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MSS 501<br />

Jelly Roll Morton Manuscript Music Collection<br />

1834-1989<br />

Bulk dates 1900-1950<br />

Extent: Ca. 510 items<br />

Scope and content: Th<strong>is</strong> series contains manuscript music, primarily original works by Jelly Roll<br />

Morton. Many are in Mr. Morton’s own hand, and were arranged for big band or written by Mr.<br />

Morton around 1939 for Tempo-Music Publ<strong>is</strong>hing Co. Also included are transcriptions of Mr.<br />

Morton’s music taken from h<strong>is</strong> recordings, and a few pieces of music by other composers.<br />

Biographical note: William Russell (1905-1992) was a jazz h<strong>is</strong>torian and researcher who focused<br />

on traditional New Orleans jazz. Jelly Roll Morton (d. 1941) was a pian<strong>is</strong>t, jazz composer and<br />

arranger, and conductor. In the late 1930s he was staff writer for Tempo-Music Publ<strong>is</strong>hing<br />

Company (Washington, DC), which was owned by Roy Carew. William Russell bought the<br />

items in th<strong>is</strong> series from the widow of Roy Carew.<br />

Cite as:<br />

Arrangement:<br />

Language:<br />

Restrictions:<br />

How to Order:<br />

Accession number:<br />

Jelly Roll Morton Manuscript Music Collection, MSS 501, Williams<br />

Research Center, The H<strong>is</strong>toric New Orleans Collection.<br />

Original order.<br />

Engl<strong>is</strong>h.<br />

Researchers may be limited to consulting one or two items at a time, per<br />

the d<strong>is</strong>cretion of the Reading Room staff. Reproduction of any item in<br />

MSS 501 <strong>is</strong> prohibited. Performance rights to the music in th<strong>is</strong> collection<br />

are reserved by the copyright holders of record.<br />

Please provide the reference staff with the manuscript call number and<br />

folder number.<br />

92-48-L<br />

Folder L<strong>is</strong>t<br />

Folder 1<br />

Folder 2<br />

“Zip Coon”<br />

Anonymous<br />

Includes cover<br />

New York: Thomas Birch, 1834<br />

Neg. Stats. 2 pp. 1 item<br />

“The Negro Blues”<br />

Words and music by Le Roy White<br />

In upper right corner after composer’s name: “Happy Hour Theatre,<br />

Dallas, Texas”<br />

No words<br />

Neg. Stat of Ms.<br />

1 item


MSS 501, Williams Research Center, page 2<br />

Folder 3<br />

Folder 4<br />

Folder 5<br />

“The Famous Big Fat Ham”<br />

Ferdinand J. Morton<br />

Arranged by J. Lawrence Cook<br />

Character<strong>is</strong>tic piano solo<br />

Patch: “Mamanita” (originally clipped over title)<br />

Washington, DC: R. J. Carew (818 Quintana Place, NW)<br />

4 pp. 2 items<br />

“Buddy Bolden’s Blues (I thought I heard Buddy Bolden Say)”<br />

Ferdinand J. Morton<br />

“American Edition”<br />

As recorded by Jelly Roll.<br />

Transcribed and edited by J. Lawrence Cook.<br />

Washington, DC: Tempo Music Publ<strong>is</strong>hing Company, R. J. Carew, Prop., (818<br />

Quintana Place, NW), c. 1939, 1940, 1950<br />

6 pp. 1 item<br />

“Winin’ Boy Blues”<br />

Ferdinand J. Morton<br />

“Americana Edition”<br />

As recorded by Jelly Roll.<br />

Transcribed and edited by J. Lawrence Cook.<br />

Washington, DC: Tempo-Music Publ<strong>is</strong>hing Company, R. J. Carew, Prop., (818<br />

Quintana Place, NW), c. 1939, 1940, 1950...<br />

5 pp. 2 items<br />

Folder 6<br />

“Frog-I-More Rag”<br />

[Ferd Morton], writer of Jelly Roll Blues<br />

“Reproduction from Morton’s original copyrighted manuscript”<br />

1 item<br />

Folder 7<br />

Pp. 203-208; 241-246, “From Silverman Book” [written at head of pp. 204 and<br />

206] Includes the following songs:<br />

“Mamie’s Blues” Words and music by Mamie Desdoumes [Desdume].<br />

“Don’t You Leave Me Here” Words and music by Jelly Roll Morton.<br />

“Buddy Bolden’s Blues” Words and music by Jelly Roll Morton.<br />

“Winin’ Boy Blues” Words and music by Jelly Roll Morton.<br />

6 pp. 1 item


MSS 501, Williams Research Center, page 3<br />

Folder 8<br />

Folder 9<br />

Folder 10<br />

Instrumental-Reihe<br />

Contents:<br />

“Africaan Beat” (c. 1961), musik: Bert Kaempfert<br />

“Mexican Hat Tw<strong>is</strong>t” (c. 1962), musik: Chr<strong>is</strong>tian Mondstein<br />

“Suleika’s Dance” (volkwe<strong>is</strong>e) (c. 1962), bearbeitet von: Ch. Mondstein/<br />

H. Zacharias<br />

“Schott<strong>is</strong>ch” (swing) (c. 1962), musik: Franz Frankenberg<br />

“Get the Bucket” (foxtrot) (C. 1940), original text und musik: “Jelly Roll”<br />

Morton<br />

“M<strong>is</strong>s Universum” (c. 1962), musik: Heinz Kiessling<br />

“A Swingin’ Safari” (c. 1962), musik: Bert Kaempfert<br />

Aberbach (Hamburg) G.M.B.H., Musikverlag 16 pp. 1 item<br />

[Four Jelly Roll Morton compostions] Includes:<br />

“Winin’ Boy Blues”<br />

“Buddy Bolden’s Blues”<br />

“The Naked Dance”<br />

“The M<strong>is</strong>erere from Il Trovatore (A Transformation)”<br />

On outside of “Winin’ Boy Blues”: “Used for Lomax Book - Negs.”<br />

Neg. Stats.<br />

4 items<br />

[Two versions of Morton’s “Frog-I-More”]:<br />

“Frog-I-More Rag”<br />

Ferdinand J. Morton (Jelly Roll)<br />

Edited by J. Lawrence Cook<br />

Also known as Froggie Moore and Sweetheart O’Mine.<br />

[Publ<strong>is</strong>her] 1918, 1946, 1947 pp. 2-7<br />

_____ (Second copy) P. 7 wanting.<br />

_____ P. 2 and title.<br />

“Frog-I-More Rag” Second version<br />

Credits same; music simplified<br />

(Publ<strong>is</strong>her)<br />

2 copies<br />

Folder 11<br />

All material reproductions.<br />

“35th St. Blues”<br />

Words and music [by] Chas. J. Levy<br />

[P. 2] Copy 23<br />

Plus xerox copy: “ from John Steiner - 1989”<br />

Melody line, ink; some text.<br />

2 items<br />

6 items


MSS 501, Williams Research Center, page 4<br />

Folder 12<br />

“Note to Print Before Jazz Jubilee Music”<br />

Transcript that includes a musical example.<br />

With duplicate of musical example.<br />

2 items<br />

Folder 13<br />

“Jazz Jubilee - Lyrics”<br />

Transcript and two handwritten copies.<br />

3 items<br />

Folder 14<br />

Folder 14A<br />

Folder 15<br />

Folder 16<br />

Folder 17<br />

Folder 18<br />

“Jazz Jubilee”<br />

[Jelly Roll Morton]<br />

Piano solo<br />

Written upper right in pencil: “Not needed bars 6,14,16 & Intro”<br />

Handwritten in ink 2 pp. 1 item<br />

“Jazz Jubilee”<br />

[Probably not by Jelly Roll Morton]<br />

Piano solo<br />

Musically identical to Folder 14, but lacking its last 8 measures.<br />

Verso: 24 measures of score for string quartet, not by Morton.<br />

One leaf crossed out. 2 leaves 1 item<br />

M<strong>is</strong>c. notes and labels<br />

One note <strong>is</strong> written on verso of a xeroxed clipping from Times-Picayune,<br />

10-5-77. 7 items<br />

“Creepy Feeling”<br />

[Jelly Roll Morton]<br />

“Poor xerox of J. Lawrence Cook’s Ms. transcription”<br />

Piano<br />

“Has sources of ‘Corrections’ marked”<br />

Xerox 8 pp. 1 item<br />

“Maple Leaf Rag”<br />

[Scott Joplin]<br />

[Arr. by] Jelly Roll<br />

Piano<br />

At top: “Cook arr. 7 sheets. Should be in key of A flat”<br />

Xerox 7 pp. 1 item<br />

“Notes on ‘Creepy Feeling”<br />

Transcript 1 p. 1 item


MSS 501, Williams Research Center, page 5<br />

Folder 19<br />

“High Society”<br />

Porter Steele<br />

Arr. by Robert Recker<br />

March and two step<br />

Piccolo<br />

Brooks & Denton, NY 1 p. 1 item<br />

Folder 20<br />

Notes<br />

Re “High Society” and “Pacific Rag”<br />

2 items<br />

Folder 21<br />

Notes<br />

Re “Finger Breaker”<br />

5 items<br />

Folder 22<br />

Notes<br />

Re “Maple Leaf Rag” and “Creepy Feeling”<br />

5 items<br />

Folder 23<br />

“Maple Leaf Rag”<br />

Scott Joplin<br />

Piano<br />

On title page: “The Maple Leaf Club”<br />

Bears written name: “Wm Russell”<br />

Stamped: “Sep 1971”<br />

John Stack & Son, 1899<br />

Miniature reproduction<br />

3 pp.<br />

Two Ms. musical examples from “Maple Leaf Rag”<br />

1 - A Strain, Bars 1-2 (in 4/4 meter)<br />

2 - Bass of Maple Leaf, Bars 10, 11, 12 and 13<br />

Ms.<br />

3 items<br />

Folder 24<br />

“Maple Leaf Rag”<br />

Scott Joplin<br />

Piano<br />

Stamped at bottom: “Panama Rag”<br />

John Stark & Son, 1899 3 pp. 1 item<br />

Folder 25<br />

Notes<br />

Mostly re “Creepy Feeling”<br />

10 items<br />

Folder 26<br />

“Butch Thompson - Rev<strong>is</strong>ions - Oct. 1985 [Creepy Feeling]”<br />

Four lines of music<br />

Music Ms. 1 p. 1 item<br />

Folder 27<br />

Notes, labels, envelopes<br />

Re “Stop & Go” and “Finger Breaker”<br />

11 items


MSS 501, Williams Research Center, page 6<br />

Folder 28<br />

Folder 29<br />

Folder 30<br />

Folder 31<br />

Folder 32<br />

Folder 33<br />

“Maple Leaf Rag”<br />

Arr. by Jelly [Roll Morton]<br />

Piano<br />

“Butch - 1st Draft.”<br />

Xerox, Ms. 6 pp. 1 item<br />

“Maple Leaf Rag”<br />

Scott Joplin<br />

“Xerox of Butch rev<strong>is</strong>ion and edited”<br />

“Trans. by J. Law Cook, rev<strong>is</strong>ed and edited by Butch Thompson”<br />

“Jelly arrangement with corrections - BT”<br />

Piano<br />

Xerox, Ms. 6 pp. 1 item<br />

“Creepy Feeling”<br />

Jelly Roll Morton<br />

Rev<strong>is</strong>ed<br />

“Rev<strong>is</strong>ed and edited by Butch Thompson (from J. Lawrence Cook’s<br />

transcription) (July 3, 1986)”<br />

Piano<br />

“Xerox of Butch original ms. rev<strong>is</strong>ed”<br />

Xerox, Ms. 9 pp. 1 item<br />

“Lend Me a Nickle”<br />

Words and music by Tony Cantalona<br />

Divergent spelling of composer’s name on title page - Tony Contallanno<br />

Song<br />

Copyright deposit stamp on upper left of title page<br />

New Orleans: Puderer, 1909<br />

Publ<strong>is</strong>hed by Puderer Publ<strong>is</strong>hing Co., 117 Centre St., New Orleans<br />

Neg. Stats. 5 pp. 1 item<br />

“My Red Carnation”<br />

Words by John J. Puderer<br />

Music by Lawrence J. Pico<br />

Song<br />

Copyright deposit stamp on upper left of title page<br />

New Orleans: Hakenjos Piano Mfg. Co., Inc., 1903<br />

Neg. Stats.<br />

Pp. 3-51 item<br />

“Music of the Ethiopian Serenaders”<br />

“The Only Correct and Authorized Edition”<br />

“1848” written at bottom and on verso<br />

New York: William Hall and Son... and Firth Pond and Co.<br />

Cover only, Neg. Stat.<br />

1 item


MSS 501, Williams Research Center, page 7<br />

Folder 34<br />

Folder 35<br />

Folder 36<br />

Folder 37<br />

Folder 38<br />

Folder 39<br />

Folder 40<br />

“The Negro Blues”<br />

Words and music by LeRoy White, Happy Hour Theatre, Dallas, Tex.<br />

No words<br />

Neg. Stat. 1 pp. 1 item<br />

“All Coons Look Alike to Me”<br />

Words and music by Ernest Hogan<br />

On cover: May Irwin’s New Coon Song Hits<br />

New York: M. Witmark and Sons, 1896<br />

Song, sheet music 8 pp. 1 item<br />

“All Coons Look Alike to Me”<br />

Words and music by Ernest Hogan<br />

On cover: The New Sensation<br />

New York: ...M. Witmark and Sons, 1896<br />

Song, sheet music 6 pp. 1 item<br />

“Hen House”<br />

[Jelly Roll Morton]<br />

Piano<br />

Ms., Xerox, 2 copies of one page 2 pp. 1 item<br />

“The Pacific Rag”<br />

Ferd Morton<br />

“By Original Jelly Roll”<br />

Troublesome Novelty Jazz<br />

Troublesome Rag Jazz<br />

Piano<br />

Ms., xerox, also duplicate copy 2 p. 2 items<br />

“Finger Breaker”<br />

Ferdinand “Jelly Roll” Morton<br />

Transcribed by Don Ewell<br />

“WR Copy”<br />

“Xerox - corrected”<br />

Xerox<br />

7 pp., only p. 7 loose 1 item<br />

[“Finger Breaker”]<br />

Ferdinand “Jelly Roll” Morton<br />

Caption: “Finger Buster” (Last word crossed out, “Breaker” written above<br />

it)<br />

“Corrected”<br />

Xerox<br />

7 pp., all pages loose<br />

With envelope addressed from Charlie DeVore, St. Paul, MN to Bill Russell, New<br />

Orleans, La.<br />

2 items


MSS 501, Williams Research Center, page 8<br />

Folder 41<br />

Folder 42<br />

Folder 43<br />

“Jelly Original Music Etc. and Wed. Certified, Etc. Hand Bills, Etc.”<br />

Carton segment<br />

1 item<br />

“Twenty Four Hours of Love Every Day”<br />

“Jelly Roll” Morton<br />

Piano<br />

On three staves<br />

In lower right corner of p. 2: “Carew”<br />

Xerox, also duplicate copy 2 pp. 2 items<br />

“Stop and Go”<br />

Jelly Roll Morton<br />

“Piano arrangement by Butch Thompson”<br />

Xerox 8 pp. 1 item<br />

Folder 44<br />

Caricature of Jelly Roll Morton playing the piano<br />

In lower right corner: “Ivey”<br />

1 item<br />

Folders 45 and 46 are in a single mylar folder.<br />

Folder 45<br />

Folder 46<br />

Folder 47<br />

Folder 48<br />

“One Straight Melody”<br />

Piano<br />

Music Ms., Pencil 1 leaf 1 item<br />

“Gold F<strong>is</strong>h Blues” ([“Boogaboo”])<br />

[Jelly Roll Morton]<br />

On one staff<br />

Music Ms., Pencil 1 leaf 1 item<br />

“Betty”<br />

On one and two staves<br />

Two leaves blank<br />

Music Ms., Pencil 4 leaves 1 item<br />

“Hog Function”<br />

Two leaves: music on 2 staves, mostly with text<br />

One leaf: blank except title<br />

One leaf: marked “5”; on three staves (different piece); th<strong>is</strong><br />

leaf <strong>is</strong> the 5 th of 5 pages whose first four are in folder<br />

170.<br />

Music Ms., Pencil 4 leaves 1 item


MSS 501, Williams Research Center, page 9<br />

Folder 49<br />

Folder 50<br />

Folder 51<br />

Folder 52<br />

“Sugary”<br />

“Jelly Roll” Morton<br />

Piano<br />

Two leaves blank<br />

Continues in folder 171; not completed.<br />

Music Ms., Ink 4 leaves 1 item<br />

“Superior”<br />

(Jelly Roll) Morton<br />

Piano<br />

One leaf blank<br />

Music Ms., Pencil 4 leaves 1 item<br />

“My Darling <strong>is</strong> the Only One for Me”<br />

(Jelly Roll) Morton<br />

Piano<br />

On blank leaf: “‘My Darling’ 2½ pages (incomplete)”<br />

One leaf blank<br />

Music Ms., Pencil 4 leaves 1 item<br />

“Try and Get It”<br />

Mostly on three staves<br />

Music Ms., Pencil and Ink 2 leaves 1 item<br />

Folder 53<br />

“Stop and Go”<br />

[Jelly Roll Morton]<br />

Short score (band) - p. 1<br />

Music Ms., Pencil<br />

1 leaf<br />

`<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Top of one leaf: “Prob. 1st draft - WR”<br />

Second trumpet<br />

Music Ms., Ink 3 leaves 1 item<br />

Folder 54<br />

“Stop and Go”<br />

[Jelly Roll Morton]<br />

Short score (band) - p. 2<br />

Music Ms., Pencil<br />

1 leaf<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Top on one leaf: “Prob. 1st draft - WR”<br />

First trumpet<br />

Music Ms., Ink 3 leaves 1 item


MSS 501, Williams Research Center, page 10<br />

Folder 55<br />

“Stop and Go”<br />

[Jelly Roll Morton]<br />

Short score (band) - p. 3<br />

Music Ms., Pencil<br />

1 leaf<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

First trombone<br />

Music Ms., Ink 3 leaves 1 item<br />

Folder 56<br />

“Stop and Go”<br />

[Jelly Roll Morton]<br />

Short score (band) - p. 4<br />

Music Ms., Pencil<br />

1 leaf<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

First trombone<br />

Music Ms., Ink 3 leaves 1 item<br />

Folder 57<br />

Folder 58<br />

Folder 59<br />

“Stop and Go’<br />

[Jelly Roll Morton]<br />

Short score (band) - pp. 5-8<br />

Music Ms., Pencil<br />

“Stop and Go”<br />

Short score (band) - pp. 9-11<br />

One leaf blank<br />

Music Ms., Pencil<br />

Used brown envelope<br />

Marked “Stop and Go<br />

Parts for 3 Trombones<br />

(which Jelly neglected to copy from the score)<br />

Final Rev<strong>is</strong>ed 1st ‘Draft’”<br />

“Stop and Go”<br />

“Rev<strong>is</strong>ion of intro”<br />

First - third trombone parts<br />

Music Ms., Pencil and Ink<br />

1 item<br />

1 item<br />

2 items<br />

Folder 60<br />

“Stop and Go”<br />

First trumpet<br />

One leaf blank<br />

Music Ms., Ink 4 leaves 1 item


MSS 501, Williams Research Center, page 11<br />

Folder 61<br />

Folder 62<br />

Folder 63<br />

Folder 64<br />

Folder 65<br />

Folder 66<br />

Folder 67<br />

Folder 68<br />

Folder 69<br />

“Stop and Go”<br />

Second trumpet<br />

One leaf blank<br />

Music Ms., Ink 4 leaves 1 item<br />

“Stop and Go”<br />

Third trumpet<br />

One leaf blank<br />

Music Ms., Ink 4 leaves 1 item<br />

“Stop and Go”<br />

Piano<br />

Music Ms., Ink 4 leaves 1 item<br />

“Stop and Go”<br />

Bass<br />

Music Ms., Pencil 4 leaves 1 item<br />

“Stop and Go”<br />

First alto saxophone<br />

One leaf blank<br />

Music Ms., Ink 4 leaves 1 item<br />

“Stop and Go”<br />

Second alto saxophone<br />

One leaf blank<br />

Music Ms., Ink 4 leaves 1 item<br />

“Stop and Go”<br />

Third tenor saxophone<br />

One leaf blank<br />

Music Ms., Ink 4 leaves 1 item<br />

“Stop and Go”<br />

Fourth alto saxophone<br />

One leaf blank<br />

Music Ms., Ink 4 leaves 1 item<br />

“Stop and Go”<br />

Guitar<br />

Fragment of first trumpet part on one leaf<br />

One leaf blank<br />

Music Ms., Ink 3 leaves 1 item


MSS 501, Williams Research Center, page 12<br />

Folder 70<br />

Folder 71<br />

Folder 72<br />

“Stop and Go”<br />

Drum<br />

Fragment of second trumpet part on one leaf<br />

One leaf blank<br />

Music Ms., Ink 3 leaves 1 item<br />

“Stop and Go”<br />

“‘Stop and Go’ Score (2 m<strong>is</strong>sing bars) strain section B (page 4 of score) -<br />

Bars 15 and 16”<br />

Short score<br />

Four fragments of music-ms.-paper<br />

Note on verso of one page<br />

Music Mss., Pencil and Ink, Xerox and Original<br />

1 item<br />

“Stop and Go”<br />

Trombones 1, 2 and 3<br />

On two staves<br />

Leaves numbered<br />

Music Ms., Pencil 4 leaves 1 item<br />

Folder 73 and Folder 74 are in one mylar sheet.<br />

Folder 73<br />

Folder 74<br />

Folder 75<br />

“Stop and Go”<br />

First trombone<br />

Ms. patch on two bars<br />

Leaves numbered<br />

Music Ms., Xerox 2 leaves 1 item<br />

“Stop and Go”<br />

Second trombone<br />

Leaves numbered<br />

Music Ms., Xerox 2 leaves 1 item<br />

“Stop and Go”<br />

Third trombone<br />

Leaves numbered<br />

Music Ms., Xerox 2 leaves 1 item


MSS 501, Williams Research Center, page 13<br />

Folder 76<br />

Folder 77<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

First strain - tenor<br />

Third sax melody - first strain<br />

Saxophones I-IV, trombones I-III (i.e. 5 parts), trumpets I-III (i.e. 5 parts)<br />

- bars 1-9<br />

Piano<br />

Bars 5-6<br />

Two leaves numbered one and two<br />

On verso of one leaf: “‘Finger Breaker’ - Score - Ms - (A Strain)”, pencil<br />

On verso of one leaf: “‘Finger Breaker’ (Group),” “Intro” (8 bars),<br />

clarinets and trumpets, pencil<br />

Music Ms., Ink and Pencil<br />

1 item<br />

“Finger Breaker<br />

Jelly Roll Morton<br />

Saxophones, trombones, trumpets - bars 10-18; piano - bars 13-15<br />

Leaves numbered three and four<br />

Leaves numbered five and six on verso<br />

On two staves<br />

Music Ms., Ink and Pencil<br />

1 item<br />

Folder 78 and Folder 79 are in one mylar folder.<br />

Folder 78<br />

“Finger Breaker”<br />

Jelly Roll Morton<br />

On two staves<br />

Leaves numbered seven and eight<br />

Leaf eight also contains six bars of music sketch<br />

Music Ms., Ink and Pencil<br />

1 item<br />

Folder 79<br />

“Finger Breaker”<br />

Jelly Roll Morton<br />

Two unnumbered leaves:<br />

One unnumbered leaf: “Intro” (parts for saxophones I-IV)<br />

One unnumbered leaf: “Intro” (blank lines marked trumpet first, second,<br />

third; first trombone, second trombone, third trombone); 16 bars of<br />

music sketch<br />

Music Ms., Ink and Pencil<br />

1 item<br />

Folder 80<br />

“High Society”<br />

On one and two staves<br />

Four leaves (two numbered one and two)<br />

Music Ms., Pencil<br />

1 item


MSS 501, Williams Research Center, page 14<br />

Folder 81<br />

“High Society”<br />

Guitar<br />

Music Ms., Pencil<br />

Third leaf: “Didn’t He Ramble”<br />

Guitar<br />

2 leaves<br />

Fourth leaf: Blank except for the words “Guit High So”<br />

1 item<br />

Folder 82<br />

“High Society”<br />

Bass<br />

Music Ms., Ink 1 leaf 1 item<br />

Folder 83 and Folder 84 are in one mylar folder.<br />

Folder 83<br />

Folder 84<br />

“High Society”<br />

Tenor saxophone<br />

At top: “155 E. 24th St., N.Y.C. 11.30”<br />

Dated at top: “9/14/39”<br />

Second leaf: “Happy Caldwell. Original. Swing Tenor Sax”<br />

Music Ms., Ink and Pencil 2 leaves 1 item<br />

“High Society”<br />

Clarinet<br />

Music Ms., Ink 2 leaves 1 item<br />

Folder 85 and Folder 86 are in one mylar folder.<br />

Folder 85<br />

Folder 86<br />

“High Society”<br />

Trumpet<br />

Music Ms., Ink 2 leaves 1 item<br />

“High Society”<br />

Trombone<br />

Music ms., Ink 2 leaves 1 item<br />

Folder 87 and Folder 88 are in one mylar folder.<br />

Folder 87<br />

“Prologue Opening”<br />

Jelly Roll Morton<br />

Trombone<br />

Music Ms., Ink ½ sheet 1 item


MSS 501, Williams Research Center, page 15<br />

“Prologue Opening”<br />

Jelly Roll Morton<br />

Cornet<br />

Music Ms., Ink ½ sheet 1 item<br />

Folder 88<br />

“Prologue Opening”<br />

Jelly Roll Morton<br />

Drum part<br />

Music Ms., Ink ½ sheet 1 item<br />

“Prologue Opening”<br />

Jelly Roll Morton<br />

Clarinet<br />

Music Ms., Ink ½ sheet 1 item<br />

Folder 89 and Folder 90 are in one mylar folder.<br />

Folder 89<br />

“Prologue Opening”<br />

Jelly Roll Morton<br />

Piano<br />

Music Ms., Ink 1 leaf 1 item<br />

“Prologue Opening”<br />

Jelly Roll Morton<br />

Violin<br />

Music Ms., Ink ½ sheet 1 item<br />

Folder 90<br />

“Prologue Opening”<br />

Jelly Roll Morton<br />

Bass<br />

Music Ms., Ink ½ sheet 1 item<br />

Folder 91 and Folder 92 are in one mylar folder.<br />

Folder 91<br />

“Creepy Feeling”<br />

Jelly Roll Morton<br />

“Rev<strong>is</strong>ed and edited by Butch Thompson (from J. Lawrence Cook’s<br />

transcription) (July 3, 1986)”<br />

Piano<br />

“Original” and “Butch Orig Ms”<br />

Leaves one and two<br />

Music Ms., Pencil<br />

1 item


MSS 501, Williams Research Center, page 16<br />

Folder 92<br />

“Creepy Feeling”<br />

Rev<strong>is</strong>ed<br />

Piano<br />

Leaves three and four<br />

Music Ms., Pencil<br />

1 item<br />

Folder 93 and Folder 94 are in one mylar folder.<br />

Folder 93<br />

Folder 94<br />

Folder 95<br />

“Creepy Feeling”<br />

Rev<strong>is</strong>ed<br />

Piano<br />

Leaves five and six<br />

Music Ms., Pencil<br />

“Creepy Feeling”<br />

Rev<strong>is</strong>ed<br />

Piano<br />

Leaf eight<br />

Music Ms., pencil<br />

“Creepy Feeling”<br />

Rev<strong>is</strong>ed<br />

Piano<br />

Leaves seven and nine<br />

Music Ms., Pencil<br />

1 item<br />

1 item<br />

1 item<br />

Folder 96 and Folder 97 are in one mylar folder.<br />

Folder 96<br />

Folder 97<br />

“Creepy Feeling”<br />

Ferdinand Joseph Morton “Jelly Roll”<br />

Transcription by Cook<br />

Corrected<br />

Piano<br />

“Roy’s Hand Copy”<br />

Copyright stamp at top dated Aug. 25, 1944<br />

Leaves one and four<br />

Xerox with Manuscript Notations<br />

“Creepy Feeling”<br />

Jelly Roll<br />

Transcription by Cook<br />

Piano<br />

Leaves two and three<br />

2 items<br />

2 items


MSS 501, Williams Research Center, page 17<br />

Folder 98<br />

“Creepy Feeling”<br />

Ferdinand Joseph Morton ‘Jelly Roll’<br />

Transcription by Cook<br />

Piano<br />

Leaves five and six<br />

R. J. Carew 818 Quintana Pl. N.W., Washington, D.C.<br />

Xerox with Manuscript Notations<br />

2 items<br />

Folder 99 and Folder 100 are in one mylar folder.<br />

Folder 99<br />

Folder 100<br />

Folder 101<br />

“Jazz Jubilee”<br />

[Jelly Roll Morton]<br />

On three staves<br />

Leaf one<br />

Music Ms., Pencil<br />

“Jazz Jubilee”<br />

Chorus<br />

On three staves<br />

Leaf two<br />

Music Ms., Pencil<br />

“Jazz Jubilee”<br />

On three staves<br />

Leaf three<br />

A few musical notes on verso<br />

Music Ms., Pencil<br />

1 item<br />

1 item<br />

1 item<br />

Folder 102 and Folder 103 are in one mylar folder.<br />

Folder 102<br />

Folder 103<br />

“Didn’t He Ramble”<br />

Short score or for trumpet and piano<br />

On two and three staves<br />

Pages one and two<br />

Music Ms., Pencil<br />

“Didn’t He Ramble”<br />

Short score or for trumpet and piano<br />

On three staves<br />

Pages three and four<br />

Music Ms., Pencil<br />

1 item<br />

1 item<br />

Folder 104 and Folder 105 are in one mylar folder.


MSS 501, Williams Research Center, page 18<br />

Folder 104<br />

“Didn’t He Ramble”<br />

Tenor; clarinet<br />

Notes on tenor part: “Recorded 9/14/39 Victor RCA...155 E. 24th St.,<br />

N.Y.C.”<br />

Music Ms., Ink<br />

2 items<br />

Folder 105<br />

Folder 106<br />

“Didn’t He Ramble”<br />

Trumpet; trombone<br />

Music Ms., Ink<br />

“Didn’t He Ramble”<br />

Bass; drum<br />

Music Ms., Ink<br />

2 items<br />

2 items<br />

Folder 107<br />

Folder 108<br />

“The Pacific Rag”<br />

Ferd Morton<br />

“Troublesome Novelty Jazz”<br />

“By Jelly Roll Original”<br />

“Troublesome Rag Jazz”<br />

“Full of Originality”<br />

Piano<br />

At bottom: seven measures of music in pencil and titles []<br />

Music Ms., Ink<br />

1 item<br />

“Why”<br />

Jelly Roll Morton<br />

On three staves<br />

Music Ms., Pencil 4 pp. on one folio 1 item<br />

Folder 109 and Folder 110 are in one mylar folder.<br />

Folder 109<br />

“Why”<br />

On three staves<br />

Page five<br />

One leaf blank<br />

Music Ms., Pencil 2 leaves 1 item<br />

Folder 110<br />

“Why”<br />

Trumpet and bass<br />

Music Ms., Ink<br />

1 item<br />

Folder 111 and Folder 112 are in one mylar folder.


MSS 501, Williams Research Center, page 19<br />

Folder 111<br />

“Why”<br />

Alto and trombone<br />

Music Ms., Ink<br />

1 item<br />

Folder 112<br />

“Why”<br />

Clarinet<br />

Music Ms., One Pencil and One Ink<br />

1 item<br />

Folder 113<br />

“If You Knew, How I Love You”<br />

Jelly Roll Morton<br />

Score<br />

On three staves<br />

Three pages numbered<br />

Music Ms., Pencil 4 pp. on one folio 1 item<br />

Folder 114 and Folder 115 are in one mylar folder.<br />

Folder 114<br />

Folder 115<br />

Folder 116<br />

“If You Knew [How I Love You]”<br />

Alto and trumpet<br />

Music Ms., Ink<br />

“If You Knew [How I Love You]”<br />

Clarinet and trombone<br />

Music Ms., Ink<br />

“If You Knew [How I Love You]”<br />

Bass<br />

Music Ms., Ink<br />

1 item<br />

1 item<br />

1 item<br />

Folder 117<br />

“My Home Is in a Southern Town”<br />

Jelly Roll Morton<br />

On three staves<br />

Three numbered<br />

Music Ms., Pencil 4 pp. on one folio 1 item<br />

Folder 118 and Folder 119 are on one mylar folder.<br />

Folder 118<br />

“[My Home Is in a] Southern Town”<br />

Clarinet and trumpet<br />

Music Ms., Ink<br />

1 item


MSS 501, Williams Research Center, page 20<br />

Folder 119<br />

Folder 120<br />

“[My Home Is in a] Southern Town”<br />

Trombone and alto<br />

Music Ms., Ink<br />

“[My Home Is in a] Southern Town”<br />

Bass<br />

Music Ms., Ink<br />

1 item<br />

1 item<br />

Folder 121 and Folder 122 are in one mylar folder.<br />

Folder 121<br />

“I Thot I Heard Buddy Bolden Say”<br />

[Jelly Roll Morton]<br />

Trumpet<br />

Note detailing number of parts in “I Thot I Heard Buddy Bolden Say”<br />

Folder 122<br />

Music Ms., Ink; and Note, Pencil<br />

“I Thot I Heard Buddy Bolden Say”<br />

Clarinet and trombone<br />

Music Ms., Ink<br />

2 items<br />

1 item<br />

Folder 123<br />

“I Thot I Heard Buddy Bolden Say”<br />

Bass and tenor [saxophone]<br />

At top of tenor part: “Blues”; “Rehearsal 9/14/39”<br />

Note at bottom of tenor part l<strong>is</strong>ts personnel of 9/14/39 recording session<br />

and other information about the session<br />

One leaf blank<br />

Music Ms., Ink 2 leaves 1 item<br />

Folder 124<br />

“I Thought I Heard Buddy Bolden Say”<br />

Guitar<br />

Music Ms., Pencil<br />

1 item<br />

Folder 125<br />

“Good Old New York”<br />

Lyric by R. J. Werac [a.k.a., R. J. Carew]<br />

Music by “Jelly Roll” Morton<br />

Without the lyric, except fragment at end: “If you come and meet me<br />

there”<br />

Probably incomplete<br />

Verso: Title page in ink<br />

Also on verso: inscription in pencil: “Verse and Intro 24 Bars; Chorus -<br />

34 Bars; Southern Town - Intro and Verse - 26: Cho 22; Why - 50<br />

Bars.”<br />

Music Ms., Ink<br />

1 item


MSS 501, Williams Research Center, page 21<br />

Folder 126 and Folder 127 are in one mylar folder.<br />

Folder 126<br />

“G.[ood] O.[ld] N.[ew] Y.[ork]”<br />

Short score (“Sax group”)<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Pencil<br />

2 pp.<br />

Note in pencil: “Score 6 Pages”<br />

2 items<br />

Folder 127<br />

“Good O[ld] N[ew] Y.[ork]”<br />

Clarinet<br />

On three staves<br />

Measures numbered 1-30<br />

Two unnumbered measures at end<br />

At top: “E”<br />

Pages unnumbered<br />

Music Ms., Pencil 2 pp. 1 item<br />

Folder 128 and Folder 129 are in one mylar folder.<br />

Folder 128<br />

“Good Old N.[ew] Y.[ork]”<br />

Short score<br />

On four staves<br />

At top: “F”<br />

Pages numbered one and two<br />

Music Ms., Pencil 2 pp. 1 item<br />

Folder 129<br />

[“Good Old New York”]<br />

[Jelly Roll Morton]<br />

Short score<br />

Measures numbered 19-38 [i.e. 28] (end)<br />

On four staves<br />

Page unnumbered<br />

Music Ms., Pencil<br />

1 pp.<br />

Note (pencil): “Good Old New York Orchestration - Parts - Etc. ...”<br />

Note (xerox): “Good Old New York”<br />

3 items<br />

Folder 130<br />

“Good Old New York”<br />

Piano<br />

Verso: Title page and blank page<br />

Music Ms., Ink pp. [1]-2


MSS 501, Williams Research Center, page 22<br />

Note (pencil): “Piano Part 4 Pages”<br />

2 items<br />

Folder 131<br />

Folder 132<br />

“Good Old New York”<br />

Piano<br />

Verso: Title page and blank page<br />

Music Ms., Ink pp.3-4 1 item<br />

“Good Old New York”<br />

At top: “1st Trombone”<br />

Probably trombone with occasional instrumental cues and melody<br />

Verso of one page: “Jelly, Good Ole N.Y./ Extra first trombone part/<br />

(possibly a trombone score)/ WR”<br />

Verso of one page blank<br />

Pages unnumbered<br />

Music Ms., pencil<br />

2 pp.<br />

Note: “Extra Brass Incomplete (Prob. 1st Drafts)”<br />

2 items<br />

Folder 133 and Folder 134 in one mylar folder.<br />

Folder 133<br />

Folder 134<br />

Folder 135<br />

“Good Ole New York”<br />

First trumpet<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Pencil 2 pp. 1 item<br />

“Good Ole New York”<br />

Second trumpet<br />

Probably incomplete<br />

Pages unnumbered<br />

One page blank<br />

Music Ms., Pencil 2 pp. 1 item<br />

“Good Ole New York”<br />

Third trumpet<br />

Pages unnumbered<br />

One page blank<br />

Verso: Two unnumbered blank pages<br />

Music Ms., Pencil 2 pp. 1 item<br />

Folder 136 and Folder 137 are in one mylar folder.


MSS 501, Williams Research Center, page 23<br />

Folder 136<br />

Folder 137<br />

“Good Old New York”<br />

Bass<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

“Good Old New York”<br />

Drums<br />

Page unnumbered<br />

Music Ms., Ink 1 p. 1 item<br />

Folder 138 and Folder 139 are in one mylar folder.<br />

Folder 138<br />

Folder 139<br />

“Good Old New York”<br />

Guitar<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

“Good Old New York”<br />

Violin<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 140<br />

“Good Old New York”<br />

First alto saxophone<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink<br />

3 pp.<br />

Note (pencil): “4 Sax Parts”<br />

1 item<br />

Folder 141 and Folder 142 are in one mylar folder.<br />

Folder 141<br />

Folder 142<br />

“Good Old New York”<br />

Second alto [saxophone]<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

“Good Old New York”<br />

Third tenor [saxophone]<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item


MSS 501, Williams Research Center, page 24<br />

Folder 143<br />

“Good Old New York”<br />

Fourth tenor [saxophone]<br />

On one and two staves<br />

Pages unnumbered<br />

Verso: two unnumbered blank pages<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 144<br />

“Good Old New York”<br />

First alto saxophone<br />

On one and two staves<br />

Pages one through three<br />

Only third page numbered<br />

Music Ms., Ink<br />

3 pp.<br />

Note (pencil): “4 Extra Sax Parts (Some Incomplete)<br />

2 items<br />

Folder 145<br />

Folder 146<br />

Folder 147<br />

“Good Old New York”<br />

Second alto [saxophone]<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 3 pp. 1 item<br />

“Good Old New York”<br />

Third tenor sax[ophone], sections A-E<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

[“Good Old New York”]<br />

Third tenor [saxophone], sections F and G<br />

Music Ms., Ink<br />

“Good Old New York”<br />

Fourth tenor [saxophone]<br />

Complete on three unnumbered pages<br />

On one and two staves<br />

Music Ms., Ink<br />

2 items<br />

Folder 148 and Folder 149 are in one mylar folder.<br />

Folder 148<br />

“Good Old New York”<br />

First trumpet<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item


MSS 501, Williams Research Center, page 25<br />

Folder 149<br />

“Good Old New York”<br />

Second trumpet<br />

Pages unnumbered<br />

Music Ms., Ink<br />

2 pp.<br />

Note (pencil): “Tpt and Trom (7 Parts) [7 crossed out, 6 substituted] (Dupe First<br />

Tpt Part Given to Tulane U.)”<br />

2 items<br />

Folder 150 and Folder 151 are in one mylar folder.<br />

Folder 150<br />

Folder 151<br />

“Good Old New York”<br />

Third trumpet<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

“Good Old New York”<br />

First trombone<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 152 and Folder 153 are in one mylar folder.<br />

Folder 152<br />

Folder 153<br />

Folder 154<br />

“Good Old New York”<br />

Second trombone<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

“Good Old New York”<br />

Third trombone<br />

On one and two staves<br />

Pages unnumbered<br />

Music Ms., Ink 2 pp. 1 item<br />

[“Panama”]<br />

Piano[]<br />

Inscription on verso: “Jelly M.S. unknown title two pages Panama”<br />

Erased from verso: “ N.O. Honky Tonk Strain”<br />

Pages unnumbered<br />

Music Ms., Pencil 2 pp. 1 item


MSS 501, Williams Research Center, page 26<br />

Folder 155<br />

Folder 156<br />

Folder 157<br />

Folder 158<br />

Folder 159<br />

“Mamies Blues”<br />

[Melody by Mamie Desdume]<br />

[Arr. by Jelly Roll Morton]<br />

Single musical lines<br />

12 measures<br />

Three sets of three staves are bracketed<br />

Page unnumbered<br />

Verso: unnumbered blank page<br />

Music Ms., Pencil 1 p. 1 item<br />

“Big Lip Blues”<br />

[Jelly Roll Morton]<br />

Upper left: “Lead”<br />

Single musical line<br />

18 measures<br />

Page unnumbered<br />

Verso: unnumbered blank page<br />

Music Ms., Pencil 1 p. 1 item<br />

Folder with markings in pencil<br />

Page one: “(General Recording) Jelly Ms ...”<br />

Page two: Blank<br />

Page three: “Jelly Ms ...” (Xerox by THNOC supplied)<br />

Page four: Blank<br />

4 pp. 1 item<br />

“Dear Old Lonnon”<br />

Pages three and four blank<br />

Xerox of page two supplied by THNOC<br />

On one staff - one measure on two staves on page two<br />

Music Ms., Pencil 4 pp. 1 item<br />

“If I Ever Needed a Sweet Sweet Papa Lawdy Lawdy Nows the Time”<br />

James and Janice Blythe<br />

Music on pages two and three<br />

Page four blank<br />

Xerox of title page supplied by THNOC<br />

On three staves - both with treble clef<br />

Music Ms., Ink 4 pp. 1 item


MSS 501, Williams Research Center, page 27<br />

Folder 160<br />

Folder 161<br />

“Real Daddy Blues”<br />

Title “Good Bye Blues” <strong>is</strong> crossed out on title page and page two<br />

Ezra [Shetlon]<br />

Music on page two<br />

Page three - text<br />

Page four blank<br />

Xerox of title page supplied by THNOC<br />

Music on two and three staves<br />

Music Ms., Ink 4 pp. 1 item<br />

“Independent Mamma”<br />

Music on pages one and four<br />

Pages two and three blank except titles (Xerox copies supplied by<br />

THNOC)<br />

On two staves, both with treble clef<br />

Also on page four: unidentified piece (ink) on single staff with G clef<br />

Music Ms., Ink<br />

4 pp.<br />

Note (supplied by Russell): “32 Bars ... (Not by Jelly)”<br />

1 item<br />

Folder 162 and Folder 163 are in one mylar folder.<br />

Folder 162<br />

“There’s a Sign on Her Window”<br />

“Jelly Roll” Morton<br />

Pages one and two<br />

Piano<br />

Music Ms., Pos. Photostat<br />

1 item<br />

Folder 163<br />

Manilla folder<br />

Inscribed: “‘There’s a Sign on Her Window’ ... No Original Ms.”<br />

1 item<br />

Folder 164<br />

“There’s a Sign [on Her Window]”<br />

Pages three and four<br />

Piano<br />

Verso: “‘There’s a Sign on Her Window’ ... Lost”<br />

Music Ms., Pos. Photostat<br />

1 item


MSS 501, Williams Research Center, page 28<br />

Folder 165<br />

“There’s a Sign on Her Window”<br />

Jelly Roll Morton<br />

Piano<br />

Pages one through four<br />

Verso of page one: typed title page (xerox supplied by THNOC)<br />

Music Ms., Neg. Photostat<br />

Folder 166<br />

Folder 167<br />

Note: “‘There’s ... Photostat” (supplied by Russell)<br />

“Anamule Dance”<br />

[Jelly Roll Morton]<br />

Music on pages one and two<br />

Page three blank<br />

Page four, upper right corner: title<br />

On one staff<br />

Music Ms., Pencil<br />

“Good Old New York”<br />

[Jelly Roll Morton]<br />

Page two<br />

Song (text in pencil)<br />

On two staves<br />

Title at bottom of page<br />

(Note supplied by THNOC)<br />

Music Ms., Ink<br />

2 items<br />

1 item<br />

1 item<br />

Folder 168<br />

“Good Old New York”<br />

Page three<br />

Song (text in pencil)<br />

Last ten measures plus complete vocal part<br />

On one and two staves<br />

Title at bottom of page<br />

Verso: unidentifed song text and music ms., pencil, 5 measures (not clear<br />

if th<strong>is</strong> <strong>is</strong> verso of song or note)<br />

(Note supplied by THNOC)<br />

Music Ms., Ink<br />

1 item<br />

Folder 169<br />

“Naked Dance”<br />

[Jelly Roll Morton]<br />

Pages one through four<br />

On one staff<br />

Complete<br />

Music Ms., Pencil<br />

1 item


MSS 501, Williams Research Center, page 29<br />

Folder 170<br />

Folder 171<br />

Folder 172<br />

Folder 173<br />

Folder 174<br />

“ZZ” [title]<br />

Pages one through four<br />

See folder 48 for page 5.<br />

For four saxophones, three trumpets, and three trombones.<br />

On three staves<br />

Music Ms., Pencil<br />

“Sugary”<br />

[Jelly Roll Morton]<br />

Page three; see folder 49 for pages one and two.<br />

Mostly on one staff<br />

Music Ms., Ink<br />

“Betty”<br />

Piano<br />

Pages one and two<br />

Song<br />

On one, two, and three staves<br />

One page blank except for title<br />

Music Ms., Ink<br />

“Betty”<br />

Page three<br />

Song<br />

On one staff<br />

Pages [four and five] blank<br />

Page [six], upper right corner: “prob. p. 3 Betty”<br />

Music Ms., Ink<br />

[“Bert Williams”]<br />

Fragment of music, nine measures, two lines<br />

Page unnumbered<br />

[“Bert Williams” <strong>is</strong> a recomposition of “The Pacific Rag”]<br />

Music Ms., Pencil 1 p.<br />

Note: “Two Lines of Piano Music” (supplied by Russell)<br />

On verso of mylar folder<br />

1 item<br />

1 item<br />

1 item<br />

1 item<br />

2 items


MSS 501, Williams Research Center, page 30<br />

Folder 175<br />

Folder 176<br />

”In Ole Wyoming”<br />

George Guesnon, Decca Record Art<strong>is</strong>t<br />

Arranged by (Ferd) Jelly Roll Morton<br />

A Western Ballad<br />

Pages one and three<br />

On one staff<br />

With text<br />

Verso of page one: five measures of a single line melody with note: “By<br />

Guesnon”<br />

Note at bottom of verso of page one: “Th<strong>is</strong> M.S. was copied by Jelly Roll<br />

in pencil and then retraced I believe in ink by George Guesnon.”<br />

Verso of page three: Single-line melody (erased) 24 measures with chord<br />

names above them<br />

“Copyrighted Congressional Library Washington, D.C.”<br />

Music Ms., Ink and Pencil<br />

1 item<br />

[“In Ole Wyoming”]<br />

Page two<br />

On one staff<br />

With text<br />

Ink and pencil<br />

“Finger Breaker”<br />

Composed and arranged by Jelly Roll Morton<br />

Marked “Sax A”<br />

Five measures<br />

Inscription on verso: “5 Bars of an Original Manuscript Composed and<br />

Arranged by (Ferdnand) [sic] Jelly Roll Morton”<br />

Ink<br />

Music Ms., Ink and Pencil<br />

1 item<br />

Folder 177<br />

“Oh Baby”<br />

Bass<br />

Music Ms., Ink<br />

2 pp.<br />

Note: “All Jelly Roll Compositions, Ms and Printed. None in H<strong>is</strong> Own Hand”<br />

(pencil)<br />

2 items<br />

Folder 178<br />

“Oh Baby”<br />

Alto one<br />

Among the group: Morton Compostions - None in H<strong>is</strong> Own Hand<br />

Music Ms., Ink<br />

3 pp. 1 item


MSS 501, Williams Research Center, page 31<br />

Folder 179<br />

Folder 180<br />

Folder 181<br />

“Oh Baby”<br />

Alto two<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., Ink<br />

3 pp. 1 item<br />

“Oh Baby”<br />

Tenor one<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., Ink<br />

3 pp. 1 item<br />

“Oh Baby”<br />

Tenor two<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., Ink<br />

3 pp. 1 item<br />

Folder 182 and Folder 183 are in one mylar folder.<br />

Folder 182<br />

Folder 183<br />

“Oh Baby”<br />

First trumpet<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., Ink<br />

2 pp. 1 item<br />

“Oh Baby”<br />

Second trumpet<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., Ink<br />

2 pp. 1 item<br />

Folder 184 and Folder 185 are in one mylar folder.<br />

Folder 184<br />

Folder 185<br />

“Oh Baby”<br />

Third trumpet<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., Ink 2 pp. 1 item<br />

“Oh Baby”<br />

Drum guide<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., Ink<br />

2 pp. 1 item<br />

Folder 186 and Folder 187 are in one mylar folder.<br />

Folder 186<br />

“Oh Baby”<br />

First trombone<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., ink<br />

2 pp. 1 item


MSS 501, Williams Research Center, page 32<br />

Folder 187<br />

Folder 188<br />

Folder 189<br />

“Oh Baby”<br />

Second trombone<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., ink<br />

2 pp. 1 item<br />

“Oh Baby”<br />

Piano<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., ink Pp. [1-3] 1 item<br />

“Oh Baby”<br />

Piano<br />

Among the group: Morton Compositions - None in H<strong>is</strong> Own Hand<br />

Music Ms., ink<br />

Pp. [4 and 5] 1 item<br />

Folder 190 and Folder 191 are in one mylar folder.<br />

Folder 190<br />

[Unidentified song]<br />

First line: “Something doing in town tonight”<br />

Four lines of melody with text (pencil)<br />

Music Ms., ink<br />

Note: “M<strong>is</strong>cel. M.S. in Roy’s Hand, Etc. (Many of Little Value)”<br />

2 items<br />

Folder 191<br />

“Hesitation Blues”<br />

Scott Middleton and Billy Smythe<br />

Three lines of melody with text (ink)<br />

Music Ms., ink<br />

Also separate sheet with two unidentified measures of piano music (ink)<br />

Among the group: Mss. in Roy’s Hand<br />

2 items<br />

Folder 192 and Folder 193 are in one mylar folder.


MSS 501, Williams Research Center, page 33<br />

Folder 192<br />

[Unidentified song]<br />

First line: “Gwine to walk about Zion”<br />

Four lines of melody (ink) with text (typed)<br />

With one page of musical examples[] in ink<br />

Examples identified as from “‘Buffalo Gals’ (Ethiopian Serenaders);<br />

‘Bamboula’ (Gottschalk); ‘Georgia Campmeeting’ (Mills)”<br />

After last example, four measures of unidentified single-line music in<br />

pencil<br />

Among the group: Mss. in Roy’s Hand<br />

2 items<br />

Folder 193<br />

[“The Torch”]<br />

[Not by Jelly Roll Morton]<br />

Beginning of text: “When your gal has turned you down”<br />

Two measures of single-line melody (pencil)<br />

With one page containing two measures of piano music (ink); also three measures<br />

of music for voice and piano (pencil) with the text: “Oh hear the music,<br />

the jazzy”<br />

Among the group: Mss. in Roy’s Hand<br />

2 items<br />

Folder 194<br />

“[If You Knew] How I Love You”<br />

[Jelly Roll Morton]<br />

Single-line music (ink) with no text<br />

Two-measure patch; last eight measures pasted on<br />

Verso has brand of music-ms. paper, printed in red: “Music Forms”<br />

With an additional page (and verso): transcription of Jelly Roll Morton’s Library<br />

of Congress recordings entitled by Alan Lomax “Georgia Skin Game” and<br />

“Creole Song”<br />

Contains several measures of mostly single-line music (pencil) with text<br />

(mostly typed)<br />

Beginning: “I’m gonna get one and go”<br />

At top of verso: “Heading”<br />

Among the group: Mss. in Roy’s Hand<br />

2 items


MSS 501, Williams Research Center, page 34<br />

Folder 195<br />

[Unidentified piano piece]<br />

Four lines of piano music (pencil) followed by the words “Repeat first<br />

two”<br />

Continued on verso[]; with the words “Repeat first two”<br />

Concluded with four measures of piano music (pencil) identified as<br />

“Maple Leaf” [Joplin]<br />

With additional page (and verso)<br />

Contains several measures of unidentified single-line music (pencil)<br />

Among the group: Mss. in Roy’s Hand<br />

2 items<br />

Folder 196 and Folder 197 are in one mylar folder.<br />

Folder 196<br />

“Dixie Queen”<br />

Hoffman<br />

At top: “(Hoffman) ( Like TeNaNa)”<br />

3 Lines of Piano Music, Ink<br />

“If You Don’t Like”<br />

At top: “© as ‘Mamma’s Baby Boy’ by Clarence Williams”<br />

At bottom: “Martin Williams ... Stomp di Lowdown”<br />

4 Lines of Piano Music, Ink<br />

Among the group: Mss. in Roy’s Hand<br />

2 items<br />

Folder 197<br />

[Unidentified piano piece]<br />

E flat<br />

Three Lines of Piano Music, Ink<br />

Additional page containing one measures of music<br />

On three staves<br />

With text “Two nineteen done”<br />

Among the group: Mss. in Roy’s Hand<br />

2 items<br />

Folder 198 and Folder 199 are in one mylar folder.


MSS 501, Williams Research Center, page 35<br />

Folder 198<br />

Folder 199<br />

Folder 200<br />

Folder 201<br />

Folder 202<br />

[Five musical examples]<br />

First four excerpts [musical examples] are unidentified.<br />

First excerpt: one line, four flats, text begins “I Must a Been a Dreamin’”<br />

Second excerpt: one line, one sharp, text begins “You’re in the Right<br />

Church”<br />

Third excerpt: one line, piano music<br />

Fourth excerpt: [complete piece] one stave, numbered 89, text begins<br />

“Gwine to Walk about Zion”<br />

Fifth excerpt: numbered 136 and indentified as “Musieu Bainjo” and<br />

contains text<br />

At end: “#134 Calinda”<br />

Among the group: Mss. in Roy’s Hand<br />

Music Ms., Green Ink 2 pp. 1 item<br />

[Unidentified]<br />

Musical sketch<br />

On one and two staves<br />

Pages unnumbered<br />

Among the group: Mss. in Roy’s Hand<br />

Music Ms., Pencil 2 pp. 1 item<br />

“The Torch”<br />

Tommy Lyman<br />

Melody line on one staff; some text<br />

Preceded by four measures of music (pencil) on one staff; some text<br />

Eleven measures of unidentified music for piano on verso of page two<br />

“© Jan. 25 1919 E 445197”<br />

Pages unnumbered<br />

Among the group: Mss. in Roy’s Hand<br />

Music Ms., Pencil 3 pp. 1 item<br />

[Unidentified piano piece]<br />

Complete<br />

On two staves<br />

Verso of p. 1: m<strong>is</strong>identified as “Joplin’s Something Doing”<br />

Among the group: Mss. in Roy’s Hand<br />

Music Ms., Ink 2 pp. 1 item<br />

“Dirty, Dirty, Dirty”<br />

Jelly Roll Morton<br />

Melody on six lines; no text<br />

Pages unnumbered<br />

Music Ms., Pencil 1 p. 1 item


MSS 501, Williams Research Center, page 36<br />

Folder 203 and Folder 204 are in one mylar folder.<br />

Folder 203<br />

“Wineing Boy”<br />

Jelly Roll Morton<br />

Lead<br />

Music on one staff<br />

“Extra copy”<br />

Page unnumbered<br />

“Copyright 1939 Tempo-Music Publ<strong>is</strong>hing Company 818 Quintana Palce,<br />

N.W., Washington, DC, USA”<br />

Music Ms., Ink 1 p.<br />

“Tee Nah Nah”<br />

Music on one staff<br />

Some text, beginning “Take th<strong>is</strong> pork chop”<br />

Page unnumbered<br />

Music Ms., Pencil 1 p. 2 items<br />

Folder 204<br />

“Don’t You Leave Me Here”<br />

“Jelly Roll” Morton<br />

Lead<br />

Music on one staff<br />

“Extra copy”<br />

“Copyright 1939 Tempo-Music Pub. Co.”<br />

Page unnumbered<br />

Music Ms., Ink 1 p.<br />

“(Creole Song)”<br />

Song with piano<br />

Some text, beginning “C’eté n’au’can-can”<br />

On two staves<br />

Page unnumbered<br />

Music Ms., Ink 1 p. 2 items


MSS 501, Williams Research Center, page 37<br />

Folder 205 and Folder 206 are in one mylar folder.<br />

Folder 205<br />

“Get the Bucket”<br />

[“Jelly Roll” Morton]<br />

Four lines of music, some text<br />

On one staff<br />

Top half of one unnumbered page<br />

“Mamie’s Blues”<br />

[Words and melody by Mamie Desdume]<br />

[Arr. by Jelly Roll Morton]<br />

Three lines of music, some text<br />

On one staff<br />

Bottom half of one unnumbered page<br />

Music Ms., Pencil 1 p.<br />

“Get the Bucket”<br />

Jelly Roll Morton<br />

Four lines of music, some text<br />

On one staff<br />

To left of title: “E unp 215610/ Mar. 9, 1940”<br />

At bottom: “‘Get the Bucket’ WR”<br />

“Copyright 1940 Tempo-M[usic] Pub., Wash[ington]. DC”<br />

Music Ms., Pencil and Ink 1 p. 2 items<br />

Folder 206<br />

[Unidentified - “Shake It”]<br />

Four lines of music, some text<br />

First line of text: “Shake it oh you”<br />

Title and first line of music of ‘Wineing Boy” by Morton crossed out<br />

On one staff<br />

Page unnumbered<br />

Music Ms., Pencil 1 pp. 1 item<br />

Folder 207 and Folder 208 are in one mylar folder.<br />

Folder 207<br />

“Anamule Dance”<br />

Jelly Roll Morton<br />

Melody with text (pencil)<br />

Music on one staff<br />

On p. 2: verse section of text (slight variation) - typed<br />

Also on p. 2: unidentified melody (pencil) on five single staves and one<br />

measure<br />

Pages unnumbered<br />

Music Ms., Pencil 2 pp. 1 item


MSS 501, Williams Research Center, page 38<br />

Folder 208<br />

Folder 209<br />

“Mama’s Got a Baby”<br />

Melody with some text<br />

On one staff<br />

Page unnumbered<br />

Music Ms., Pencil 1 p. 1 item<br />

“Big Lip Blues”<br />

[Jelly Roll Morton]<br />

Melody with some text<br />

Four single staves<br />

Page unnumbered<br />

Music Ms., Pencil 1 p.<br />

“Big Lip Bl[ues]”<br />

[Jelly Roll Morton]<br />

Melody with some text<br />

Five single staves<br />

Verso: unidentified musical sketch, text begins “219 took my baby away”<br />

Page unnumbered<br />

Music Ms., Ink and Pencil 1 p. 1 item<br />

Folder 210<br />

Folder 211<br />

“Frog-I-More Rag”<br />

[“Jelly Roll” Morton]<br />

Piano<br />

At bottom of page four: two lines of unidentified music in ink and pencil<br />

Pasted on bottom of page one: “Copyright 1918 by Ferd Morton, renewed<br />

1946 by estate of Ferdinand J. Morton”<br />

Label pasted on bottom of page two: “Roy J. Carew, 818 Quintana Place,<br />

N.W., Washington 11, D.C.”<br />

Music Ms., Ink 3 pp. 1 item<br />

“Tom Cat Blues”<br />

Ferdinand “Jelly Roll” Morton<br />

Piano<br />

“Same as Melrose- Darewski Pub. Ed.”<br />

At top of page two: “Tom Cat - 1”<br />

At top of page three: “Tom Cat - 2”<br />

Page four blank<br />

Music Ms., Ink and Pencil 4 pp. 1 item


MSS 501, Williams Research Center, page 39<br />

Folder 212<br />

Folder 213<br />

Folder 214<br />

Folder 215<br />

[“Frog-I-More Rag”]<br />

Two different versions of the last 8 measures, in the key of F<br />

rather than e-flat.<br />

Lines one and two marked “I”<br />

Lines three and four marked “II”<br />

Last three measures taped on (cut off of p. 1)<br />

Verso of page one has a few musical notes (pencil)<br />

Among the group: Mss. in Roy’s Hand<br />

Page unnumbered<br />

Music Ms., ink 2 pp. 1 item<br />

[Unidentified piano piece]<br />

Among the group: Mss. in Roy’s Hand<br />

Complete<br />

Pages unnumbered<br />

Music Ms., Ink 3 pp. 1 item<br />

“Frog-I-More Rag”<br />

To left of title: Sweetheart O’ Mine (alternate title)<br />

Jelly Roll Morton<br />

Vocalion Record 1019<br />

Piano<br />

At top of page two: “Sweetheart - 2”<br />

At top of page three: “Sweetheart - 3”<br />

At top of page four: “Sweetheart - 4”<br />

Music Ms., Ink 4 pp. 1 item<br />

[“Frog-I-More”]<br />

[Jelly Roll Morton]<br />

Pages five through seven<br />

At top of page five: “Sweetheart 5”<br />

At top of page six: “Sweetheart 6”<br />

At top of page seven: “Not th<strong>is</strong>” and “Sweetheart 7”<br />

Music Ms., Ink 3 pp. 1 item<br />

Folder 216 and Folder 217 are in one mylar folder.<br />

Folder 216<br />

“Winin’ Boy Blues”<br />

Ferdinand J. Morton (Jelly Roll)<br />

Song with piano<br />

Text, title, and composer’s name typed<br />

On three staves<br />

At end: “Etc.”<br />

On verso of page one: “For Lomax Book, Orig Copy - + Negs.”<br />

Music Ms., Ink 2 pp. 1 item


MSS 501, Williams Research Center, page 40<br />

Folder 217<br />

Folder 218<br />

Folder 219<br />

Folder 220<br />

“Buddy Bolden’s Blues”<br />

Ferdinand J. Morton (Jelly Roll)<br />

Song with piano<br />

Text, title, and composer’s name typed<br />

On three staves<br />

At end: “Etc.”<br />

Music Ms., Pencil 2 pp. 1 item<br />

“Sweet Substitute”<br />

Jelly Roll Morton<br />

Song with text<br />

On three staves<br />

On verso of page one: “Sweet Substitute - WR”<br />

Music Ms., Pencil 2 pp. 1 item<br />

“Jelly’s Orig[inal] Rags”<br />

“Notice Music ‘Copy’ Job”<br />

[Scott] Joplin<br />

Piano<br />

Pages one through three<br />

On page three: “Notice Music ‘Copy’ Job”<br />

Verso of page two blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item<br />

“Wolverine [Blues]”<br />

[Jelly Roll Morton]<br />

Piano<br />

On pages one through three (first four staves)<br />

“Black Bottom Stomp”<br />

[Jelly Roll Morton]<br />

Piano<br />

On pages three (staves 5-12) and four<br />

Continues in folder 221<br />

At top of page one: “Roy’s MS”<br />

Music Ms., Ink 4 pp. 1 item


MSS 501, Williams Research Center, page 41<br />

Folder 221<br />

“Black Bottom [Stomp]”<br />

Jelly Roll Morton<br />

Continued from folder 220<br />

Piano<br />

On page five (staves 1-6)<br />

“Wolverine [Blues]”<br />

[Jelly Roll Morton]<br />

Piano<br />

One line, also on page five<br />

“Dead Man Blues”<br />

Jelly Roll Morton<br />

Piano<br />

Complete<br />

On pages six and seven<br />

At top of page six: “OK - Keep - Only Copy”<br />

Page eight blank<br />

On page six: “Roy’s [] [ms]”<br />

Music Ms., Ink 4 pp. 1 item<br />

Folder 222<br />

“Chicago Breakdown”<br />

[Jelly Roll Morton]<br />

Piano<br />

On pages one and two<br />

At beginning: “Part I”<br />

“See orchestration for second part”<br />

“Shreveport Stomp”<br />

[Jelly Roll Morton]<br />

Piano<br />

“Last part”<br />

On page three<br />

“London Blues”<br />

Piano<br />

On page four<br />

At beginning: “Parts Four and Five”<br />

Music Ms., Ink 4 pp. 1 item


MSS 501, Williams Research Center, page 42<br />

Folder 223<br />

“Stomp Rhythm”<br />

Composed and arranged by J. “Buddy” Payne<br />

Violin<br />

“A ‘Pain’ Special”<br />

Copyright 1934-37<br />

Copyright number 89078<br />

J. Payne, 34 Edgecombe Av., N.Y. 2 pp. 1 item<br />

Folder 224 and Folder 225 are in one mylar folder.<br />

Folder 224<br />

Folder 225<br />

“Stomp Rhythm”<br />

First alto sax[ophone] E flat<br />

“Stomp Rhythm”<br />

Second sax[ophone] B flat tenor<br />

2 pp. 1 item<br />

2 pp. 1 item<br />

Folder 226 and Folder 227 are in one mylar folder.<br />

Folder 226<br />

Folder 227<br />

“Stomp Rhythm”<br />

Third alto sax[ophone]<br />

“Stomp Rhythm”<br />

Fourth E flat alto sax[ophone]<br />

2 pp. 1 item<br />

2 pp. 1 item<br />

Folder 228 and Folder 229 are in one mylar folder.<br />

Folder 228<br />

“Stomp Rhythm”<br />

Fourth sax[ophone] tenor<br />

2 pp. 1 item<br />

Folder 229<br />

“Stomp Rhythm”<br />

First trumpet 1 p.<br />

Second trumpet 1 p. 2 items<br />

Folder 230 and Folder 231 are in one mylar folder.<br />

Folder 230<br />

“Stomp Rhythm”<br />

Third trumpet 1 p.<br />

First trombone 1 p. 2 items


MSS 501, Williams Research Center, page 43<br />

Folder 231<br />

Folder 232<br />

“Stomp Rhythm”<br />

Second trombone 1 p.<br />

Banjo 1 p. 2 items<br />

“Stomp Rhythm”<br />

Piano<br />

Copyright 1934 by J. B. Payne<br />

Copyright renewed 1937<br />

Copyright no. 89078 4 pp. 1 item<br />

Folder 233 and Folder 234 are in one mylar folder.<br />

Folder 233<br />

Folder 234<br />

“Stomp Rhythm”<br />

Bass 1 p.<br />

Drums 1 p. 2 items<br />

“Stomp Rhythm”<br />

J. Buddy Payne<br />

Jelly Roll Morton<br />

Lead sheet<br />

Melody, chord names, text<br />

Page unnumbered<br />

Copyright no. 89078<br />

J. Buddy Payne, 34 Edgecombe Av., N.Y.C.<br />

Music Ms., Ink 1 p. 1 item


MSS 501, Williams Research Center, page 44<br />

Folder 235<br />

“My Lou<strong>is</strong>iana Home”<br />

George Guesnon<br />

Arr. by Ferd Jelly Roll Morton (1940)<br />

Trumpet<br />

Some text at end of music<br />

Brief musical notation on last four staves<br />

Music Ms., ink; Text in Ink (Ballpoint)<br />

“Verse to Lou<strong>is</strong>iana Home”<br />

Arr. by Ferd Jelly Roll Morton (1940)<br />

On verso of “My Lou<strong>is</strong>iana Home”<br />

On three single staves<br />

Music Ms., Pencil<br />

“Changing Amuck”<br />

Jelly Roll Morton<br />

Bass<br />

On verso of “My Lou<strong>is</strong>iana Home”<br />

On three single staves<br />

Music Ms., Pencil<br />

Note: “George Guesnon Compositions”<br />

Signed WR<br />

On verso of xerox of clipping: “Jazz Music ... by Stanley F. Dance”<br />

(Page crossed out)<br />

2 items<br />

Folder 236 and Folder 247 are in one mylar folder.<br />

Folder 236<br />

Folder 237<br />

“Creole Gumbo”<br />

George Guesnon<br />

Arr. by Ferd Jelly Roll Morton (1940)<br />

A New Orleans Riff Raff<br />

Single line with chord names, some cues<br />

No text<br />

Music Ms., Pencil 1 pp. 1 item<br />

“(Lou<strong>is</strong>iana Lullaby)”<br />

George Guesnon<br />

Arr. by Ferd Jelly Roll Morton (1940)<br />

Single line with chord names<br />

No text<br />

Music Ms., Pencil 1 pp. 1 item


MSS 501, Williams Research Center, page 45<br />

Folder 238<br />

Folder 239<br />

Folder 240<br />

Folder 241<br />

“(American Chr<strong>is</strong>tmas)”<br />

George Guesnon<br />

Arr. by Ferd Jelly Roll Morton (1940)<br />

Single line<br />

No text<br />

Lyrics to chorus on verso under the heading “(American Chr<strong>is</strong>tmas)<br />

Lyrics”<br />

“Copyrighted Congressional Library, Washington, DC”<br />

Music Ms., Pencil<br />

1 item<br />

“How I Love You” [“If You Only Knew How I Love You”]<br />

Piano<br />

Text for verse only<br />

Verso blank<br />

Music Ms., Pencil 2 pp. 1 item<br />

“My Home Is in a Southern Town”<br />

“Jelly Roll” Morton<br />

Song (with text) for voice and piano<br />

On three staves<br />

Music Ms., Ink 4 pp. 1 item<br />

“Windin’ [i.e. Wining] Boy Bls [Blues]”<br />

[Jelly Roll Morton]<br />

Arr. by [J. Lawrence] Cook<br />

“Second version on vol. 4 of L[ibrary] of Cong[ress]”<br />

Song for voice and piano<br />

Page one on two staves<br />

Pp. two - four on three staves<br />

Text in pencil only for last line<br />

Music Ms., Ink 4 pp. 1 item<br />

Folder 242 and Folder 243 are in one mylar folder.<br />

Folder 242<br />

“Whining Boy”<br />

Tenor [saxophone]<br />

Recorded Sept. 14, 1939<br />

L<strong>is</strong>t of most recording personnel<br />

Music Ms., Pencil and Ink<br />

_____<br />

Trombone<br />

Music Ms., Pencil and Ink 1 p. each 2 items


MSS 501, Williams Research Center, page 46<br />

Folder 243<br />

“Whining Boy”<br />

Guitar (one page)<br />

Bass (one page)<br />

Music Ms., Ink<br />

2 items<br />

Folder 244 and Folder 245 are in one mylar folder.<br />

Folder 244<br />

“Whining Boy”<br />

Trumpet (one page)<br />

Bass (one page)<br />

Music Ms., Ink<br />

2 items<br />

Folder 245<br />

Folder 246<br />

Folder 247<br />

Folder 248<br />

“Whining Boy”<br />

Clarinet<br />

Music Ms., Ink 1 p. 1 item<br />

“Why”<br />

Music by “Jelly Roll” Morton<br />

Lyric by Ed Werac<br />

On three staves<br />

“A Jelly Roll MS <strong>is</strong> under th<strong>is</strong> page.” (Outer page <strong>is</strong> pasted over original<br />

page.)<br />

Music Ms., Ink 4 pp. 1 item<br />

“Jungle Blues”<br />

Ferdinand “Jelly Roll” Morton<br />

No text<br />

On two staves<br />

Note on title page: “Check against pub. ed.”<br />

Page four blank<br />

R. J. Carew, 818 Quintana Pl. N. W., Zone 11, D. C.<br />

Music Ms., Ink 3 pp. 1 item<br />

“Hyena Stomp”<br />

Ferdinand “Jelly Roll” Morton<br />

No text<br />

On two staves<br />

Title only on p. 1<br />

Note on title page: “Check against pub. ed.”<br />

Page four blank<br />

Music Ms., Ink 4 pp. 1 item


MSS 501, Williams Research Center, page 47<br />

Folder 249<br />

Folder 250<br />

Folder 251<br />

Folder 252<br />

Folder 253<br />

“Big Fat Ham”<br />

Ferdinand J. Morton (Jelly Roll)<br />

Piano<br />

At least four instrumental cues<br />

On two staves<br />

Title, composer’s name, staves 3-6 pasted on<br />

To left of title: “(Ham and Eggs)”<br />

Page four blank<br />

“Copyright secured 1949 by Roy J. Carew, Washington 11, D.C. -<br />

Unpubl<strong>is</strong>hed”<br />

Music Ms., Ink 4 pp. 1 item<br />

“Hen House”<br />

F[erdinand] J. M[orton]<br />

No text<br />

On two staves<br />

“Roy’s M.S. Copy”<br />

Title only on p. 1<br />

Page four blank<br />

Music Ms., Ink 4 pp. 1 item<br />

“Twenty-Four Hours of Love Every Day”<br />

“Jelly Roll” Morton<br />

[Page one]<br />

No text<br />

On three staves<br />

Verso blank except “24 Hrs of Love, 2 Pages”<br />

Label taped on at bottom: “R. J. Carew, 818 Quintana Place, Washington<br />

11, D. C.”<br />

Music Ms., Pencil 1 p. 1 item<br />

“Twenty-Four Hours of Love [Every Day]”<br />

[Jelly Roll Morton]<br />

Page two<br />

No text<br />

On three staves<br />

Verso blank<br />

At bottom: “Carew”<br />

Music Ms., Pencil 1 p. 1 item<br />

“Hen House”<br />

“Jelly Roll” Morton<br />

Piano<br />

On two staves<br />

Verso blank<br />

Music Ms., Pencil 1 p. 1 item


MSS 501, Williams Research Center, page 48<br />

Folder 254<br />

“[Ganjam]”<br />

Short score<br />

Pages one and two<br />

On three staves<br />

In pencil<br />

“Stop and Go”<br />

[Jelly Roll Morton]<br />

Second alto<br />

Pages one and two<br />

Single lines<br />

Page one crossed out<br />

On verso of [“Ganjam”]<br />

In ink<br />

Music Ms., Ink and Pencil 4 pp. 1 item<br />

Folder 255<br />

“Ganjam”<br />

Short score<br />

Pages three - five<br />

On three staves<br />

Page six: “A Last 8 Bars”<br />

(A <strong>is</strong> circled)<br />

First and second trombone<br />

Single lines<br />

Music Ms., Pencil 4 pp. 1 item<br />

Folder 256<br />

Folder 257<br />

Folder 258<br />

“Ganjam”<br />

Piano<br />

Title page and pages one - three<br />

Music Ms., Ink 4 pp. 1 item<br />

“Ganjam”<br />

First alto<br />

Title page and pages one and two<br />

Page three blank<br />

Music Ms., Ink 3 pp. 1 item<br />

“Ganjam”<br />

Second alto<br />

Title page and pages one and two<br />

Page three blank<br />

Music Ms., Ink 3 pp. 1 item


MSS 501, Williams Research Center, page 49<br />

Folder 259<br />

Folder 260<br />

Folder 261<br />

Folder 262<br />

Folder 263<br />

Folder 264<br />

“Ganjam”<br />

Third tenor<br />

Title page and pages one and two<br />

Page three blank<br />

Music Ms., Ink 3 pp. 1 item<br />

“Ganjam”<br />

Fourth tenor<br />

Title page and pages one and two<br />

Page three blank<br />

Music Ms., Ink 3 pp. 1 item<br />

“Ganjam”<br />

First trombone<br />

Title page and pages one and two<br />

Page three blank<br />

Music Ms., Ink 3 pp. 1 item<br />

“Ganjam”<br />

Second trombone<br />

Title page and pages one and two<br />

Page three blank<br />

Music Ms., Ink 3 pp. 1 item<br />

“Ganjam”<br />

First trumpet<br />

Title page and pages one and two<br />

Page three blank<br />

Music Ms., Ink 3 pp. 1 item<br />

“Ganjam”<br />

Second trumpet<br />

Title page and page one<br />

_____<br />

Third trumpet<br />

Title page and page one<br />

Music Ms., Ink 2 pp. each 2 items


MSS 501, Williams Research Center, page 50<br />

Folder 265<br />

“Ganjam”<br />

Bass<br />

Title page and page one<br />

_____<br />

Drums<br />

Title page and page one<br />

Music Ms., Ink 2 pp. each 2 items<br />

Folder 266<br />

Folder 267<br />

Folder 268<br />

“Ganjam”<br />

Guitar<br />

Title page and pages one and two<br />

Page three blank<br />

Msuic Ms., Ink 3 pp. 1 item<br />

“We Are Elks”<br />

Music, “Jelly Roll” Morton<br />

Lyric, Ed Werac<br />

National March Song<br />

Song, piano and voice<br />

On two and three staves<br />

Title page through page four<br />

Title page: “Elks” (pencil)<br />

“Copyright 1939, Tempo Music Co.”<br />

Music Ms., Ink 4 pp. 1 item<br />

“We Are Elks”<br />

National March Song<br />

Piano<br />

Pages two and three numbered<br />

Music Ms., Ink 4 pp. 1 item<br />

Folder 269 and Folder 270 are in one mylar folder.<br />

Folder 269<br />

Folder 270<br />

“We Are Elks”<br />

National March Song<br />

First alto [saxophone]<br />

Music Ms., Ink 2 pp. 1 item<br />

“We Are Elks”<br />

National March Song<br />

Second alto [saxophone]<br />

Music Ms., Ink 2 pp. 1 item


MSS 501, Williams Research Center, page 51<br />

Folder 271 and Folder 272 are in one mylar folder.<br />

Folder 271<br />

Folder 272<br />

“We Are Elks”<br />

National March Song<br />

Third tenor [saxophone]<br />

Music Ms., Ink 2 pp. 1 item<br />

“We Are Elks”<br />

National March Song<br />

Fourth tenor [saxophone]<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 273 and Folder 274 are in one mylar folder.<br />

Folder 273<br />

Folder 274<br />

Folder 275<br />

“We Are Elks”<br />

First trumpet<br />

Music Ms., Ink 2 pp. 1 item<br />

“We Are Elks”<br />

Second trumpet<br />

Music Ms., Ink 2 pp. 1 item<br />

“We Are Elks”<br />

Third trumpet<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 276 and Folder 277 are in one mylar folder.<br />

Folder 276<br />

Folder 277<br />

“We Are Elks”<br />

First trombone<br />

With text<br />

Music Ms., Ink 2 pp. 1 item<br />

“We Are Elks”<br />

Second trombone<br />

With text<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 278 and Folder 279 are in one mylar folder.<br />

Folder 278<br />

“We Are Elks”<br />

Third trombone<br />

With text<br />

Music Ms., Ink 2 pp. 1 item


MSS 501, Williams Research Center, page 52<br />

Folder 279<br />

“We Are Elks”<br />

Bass<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 280 and Folder 281 are in one mylar folder.<br />

Folder 280<br />

Folder 281<br />

Folder 282<br />

“We Are Elks’<br />

Guitar<br />

Music Ms., Ink 2 pp. 1 item<br />

“We Are Elks”<br />

Drums<br />

Music Ms., Ink 2 pp. 1 item<br />

“Poor Butterfly”<br />

Numbered 43<br />

Bass<br />

Title and music crossed out in pencil and ink.<br />

Music Ms., Pencil 1 p.<br />

“Melancholy Baby”<br />

Numbered 45<br />

Bass<br />

Title and music crossed out in pencil and ink.<br />

Music Ms., Pencil 1 p.<br />

“Winin’ Boy Blues”<br />

Ferdinand J. Morton<br />

“Roy’s ‘Copyright Lead’”<br />

Lead sheet<br />

No text<br />

On verso of “Poor Butterfly” and “Melancholy Baby”<br />

At bottom of second page: “See inside Jelly bass ms”<br />

Music Ms., Ink<br />

2 pp.<br />

Note: “Two - Orch. Parts (Bass)<br />

#43 - ‘Poor Butterfly’<br />

#45 - ‘Melancholy Baby’” 3 items<br />

Folder 283 and Folder 284 are in one mylar folder.<br />

Folder 283<br />

“Sweet Substitute”<br />

[Jelly Roll Morton]<br />

Alto [saxophone] and clarinet<br />

Music Ms., Ink 1 p. each 2 items


MSS 501, Williams Research Center, page 53<br />

Folder 284<br />

Folder 285<br />

“Sweet Substitute”<br />

Bass and trumpet<br />

Music Ms., Ink 1 p. each 2 items<br />

“Sweet Substitute”<br />

Trombone<br />

Music on first page only<br />

Pages two through four blank<br />

Music Ms., Ink 1 p. 1 item<br />

The following ten sheets (#286-295) contain a complete score on pages numbered 1-35<br />

(page numbers were originally circled) for the composition “Finger Breaker” (composed by<br />

Morton and recorded by him under the title “Finger Buster” as a solo piano piece in Washington,<br />

DC in December 1938 on Jazz Man 12 (label number MLB-145). The pages of the score are<br />

often not consecutive and in somewhat jumbled order. Pages one through four are for piano with<br />

a few instructions and instrumental cues; pages five through thirty-five contain lines for four<br />

saxophones, three trumpets, and three trombones.<br />

The ten sheets also contain partial parts for first (#290) and second (#292) saxophones<br />

and a complete part for third saxophone (#289); there <strong>is</strong> also what appears to be score musical<br />

sketch material.<br />

Folder 286<br />

“Finger Breaker”<br />

(Also known as “The Fingerbreaker”)<br />

Jelly Roll Morton<br />

Pages one and two (for piano)<br />

Pages thirty-three and thirty-four (for four saxophones, three trumpets, and<br />

three trombones<br />

Music Ms., Ink and Pencil<br />

4 pp.<br />

Note:<br />

“‘Finger Breaker’ Full Score (4 Line)<br />

Pages Five (Really Seven) to Thirty-Five<br />

First Four Page [sic] Intro (One and Two)<br />

in Separate Package”<br />

2 items<br />

Folder 287<br />

[“Finger Breaker”]<br />

[Jelly Roll Morton]<br />

Pages three - six<br />

Pages three and four for piano<br />

Pages five and six for four saxophones, three trumpets, and three<br />

trombones<br />

Music Ms., Pencil and Ink 4 pp. 1 item


MSS 501, Williams Research Center, page 54<br />

Folder 288<br />

Folder 289<br />

Folder 290<br />

Folder 291<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Pages seven and eight, thirty-one and thirty-two<br />

For four saxophones, three trumpets, and three trombones<br />

Music Ms., Pencil and Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Pages nine and ten<br />

For four saxophones, three trumpets, and three trombones<br />

Verso: third tenor sax[ophone] (ink)<br />

Verso pages unnumbered<br />

Music Ms., Pencil and Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Pages eleven and twelve<br />

For four saxophones, three trumpets, and three trombones<br />

Verso: partial first alto sax[ophone], and a musical sketch<br />

Verso pages unnumbered<br />

Music Ms., Pencil and Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Pages thirteen and fourteen, twenty-three and twenty-four<br />

For four saxophones, three trumpets, and three trombones<br />

Music Ms., Pencil and Ink 4 pp. 1 item<br />

Folder 292<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Pages fifteen and sixteen, and thirty-five<br />

For four saxophones, three trumpets and three trombones<br />

Opposite p. 35: partial second alto sax[ophone]<br />

Music Ms., Pencil and Ink<br />

1 item<br />

Folder 293<br />

Folder 294<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Pages seventeen and eighteen, twenty-five and twenty-six<br />

Four saxophones, three trumpets, and three trombones<br />

Music Ms., Pencil and Ink 4 pp. 1 item<br />

“Finger [Breaker]”<br />

[Jelly Roll Morton]<br />

Pages nineteen and twenty, twenty-seven and twenty-eight<br />

Four saxophones, three trumpets, and three trombones<br />

Music Ms., Pencil and Ink 4 pp. 1 item


MSS 501, Williams Research Center, page 55<br />

Folder 295<br />

Folder 296<br />

Folder 297<br />

Folder 298<br />

[“Finger Breaker”]<br />

[Jelly Roll Morton]<br />

Pages twenty-one and twenty-two, twenty-nine and thirty<br />

Four saxophones, three trumpets, and three trombones<br />

Music Ms., Pencil and Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

First alto [saxophone]<br />

Pages one through [four]<br />

Music Ms., Pencil and Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

First alto sax[ophone]<br />

Pages one through four<br />

Music Ms., Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

First alto sax[ophone]<br />

Pages one through [four]<br />

Music Ms., Ink 4 pp. 1 item<br />

Folder 299<br />

“Finger Breaker”<br />

Second alto [saxophone]<br />

Pages [one through four]<br />

Music Ms., Ink and Pencil<br />

4 pp.<br />

Note:<br />

“Second, Third and Fourth Sax Parts<br />

(Prob. photograph later for publication)”<br />

2 items<br />

Folder 300<br />

Folder 301<br />

Folder 302<br />

“Finger Breaker”<br />

Second alto sax[ophone]<br />

Pages one through four<br />

Music Ms., Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

Third sax[ophone] tenor<br />

Pages [one through four]<br />

Music Ms., Ink and Pencil 4 pp. 1 item<br />

“Finger Breaker”<br />

Third tenor sax[ophone]<br />

Pages [one through four]<br />

Music Ms., Ink 4 pp. 1 item


MSS 501, Williams Research Center, page 56<br />

Folder 303<br />

“Finger Breaker”<br />

Fourth alto sax[ophone]<br />

Pages one thorugh four<br />

Music Ms., Ink 4 pp. 1 item<br />

Folder 304<br />

“Finger Breaker”<br />

Fourth tenor [saxophone]<br />

Incomplete<br />

Pages [one and two]<br />

Verso blank<br />

Music Ms., Ink<br />

2 pp.<br />

Note:<br />

“Four Sax Parts and Six ‘First Draft’ Sax Parts<br />

Finger Breaker”<br />

2 items<br />

Folder 305<br />

Folder 306<br />

“Finger Breaker”<br />

Fourth alto or baritone [saxophone]<br />

Pages [one through four]<br />

Music Ms., Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

Fourth sax[ophone] tenor<br />

Page unnumbered<br />

Verso: Bass part “by Dave Nelson” to an unidentified piece, crossed out,<br />

in ink<br />

Music Ms., Pencil 1 p. 1 item<br />

Folder 307<br />

“Finger Breaker”<br />

First trumpet<br />

Pages [one through three]<br />

Page [four] blank<br />

Music Ms., Ink and Pencil<br />

3 pp.<br />

Note: “Trumpet parts of Finger Breaker for first trumpet. Both parts should<br />

probably be restudied, but the one with underlined title <strong>is</strong> prob. best. Total<br />

of six trumpet parts. (In sets of two.) Stop and Go score, page one and<br />

two on extra first and second trumpet parts.”<br />

2 items<br />

Folder 308<br />

“Finger Breaker”<br />

Second trumpet<br />

Pages [one through three]<br />

Page [four] blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item


MSS 501, Williams Research Center, page 57<br />

Folder 309<br />

Folder 310<br />

Folder 311<br />

“Finger Breaker”<br />

Third trumpet on pages one through three (ink)<br />

Piano score and title “Finger Breaker” on pages three (last four staves) and<br />

four(pencil)<br />

Page three, last four staves: measures numbered 7 and 8, 13-16, and 30<br />

Page four labeled “Trio”<br />

Music Ms., Pencil and Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

Third trumpet<br />

Pages [one through three]<br />

Page four blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item<br />

“Finger Breaker”<br />

First trombone<br />

Pages one through [three]<br />

Page [four] blank<br />

Music Ms., Ink 3 pp. 1 item<br />

Folder 312 and Folder 313 are in one mylar folder.<br />

Folder 312<br />

Folder 313<br />

“Finger Breaker”<br />

Second trombone<br />

Music Ms., Ink 2 pp. 1 item<br />

“Finger Breaker”<br />

Guitar<br />

Page unnumbered<br />

Music Ms., Ink 1 p.<br />

Note:<br />

“Finger Breaker Parts. First and Second Trumpet<br />

First and Second Trombone<br />

First Sax<br />

Piano, Bass<br />

Guitar, Drums”<br />

Note: “Piano Part<br />

Drums<br />

Guitar<br />

Bass”<br />

3 items


MSS 501, Williams Research Center, page 58<br />

Folder 314<br />

“Finger Breaker”<br />

Second trombone<br />

Pages [one through three] (ink)<br />

Page four, title “Finger Breaker” and labeled “Second trombone”, <strong>is</strong><br />

actually a piano score (10 staves, pencil)<br />

Music Ms., Ink and Pencil<br />

4 pp.<br />

Note: “Stop and Go Score and Page Three and Page Four on back of extra<br />

trombone parts of Finger Breaker[;] and second trombone of Wolverine<br />

Bl., Milenberg Joys, Side Walk Bl.”<br />

Note:<br />

“Finger Breaker<br />

Two - First Trombone to Study and Consider<br />

One - Second Trombone<br />

One - Third Trombone<br />

Also Three - ‘First Draft’ Trombone parts<br />

And Extra Pages<br />

Page Three and Four of Stop and Go Score on Back of Trombone Extra<br />

Parts<br />

3 items<br />

Folder 315<br />

“Finger Breaker”<br />

Third trombone<br />

Pages [one through three] (ink)<br />

Page four title “Finger Breaker” (ink) and labeled “Third Trombone”<br />

(ink), to the left of title <strong>is</strong> the word “Score” (pencil); the page also<br />

contains musical sketch material (pencil.)<br />

Music Ms., Ink and Pencil 4 pp. 1 item<br />

Folder 316 and Folder 317 are in one mylar folder.<br />

Folder 316<br />

“Finger Breaker”<br />

Third trombone<br />

Music Ms., Ink and Pencil 2 pp. 1 item<br />

Folder 317<br />

“Wolverine Blues”<br />

[Jelly Roll Morton]<br />

Second trombone<br />

On sixth staff: “Milen Berg Joy”<br />

On eighth staff: “Side Walk Blues”<br />

Music Ms., Pencil<br />

1 pp.<br />

Note: “Third trombone (May be best to photograph for publication later.)<br />

2 items


MSS 501, Williams Research Center, page 59<br />

Folder 318<br />

Folder 319<br />

Folder 320<br />

Folder 321<br />

Folder 322<br />

Folder 323<br />

“Finger Breaker”<br />

[Jelly Roll Morton]<br />

Piano<br />

Pages numbered<br />

Music Ms., Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

Bass<br />

Pages one and two numbered<br />

Verso of pages one and two: another version of the same part, crossed<br />

out, and the notation “See other side.”<br />

Music Ms., Ink 4 pp. 1 item<br />

“Finger Breaker”<br />

Drums<br />

Pages [one and two]<br />

Verso: Another version of the same part, crossed out.<br />

Music Ms., Ink 4 pp. 1 item<br />

“Climax [Rag]”<br />

[James Scott]<br />

Short score<br />

Pages one and two<br />

On three staves<br />

Verso: Unidentified music on three staves (“Climax” pages five and six)<br />

Music Ms., Pencil 4 pp. 1 item<br />

“Climax [Rag]”<br />

[James Scott]<br />

Short score<br />

Pages three and four<br />

On three staves<br />

Verso of page three: four measures of music on three staves captioned<br />

“Second Strain, Last Four Bars”<br />

Verso of page four blank<br />

Music Ms., Pencil 3 pp. 1 item<br />

Note:<br />

“Whining Boy - Ork - Piano Part<br />

[Buddy Bolden - Piano Part on Reverse]<br />

[Guitar part for Don’t you Leave Me Here<br />

Also with Whining Boy Orchestration”<br />

Pencil 1 p. 1 item


MSS 501, Williams Research Center, page 60<br />

Folder 324<br />

Folder 325<br />

“Whining Boy”<br />

[Traditional]<br />

[Arr. by Jelly Roll Morton]<br />

Piano<br />

Pages [one and two]<br />

Title page: “Whining Boy - Piano Part”<br />

Verso: “I Thought I Heard Buddy Bolden Say”, numbered page two,<br />

piano score (complete)<br />

Music Ms., Pencil 3 pp. 1 item<br />

“Don’t You Leave Me Here”<br />

Jelly Roll Morton<br />

Piano<br />

On three staves<br />

Music on pages one and two<br />

On page two: “Lawrence Lucie phone Glenmore5-3024”<br />

Page three blank<br />

Page four: ”Don’t You Leave Me Here - WR - Piano Part” (no music)<br />

Music Ms., Pencil 2 pp. 1 item<br />

Folder 326 and Folder 327 are in one mylar folder.<br />

Folder 326<br />

“Don’t You Leave Me Here”<br />

Tenor [saxophone]<br />

Page unnumbered<br />

Music Ms., Ink 1 p.<br />

Note: “Don’t You Leave Me Here - Ork.<br />

Piano/ Trumpet/ Clarinet/ Trombone/ Tenor Saxophone/ Bass - 6 parts<br />

[And Guitar Part with Windin [i.e. Whinin] Boy]”<br />

Pencil<br />

Note:<br />

Pencil<br />

“Don’t You Leave Me Here Not Publ<strong>is</strong>hed Edition<br />

Lead Sheet (by Roy) and Cook’s Transcription<br />

(Piano and Voice)<br />

Photo Neg. Available”<br />

3 items<br />

Folder 327<br />

“Don’t You Leave Me Here”<br />

Bass<br />

Page unnumbered<br />

Music Ms., Ink 1 p.<br />

“Climax [Rag]”<br />

[James Scott]


MSS 501, Williams Research Center, page 61<br />

For unidentified instrument<br />

Three staves of music<br />

On verso of “Don’t You Leave Me”, tenor [saxophone]<br />

Music Ms., Pencil 1 p. 2 items<br />

Folder 328 and Folder 329 are in one mylar folder.<br />

Folder 328<br />

Folder 329<br />

Folder 330<br />

Folder 331<br />

“Don’t You Leave Me Here”<br />

[Jelly Roll Morton]<br />

Clarinet and trumpet<br />

Music Ms., Ink 2 pp. 2 items<br />

“Don’t You Leave Me Here”<br />

Trombone<br />

Music Ms., Ink 1 p. 1 item<br />

“Climax [Rag]”<br />

[James Scott]<br />

Instrumental part<br />

Written with blank staves so that piano accompaniment can be added later.<br />

Page two<br />

On four lines<br />

Verso: Unidentified music on three lines (instrumental part}<br />

Music Ms., Pencil 2 pp. 1 item<br />

“Climax [Rag]”<br />

[James Scott]<br />

Instumental part<br />

Written with blank staves so that piano accompaniment can be added later.<br />

Pages three and four<br />

Verso blank except for title (“Climax”) twice<br />

Music Ms., Pencil 2 pp. 1 item<br />

Folder 332 and Folder 333 are in one mylar folder.<br />

Folder 332<br />

Folder 333<br />

“Climax Rag”<br />

Clarinet<br />

Pages [one] and two<br />

Pages separate<br />

Music Ms., Ink 2 pp. 1 item<br />

“Climax Rag”<br />

Bass<br />

Page unnumbered<br />

Music Ms., Ink 1 p. 1 item


MSS 501, Williams Research Center, page 62<br />

Folder 334<br />

“Climax Rag”<br />

Tenor [saxophone]<br />

Pages[one] and two<br />

Pages separate<br />

Verso blank<br />

Music Ms., Ink 2 pp. 2 items<br />

Folder 335 and Folder 336 are in one mylar folder.<br />

Folder 335<br />

Folder 336<br />

Folder 337<br />

Folder 338<br />

Folder 339<br />

“Climax Rag”<br />

Trumpet<br />

Pages one and two<br />

Pages separate<br />

Music Ms., Ink 2 pp. 1 item<br />

“Climax Rag”<br />

Trombone<br />

Pages [one] and two<br />

Pages separate<br />

Music Ms., Ink and Pencil 2 pp. 1 item<br />

“Mr. Joe”<br />

[Jelly Roll Morton]<br />

Short score<br />

Pages one, two, five, and six<br />

Also on page six: five staves of single-line notes, headed “Clarinet, First<br />

Saxophone Last Strain”<br />

Music Ms., Pencil 4 pp. 1 item<br />

[“Mr. Joe”]<br />

[Jelly Roll Morton]<br />

Short score<br />

Pages three and four<br />

Verso: bass part<br />

Music Ms., Pencil 3 pp. 1 item<br />

“Mr. Joe”<br />

First alto [saxophone]<br />

Title page: “Mr. Joe, First Alto”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item


MSS 501, Williams Research Center, page 63<br />

Folder 340<br />

Folder 341<br />

Folder 342<br />

Folder 343<br />

Folder 344<br />

Folder 345<br />

“Mr. Joe”<br />

Second alto [saxophone]<br />

Title page: “Mr. Joe, Second Alto”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item<br />

“Mr. Joe”<br />

Third tenor [saxophone]<br />

Title page: “Mr. Joe, Third Tenor”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item<br />

“Mr. Joe”<br />

Fourth tenor [saxophone]<br />

Title page: “Mr. Joe, Fourth Tenor”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item<br />

“Mr. Joe”<br />

First trumpet<br />

Title page: “Mr. Joe, First trumpet”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item<br />

“Mr. Joe”<br />

Second trumpet<br />

Title page: “Mr. Joe, Second Trumpet”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item<br />

“Mr. Joe”<br />

Third trumpet<br />

Title page: “Mr. Joe, Third Trumpet”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink and Pencil 3 pp. 1 item


MSS 501, Williams Research Center, page 64<br />

Folder 346<br />

Folder 347<br />

Folder 348<br />

Folder 349<br />

“Mr. Joe”<br />

First trombone<br />

On pages [one through three] (ink)<br />

Title page: “Mr. Joe, First Trombone”<br />

Page [four]: “Wolverine Blues” [by Jelly Roll Morton], first trombone<br />

(pencil)<br />

Music Ms., Ink and Pencil 4 pp. 1 item<br />

“Mr. Joe”<br />

Second trombone<br />

Title page: “Mr. Joe, Second Trombone”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink 3 pp. 1 item<br />

“Mr. Joe”<br />

Third trombone<br />

Title page: “Mr. Joe, Third Trombone”<br />

Two pages of music<br />

Page four blank<br />

Music Ms., Ink 3 pp. 1 item<br />

“Mr. Joe”<br />

Guitar<br />

Title page: “Mr. Joe, Guitar”<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 350 and Folder 351 are in one mylar folder.<br />

Folder 350<br />

Folder 351<br />

Folder 352<br />

“Mr. Joe”<br />

Drums<br />

Pages [one and two]<br />

Verso blank<br />

Music Ms., Ink and Pencil 2 pp. 1 item<br />

“Mr. Joe’<br />

Bass<br />

Title page on verso: “Mr. Joe, Bass”<br />

Music Ms., Ink 2 pp. 1 item<br />

“Mr. Joe”<br />

Piano<br />

Title page: “Mr. Joe, Piano”<br />

Music on two pages<br />

Page four blank<br />

Music Ms., Ink 3 pp. 1 item


MSS 501, Williams Research Center, page 65<br />

Folder 353<br />

“Mamie’s Blues”<br />

[Melody by Mamie Desdume]<br />

[Arr. by Jelly Roll Morton]<br />

Short score<br />

Pages one and two<br />

Upper right corner of page one: “Ork”<br />

On three staves<br />

Verso of page one: musical sketch<br />

Verso of page two: a portion of “Mamie’s Blues”<br />

Music Ms., Pencil 4 pp. 1 item<br />

Folder 354 and Folder 356 are on one folio, in one mylar folder.<br />

Folder 354<br />

Folder 355<br />

Folder 356<br />

“Mamie’s Blues”<br />

[Melody by Mamie Desdume]<br />

[Arr. by Jelly Roll Morton]<br />

Short score<br />

Pages three and [four]<br />

On three staves<br />

Music Ms., Pencil 2 pp. 1 item<br />

Th<strong>is</strong> folder number not used.<br />

“Autumn Nocturne”<br />

Short score<br />

Pages three and four<br />

On four lines<br />

Music Ms., Pencil 2 pp. 1 item<br />

Folder 357 and Folder 358 are in one mylar folder.<br />

Folder 357<br />

Folder 358<br />

“Mamie’s Blues”<br />

[Melody by Mamie Desdume]<br />

[Arr. by Jelly Roll Morton]<br />

Short score<br />

Page five<br />

On three staves<br />

Facing blank page<br />

Music Ms., Pencil 1 p. 1 item<br />

“If I Had You”<br />

Score for trumpet and first through third saxophones<br />

Pages one and [two]<br />

On three lines<br />

Music Ms., Pencil 2 pp. 1 item


MSS 501, Williams Research Center, page 66<br />

Folder 359 and Folder 360 are in one mylar folder.<br />

Folder 359<br />

Folder 360<br />

“Mamie’s Blues”<br />

[Melody by Mamie Desdume]<br />

[Arr. by Jelly Roll Morton]<br />

First and second violins<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item<br />

“Mamie’s Blues”<br />

First alto sax[ophone]<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 361 and Folder 362 are in one mylar folder.<br />

Folder 361<br />

Folder 362<br />

“Mamie’s Blues”<br />

Second tenor sax[ophone]<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item<br />

“Mamie’s Blues”<br />

Third alto sax[ophone]<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 363 and Folder 364 are in one mylar folder.<br />

Folder 363<br />

Folder 364<br />

“Mamie’s Blues”<br />

Fourth tenor sax[ophone]<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item<br />

[“Mamie’s Blues”]<br />

Piano<br />

Pages [two and three]<br />

Photocopies, made by THNOC, of two pages of item found in folder 373.<br />

Xerox (Original, #373, <strong>is</strong> Music Ms., Ink) 2 pp. 1 item<br />

Folder 365 and Folder 366 are in one mylar folder.<br />

Folder 365<br />

“Mamie’s Blues”<br />

First trumpet<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item


MSS 501, Williams Research Center, page 67<br />

Folder 366<br />

“Mamie’s Blues”<br />

Second trumpet<br />

Pages [one and two]<br />

Music Ms., Ink<br />

2 pp.<br />

Note: “Mamie’s Blues - Orchestration [not in Jelly’s hand]; 14 parts (combined<br />

with second violin) and score; 34 pages (and 2 m<strong>is</strong>cel); (Possibly by Dave<br />

Nelson)”<br />

Pencil<br />

2 items<br />

Folder 367 and Folder 368 are in one mylar folder.<br />

Folder 367<br />

Folder 368<br />

“Mamie’s Blues”<br />

Third trumpet<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item<br />

“Mamie’s Blues”<br />

First trombone<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item<br />

Folder 369 and Folder 370 are in one mylar folder.<br />

Folder 369<br />

Folder 370<br />

“Mamie’s Blues”<br />

Second trombone<br />

Pages [one and two]<br />

Music ms., Ink 2 pp. 1 item<br />

“Mamie’s Blues”<br />

Drums<br />

Page one<br />

Page two blank<br />

Music Ms., Ink 1 p. 1 item<br />

Folder 371 and Folder 372 are in one mylar folder.<br />

Folder 371<br />

“Mamie’s Blues”<br />

Guitar<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item


MSS 501, Williams Research Center, page 68<br />

Folder 372<br />

Folder 373<br />

Folder 374<br />

Folder 375<br />

“Mamie’s Blues”<br />

Bass<br />

Pages [one and two]<br />

Music Ms., Ink 2 pp. 1 item<br />

“Mamie’s Blues”<br />

Piano<br />

Pages [one through four]<br />

In upper right corner of page [one]: “Ork.”<br />

Music Ms., Ink 4 pp. 1 item<br />

“Mama’s Got A Baby Named Tee Nah Nah”<br />

Song Short score<br />

Pages [one and two]<br />

On three lines<br />

No text<br />

Music Ms., Pencil 2 pp. 1 item<br />

“Mama’s Got a Baby [Named Tee Nah Nah]”<br />

Clarinet<br />

Page [one]<br />

Verso blank<br />

Music Ms., Ink 1 p. 1 item<br />

Folder 376 and Folder 377 are in one mylar folder.<br />

Folder 376<br />

Folder 377<br />

“Mama’s Got a Baby [Named Tee Nah Nah]”<br />

Alto [saxophone] and bass<br />

Page [one] of each<br />

Verso blank<br />

Music Ms., Ink 1 p. each 2 items<br />

“Mama’s Got a Baby [Named Tee Nah Nah]”<br />

Trumpet<br />

Page [one]<br />

Verso blank<br />

_____<br />

Trombone<br />

Page [one]<br />

Verso blank<br />

Music Ms., Ink 1 p. each 2 items


MSS 501, Williams Research Center, page 69<br />

Folder 378<br />

Folder 379<br />

“Big Fat Ham”<br />

Ferdinand J. Morton (Jelly Roll)<br />

Arranged by J. Lawrence Cook<br />

“The Famous Big Fat Ham”<br />

Piano<br />

Pages [one] and four, plus title page and rear cover<br />

Washington, DC: Roy J. Carew, 1949, 1956 4 pp.<br />

[“Big Fat Ham”]<br />

[Ferdinand J. Morton (Jelly Roll)]<br />

[Arranged by J. Lawrence Cook]<br />

Piano<br />

Pages two and three<br />

[Washington, DC: R. J. Carew, 1949, 1956] 2 pp.<br />

1 item<br />

1 item<br />

Folder 380<br />

Folder 381<br />

Folder 382<br />

“The Crave”<br />

[Ferdinand J. Morton (Jelly Roll)]<br />

As recorded by Jelly Roll<br />

Transcribed and edited by J. Lawrence Cook<br />

Manuscript edition<br />

Character<strong>is</strong>tic piano solo<br />

[Tango]<br />

Piano<br />

Title page and verso, page seven, rear cover (blank)<br />

Tempo Music Publ<strong>is</strong>hing Company, R. J. Carew, Prop., 818 Quintana<br />

Place, N. W., Washington 11, D. C.<br />

3 pp. 1 item<br />

“The Crave”<br />

Ferdinand J. Morton (Jelly Roll)<br />

Transcribed and edited by J. Lawrence Cook<br />

Manuscript edition<br />

Tango<br />

Piano<br />

Pages three through six<br />

Washington, DC: Tempo-Music Pub. Co., 1939, 1950<br />

4 pp. 1 item<br />

“Why”<br />

“Jelly Roll” Morton, the originator of jazz, stomps, and swing, and Ed<br />

Werac<br />

A musical interrogation<br />

Song<br />

Title page and verso, page five, rear cover<br />

New York: Tempo Music Pub. Co., 145 W. 45th St., [1938]<br />

4 pp. 1 item


MSS 501, Williams Research Center, page 70<br />

Folder 383<br />

Folder 384<br />

Folder 385<br />

Folder 386<br />

Folder 387<br />

“Why”<br />

Music by “Jelly Roll” Morton<br />

Lyric by Ed. Werac<br />

Song<br />

Pages three and four<br />

New York: Tempo Music Pub. Co., 145 W. 45th St., 1938<br />

2 pp. 1 item<br />

“The M<strong>is</strong>erere”<br />

Ferdinand J. Morton [(Jelly Roll)]<br />

As recorded by Jelly Roll<br />

Transcribed and edited by J. Lawrence Cook<br />

Manuscript edition<br />

Character<strong>is</strong>tic piano solo<br />

Piano<br />

Title page and verso, page seven, rear cover (blank)<br />

Washington, DC: R. J. Carew, [1949] 3 pp. 1 item<br />

“The M<strong>is</strong>erere” combined with “The Anvil Chorus” (Verdi)<br />

Ferdinand J. Morton (Jelly Roll)<br />

Transcribed and edited by J. Lawrence Cook<br />

A transformation<br />

Manuscript edition<br />

Piano<br />

Pages three through six<br />

Washington, DC: R. J. Carew, 1949 4 pp. 1 item<br />

“Sweet Substitute”<br />

“Jelly Roll” Morton<br />

Originator of jazz, stomps, and swing<br />

Song<br />

Title page and verso, page five, rear cover<br />

New York: Tempo Music Pub. Co., 145 W. 45 St., [1938]<br />

4 pp. 1 item<br />

“Sweet Substitute”<br />

“Jelly Roll” Morton<br />

Song<br />

Pages three and four<br />

New York: Tempo Music Pub. Co., 145 W. 45 St., 1938<br />

2 pp. 1 item


MSS 501, Williams Research Center, page 71<br />

Folder 388<br />

Folder 389<br />

“My Home Is in a Southern Town”<br />

“Jelly Roll” Morton<br />

The originator of jazz, stomps, swing<br />

Song<br />

Title page, pages two and five, rear cover<br />

[New York: Tempo Music Publ<strong>is</strong>hing Co., 1938]<br />

[“My Home Is in a Southern Town]”<br />

[“Jelly Roll” Morton]<br />

Song<br />

Pages three and four<br />

[New York: Tempo Music Publ<strong>is</strong>hing Co., 1938]<br />

4 pp. 1 item<br />

2 pp. 1 item<br />

Folder 390<br />

Folder 391<br />

Folder 392<br />

“Buddy Bolden’s Blues” (“I Thought I Heard Buddy Bolden Say”)<br />

Ferdinand J. Morton<br />

As recorded by Jelly Roll<br />

Transcribed and edited by J. Lawrence Cook<br />

Americana Edition<br />

Song<br />

Title page, pages two and five, rear cover<br />

Washington, DC: Tempo Music Pub. Co., [1939, 1940, 1950]<br />

4 pp. 1 item<br />

[“Buddy Bolden’s Blues” (“I Thought I Heard Buddy Bolden Say”)<br />

[Ferdinand J. Morton]<br />

Song<br />

Pages three and four<br />

[Washington, DC: Tempo Music Pub. Co., 1939, 1940, 1950]<br />

2 pp. 1 item<br />

“Mamie’s Blues” (“219 Blues”)<br />

[Melody by Mamie Desdume]<br />

“Jelly Roll Morton’s Version”<br />

Transcribed and edited by J. Lawrence Cook<br />

Americana edition<br />

Song and piano solo<br />

Piano solo <strong>is</strong> only 13 measures in length<br />

Title page and verso (blank), page five, rear cover (blank)<br />

Washington, DC: Tempo Music Pub. Co., [1939, 1940, 1948]<br />

2 pp. 1 item


MSS 501, Williams Research Center, page 72<br />

Folder 393<br />

Folder 394<br />

Folder 395<br />

“Mamie’s Blues” (“219 Blues”)<br />

Words and melody by Mamie Desdume<br />

Arranged by Ferdinand J. Morton (Jelly Roll)<br />

Transcribed and edited by J. Lawrence Cook<br />

Song<br />

Pages three and four<br />

Washington, DC: Tempo Music Pub. Co., 1939, 1940, 1948<br />

2 pp. 1 item<br />

“The Naked Dance”<br />

Ferdinand J. Morton [(Jelly Roll)]<br />

As recorded by Jelly Roll<br />

Transcribed and edited by J. Lawrence Cook<br />

Manuscript edition<br />

Character<strong>is</strong>tic piano solo<br />

Piano<br />

Title page and verso, page seven, rear cover (blank)<br />

Washington, DC: Tempo-Music Pub. Co., [1939, 1940]<br />

3 pp. 1 item<br />

“The Naked Dance”<br />

Ferdinand J. Morton (Jelly Roll)<br />

Transcribed and edited by J. Lawrence Cook<br />

Manuscript edition<br />

Pages three through six<br />

Piano<br />

Washington, DC: Tempo-Music Pub. Co., 1939, 1940<br />

4 pp. 1 item<br />

Folder 396<br />

Folder 397<br />

“If You Knew (How I Love You)”<br />

Lyric by Ed Werac<br />

Music by “Jelly Roll” Morton<br />

Originator of Jazz, Stomps, Swing<br />

Song<br />

Title page and verso, page 5, rear cover<br />

New York: Tempo-Music Pub. Co., [1938]<br />

“If You Knew How I Love You”<br />

Lyric by Ed. Werac<br />

Music by “Jelly Roll” Morton<br />

Song<br />

Pages three and four<br />

New York: Tempo-Music Pub. Co., 1938<br />

4 pp. 1 item<br />

2 pp. 1 item


MSS 501, Williams Research Center, page 73<br />

Folder 398<br />

One large folded cardboard<br />

One side lettered: “(Jelly M.S.)”, “Jelly M.S.”, “Over” (with much<br />

crossed out)<br />

Verso: sheet pasted on reads<br />

“Jelly - MS<br />

Betty (5 pages incomplete)<br />

Gold F<strong>is</strong>h Blues (1 page, treble only)<br />

Animule Dance (1 page, 1 line, incomp)<br />

One Straight Melody (1 page)<br />

Treble Only (Panama) [1½ page, incomp]<br />

Two Lines of Piano Music<br />

Dear Ole Lonnon (2 pages treble only)<br />

Two Bars of Treble Clef (1 page [on Independent Mama ms.<br />

Not by Jelly])<br />

1 item

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