in this issue

CES2006 REPORT
combo had transient quickness, coherence, and surprisingly
controlled deep bass.
Antique Sound Lab introduced the bargain-priced
Explorer 805 DT amps ($2995), which produced a seductive
and musical sound driving the Reference 3A Veenas.
Continuing its welcome tradition of offering high-value
tube products, PrimaLuna introduced two new 70Wpc
monoblock amplifiers in the Upscale Audio suite: the EL34-
based ProLogue Six ($2295) and KT-88-based ProLogue Seven
($2695). These monoblocks feature PrimaLuna’s adaptive autobias
and soft-start capabilities, as well as wideband, low-loss output
transformers that are built to handle difficult loads. Both
amps sounded great, and I’d love to try them on my Quads.
A few noteworthy amps do not fit into any of these categories.
The Muse Model 200 ($3275) starts life as a power
amp, but with the addition of optional modules can become an
integrated amplifier.
For single-ended fans, the new Wavelength Jupiter 50
($6000) is the first commercially available amplifier that is based
on the RCA 50 tube (RCA’s answer to the WE300B). If you can
get by with 5-watts/channel, you could be in heaven. ➤
DIGITAL SOURCES AND
MULTICHANNEL ELECTRONICS
ALAN TAFFEL
Olive Opus
At this year’s CES, everything old was new again.
Peggy Lee’s chestnut “Fever” wafted through the
Alexis Park and St. Tropez corridors. Stereo experienced
a renaissance, as not a single audio system
I saw boasted more than two channels. The resolution
of source material—universally CDs or
LPs—never exceeded the level available twenty years ago.
Conventional solid-state or tubed electronics drove, for the
most part, conventional cone or even horn speakers. And in one
of the show’s biggest announcements, Classic Records unveiled
its plan to release a slew of early Everest recordings—in mono.
This is the cutting edge of audio? Yes, it is, if sonics is your
yardstick. Though the ingredients were old-fashioned, the
sound cooked up at this year’s CES was impressively consistent
in its excellence. Determining the best sound of the show
entailed real deliberation.
ALAN TAFFEL’S
Best of Show
Most Significant New Product
Olive Opus ($3000). A fully networked
high-resolution media server, with wireless
connectivity to multiple listening zones, the Opus also plays
and burns good old CDs. But beyond features, the Opus is
significant as a harbinger of what such devices can and will
achieve sonically.
Coolest New Product
Goldmund Logos Active Speaker ($10,000). This satellite
speaker, a steal considering its built-in twin 200W amps
plus Goldmund’s excellent DAC, accepts either digital or
line-level analog signals. Small though the Logos’ aluminum
enclosure may be, it delivered towering dynamics and a
rhythmic insight sorely lacking in many of the show’s “statement”
products.
Coolest Accessory
Stello HP100 headphone amp ($595). In a revelatory
demo, this amp goosed a pair of Sennheiser 600 headphones
to unsuspected sonic heights—highly detailed,
open, and dynamic.
Most Frequently Heard Demo Music
Peggy Lee’s “Fever.”
Greatest Value
Resolution Opus 21 CD player. Three grand for a CD player
seemed cheap at this show, but the Resolution’s performance
belied its sane price. Not to be missed.
Best Sound at CES
The Kharma Mini-Exquisite/mbl/Kubala-Sosna Room. An
exceedingly difficult choice this year, but the finalists came
down to the Lamm room, with its impeccable setup of the
Wilson Maxx2’s, and the two Kharma suites. The system
that kept calling me back featured the new Mini-Exquisite
speakers, the entry level for diamond-tweetered Kharmas. I
preferred its purity and coherence over even the larger,
costlier Midi-Exquisites next door. No doubt the associated
equipment played a major part in this system’s effortless
ability to conjure the magic of real music.
Stello HP100 headphone amp
46 THE ABSOLUTE SOUND ■ APRIL/MAY 2006