Download PDF - ARTisSpectrum
Download PDF - ARTisSpectrum
Download PDF - ARTisSpectrum
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
MONIKA GRYGIER<br />
Miercoles A Las 23:45 En La Ciudad Acrylic on Canvas 39.5” x 39.5”<br />
Monika Grygier’s works reveal a dual commitment to<br />
capturing the energy of the modern urban cityscape, as<br />
well as the human soul transfixed within that phantasmagoric<br />
moment. Like a jazz composition, her arrangements work<br />
through the inspired disarray of the individual components.<br />
These pieces all fit together and express a unified view<br />
due to their disjointed energy. Her works tumble and spill<br />
about on the canvas, where a vortex of energy summons<br />
our focus.<br />
Her work often echoes the straight lines and right angles<br />
of the canvas itself, but in her visual reverberation she is<br />
summoning the energy that is within those restrictions,<br />
as straight lines and corners infringe on and are infringed<br />
upon by blank space. The weight of the space between her<br />
floating, colliding objects gives her work a dynamic energy.<br />
Monika has said that in her work she is answering the<br />
artist’s highest challenge of capturing the soul on canvas.<br />
In making the leap of faith and finding a soul in our chaotic<br />
urban arrangements, Monika has been able to convey<br />
the order not only of our world, but of the human soul as<br />
it perceives the universe. If art is a mirror, Monika Grygier<br />
has taken the risk and created a divine mirror to reveal the<br />
human soul within the world.<br />
Websites: www.monikagrygier.com<br />
www.Art-Mine.com/ArtistPage/Monika_Grygier.aspx<br />
Ruth le Cheminant’s expressionist landscapes<br />
deconstruct breathtaking visions of nature according<br />
to a unique mode of composition. The influence of late<br />
Cézanne can be striking, but le Cheminant’s aesthetic<br />
sensibility involves more radical dissections of pictures’<br />
constitutive elements. The scale of these deconstructions<br />
owes something to Australia’s sweeping landscapes, where<br />
she has spent most of her life and still lives and works.<br />
Sorting through vistas of brilliant reds, soft greens and<br />
crepuscular purples, le Cheminant uncannily emphasizes<br />
colors and forms while maintaining a sense of the greater<br />
whole.<br />
She applies acrylic paints in broad strokes moving between<br />
measured precision and expressive scrawling. At these<br />
extremes, le Cheminant conveys eerily calm and frantically<br />
chaotic scenes. She generally combines the two modes of<br />
application, creating dynamic landscapes that are highly<br />
specific yet universal. Her work resembles that of a linguist:<br />
beginning with a fully formed and conjugated landscape, she<br />
disassembles it into contingent parts and presents these as<br />
the universal stuff that makes up our surroundings. There’s<br />
no mistaking the mythic scale, elemental sparseness and<br />
striking colors of the Australian outback and Blue Mountains<br />
in these stylized views. Still, Ruth le Cheminant pulls those<br />
places’ features apart in such a way that they suddenly<br />
don’t seem so different from the American Southwest or the<br />
Appalachian Mountains.<br />
Websites: www.ruthlecheminant.com<br />
www.Art-Mine.com/ArtistPage/Ruth_le_Cheminant.aspx<br />
RUTH LE CHEMINANT<br />
Climbing Towards Heaven Acrylic on Canvas 40” x 40”<br />
30 ArtisSpectrum