ink<br />
1 item<br />
Folder 111 and Folder 112 are in one mylar folder.
MSS 501, Williams Research Center, page 19<br />
Folder 111<br />
“Why”<br />
Alto and trombone<br />
Music Ms., Ink<br />
1 item<br />
Folder 112<br />
“Why”<br />
Clarinet<br />
Music Ms., One Pencil and One Ink<br />
1 item<br />
Folder 113<br />
“If You Knew, How I Love You”<br />
Jelly Roll Morton<br />
Score<br />
On three staves<br />
Three pages numbered<br />
Music Ms., Pencil 4 pp. on one folio 1 item<br />
Folder 114 and Folder 115 are in one mylar folder.<br />
Folder 114<br />
Folder 115<br />
Folder 116<br />
“If You Knew [How I Love You]”<br />
Alto and trumpet<br />
Music Ms., Ink<br />
“If You Knew [How I Love You]”<br />
Clarinet and trombone<br />
Music Ms., Ink<br />
“If You Knew [How I Love You]”<br />
Bass<br />
Music Ms., Ink<br />
1 item<br />
1 item<br />
1 item<br />
Folder 117<br />
“My Home Is in a Southern Town”<br />
Jelly Roll Morton<br />
On three staves<br />
Three numbered<br />
Music Ms., Pencil 4 pp. on one folio 1 item<br />
Folder 118 and Folder 119 are on one mylar folder.<br />
Folder 118<br />
“[My Home Is in a] Southern Town”<br />
Clarinet and trumpet<br />
Music Ms., Ink<br />
1 item
MSS 501, Williams Research Center, page 20<br />
Folder 119<br />
Folder 120<br />
“[My Home Is in a] Southern Town”<br />
Trombone and alto<br />
Music Ms., Ink<br />
“[My Home Is in a] Southern Town”<br />
Bass<br />
Music Ms., Ink<br />
1 item<br />
1 item<br />
Folder 121 and Folder 122 are in one mylar folder.<br />
Folder 121<br />
“I Thot I Heard Buddy Bolden Say”<br />
[Jelly Roll Morton]<br />
Trumpet<br />
Note detailing number of parts in “I Thot I Heard Buddy Bolden Say”<br />
Folder 122<br />
Music Ms., Ink; and Note, Pencil<br />
“I Thot I Heard Buddy Bolden Say”<br />
Clarinet and trombone<br />
Music Ms., Ink<br />
2 items<br />
1 item<br />
Folder 123<br />
“I Thot I Heard Buddy Bolden Say”<br />
Bass and tenor [saxophone]<br />
At top of tenor part: “Blues”; “Rehearsal 9/14/39”<br />
Note at bottom of tenor part l<strong>is</strong>ts personnel of 9/14/39 recording session<br />
and other information about the session<br />
One leaf blank<br />
Music Ms., Ink 2 leaves 1 item<br />
Folder 124<br />
“I Thought I Heard Buddy Bolden Say”<br />
Guitar<br />
Music Ms., Pencil<br />
1 item<br />
Folder 125<br />
“Good Old New York”<br />
Lyric by R. J. Werac [a.k.a., R. J. Carew]<br />
Music by “Jelly Roll” Morton<br />
Without the lyric, except fragment at end: “If you come and meet me<br />
there”<br />
Probably incomplete<br />
Verso: Title page in ink<br />
Also on verso: inscription in pencil: “Verse and Intro 24 Bars; Chorus -<br />
34 Bars; Southern Town - Intro and Verse - 26: Cho 22; Why - 50<br />
Bars.”<br />
Music Ms., Ink<br />
1 item
MSS 501, Williams Research Center, page 21<br />
Folder 126 and Folder 127 are in one mylar folder.<br />
Folder 126<br />
“G.[ood] O.[ld] N.[ew] Y.[ork]”<br />
Short score (“Sax group”)<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Pencil<br />
2 pp.<br />
Note in pencil: “Score 6 Pages”<br />
2 items<br />
Folder 127<br />
“Good O[ld] N[ew] Y.[ork]”<br />
Clarinet<br />
On three staves<br />
Measures numbered 1-30<br />
Two unnumbered measures at end<br />
At top: “E”<br />
Pages unnumbered<br />
Music Ms., Pencil 2 pp. 1 item<br />
Folder 128 and Folder 129 are in one mylar folder.<br />
Folder 128<br />
“Good Old N.[ew] Y.[ork]”<br />
Short score<br />
On four staves<br />
At top: “F”<br />
Pages numbered one and two<br />
Music Ms., Pencil 2 pp. 1 item<br />
Folder 129<br />
[“Good Old New York”]<br />
[Jelly Roll Morton]<br />
Short score<br />
Measures numbered 19-38 [i.e. 28] (end)<br />
On four staves<br />
Page unnumbered<br />
Music Ms., Pencil<br />
1 pp.<br />
Note (pencil): “Good Old New York Orchestration - Parts - Etc. ...”<br />
Note (xerox): “Good Old New York”<br />
3 items<br />
Folder 130<br />
“Good Old New York”<br />
Piano<br />
Verso: Title page and blank page<br />
Music Ms., Ink pp. [1]-2
MSS 501, Williams Research Center, page 22<br />
Note (pencil): “Piano Part 4 Pages”<br />
2 items<br />
Folder 131<br />
Folder 132<br />
“Good Old New York”<br />
Piano<br />
Verso: Title page and blank page<br />
Music Ms., Ink pp.3-4 1 item<br />
“Good Old New York”<br />
At top: “1st Trombone”<br />
Probably trombone with occasional instrumental cues and melody<br />
Verso of one page: “Jelly, Good Ole N.Y./ Extra first trombone part/<br />
(possibly a trombone score)/ WR”<br />
Verso of one page blank<br />
Pages unnumbered<br />
Music Ms., pencil<br />
2 pp.<br />
Note: “Extra Brass Incomplete (Prob. 1st Drafts)”<br />
2 items<br />
Folder 133 and Folder 134 in one mylar folder.<br />
Folder 133<br />
Folder 134<br />
Folder 135<br />
“Good Ole New York”<br />
First trumpet<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Pencil 2 pp. 1 item<br />
“Good Ole New York”<br />
Second trumpet<br />
Probably incomplete<br />
Pages unnumbered<br />
One page blank<br />
Music Ms., Pencil 2 pp. 1 item<br />
“Good Ole New York”<br />
Third trumpet<br />
Pages unnumbered<br />
One page blank<br />
Verso: Two unnumbered blank pages<br />
Music Ms., Pencil 2 pp. 1 item<br />
Folder 136 and Folder 137 are in one mylar folder.
MSS 501, Williams Research Center, page 23<br />
Folder 136<br />
Folder 137<br />
“Good Old New York”<br />
Bass<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
“Good Old New York”<br />
Drums<br />
Page unnumbered<br />
Music Ms., Ink 1 p. 1 item<br />
Folder 138 and Folder 139 are in one mylar folder.<br />
Folder 138<br />
Folder 139<br />
“Good Old New York”<br />
Guitar<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
“Good Old New York”<br />
Violin<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 140<br />
“Good Old New York”<br />
First alto saxophone<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink<br />
3 pp.<br />
Note (pencil): “4 Sax Parts”<br />
1 item<br />
Folder 141 and Folder 142 are in one mylar folder.<br />
Folder 141<br />
Folder 142<br />
“Good Old New York”<br />
Second alto [saxophone]<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
“Good Old New York”<br />
Third tenor [saxophone]<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item
MSS 501, Williams Research Center, page 24<br />
Folder 143<br />
“Good Old New York”<br />
Fourth tenor [saxophone]<br />
On one and two staves<br />
Pages unnumbered<br />
Verso: two unnumbered blank pages<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 144<br />
“Good Old New York”<br />
First alto saxophone<br />
On one and two staves<br />
Pages one through three<br />
Only third page numbered<br />
Music Ms., Ink<br />
3 pp.<br />
Note (pencil): “4 Extra Sax Parts (Some Incomplete)<br />
2 items<br />
Folder 145<br />
Folder 146<br />
Folder 147<br />
“Good Old New York”<br />
Second alto [saxophone]<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 3 pp. 1 item<br />
“Good Old New York”<br />
Third tenor sax[ophone], sections A-E<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
[“Good Old New York”]<br />
Third tenor [saxophone], sections F and G<br />
Music Ms., Ink<br />
“Good Old New York”<br />
Fourth tenor [saxophone]<br />
Complete on three unnumbered pages<br />
On one and two staves<br />
Music Ms., Ink<br />
2 items<br />
Folder 148 and Folder 149 are in one mylar folder.<br />
Folder 148<br />
“Good Old New York”<br />
First trumpet<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item
MSS 501, Williams Research Center, page 25<br />
Folder 149<br />
“Good Old New York”<br />
Second trumpet<br />
Pages unnumbered<br />
Music Ms., Ink<br />
2 pp.<br />
Note (pencil): “Tpt and Trom (7 Parts) [7 crossed out, 6 substituted] (Dupe First<br />
Tpt Part Given to Tulane U.)”<br />
2 items<br />
Folder 150 and Folder 151 are in one mylar folder.<br />
Folder 150<br />
Folder 151<br />
“Good Old New York”<br />
Third trumpet<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
“Good Old New York”<br />
First trombone<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 152 and Folder 153 are in one mylar folder.<br />
Folder 152<br />
Folder 153<br />
Folder 154<br />
“Good Old New York”<br />
Second trombone<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
“Good Old New York”<br />
Third trombone<br />
On one and two staves<br />
Pages unnumbered<br />
Music Ms., Ink 2 pp. 1 item<br />
[“Panama”]<br />
Piano[]<br />
Inscription on verso: “Jelly M.S. unknown title two pages Panama”<br />
Erased from verso: “ N.O. Honky Tonk Strain”<br />
Pages unnumbered<br />
Music Ms., Pencil 2 pp. 1 item
MSS 501, Williams Research Center, page 26<br />
Folder 155<br />
Folder 156<br />
Folder 157<br />
Folder 158<br />
Folder 159<br />
“Mamies Blues”<br />
[Melody by Mamie Desdume]<br />
[Arr. by Jelly Roll Morton]<br />
Single musical lines<br />
12 measures<br />
Three sets of three staves are bracketed<br />
Page unnumbered<br />
Verso: unnumbered blank page<br />
Music Ms., Pencil 1 p. 1 item<br />
“Big Lip Blues”<br />
[Jelly Roll Morton]<br />
Upper left: “Lead”<br />
Single musical line<br />
18 measures<br />
Page unnumbered<br />
Verso: unnumbered blank page<br />
Music Ms., Pencil 1 p. 1 item<br />
Folder with markings in pencil<br />
Page one: “(General Recording) Jelly Ms ...”<br />
Page two: Blank<br />
Page three: “Jelly Ms ...” (Xerox by THNOC supplied)<br />
Page four: Blank<br />
4 pp. 1 item<br />
“Dear Old Lonnon”<br />
Pages three and four blank<br />
Xerox of page two supplied by THNOC<br />
On one staff - one measure on two staves on page two<br />
Music Ms., Pencil 4 pp. 1 item<br />
“If I Ever Needed a Sweet Sweet Papa Lawdy Lawdy Nows the Time”<br />
James and Janice Blythe<br />
Music on pages two and three<br />
Page four blank<br />
Xerox of title page supplied by THNOC<br />
On three staves - both with treble clef<br />
Music Ms., Ink 4 pp. 1 item
MSS 501, Williams Research Center, page 27<br />
Folder 160<br />
Folder 161<br />
“Real Daddy Blues”<br />
Title “Good Bye Blues” <strong>is</strong> crossed out on title page and page two<br />
Ezra [Shetlon]<br />
Music on page two<br />
Page three - text<br />
Page four blank<br />
Xerox of title page supplied by THNOC<br />
Music on two and three staves<br />
Music Ms., Ink 4 pp. 1 item<br />
“Independent Mamma”<br />
Music on pages one and four<br />
Pages two and three blank except titles (Xerox copies supplied by<br />
THNOC)<br />
On two staves, both with treble clef<br />
Also on page four: unidentified piece (ink) on single staff with G clef<br />
Music Ms., Ink<br />
4 pp.<br />
Note (supplied by Russell): “32 Bars ... (Not by Jelly)”<br />
1 item<br />
Folder 162 and Folder 163 are in one mylar folder.<br />
Folder 162<br />
“There’s a Sign on Her Window”<br />
“Jelly Roll” Morton<br />
Pages one and two<br />
Piano<br />
Music Ms., Pos. Photostat<br />
1 item<br />
Folder 163<br />
Manilla folder<br />
Inscribed: “‘There’s a Sign on Her Window’ ... No Original Ms.”<br />
1 item<br />
Folder 164<br />
“There’s a Sign [on Her Window]”<br />
Pages three and four<br />
Piano<br />
Verso: “‘There’s a Sign on Her Window’ ... Lost”<br />
Music Ms., Pos. Photostat<br />
1 item
MSS 501, Williams Research Center, page 28<br />
Folder 165<br />
“There’s a Sign on Her Window”<br />
Jelly Roll Morton<br />
Piano<br />
Pages one through four<br />
Verso of page one: typed title page (xerox supplied by THNOC)<br />
Music Ms., Neg. Photostat<br />
Folder 166<br />
Folder 167<br />
Note: “‘There’s ... Photostat” (supplied by Russell)<br />
“Anamule Dance”<br />
[Jelly Roll Morton]<br />
Music on pages one and two<br />
Page three blank<br />
Page four, upper right corner: title<br />
On one staff<br />
Music Ms., Pencil<br />
“Good Old New York”<br />
[Jelly Roll Morton]<br />
Page two<br />
Song (text in pencil)<br />
On two staves<br />
Title at bottom of page<br />
(Note supplied by THNOC)<br />
Music Ms., Ink<br />
2 items<br />
1 item<br />
1 item<br />
Folder 168<br />
“Good Old New York”<br />
Page three<br />
Song (text in pencil)<br />
Last ten measures plus complete vocal part<br />
On one and two staves<br />
Title at bottom of page<br />
Verso: unidentifed song text and music ms., pencil, 5 measures (not clear<br />
if th<strong>is</strong> <strong>is</strong> verso of song or note)<br />
(Note supplied by THNOC)<br />
Music Ms., Ink<br />
1 item<br />
Folder 169<br />
“Naked Dance”<br />
[Jelly Roll Morton]<br />
Pages one through four<br />
On one staff<br />
Complete<br />
Music Ms., Pencil<br />
1 item
MSS 501, Williams Research Center, page 29<br />
Folder 170<br />
Folder 171<br />
Folder 172<br />
Folder 173<br />
Folder 174<br />
“ZZ” [title]<br />
Pages one through four<br />
See folder 48 for page 5.<br />
For four saxophones, three trumpets, and three trombones.<br />
On three staves<br />
Music Ms., Pencil<br />
“Sugary”<br />
[Jelly Roll Morton]<br />
Page three; see folder 49 for pages one and two.<br />
Mostly on one staff<br />
Music Ms., Ink<br />
“Betty”<br />
Piano<br />
Pages one and two<br />
Song<br />
On one, two, and three staves<br />
One page blank except for title<br />
Music Ms., Ink<br />
“Betty”<br />
Page three<br />
Song<br />
On one staff<br />
Pages [four and five] blank<br />
Page [six], upper right corner: “prob. p. 3 Betty”<br />
Music Ms., Ink<br />
[“Bert Williams”]<br />
Fragment of music, nine measures, two lines<br />
Page unnumbered<br />
[“Bert Williams” <strong>is</strong> a recomposition of “The Pacific Rag”]<br />
Music Ms., Pencil 1 p.<br />
Note: “Two Lines of Piano Music” (supplied by Russell)<br />
On verso of mylar folder<br />
1 item<br />
1 item<br />
1 item<br />
1 item<br />
2 items
MSS 501, Williams Research Center, page 30<br />
Folder 175<br />
Folder 176<br />
”In Ole Wyoming”<br />
George Guesnon, Decca Record Art<strong>is</strong>t<br />
Arranged by (Ferd) Jelly Roll Morton<br />
A Western Ballad<br />
Pages one and three<br />
On one staff<br />
With text<br />
Verso of page one: five measures of a single line melody with note: “By<br />
Guesnon”<br />
Note at bottom of verso of page one: “Th<strong>is</strong> M.S. was copied by Jelly Roll<br />
in pencil and then retraced I believe in ink by George Guesnon.”<br />
Verso of page three: Single-line melody (erased) 24 measures with chord<br />
names above them<br />
“Copyrighted Congressional Library Washington, D.C.”<br />
Music Ms., Ink and Pencil<br />
1 item<br />
[“In Ole Wyoming”]<br />
Page two<br />
On one staff<br />
With text<br />
Ink and pencil<br />
“Finger Breaker”<br />
Composed and arranged by Jelly Roll Morton<br />
Marked “Sax A”<br />
Five measures<br />
Inscription on verso: “5 Bars of an Original Manuscript Composed and<br />
Arranged by (Ferdnand) [sic] Jelly Roll Morton”<br />
Ink<br />
Music Ms., Ink and Pencil<br />
1 item<br />
Folder 177<br />
“Oh Baby”<br />
Bass<br />
Music Ms., Ink<br />
2 pp.<br />
Note: “All Jelly Roll Compositions, Ms and Printed. None in H<strong>is</strong> Own Hand”<br />
(pencil)<br />
2 items<br />
Folder 178<br />
“Oh Baby”<br />
Alto one<br />
Among the group: Morton Compostions - None in H<strong>is</strong> Own Hand<br />
Music Ms., Ink<br />
3 pp. 1 item
MSS 501, Williams Research Center, page 31<br />
Folder 179<br />
Folder 180<br />
Folder 181<br />
“Oh Baby”<br />
Alto two<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., Ink<br />
3 pp. 1 item<br />
“Oh Baby”<br />
Tenor one<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., Ink<br />
3 pp. 1 item<br />
“Oh Baby”<br />
Tenor two<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., Ink<br />
3 pp. 1 item<br />
Folder 182 and Folder 183 are in one mylar folder.<br />
Folder 182<br />
Folder 183<br />
“Oh Baby”<br />
First trumpet<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., Ink<br />
2 pp. 1 item<br />
“Oh Baby”<br />
Second trumpet<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., Ink<br />
2 pp. 1 item<br />
Folder 184 and Folder 185 are in one mylar folder.<br />
Folder 184<br />
Folder 185<br />
“Oh Baby”<br />
Third trumpet<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., Ink 2 pp. 1 item<br />
“Oh Baby”<br />
Drum guide<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., Ink<br />
2 pp. 1 item<br />
Folder 186 and Folder 187 are in one mylar folder.<br />
Folder 186<br />
“Oh Baby”<br />
First trombone<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., ink<br />
2 pp. 1 item
MSS 501, Williams Research Center, page 32<br />
Folder 187<br />
Folder 188<br />
Folder 189<br />
“Oh Baby”<br />
Second trombone<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., ink<br />
2 pp. 1 item<br />
“Oh Baby”<br />
Piano<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., ink Pp. [1-3] 1 item<br />
“Oh Baby”<br />
Piano<br />
Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />
Music Ms., ink<br />
Pp. [4 and 5] 1 item<br />
Folder 190 and Folder 191 are in one mylar folder.<br />
Folder 190<br />
[Unidentified song]<br />
First line: “Something doing in town tonight”<br />
Four lines of melody with text (pencil)<br />
Music Ms., ink<br />
Note: “M<strong>is</strong>cel. M.S. in Roy’s Hand, Etc. (Many of Little Value)”<br />
2 items<br />
Folder 191<br />
“Hesitation Blues”<br />
Scott Middleton and Billy Smythe<br />
Three lines of melody with text (ink)<br />
Music Ms., ink<br />
Also separate sheet with two unidentified measures of piano music (ink)<br />
Among the group: Mss. in Roy’s Hand<br />
2 items<br />
Folder 192 and Folder 193 are in one mylar folder.
MSS 501, Williams Research Center, page 33<br />
Folder 192<br />
[Unidentified song]<br />
First line: “Gwine to walk about Zion”<br />
Four lines of melody (ink) with text (typed)<br />
With one page of musical examples[] in ink<br />
Examples identified as from “‘Buffalo Gals’ (Ethiopian Serenaders);<br />
‘Bamboula’ (Gottschalk); ‘Georgia Campmeeting’ (Mills)”<br />
After last example, four measures of unidentified single-line music in<br />
pencil<br />
Among the group: Mss. in Roy’s Hand<br />
2 items<br />
Folder 193<br />
[“The Torch”]<br />
[Not by Jelly Roll Morton]<br />
Beginning of text: “When your gal has turned you down”<br />
Two measures of single-line melody (pencil)<br />
With one page containing two measures of piano music (ink); also three measures<br />
of music for voice and piano (pencil) with the text: “Oh hear the music,<br />
the jazzy”<br />
Among the group: Mss. in Roy’s Hand<br />
2 items<br />
Folder 194<br />
“[If You Knew] How I Love You”<br />
[Jelly Roll Morton]<br />
Single-line music (ink) with no text<br />
Two-measure patch; last eight measures pasted on<br />
Verso has brand of music-ms. paper, printed in red: “Music Forms”<br />
With an additional page (and verso): transcription of Jelly Roll Morton’s Library<br />
of Congress recordings entitled by Alan Lomax “Georgia Skin Game” and<br />
“Creole Song”<br />
Contains several measures of mostly single-line music (pencil) with text<br />
(mostly typed)<br />
Beginning: “I’m gonna get one and go”<br />
At top of verso: “Heading”<br />
Among the group: Mss. in Roy’s Hand<br />
2 items
MSS 501, Williams Research Center, page 34<br />
Folder 195<br />
[Unidentified piano piece]<br />
Four lines of piano music (pencil) followed by the words “Repeat first<br />
two”<br />
Continued on verso[]; with the words “Repeat first two”<br />
Concluded with four measures of piano music (pencil) identified as<br />
“Maple Leaf” [Joplin]<br />
With additional page (and verso)<br />
Contains several measures of unidentified single-line music (pencil)<br />
Among the group: Mss. in Roy’s Hand<br />
2 items<br />
Folder 196 and Folder 197 are in one mylar folder.<br />
Folder 196<br />
“Dixie Queen”<br />
Hoffman<br />
At top: “(Hoffman) ( Like TeNaNa)”<br />
3 Lines of Piano Music, Ink<br />
“If You Don’t Like”<br />
At top: “© as ‘Mamma’s Baby Boy’ by Clarence Williams”<br />
At bottom: “Martin Williams ... Stomp di Lowdown”<br />
4 Lines of Piano Music, Ink<br />
Among the group: Mss. in Roy’s Hand<br />
2 items<br />
Folder 197<br />
[Unidentified piano piece]<br />
E flat<br />
Three Lines of Piano Music, Ink<br />
Additional page containing one measures of music<br />
On three staves<br />
With text “Two nineteen done”<br />
Among the group: Mss. in Roy’s Hand<br />
2 items<br />
Folder 198 and Folder 199 are in one mylar folder.
MSS 501, Williams Research Center, page 35<br />
Folder 198<br />
Folder 199<br />
Folder 200<br />
Folder 201<br />
Folder 202<br />
[Five musical examples]<br />
First four excerpts [musical examples] are unidentified.<br />
First excerpt: one line, four flats, text begins “I Must a Been a Dreamin’”<br />
Second excerpt: one line, one sharp, text begins “You’re in the Right<br />
Church”<br />
Third excerpt: one line, piano music<br />
Fourth excerpt: [complete piece] one stave, numbered 89, text begins<br />
“Gwine to Walk about Zion”<br />
Fifth excerpt: numbered 136 and indentified as “Musieu Bainjo” and<br />
contains text<br />
At end: “#134 Calinda”<br />
Among the group: Mss. in Roy’s Hand<br />
Music Ms., Green Ink 2 pp. 1 item<br />
[Unidentified]<br />
Musical sketch<br />
On one and two staves<br />
Pages unnumbered<br />
Among the group: Mss. in Roy’s Hand<br />
Music Ms., Pencil 2 pp. 1 item<br />
“The Torch”<br />
Tommy Lyman<br />
Melody line on one staff; some text<br />
Preceded by four measures of music (pencil) on one staff; some text<br />
Eleven measures of unidentified music for piano on verso of page two<br />
“© Jan. 25 1919 E 445197”<br />
Pages unnumbered<br />
Among the group: Mss. in Roy’s Hand<br />
Music Ms., Pencil 3 pp. 1 item<br />
[Unidentified piano piece]<br />
Complete<br />
On two staves<br />
Verso of p. 1: m<strong>is</strong>identified as “Joplin’s Something Doing”<br />
Among the group: Mss. in Roy’s Hand<br />
Music Ms., Ink 2 pp. 1 item<br />
“Dirty, Dirty, Dirty”<br />
Jelly Roll Morton<br />
Melody on six lines; no text<br />
Pages unnumbered<br />
Music Ms., Pencil 1 p. 1 item
MSS 501, Williams Research Center, page 36<br />
Folder 203 and Folder 204 are in one mylar folder.<br />
Folder 203<br />
“Wineing Boy”<br />
Jelly Roll Morton<br />
Lead<br />
Music on one staff<br />
“Extra copy”<br />
Page unnumbered<br />
“Copyright 1939 Tempo-Music Publ<strong>is</strong>hing Company 818 Quintana Palce,<br />
N.W., Washington, DC, USA”<br />
Music Ms., Ink 1 p.<br />
“Tee Nah Nah”<br />
Music on one staff<br />
Some text, beginning “Take th<strong>is</strong> pork chop”<br />
Page unnumbered<br />
Music Ms., Pencil 1 p. 2 items<br />
Folder 204<br />
“Don’t You Leave Me Here”<br />
“Jelly Roll” Morton<br />
Lead<br />
Music on one staff<br />
“Extra copy”<br />
“Copyright 1939 Tempo-Music Pub. Co.”<br />
Page unnumbered<br />
Music Ms., Ink 1 p.<br />
“(Creole Song)”<br />
Song with piano<br />
Some text, beginning “C’eté n’au’can-can”<br />
On two staves<br />
Page unnumbered<br />
Music Ms., Ink 1 p. 2 items
MSS 501, Williams Research Center, page 37<br />
Folder 205 and Folder 206 are in one mylar folder.<br />
Folder 205<br />
“Get the Bucket”<br />
[“Jelly Roll” Morton]<br />
Four lines of music, some text<br />
On one staff<br />
Top half of one unnumbered page<br />
“Mamie’s Blues”<br />
[Words and melody by Mamie Desdume]<br />
[Arr. by Jelly Roll Morton]<br />
Three lines of music, some text<br />
On one staff<br />
Bottom half of one unnumbered page<br />
Music Ms., Pencil 1 p.<br />
“Get the Bucket”<br />
Jelly Roll Morton<br />
Four lines of music, some text<br />
On one staff<br />
To left of title: “E unp 215610/ Mar. 9, 1940”<br />
At bottom: “‘Get the Bucket’ WR”<br />
“Copyright 1940 Tempo-M[usic] Pub., Wash[ington]. DC”<br />
Music Ms., Pencil and Ink 1 p. 2 items<br />
Folder 206<br />
[Unidentified - “Shake It”]<br />
Four lines of music, some text<br />
First line of text: “Shake it oh you”<br />
Title and first line of music of ‘Wineing Boy” by Morton crossed out<br />
On one staff<br />
Page unnumbered<br />
Music Ms., Pencil 1 pp. 1 item<br />
Folder 207 and Folder 208 are in one mylar folder.<br />
Folder 207<br />
“Anamule Dance”<br />
Jelly Roll Morton<br />
Melody with text (pencil)<br />
Music on one staff<br />
On p. 2: verse section of text (slight variation) - typed<br />
Also on p. 2: unidentified melody (pencil) on five single staves and one<br />
measure<br />
Pages unnumbered<br />
Music Ms., Pencil 2 pp. 1 item
MSS 501, Williams Research Center, page 38<br />
Folder 208<br />
Folder 209<br />
“Mama’s Got a Baby”<br />
Melody with some text<br />
On one staff<br />
Page unnumbered<br />
Music Ms., Pencil 1 p. 1 item<br />
“Big Lip Blues”<br />
[Jelly Roll Morton]<br />
Melody with some text<br />
Four single staves<br />
Page unnumbered<br />
Music Ms., Pencil 1 p.<br />
“Big Lip Bl[ues]”<br />
[Jelly Roll Morton]<br />
Melody with some text<br />
Five single staves<br />
Verso: unidentified musical sketch, text begins “219 took my baby away”<br />
Page unnumbered<br />
Music Ms., Ink and Pencil 1 p. 1 item<br />
Folder 210<br />
Folder 211<br />
“Frog-I-More Rag”<br />
[“Jelly Roll” Morton]<br />
Piano<br />
At bottom of page four: two lines of unidentified music in ink and pencil<br />
Pasted on bottom of page one: “Copyright 1918 by Ferd Morton, renewed<br />
1946 by estate of Ferdinand J. Morton”<br />
Label pasted on bottom of page two: “Roy J. Carew, 818 Quintana Place,<br />
N.W., Washington 11, D.C.”<br />
Music Ms., Ink 3 pp. 1 item<br />
“Tom Cat Blues”<br />
Ferdinand “Jelly Roll” Morton<br />
Piano<br />
“Same as Melrose- Darewski Pub. Ed.”<br />
At top of page two: “Tom Cat - 1”<br />
At top of page three: “Tom Cat - 2”<br />
Page four blank<br />
Music Ms., Ink and Pencil 4 pp. 1 item
MSS 501, Williams Research Center, page 39<br />
Folder 212<br />
Folder 213<br />
Folder 214<br />
Folder 215<br />
[“Frog-I-More Rag”]<br />
Two different versions of the last 8 measures, in the key of F<br />
rather than e-flat.<br />
Lines one and two marked “I”<br />
Lines three and four marked “II”<br />
Last three measures taped on (cut off of p. 1)<br />
Verso of page one has a few musical notes (pencil)<br />
Among the group: Mss. in Roy’s Hand<br />
Page unnumbered<br />
Music Ms., ink 2 pp. 1 item<br />
[Unidentified piano piece]<br />
Among the group: Mss. in Roy’s Hand<br />
Complete<br />
Pages unnumbered<br />
Music Ms., Ink 3 pp. 1 item<br />
“Frog-I-More Rag”<br />
To left of title: Sweetheart O’ Mine (alternate title)<br />
Jelly Roll Morton<br />
Vocalion Record 1019<br />
Piano<br />
At top of page two: “Sweetheart - 2”<br />
At top of page three: “Sweetheart - 3”<br />
At top of page four: “Sweetheart - 4”<br />
Music Ms., Ink 4 pp. 1 item<br />
[“Frog-I-More”]<br />
[Jelly Roll Morton]<br />
Pages five through seven<br />
At top of page five: “Sweetheart 5”<br />
At top of page six: “Sweetheart 6”<br />
At top of page seven: “Not th<strong>is</strong>” and “Sweetheart 7”<br />
Music Ms., Ink 3 pp. 1 item<br />
Folder 216 and Folder 217 are in one mylar folder.<br />
Folder 216<br />
“Winin’ Boy Blues”<br />
Ferdinand J. Morton (Jelly Roll)<br />
Song with piano<br />
Text, title, and composer’s name typed<br />
On three staves<br />
At end: “Etc.”<br />
On verso of page one: “For Lomax Book, Orig Copy - + Negs.”<br />
Music Ms., Ink 2 pp. 1 item
MSS 501, Williams Research Center, page 40<br />
Folder 217<br />
Folder 218<br />
Folder 219<br />
Folder 220<br />
“Buddy Bolden’s Blues”<br />
Ferdinand J. Morton (Jelly Roll)<br />
Song with piano<br />
Text, title, and composer’s name typed<br />
On three staves<br />
At end: “Etc.”<br />
Music Ms., Pencil 2 pp. 1 item<br />
“Sweet Substitute”<br />
Jelly Roll Morton<br />
Song with text<br />
On three staves<br />
On verso of page one: “Sweet Substitute - WR”<br />
Music Ms., Pencil 2 pp. 1 item<br />
“Jelly’s Orig[inal] Rags”<br />
“Notice Music ‘Copy’ Job”<br />
[Scott] Joplin<br />
Piano<br />
Pages one through three<br />
On page three: “Notice Music ‘Copy’ Job”<br />
Verso of page two blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item<br />
“Wolverine [Blues]”<br />
[Jelly Roll Morton]<br />
Piano<br />
On pages one through three (first four staves)<br />
“Black Bottom Stomp”<br />
[Jelly Roll Morton]<br />
Piano<br />
On pages three (staves 5-12) and four<br />
Continues in folder 221<br />
At top of page one: “Roy’s MS”<br />
Music Ms., Ink 4 pp. 1 item
MSS 501, Williams Research Center, page 41<br />
Folder 221<br />
“Black Bottom [Stomp]”<br />
Jelly Roll Morton<br />
Continued from folder 220<br />
Piano<br />
On page five (staves 1-6)<br />
“Wolverine [Blues]”<br />
[Jelly Roll Morton]<br />
Piano<br />
One line, also on page five<br />
“Dead Man Blues”<br />
Jelly Roll Morton<br />
Piano<br />
Complete<br />
On pages six and seven<br />
At top of page six: “OK - Keep - Only Copy”<br />
Page eight blank<br />
On page six: “Roy’s [] [ms]”<br />
Music Ms., Ink 4 pp. 1 item<br />
Folder 222<br />
“Chicago Breakdown”<br />
[Jelly Roll Morton]<br />
Piano<br />
On pages one and two<br />
At beginning: “Part I”<br />
“See orchestration for second part”<br />
“Shreveport Stomp”<br />
[Jelly Roll Morton]<br />
Piano<br />
“Last part”<br />
On page three<br />
“London Blues”<br />
Piano<br />
On page four<br />
At beginning: “Parts Four and Five”<br />
Music Ms., Ink 4 pp. 1 item
MSS 501, Williams Research Center, page 42<br />
Folder 223<br />
“Stomp Rhythm”<br />
Composed and arranged by J. “Buddy” Payne<br />
Violin<br />
“A ‘Pain’ Special”<br />
Copyright 1934-37<br />
Copyright number 89078<br />
J. Payne, 34 Edgecombe Av., N.Y. 2 pp. 1 item<br />
Folder 224 and Folder 225 are in one mylar folder.<br />
Folder 224<br />
Folder 225<br />
“Stomp Rhythm”<br />
First alto sax[ophone] E flat<br />
“Stomp Rhythm”<br />
Second sax[ophone] B flat tenor<br />
2 pp. 1 item<br />
2 pp. 1 item<br />
Folder 226 and Folder 227 are in one mylar folder.<br />
Folder 226<br />
Folder 227<br />
“Stomp Rhythm”<br />
Third alto sax[ophone]<br />
“Stomp Rhythm”<br />
Fourth E flat alto sax[ophone]<br />
2 pp. 1 item<br />
2 pp. 1 item<br />
Folder 228 and Folder 229 are in one mylar folder.<br />
Folder 228<br />
“Stomp Rhythm”<br />
Fourth sax[ophone] tenor<br />
2 pp. 1 item<br />
Folder 229<br />
“Stomp Rhythm”<br />
First trumpet 1 p.<br />
Second trumpet 1 p. 2 items<br />
Folder 230 and Folder 231 are in one mylar folder.<br />
Folder 230<br />
“Stomp Rhythm”<br />
Third trumpet 1 p.<br />
First trombone 1 p. 2 items
MSS 501, Williams Research Center, page 43<br />
Folder 231<br />
Folder 232<br />
“Stomp Rhythm”<br />
Second trombone 1 p.<br />
Banjo 1 p. 2 items<br />
“Stomp Rhythm”<br />
Piano<br />
Copyright 1934 by J. B. Payne<br />
Copyright renewed 1937<br />
Copyright no. 89078 4 pp. 1 item<br />
Folder 233 and Folder 234 are in one mylar folder.<br />
Folder 233<br />
Folder 234<br />
“Stomp Rhythm”<br />
Bass 1 p.<br />
Drums 1 p. 2 items<br />
“Stomp Rhythm”<br />
J. Buddy Payne<br />
Jelly Roll Morton<br />
Lead sheet<br />
Melody, chord names, text<br />
Page unnumbered<br />
Copyright no. 89078<br />
J. Buddy Payne, 34 Edgecombe Av., N.Y.C.<br />
Music Ms., Ink 1 p. 1 item
MSS 501, Williams Research Center, page 44<br />
Folder 235<br />
“My Lou<strong>is</strong>iana Home”<br />
George Guesnon<br />
Arr. by Ferd Jelly Roll Morton (1940)<br />
Trumpet<br />
Some text at end of music<br />
Brief musical notation on last four staves<br />
Music Ms., ink; Text in Ink (Ballpoint)<br />
“Verse to Lou<strong>is</strong>iana Home”<br />
Arr. by Ferd Jelly Roll Morton (1940)<br />
On verso of “My Lou<strong>is</strong>iana Home”<br />
On three single staves<br />
Music Ms., Pencil<br />
“Changing Amuck”<br />
Jelly Roll Morton<br />
Bass<br />
On verso of “My Lou<strong>is</strong>iana Home”<br />
On three single staves<br />
Music Ms., Pencil<br />
Note: “George Guesnon Compositions”<br />
Signed WR<br />
On verso of xerox of clipping: “Jazz Music ... by Stanley F. Dance”<br />
(Page crossed out)<br />
2 items<br />
Folder 236 and Folder 247 are in one mylar folder.<br />
Folder 236<br />
Folder 237<br />
“Creole Gumbo”<br />
George Guesnon<br />
Arr. by Ferd Jelly Roll Morton (1940)<br />
A New Orleans Riff Raff<br />
Single line with chord names, some cues<br />
No text<br />
Music Ms., Pencil 1 pp. 1 item<br />
“(Lou<strong>is</strong>iana Lullaby)”<br />
George Guesnon<br />
Arr. by Ferd Jelly Roll Morton (1940)<br />
Single line with chord names<br />
No text<br />
Music Ms., Pencil 1 pp. 1 item
MSS 501, Williams Research Center, page 45<br />
Folder 238<br />
Folder 239<br />
Folder 240<br />
Folder 241<br />
“(American Chr<strong>is</strong>tmas)”<br />
George Guesnon<br />
Arr. by Ferd Jelly Roll Morton (1940)<br />
Single line<br />
No text<br />
Lyrics to chorus on verso under the heading “(American Chr<strong>is</strong>tmas)<br />
Lyrics”<br />
“Copyrighted Congressional Library, Washington, DC”<br />
Music Ms., Pencil<br />
1 item<br />
“How I Love You” [“If You Only Knew How I Love You”]<br />
Piano<br />
Text for verse only<br />
Verso blank<br />
Music Ms., Pencil 2 pp. 1 item<br />
“My Home Is in a Southern Town”<br />
“Jelly Roll” Morton<br />
Song (with text) for voice and piano<br />
On three staves<br />
Music Ms., Ink 4 pp. 1 item<br />
“Windin’ [i.e. Wining] Boy Bls [Blues]”<br />
[Jelly Roll Morton]<br />
Arr. by [J. Lawrence] Cook<br />
“Second version on vol. 4 of L[ibrary] of Cong[ress]”<br />
Song for voice and piano<br />
Page one on two staves<br />
Pp. two - four on three staves<br />
Text in pencil only for last line<br />
Music Ms., Ink 4 pp. 1 item<br />
Folder 242 and Folder 243 are in one mylar folder.<br />
Folder 242<br />
“Whining Boy”<br />
Tenor [saxophone]<br />
Recorded Sept. 14, 1939<br />
L<strong>is</strong>t of most recording personnel<br />
Music Ms., Pencil and Ink<br />
_____<br />
Trombone<br />
Music Ms., Pencil and Ink 1 p. each 2 items
MSS 501, Williams Research Center, page 46<br />
Folder 243<br />
“Whining Boy”<br />
Guitar (one page)<br />
Bass (one page)<br />
Music Ms., Ink<br />
2 items<br />
Folder 244 and Folder 245 are in one mylar folder.<br />
Folder 244<br />
“Whining Boy”<br />
Trumpet (one page)<br />
Bass (one page)<br />
Music Ms., Ink<br />
2 items<br />
Folder 245<br />
Folder 246<br />
Folder 247<br />
Folder 248<br />
“Whining Boy”<br />
Clarinet<br />
Music Ms., Ink 1 p. 1 item<br />
“Why”<br />
Music by “Jelly Roll” Morton<br />
Lyric by Ed Werac<br />
On three staves<br />
“A Jelly Roll MS <strong>is</strong> under th<strong>is</strong> page.” (Outer page <strong>is</strong> pasted over original<br />
page.)<br />
Music Ms., Ink 4 pp. 1 item<br />
“Jungle Blues”<br />
Ferdinand “Jelly Roll” Morton<br />
No text<br />
On two staves<br />
Note on title page: “Check against pub. ed.”<br />
Page four blank<br />
R. J. Carew, 818 Quintana Pl. N. W., Zone 11, D. C.<br />
Music Ms., Ink 3 pp. 1 item<br />
“Hyena Stomp”<br />
Ferdinand “Jelly Roll” Morton<br />
No text<br />
On two staves<br />
Title only on p. 1<br />
Note on title page: “Check against pub. ed.”<br />
Page four blank<br />
Music Ms., Ink 4 pp. 1 item
MSS 501, Williams Research Center, page 47<br />
Folder 249<br />
Folder 250<br />
Folder 251<br />
Folder 252<br />
Folder 253<br />
“Big Fat Ham”<br />
Ferdinand J. Morton (Jelly Roll)<br />
Piano<br />
At least four instrumental cues<br />
On two staves<br />
Title, composer’s name, staves 3-6 pasted on<br />
To left of title: “(Ham and Eggs)”<br />
Page four blank<br />
“Copyright secured 1949 by Roy J. Carew, Washington 11, D.C. -<br />
Unpubl<strong>is</strong>hed”<br />
Music Ms., Ink 4 pp. 1 item<br />
“Hen House”<br />
F[erdinand] J. M[orton]<br />
No text<br />
On two staves<br />
“Roy’s M.S. Copy”<br />
Title only on p. 1<br />
Page four blank<br />
Music Ms., Ink 4 pp. 1 item<br />
“Twenty-Four Hours of Love Every Day”<br />
“Jelly Roll” Morton<br />
[Page one]<br />
No text<br />
On three staves<br />
Verso blank except “24 Hrs of Love, 2 Pages”<br />
Label taped on at bottom: “R. J. Carew, 818 Quintana Place, Washington<br />
11, D. C.”<br />
Music Ms., Pencil 1 p. 1 item<br />
“Twenty-Four Hours of Love [Every Day]”<br />
[Jelly Roll Morton]<br />
Page two<br />
No text<br />
On three staves<br />
Verso blank<br />
At bottom: “Carew”<br />
Music Ms., Pencil 1 p. 1 item<br />
“Hen House”<br />
“Jelly Roll” Morton<br />
Piano<br />
On two staves<br />
Verso blank<br />
Music Ms., Pencil 1 p. 1 item
MSS 501, Williams Research Center, page 48<br />
Folder 254<br />
“[Ganjam]”<br />
Short score<br />
Pages one and two<br />
On three staves<br />
In pencil<br />
“Stop and Go”<br />
[Jelly Roll Morton]<br />
Second alto<br />
Pages one and two<br />
Single lines<br />
Page one crossed out<br />
On verso of [“Ganjam”]<br />
In ink<br />
Music Ms., Ink and Pencil 4 pp. 1 item<br />
Folder 255<br />
“Ganjam”<br />
Short score<br />
Pages three - five<br />
On three staves<br />
Page six: “A Last 8 Bars”<br />
(A <strong>is</strong> circled)<br />
First and second trombone<br />
Single lines<br />
Music Ms., Pencil 4 pp. 1 item<br />
Folder 256<br />
Folder 257<br />
Folder 258<br />
“Ganjam”<br />
Piano<br />
Title page and pages one - three<br />
Music Ms., Ink 4 pp. 1 item<br />
“Ganjam”<br />
First alto<br />
Title page and pages one and two<br />
Page three blank<br />
Music Ms., Ink 3 pp. 1 item<br />
“Ganjam”<br />
Second alto<br />
Title page and pages one and two<br />
Page three blank<br />
Music Ms., Ink 3 pp. 1 item
MSS 501, Williams Research Center, page 49<br />
Folder 259<br />
Folder 260<br />
Folder 261<br />
Folder 262<br />
Folder 263<br />
Folder 264<br />
“Ganjam”<br />
Third tenor<br />
Title page and pages one and two<br />
Page three blank<br />
Music Ms., Ink 3 pp. 1 item<br />
“Ganjam”<br />
Fourth tenor<br />
Title page and pages one and two<br />
Page three blank<br />
Music Ms., Ink 3 pp. 1 item<br />
“Ganjam”<br />
First trombone<br />
Title page and pages one and two<br />
Page three blank<br />
Music Ms., Ink 3 pp. 1 item<br />
“Ganjam”<br />
Second trombone<br />
Title page and pages one and two<br />
Page three blank<br />
Music Ms., Ink 3 pp. 1 item<br />
“Ganjam”<br />
First trumpet<br />
Title page and pages one and two<br />
Page three blank<br />
Music Ms., Ink 3 pp. 1 item<br />
“Ganjam”<br />
Second trumpet<br />
Title page and page one<br />
_____<br />
Third trumpet<br />
Title page and page one<br />
Music Ms., Ink 2 pp. each 2 items
MSS 501, Williams Research Center, page 50<br />
Folder 265<br />
“Ganjam”<br />
Bass<br />
Title page and page one<br />
_____<br />
Drums<br />
Title page and page one<br />
Music Ms., Ink 2 pp. each 2 items<br />
Folder 266<br />
Folder 267<br />
Folder 268<br />
“Ganjam”<br />
Guitar<br />
Title page and pages one and two<br />
Page three blank<br />
Msuic Ms., Ink 3 pp. 1 item<br />
“We Are Elks”<br />
Music, “Jelly Roll” Morton<br />
Lyric, Ed Werac<br />
National March Song<br />
Song, piano and voice<br />
On two and three staves<br />
Title page through page four<br />
Title page: “Elks” (pencil)<br />
“Copyright 1939, Tempo Music Co.”<br />
Music Ms., Ink 4 pp. 1 item<br />
“We Are Elks”<br />
National March Song<br />
Piano<br />
Pages two and three numbered<br />
Music Ms., Ink 4 pp. 1 item<br />
Folder 269 and Folder 270 are in one mylar folder.<br />
Folder 269<br />
Folder 270<br />
“We Are Elks”<br />
National March Song<br />
First alto [saxophone]<br />
Music Ms., Ink 2 pp. 1 item<br />
“We Are Elks”<br />
National March Song<br />
Second alto [saxophone]<br />
Music Ms., Ink 2 pp. 1 item
MSS 501, Williams Research Center, page 51<br />
Folder 271 and Folder 272 are in one mylar folder.<br />
Folder 271<br />
Folder 272<br />
“We Are Elks”<br />
National March Song<br />
Third tenor [saxophone]<br />
Music Ms., Ink 2 pp. 1 item<br />
“We Are Elks”<br />
National March Song<br />
Fourth tenor [saxophone]<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 273 and Folder 274 are in one mylar folder.<br />
Folder 273<br />
Folder 274<br />
Folder 275<br />
“We Are Elks”<br />
First trumpet<br />
Music Ms., Ink 2 pp. 1 item<br />
“We Are Elks”<br />
Second trumpet<br />
Music Ms., Ink 2 pp. 1 item<br />
“We Are Elks”<br />
Third trumpet<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 276 and Folder 277 are in one mylar folder.<br />
Folder 276<br />
Folder 277<br />
“We Are Elks”<br />
First trombone<br />
With text<br />
Music Ms., Ink 2 pp. 1 item<br />
“We Are Elks”<br />
Second trombone<br />
With text<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 278 and Folder 279 are in one mylar folder.<br />
Folder 278<br />
“We Are Elks”<br />
Third trombone<br />
With text<br />
Music Ms., Ink 2 pp. 1 item
MSS 501, Williams Research Center, page 52<br />
Folder 279<br />
“We Are Elks”<br />
Bass<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 280 and Folder 281 are in one mylar folder.<br />
Folder 280<br />
Folder 281<br />
Folder 282<br />
“We Are Elks’<br />
Guitar<br />
Music Ms., Ink 2 pp. 1 item<br />
“We Are Elks”<br />
Drums<br />
Music Ms., Ink 2 pp. 1 item<br />
“Poor Butterfly”<br />
Numbered 43<br />
Bass<br />
Title and music crossed out in pencil and ink.<br />
Music Ms., Pencil 1 p.<br />
“Melancholy Baby”<br />
Numbered 45<br />
Bass<br />
Title and music crossed out in pencil and ink.<br />
Music Ms., Pencil 1 p.<br />
“Winin’ Boy Blues”<br />
Ferdinand J. Morton<br />
“Roy’s ‘Copyright Lead’”<br />
Lead sheet<br />
No text<br />
On verso of “Poor Butterfly” and “Melancholy Baby”<br />
At bottom of second page: “See inside Jelly bass ms”<br />
Music Ms., Ink<br />
2 pp.<br />
Note: “Two - Orch. Parts (Bass)<br />
#43 - ‘Poor Butterfly’<br />
#45 - ‘Melancholy Baby’” 3 items<br />
Folder 283 and Folder 284 are in one mylar folder.<br />
Folder 283<br />
“Sweet Substitute”<br />
[Jelly Roll Morton]<br />
Alto [saxophone] and clarinet<br />
Music Ms., Ink 1 p. each 2 items
MSS 501, Williams Research Center, page 53<br />
Folder 284<br />
Folder 285<br />
“Sweet Substitute”<br />
Bass and trumpet<br />
Music Ms., Ink 1 p. each 2 items<br />
“Sweet Substitute”<br />
Trombone<br />
Music on first page only<br />
Pages two through four blank<br />
Music Ms., Ink 1 p. 1 item<br />
The following ten sheets (#286-295) contain a complete score on pages numbered 1-35<br />
(page numbers were originally circled) for the composition “Finger Breaker” (composed by<br />
Morton and recorded by him under the title “Finger Buster” as a solo piano piece in Washington,<br />
DC in December 1938 on Jazz Man 12 (label number MLB-145). The pages of the score are<br />
often not consecutive and in somewhat jumbled order. Pages one through four are for piano with<br />
a few instructions and instrumental cues; pages five through thirty-five contain lines for four<br />
saxophones, three trumpets, and three trombones.<br />
The ten sheets also contain partial parts for first (#290) and second (#292) saxophones<br />
and a complete part for third saxophone (#289); there <strong>is</strong> also what appears to be score musical<br />
sketch material.<br />
Folder 286<br />
“Finger Breaker”<br />
(Also known as “The Fingerbreaker”)<br />
Jelly Roll Morton<br />
Pages one and two (for piano)<br />
Pages thirty-three and thirty-four (for four saxophones, three trumpets, and<br />
three trombones<br />
Music Ms., Ink and Pencil<br />
4 pp.<br />
Note:<br />
“‘Finger Breaker’ Full Score (4 Line)<br />
Pages Five (Really Seven) to Thirty-Five<br />
First Four Page [sic] Intro (One and Two)<br />
in Separate Package”<br />
2 items<br />
Folder 287<br />
[“Finger Breaker”]<br />
[Jelly Roll Morton]<br />
Pages three - six<br />
Pages three and four for piano<br />
Pages five and six for four saxophones, three trumpets, and three<br />
trombones<br />
Music Ms., Pencil and Ink 4 pp. 1 item
MSS 501, Williams Research Center, page 54<br />
Folder 288<br />
Folder 289<br />
Folder 290<br />
Folder 291<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Pages seven and eight, thirty-one and thirty-two<br />
For four saxophones, three trumpets, and three trombones<br />
Music Ms., Pencil and Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Pages nine and ten<br />
For four saxophones, three trumpets, and three trombones<br />
Verso: third tenor sax[ophone] (ink)<br />
Verso pages unnumbered<br />
Music Ms., Pencil and Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Pages eleven and twelve<br />
For four saxophones, three trumpets, and three trombones<br />
Verso: partial first alto sax[ophone], and a musical sketch<br />
Verso pages unnumbered<br />
Music Ms., Pencil and Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Pages thirteen and fourteen, twenty-three and twenty-four<br />
For four saxophones, three trumpets, and three trombones<br />
Music Ms., Pencil and Ink 4 pp. 1 item<br />
Folder 292<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Pages fifteen and sixteen, and thirty-five<br />
For four saxophones, three trumpets and three trombones<br />
Opposite p. 35: partial second alto sax[ophone]<br />
Music Ms., Pencil and Ink<br />
1 item<br />
Folder 293<br />
Folder 294<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Pages seventeen and eighteen, twenty-five and twenty-six<br />
Four saxophones, three trumpets, and three trombones<br />
Music Ms., Pencil and Ink 4 pp. 1 item<br />
“Finger [Breaker]”<br />
[Jelly Roll Morton]<br />
Pages nineteen and twenty, twenty-seven and twenty-eight<br />
Four saxophones, three trumpets, and three trombones<br />
Music Ms., Pencil and Ink 4 pp. 1 item
MSS 501, Williams Research Center, page 55<br />
Folder 295<br />
Folder 296<br />
Folder 297<br />
Folder 298<br />
[“Finger Breaker”]<br />
[Jelly Roll Morton]<br />
Pages twenty-one and twenty-two, twenty-nine and thirty<br />
Four saxophones, three trumpets, and three trombones<br />
Music Ms., Pencil and Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
First alto [saxophone]<br />
Pages one through [four]<br />
Music Ms., Pencil and Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
First alto sax[ophone]<br />
Pages one through four<br />
Music Ms., Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
First alto sax[ophone]<br />
Pages one through [four]<br />
Music Ms., Ink 4 pp. 1 item<br />
Folder 299<br />
“Finger Breaker”<br />
Second alto [saxophone]<br />
Pages [one through four]<br />
Music Ms., Ink and Pencil<br />
4 pp.<br />
Note:<br />
“Second, Third and Fourth Sax Parts<br />
(Prob. photograph later for publication)”<br />
2 items<br />
Folder 300<br />
Folder 301<br />
Folder 302<br />
“Finger Breaker”<br />
Second alto sax[ophone]<br />
Pages one through four<br />
Music Ms., Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
Third sax[ophone] tenor<br />
Pages [one through four]<br />
Music Ms., Ink and Pencil 4 pp. 1 item<br />
“Finger Breaker”<br />
Third tenor sax[ophone]<br />
Pages [one through four]<br />
Music Ms., Ink 4 pp. 1 item
MSS 501, Williams Research Center, page 56<br />
Folder 303<br />
“Finger Breaker”<br />
Fourth alto sax[ophone]<br />
Pages one thorugh four<br />
Music Ms., Ink 4 pp. 1 item<br />
Folder 304<br />
“Finger Breaker”<br />
Fourth tenor [saxophone]<br />
Incomplete<br />
Pages [one and two]<br />
Verso blank<br />
Music Ms., Ink<br />
2 pp.<br />
Note:<br />
“Four Sax Parts and Six ‘First Draft’ Sax Parts<br />
Finger Breaker”<br />
2 items<br />
Folder 305<br />
Folder 306<br />
“Finger Breaker”<br />
Fourth alto or baritone [saxophone]<br />
Pages [one through four]<br />
Music Ms., Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
Fourth sax[ophone] tenor<br />
Page unnumbered<br />
Verso: Bass part “by Dave Nelson” to an unidentified piece, crossed out,<br />
in ink<br />
Music Ms., Pencil 1 p. 1 item<br />
Folder 307<br />
“Finger Breaker”<br />
First trumpet<br />
Pages [one through three]<br />
Page [four] blank<br />
Music Ms., Ink and Pencil<br />
3 pp.<br />
Note: “Trumpet parts of Finger Breaker for first trumpet. Both parts should<br />
probably be restudied, but the one with underlined title <strong>is</strong> prob. best. Total<br />
of six trumpet parts. (In sets of two.) Stop and Go score, page one and<br />
two on extra first and second trumpet parts.”<br />
2 items<br />
Folder 308<br />
“Finger Breaker”<br />
Second trumpet<br />
Pages [one through three]<br />
Page [four] blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item
MSS 501, Williams Research Center, page 57<br />
Folder 309<br />
Folder 310<br />
Folder 311<br />
“Finger Breaker”<br />
Third trumpet on pages one through three (ink)<br />
Piano score and title “Finger Breaker” on pages three (last four staves) and<br />
four(pencil)<br />
Page three, last four staves: measures numbered 7 and 8, 13-16, and 30<br />
Page four labeled “Trio”<br />
Music Ms., Pencil and Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
Third trumpet<br />
Pages [one through three]<br />
Page four blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item<br />
“Finger Breaker”<br />
First trombone<br />
Pages one through [three]<br />
Page [four] blank<br />
Music Ms., Ink 3 pp. 1 item<br />
Folder 312 and Folder 313 are in one mylar folder.<br />
Folder 312<br />
Folder 313<br />
“Finger Breaker”<br />
Second trombone<br />
Music Ms., Ink 2 pp. 1 item<br />
“Finger Breaker”<br />
Guitar<br />
Page unnumbered<br />
Music Ms., Ink 1 p.<br />
Note:<br />
“Finger Breaker Parts. First and Second Trumpet<br />
First and Second Trombone<br />
First Sax<br />
Piano, Bass<br />
Guitar, Drums”<br />
Note: “Piano Part<br />
Drums<br />
Guitar<br />
Bass”<br />
3 items
MSS 501, Williams Research Center, page 58<br />
Folder 314<br />
“Finger Breaker”<br />
Second trombone<br />
Pages [one through three] (ink)<br />
Page four, title “Finger Breaker” and labeled “Second trombone”, <strong>is</strong><br />
actually a piano score (10 staves, pencil)<br />
Music Ms., Ink and Pencil<br />
4 pp.<br />
Note: “Stop and Go Score and Page Three and Page Four on back of extra<br />
trombone parts of Finger Breaker[;] and second trombone of Wolverine<br />
Bl., Milenberg Joys, Side Walk Bl.”<br />
Note:<br />
“Finger Breaker<br />
Two - First Trombone to Study and Consider<br />
One - Second Trombone<br />
One - Third Trombone<br />
Also Three - ‘First Draft’ Trombone parts<br />
And Extra Pages<br />
Page Three and Four of Stop and Go Score on Back of Trombone Extra<br />
Parts<br />
3 items<br />
Folder 315<br />
“Finger Breaker”<br />
Third trombone<br />
Pages [one through three] (ink)<br />
Page four title “Finger Breaker” (ink) and labeled “Third Trombone”<br />
(ink), to the left of title <strong>is</strong> the word “Score” (pencil); the page also<br />
contains musical sketch material (pencil.)<br />
Music Ms., Ink and Pencil 4 pp. 1 item<br />
Folder 316 and Folder 317 are in one mylar folder.<br />
Folder 316<br />
“Finger Breaker”<br />
Third trombone<br />
Music Ms., Ink and Pencil 2 pp. 1 item<br />
Folder 317<br />
“Wolverine Blues”<br />
[Jelly Roll Morton]<br />
Second trombone<br />
On sixth staff: “Milen Berg Joy”<br />
On eighth staff: “Side Walk Blues”<br />
Music Ms., Pencil<br />
1 pp.<br />
Note: “Third trombone (May be best to photograph for publication later.)<br />
2 items
MSS 501, Williams Research Center, page 59<br />
Folder 318<br />
Folder 319<br />
Folder 320<br />
Folder 321<br />
Folder 322<br />
Folder 323<br />
“Finger Breaker”<br />
[Jelly Roll Morton]<br />
Piano<br />
Pages numbered<br />
Music Ms., Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
Bass<br />
Pages one and two numbered<br />
Verso of pages one and two: another version of the same part, crossed<br />
out, and the notation “See other side.”<br />
Music Ms., Ink 4 pp. 1 item<br />
“Finger Breaker”<br />
Drums<br />
Pages [one and two]<br />
Verso: Another version of the same part, crossed out.<br />
Music Ms., Ink 4 pp. 1 item<br />
“Climax [Rag]”<br />
[James Scott]<br />
Short score<br />
Pages one and two<br />
On three staves<br />
Verso: Unidentified music on three staves (“Climax” pages five and six)<br />
Music Ms., Pencil 4 pp. 1 item<br />
“Climax [Rag]”<br />
[James Scott]<br />
Short score<br />
Pages three and four<br />
On three staves<br />
Verso of page three: four measures of music on three staves captioned<br />
“Second Strain, Last Four Bars”<br />
Verso of page four blank<br />
Music Ms., Pencil 3 pp. 1 item<br />
Note:<br />
“Whining Boy - Ork - Piano Part<br />
[Buddy Bolden - Piano Part on Reverse]<br />
[Guitar part for Don’t you Leave Me Here<br />
Also with Whining Boy Orchestration”<br />
Pencil 1 p. 1 item
MSS 501, Williams Research Center, page 60<br />
Folder 324<br />
Folder 325<br />
“Whining Boy”<br />
[Traditional]<br />
[Arr. by Jelly Roll Morton]<br />
Piano<br />
Pages [one and two]<br />
Title page: “Whining Boy - Piano Part”<br />
Verso: “I Thought I Heard Buddy Bolden Say”, numbered page two,<br />
piano score (complete)<br />
Music Ms., Pencil 3 pp. 1 item<br />
“Don’t You Leave Me Here”<br />
Jelly Roll Morton<br />
Piano<br />
On three staves<br />
Music on pages one and two<br />
On page two: “Lawrence Lucie phone Glenmore5-3024”<br />
Page three blank<br />
Page four: ”Don’t You Leave Me Here - WR - Piano Part” (no music)<br />
Music Ms., Pencil 2 pp. 1 item<br />
Folder 326 and Folder 327 are in one mylar folder.<br />
Folder 326<br />
“Don’t You Leave Me Here”<br />
Tenor [saxophone]<br />
Page unnumbered<br />
Music Ms., Ink 1 p.<br />
Note: “Don’t You Leave Me Here - Ork.<br />
Piano/ Trumpet/ Clarinet/ Trombone/ Tenor Saxophone/ Bass - 6 parts<br />
[And Guitar Part with Windin [i.e. Whinin] Boy]”<br />
Pencil<br />
Note:<br />
Pencil<br />
“Don’t You Leave Me Here Not Publ<strong>is</strong>hed Edition<br />
Lead Sheet (by Roy) and Cook’s Transcription<br />
(Piano and Voice)<br />
Photo Neg. Available”<br />
3 items<br />
Folder 327<br />
“Don’t You Leave Me Here”<br />
Bass<br />
Page unnumbered<br />
Music Ms., Ink 1 p.<br />
“Climax [Rag]”<br />
[James Scott]
MSS 501, Williams Research Center, page 61<br />
For unidentified instrument<br />
Three staves of music<br />
On verso of “Don’t You Leave Me”, tenor [saxophone]<br />
Music Ms., Pencil 1 p. 2 items<br />
Folder 328 and Folder 329 are in one mylar folder.<br />
Folder 328<br />
Folder 329<br />
Folder 330<br />
Folder 331<br />
“Don’t You Leave Me Here”<br />
[Jelly Roll Morton]<br />
Clarinet and trumpet<br />
Music Ms., Ink 2 pp. 2 items<br />
“Don’t You Leave Me Here”<br />
Trombone<br />
Music Ms., Ink 1 p. 1 item<br />
“Climax [Rag]”<br />
[James Scott]<br />
Instrumental part<br />
Written with blank staves so that piano accompaniment can be added later.<br />
Page two<br />
On four lines<br />
Verso: Unidentified music on three lines (instrumental part}<br />
Music Ms., Pencil 2 pp. 1 item<br />
“Climax [Rag]”<br />
[James Scott]<br />
Instumental part<br />
Written with blank staves so that piano accompaniment can be added later.<br />
Pages three and four<br />
Verso blank except for title (“Climax”) twice<br />
Music Ms., Pencil 2 pp. 1 item<br />
Folder 332 and Folder 333 are in one mylar folder.<br />
Folder 332<br />
Folder 333<br />
“Climax Rag”<br />
Clarinet<br />
Pages [one] and two<br />
Pages separate<br />
Music Ms., Ink 2 pp. 1 item<br />
“Climax Rag”<br />
Bass<br />
Page unnumbered<br />
Music Ms., Ink 1 p. 1 item
MSS 501, Williams Research Center, page 62<br />
Folder 334<br />
“Climax Rag”<br />
Tenor [saxophone]<br />
Pages[one] and two<br />
Pages separate<br />
Verso blank<br />
Music Ms., Ink 2 pp. 2 items<br />
Folder 335 and Folder 336 are in one mylar folder.<br />
Folder 335<br />
Folder 336<br />
Folder 337<br />
Folder 338<br />
Folder 339<br />
“Climax Rag”<br />
Trumpet<br />
Pages one and two<br />
Pages separate<br />
Music Ms., Ink 2 pp. 1 item<br />
“Climax Rag”<br />
Trombone<br />
Pages [one] and two<br />
Pages separate<br />
Music Ms., Ink and Pencil 2 pp. 1 item<br />
“Mr. Joe”<br />
[Jelly Roll Morton]<br />
Short score<br />
Pages one, two, five, and six<br />
Also on page six: five staves of single-line notes, headed “Clarinet, First<br />
Saxophone Last Strain”<br />
Music Ms., Pencil 4 pp. 1 item<br />
[“Mr. Joe”]<br />
[Jelly Roll Morton]<br />
Short score<br />
Pages three and four<br />
Verso: bass part<br />
Music Ms., Pencil 3 pp. 1 item<br />
“Mr. Joe”<br />
First alto [saxophone]<br />
Title page: “Mr. Joe, First Alto”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item
MSS 501, Williams Research Center, page 63<br />
Folder 340<br />
Folder 341<br />
Folder 342<br />
Folder 343<br />
Folder 344<br />
Folder 345<br />
“Mr. Joe”<br />
Second alto [saxophone]<br />
Title page: “Mr. Joe, Second Alto”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item<br />
“Mr. Joe”<br />
Third tenor [saxophone]<br />
Title page: “Mr. Joe, Third Tenor”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item<br />
“Mr. Joe”<br />
Fourth tenor [saxophone]<br />
Title page: “Mr. Joe, Fourth Tenor”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item<br />
“Mr. Joe”<br />
First trumpet<br />
Title page: “Mr. Joe, First trumpet”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item<br />
“Mr. Joe”<br />
Second trumpet<br />
Title page: “Mr. Joe, Second Trumpet”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item<br />
“Mr. Joe”<br />
Third trumpet<br />
Title page: “Mr. Joe, Third Trumpet”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink and Pencil 3 pp. 1 item
MSS 501, Williams Research Center, page 64<br />
Folder 346<br />
Folder 347<br />
Folder 348<br />
Folder 349<br />
“Mr. Joe”<br />
First trombone<br />
On pages [one through three] (ink)<br />
Title page: “Mr. Joe, First Trombone”<br />
Page [four]: “Wolverine Blues” [by Jelly Roll Morton], first trombone<br />
(pencil)<br />
Music Ms., Ink and Pencil 4 pp. 1 item<br />
“Mr. Joe”<br />
Second trombone<br />
Title page: “Mr. Joe, Second Trombone”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink 3 pp. 1 item<br />
“Mr. Joe”<br />
Third trombone<br />
Title page: “Mr. Joe, Third Trombone”<br />
Two pages of music<br />
Page four blank<br />
Music Ms., Ink 3 pp. 1 item<br />
“Mr. Joe”<br />
Guitar<br />
Title page: “Mr. Joe, Guitar”<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 350 and Folder 351 are in one mylar folder.<br />
Folder 350<br />
Folder 351<br />
Folder 352<br />
“Mr. Joe”<br />
Drums<br />
Pages [one and two]<br />
Verso blank<br />
Music Ms., Ink and Pencil 2 pp. 1 item<br />
“Mr. Joe’<br />
Bass<br />
Title page on verso: “Mr. Joe, Bass”<br />
Music Ms., Ink 2 pp. 1 item<br />
“Mr. Joe”<br />
Piano<br />
Title page: “Mr. Joe, Piano”<br />
Music on two pages<br />
Page four blank<br />
Music Ms., Ink 3 pp. 1 item
MSS 501, Williams Research Center, page 65<br />
Folder 353<br />
“Mamie’s Blues”<br />
[Melody by Mamie Desdume]<br />
[Arr. by Jelly Roll Morton]<br />
Short score<br />
Pages one and two<br />
Upper right corner of page one: “Ork”<br />
On three staves<br />
Verso of page one: musical sketch<br />
Verso of page two: a portion of “Mamie’s Blues”<br />
Music Ms., Pencil 4 pp. 1 item<br />
Folder 354 and Folder 356 are on one folio, in one mylar folder.<br />
Folder 354<br />
Folder 355<br />
Folder 356<br />
“Mamie’s Blues”<br />
[Melody by Mamie Desdume]<br />
[Arr. by Jelly Roll Morton]<br />
Short score<br />
Pages three and [four]<br />
On three staves<br />
Music Ms., Pencil 2 pp. 1 item<br />
Th<strong>is</strong> folder number not used.<br />
“Autumn Nocturne”<br />
Short score<br />
Pages three and four<br />
On four lines<br />
Music Ms., Pencil 2 pp. 1 item<br />
Folder 357 and Folder 358 are in one mylar folder.<br />
Folder 357<br />
Folder 358<br />
“Mamie’s Blues”<br />
[Melody by Mamie Desdume]<br />
[Arr. by Jelly Roll Morton]<br />
Short score<br />
Page five<br />
On three staves<br />
Facing blank page<br />
Music Ms., Pencil 1 p. 1 item<br />
“If I Had You”<br />
Score for trumpet and first through third saxophones<br />
Pages one and [two]<br />
On three lines<br />
Music Ms., Pencil 2 pp. 1 item
MSS 501, Williams Research Center, page 66<br />
Folder 359 and Folder 360 are in one mylar folder.<br />
Folder 359<br />
Folder 360<br />
“Mamie’s Blues”<br />
[Melody by Mamie Desdume]<br />
[Arr. by Jelly Roll Morton]<br />
First and second violins<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item<br />
“Mamie’s Blues”<br />
First alto sax[ophone]<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 361 and Folder 362 are in one mylar folder.<br />
Folder 361<br />
Folder 362<br />
“Mamie’s Blues”<br />
Second tenor sax[ophone]<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item<br />
“Mamie’s Blues”<br />
Third alto sax[ophone]<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 363 and Folder 364 are in one mylar folder.<br />
Folder 363<br />
Folder 364<br />
“Mamie’s Blues”<br />
Fourth tenor sax[ophone]<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item<br />
[“Mamie’s Blues”]<br />
Piano<br />
Pages [two and three]<br />
Photocopies, made by THNOC, of two pages of item found in folder 373.<br />
Xerox (Original, #373, <strong>is</strong> Music Ms., Ink) 2 pp. 1 item<br />
Folder 365 and Folder 366 are in one mylar folder.<br />
Folder 365<br />
“Mamie’s Blues”<br />
First trumpet<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item
MSS 501, Williams Research Center, page 67<br />
Folder 366<br />
“Mamie’s Blues”<br />
Second trumpet<br />
Pages [one and two]<br />
Music Ms., Ink<br />
2 pp.<br />
Note: “Mamie’s Blues - Orchestration [not in Jelly’s hand]; 14 parts (combined<br />
with second violin) and score; 34 pages (and 2 m<strong>is</strong>cel); (Possibly by Dave<br />
Nelson)”<br />
Pencil<br />
2 items<br />
Folder 367 and Folder 368 are in one mylar folder.<br />
Folder 367<br />
Folder 368<br />
“Mamie’s Blues”<br />
Third trumpet<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item<br />
“Mamie’s Blues”<br />
First trombone<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item<br />
Folder 369 and Folder 370 are in one mylar folder.<br />
Folder 369<br />
Folder 370<br />
“Mamie’s Blues”<br />
Second trombone<br />
Pages [one and two]<br />
Music ms., Ink 2 pp. 1 item<br />
“Mamie’s Blues”<br />
Drums<br />
Page one<br />
Page two blank<br />
Music Ms., Ink 1 p. 1 item<br />
Folder 371 and Folder 372 are in one mylar folder.<br />
Folder 371<br />
“Mamie’s Blues”<br />
Guitar<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item
MSS 501, Williams Research Center, page 68<br />
Folder 372<br />
Folder 373<br />
Folder 374<br />
Folder 375<br />
“Mamie’s Blues”<br />
Bass<br />
Pages [one and two]<br />
Music Ms., Ink 2 pp. 1 item<br />
“Mamie’s Blues”<br />
Piano<br />
Pages [one through four]<br />
In upper right corner of page [one]: “Ork.”<br />
Music Ms., Ink 4 pp. 1 item<br />
“Mama’s Got A Baby Named Tee Nah Nah”<br />
Song Short score<br />
Pages [one and two]<br />
On three lines<br />
No text<br />
Music Ms., Pencil 2 pp. 1 item<br />
“Mama’s Got a Baby [Named Tee Nah Nah]”<br />
Clarinet<br />
Page [one]<br />
Verso blank<br />
Music Ms., Ink 1 p. 1 item<br />
Folder 376 and Folder 377 are in one mylar folder.<br />
Folder 376<br />
Folder 377<br />
“Mama’s Got a Baby [Named Tee Nah Nah]”<br />
Alto [saxophone] and bass<br />
Page [one] of each<br />
Verso blank<br />
Music Ms., Ink 1 p. each 2 items<br />
“Mama’s Got a Baby [Named Tee Nah Nah]”<br />
Trumpet<br />
Page [one]<br />
Verso blank<br />
_____<br />
Trombone<br />
Page [one]<br />
Verso blank<br />
Music Ms., Ink 1 p. each 2 items
MSS 501, Williams Research Center, page 69<br />
Folder 378<br />
Folder 379<br />
“Big Fat Ham”<br />
Ferdinand J. Morton (Jelly Roll)<br />
Arranged by J. Lawrence Cook<br />
“The Famous Big Fat Ham”<br />
Piano<br />
Pages [one] and four, plus title page and rear cover<br />
Washington, DC: Roy J. Carew, 1949, 1956 4 pp.<br />
[“Big Fat Ham”]<br />
[Ferdinand J. Morton (Jelly Roll)]<br />
[Arranged by J. Lawrence Cook]<br />
Piano<br />
Pages two and three<br />
[Washington, DC: R. J. Carew, 1949, 1956] 2 pp.<br />
1 item<br />
1 item<br />
Folder 380<br />
Folder 381<br />
Folder 382<br />
“The Crave”<br />
[Ferdinand J. Morton (Jelly Roll)]<br />
As recorded by Jelly Roll<br />
Transcribed and edited by J. Lawrence Cook<br />
Manuscript edition<br />
Character<strong>is</strong>tic piano solo<br />
[Tango]<br />
Piano<br />
Title page and verso, page seven, rear cover (blank)<br />
Tempo Music Publ<strong>is</strong>hing Company, R. J. Carew, Prop., 818 Quintana<br />
Place, N. W., Washington 11, D. C.<br />
3 pp. 1 item<br />
“The Crave”<br />
Ferdinand J. Morton (Jelly Roll)<br />
Transcribed and edited by J. Lawrence Cook<br />
Manuscript edition<br />
Tango<br />
Piano<br />
Pages three through six<br />
Washington, DC: Tempo-Music Pub. Co., 1939, 1950<br />
4 pp. 1 item<br />
“Why”<br />
“Jelly Roll” Morton, the originator of jazz, stomps, and swing, and Ed<br />
Werac<br />
A musical interrogation<br />
Song<br />
Title page and verso, page five, rear cover<br />
New York: Tempo Music Pub. Co., 145 W. 45th St., [1938]<br />
4 pp. 1 item
MSS 501, Williams Research Center, page 70<br />
Folder 383<br />
Folder 384<br />
Folder 385<br />
Folder 386<br />
Folder 387<br />
“Why”<br />
Music by “Jelly Roll” Morton<br />
Lyric by Ed. Werac<br />
Song<br />
Pages three and four<br />
New York: Tempo Music Pub. Co., 145 W. 45th St., 1938<br />
2 pp. 1 item<br />
“The M<strong>is</strong>erere”<br />
Ferdinand J. Morton [(Jelly Roll)]<br />
As recorded by Jelly Roll<br />
Transcribed and edited by J. Lawrence Cook<br />
Manuscript edition<br />
Character<strong>is</strong>tic piano solo<br />
Piano<br />
Title page and verso, page seven, rear cover (blank)<br />
Washington, DC: R. J. Carew, [1949] 3 pp. 1 item<br />
“The M<strong>is</strong>erere” combined with “The Anvil Chorus” (Verdi)<br />
Ferdinand J. Morton (Jelly Roll)<br />
Transcribed and edited by J. Lawrence Cook<br />
A transformation<br />
Manuscript edition<br />
Piano<br />
Pages three through six<br />
Washington, DC: R. J. Carew, 1949 4 pp. 1 item<br />
“Sweet Substitute”<br />
“Jelly Roll” Morton<br />
Originator of jazz, stomps, and swing<br />
Song<br />
Title page and verso, page five, rear cover<br />
New York: Tempo Music Pub. Co., 145 W. 45 St., [1938]<br />
4 pp. 1 item<br />
“Sweet Substitute”<br />
“Jelly Roll” Morton<br />
Song<br />
Pages three and four<br />
New York: Tempo Music Pub. Co., 145 W. 45 St., 1938<br />
2 pp. 1 item
MSS 501, Williams Research Center, page 71<br />
Folder 388<br />
Folder 389<br />
“My Home Is in a Southern Town”<br />
“Jelly Roll” Morton<br />
The originator of jazz, stomps, swing<br />
Song<br />
Title page, pages two and five, rear cover<br />
[New York: Tempo Music Publ<strong>is</strong>hing Co., 1938]<br />
[“My Home Is in a Southern Town]”<br />
[“Jelly Roll” Morton]<br />
Song<br />
Pages three and four<br />
[New York: Tempo Music Publ<strong>is</strong>hing Co., 1938]<br />
4 pp. 1 item<br />
2 pp. 1 item<br />
Folder 390<br />
Folder 391<br />
Folder 392<br />
“Buddy Bolden’s Blues” (“I Thought I Heard Buddy Bolden Say”)<br />
Ferdinand J. Morton<br />
As recorded by Jelly Roll<br />
Transcribed and edited by J. Lawrence Cook<br />
Americana Edition<br />
Song<br />
Title page, pages two and five, rear cover<br />
Washington, DC: Tempo Music Pub. Co., [1939, 1940, 1950]<br />
4 pp. 1 item<br />
[“Buddy Bolden’s Blues” (“I Thought I Heard Buddy Bolden Say”)<br />
[Ferdinand J. Morton]<br />
Song<br />
Pages three and four<br />
[Washington, DC: Tempo Music Pub. Co., 1939, 1940, 1950]<br />
2 pp. 1 item<br />
“Mamie’s Blues” (“219 Blues”)<br />
[Melody by Mamie Desdume]<br />
“Jelly Roll Morton’s Version”<br />
Transcribed and edited by J. Lawrence Cook<br />
Americana edition<br />
Song and piano solo<br />
Piano solo <strong>is</strong> only 13 measures in length<br />
Title page and verso (blank), page five, rear cover (blank)<br />
Washington, DC: Tempo Music Pub. Co., [1939, 1940, 1948]<br />
2 pp. 1 item
MSS 501, Williams Research Center, page 72<br />
Folder 393<br />
Folder 394<br />
Folder 395<br />
“Mamie’s Blues” (“219 Blues”)<br />
Words and melody by Mamie Desdume<br />
Arranged by Ferdinand J. Morton (Jelly Roll)<br />
Transcribed and edited by J. Lawrence Cook<br />
Song<br />
Pages three and four<br />
Washington, DC: Tempo Music Pub. Co., 1939, 1940, 1948<br />
2 pp. 1 item<br />
“The Naked Dance”<br />
Ferdinand J. Morton [(Jelly Roll)]<br />
As recorded by Jelly Roll<br />
Transcribed and edited by J. Lawrence Cook<br />
Manuscript edition<br />
Character<strong>is</strong>tic piano solo<br />
Piano<br />
Title page and verso, page seven, rear cover (blank)<br />
Washington, DC: Tempo-Music Pub. Co., [1939, 1940]<br />
3 pp. 1 item<br />
“The Naked Dance”<br />
Ferdinand J. Morton (Jelly Roll)<br />
Transcribed and edited by J. Lawrence Cook<br />
Manuscript edition<br />
Pages three through six<br />
Piano<br />
Washington, DC: Tempo-Music Pub. Co., 1939, 1940<br />
4 pp. 1 item<br />
Folder 396<br />
Folder 397<br />
“If You Knew (How I Love You)”<br />
Lyric by Ed Werac<br />
Music by “Jelly Roll” Morton<br />
Originator of Jazz, Stomps, Swing<br />
Song<br />
Title page and verso, page 5, rear cover<br />
New York: Tempo-Music Pub. Co., [1938]<br />
“If You Knew How I Love You”<br />
Lyric by Ed. Werac<br />
Music by “Jelly Roll” Morton<br />
Song<br />
Pages three and four<br />
New York: Tempo-Music Pub. Co., 1938<br />
4 pp. 1 item<br />
2 pp. 1 item
MSS 501, Williams Research Center, page 73<br />
Folder 398<br />
One large folded cardboard<br />
One side lettered: “(Jelly M.S.)”, “Jelly M.S.”, “Over” (with much<br />
crossed out)<br />
Verso: sheet pasted on reads<br />
“Jelly - MS<br />
Betty (5 pages incomplete)<br />
Gold F<strong>is</strong>h Blues (1 page, treble only)<br />
Animule Dance (1 page, 1 line, incomp)<br />
One Straight Melody (1 page)<br />
Treble Only (Panama) [1½ page, incomp]<br />
Two Lines of Piano Music<br />
Dear Ole Lonnon (2 pages treble only)<br />
Two Bars of Treble Clef (1 page [on Independent Mama ms.<br />
Not by Jelly])<br />
1 item