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NADEGE MOREY<br />

Black and Red 1 Acrylic & Collage on Canvas 30” x 30”<br />

The French artist, Nadege Morey, grew up in Normandy<br />

and moved to the United States at age 25, searching<br />

for new beginnings and blank canvases. Now, living in New<br />

York, she has elaborated a visual vocabulary over the last<br />

three years that achieves a striking dynamism with stark,<br />

minimalist compositions. Her visually captivating canvases<br />

feature two strong acrylic tones and collaged dictionary<br />

pages arranged into geometric forms and patterns. From<br />

the simple standpoint of visual pleasure, there’s a great<br />

deal of enjoyment to be taken from Morey’s patterns, bold<br />

colors and linear forms. Each work invites viewers into a<br />

movement—whether spiraling, zigzagging or circling—<br />

which one can’t help but follow.<br />

In addition to her work’s visual allure, though, Morey marks<br />

interesting departures from, and dialogs with minimalism.<br />

She continues this aesthetic tradition, but adds the<br />

dimension of collage and text. In so doing, she not only<br />

evokes Kazimir Malevich and Sol LeWitt—whose striped,<br />

colorful geometrics she opens with—but also Jasper Johns<br />

and Picasso—for their central incorporation of text. Morey<br />

tests the limits of collage and minimalism by juxtaposing<br />

them. Her black, red and yellow acrylic forms confound<br />

distinctions between movement and stasis, background and<br />

foreground, depth and surface. Meanwhile, the dictionary<br />

pages figure alternately as backdrop, figure, or another<br />

indeterminate form in the dimensional conundrum.<br />

Even more intriguing than these plays with perspective and<br />

depth, Morey’s dictionary pages introduce an entirely new<br />

experience to minimalism. After all, if that artistic tradition is<br />

predicated on the complete absence of identifiable images,<br />

pasting page upon page of definitions into that environment<br />

Black and Red 2 Acrylic & Collage on Canvas 30” x 30”<br />

Nadege in her Studio<br />

constitutes a fairly radical move. Appearing as abstract<br />

forms from a distance, the details of Morey’s collages are full<br />

of completely literal, representational imagery. This sharp<br />

contrast between the large-scale and minute forms in her<br />

works makes them all the more powerful. Taken at different<br />

levels she seems to deal in monochrome abstraction,<br />

minimalist collage and dramatic text art. However one<br />

reads Morey’s work, though, the process is enjoyable and<br />

engaging.<br />

Website: www.nadegemorey.com<br />

58 ArtisSpectrum

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