used in a classical way, combined with patched double trills and mordents used to positively reinforce that effect. Also, there is a third factor: super-charged trills used throughout the entire range of the clarinet that artificially enhances the “sensation” of super-fast triple tonguing. This playing technique is produced by “slapping” the second and third right-hand upper keys with a right-hand index finger in extremely fast, yet gentle fashion, at the same time avoiding faulty harmonics on any given note where this particular technique has been applied. When combined with the aforementioned two techniques, it blends into the whole “recipe” for the ethno-classical style of my performance. It is the product of my long-time research, used classified advertising All ads submitted for The <strong>Clarinet</strong> should be: 1. Typewritten, double-spaced; 2. As concisely worded as possible; 3. Non-commercial in nature and limited to the sale and trade of personally owned instruments, music, accessories, etc.; 4. Submitted to the Editor by the advertising deadlines listed on page 3. Placed by members of the I.C.A. only. Each ad will run only one issue unless the Editor is otherwise advised. INSTRUMENTS FOR SALE: <strong>Buffet</strong> R-13, A and B ♭ , 19 keys/7 rings. Outstanding tone, intonation and condition. Used by now-retired professional symphony clarinetist and college teacher. Accessories included: four extra barrels (two for each clarinet), customized double and triple cases with covers. Accessories also available: mouthpieces, reed tools, clarinet stands, etc.; and my library of several books, and much music, solos, ensembles, orchestral excerpts, some 1st clarinet parts, method and etude books, in addition to four antique clarinets (approximately 100 years old). Also sax mouthpieces: alto—Selmer metal C* (1960); and tenor—metal Otto Link (1950+/), and flute, oboe and bassoon music. For full description and prices, please contact Armand Abramson (verizon.net as of May?) or phone 609.947.4379. mostly in contemporary classical compositions, some of which are dedicated to and commissioned by me. This time, I’ve tried to diversify and expand this invention, thus producing the eclectic presentation on the edge of folk and boundary of classical aesthetical values. These particular risks taken in effort to create this ethno-classical genre would be perceived harshly in the countries from where these music counterparts originate (on both sides of the same artistic spectrum) considering the culture and age-old customs that define aesthetics and styles more rigidly, as opposed to North American openness, which openheartedly welcomed my interest in ethnic roots of the Balkans. Thank you very much for your interest and patience of the members of the <strong>International</strong> <strong>Clarinet</strong> <strong>Association</strong> in reading my response. I am deeply honored by Mr. Kavadlo’s remarks and would like to extend my deepest gratitude for his review. Best & warm regards, Milan Milosevic E-mail: ; Page 6 THE CLARINET
March 2006 Page 7
- Page 1: Volume 33 Number 2 March 2006 Buffe
- Page 5: INTERNATIONAL CLARINET ASSOCIATION
- Page 10 and 11: y Michael Webster Michael Webster S
- Page 12 and 13: Without exception, all of these arp
- Page 14 and 15: The diminished seventh chord gets s
- Page 16 and 17: Page 14 by William Nichols One of t
- Page 18 and 19: conceived heartfelt pieces with Heb
- Page 20 and 21: MICHAEL NORSWORTHY AT CALIFORNIA ST
- Page 22 and 23: “Historically Speaking” is a fe
- Page 24 and 25: y Paul Harris Irecently gave a perf
- Page 26 and 27: y Paul Globus THE NEW WORD IS “CL
- Page 28 and 29: A: Don’t worry. You don’t need
- Page 30 and 31: Biographies of Candidates for I.C.A
- Page 32 and 33: Readers of the previous issue of Th
- Page 34 and 35: As with slurred wide intervals it i
- Page 36 and 37: A TRIBUTE TO Josef Horák by Henri
- Page 38 and 39: Buffet Crampon’s 180th Anniversar
- Page 40 and 41: y Christine A. Zimmerman For years,
- Page 42 and 43: In Review The Friday morning, July
- Page 44 and 45: A stunning performance of Bassi’s
- Page 46 and 47: Lapa and Yoshimatsu works are espec
- Page 48 and 49: No 16: Super Wind Orchestra, Michiy
- Page 50: Asia, but it was a huge success tha
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- Page 56 and 57: Page 54 The University of Georgia a
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Dileep Gangolli, Evanston, IL Barba
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The following is a brief report on
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I use a stock off-the-shelf Vandore
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Gervase de Peyer in his 80th Year,
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practicing. One special forthcoming
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Bernstein and the Clarinet: Stanley
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conductor, from 1970 up to 1989 whe
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PART II: INTONATION AND FINGERINGS
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TONY SCOTT Part I: The Stateside Ye
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The first installment in this serie
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Sheet music “Out of This World”
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The Mozart Partita Project First Ed
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Entry from K 6 states location of t
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An Early Performance of Messiaen’
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MUSIC REVIEWS by Himie Voxman Chris
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Innovative Music Fehr, Jorg, Ich sp
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movements have great drive and are
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(P pronounced like “th” in “t
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the program, is not to be missed. H
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Also heard on this CD are 13 record
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STUDENT… Alejandro Lozada, clarin
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INTERNATIONAL CLARINET ASSOCIATION