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NADEGE MOREY<br />
Black and Red 1 Acrylic & Collage on Canvas 30” x 30”<br />
The French artist, Nadege Morey, grew up in Normandy<br />
and moved to the United States at age 25, searching<br />
for new beginnings and blank canvases. Now, living in New<br />
York, she has elaborated a visual vocabulary over the last<br />
three years that achieves a striking dynamism with stark,<br />
minimalist compositions. Her visually captivating canvases<br />
feature two strong acrylic tones and collaged dictionary<br />
pages arranged into geometric forms and patterns. From<br />
the simple standpoint of visual pleasure, there’s a great<br />
deal of enjoyment to be taken from Morey’s patterns, bold<br />
colors and linear forms. Each work invites viewers into a<br />
movement—whether spiraling, zigzagging or circling—<br />
which one can’t help but follow.<br />
In addition to her work’s visual allure, though, Morey marks<br />
interesting departures from, and dialogs with minimalism.<br />
She continues this aesthetic tradition, but adds the<br />
dimension of collage and text. In so doing, she not only<br />
evokes Kazimir Malevich and Sol LeWitt—whose striped,<br />
colorful geometrics she opens with—but also Jasper Johns<br />
and Picasso—for their central incorporation of text. Morey<br />
tests the limits of collage and minimalism by juxtaposing<br />
them. Her black, red and yellow acrylic forms confound<br />
distinctions between movement and stasis, background and<br />
foreground, depth and surface. Meanwhile, the dictionary<br />
pages figure alternately as backdrop, figure, or another<br />
indeterminate form in the dimensional conundrum.<br />
Even more intriguing than these plays with perspective and<br />
depth, Morey’s dictionary pages introduce an entirely new<br />
experience to minimalism. After all, if that artistic tradition is<br />
predicated on the complete absence of identifiable images,<br />
pasting page upon page of definitions into that environment<br />
Black and Red 2 Acrylic & Collage on Canvas 30” x 30”<br />
Nadege in her Studio<br />
constitutes a fairly radical move. Appearing as abstract<br />
forms from a distance, the details of Morey’s collages are full<br />
of completely literal, representational imagery. This sharp<br />
contrast between the large-scale and minute forms in her<br />
works makes them all the more powerful. Taken at different<br />
levels she seems to deal in monochrome abstraction,<br />
minimalist collage and dramatic text art. However one<br />
reads Morey’s work, though, the process is enjoyable and<br />
engaging.<br />
Website: www.nadegemorey.com<br />
58 ArtisSpectrum