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Chamber Music<br />

16<br />

II<br />

fauré<br />

B ä r e n r e i t e r<br />

Trio<br />

pour violon, violoncelle et piano<br />

op. 120<br />

Bärenreiter<br />

U r t e x t<br />

Gabriel Fauré<br />

Trio pour violon, violoncelle et piano op. 120<br />

• Gabriel Fauré’s Piano Trio, his penultimate work, was<br />

composed in 1922-23 and published in June 1923. The threemovement<br />

work clearly shows Fauré’s ability to combine a<br />

transparent texture with charming and elegant themes.<br />

Until now the composition has always presented musicians with<br />

considerable problems as the score offers conflicting readings<br />

when compared with the separate string parts. Without reliable<br />

information on the different readings, important basic<br />

information for an appropriate interpretation of the work has<br />

been lacking.<br />

Bärenreiter’s first ever critical edition of this masterpiece finally<br />

unites the parts with the score. All variants appear in the critical<br />

commentary to the corresponding complete edition volume of<br />

the Complete Works of Gabriel Fauré.<br />

Andantino q = 60<br />

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mezzo p<br />

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cresc. f<br />

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13<br />

Andantino q = 60<br />

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1 cantando<br />

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m.d. m.g.<br />

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• First scholarly-critical edition of this work<br />

• High-quality Urtext edition based on<br />

the Complete Works of Gabriel Fauré<br />

• Foreword (Eng/Fr/Ger)<br />

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No distribution rights for USA<br />

Gabriel Fauré<br />

Trio pour violon, violoncelle et piano op. 120<br />

Bärenreiter Urtext<br />

Edited by James W. Sobaskie<br />

BA 7902<br />

Score with parts approx. E 18.95<br />

New Issue<br />

Title<br />

To appear in August 2010<br />

23

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