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Look Up (New York)<br />
Digital Photography 30” x 20”<br />
MARISA ATHA<br />
Marisa Atha’s photographs<br />
traverse the space between<br />
experience and memory. She<br />
captures common but often<br />
overlooked hallmarks of the<br />
urban experience: industrial<br />
staircases, undersides<br />
of bridges, banners floating<br />
above downtown sidewalks.<br />
These images recall quiet<br />
scenes that every city dweller<br />
or tourist has undoubtedly<br />
noted and tucked away while<br />
walking through urban streets<br />
or subway tunnels. Through newspaper-like graininess,<br />
saturated colors and blurred movement coupled with bursts<br />
of clarity, Atha memorializes momentary experience, at<br />
once acknowledging the volatility and the sublimity of urbanity.<br />
As an artist, Atha understands the ways in which the<br />
mind meshes and reforms its memories. Her photographs<br />
are manipulated to mirror the transformations that occur<br />
as an encounter turns into an intangible recollection. But<br />
Atha makes these recollections tangible again. Through her<br />
photographs, the ephemeral qualities of memory are pulled<br />
back into the physical, visible world. Marisa Atha received<br />
a B.A. from California Polytechnic State University and an<br />
M.M. from San Francisco State. She has exhibited nationally<br />
and currently runs ArtSake Studio out of San Francisco.<br />
Websites: www.artsakestudio.com<br />
www.Art-Mine.com/ArtistPage/Marisa_Atha.aspx<br />
APOLO ANTON ARAUZ<br />
Train Digital Photography<br />
Mexican photographer, Apolo<br />
Anton Arauz, transforms urban<br />
settings into otherworldly<br />
experiences. He often incorporates<br />
found objects that serve as<br />
unique and abstract portals into<br />
a city’s inner meaning. Old and<br />
rotting buildings become beautiful<br />
fragments of a forgotten and<br />
sometimes unknown past. Arauz<br />
captures a rusting, brownish-red<br />
industrial ladder, the svelte floor<br />
of a tennis court, and the barbed<br />
47” x 31.5”<br />
wire of a prison entrance with<br />
such delicacy and care, that settings normally termed edgy<br />
and upsetting become at once beautiful and elegant. These<br />
photographs imbue urban dwellings with new life and mysterious<br />
vigor, inviting the viewer to delve deeper into the uncovered<br />
history of such places. Arauz collects objects from<br />
the sites he photographs and then covers them in Resin<br />
Polyester Plastic, giving a physical dimension to the fleeting<br />
moments captured in his artwork. Observation is key to<br />
Arauz’s artistic method; the inanimate objects in his work<br />
are the embodiment of human emotions. The ability to give<br />
such feelings a physical form is what makes Apolo Anton<br />
Arauz’s artwork so mesmerizing with a multitude of hidden<br />
meanings ready to be uncovered.<br />
Website: www.blue021.com<br />
www.Art-Mine.com/ArtistPage/Apolo_Anton_Arauz.aspx<br />
530 West 25th Street Chelsea, New York City, NY<br />
Tel: 212-226-4151 / Fax: 212-966-4380<br />
www.Agora-Gallery.com / info@Agora-Gallery.com<br />
57 ArtisSpectrum