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tiruvAcagam or The Sacred Utterances of the Tamil Poet, Saint and ...

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Hymn VIII: THE SACRED AMMANAI<br />

RAPTUROUS JOY.<br />

<strong>The</strong> remarks made in <strong>the</strong> introduction to VII will apply in Some degree to this poem also, which is traditionally said<br />

to have been composed at <strong>the</strong> same place <strong>and</strong> time by <strong>the</strong> bard, who seeing women in great numbers enjoying <strong>the</strong>ir<br />

favourite game <strong>of</strong> AmmAnai <strong>and</strong> accompanying it a simple song, listened to <strong>the</strong>ir w<strong>or</strong>ds, <strong>and</strong> <strong>the</strong>n put <strong>the</strong> substance<br />

into <strong>the</strong>se verses. In some <strong>of</strong> <strong>the</strong>m He relates his own experiences: In o<strong>the</strong>rs he puts w<strong>or</strong>ds into <strong>the</strong>ir mouths In <strong>the</strong><br />

play <strong>the</strong> women, generally six in number, sit in a circle <strong>and</strong> toss a number <strong>of</strong> little balls from one to ano<strong>the</strong>r with great<br />

dexterity <strong>and</strong> very swiftly. It is a pretty sight. <strong>The</strong>y accompany <strong>the</strong>ir game a simple song, <strong>the</strong> rhythm <strong>of</strong> which is<br />

suited to <strong>the</strong> action <strong>of</strong> <strong>the</strong> players. In this case <strong>the</strong>re are twenty verses <strong>of</strong> six lines, each verse having but a single<br />

rhythm. <strong>The</strong> subject <strong>of</strong> such verse .... generally some heroic exploits, such as are popular among all classes; <strong>or</strong> <strong>the</strong><br />

great acts <strong>of</strong> a deity. Here <strong>the</strong> title <strong>of</strong> 'rapturous joy' has been prefixed, as <strong>the</strong> edit<strong>or</strong> seems to have conceived that as<br />

<strong>the</strong> main idea <strong>of</strong> <strong>the</strong> verses.<br />

I. His advent as Guru. <strong>The</strong> Foot<br />

Great MAl, <strong>the</strong> fiery-eyed, delved down, but failed to reach<br />

His foot's exp<strong>and</strong>ing flower! To earth that foot came down,<br />

Our birth' cut <strong>of</strong>f, made those like us His own.—L<strong>or</strong>d <strong>of</strong><br />

<strong>The</strong> south-l<strong>and</strong>is clustering cocoa-groves, <strong>and</strong> Perun-turrai's shrine,<br />

And Tillai's sacred court,—a sage He came, call'd me in grace'<br />

And gave release. SING we His foot whence mercy flows ! AMMANAY, SEE ! (6)<br />

----<br />

1-6. Here <strong>the</strong>re are four lending ideas: i) Civan rising as <strong>the</strong> mountain ArunAchalam passed above <strong>and</strong> below <strong>the</strong><br />

roaring flight <strong>of</strong> BrahmA <strong>and</strong> <strong>the</strong> delvings <strong>of</strong> Vishnu; 2) this same Caiva graciously manifested Himself as a GURU to<br />

<strong>the</strong> humble, loving bard in <strong>or</strong>der to release him from fur<strong>the</strong>r metempsychosis; 3) He is also w<strong>or</strong>shipped in <strong>the</strong> temple<br />

<strong>of</strong> Perun-turai, His great sou<strong>the</strong>rn- shrine, where <strong>the</strong> saint first knew Him; <strong>and</strong> 4) in <strong>the</strong> sacred court <strong>of</strong> Tillai He<br />

dwells, a BrAhman, one <strong>of</strong> <strong>the</strong> 3000 saints, <strong>the</strong> mystic Dancer <strong>and</strong> Dispenser <strong>of</strong> grace. <strong>The</strong>re <strong>the</strong> sage is to obtain his<br />

consummation. <strong>The</strong>se four ideas perpetually recur in <strong>the</strong>se poems.. This is un unfailing topic treated with inexhaustible<br />

variety.<br />

--------<br />

II. Manifestations<br />

To men on earth, to heavenly ones, to those beneath,<br />

To those beyond, He's scarce made known; to us accessible !<br />

<strong>The</strong> Name revered, <strong>the</strong> South-King, Perun-turrai's L<strong>or</strong>d<br />

Entering our souls, with frenzy filled <strong>the</strong>m, showed <strong>the</strong> final way.<br />

Unsating Nectar, - in <strong>the</strong> billowy sea He cast His net;<br />

<strong>The</strong> Sea <strong>of</strong> full desire SING we ! AMMAANAY, SEE ! (12)<br />

Civan cast His net, is a fisherman. This refers to a st<strong>or</strong>y in <strong>the</strong> fifty-seventh <strong>of</strong> <strong>the</strong> ‘<strong>Sacred</strong> sp<strong>or</strong>ts’. PArvathi was one<br />

day inattentive while Civan was expounding to her <strong>the</strong> VEdic mysteries, f<strong>or</strong> which she was condemned by her angry<br />

husb<strong>and</strong> <strong>and</strong> precept<strong>or</strong> to be b<strong>or</strong>n on earth as a wife <strong>of</strong> a fisherman. Acc<strong>or</strong>dingly one day she was discovered lying as a<br />

tender infant under a Pinnai tree(<strong>or</strong> Punnai, Calophyllam Inophyllam)by <strong>the</strong> headman <strong>of</strong> <strong>the</strong> Paravar, a great clan <strong>of</strong><br />

fisherman found everywhere along <strong>the</strong> coasts <strong>of</strong> <strong>the</strong> <strong>Tamil</strong> l<strong>and</strong>s. By him she was adopted, <strong>and</strong> grew up a maiden <strong>of</strong><br />

surpassing beauty. At this time N<strong>and</strong>i <strong>the</strong> Chamberlain <strong>of</strong> Civan, in <strong>or</strong>der to bring about <strong>the</strong> accomplishment <strong>of</strong> <strong>the</strong><br />

god’s purpose with regard to <strong>the</strong> banished PArvathi, assumed <strong>the</strong> f<strong>or</strong>m <strong>of</strong> a monstrous shark; <strong>and</strong> in various ways<br />

annoyed <strong>the</strong> po<strong>or</strong> fishermen, breaking <strong>the</strong>ir nets <strong>and</strong> wrecking <strong>the</strong>ir boats. On this <strong>the</strong> headman <strong>of</strong> <strong>the</strong> paravars issued a<br />

proclamation that whoever should catch <strong>the</strong> sea-monster should be rewarded with <strong>the</strong> h<strong>and</strong> <strong>of</strong> his beautiful adopted<br />

daughter. Civan f<strong>or</strong>thwith made his appearance as a youth <strong>of</strong> noble aspect who had come from Madura, <strong>and</strong> at <strong>the</strong> first<br />

throw <strong>of</strong> his net caught <strong>the</strong> shark <strong>and</strong> brought it to l<strong>and</strong>. He acc<strong>or</strong>dingly, having himself become a fisherman, received<br />

<strong>the</strong> fisherman’s daughter in marriage. <strong>The</strong> god now assumed his ancient f<strong>or</strong>m, <strong>and</strong> rest<strong>or</strong>ed pArvathi to hers, <strong>and</strong> with<br />

many gracious w<strong>or</strong>ds took <strong>the</strong> foster fa<strong>the</strong>r with Him to KailACham, <strong>the</strong> paradise <strong>of</strong> Silver Hill.<br />

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