letters to the editors - Rochestermn.com
letters to the editors - Rochestermn.com
letters to the editors - Rochestermn.com
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16 EXPOSED Oc<strong>to</strong>ber, 2007<br />
Some people – such as Javan Drugg of Rochester<br />
– choose <strong>the</strong>ir tat<strong>to</strong>os based primarily on aes<strong>the</strong>tics.<br />
Meaning <strong>the</strong>y look cool. Drugg has got a nearly full<br />
sleeve – tat<strong>to</strong>o speak for having his entire arm covered<br />
– on his left arm, ink across his shoulders, on his upper<br />
right arm and a tat on his leg.<br />
Drugg’s girlfriend Jessica Nelson has four, and most<br />
are related <strong>to</strong> her family. “Everything has a meaning <strong>to</strong><br />
it,” she says, showcasing <strong>the</strong> <strong>letters</strong> representing family<br />
members incorporated in<strong>to</strong> her foot tat<strong>to</strong>o.<br />
Tat<strong>to</strong>os usually tell a s<strong>to</strong>ry and it’s that personal aspect<br />
of <strong>the</strong> trade that Grover likes. He specializes in portrait<br />
tat<strong>to</strong>os and inks everything from people’s deceased<br />
loved ones <strong>to</strong> <strong>the</strong>ir beloved pets or favorite musician.<br />
One woman <strong>com</strong>es in<strong>to</strong> Infinity this fall afternoon<br />
saying she’s considering getting her first tat<strong>to</strong>o. “I’ve<br />
watched a lot of Miami Ink,” she tells Grover, asking<br />
if he can do portraits similar <strong>to</strong> <strong>the</strong> ones she’s seen<br />
featured on <strong>the</strong> show. He tells her <strong>to</strong> bring in pictures<br />
and he’ll get <strong>to</strong> work.<br />
“Miami Ink brought her <strong>to</strong> me,” he remarks outside<br />
<strong>the</strong> shop, taking a smoke break between clients. Earlier,<br />
he’d said some tat<strong>to</strong>oists fear that reality TV shows will<br />
<strong>com</strong>mercialize and, thus, ruin tat<strong>to</strong>oing. He disagrees.<br />
“If it’s going <strong>to</strong> create an awareness about cus<strong>to</strong>m tat<strong>to</strong>oing,<br />
<strong>the</strong>n good,” he says. “Before shows like Miami<br />
Ink, I don’t think people realized it was possible that<br />
you could get something that looks this real.”<br />
On Grover’s forearm is a portrait of a hard-core rocker<br />
who died in a car crash. He’s done portraits of people’s kids<br />
and grandkids. Clients include grandmas, cops, surgeons<br />
and soldiers; gone are <strong>the</strong> days when only musicians and<br />
construction workers plopped in<strong>to</strong> a tat<strong>to</strong>oist’s chair.<br />
Typically, <strong>the</strong> process starts with someone calling or <strong>com</strong>ing<br />
in <strong>to</strong> talk about <strong>the</strong>ir idea. Paging through a tat<strong>to</strong>oist’s<br />
portfolio should be <strong>the</strong> next thing prospective clients do,<br />
tat<strong>to</strong>oists say, because no two artists turn out <strong>the</strong> same<br />
work. Once <strong>the</strong> idea is hashed over, an artist will sketch it<br />
out on <strong>the</strong> spot or have <strong>the</strong> cus<strong>to</strong>mer return <strong>to</strong> look over<br />
<strong>the</strong> sketch.<br />
Some tat<strong>to</strong>os, like Ana’s and Etienne’s names, are quickies,<br />
done in 15 minutes. O<strong>the</strong>rs require multiple visits, such as<br />
<strong>the</strong> full back tat<strong>to</strong>o Grover spent four hours on one day,<br />
arranging <strong>to</strong> continue ano<strong>the</strong>r.<br />
Drugg’s full sleeve has had him <strong>com</strong>ing in for several visits<br />
with Patrick Brittan, <strong>the</strong> owner of Infinity Tat<strong>to</strong>oing and a<br />
15-year veteran of <strong>the</strong> trade. He has a book portfolio showcasing<br />
his work, but Drugg is a walking one with multiple<br />
Brittan tat<strong>to</strong>os.<br />
“Most times people have thought long and hard (about<br />
<strong>the</strong>ir tat<strong>to</strong>o),” Brittan says. “I like giving <strong>the</strong>m something<br />
<strong>the</strong>y’ve been wanting.”<br />
Cus<strong>to</strong>m tat<strong>to</strong>os account for about 90 percent of Infinity’s<br />
business. But cus<strong>to</strong>mers can consult hundreds of tat<strong>to</strong>o designs<br />
– known as flashes – or an artist’s portfolio if <strong>the</strong>y’re<br />
searching for inspiration.<br />
“I hardly ever do flashes,” says Thomas Titus, owner of<br />
Top Cat Tat<strong>to</strong>o down <strong>the</strong> drag from Infinity on Broadway<br />
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