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DREW EVANS ARCHITECTURE + DESIGN PORTFOLIO

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<strong>DREW</strong> <strong>EVANS</strong> <strong>ARCHITECTURE</strong> + <strong>DESIGN</strong> <strong>PORTFOLIO</strong>


<strong>DREW</strong> <strong>EVANS</strong><br />

drewevans@wustl.edu | (615) 948 2951 | 9310 Arrowhead Court, Brentwood, TN 37027


WASHINGTON UNIVERSITY IN ST. LOUIS<br />

BACHELOR OF SCIENCE IN <strong>ARCHITECTURE</strong> - CLASS OF 2015 (ANTICIPATED)<br />

(<strong>ARCHITECTURE</strong>, DRAWING, FURNITURE <strong>DESIGN</strong>, PHOTOGRAPHY,<br />

ART/ARCH HISTORY)<br />

E DUC AT I O N<br />

MAJOR GPA: 3.65 CUMULATIVE GPA: 3.54<br />

SANTA REPARATA INT’L SCHOOL OF ART<br />

SPRING 2014 SEMESTER ABROAD PROGRAM - FLORENCE, ITALY<br />

(<strong>ARCHITECTURE</strong>/URBAN PLANNING, LANDSCAPE <strong>DESIGN</strong>, ART HISTORY)<br />

1 OF 12 STUDENTS SELECTED FOR SEMESTER ABROAD IN <strong>ARCHITECTURE</strong><br />

JAMES W. FITZGIBBON CHARRETTE COMPETITION<br />

SEPT 2014 (1ST ANNUAL) - 1 OF 3 CASH PRIZE WINNERS<br />

AWA R D S<br />

A C T I V ITIES<br />

2013 LASKEY <strong>DESIGN</strong> COMPETITION<br />

HONORABLE MENTION<br />

JOHN B. ERVIN SCHOLARS PROGRAM<br />

FOR CHARITABLE SERVICE + COMMUNITY INVOLVEMENT<br />

SAM FOX SCHOOL DEAN’S LIST<br />

SP12, SP13, FA13, SP14<br />

HABITAT FOR HUMANITY WILLIAMSON COUNTY<br />

AUG 2008 - MAY 2011<br />

WORKED ON 3 SITES, ASSISTING IN VARIOUS CONSTRUCTION STAGES<br />

RANGING FROM FRAMING TO FINAL TRIM INSTALLATIONS + DETAILING<br />

MR. WASH.U. EXEC BOARD<br />

INTERNAL DEVELOPMENT COMMITTEE AUG 2012 - MAY 2013<br />

COORDINATED FUNDRAISING EFFORTS IN PERSON AND BY PHONE,<br />

PLANNED COMMUNITY-CENTERED EVENTS BENEFITTING THE ST. LOUIS<br />

CITYFACES ART PROGRAM FOR AT-RISK YOUTH<br />

T O O L S<br />

AUTOCAD RHINO + V-RAY SKETCHUP + KERKYTHEA REVIT<br />

A DOBE PHOTOSHOP ADOBE IN<strong>DESIGN</strong> ADOBE ILLUSTRATOR<br />

S KILLS<br />

DRAFTING 3D MODELING RENDERING MODEL CONSTRUCTION<br />

DIGITAL PHOTOGRAPHY + EDITING FILM PHOTOGRAPHY WOODWORKING<br />

I N T E R E STS<br />

<strong>ARCHITECTURE</strong> INDUSTRIAL <strong>DESIGN</strong> FURNITURE <strong>DESIGN</strong><br />

PHOTOGRAPHY INTERIOR <strong>DESIGN</strong> TRAVEL<br />

L A N G U A GES<br />

ENGLISH SPANISH ITALIAN


CONTENTS


STUDIO WORK<br />

411 (FA14) - UNPACKING THE OVERLOADED HOUSE<br />

SAINT LOUIS, MO - YOLANDE DANIELS<br />

312 (SP14) - CASCINE PARK PLAN<br />

FLORENCE, ITALY - ZEULER LIMA<br />

311 (FA13) - CHAIN OF ROCKS BRIDGE DWELLING<br />

ALTON, IL - JONATHAN STITELMAN<br />

212 (SP13) - VERTICAL URBAN GREENHOUSE<br />

SAINT LOUIS, MO - STEPHEN MUELLER<br />

211 (FA12) - DEMUN PARK RE<strong>DESIGN</strong><br />

CLAYTON, MO - CATTY DAN ZHANG<br />

111 (FA11) - COMMUNITY GARDEN + POTTING SHED<br />

WELLSTON, MO - CARL KARLEN<br />

BUILDING SYSTEMS<br />

ERIC HOFFMAN<br />

DRAWING I + II<br />

DON KOSTER, JESSE THOMAS<br />

INTRO TO FURNITURE <strong>DESIGN</strong><br />

LINDSEY STOUFFER<br />

INDEPENDENT WORK<br />

PHOTOGRAPHY<br />

FILM + DIGITAL


FA14<br />

UNPACKING THE OVERLOADED HOUSE


PRIVATE RESIDENCE<br />

GALLERY / STUDIO


This project seeks to break down<br />

the idealized single family home<br />

into its most basic components -<br />

hearth, threshold, structure, enclosure,<br />

utility. These components are<br />

initially analyzed and defined in<br />

two case studies, and later used to<br />

develop an intervention within the<br />

context of St Louis’ Grand Center.<br />

Addressing the cultural instituations<br />

in the immediate context, as<br />

well as the shifting demographic,<br />

an X-program gallery/studio space<br />

serves to interface between the<br />

public and private. The home is<br />

allowed to operate independently<br />

of this public element, attracting a<br />

long-term resident who can invest<br />

in and benefit from the growing<br />

artistic community, without sacrificing<br />

the safety and comforts of a<br />

detached home in a largely deurbanized<br />

part of the city.<br />

FA14


CAR PARK HOUSE - LOS ANGELES, CA<br />

EDITH FARNSWORTH HOUSE - PLANO, IL


PRIVATE PARKING + ENTRY<br />

GROUND PLAN<br />

FA14


1 - Contemporary Art Museum<br />

2 - New Masonic Temple<br />

3 - Pulitzer Arts Foundation<br />

4 - Continental Life Building<br />

5 - Powell Symphony Hall<br />

1<br />

2


FA14


PARCO DELLE CASCINE<br />

In redesigning the interface of Cascine Park<br />

with the periphery of the historic center of<br />

Florence, this project addresses the role of<br />

greenspaces within the urban fabric, paying<br />

special attention to paces of occupation -<br />

walking, jogging, biking, and relaxing. Recognizing<br />

the need for an integrative design<br />

approach toward permanent interventions,<br />

the ‘fold’ is adapted as a seating strategy. By<br />

developing a system of material applications<br />

that would allow for ease of transition, it<br />

achieves a gradient between the urban environment<br />

to the East and the rest of the park.<br />

This landscape acts as a connective tissue<br />

for these disparate typologies, taking into<br />

account accessibility from public transportation<br />

and burgeoning infrastructure to the<br />

North, including the new Parco della Musica.<br />

SP14


SP14


SP14


SP14


CHAIN OF ROCKS BRIDGE DWELLING<br />

MISSOURI<br />

ILLINOIS<br />

FA13


RTE 66 BRIDGE<br />

1915 INTAKE TOWER


In siting an intervention along the<br />

Chain of Rocks Route 66 Bridge,<br />

the Illinois bank of the Mississippi<br />

River allows for multiple scales of<br />

observation - the immediate conditions<br />

of the water’s edge, as well as the<br />

monumental bluffs to the North of<br />

the site. The interaction of sand and<br />

water on the site served as both a<br />

programmatic material study as well as<br />

the source of a structural framework<br />

FA13<br />

for the formal intervention itself.


The design expresses the phenomena of<br />

this interaction in the way that sand, a<br />

solid with properties of fluid movement,<br />

can take on rigid and even structural<br />

geometric forms when introduced to a<br />

proportional amount of water. Material<br />

considerations were driven by the ability<br />

of the decayed inner form to be obscured<br />

by a translucent exterior shell. When lit<br />

from within, the inner complexities are<br />

revealed, projected onto the exterior.<br />

Perched atop the bridge, the worskpace<br />

allows for further studies of the shifting<br />

geometries of the river as sediment is<br />

FA13<br />

deposited and washed away over time.


FA13


SP13<br />

SOULARD VERTICAL GREENHOUSE


The initial phases of this project relied on an understanding<br />

of controlled environments in order to create<br />

a self-contained system specific to the plant. The<br />

“Nerve plant” eco-unit is made up of three planting<br />

spaces, linked by channels that filter the heat given<br />

off by the two lower plants into the upper chamber.<br />

This creates an environment humid enough that the<br />

third plant requires no maintenance.<br />

The most challenging aspect of the site is its narrow<br />

dimension as the lot of a former townhome. In order to<br />

maximize the lot’s potential for an urban greenhouse,<br />

a series of sectional metal louvers reflect light down<br />

into the narrow space. Additionally, the roofline is<br />

designed to channel rainwater via the louvers toward<br />

the back of the structure and into a reservoir accessible<br />

from the lowest level - facilitating the growth and<br />

study of aquatic and shade-dwelling species as well.


911


SP13


SP13


DEMUN PARK RE<strong>DESIGN</strong><br />

The Demun Park project began with a formmaking<br />

exercise, resulting in a modular component, from<br />

which the site application would build. Inspired<br />

by the conventional components of a wall framing<br />

system, the module allows for multiple configurations<br />

of linear and planar elements, which when<br />

aggregated, allow for studies of light, shadow,<br />

and structural integrity. Moving to the site, this<br />

logic is applied to the landscape of an existing<br />

playgriound in a thriving Saint Louis neighborhood.<br />

Conducive to nighttime entertainment, and<br />

family-friendly programming, the intervention<br />

seeks to improve the 24-hour utility of the space.<br />

FA12


FA12


FA12


FA12


WELLSTON LOOP COMMUNITY GARDEN<br />

The Wellston Loop historic district of Saint Louis, once a<br />

bustling town center, is largely abandoned, presenting an<br />

opportunity to inspire community revival. The lot at the<br />

corner of Martin Luther King and Hodiamont seeks to spark<br />

a renewed interest in one of the city’s most economically<br />

desolate neighborhoods. The introduction of a community<br />

garden and educational facility urges residents to again<br />

take pride in their community, and allows them to take<br />

agency, addressing issues of poverty, hunger, and overall<br />

decline in an environmentally and socially conscious way.<br />

Following a study of farming practices and growth patterns,<br />

a formal strategy was developed through exercises<br />

in paper folding and wire modeling. This construction was<br />

then applied to the site within the context of the existing<br />

taxonomy of “natural” and “foreign” elements.<br />

FA11


DR MARTIN LUTHER KING DRIVE<br />

HODIAMONT AVENUE<br />

SITE TAXONOMY


FA11


5’ PLAN CUT


FA11 FORMAL INTERVENTION


BUILDING SYSTEMS


FURNITURE <strong>DESIGN</strong><br />

Drawing on the form of a<br />

largely forgotten typology -<br />

the Porter’s chair, my design<br />

simplifies the proportions,<br />

maintaining a sense of enclosure<br />

and isolation for the inhabitant.<br />

Orinigally designed<br />

for French royal guards, the<br />

simplified form gives way to<br />

a revised, more relevant program<br />

that can be aggregated<br />

and implemented both in the<br />

home and in public spaces.


DRAWING


PHOTOGRAPHY<br />

Polaroid SX-70<br />

Nikon D90


Edith Farnsworth House

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