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Look at Both Sides Now… like Joni Does<br />

by Lynda Pogue<br />

How, if you’re deeply entrenched in a piece of art, can you see more than what’s right in front of you? How do you step back<br />

when you’re in the middle of something and not only see the Big Picture but also the minute details too?<br />

You can train yourself to pay attention and absorb the possible influences that surround you…you can learn to de-center, which<br />

is the ability to suspend one’s way of thinking while encompassing another. It’s akin to being in the middle of a passionate argument…<br />

absolutely vehement about your position… then, like a blast of flashing white light you clearly see the other person’s<br />

point of view. It’s not an illusion… you really are seeing both sides now. The clarity and intensity that this moment brings is<br />

extremely fulfilling. It can bring new dimensions and possibilities to your personal and professional life.<br />

This article will explore the richness that will come to you by considering your work from different perspectives. To do this I’ll<br />

draw on the expressions from and musings about a woman that the whole world intimately refers to simply as Joni. All the italics<br />

are the words of Joni Mitchell.<br />

Rows and flows of angel hair<br />

And ice cream castles in the air<br />

And feather canyons everywhere<br />

I’ve looked at clouds that way<br />

But now they only block the sun<br />

They rain and snow on everyone<br />

So many things I would have done<br />

But clouds got in my way<br />

I’ve looked at clouds from both sides now<br />

From up and down, and still somehow<br />

It’s cloud illusions I recall<br />

I really don’t know clouds at all<br />

…circle of hope by Lynda Pogue.<br />

Look closely at this textured<br />

piece and you’ll see ice cream<br />

castles in the air.<br />

These lyrics are likely to be the most well-known words from Joni’s most famous song: Both Sides Now. She told Russ Mitchell<br />

(CBS, 2007) that, at first, she thought this song was a failure because it was such a big meditation. She had only seen it from<br />

one direction as a folk artist and not from any other point of view. Joni has moved far far beyond this singularity of perception.<br />

She had unwittingly incited a myriad of reactions from millions of people… some responded to her words as if they were pure<br />

poetry and millions more were visualizing flying above the Rows and flows of angel hair clouds. Her songs were painting the<br />

canvas in the minds of her listeners. Annie Lennox has said that the poetic genius of Joni’s lyrical imagery tangled with her brain,<br />

and she was challenged to try to follow suit.<br />

When being interviewed by Tavis Smiley (PBS, 2007) Joni stressed that she found being put on a pedestal has made her become<br />

more demanding of herself. That fame has made her go deeper with greater honesty. Because she feels that her work<br />

makes people feel… it isn’t vague, fluffy or insipid. Truer words were never spoken.<br />

Her lyrics conjure up images that take you for an emotional and evocative ride because she’s both accessible yet experimental.<br />

You’re never quite sure what to expect but you want to be with her on her journey. It’s that world of edginess in which Joni dwells.<br />

She’s a renaissance woman who revels in the world of all the arts: an accomplished musician, songwriter, poet, photographer<br />

and painter. Over the years she has evolved from silky and sweet to husky and fiercely forceful… there’s now a growl in her<br />

lower register. Listening to her talk, you know exactly where she stands on any issue. Hearing her sing causes one to stop<br />

and ponder. Viewing her art takes you into her personal inner space… she says that in this part of her world she is absolutely<br />

vulnerable.<br />

Last January she reminded Charlie Rose (PBS) that she’s often been quoted as saying I paint my joy and I sing my sorrow…<br />

but now she feels that she’s grown into a different style of expression where she now paints and sings a spectrum of feelings.<br />

Her antenna is up. And it’s her concept of spectrum/variety/range that sets a standard for other artists and entrepreneurs. One’s<br />

work can take on a one-dimensional aspect if it’s always the same the same the same… however, by paying attention to the<br />

genius of someone like Joni Mitchell one can be inspired to take an expansive and integrative approach to raise the bar and<br />

create a masterwork.<br />

66 ArtisSpectrum

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