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Look Up (New York)<br />

Digital Photography 30” x 20”<br />

MARISA ATHA<br />

Marisa Atha’s photographs<br />

traverse the space between<br />

experience and memory. She<br />

captures common but often<br />

overlooked hallmarks of the<br />

urban experience: industrial<br />

staircases, undersides<br />

of bridges, banners floating<br />

above downtown sidewalks.<br />

These images recall quiet<br />

scenes that every city dweller<br />

or tourist has undoubtedly<br />

noted and tucked away while<br />

walking through urban streets<br />

or subway tunnels. Through newspaper-like graininess,<br />

saturated colors and blurred movement coupled with bursts<br />

of clarity, Atha memorializes momentary experience, at<br />

once acknowledging the volatility and the sublimity of urbanity.<br />

As an artist, Atha understands the ways in which the<br />

mind meshes and reforms its memories. Her photographs<br />

are manipulated to mirror the transformations that occur<br />

as an encounter turns into an intangible recollection. But<br />

Atha makes these recollections tangible again. Through her<br />

photographs, the ephemeral qualities of memory are pulled<br />

back into the physical, visible world. Marisa Atha received<br />

a B.A. from California Polytechnic State University and an<br />

M.M. from San Francisco State. She has exhibited nationally<br />

and currently runs ArtSake Studio out of San Francisco.<br />

Websites: www.artsakestudio.com<br />

www.Art-Mine.com/ArtistPage/Marisa_Atha.aspx<br />

APOLO ANTON ARAUZ<br />

Train Digital Photography<br />

Mexican photographer, Apolo<br />

Anton Arauz, transforms urban<br />

settings into otherworldly<br />

experiences. He often incorporates<br />

found objects that serve as<br />

unique and abstract portals into<br />

a city’s inner meaning. Old and<br />

rotting buildings become beautiful<br />

fragments of a forgotten and<br />

sometimes unknown past. Arauz<br />

captures a rusting, brownish-red<br />

industrial ladder, the svelte floor<br />

of a tennis court, and the barbed<br />

47” x 31.5”<br />

wire of a prison entrance with<br />

such delicacy and care, that settings normally termed edgy<br />

and upsetting become at once beautiful and elegant. These<br />

photographs imbue urban dwellings with new life and mysterious<br />

vigor, inviting the viewer to delve deeper into the uncovered<br />

history of such places. Arauz collects objects from<br />

the sites he photographs and then covers them in Resin<br />

Polyester Plastic, giving a physical dimension to the fleeting<br />

moments captured in his artwork. Observation is key to<br />

Arauz’s artistic method; the inanimate objects in his work<br />

are the embodiment of human emotions. The ability to give<br />

such feelings a physical form is what makes Apolo Anton<br />

Arauz’s artwork so mesmerizing with a multitude of hidden<br />

meanings ready to be uncovered.<br />

Website: www.blue021.com<br />

www.Art-Mine.com/ArtistPage/Apolo_Anton_Arauz.aspx<br />

530 West 25th Street Chelsea, New York City, NY<br />

Tel: 212-226-4151 / Fax: 212-966-4380<br />

www.Agora-Gallery.com / info@Agora-Gallery.com<br />

57 ArtisSpectrum

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