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Chamber Music<br />
elgar<br />
B ä r e n r e i t e r U r t e x t<br />
Serenade<br />
für Streicher / for Strings<br />
op. 20<br />
Bärenreiter<br />
Edward Elgar<br />
Serenade for Strings op. 20<br />
• With Christopher Hogwood’s new edition of Elgar’s much<br />
loved Serenade, a scholarly-critical edition of the work is now<br />
available for the first time. As with other Elgar works, modern<br />
editions of the Serenade have always suffered from an enormous<br />
number of inconsistancies between the score and parts and<br />
unclear divisi and unison passages. The editor has clarified these<br />
discrepancies, drawing on Elgar’s version of the work for piano<br />
four hands (the original version) and the recently discovered<br />
autograph manuscript of the first movement.<br />
The edition also contains a facsimile showing the original<br />
ending of the third movement as well as an informative<br />
foreword (Ger/Eng) and a critical commentary (Eng).<br />
• The first scholarly-critical Urtext edition of this<br />
popular work for string orchestra<br />
• Foreword (Ger/Eng) and critical commentary (Eng)<br />
• With facsimile pages<br />
No distribution rights for France, Italy and Spain<br />
Edward Elgar<br />
Serenade for Strings op. 20<br />
Bärenreiter Urtext<br />
Edited by Christopher Hogwood<br />
BA 9041<br />
Score* approx. 13.95<br />
Strings, each approx. 3.50<br />
*New Issue<br />
Title<br />
To appear in September 2010<br />
Score<br />
24
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