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CES2006 REPORT<br />
Wisdom Audio/Edge<br />
Wisdom Audio M-75s ribbons l<strong>in</strong>e-source with separate<br />
cone subwoofers ($52k)<br />
Edge G CD player ($4788)<br />
Edge G 2 solid-state preamp ($4788)<br />
Edge G 8 stereo amplifier ($6588)—subs<br />
Edge NL12.1 stereo amplifier ($18.5k)—panels<br />
The M-75s were a little reticent dynamically (which has<br />
always been the case with Wisdom speakers driven by<br />
Edge electronics), but had good openness, bloom, and<br />
neutrality (all of which are also typical of the<br />
Wisdom/Edge pair<strong>in</strong>g). This year, I thought the <strong>in</strong>tegration<br />
of the outboard subwoofer and the ribbon panel was<br />
considerably less than ideal. (OTOH, REG thought it<br />
was the best bass at the show! Go figure.)<br />
Kuzma Stabi XL turntable and Airl<strong>in</strong>e arm<br />
Calix<br />
Calix Venus Phoenix Grand horn-loaded loudspeaker ($13k)<br />
Chord CPM <strong>in</strong>tegrated amp<br />
Chord CD player<br />
A dynamic horn speaker system, the Calixes are, ultimately,<br />
prettier to look at than to listen to because of driver <strong>in</strong>tegration<br />
and localization problems.<br />
TAD<br />
TAD Model 3 three-way floorstander with concentric<br />
beryllium mid/tweet and 10" bass drivers ($40k)<br />
Pass Labs XA600.5 for bass ($12k)<br />
Pass Labs XA150 for concentric mid/tweet ($20k)<br />
Keith Johnson custom DAC and TEAC Esoteric transport ($TBD)<br />
This fancy TAD loudspeaker, with technology borrowed from<br />
Andrew Jones’ top-of-the-l<strong>in</strong>e Model 1, had good focus, con-<br />
Hiroyasu Kondo, Rest <strong>in</strong> Peace<br />
It is with considerable sadness that we report the death of<br />
Hiroyasu Kondo, founder of Audio Note Japan, who passed<br />
away <strong>in</strong> his sleep on January 8, 2006, while attend<strong>in</strong>g CES <strong>in</strong><br />
Las Vegas. He is survived by his wife Kazuko, his son Yuji, and<br />
his daughter Hisae.<br />
The son of a Buddhist priest, Kondo San was a professor of<br />
electronic eng<strong>in</strong>eer<strong>in</strong>g and molecular metallurgy before found<strong>in</strong>g<br />
Audio Note <strong>in</strong> Japan <strong>in</strong> 1976. Famous for his revolutionary use of<br />
silver <strong>in</strong> audio equipment, Kondo almost s<strong>in</strong>gle-handedly revived<br />
the s<strong>in</strong>gle-ended-triode amplifier; his 211-based SET, the Ongaku,<br />
rema<strong>in</strong>s the exemplar of Japanese high-end audio.<br />
TAS Associate Editor Jonathan Val<strong>in</strong>, who reviewed Audio<br />
Note’s Neiro and Kegon amplifiers <strong>in</strong> Fi, says: “It’s both appropriate<br />
and ironic that Kondo San passed away at the Consumer<br />
Electronics Show—appropriate because high-end audio was his<br />
art and ironic because he was as far from mak<strong>in</strong>g ‘consumer<br />
electronics’ as a human be<strong>in</strong>g could get. He was an artisan like<br />
Fabergé and Tiffany, and the beautiful th<strong>in</strong>gs he made, like theirs,<br />
were fit for czars and k<strong>in</strong>gs.”<br />
Audio Note Japan reports that Kondo San had been <strong>in</strong> ill health<br />
for some time. In order to ensure that his standards would be ma<strong>in</strong>ta<strong>in</strong>ed,<br />
he appo<strong>in</strong>ted his close colleague and chief designer Masaki<br />
Ashizawa as President of Audio Note Japan six months ago.<br />
Andrew Jones describes the TAD Model 3<br />
62 THE ABSOLUTE SOUND ■ APRIL/MAY 2006