05 Apr - 02 May - Filmhouse Cinema Edinburgh
05 Apr - 02 May - Filmhouse Cinema Edinburgh
05 Apr - 02 May - Filmhouse Cinema Edinburgh
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Ingrid Bergman in Stromboli<br />
5 APR 13 2 MAY 13<br />
FILMS WORTH TALKING ABOUT<br />
HOME OF THE EDINBURGH INTERNATIONAL FILM FESTIVAL<br />
88 LOTHIAN ROAD EDINBURGH EH3 9BZ WWW.FILMHOUSECINEMA.COM BOX OFFICE 0131 228 2688 PROGRAMME INFO 0131 228 2689<br />
Italian<br />
Film<br />
Festival<br />
tickets<br />
from £3.50<br />
See page 15<br />
3 CINEMAS CAFE BAR
2<br />
INDEX INDEX AUDIODESCRIPTIONANDSUBTITLES<br />
SCREENING DATES AND TIMES 14-15<br />
TICKET PRICES & INFORMATION 15<br />
GENERAL INFORMATION 27<br />
The Age of Innocence 11<br />
Alois Nebel 22<br />
Baal 24<br />
The Ballad of Jack and Rose 10<br />
A Cat in Paris 8<br />
Caesar Must Die 5<br />
Chitty Chitty Bang Bang Sing-Along Screening 9<br />
Come and See... 20<br />
The Commander and the Stork 17<br />
The Crucible 11<br />
Daleks’ Invasion Earth: 2150 A.D. 9<br />
Daniel Day-Lewis: Presented by Drambuie 10-12<br />
The Dark Hours 21<br />
Dead by Dawn 21<br />
Dead by Dawn: The Prelude 21<br />
Dormant Beauty 16<br />
Dr Who and the Daleks 9<br />
Education and Learning at <strong>Filmhouse</strong> 26<br />
Enter the Dragon 20<br />
Every Blessed Day 17<br />
The Evil Dead (1981) 20<br />
Exterminate! 9<br />
Fear 18<br />
<strong>Filmhouse</strong> Cafe Bar & Quiz 23<br />
<strong>Filmhouse</strong> Membership 28<br />
<strong>Filmhouse</strong> Player 23<br />
Flying Blind 20<br />
Gangs of New York 12<br />
The Gatekeepers 6<br />
Good Vibrations 4<br />
The House 22<br />
The Immature – The Trip 18<br />
In the House 4<br />
In the Name of the Father 11<br />
The Interval 17<br />
Italian Film Festival 16-18<br />
Journey to Italy 17<br />
The Last of the Mohicans 11<br />
A Late Quartet 4<br />
LIAF Animation for Kids (7+) 8<br />
Lincoln 11<br />
Long Live the Family! 22<br />
Lore 6<br />
Love Is All You Need 5<br />
Madame de... 7<br />
Made in Prague 22<br />
Me and You 16<br />
My Beautiful Laundrette 10<br />
My Left Foot 10<br />
Neighbouring Sounds 5<br />
New British <strong>Cinema</strong> Quarterly 20<br />
On the Waterfront 7<br />
Piazza Fontana: The Italian Conspiracy 18<br />
Planet Bowie: Presented by Drambuie 24<br />
Point Blank 7<br />
The Red and the Blue 18<br />
A Room with a View 11<br />
S.B.: I Knew Him Well 18<br />
Sing-Along Screening 9<br />
Slow Food Story 18<br />
Stoker 6<br />
Stromboli 16<br />
Theorem 8<br />
There Will Be Blood 12<br />
Walking Too Fast 22<br />
The War of the Volcanoes 16<br />
Weans’ World 8<br />
Ziggy Stardust and the Spiders from Mars 24<br />
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In all three screens we have a system which<br />
enables us, whenever the necessary digital<br />
files are available, to show onscreen subtitles<br />
for customers who are deaf or hard of hearing,<br />
and provide audio description (via infra-red<br />
headsets) for those who are sight-impaired.<br />
This issue, all screenings of A Late Quartet,<br />
Love is All You Need and Stoker will have audio<br />
description, and the following screenings will<br />
also have subtitles:<br />
A Late Quartet – Tue 9 <strong>Apr</strong> at 6.20pm<br />
Love is All You Need – Mon 22 <strong>Apr</strong> at 6.00pm<br />
Stoker – Sun 28 <strong>Apr</strong> at 1.10pm<br />
FORCRYINGOUTLOUD<br />
Screenings for carers and their babies!<br />
A Late Quartet – Mon 8 <strong>Apr</strong> at 11am<br />
Lore – Mon 15 <strong>Apr</strong> at 11am<br />
Love is All You Need – Mon 22 <strong>Apr</strong> at 11am<br />
On the Waterfront – Mon 29 <strong>Apr</strong> at 11am<br />
Screenings are limited to babies under 12<br />
months accompanied by no more than two<br />
adults. Baby changing, bottle warming and<br />
buggy parking facilities are available.<br />
Tickets £4.50/£3.50 concessions per adult.<br />
<strong>Filmhouse</strong>, 88 Lothian Road<br />
<strong>Edinburgh</strong> EH3 9BZ<br />
www.filmhousecinema.com<br />
Box Office: 0131 228 2688 (10am - 9pm)<br />
Administration: 0131 228 6382<br />
email: admin@filmhousecinema.com<br />
Twitter: @filmhouse<br />
Facebook: facebook.com/<strong>Filmhouse</strong><strong>Cinema</strong><br />
<strong>Filmhouse</strong> is a trading name of Centre for the Moving<br />
Image, a company limited by guarantee, registered in<br />
Scotland No. SC067087.<br />
Registered office, 88 Lothian Road, <strong>Edinburgh</strong> EH3 9BZ.<br />
Scottish Charity No. SC006793.<br />
VAT Reg. No. 328 6585 24
Introduction<br />
3<br />
NEIGHBOURING SOUNDS LOVE IS ALL YOU NEED A LATE QUARTET<br />
ON THE WATERFRONT<br />
If you see only one film this month... you’ll miss a whole load of great cinema.<br />
I am occasionally, in the course of my duties here at <strong>Filmhouse</strong>, asked to meet students on related courses to talk to them about my<br />
job, how we work, the film industry and all that stuff. Hopefully, they get something out of it – I know I do, for there’s nothing I like<br />
more than talking about myself for an hour... Anyway, the other day I was asked how many films I watch in the course of a year, and<br />
I’d no idea of the number. So, I’ve let my OCD take over for a while and have decided to keep a note of all films I watch (I once knew<br />
someone who kept ALL his ticket stubs...), for both business and pleasure, as it were, for a year from 1 March 2013; and, at the risk<br />
of appearing self-absorbed, will report back as the year progresses – if I remember to. I’ve no doubt some of you watch more films<br />
than I do, though you may struggle to keep up once the festivals I attend come around – gauntlet duly thrown down! I’m on eight<br />
so far (it’s 11 March today) which have included catching up on Zombieland (great fun), Iron Man 2 (I think I’ve had it with Hollywood<br />
blockbusters) and, top of the pile, the Brazilian Neighbouring Sounds, which can be seen at a cinema near you (ie. this one!) in <strong>Apr</strong>il.<br />
Ah yes, <strong>Apr</strong>il... A Late Quartet is an old-fashioned, beautifully performed gem – very much in the Woody Allen mould sans the<br />
comedy – set in the rarified world of a NYC string quartet, as one of their number (Christopher Walken as you may not have seen him<br />
before) announces his retirement. Cue the surfacing of previously buried resentments... Susanne Bier’s Love Is All You Need stars Pierce<br />
Brosnan (as a fruit and veg tycoon living in Denmark!) in an irresistible, beautiful, mostly Sorrento-set romantic comedy set around<br />
the wedding of an unlikely couple’s son and daughter... And, getting serious, if I may, for a minute, the revelatory documentary The<br />
Gatekeepers is the fascinating story of the Israeli internal security service (Shin Bet) as told by the men who ran it from 1948 to the<br />
present day. Incredible stuff.<br />
The Italian Film Festival returns for its 20th edition and features the best new Italian cinema plus two restorations of Roberto Rossellini/<br />
Ingrid Bergman collaborations, Stromboli and Journey to Italy; also celebrating its 20th anniversary is the weekend-long celebration<br />
of all things horror, Dead by Dawn. Daniel Day-Lewis gets a small/perfectly-formed Drambuie®-sponsored retrospective of his finest<br />
performances (including his three Oscar®-winning ones). There’s a few digital restorations rating a mention too: Max Ophuls’ elegant<br />
Madame de..., Pasolini’s mysterious Theorem, and Elia Kazan’s masterful On the Waterfront, simply one of the best American films ever<br />
made, and featuring Marlon Brando at the absolute peak of his considerable power. And if you fancy a bit of good old 35mm, a brand<br />
new print of John Boorman’s awesome Point Blank will be with us shortly after its debut at the BFI Southbank...<br />
Rod White, Head of <strong>Filmhouse</strong>
4<br />
New releases<br />
GOOD VIBRATIONS IN THE HOUSE A LATE QUARTET<br />
NEWRELEASE NEWRELEASE NEWRELEASE<br />
Good Vibrations<br />
Showing until Thu 11 <strong>Apr</strong><br />
Lisa Barros D’Sa & Glenn Leyburn<br />
UK/Ireland 2012 • 1h43m • Digital projection<br />
15 – Contains strong language, once very strong, and drug use<br />
Cast: Richard Dormer, Jodie Whittaker, Dylan Moran, Andrew<br />
Simpson, Adrian Dunbar.<br />
Begrudgingly accepting the title of Ulster’s Godfather of<br />
Punk, Terri Hooley was responsible for discovering The<br />
Undertones and, through his Good Vibrations record shop<br />
and label, along with the gigs he promoted, he enabled<br />
alternative music to be heard and to flourish in Belfast<br />
during the darkest days of Northern Ireland’s Troubles. His<br />
self-promoted legend is a wild mix of naivety, a refusal to<br />
compromise and a deep love for rock’n’roll, and it is vividly<br />
bought to the screen in this biopic from filmmakers Lisa<br />
Barros D’Sa and Glenn Leyburn.<br />
Good Vibrations evokes 1970s Belfast avoiding clichés and<br />
angst, and its fine cast, led by Richard Dormer as Hooley,<br />
is wonderfully committed. In celebrating the music of the<br />
time, the film dares to make an unfashionable case that<br />
pop music matters, that it can change lives, that it can<br />
be transcendent. It celebrates Hooley as truly heroic for<br />
making that same case all his life. (Michael Hayden, LFF<br />
programme)<br />
In the House Dans la maison<br />
Showing until Thu 18 <strong>Apr</strong><br />
François Ozon • France 2012 • 1h45m<br />
Digital projection • French with English subtitles<br />
15 – Contains strong language and sex and a scene of hanging<br />
Cast: Fabrice Luchini, Ernst Umhauer, Kristin Scott Thomas,<br />
Emmanuelle Seigner, Denis Ménochet.<br />
François Ozon follows the glorious camp of Potiche with<br />
this superbly controlled, coolly ironic adaptation of Juan<br />
<strong>May</strong>orga’s play ‘The Boy in the Last Row’.<br />
High-school literature teacher Germain (Fabrice Luchini)<br />
lives a beige, repetitive life; his despair at the state of<br />
contemporary education has given way to apathy and he is<br />
barely conscious of his curator wife’s (Kristin Scott Thomas)<br />
boredom. Unexpectedly, he discovers a student in his class<br />
whose compelling sense of prose and voyeuristic eye for<br />
detail stir his long dormant enthusiasm for his work. The<br />
daring and talented Claude (Ernst Umhauer) inveigles his<br />
way into the lives of a petit-bourgeois family, developing<br />
a particular fascination with the mother (Emmanuelle<br />
Seigner), and serialises his encounters in essay form<br />
under the increasingly voracious guidance of Germain. As<br />
Claude’s incursions become more audacious, the ground<br />
imperceptibly shifts, and the borders between reality and<br />
fiction become indistinguishable.<br />
Both a knowing ode to the art of storytelling and a<br />
scathing class critique, In the House sees Ozon return<br />
to the territory of Water Drops on Burning Rocks and<br />
Swimming Pool, not only in the precision of his form, but<br />
also in his flagrant admiration for the disruptive intruder<br />
with ambiguous desires. (Clare Stewart, LFF programme)<br />
A Late Quartet<br />
Fri 5 to Thu 25 <strong>Apr</strong><br />
Yaron Zilberman • USA 2012 • 1h46m<br />
Digital projection • 15 – Contains strong language and sex<br />
Cast: Christopher Walken, Philip Seymour Hoffman, Catherine<br />
Keener, Mark Ivanir, Wallace Shawn.<br />
A powerhouse cast brings vivid life to Yaron Zilberman’s<br />
engrossing drama about an illustrious string quartet, whose<br />
quarter-century anniversary precipitates a tempestuous<br />
(and potentially explosive) release of repressed feelings,<br />
long-held resentments and painful betrayals.<br />
Peter (Christopher Walken), the group’s founding member,<br />
is diagnosed with a degenerative illness that forces him to<br />
confront the troubling question of who will succeed him<br />
– and what his legacy will be. The marriage between second<br />
violinist Robert (Philip Seymour Hoffman) and violist Juliette<br />
(Catherine Keener) goes suddenly south when infidelity<br />
rears its head; while brilliant, headstrong and steel-willed<br />
first violinist Daniel (Mark Ivanir), already engaged in a<br />
battle over first chair with Robert, brings tensions to a boil<br />
when he falls into the arms of Robert and Juliette’s beautiful<br />
young daughter Alexandra (Imogen Poots).<br />
As the ensemble’s ageing patriarch, Walken has never been<br />
better, brilliantly etching Peter’s turbulent indecision and,<br />
finally, clear-eyed resolve about the right path to take.<br />
Not to be outdone, the rest of the cast rise to Walken’s<br />
challenge, and Zilberman never missteps, guiding us<br />
gracefully through those painful inevitabilities of ageing<br />
and change that contrast so movingly with the timeless<br />
beauty of music.
New releases<br />
5<br />
NEIGHBOURING SOUNDS CAESAR MUST DIE LOVE IS ALL YOU NEED<br />
NEWRELEASE<br />
Neighbouring Sounds<br />
O som ao redor<br />
Fri 12 to Thu 18 <strong>Apr</strong><br />
Kleber Mendonça Filho • Brazil 2012 • 2h11m • Digital projection<br />
Portuguese, English and Mandarin with English subtitles<br />
15 – Contains strong language, sex, and nudity<br />
Cast: Irma Brown, Sebastião Formiga, Gustavo Jahn, Maeve<br />
Jinkings, Dida Maia.<br />
A dazzling ensemble drama, Neighbouring Sounds is<br />
set among a handful of residents in a middle-class street<br />
in the northern Brazilian city of Recife. Focusing on the<br />
appearance of a gang of private security guards who offer<br />
householders the promise of protection, writer-director<br />
Kleber Mendonça Filho offers revealing fragments of a<br />
society frayed by paranoia. A young man wakes up to<br />
find his girlfriend’s car has been broken into. A mother<br />
struggles to sleep, disturbed by the barking of guard dogs<br />
next door. An ageing patriarch seeks refuge from the<br />
tumult of the ever-changing city in the rural peace of his<br />
one-time plantation hideaway. The results thrillingly defy<br />
categorisation, but what emerges under Filho’s precise,<br />
quietly virtuoso direction is a film of novelistic richness<br />
and sly provocation; a kind of urban horror story about<br />
the fear of violence that ripples under the fragile poise of<br />
everyday middle-class life in Brazil. One thing’s for sure: this<br />
is a directorial debut of astonishing assurance. (Edward<br />
Lawrenson, LFF programme)<br />
NEWRELEASE<br />
Caesar Must Die Cesare deve morire<br />
Fri 19 to Mon 22 <strong>Apr</strong><br />
Paolo Taviani & Vittorio Taviani • Italy 2012 • 1h16m<br />
Digital projection • Italian with English subtitles<br />
12A – Contains one use of strong language<br />
Cast: Cosimo Rega, Salvatore Striano, Giovanni Arcuri, Antonio<br />
Frasca, Juan Dario Bonetti.<br />
Winner of the Golden Bear at the 2012 Berlinale, Paolo and<br />
Vittorio Taviani’s Caesar Must Die deftly melds narrative and<br />
documentary in a transcendently powerful drama-withina-drama.<br />
The film was made in Rome’s Rebibbia Prison, where<br />
the inmates are preparing to stage Shakespeare’s ‘Julius<br />
Caesar’. After a competitive casting process, the roles are<br />
eventually allocated, and the prisoners begin exploring<br />
the text, finding in its tale of fraternity, power and betrayal<br />
parallels to their own lives and stories.<br />
Hardened criminals, many with links to organised crime,<br />
these actors find great motivation in performing the play.<br />
As we witness the rehearsals, beautifully photographed<br />
in various nooks and crannies within the prison, we see<br />
the inmates also work through their own conflicts, both<br />
internal and between each other.<br />
NEWRELEASE<br />
Love Is All You Need Den skaldede frisør<br />
Fri 19 <strong>Apr</strong> to Thu 2 <strong>May</strong><br />
Susanne Bier • Denmark/Sweden/Italy/France/Germany 2012<br />
1h56m • Digital projection<br />
Danish, English and Italian with English subtitles<br />
15 – Contains strong language<br />
Cast: Pierce Brosnan, Trine Dyrholm, Kim Bodnia, Paprika Steen,<br />
Sebastian Jessen.<br />
Pierce Brosnan, Trine Dyrholm and Paprika Steen star in this<br />
sparkling romantic comedy from Academy Award® winner<br />
Susanne Bier (Brothers, In a Better World), about two very<br />
different families brought together for a wedding in a<br />
beautiful old Italian villa.<br />
Returning from her final, successful chemotherapy<br />
treatment, Ida (Dyrholm) arrives home only to find her<br />
boorish husband in a compromising position with a ditzy<br />
co-worker. Stricken, she takes off to Sorrento alone to<br />
attend the wedding of her daughter Astrid to Patrick. Also<br />
attending is Patrick’s no-nonsense father Philip (Brosnan),<br />
a dashing but brooding widower who seems less than<br />
pleased with his life, his son, and his soon-to-be in-laws.<br />
When the young couple’s future happiness is suddenly<br />
jeopardised, Ida and Philip are brought together to try to<br />
set things right – and find that life might have a second<br />
chance in store for them as well.<br />
“Love Is All You Need has been made for an audience<br />
rarely catered for by the film industry: intelligent adults<br />
who enjoy perceptive and good-hearted drama.” - Robbie<br />
Collin, The Telegraph
6 New release/<strong>May</strong>be you missed...<br />
THE GATEKEEPERS LORE STOKER<br />
NEWRELEASE<br />
The Gatekeepers<br />
Fri 26 <strong>Apr</strong> to Thu 2 <strong>May</strong><br />
Dror Moreh • Israel/France/Germany/Belgium 2012 • 1h41m<br />
Digital projection • English and Hebrew with English subtitles<br />
15 – Contains images of real dead bodies • Documentary<br />
The Gatekeepers tells the story of the Shin Bet, perhaps the<br />
most active and certainly the most secretive of Israel’s security<br />
forces, and it tells it from the perspectives of its leaders who,<br />
more than anyone, received the trust of the country’s political<br />
elites. In a series of candid interviews, six former heads of<br />
the Shin Bet talk openly about the major events that marked<br />
their tenures, and muse about the morality of torture and<br />
terrorism, arrests and assassinations. The citizens they swore<br />
to protect may have been safer as a result of their actions, but<br />
was the country any closer to peace?<br />
If Israel lies at the heart of the global War on Terror, the<br />
Gatekeepers’ confessions challenge the conventional<br />
wisdom of how that war should be waged, whether in Gaza<br />
or Guantanamo, Palestine or Pakistan. Theirs is the ultimate<br />
cautionary tale of what happens to people and nations<br />
alike when they try to answer violence with violence.<br />
After the 6.00pm screening on Tuesday 30 <strong>Apr</strong>il there<br />
will be an open discussion on the issues raised by the<br />
film, led by a representative of the Humanist Society of<br />
Scotland.<br />
Humanism is an ethical stance which asserts that we can<br />
lead good lives guided by compassion and reason, rather<br />
than religion or superstition.<br />
Humanists are vitally concerned<br />
with issues that affect our world.<br />
MAYBEYOUMISSED<br />
Lore<br />
Fri 12 to Thu 18 <strong>Apr</strong><br />
Cate Shortland • Germany/Australia/UK 2012 • 1h49m<br />
Digital projection • German with English subtitles<br />
15 – Contains gory images, brief strong sex and nudity<br />
Cast: Saskia Rosendahl, Nele Trebs, André Frid, Mika Seidel,<br />
Kai-Peter Malina.<br />
The long-awaited follow-up to her exquisite Somersault,<br />
Australian director Cate Shortland’s adaptation of the<br />
novel ‘The Dark Room’ by Rachel Seiffert is a sensual and<br />
complex story that explores the tribulations faced by the<br />
young in the aftermath of World War II.<br />
When their Nazi SS parents are taken into Allied custody,<br />
five siblings are left to fend for themselves. Teenager Lore,<br />
the oldest, takes charge, and the children set out to join<br />
their grandmother in Hamburg, some 900 km away. Along<br />
the arduous journey, the children encounter a populace<br />
suffering from postwar denial and deprivation, and for the<br />
first time are exposed to the reality and consequences<br />
of their parents’ actions. With food hard to come by, and<br />
the journey becoming ever more dangerous, the children<br />
meet Thomas, a young Jewish survivor who helps them<br />
negotiate their way through tricky situations. Lore is both<br />
repulsed by and attracted to Thomas. All that she has been<br />
taught leads her to believe that he is the enemy, but his<br />
industriousness, generosity and physicality prove alluring.<br />
A coming-of-age tale set against the backdrop of a<br />
changing world, Lore shows new life emerging out of<br />
darkness, and does so with great intelligence and subtlety.<br />
MAYBEYOUMISSED<br />
Stoker<br />
Fri 26 <strong>Apr</strong> to Thu 2 <strong>May</strong><br />
Park Chan-wook • USA/UK 2013 • 1h39m • Digital projection<br />
18 – Contains strong sex, violence and sexualised violence<br />
Cast: Mia Wasikowska, Matthew Goode, Nicole Kidman, Dermot<br />
Mulroney, Jacki Weaver.<br />
After India’s (Mia Wasikowska’s) father dies in a car accident,<br />
her Uncle Charlie (Matthew Goode), who she never<br />
knew existed, comes to live with her and her emotionally<br />
unstable mother Evelyn (Nicole Kidman). Soon after<br />
his arrival, India comes to suspect that this mysterious,<br />
charming man has ulterior motives...<br />
“An intense mix of horror, thriller and domestic drama, this<br />
is exquisite filmmaking.” - Empire<br />
Matinee Special!<br />
If you’re a Senior Citizen you can go to a matinee<br />
screening and get either soup of the day OR a cup<br />
of tea or coffee and a traycake for only £7!<br />
Offer runs from Mondays to Thursdays inclusive and<br />
only applies to screenings starting before 5.00pm. Ask<br />
for the Matinee Special deal at the box office and you’ll<br />
receive a voucher which can be exchanged in the café<br />
bar between 1.30pm and 5.00pm that day only. Offer is<br />
subject to availability and only available in person.
Restored classics<br />
7<br />
POINT BLANK MADAME DE... ON THE WATERFRONT<br />
RESTOREDCLASSIC<br />
Point Blank<br />
Thu 18 to Sun 21 <strong>Apr</strong><br />
John Boorman • USA 1967 • 1h32m • 35mm • 15<br />
Cast: Lee Marvin, Angie Dickinson, Keenan Wynn, Carroll<br />
O’Connor, Lloyd Bochner.<br />
One of the best, toughest, and most grimly cold-blooded<br />
mystery noirs Hollywood has given us. Lee Marvin’s<br />
bullet-headed gangster is an anachronism from the 50s<br />
transported to the LA and San Francisco of the 60s, a world<br />
of concrete slabs and menacing vertical lines. Doublecrossed<br />
and left to die, Marvin comes back from the dead<br />
to claim his share of the money from the mysterious<br />
Organization, only to become increasingly puzzled and<br />
frustrated when he finds there is no money.<br />
Dazzling, sexy and unsettling, with a powerful and<br />
mesmerising central performance from Marvin.<br />
Screening from a beautiful new 35mm print.<br />
RESTOREDCLASSIC<br />
Madame de...<br />
Tue 23 to Thu 25 <strong>Apr</strong><br />
Max Ophüls • France/Italy 1953 • 1h40m<br />
Digital projection • French with English subtitles<br />
U – Contains no material likely to offend or harm<br />
Cast: Charles Boyer, Danielle Darrieux, Vittorio De Sica, Jean<br />
Debucourt, Jean Galland.<br />
For many, this piercingly poignant fin-de-siècle romance,<br />
with its dark but exquisitely delicate sense of irony, is the<br />
very finest of what David Thomson has called Max Ophüls’<br />
‘amusing tragedies’.<br />
When, beset by debt, the titular Countess Louise (Danielle<br />
Darrieux) decides to sell a pair of earrings that were a<br />
wedding gift from her husband André (Charles Boyer), she<br />
unwittingly sets in motion a chain of events that will have<br />
serious consequences not only for the Parisian couple<br />
but for André’s mistress and for an Italian Baron (Vittorio<br />
De Sica) who purchases the, by then, much-travelled<br />
jewellery. This being an Ophüls film, the camera is likewise<br />
in constant motion, at once following the characters as a<br />
discreet but sympathetic observer and revealing how they<br />
are all constrained, even trapped by social convention,<br />
money and their own various deceits and desires.<br />
The lightly nuanced performances, the marvellously<br />
detailed sets and the elegant artifice of the plotting never<br />
distract from the fundamental seriousness of Ophüls’<br />
searing study of fateful passion. A film of unassuming but<br />
enduring greatness; newly restored. (Geoff Andrew, BFI)<br />
Screening in a new digital restoration.<br />
RESTOREDCLASSIC<br />
On the Waterfront<br />
Mon 29 <strong>Apr</strong> to Thu 2 <strong>May</strong><br />
Elia Kazan • USA 1954 • 1h48m • Digital projection • PG<br />
Cast: Marlon Brando, Karl Malden, Lee J Cobb, Rod Steiger, Eva<br />
Marie Saint.<br />
A tour de force for director Elia Kazan, star Marlon Brando<br />
and cinematographer Boris Kaufman, On the Waterfront is<br />
a gritty, no-holds-barred drama about the corruption-filled<br />
New York docks and the dock workers’ struggle to make a<br />
living under the control of corrupt unions.<br />
Lee J Cobb is gangster union boss Johnny Friendly, and<br />
Rod Steiger his crooked lawyer, Charley Malloy. Charley’s<br />
brother, Terry (Brando), a former boxer, hangs around the<br />
docks and runs errands for Johnny, who gives handouts<br />
to those who do his bidding. Already a has-been as a<br />
young man, Terry keeps pigeons on a rooftop and dreams<br />
about his days as an promising fighter. He meets Edie (Eva<br />
Marie Saint), whose brother was murdered by Johnny’s<br />
henchmen, and she introduces him to Father Barry (Karl<br />
Malden), who tries to persuade Terry to provide the crime<br />
commission with information that will smash the dock<br />
racketeers.<br />
Brando is spectacular as the ex-fighter who finds his<br />
conscience and risks his life for his newfound principles,<br />
and Kazan sets every scene with menace and suspense.<br />
Screening in a new digital restoration.
8<br />
Restored classic/Weans’ World<br />
THEOREM LIAF ANIMATION FOR KIDS (7+) A CAT IN PARIS<br />
RESTOREDCLASSIC<br />
Theorem Teorema<br />
Tue 30 <strong>Apr</strong> to Thu 2 <strong>May</strong><br />
Pier Paolo Pasolini • Italy 1968 • 1h38m<br />
Digital projection • Italian and English with English subtitles • 15<br />
Cast: Silvana Mangano, Terence Stamp, Massimo Girotti, Anne<br />
Wiazemsky, Laura Betti.<br />
In Theorem, Pasolini achieved his most perfect fusion<br />
of Marxism and religion with a film that is both political<br />
allegory and mystical fable. Terence Stamp plays the<br />
mysterious Christ or Devil figure who stays briefly with a<br />
wealthy Italian family, seducing them one by one, starting<br />
with the mother (Silvana Mangano). He then goes as<br />
quickly as he had come, leaving their lives in ruins.<br />
What would be pretentious and strained in the hands<br />
of most directors, with Pasolini takes on an intense air of<br />
magical revelation, in fact, the superficially improbable plot<br />
retains all the logic and certainty of a detective story.<br />
Screening in a new digital restoration.<br />
The 8.45pm screening on Tuesday 30 <strong>Apr</strong>il will be<br />
introduced by Dr Pasquale Iannone.<br />
Weans’ World<br />
Films for a younger audience. Tickets cost £3.50<br />
(£5.50 for 3D shows) per person, big or small!<br />
Please note: although we normally disapprove of people<br />
talking during screenings, these shows are primarily for<br />
kids, so grown-ups should expect some noise!<br />
LIAF Animation for Kids (7+)<br />
Sat 6 <strong>Apr</strong> at 1.00pm & Sun 7 <strong>Apr</strong> at 11.00am<br />
1h16m • PG<br />
A special presentation curated by the London International<br />
Animation Festival (LIAF), the UK’s largest international<br />
animation festival. This programme strips away all the softsell<br />
toy ads and the over-the-top blockbuster-style special<br />
effects and just delivers up a programme of wonderful<br />
films full of simple joys.<br />
For more information about LIAF visit www.liaf.org.uk.<br />
A Cat in Paris Une vie de chat<br />
Sat 20 <strong>Apr</strong> at 1.00pm & Sun 21 <strong>Apr</strong> at 11.00am<br />
Jean-Loup Felicioli & Alain Gagnol<br />
France/Netherlands/Switzerland/Belgium 2010 • 1h10m<br />
Digital projection • English language version<br />
PG – Contains infrequent mild violence<br />
How often have cat owners pondered the secret nighttime<br />
antics of their feline companions? A Cat in Paris<br />
illuminates the nocturnal escapades of a black cat named<br />
Dino. He splits his life between two houses – during the<br />
day he lives with Zoé, the daughter of a police captain, but<br />
during the night he clambers over the roofs of Paris in the<br />
company of Nico, a skilful thief. A beautiful hand-painted<br />
animation for all the family.<br />
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Exterminate!/Sing-Along Screening<br />
9<br />
DR WHO AND THE DALEKS<br />
Exterminate!<br />
In Peter Cushing’s centenary year, we are<br />
delighted to present brand new digital<br />
restorations of these classic Dr Who<br />
feature films from the 1960s.<br />
Fans of the present day series will enjoy<br />
seeing the antecedents of one of the<br />
Doctor’s deadliest foes, the Daleks, as<br />
well as the genesis of the character of<br />
the Doctor himself, played by Cushing.<br />
There’s a host of classic British acting<br />
talent on display including Bernard<br />
Cribbins and Roy Castle, as well as some<br />
early and ingenious special effects<br />
sequences.<br />
This is a fantastic opportunity to see this<br />
cult British franchise on the big screen.<br />
TICKETDEAL<br />
Buy tickets to both films in this season and get 25% off<br />
This offer is available online, in person and on the<br />
phone, on both full price and concession price tickets.<br />
Tickets must all be bought at the same time.<br />
DALEKS’ INVASION EARTH: 2150 A.D.<br />
Dr Who and the Daleks<br />
Sat 13 & Sun 14 <strong>Apr</strong> at 1.00pm<br />
Gordon Flemyng • UK 1965 • 1h23m<br />
Digital projection • U – Contains mild fantasy violence and threat<br />
Cast: Peter Cushing, Roy Castle, Jennie Linden, Roberta Tovey,<br />
Barrie Ingham.<br />
Dr Who and the Daleks sees the Doctor travel through<br />
space and time in the Tardis to find himself on Skaro,<br />
the birthplace of his arch-nemeses, the Daleks. Skaro is a<br />
planet devastated by nuclear fallout, where the hideously<br />
mutated Daleks have to live in metal suits to survive, and<br />
where they plot the destruction of the planet’s other lifeform,<br />
the gentle Thals, who are doomed to extermination<br />
unless the Doctor can save them.<br />
Daleks’ Invasion Earth: 2150 A.D.<br />
Sat 11 & Sun 12 <strong>May</strong> at 1.00pm<br />
Gordon Flemyng • UK 1966 • 1h24m<br />
Digital projection • U – Contains mild violence and threat<br />
Cast: Peter Cushing, Bernard Cribbins, Ray Brooks, Andrew Keir,<br />
Roberta Tovey.<br />
The human race is in grave danger, as only the<br />
underground resistance movement stands in the way of<br />
total Dalek domination. Daleks’ Invasion Earth tells the<br />
thrilling story of the Doctor’s battle to save the population<br />
of the future from being enslaved and doomed to serve<br />
the dreaded Daleks forever!<br />
CHITTY CHITTY BANG BANG<br />
Sing-Along<br />
Screening<br />
Chitty Chitty Bang Bang<br />
Sun 7 <strong>Apr</strong> at 2.30pm<br />
Ken Hughes • UK 1968 • 2h26m<br />
35mm • U – Contains very mild comic violence<br />
Cast: Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Gert Fröbe,<br />
Robert Helpmann, Benny Hill.<br />
Caractacus Potts (Dick Van Dyke) is a widower with a<br />
penchant for things mechanical. He and his children<br />
rescue an old banger from the scrap heap and create a<br />
new motor car with the ability to fly and float. Trouble<br />
looms, however, in the form of Baron Bomburst, the<br />
monarch of a small but wealthy principality who hates<br />
children. The baron is after the magical car and wants the<br />
vehicle and its inventor kidnapped...<br />
With a great score by the Sherman brothers and winning<br />
performances by Dick Van Dyke et al, it is easy to see why,<br />
45 years on, Chitty Chitty Bang Bang has achieved its status<br />
as one of the greatest family films of all time.<br />
A special sing-along screening of this magical film. Song<br />
lyrics will be projected onto the screen – join in with<br />
the fun!
10<br />
Daniel Day-Lewis: Presented by Drambuie<br />
MY LEFT FOOT MY BEAUTIFUL LAUNDRETTE THE BALLAD OF JACK AND ROSE<br />
Drambuie brings you<br />
A Taste of the Extraordinary...<br />
Daniel Day-Lewis<br />
A season of films starring the celebrated<br />
actor, who made Oscars® history this year<br />
by becoming the first man to win three Best<br />
Actor awards.<br />
This is the fifth of six special seasons of<br />
films and events, produced in partnership<br />
with Drambuie. Drambuie’s support means<br />
<strong>Filmhouse</strong> can screen some unique cinematic<br />
programmes that showcase the unexpected<br />
and extraordinary from film history. Audiences<br />
will also experience Drambuie’s blend of<br />
Scotch whisky, spices and heather honey<br />
in an array of bespoke cocktails created to<br />
celebrate each season by Drambuie’s Brand<br />
Ambassador, Bruce Hamilton.<br />
For updates and giveaways on Drambuie’s<br />
‘A Taste of the Extraordinary’ cinema seasons,<br />
visit facebook.com/UKDrambuie or @Drambuie<br />
My Left Foot<br />
Sun 14 <strong>Apr</strong> at 6.25pm<br />
Jim Sheridan • Ireland/UK 1989 • 1h43m • 35mm • 15<br />
Cast: Daniel Day-Lewis, Brenda Fricker, Ray McAnally, Hugh<br />
O’Conor, Fiona Shaw.<br />
Daniel Day-Lewis won his first Oscar for his brilliant<br />
performance in this remarkable film, based on the<br />
autobiography of Christy Brown, who overcame severe<br />
physical limitations to become an accomplished painter<br />
and writer. The film describes the extraordinary arc<br />
of Brown’s life, starting with a childhood in which his<br />
debilitating cerebral palsy causes everyone but his mother<br />
to believe he is brain-damaged. Brown begins to shatter<br />
this perception by using his left foot and a piece of chalk to<br />
scrawl a one-word message to his mother on the floor.<br />
My Beautiful Laundrette<br />
Wed 17 <strong>Apr</strong> at 8.30pm<br />
Stephen Frears • UK 1985 • 1h37m • Digital projection • 15<br />
Cast: Daniel Day-Lewis, Gordon Warnecke, Saeed Jaffrey, Roshan<br />
Seth, Shirley Anne Field.<br />
Omar (Gordon Warnecke) is sent by his widower father<br />
to work for his adulterous wheeler-dealer uncle (Saeed<br />
Jaffrey). Omar grasps the opportunity to manage his<br />
uncle’s dilapidated laundrette with the intention of turning<br />
it into a glittering palace of commercial success. When he<br />
employs boyhood friend and ex-National Front member<br />
Johnny (Daniel Day-Lewis) they become lovers as well<br />
as working partners. However, complications soon arise,<br />
as the anger of Johnny’s discarded fascist gang begins<br />
to build and Omar is forced to face increasingly difficult<br />
family issues.<br />
The Ballad of Jack and Rose<br />
Tue 23 <strong>Apr</strong> at 8.40pm<br />
Rebecca Miller • USA 20<strong>05</strong> • 1h52m • 35mm<br />
15 – Contains strong language and sex references<br />
Cast: Daniel Day-Lewis, Camilla Belle, Catherine Keener, Ryan<br />
McDonald, Paul Dano.<br />
Writer and director Rebecca Miller (daughter of Arthur and<br />
wife of Day-Lewis) takes us to a fading hippy commune<br />
in the mid-1980s to examine the dying idealism of the<br />
1960s and its effect on two people, the titular father and<br />
daughter (Day-Lewis and Camilla Belle). Jack and Rose are<br />
the only two inhabitants left on a communal plot of land<br />
on an island somewhere off the east coast of America. But<br />
the status quo is soon to be shaken: Jack is dying, so he<br />
asks his more worldly lover Kathleen (Catherine Keener)<br />
and her two teenage sons to come and live with them.<br />
This jolt to their sheltered existence shocks both him and<br />
Rose into accepting long-suppressed or undiscovered<br />
issues relating to their identity, sexuality and futures.<br />
TICKETDEALS<br />
Buy any three (or more) tickets for films in this season<br />
and get 15% off<br />
Buy any six (or more) tickets for films in this season and<br />
get 25% off<br />
Buy any nine (or more) tickets for films in this season<br />
and get 35% off<br />
These offers are available online, in person and on the<br />
phone, on both full price and concession price tickets.<br />
Tickets must all be bought at the same time.
Daniel Day-Lewis: Presented by Drambuie<br />
11<br />
THE AGE OF INNOCENCE THE LAST OF THE MOHICANS LINCOLN<br />
The Age of Innocence<br />
Thu 25 <strong>Apr</strong> at 6.10pm<br />
Martin Scorsese • USA 1993 • 2h18m • 35mm • PG<br />
Cast: Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Richard E<br />
Grant, Geraldine Chaplin.<br />
Adapting an Edith Wharton best-seller might have seemed<br />
a strange choice for Martin Scorsese, but he loved the<br />
book and transferred it to the screen virtually unchanged.<br />
Set in 19th-century New York, The Age of Innocence<br />
centres on lawyer Newland Archer (Daniel Day-Lewis), who<br />
becomes engaged to the beautiful but dull <strong>May</strong> Welland<br />
(Winona Ryder). His life is soon thrown into turmoil by his<br />
fiancee’s seductive older cousin, Ellen Olenska (Michelle<br />
Pfeiffer), seemingly a woman of ill repute.<br />
In the Name of the Father<br />
Fri 26 <strong>Apr</strong> at 6.10pm<br />
Jim Sheridan • Ireland/UK/USA 1993 • 2h13m • 35mm • 15<br />
Cast: Daniel Day-Lewis, Pete Postlethwaite, Emma Thompson,<br />
John Lynch, Corin Redgrave.<br />
The My Left Foot team of star Daniel Day-Lewis and<br />
director Jim Sheridan reunited to make this political<br />
docudrama about Gerry Conlon (Day-Lewis), who was<br />
wrongly convicted of taking part in a 1974 IRA bombing<br />
that killed five. After a brutal interrogation forces him to<br />
sign a false confession, Gerry is sentenced to prison, his<br />
family persecuted, and later his father Giuseppe (Pete<br />
Postelthwaite) is charged with being an accomplice and<br />
is also sent to prison. Day-Lewis gives an outstanding<br />
performance as a man tormented by the injustice served<br />
him, and Emma Thompson is brilliant as the persevering<br />
lawyer who works for years, gathering evidence to clear<br />
Gerry’s name.<br />
A Room with a View<br />
Sun 28 <strong>Apr</strong> at 6.10pm<br />
James Ivory • UK 1985 • 1h57m • 35mm<br />
PG – Contains infrequent moderate violence and mild sex<br />
Cast: Maggie Smith, Helena Bonham Carter, Denholm Elliott,<br />
Julian Sands, Daniel Day-Lewis.<br />
Adapted by Ruth Prawer Jhabvala from the novel by<br />
EM Forster, A Room with a View is a shining example of<br />
Merchant-Ivory’s ability to achieve maximum quality and<br />
opulence at minimum cost. Sheltered Lucy Honeychurch<br />
(Helena Bonham Carter), holidaying in Florence with her<br />
spinster chaperone Charlotte (Maggie Smith), is kissed<br />
by unconventional George Emerson (Julian Sands).<br />
Frightened by her confusing feelings for him, she returns<br />
to England and accepts a marriage proposal from stuffy<br />
Cecil Vyse (Daniel Day-Lewis). When George reappears, she<br />
questions her feelings for Cecil.<br />
The Last of the Mohicans<br />
Mon 29 <strong>Apr</strong> at 6.10pm<br />
Michael Mann • USA 1992 • 1h54m • 35mm<br />
15 – Contains bloody violence and intense battle scenes<br />
Cast: Daniel Day-Lewis, Madeleine Stowe, Russell Means.<br />
In 1757, while the French and British are fighting for<br />
control over North America, Cora Munro (Madeleine<br />
Stowe) and her younger sister Alice (Jodhi <strong>May</strong>), daughters<br />
of a British colonel, are rescued from an Indian attack by<br />
the Colonial-born, Mohican-raised Englishman Hawkeye<br />
(Daniel Day-Lewis). Love soon blooms between Hawkeye<br />
and Cora, but their future is threatened by the French’s<br />
continued assaults on the unstable fort, Colonel Munro’s<br />
distrust of Hawkeye, and the bloodthirsty Huron tribe led<br />
by the vengeful warrior Magua.<br />
Lincoln<br />
Sun 5 <strong>May</strong> at 1.00pm<br />
Steven Spielberg • USA/India 2012 • 2h30m • Digital projection<br />
12A – Contains infrequent moderate war violence, gore and<br />
strong language<br />
Cast: Daniel Day-Lewis, Sally Field, David Strathairn, Joseph<br />
Gordon-Levitt, James Spader, Tommy Lee Jones.<br />
Steven Spielberg directs Daniel Day-Lewis in a revealing<br />
drama that focuses on the 16th President’s tumultuous<br />
final months in office. In a nation divided by war and the<br />
strong winds of change, Lincoln pursues a course of action<br />
designed to end the war, unite the country and abolish<br />
slavery. With the moral courage and fierce determination<br />
to succeed, his choices during this critical moment will<br />
change the fate of generations to come.<br />
The Crucible<br />
Wed 8 <strong>May</strong> at 5.45pm<br />
Nicholas Hytner • USA 1996 • 2h3m • 35mm • 12A<br />
Cast: Daniel Day-Lewis, Winona Ryder, Paul Scofield, Joan Allen.<br />
Written in the midst of the McCarthy era as a thinly veiled<br />
attack on the Communist witch hunts in the US, Arthur<br />
Miller’s play has emerged as a timeless commentary on the<br />
evil that men (and women) do – especially in the name<br />
of righteousness and religion. Set in the Salem of 1692,<br />
the film finds Abigail Williams (Winona Ryder) triggering a<br />
mass hysteria in which accusations of witchcraft result in<br />
the execution of innocent people; among those targeted<br />
by the moral minority are farmer John Proctor (Daniel Day-<br />
Lewis) and his wife Elizabeth (Joan Allen).<br />
SEASON CONTINUES OVERLEAF
12 Daniel Day-Lewis: Presented by Drambuie (continued)<br />
THE CRUCIBLE GANGS OF NEW YORK THERE WILL BE BLOOD<br />
Gangs of New York<br />
Sun 12 <strong>May</strong> at 5.15pm<br />
Martin Scorsese • USA/Italy 20<strong>02</strong> • 2h48m • 35mm<br />
18 – Contains strong, bloody violence<br />
Cast: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Jim<br />
Broadbent, John C Reilly.<br />
The violent rise of gangland power in New York City<br />
at a time of massive political corruption and the city’s<br />
evolution into a cultural melting pot set the stage for this<br />
lavish historical epic, which director Martin Scorsese finally<br />
brought to the screen almost 30 years after he first began<br />
to plan the project.<br />
In 1846, as waves of Irish immigrants poured into the New<br />
York neighbourhood of Five Points, citizens of British and<br />
Dutch heritage who were born in the United States began<br />
making an open display of their resentment toward the<br />
new arrivals. William Cutting (Daniel Day-Lewis), better<br />
known as ‘Bill the Butcher’ for his deadly skill with a knife,<br />
bands his fellow ‘Native Americans’ into a gang to take on<br />
the Irish immigrants; the immigrants in turn form a gang<br />
of their own, ‘The Dead Rabbits’, organised by Priest Vallon<br />
(Liam Neeson). After an especially bloody clash between<br />
the Natives and the Rabbits leaves Vallon dead, his son<br />
goes missing; the boy ends up in a brutal reform school<br />
before returning to the Five Points in 1862 as Amsterdam<br />
(Leonardo DiCaprio), bent on revenge.<br />
There Will Be Blood<br />
Sun 19 <strong>May</strong> at 5.15pm<br />
Paul Thomas Anderson • USA 2007 • 2h38m • 35mm<br />
15 – Contains strong violence<br />
Cast: Daniel Day-Lewis, Paul Dano, Kevin J O’Connor, Ciaran<br />
Hinds, Dillon Freasier.<br />
Day-Lewis won his second Oscar for his astonishing and<br />
terrifying portrayal of a turn-of-the-century California oil<br />
man, in Paul Thomas Anderson’s magnificently strange<br />
character study. When Daniel Plainview gets a mysterious<br />
tip-off that there’s a little town out West where an ocean<br />
of oil is oozing out of the ground, he heads there with his<br />
son, HW, to take their chances in dust-worn Little Boston.<br />
In this hardscrabble town, where the main excitement<br />
centres around the Holy Roller church of charismatic<br />
preacher Eli Sunday, Plainview and HW make their lucky<br />
strike. But even as the well raises all of their fortunes,<br />
nothing will remain the same as conflicts escalate and<br />
every human value – love, hope, community, belief,<br />
ambition, and even the bond between father and son – is<br />
imperilled by corruption, deception, and the flow of oil.
Pauline<br />
Quirke<br />
WHAT’S ON AT YOUR KING’S THEATRE<br />
Lesley<br />
Joseph<br />
Linda<br />
Robson<br />
Millennium Forum Productions presents<br />
Translations<br />
by<br />
Brian<br />
Friel<br />
13<br />
Tue 9 to Sat 13 <strong>Apr</strong>il 2013<br />
Mon 15 to Sat 20 <strong>Apr</strong>il 2013<br />
Mon 22 to Sat 27 <strong>Apr</strong>il 2013<br />
directed by<br />
BILL KENWRIGHT presents THE LIVE THEATRE NEWCASTLE<br />
and NATIONAL THEATRE co-production of<br />
Tue 30 <strong>Apr</strong>il to Sat 4 <strong>May</strong> 2013 Mon 13 to Sat 18 <strong>May</strong> 2013<br />
Mon 20 to Sat 25 <strong>May</strong> 2013<br />
BOX<br />
OFFICE0131 529 6000<br />
Booking fees. Registered charity SC0186<strong>05</strong>.<br />
edtheatres.com *<br />
KING’S theatre<br />
EDINBURGH
14 FILMHOUSE PROGRAMME 5 <strong>Apr</strong>il - 2 <strong>May</strong> 2013 BOX OFFICE 0131 228 2688<br />
DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES<br />
Fri 1 In the House 1.00/3.30/6.00/8.30<br />
5 2 A Late Quartet (AD) 1.30/3.50/6.20/8.45<br />
<strong>Apr</strong> 3 Good Vibrations 1.20/3.45/6.10/8.40<br />
Sat 1 LIAF Animation for Kids (7+) (WW) 1.00<br />
6 1 In the House 3.30/6.00/8.30<br />
<strong>Apr</strong> 2 A Late Quartet (AD) 1.30/3.50/6.20/8.45<br />
3 Good Vibrations 1.20/3.45/6.10/8.40<br />
Sun 1 LIAF Animation for Kids (7+) (WW) 11.00am<br />
7 1 Chitty Chitty... Sing-Along! 2.30<br />
<strong>Apr</strong> 1 In the House 6.00<br />
1 The Dark Hours 9.00<br />
2 In the House 1.30<br />
2 A Late Quartet (AD) 3.50/6.20/8.45<br />
3 Good Vibrations 1.20/3.45/6.10<br />
3 In the House 8.40<br />
Mon 1 A Late Quartet (AD) (B)<br />
11am (babies & carers)<br />
8 1 In the House 2.30/8.30<br />
<strong>Apr</strong> 1 The House (MiP) 6.00<br />
2 A Late Quartet (AD) 3.15/6.20/8.45<br />
3 Good Vibrations 3.30/8.40<br />
3 In the House 6.10<br />
Tue 1 In the House 2.30/6.00<br />
9 1 Good Vibrations 8.30<br />
<strong>Apr</strong> 2 A Late Quartet (AD) 3.15/8.45<br />
2 A Late Quartet (AD) + (S) 6.20 (subtitled)<br />
3 Good Vibrations 3.30/6.10<br />
3 In the House 8.40<br />
Wed 1 In the House 2.30/6.00<br />
10 1 Good Vibrations 8.30<br />
<strong>Apr</strong> 2 A Late Quartet (AD) 3.15/6.20/8.45<br />
3 Good Vibrations 3.30/6.10<br />
3 In the House 8.40<br />
Thu 1 In the House 2.30/6.00<br />
11 1 Ziggy Stardust & the Spiders... (PB) 8.30<br />
<strong>Apr</strong> 2 A Late Quartet (AD) 3.15/6.20/8.45<br />
3 Good Vibrations 3.30/6.10<br />
3 In the House 8.40<br />
Fri 1 In the House 1.00/3.20/6.10<br />
12 1 Dormant Beauty (IFF) 8.30<br />
<strong>Apr</strong> 2 Lore 1.15<br />
2 A Late Quartet (AD) 3.40<br />
2 Neighbouring Sounds 6.00<br />
2 In the House 8.45<br />
3 Neighbouring Sounds 1.10<br />
3 Lore 3.55<br />
3 A Late Quartet (AD) 6.30/8.50<br />
Sat 1 Dr Who and the Daleks 1.00<br />
13 1 In the House 3.20/8.25<br />
<strong>Apr</strong> 1 Me and You (IFF) 6.00<br />
2 Lore 1.15<br />
2 A Late Quartet (AD) 3.40<br />
2 In the House 6.10<br />
2 Neighbouring Sounds 8.30<br />
3 Neighbouring Sounds 1.10<br />
3 Lore 3.55<br />
3 A Late Quartet (AD) 6.30/8.50<br />
Sun 1 Dr Who and the Daleks 1.00<br />
14 1 The War... Volcanoes + Stromboli (IFF) 3.00<br />
<strong>Apr</strong> 1 My Left Foot (DDL) 6.25<br />
1 In the House 8.45<br />
2 Baal (PB) 2.00<br />
2 In the House 3.40/6.10<br />
2 Neighbouring Sounds 8.30<br />
3 A Late Quartet (AD) 1.30/6.30/8.50<br />
3 Lore 3.55<br />
Mon 1 Lore (B)<br />
11am (babies & carers)<br />
15 1 In the House 2.30/8.45<br />
<strong>Apr</strong> 1 Neighbouring Sounds 6.00<br />
2 Lore 3.15<br />
2 Long Live the Family! (MiP) 5.55<br />
2 Every Blessed Day (IFF) 8.20<br />
3 A Late Quartet (AD) 3.30/6.30<br />
3 Lore 8.50<br />
Tue 1 In the House 2.30<br />
16 1 The Interval (IFF) 6.15<br />
<strong>Apr</strong> 1 Enter The Dragon (CS) 8.45<br />
2 Lore 3.15<br />
2 In the House 6.10<br />
2 Neighbouring Sounds 8.25<br />
3 A Late Quartet (AD) 3.30/8.40<br />
3 Lore 6.00<br />
Wed 1 Neighbouring Sounds 2.30<br />
17 1 Journey to Italy (IFF) 6.15<br />
<strong>Apr</strong> 1 My Beautiful Laundrette (DDL) 8.30<br />
2 In the House 3.15/6.10<br />
2 Neighbouring Sounds 8.25<br />
3 A Late Quartet (AD) 3.30/8.40<br />
3 Lore 6.00<br />
Thu 1 Neighbouring Sounds 2.30<br />
18 1 In the House 6.00<br />
<strong>Apr</strong> 1 The Commander & the Stork (IFF) 8.30<br />
2 In the House 3.15<br />
2 Lore 5.50<br />
2 Neighbouring Sounds 8.25<br />
3 A Late Quartet (AD) 3.30/8.40<br />
3 Point Blank 6.15<br />
Fri 1 Caesar Must Die 1.00<br />
19 1 Love Is All You Need (AD) 3.00/6.00<br />
<strong>Apr</strong> 1 Piazza Fontana... (IFF) 8.30<br />
2 Love Is All You Need (AD) 1.30/8.25<br />
2 Caesar Must Die 4.00/6.15<br />
3 Point Blank 1.40/8.50<br />
3 A Late Quartet (AD) 3.50/6.30<br />
Sat 1 A Cat in Paris (WW) 1.00<br />
20 1 Love Is All You Need (AD) 3.00/8.15<br />
<strong>Apr</strong> 1 S.B.: I Knew Him Well (IFF) 6.15<br />
2 Love Is All You Need (AD) 1.30/6.00<br />
2 Caesar Must Die 4.00/8.30<br />
3 Point Blank 1.40/8.50<br />
3 A Late Quartet (AD) 3.50/6.30<br />
Sun 1 A Cat in Paris (WW)<br />
11.00am<br />
21 1 Love Is All You Need (AD) 1.00/8.15<br />
<strong>Apr</strong> 1 Point Blank 3.30<br />
1 Slow Food Story (IFF) 6.15<br />
2 Caesar Must Die 1.30/8.30<br />
2 Love Is All You Need (AD) 3.30/6.00<br />
3 Point Blank 1.40/6.20<br />
3 A Late Quartet (AD) 3.50/8.45
WWW.FILMHOUSECINEMA.COM 5 <strong>Apr</strong>il - 2 <strong>May</strong> 2013 FILMHOUSE PROGRAMME<br />
15<br />
DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES<br />
Mon 1 Love Is All You Need (AD) (B) 11am (babies & carers)<br />
22 1 Love Is All You Need (AD) 2.30<br />
<strong>Apr</strong> 1 Love Is All You Need (AD) + (S) 6.00 (subtitled)<br />
1 A Late Quartet (AD) 8.45<br />
2 Caesar Must Die 3.15/6.15<br />
2 Love Is All You Need (AD) 8.25<br />
3 A Late Quartet (AD) 3.30<br />
3 Alois Nebel (MiP) 6.30<br />
3 Fear (IFF) 8.30 + intro<br />
Tue 1 Love Is All You Need (AD) 2.30/8.30<br />
23 1 The Immature – The Trip (IFF) 6.15<br />
<strong>Apr</strong> 2 Madame de... 3.15<br />
2 Love Is All You Need (AD) 6.00<br />
2 The Ballad of Jack & Rose (DDL) 8.40<br />
3 A Late Quartet (AD) 3.30/6.10<br />
3 Madame de... 8.45<br />
Wed 1 Love Is All You Need (AD) 2.30/6.00<br />
24 1 The Red and the Blue (IFF) 8.30<br />
<strong>Apr</strong> 2 Madame de... 3.15/6.15<br />
2 Love Is All You Need (AD) 8.40<br />
3 A Late Quartet (AD) 3.30/6.10<br />
3 Madame de... 8.45<br />
Thu 1 Love Is All You Need (AD) 2.30/6.00/8.30<br />
25 1 Dead by Dawn* Late<br />
<strong>Apr</strong> 2 Madame de... 3.15/9.00<br />
2 The Age of Innocence (DDL) 6.10<br />
3 A Late Quartet (AD) 3.30/8.45<br />
3 Madame de... 6.30<br />
Fri 1 Dead by Dawn* All day<br />
26 2 Stoker (AD) 1.10/8.30<br />
<strong>Apr</strong> 2 Love Is All You Need (AD) 3.30/6.00<br />
3 Love Is All You Need (AD) 1.15<br />
3 The Gatekeepers 3.45/8.55<br />
3 In the Name of the Father (DDL) 6.10<br />
Sat 1 Dead by Dawn*<br />
All day<br />
27 2 Stoker (AD) 1.10/8.30<br />
<strong>Apr</strong> 2 Love Is All You Need (AD) 3.30/6.00<br />
3 Love Is All You Need (AD) 1.15<br />
3 The Gatekeepers 3.45/8.45<br />
3 Flying Blind 6.10 + Q&A<br />
Sun 1 Dead by Dawn*<br />
All day<br />
28 2 Stoker (AD) + (S) 1.10 (subtitled)<br />
<strong>Apr</strong> 2 Love Is All You Need (AD) 3.30/6.00<br />
2 Stoker (AD) 8.30<br />
3 Love Is All You Need (AD) 1.15<br />
3 The Gatekeepers 3.45/8.45<br />
3 A Room with a View (DDL) 6.10<br />
Mon 1 On the Waterfront (B)<br />
11am (babies & carers)<br />
29 1 Stoker (AD) 2.30/8.30<br />
<strong>Apr</strong> 1 On the Waterfront 6.00<br />
2 Love Is All You Need (AD) 3.30/8.40<br />
2 The Last of the Mohicans (DDL) 6.10<br />
3 The Gatekeepers 3.15/8.45<br />
3 Walking Too Fast (MiP) 5.45<br />
Tue 1 On the Waterfront 2.30/6.00<br />
30 1 The Evil Dead (1981) (CS) 8.30<br />
<strong>Apr</strong> 2 Love Is All You Need (AD) 3.30/8.25<br />
2 Stoker (AD) 6.10<br />
3 The Gatekeepers 3.15<br />
3 The Gatekeepers 6.00 + discussion<br />
3 Theorem 8.45 + intro<br />
Wed 1 On the Waterfront 2.30/6.00<br />
1 1 Stoker (AD) 8.30<br />
<strong>May</strong> 2 Love Is All You Need (AD) 3.30/6.10<br />
2 Theorem 8.40<br />
3 Theorem 3.15/6.00<br />
3 The Gatekeepers 8.15<br />
Thu 1 Stoker (AD) 2.30/6.00<br />
2 1 On the Waterfront 8.15<br />
<strong>May</strong> 2 Love Is All You Need (AD) 3.30/8.25<br />
2 Theorem 6.10<br />
3 Theorem 3.15/8.15<br />
3 The Gatekeepers 6.00<br />
* Details of all Dead by Dawn screenings will be available<br />
from mid-<strong>Apr</strong>il at www.filmhousecinema.com or<br />
www.deadbydawn.co.uk<br />
KEY<br />
(AD) – Audio Description (see page 2)<br />
(B) – Carer & baby screening (see page 2)<br />
(S) – Subtitled (see page 2)<br />
All screenings in 2D unless marked [3D]<br />
SEASONS:<br />
(CS) – Come and See... (page 20)<br />
(DDL) – Daniel Day-Lewis: Presented by Drambuie<br />
(pages 10-12)<br />
(IFF) – Italian Film Festival (pages 16-18)<br />
(MiP) – Made in Prague (page 22)<br />
(PB) – Planet Bowie: Presented by Drambuie (page<br />
24)<br />
(WW) – Weans’ World (page 8)<br />
Full index of films on page 2<br />
TICKET PRICES & INFORMATION<br />
MATINEES (Shows starting prior to 5pm)<br />
Mon - Thu: £6.50 full price, £4.50 concessions<br />
Friday Bargain Matinees: £5.00/£3.50 concessions<br />
Sat - Sun: £8.20 full price, £6.00 concessions<br />
EVENING SCREENINGS (Starting 5pm and later)<br />
£8.20 full price, £6.00 concessions<br />
All tickets to Weans’ World screenings (marked WW<br />
on grid) are £3.50. Tickets for children under 12 are<br />
£3.50 for any screening.<br />
For screenings in 3D add £2 to ticket price.<br />
<strong>Filmhouse</strong> Members get £1.50 off every ticket<br />
(excludes Friday matinees and Weans’ World)<br />
Concessions available for: children (under 15); students<br />
(with valid matriculation card); school pupils (15-18 years);<br />
Young Scot cardholders; senior citizens; people with<br />
disability or invalidity status (carers go free); claimants<br />
(Jobseekers Allowance, Disability Living Allowance, Housing<br />
Benefit); NHS employees (with proof of employment).<br />
We participate in the Orange Wednesdays 2 for 1 scheme.<br />
There are usually ticket deals available on film seasons.<br />
All performances are bookable in advance, in person,<br />
online at www.filmhousecinema.com or by phone on 0131<br />
228 2688. We do not charge a fee for bookings made by<br />
telephone or on the website. Tickets may also be reserved<br />
without payment, in which case they must be collected no<br />
later than 30 minutes before the performance starts.<br />
Tickets cannot be exchanged nor money refunded<br />
except in the event of a cancellation of a performance.<br />
Screenings are subject to change, but only in extraordinary<br />
circumstances.<br />
All seats are unreserved. If you require seats together<br />
please arrive in plenty of time. <strong>Cinema</strong>s will be open<br />
15 minutes before the start of each screening. The<br />
management reserves the right of admission and will not<br />
admit latecomers. Children under the age of 12 must be<br />
accompanied by an adult.<br />
Double bills are shown in the same order as indicated on<br />
these pages. Intervals in double bills last 10 minutes.<br />
BOX OFFICE: 0131 228 2688 (10am-9pm daily)<br />
PROGRAMME INFO: 0131 228 2689<br />
BOOK ONLINE: www.filmhousecinema.com
16 Italian Film Festival<br />
DORMANT BEAUTY ME AND YOU THE WAR OF THE VOLCANOES<br />
Benvenuti to the 20th edition of the Italian<br />
Film Festival, curated by Allan Hunter and<br />
Richard Mowe and funded by the Istituto<br />
Italiano di Cultura di Edimburgo and the<br />
Consolato Generale d’Italia, the cultural services<br />
department of the Embassy of Switzerland as<br />
well as supporters Valvona & Crolla VinCaffè and<br />
Fratelli Sarti, Glasgow.<br />
Our 2013 edition, the 20th, highlights a diverse<br />
line-up of contemporary and classic Italian<br />
cinema, including comedies, dramas, thrillers and<br />
classics from award-winning directors and actors,<br />
many of whom such as Silvio Soldini, Paolo Virzi,<br />
Bernardo Bertolucci and Marco Tullio Giordana will<br />
be familiar from previous festivals. A highlight of<br />
this edition is a special focus on Roberto Rossellini<br />
and the films he made starring Ingrid Bergman,<br />
tied to a new documentary on his work and his<br />
temptestuous personal relationships. Stromboli<br />
and Journey to Italy are screening with the cooperation<br />
of Fondazione Cineteca di Bologna.<br />
www.italianfilmfestival.org.uk<br />
Dormant Beauty Bella addormentata<br />
Fri 12 <strong>Apr</strong> at 8.30pm<br />
Marco Bellocchio • Italy/France 2012 • 1h50m • Digital projection<br />
Italian, French and Latin with English subtitles • 15<br />
Cast: Toni Servillo, Isabelle Huppert, Alba Rohrwacher, Michele<br />
Riondino, <strong>May</strong>a Sansa.<br />
The case of Eluana Englaro became a lightning rod for the<br />
debate about euthanasia in Italy. Englaro was injured in a<br />
car accident and spent seventeen years in a vegetative state<br />
as her father fought a legal battle to end her life. Marco<br />
Bellocchio’s complex, compelling feature explores the case<br />
and its implications through three fictional stories: a senator<br />
grapples with his conscience before a parliamentary vote<br />
on the right to life; a devoutly Catholic actress abandons her<br />
career to care for her stricken child; and a methadone addict<br />
begs to end her life as a doctor strives to sustain it.<br />
Me and You Io e te<br />
Sat 13 <strong>Apr</strong> at 6.00pm<br />
Bernardo Bertolucci • Italy 2012 • 1h43m<br />
Digital projection • Italian with English subtitles • 15<br />
Cast: Tea Falco, Jacopo Olmo Antinori, Sonia Bergamasco.<br />
Lorenzo is a troubled 14-year-old who decides to skip a<br />
week-long school ski trip and hole up alone in the family’s<br />
storage basement. However, Lorenzo’s dream of a week of<br />
solitary escape is interrupted by the unexpected appearance<br />
of his half-sister Olivia, who discovers his hideout. Though<br />
Olivia vows to keep Lorenzo’s secret safe, she also brings a<br />
new set of complications into this strange situation: she is a<br />
junkie who’s decided it’s time to go cold turkey.<br />
The IFF is grateful to Artificial Eye for their help with this<br />
preview screening.<br />
DOUBLE BILL<br />
Sun 14 <strong>Apr</strong> at 3.00pm<br />
The War of the Volcanoes<br />
Francesco Patierno • Italy • 2012 • 52m • Digibeta<br />
Italian with English subtitles • 15 • Documentary<br />
More than 60 years ago the rugged Aeolian Islands<br />
became the unlikely backdrop to a showbusiness scandal.<br />
Roberto Rossellini arrived to make Stromboli with Oscarwinning<br />
Hollywood star Ingrid Bergman. At the same<br />
time on the neighbouring island of Panarea, William<br />
Dieterle was making Volcano with Rossellini’s former lover<br />
Anna Magnani. During the course of filming Stromboli,<br />
the married Bergman fell deeply in love with Rossellini<br />
and became pregnant with his child. The whole tangled<br />
episode is told in a documentary that makes expert use of<br />
gorgeous archive footage and contrasts the fiery Magnani<br />
with the cool Nordic stoicism of Bergman.<br />
PLUS<br />
Stromboli<br />
Roberto Rossellini • Italy/USA • 1950 • 1h47m • DCP • PG<br />
Cast: Ingrid Bergman, Mario Vitale, Renzo Cesana, Mario Sponzo.<br />
The first of Rossellini’s Voyage Trilogy, Stromboli also marks<br />
the beginning of his personal and professional relationship<br />
with Ingrid Bergman. She plays Karin, a Lithuanian<br />
refugee who marries a fisherman in order to escape from<br />
an internment camp. But married life amidst the harsh<br />
landscapes and suffocating attitudes of the volcanic island<br />
Stromboli proves to be another kind of imprisonment.<br />
Stromboli has often been seen in crudely truncated and<br />
revised versions that dilute the power of the original. Now<br />
digitally restored by the Cineteca Di Bologna as part of<br />
their Rossellini Project, it can be savoured in its full glory.
Italian Film Festival<br />
17<br />
EVERY BLESSED DAY<br />
JOURNEY TO ITALY<br />
THE COMMANDER AND THE STORK<br />
Every Blessed Day Tutti i santi giorni<br />
Mon 15 <strong>Apr</strong> at 8.20pm<br />
Paolo Virzì • Italy 2012 • 1h42m<br />
Digital projection • Italian with English subtitles • 15<br />
Cast: Thony, Luca Marinelli, Micol Azzurro, Claudio Pallitto.<br />
Paulo Virzi’s delightful romantic comedy has been a huge<br />
box-office hit in Italy and helped to establish Luca Marinelli<br />
as one of the country’s rising stars. Marinelli plays Guido,<br />
a shy, unassuming intellectual who who works as a night<br />
porter in Rome. He is besotted with Antonia, a restless,<br />
unpredictable young woman who dreams of becoming a<br />
singer and works for a car rental company. Jobs and lifestyles<br />
mean they only see each other early in the morning as<br />
Guido returns from work and prepares a breakfast. They are a<br />
perfectly happy couple until they decide that the one thing<br />
that would make their lives complete is a baby...<br />
The Interval L’intervallo<br />
Tue 16 <strong>Apr</strong> at 6.15pm<br />
Leonardo di Costanzo • Italy/Switzerland/Germany 2012<br />
1h20m • Digital projection • Italian with English subtitles • 15<br />
Cast: Salvatore Ruocco, Francesca Riso, Alessio Gallo.<br />
Salvatore is a chubby teenager who sells lemon ices from<br />
a street cart. One day he is ordered to keep watch over<br />
rebellious teenager Veronica who is being held captive in<br />
an abandoned school. We are not sure what she has done<br />
or what fate lies in store for her. Over the course of a single<br />
day, the resentment between them fades as they explore<br />
the building, share confidences and try to figure out what<br />
options are left to them. The atmospheric location and<br />
heartfelt performances help create a beguiling portrait of<br />
a contemporary Italy where predatory forces constantly<br />
hover at the fringes of ordinary people’s daily lives.<br />
Journey to Italy Viaggio in Italia<br />
Wed 17 <strong>Apr</strong> at 6.15pm<br />
Roberto Rossellini • Italy/France 1954 • 1h37m<br />
Digital projection • English and Italian with English subtitles<br />
PG – Contains mild sex references<br />
Cast: Ingrid Bergman, George Sanders, Maria Mauban, Anna<br />
Proclemer, Paul Muller.<br />
Misunderstood and widely dismissed at the time of its<br />
release 60 years ago, Journey to Italy has grown in stature<br />
over the decades. Conceived and filmed in utter chaos, it is<br />
a strikingly modern portrait of a marriage in crisis.<br />
Katherine (Ingrid Bergman) and her husband Alex (George<br />
Sanders) are an English couple who have driven to Naples to<br />
view a villa left to her by her late uncle. There is a brooding,<br />
uncomfortable silence between them in which neither can<br />
identify or articulate the sense of discontent niggling away at<br />
the foundations of their marriage. The idea of breaking free<br />
from each other is fraught with danger and excitement. The<br />
possibility of remaining together is a daunting challenge.<br />
The film has been beautifully restored by Cineteca di<br />
Bologna prior to a UK cinema re-release by the BFI in <strong>May</strong>.<br />
TICKETDEALS<br />
Buy any three (or more) tickets for films in this season<br />
and get 15% off<br />
Buy any six (or more) tickets for films in this season and<br />
get 25% off<br />
Buy any nine (or more) tickets for films in this season<br />
and get 35% off<br />
These offers are available online, in person and on the<br />
phone, on both full price and concession price tickets.<br />
Tickets must all be bought at the same time.<br />
The Commander and the Stork<br />
Il comandante e la cicogna<br />
Thu 18 <strong>Apr</strong> at 8.30pm<br />
Silvio Soldini • Italy/Switzerland/France 2012 • 1h48m<br />
Digibeta • Italian with English subtitles • 15<br />
Cast: Claudia Gerini, Pierfrancesco Favino, Alba Rohrwacher,<br />
Luca Zingaretti, Valerio Mastandrea.<br />
The latest delight from Bread and Tulips director Silvio<br />
Soldini is a magic realist romp with a serious concerns<br />
about the state of the nation. Widowed plumber Leo<br />
is trying to make some sense of his life as he struggles<br />
to deal with distracting visions of his late wife and the<br />
growing pains of his teenage daughter and oddball son.<br />
Meeting penniless artist Diana and her eccentric landlord<br />
Amanzio was definitely not part of his plans.<br />
This thoughtful, touching fable unfolds under the stern<br />
gaze of a statue of Garibaldi mounted on a horse. Garibaldi<br />
adds his own rueful reflections on modern Italy and the<br />
chaotic lives of the people who pass beneath him.<br />
This screening is supported by the Embassy of Switzerland<br />
in the United Kingdom.<br />
SEASON CONTINUES OVERLEAF
18 Italian Film Festival (continued)<br />
PIAZZA FONTANA: THE ITALIAN CONSPIRACY THE IMMATURE – THE TRIP THE RED AND THE BLUE<br />
Piazza Fontana: The Italian Conspiracy<br />
Romanzo di una strage<br />
Fri 19 <strong>Apr</strong> at 8.30pm<br />
Marco Tullio Giordana • Italy/France 2012 • 2h1m<br />
Digibeta • Italian with English subtitles • 15<br />
Cast: Valerio Mastadrea, Pierfrancesco Favino, Michela Cescon.<br />
Marco Tullio Giordana (The Best of Youth) delivers a<br />
meticulously staged and gripping drama based on<br />
a real life story. An explosion at the Banca Nazionale<br />
dell’Agricoltura in Milan in 1969 resulted in 17 deaths<br />
and injured dozens more. The protests sweeping Europe<br />
and the fear of communism led the police to focus<br />
their investigations on anarchist groups. But the Police<br />
Commissioner is convinced it’s not that simple. Intriguingly<br />
complicated and politically nuanced, Piazza Fontana is an<br />
ever-twisting conspiracy of lies, intrigue and dirty politics.<br />
S.B.: I Knew Him Well<br />
S.B.: Io lo conoscevo bene<br />
Sat 20 <strong>Apr</strong> at 6.15pm<br />
Giacomo Durzi & Giovanni Fasanella • Italy 2012 • 1h14m<br />
Digibeta • Italian with English subtitles • 12A • Documentary<br />
How did a former cruise ship entertainer become one of<br />
the most dominant figures in Italian public life over the<br />
past 30 years? Giacomo Durzi and Giovanni Pasanella’s<br />
documentary doesn’t take the easy option of rounding<br />
up his critics and mercilessly satirising Silvio Berlusconi.<br />
Instead, it takes him seriously, genuinely seeking to<br />
understand the Berlusconi phenomenon through an<br />
intimate portrait of his life and times told in the words of<br />
those who have know him best.<br />
Slow Food Story<br />
Sun 21 <strong>Apr</strong> at 6.15pm<br />
Stefano Sardo • Italy 2013 • 1h14m<br />
Format TBC • Italian with English subtitles • 12A • Documentary<br />
Recent stories about the food industry have alarmed<br />
consumers and left them increasingly wary of mass<br />
produced, so-called convenience meals. More than twentyfive<br />
years ago, Carlo Petrini was at the forefront of a protest<br />
against the opening of a McDonald’s restaurant in Rome. It<br />
was the beginning of a movement that is now active in more<br />
than 150 countries, a movement that believes in the joy of<br />
good local ingredients, treated with respect. Stefano Sardo’s<br />
documentary is a love letter to the Slow Food Movement.<br />
Fear La paura<br />
Mon 22 <strong>Apr</strong> at 8.30pm<br />
Roberto Rossellini • West Germany/Italy 1954 • 1h24m • 16mm<br />
German with English subtitles • 15<br />
Cast: Ingrid Bergman, Mathias Wieman, Renate Mannhardt.<br />
It is impossible not to see elements of autobiography in<br />
the final collaboration between Roberto Rossellini and<br />
Ingrid Bergman. A tale of a marriage in crisis, soured by<br />
guilt and betrayal, it has inevitable parallels with the state<br />
of their own crumbling union. Based on a story by Stefan<br />
Zweig, Fear tells of a husband who becomes aware of his<br />
wife’s infidelity. The threat of exposure and the possibility<br />
of blackmail may tempt her towards a full confession, or<br />
may well push her into a corner from which suicide seems<br />
an increasingly attractive proposition. Rossellini saw Fear<br />
as a film about post-War Germany and the way material<br />
reconstruction had masked the need for a moral solution<br />
to the nation’s legacy of shame and guilt.<br />
Screening introduced by Dr Pasquale Iannone.<br />
The Immature – The Trip<br />
Immaturi – Il viaggio<br />
Tue 23 <strong>Apr</strong> at 6.15pm<br />
Paolo Genovese • Italy 2012 • 1h40m<br />
35mm • Italian with English subtitles • 15<br />
Cast: Anita Caprioli, Ambra Angiolini, Raoul Bova, Barbora<br />
Bobulova, Luca Bizzarri.<br />
The star-studded sequel to Paolo Genovese’s smash hit<br />
comedy The Immature (a festival favourite in 2012) takes<br />
the reunited schoolfriends on a sun-kissed holiday to<br />
the gorgeous Greek island of Paros. It’s a time to relax,<br />
renew old acquaintance and just take pleasure in each<br />
other’s company. Well, that’s the plan anyway. A mixture<br />
of treacherous tequila, lethal watermelons, unexpected<br />
appearances from ex-girlfriends, guilty secrets and<br />
hidden tragedy test the ties of friendship to the limit in<br />
an appealing mixture of breezy comedy, beautiful picture<br />
postcard locations and surprising tenderness.<br />
The Red and the Blue Il rosso e il blu<br />
Wed 24 <strong>Apr</strong> at 8.30pm<br />
Giuseppe Piccioni • Italy 2012 • 1h40m<br />
Digibeta • Italian with English subtitles • 15<br />
Cast: Margherita Buy, Riccardo Scamarcio, Roberto Herlitzka.<br />
IFF favourite Giuseppe Piccioni (Light of My Eyes) returns with<br />
a typically wise and witty adaptation of the Marco Lodoli<br />
novel set in a Rome school. Nothing is more important than<br />
the education of a future generation but is such a thing<br />
even possible in an age of scarce resources, undisciplined,<br />
indifferent students and careworn teachers? The blackboard<br />
jungle is seen from the perspective of an idealistic supply<br />
teacher, a cynical, eccentric professor and a headmistress<br />
who cares more than she may be willing to admit.
19<br />
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Shop online at<br />
www.realfoods.co.uk<br />
37 Broughton Street, EH1 3JU<br />
8 Brougham Street, EH3 9JH<br />
Fresh local seasonal value<br />
Learn Italian<br />
and discover<br />
Italian culture<br />
with us!<br />
Language Courses at all levels in<br />
a very friendly atmosphere<br />
Third term starts on 15th <strong>Apr</strong>il 2013<br />
Italian Cultural Institute<br />
82 Nicolson Street, EH8 9EW<br />
w w w.iicedimburgo.esteri.it<br />
P h o n e : 0 1 3 1 6 6 8 2 2 3 2
20<br />
Come and See.../New British <strong>Cinema</strong> Quarterly<br />
ENTER THE DRAGON THE EVIL DEAD FLYING BLIND<br />
Come and See...<br />
A monthly one-off screening of a great film<br />
we simply thought you might like to see,<br />
again or for the first time, on the big screen.<br />
Enter The Dragon<br />
Tue 16 <strong>Apr</strong> at 8.45pm<br />
Robert Clouse • Hong Kong/USA 1973 • 1h38m<br />
Digital projection • 18<br />
Cast: Bruce Lee, John Saxon, Jim Kelly, Ahna Capri, Kien Shih.<br />
A new digital restoration of one of the most popular<br />
kung fu films ever, rescheduled after we had to cancel<br />
our planned screening in February.<br />
Perhaps the peak of the famed Bruce Lee’s career, Enter<br />
the Dragon achieved success by presenting a series of<br />
superbly staged fighting sequences with a minimum of<br />
distractions. The story finds Lee as a martial-arts expert<br />
determined to help capture the narcotics dealer whose<br />
gang was responsible for his sister’s death. This evil villain<br />
operates from a fortified island manned by a team of<br />
crack martial artists, who also host a kung fu competition.<br />
Lee uses his skills to enter the contest and then tries to<br />
chop, kick, and otherwise fight his way into the dealer’s<br />
headquarters.<br />
The story is, of course, merely an excuse for showdown<br />
after showdown, featuring masterly fighting by Lee in a<br />
wide variety of martial arts styles. Essential viewing for<br />
martial arts fans, the film was also embraced by a larger<br />
audience, thanks to a fast pace and higher-than-usual<br />
production values.<br />
The Evil Dead (1981)<br />
Tue 30 <strong>Apr</strong> at 8.30pm<br />
Sam Raimi • USA 1981 • 1h25m • Digital projection • 18<br />
Cast: Bruce Campbell, Ellen Sandweiss, Richard DeManincor,<br />
Betsy Baker, Theresa Tilly.<br />
This auspicious feature debut from Sam Raimi – shot on<br />
16mm in the woods of Tennessee for around $350,000<br />
– secured the young director’s cult status as a creative<br />
force to be reckoned with.<br />
The nominal plot involves five vacationing college<br />
kids making an unplanned stopover in an abandoned<br />
mountain cabin surrounded by impenetrable woods.<br />
Before settling in for the night, they come across<br />
an ancient-looking occult tome filled with dense<br />
hieroglyphics and macabre illustrations, a dagger<br />
fashioned from human bones, and a reel-to-reel tape<br />
recorder. The taped message, dictated by a professor<br />
of archaeology, describes the contents of the Sumerian<br />
‘Book of the Dead’, filled with incantations used to bring<br />
otherworldly demons to life, giving them license to<br />
possess the living. The message goes on to explain that<br />
those possessed by these demons can only be stopped<br />
by total bodily dismemberment. When played among<br />
the group later that evening, the professor’s recorded<br />
translations of the ritual chants traumatise the strangely<br />
prescient Shelly... and simultaneously release an ominous<br />
presence from the depths of the forest.<br />
Much copied but never bettered, this classic 80s horror is<br />
even scarier on the big screen!<br />
New British<br />
<strong>Cinema</strong> Quarterly<br />
Taking the most distinctive and original<br />
British films and filmmakers from the festival<br />
circuit and bringing them to the UK’s flagship<br />
independent cinemas.<br />
www.nbcq.co.uk<br />
Flying Blind<br />
Sat 27 <strong>Apr</strong> at 6.10pm<br />
Katarzyna Klimkiewicz • UK 2012 • 1h28m<br />
Digital projection • cert tbc<br />
Cast: Helen McCrory, Najib Oudghiri, Kenneth Cranham, Tristan<br />
Gemmill, Lorcan Cranitch.<br />
Frankie (Helen McCrory) is in her forties, single, ambitious<br />
and with a successful career in the aerospace industry<br />
designing surveillance drones for the military. She embarks<br />
on a passionate affair with Kahil, a French/Algerian<br />
aerospace student twenty years younger than her. But<br />
one day when she arrives at work she is detained by<br />
the security services: Kahil is a person of interest to MI5.<br />
Frankie’s well-ordered life starts to unravel in a welter<br />
of suspicion and prejudice, as she no longer knows<br />
whether to follow her passion or listen to the doubts that<br />
increasingly overwhelm her.<br />
The screening will be followed by a Q&A with director<br />
Katarzyna Klimkiewicz.
Dead by Dawn: The Prelude/Dead by Dawn<br />
21<br />
THE DARK HOURS<br />
Dead by Dawn:<br />
The Prelude<br />
Dead by Dawn, Scotland’s International Horror<br />
Film Festival, celebrates its 20th anniversary this<br />
year, and to celebrate we’ve been showing a few of<br />
our favourite movies from previous editions. Here’s<br />
the final screening before the festival itself kicks off<br />
on 25 <strong>Apr</strong>il!<br />
www.deadbydawn.co.uk<br />
The Dark Hours<br />
Sun 7 <strong>Apr</strong> at 9.00pm<br />
Paul Fox • Canada 20<strong>05</strong> • 1h20m • Format TBC • 18<br />
Cast: Kate Greenhouse, Bruce McFee, Jeff Seymour, David Calderisi.<br />
On a weekend at their cabin, psychiatrist Dr Samantha<br />
Goodman, her husband and her sister get a surprise<br />
visit from one of Sam’s ex patients. Having had enough<br />
of having his head shrunk by the good doctor, Harlan’s<br />
purpose runs deeper than just a simple desire for revenge...<br />
While it’s possible to watch The Dark Hours strictly as<br />
a tense as hell thriller, there’s a lot more going on here<br />
than meets the eye. It manages to include explorations<br />
of infidelity, accountability, gender politics and modern<br />
psychiatry. Add in some beautiful moody cinematography,<br />
disconcerting sound design, a great supporting cast and<br />
an ambiguous and thought provoking finale, and you’ve<br />
got a rarity – a smart, harrowing film relying (mostly) on<br />
nuance and intelligence to make you squirm.<br />
MODUS ANOMALI<br />
Scotland’s International Horror Film Festival<br />
celebrates its 20th anniversary!<br />
This year’s edition kicks off with a late night<br />
screening on Thursday 25 <strong>Apr</strong>il and runs<br />
til late on Sunday 28. Passes for the whole<br />
festival (priced at a non-scary £75) are on<br />
sale now from <strong>Filmhouse</strong> box office. Tickets<br />
for individual screenings will go on sale later,<br />
after the final programme is confirmed.<br />
For more information about the festival and<br />
programme updates, sign up to our mailing<br />
list at www.deadbydawn.co.uk, or check<br />
www.filmhousecinema.com in mid-<strong>Apr</strong>il. In<br />
the meantime, here are just a few of the films<br />
that’ll be keeping you awake all weekend...<br />
EVIL DEAD II<br />
Dead Shadows<br />
David Cholewa • France 2012 • 1h15m<br />
French with English subtitles • 18<br />
Cast: Fabian Wolfrom, John Fallon, Blandine Marmigère.<br />
A Parisian IT tech who’s scared of the dark has the worst<br />
night of his life when a mysterious comet causes all the<br />
lights to go out...<br />
Modus Anomali<br />
Joko Anwar • Indonesia 2012 • 1h27m • 18<br />
Cast: Rio Dewanto, Hannah Al Rashid, Aridh Trimata, Izzi Isman.<br />
A man wakes up in a shallow grave and uncovers evidence<br />
of a brutal murder. He doesn’t know where or who he is,<br />
or why he’s been buried in the forest, but all sorts of grisly<br />
little clues start to pop up...<br />
The Last Will and Testament of<br />
Rosalind Leigh<br />
Rodrigo Gudiño • Canada 2012 • 1h22m • 18<br />
Cast: Aaron Poole, Vanessa Redgrave, Julian Richings.<br />
Leon, an antiques collector, inherits a house that belonged<br />
to his mother, a member of a mysterious cult that<br />
worshipped angels – a cult that may have indirectly lead<br />
to her death.<br />
Evil Dead II<br />
Sam Raimi • USA 1987 • 1h24m • No dialogue • 15<br />
Cast: Bruce Campbell, Sarah Berry, Dan Hicks.<br />
Reading from the Book of the Dead has unleashed an<br />
onslaught of demons, and our hero Ash (the one and only<br />
Bruce Campbell) finds himself stuck in a cabin fighting<br />
against the forces of evil.
22<br />
Made in Prague<br />
THE HOUSE<br />
Made in Prague<br />
Now in its 4th year, Made in Prague, the new<br />
Czech cinema UK tour, showcases the best of<br />
contemporary Czech films. These four awardwinning<br />
features demonstrate the vibrancy<br />
of Czech cinema, departing from the gentle<br />
and understated observations of the past<br />
to provide a strong commentary on social<br />
and political issues, heralding the arrival of<br />
assured new filmmakers not afraid to tackle<br />
challenging subjects.<br />
Supported by<br />
TICKETDEALS<br />
Buy any three (or more) tickets for films in this season<br />
and get 15% off<br />
These offers are available online, in person and on the<br />
phone, on both full price and concession price tickets.<br />
Tickets must all be bought at the same time.<br />
ALOIS NEBEL<br />
The House Dum<br />
Mon 8 <strong>Apr</strong> at 6.10pm<br />
Zuzana Liová • Czech Republic/Slovakia 2011 • 1h40m<br />
Digital projection • Slovak and Czech with English subtitles • 15<br />
Cast: Judit Bárdos, Miroslav Krobot, Marian Mitas, Tatjana<br />
Medvecká, Lucia Jasková.<br />
Eva lives with her parents in a village. She is finishing<br />
high school and dreams of moving to London, but<br />
doesn’t dare openly oppose her father Imrich, a gruff<br />
and uncompromising man who has his own ideas of<br />
the perfect family, and is building houses for each of his<br />
daughters on the family plot. All of this changes when Eva<br />
has an affair with a married man just before graduation.<br />
The House won the Krzysztof Kieslowski Award at the<br />
Cannes Film Festival.<br />
Long Live the Family!<br />
Rodina je základ státu<br />
Mon 15 <strong>Apr</strong> at 5.55pm<br />
Robert Sedlácek • Czech Republic 2011 • 1h46m<br />
Digital projection • Czech with English subtitles • 15<br />
Cast: Igor Chmela, Eva Vrbková, Jírí Vyorálek, Simona Babcáková,<br />
Albert Miksík.<br />
This critically acclaimed drama (which won the main<br />
award from Czech critics last year) centres on a business<br />
executive, a member of the nouveau riche, on the run from<br />
the police, masking his escape as a family trip. Director<br />
Robert Sedlácek is one of the loudest voices in Czech<br />
cinema commenting on current society, sometimes with<br />
the lightness of a satire, but often, as in this case, with a<br />
searingly straightforward critique.<br />
WALKING TOO FAST<br />
Alois Nebel<br />
Mon 22 <strong>Apr</strong> at 6.30pm<br />
Tomás Lunák • Czech Republic/Germany 2011 • 1h24m<br />
Digital projection • Czech with English subtitles • 15<br />
Cast: Miroslav Krobot, Marie Ludvíková, Karel Roden, Leos Noha.<br />
Director Lunak’s remarkably assured feature film debut has<br />
been praised for its visual accomplishment and sustained<br />
mood. Based on a gloomy graphic novel set in the zone<br />
along the Czech-German border known as the Sudetenland,<br />
the film uses rotoscoping to transfer live-action footage into<br />
a fully animated environment. A middle-aged loner who<br />
works as a train dispatcher finds solace in the regularity of<br />
the train schedule, even as he battles nightmares from the<br />
days following WWII. His agitation grows with the return<br />
of a mysterious mute, and the tumultuous atmosphere of<br />
communism’s collapse in 1989.<br />
Walking Too Fast Pouta<br />
Mon 29 <strong>Apr</strong> at 5.45pm<br />
Radim Spacek • Czech Republic/Slovakia 2009 • 2h26m<br />
Digital projection • Czech with English subtitles • 15<br />
Cast: Ondrej Maly, Kristína Farkasová, Martin Finger, Lubos<br />
Vesely, Lukás Latinák.<br />
A secret agent willfully uses his power to destroy the lives<br />
of those who oppose the 1980s Communist regime in<br />
this engaging thriller, the first of its kind since the Velvet<br />
Revolution. In depicting the grim reality and despair<br />
that pervaded Czech life at the time, the film reveals a<br />
commonality among its characters, who are all looking<br />
for an escape. The film took home every major award of<br />
the Czech Film Academy, as well as the newly established<br />
Czech critics awards in 2011.
<strong>Filmhouse</strong> Player/<strong>Filmhouse</strong> Cafe Bar<br />
23<br />
SOUND IT OUT<br />
THE POOL<br />
TOMBOY<br />
Our new online viewing platform allows you<br />
to enjoy a selection of <strong>Filmhouse</strong>-curated films<br />
whenever suits you and wherever you are. Some<br />
films will screen at <strong>Filmhouse</strong> as well, some will<br />
only be available online. New films are being added<br />
all the time, but here’s a small selection of what’s<br />
currently available.<br />
www.filmhousecinema.com/player<br />
The <strong>Filmhouse</strong> Player is a pilot project, in collaboration with<br />
GFT and video-on-demand providers Distrify, supported by<br />
NESTA’s Digital R&D Fund, Scotland.<br />
Sound It Out<br />
Jeanie Finlay • UK 2011 • 1h18m • Digital projection<br />
12A – Contains infrequent strong language • Documentary<br />
Tucked just off the high street in Stockton-on-Tees, Sound<br />
It Out Records is one of the last surviving vinyl record<br />
shops struggling to keep afloat in the face of recession<br />
and changes in technology. A cultural haven in one of<br />
the most deprived areas in the UK, this is a distinctive,<br />
funny and intimate portrait of the North, its men and the<br />
irreplaceable role music plays in our lives.<br />
The Pool<br />
Chris Smith • USA 2007 • 1h34m • Hindi with English subtitles<br />
12A – Contains one use of strong language<br />
Cast: Venkatesh Chavan, Jhangir Badshah, Nana Patekar, Ayesha<br />
Mohan.<br />
Venkatesh is a self-contained teenage boy who works in<br />
a Goan hotel doing manual labour. As often as possible<br />
Venkatesh climbs a mango tree to observe an overgrown<br />
garden which surrounds a swimming pool, hidden behind<br />
a fence. The occupants of the house, an older man and his<br />
daughter, never swim in the pool, though the man sits in a<br />
chair contemplating the cool water. As the film progresses<br />
Venkatesh becomes enmeshed in the lives of the man and<br />
his daughter and, as he slowly gains their trust, he learns<br />
their secrets.<br />
Tomboy<br />
Céline Sciamma • France 2011 • 1h22m<br />
French with English subtitles<br />
U – Contains mild violence and occasional natural nudity<br />
Cast: Zoé Héran, Malonn Lévana, Jeanne Disson, Sophie Cattani.<br />
An achingly tender and sweetly funny coming-of-age<br />
movie, Tomboy tells the story of ten year-old Laure, who<br />
moves to a new Paris suburb with her family. It’s the<br />
summer holidays, and all the local kids are running riot<br />
around the neighbourhood. Boyish Laure, when first<br />
meeting with the gang, introduces herself as Michael.<br />
The other kids don’t even blink: Michael it is. And so the<br />
summer fun begins, with Laure, now Michael, doing<br />
everything she can to keep her new identity secret. But<br />
as the holidays draw to an end, and the threat of school<br />
looms, things start to get complicated.<br />
<strong>Filmhouse</strong> Cafe Bar<br />
Drop in for a cappuccino, espresso or herbal tea<br />
and enjoy one of our superb cakes.<br />
Our full menu runs from noon to 10pm seven<br />
days a week!<br />
All our dishes are prepared on the premises using<br />
fresh ingredients.<br />
We have an extensive vegetarian range with a<br />
variety of daily specials.<br />
A glass of wine? Choose from nine! The bar has<br />
real choice in ales, beers and bottles.<br />
A special event? Just ask, we can probably help.<br />
Or just come and relax in the ambience!<br />
Opening hours:<br />
Monday to Thursday: 8am - 11.30pm<br />
Friday: 8am - 12.30am<br />
Saturday: 10am - 12.30am<br />
Sunday: 10am - 11.30pm<br />
0131 229 5932 cafebar@filmhousecinema.com<br />
Film Quiz<br />
Sunday 14 <strong>Apr</strong>il<br />
<strong>Filmhouse</strong>’s phenomenally successful (and rather<br />
tricky) monthly quiz. Free to enter, teams of up to<br />
eight, to be seated in the cafe bar by 9pm.
24<br />
Planet Bowie: Presented by Drambuie<br />
ZIGGY STARDUST AND THE SPIDERS FROM MARS ZIGGY STARDUST AND THE SPIDERS FROM MARS BAAL<br />
Drambuie brings you<br />
A Taste of the Extraordinary...<br />
Planet Bowie<br />
Two final screenings in this celebration of<br />
David Bowie on film, marking the release of<br />
his first album in ten years.<br />
This is the fourth of six special seasons of films<br />
and events (see pages 10-12 for the fifth!),<br />
produced in partnership with Drambuie.<br />
Drambuie’s support means <strong>Filmhouse</strong> can<br />
screen some unique cinematic programmes<br />
that showcase the unexpected and<br />
extraordinary from film history. Audiences will<br />
also experience Drambuie’s blend of Scotch<br />
whisky, spices and heather honey in an array<br />
of bespoke cocktails created to celebrate each<br />
season by Drambuie’s Brand Ambassador,<br />
Bruce Hamilton.<br />
For updates and giveaways on Drambuie’s<br />
‘A Taste of the Extraordinary’ cinema seasons,<br />
visit facebook.com/UKDrambuie or @Drambuie<br />
Ziggy Stardust and the Spiders from Mars<br />
Thu 11 <strong>Apr</strong> at 8.30pm<br />
DA Pennebaker • UK 1973 • 1h30m • Digibeta • PG • Documentary<br />
DA Pennebaker’s film of Bowie’s dazzling concert at<br />
the Hammersmith Odeon on 3 July 1973. Framed by a<br />
smattering of behind-the-scenes footage, the bulk of<br />
the film concerns the actual concert, notable as the final<br />
time that Bowie would perform under the Ziggy Stardust<br />
persona – an announcement that, at the time, led many<br />
fans to mistakenly believe Bowie was retiring altogether.<br />
This ‘final’ performance features numerous songs from<br />
Ziggy Stardust, Hunky Dory, Aladdin Sane and other Bowie<br />
albums, as well as a cover of the Velvet Underground’s<br />
‘White Light/White Heat’. Unmissable on the big screen!<br />
Baal<br />
Sun 14 <strong>Apr</strong> at 2.00pm<br />
Alan Clarke • UK 1982 • 1h2m • Format TBC • 15<br />
Cast: David Bowie, Zoe Wanamaker, Jonathan Kent, Polly James.<br />
David Bowie stars as the titular anti-hero in this fine<br />
production, adapted from Brecht’s play by John Willet and<br />
Alan Clarke and filmed for BBC Television in 1982. Bowie<br />
is convincing as the womanising poet and delivers the<br />
show’s songs with the required blend of deep conviction<br />
and ambituity, as we chart Baal’s demise from swaggering<br />
womaniser to friendless murderer. Clarke keeps the camera<br />
well back to create wide, beautifully lit tableaux.
25<br />
Exclusive Scottish Premiere<br />
CARLOS<br />
ACOSTA<br />
ON BEFORE<br />
DANCE CONSORTIUM presents<br />
A SADLER’S WELLS PRODUCTION<br />
SUTRA<br />
“Impossible to resist… astounding”<br />
Le Monde<br />
LOVE DANCE<br />
LOVE DANCE<br />
LOVE DANCE<br />
Fri 26 & Sat 27 <strong>Apr</strong>il 2013<br />
Carlos Acosta, the world’s favourite<br />
dancer, presents his most personal work<br />
to date, On Before. Building on Carlos’<br />
astonishing dance vision, the show<br />
features collaborations with major UK<br />
and international dance stars.<br />
“Sophisticated beautifully<br />
thought-out work”<br />
The Observer<br />
Fri 17 & Sat 18 <strong>May</strong> 2013<br />
A collaboration between one of Europe’s<br />
most exciting choreographers Sidi Larbi<br />
Cherkaoui, Turner Prize-winning sculptor<br />
Antony Gormley and 17 practicing Buddhist<br />
monks from the Shaolin Temple in China,<br />
Sutra is at once deeply hypnotic, playful and<br />
breathtakingly athletic. The monks performing<br />
in Sutra, who follow a strict Buddhist doctrine,<br />
perform such spectacular, dare devil moves<br />
that you see them quite literally as leaps<br />
of faith.<br />
Wed 22 to Sat 25 <strong>May</strong> 2013<br />
Presented exclusively by Scottish Ballet,<br />
Matthew Bourne’s Highland Fling is a<br />
wonderfully imaginative reworking of the<br />
classic romantic ballet La Sylphide with a<br />
wickedly wry Scotch twist.<br />
Highland Fling follows the antics of James –<br />
a young Scot with sex and love and rock and<br />
roll on his mind. Recently married to his<br />
beloved Effie, his addiction to excess finds<br />
him in the fateful company of a beguiling<br />
gothic fairy.<br />
BOX<br />
OFFICE0131 529 6000<br />
Booking fees. Registered charity SC0186<strong>05</strong>.<br />
edtheatres.com *
26 Education and Learning at <strong>Filmhouse</strong><br />
CMI Education and Learning department offers a range of screenings, workshops, courses and events for all ages,<br />
year-round at <strong>Filmhouse</strong> and during the <strong>Edinburgh</strong> International Film Festival. Details of current events can be found at<br />
www.filmhousecinema.com/learning<br />
Workshops<br />
‘Xpress Yourself’ – Make Your Own Short Film (14-17-year-olds) Tue 2 - Fri 5 <strong>Apr</strong> • 10am - 4pm each day • £85<br />
Here’s your chance to write, star in, shoot and edit your own short film in just four days. Most professional filmmakers start out making shorts, and<br />
its a great way to tell your own stories. Delivered by Screen Education <strong>Edinburgh</strong>.<br />
Introduction to Animation for Adults (18+) Sun 7 <strong>Apr</strong> • 10:30am-4.30pm • £50<br />
This full day beginner’s workshop gives a practical introduction to a variety of animation techniques including stop frame 2D Cut-Out and 3D<br />
model, drawn animation and experimental techniques such as sand on glass. Whether you’re an artist, a teacher or just curious, this informal day<br />
will give you the skills and technical knowledge to continue animating with confidence.<br />
‘Xpress Yourself’ – Make Your Own Short Film (18+) 27 & 28 <strong>Apr</strong>il and 4 & 5 <strong>May</strong> (four-day course) • 10am - 4pm each day • £95<br />
Here’s your chance to write, star in, shoot and edit your own short film in just four days. Most professional filmmakers start out making shorts, and<br />
its a great way to tell your own stories. Delivered by Screen Education <strong>Edinburgh</strong>.<br />
EIFF Student Critic Jury<br />
The Student Critics Jury at <strong>Edinburgh</strong> International Film Festival reaffirms EIFF’s support for the future of film criticism by giving the next<br />
generation of film critics an opportunity to gain practical experience in their craft under the guidance of established professional critics. Building<br />
on the successful launch held at EIFF 2012, the Student Critics Jury programme enables students to expand their knowledge of contemporary<br />
world cinema, develop their ability to evaluate and write about films and give a prestigious award at EIFF.<br />
Seven students will be chosen on the basis of essays on cinema they submit in application. Eligible applicants shall be enrolled at higher<br />
education or further education institutions in Scotland. Three leading international critics will mentor the jury, lead discussion on principles of film<br />
criticism and provide feedback on the students’ writing.<br />
For more information see www.edfilmfest.org.uk/learning or contact education@cmi-scotland.co.uk
27<br />
MAILINGLISTS ACCESS INFORMATION<br />
To have this monthly programme sent<br />
to you for a year, send £7 (cheques made<br />
payable to <strong>Filmhouse</strong>) with your name<br />
and address and the month you wish your<br />
subscription to start.<br />
This programme is also available to<br />
download as a PDF from our website,<br />
www.filmhousecinema.com.<br />
Alternatively, sign up to our emailing<br />
list, to find out what’s on when and hear<br />
about special offers and competitions, by<br />
going to www.filmhousecinema.com<br />
There is a large print version<br />
of the programme available<br />
which can be posted to you<br />
free of charge.<br />
Drambuie<br />
FUNDINGFILMHOUSE<br />
CORPORATESUPPORTER<br />
CORPORATEMEMBERS<br />
Line Digital Ltd<br />
EQSN<br />
<strong>Filmhouse</strong> foyer and box office are reached<br />
via a ramped surface from Lothian Road.<br />
Our cafe bar and accessible toilet are also at<br />
this level. The majority of seats in the cafe<br />
bar are not fixed and can be moved.<br />
There is wheelchair access to all three<br />
screens. <strong>Cinema</strong> one has space for two<br />
wheelchair users and these places are<br />
reached via the passenger lift. <strong>Cinema</strong>s<br />
two and three have one space each and to<br />
get to these you need to use our platform<br />
lifts. Staff are always on hand to help<br />
operate them – please ask at the box office<br />
when you purchase your tickets. A second<br />
accessible toilet is situated at the lower<br />
level close to cinemas two and three.<br />
Advance booking for wheelchair spaces is<br />
recommended. If you need to bring along<br />
a helper to assist you in any way, then they<br />
will receive a complimentary ticket.<br />
There are induction loops and infra-red<br />
in all three screens for those with hearing<br />
impairments. This programme and our<br />
website carry information on which films<br />
have subtitles.<br />
We regularly have screenings with audio<br />
description for customers with visual<br />
impairments and subtitles for those with<br />
hearing difficulties – see page 2 for details<br />
of these.<br />
Email admin@filmhousecinema.com or<br />
call the box office on 0131 228 2688 if you<br />
require further information or assistance.<br />
<strong>Filmhouse</strong><br />
88 Lothian Road<br />
<strong>Edinburgh</strong> EH3 9BZ<br />
www.filmhousecinema.com<br />
Box Office: 0131 228 2688 (10am-9pm)<br />
Recorded Programme Info: 0131 228 2689<br />
Administration: 0131 228 6382<br />
Fax: 0131 229 6482<br />
email: admin@filmhousecinema.com<br />
Ken Hay<br />
CEO<br />
Rod White<br />
Head of <strong>Filmhouse</strong><br />
Robert Howie<br />
Customer Experience Manager<br />
Holly Daniel & Nicola Kettlewood<br />
Knowledge & Learning<br />
<strong>Filmhouse</strong> is a trading name of Centre for the<br />
Moving Image, a company limited by guarantee,<br />
registered in Scotland No. SC067087<br />
Registered Office: 88 Lothian Road, <strong>Edinburgh</strong><br />
EH3 9BZ<br />
Scottish Charity No.: SC006793<br />
VAT Reg. No.: 328 6585 24<br />
CMI also incorporates <strong>Edinburgh</strong> International<br />
Film Festival and the <strong>Edinburgh</strong> Film Guild.<br />
<strong>Edinburgh</strong> International Film Festival<br />
www.edfilmfest.org.uk<br />
0131 228 4<strong>05</strong>1<br />
<strong>Edinburgh</strong> Film Guild<br />
www.edinburghfilmguild.com<br />
0131 623 8<strong>02</strong>7
FINDINGFILMHOUSE<br />
88 Lothian Road, <strong>Edinburgh</strong> EH3 9BZ<br />
www.filmhousecinema.com<br />
Nearest car parks: Semple Street,<br />
Castle Terrace, <strong>Edinburgh</strong> Quay<br />
Lothian Buses: 1, 2, 10, 11, 15, 16, 22,<br />
24, 34, 35 (www.lothianbuses.com)<br />
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