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Highlights of the Annual Report - The Ashmolean Museum

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Exhibitions / 19<br />

<strong>The</strong> Four Seasons<br />

21 January - 25 May 2003<br />

This exhibition was an introduction to <strong>the</strong> skills and meaning <strong>of</strong> Chinese<br />

landscape painting. <strong>The</strong> four seasons in ancient China were related to <strong>the</strong><br />

lunar calendar and represented <strong>the</strong> cycle <strong>of</strong> life: from birth (Spring) to death<br />

(Winter). Even <strong>the</strong> colours have significance: light green usually represents<br />

Spring, blue Summer, yellow or orange Autumn and black and white Winter.<br />

<strong>The</strong> exhibition was selected by Shelagh Vainker and Dr James Lin and drew<br />

on works from <strong>the</strong> <strong>Museum</strong>’s own extensive Chinese collections.<br />

Roman Gold from Finstock<br />

3 February - 31 December 2003<br />

A most important Roman coin, unear<strong>the</strong>d in Oxfordshire over 150 years ago<br />

and which was brought into <strong>the</strong> <strong>Ashmolean</strong> last September for identification,<br />

was <strong>the</strong> subject <strong>of</strong> a small exhibition entitled Roman Gold From Finstock,<br />

which attracted notice in <strong>the</strong> national Press, and on local television and radio.<br />

This unique coin is a gold ‘aureus’ <strong>of</strong> c. AD 70 in <strong>the</strong> name <strong>of</strong> <strong>the</strong> Roman<br />

emperor Vespasian.<br />

Gibbons (detail) by Chen Wenxi<br />

Contemporary Prints<br />

19 February – 23 March 2003<br />

Two sets <strong>of</strong> prints from <strong>the</strong> artists Hughie<br />

O’Donoghue and Georg Baselitz were<br />

displayed for <strong>the</strong> first time in <strong>the</strong><br />

<strong>Museum</strong>. <strong>The</strong> nine carborundum prints<br />

by O’Donoghue were donated to <strong>the</strong><br />

<strong>Museum</strong> by <strong>the</strong> artist in memory <strong>of</strong> Ilaria<br />

Bignamini and were inspired by a large<br />

painting, <strong>The</strong> Wrestlers, which was also on<br />

display. <strong>The</strong> series by Georg Baselitz A<br />

Fascist Flew Past is considered to be one <strong>of</strong><br />

<strong>the</strong> most important series made by <strong>the</strong><br />

artist in <strong>the</strong> past twenty years.<br />

Spectacular Impressions: Old Master<br />

Prints from <strong>the</strong> <strong>Ashmolean</strong> <strong>Museum</strong><br />

16 April - 14 September 2003<br />

<strong>The</strong> <strong>Museum</strong> holds one <strong>of</strong> <strong>the</strong> most<br />

important print collections in <strong>the</strong> world<br />

but it is seldom possible to show more<br />

than a handful at a time. This summer<br />

represented a major departure with an<br />

exhibition <strong>of</strong> eighty works from <strong>the</strong><br />

collection from <strong>the</strong> 15th- to <strong>the</strong> 18thcenturies<br />

and included works by<br />

Mantegna, Dürer, Rembrandt and<br />

Watteau.<br />

A Fascist Flew Past III by<br />

Georg Baselitz

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