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Summer 2006 issue - Department of Dance - Wayne State University

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2 3 4<br />

what’s inside<br />

Partners in <strong>Dance</strong><br />

Chairs Riff<br />

Digital <strong>Dance</strong><br />

Literacy<br />

Guest Artists:<br />

Melissa Allen<br />

Seán Curran<br />

dbSolo:<br />

Meghan Conway<br />

dance<br />

break<br />

dancersAbout<br />

GARTH FAGAN AWARDED HONORARY<br />

DOCTORATE FROM WAYNE STATE<br />

Celebrated dance alumnus Garth Fagan<br />

(‘69) received the Doctor <strong>of</strong> Humane<br />

Letters degree at May <strong>2006</strong> Commencement<br />

for his lasting contributions to the<br />

world <strong>of</strong> dance.<br />

For the first time since 1962, <strong>Wayne</strong> <strong>State</strong> <strong>University</strong><br />

held its commencement exercises on the<br />

main campus at Matthai Physical Education Center<br />

and Tom Adams Field in the WSU Football Stadium<br />

on the morning <strong>of</strong> Saturday, May 6, <strong>2006</strong>.<br />

volume 3<br />

<strong>issue</strong> 1<br />

summer <strong>2006</strong><br />

AFRICAN<br />

DANCE ON THE MOVE<br />

Detroit African dance teacher and choreographer<br />

Karen Prall joins the department’s fulltime<br />

faculty in Fall <strong>2006</strong> to develop the African<br />

<strong>Dance</strong> Program and more.<br />

As part <strong>of</strong> the commencement program, honorary<br />

degrees were presented to Maryann Mahaffey<br />

and Garth Fagan.<br />

Originally from Jamaica, Fagan enrolled in the<br />

dance program at <strong>Wayne</strong> after having toured<br />

Latin America with the Jamaica National <strong>Dance</strong><br />

Theater. His years in Detroit under the tutelage <strong>of</strong> WSU<br />

dance program founder, Ruth Lovell Murray, were formative<br />

to his career, directing the Detroit Public Schools<br />

All-City <strong>Dance</strong> Company and performing and choreographing<br />

for the WSU <strong>Dance</strong> Workshop, Detroit Contemporary<br />

<strong>Dance</strong> Company<br />

and the <strong>Dance</strong> Theatre <strong>of</strong><br />

Detroit.<br />

After graduating from WSU<br />

in 1969 Fagan founded his<br />

own dance company in<br />

Rochester, NY and began<br />

teaching at the <strong>State</strong> <strong>University</strong><br />

<strong>of</strong> New York (SUNY)<br />

Brockport. Nearly four decades<br />

later his company, Garth Fagan <strong>Dance</strong>, is internationally<br />

renowned for its individuality, unmannered approach<br />

and virtuosity.<br />

<strong>Dance</strong> Season<br />

>> Fall <strong>2006</strong><br />

Faculty & Friends<br />

September 23 (Saturday) 8pm<br />

September 24 (Sunday) 3pm<br />

Maggie Allesee Studio Theatre<br />

Garth Fagan (‘69) and President Irvin D. Reid at May<br />

Commencement <strong>2006</strong><br />

Fagan is also the celebrated choreographer <strong>of</strong> the<br />

award-winning Broadway musical, Disney’s The Lion<br />

King, for which Fagan won every conceivable national<br />

and international award for his breathtaking choreography<br />

and movement design.<br />

Accolades for his choreography<br />

include the Tony Award, Drama<br />

Desk Award, Outer Critics Circle<br />

Award, Astaire Award and the<br />

Laurence Olivier Award (British<br />

‘Tony’).<br />

A Distinguished Pr<strong>of</strong>essor Emeritus<br />

<strong>of</strong> SUNY Brockport, Fagan has<br />

also received numerous academic<br />

and artistic awards; he was one <strong>of</strong> only 25 Americans<br />

named a Fulbright 50th Anniversary Distinguished<br />

Fellow.<br />

(continued on page 2)<br />

For over two decades, African dance classes have played<br />

an important role in the dance department’s course <strong>of</strong>ferings,<br />

especially for non-majors and for students fulfilling<br />

their university group requirements. DNC 2400:<br />

African <strong>Dance</strong> is among the most popular <strong>of</strong> all general<br />

education courses <strong>of</strong>fered by the College <strong>of</strong> Fine,<br />

Performing and<br />

Communication<br />

Arts.<br />

Karen Prall,<br />

founder & artistic<br />

director <strong>of</strong><br />

Detroit’s Art <strong>of</strong><br />

Motion <strong>Dance</strong><br />

Theatre, joins the<br />

dance department<br />

in <strong>2006</strong>-<br />

07 as Lecturer<br />

and Director <strong>of</strong><br />

African <strong>Dance</strong>.<br />

Although this fulltime appointment is new for the program,<br />

Prall is not, having taught as an adjunct dance<br />

faculty member at <strong>Wayne</strong> <strong>State</strong> since 2000. Her new<br />

position allows for expansion <strong>of</strong> African Diaspora dance<br />

<strong>of</strong>ferings, as well as more advanced coursework in Central<br />

African Congolese technique and courses in Horton<br />

modern dance technique.<br />

A native Detroiter, Prall began her early training in ballet<br />

and modern dance, and continued studies in New<br />

York at the Alvin Ailey School and the Martha Graham<br />

School <strong>of</strong> Contemporary <strong>Dance</strong>. African dance training<br />

followed while in New York, where she became a member<br />

<strong>of</strong> Tanawa, the first Congolese dance company in the<br />

United <strong>State</strong>s.<br />

and nationally.<br />

Prall has extensive research and training<br />

credentials abroad including<br />

study in Kongo, Brazzaville-Paris;<br />

Senegal-Monrovia; Liberia; Accra,<br />

Ghana and Mexico. Her<br />

work in the community as a<br />

performer, choreographer,<br />

and master teacher is ongoing<br />

throughout Michigan<br />

ONSTAGE!<br />

<strong>Dance</strong> Theatre for Youth<br />

Touring Program<br />

January-April 2007 (Fridays)<br />

For booking information: 313-577-9879<br />

December <strong>Department</strong>al Concert<br />

December 1 (Friday) 8pm, December 3 (Sunday) 3pm<br />

Special Noel Night Performances:<br />

December 2 (Saturday) 7pm & 8:30pm<br />

Maggie Allesee Studio Theatre<br />

In addition to her teaching, Prall (with Stephen Stone,<br />

Lecturer) will direct the all new <strong>2006</strong>-07 ONSTAGE!<br />

touring production <strong>of</strong> <strong>Dance</strong> Africa Detroit, featuring<br />

African dance and drumming and their influences on<br />

contemporary dance styles like modern jazz, funk, and<br />

hip hop.<br />

Karen Prall will present a new work in the upcoming<br />

Faculty & Friends <strong>Dance</strong> Concert: September 23 & 24 in<br />

the Maggie Allesee Studio Theatre. Please join us!! db


Dear Friends:<br />

Time does seem to<br />

fly---whether it’s the summer<br />

vacation respite or the next<br />

class <strong>of</strong> graduating students---where did<br />

the last four years go In the Maggie Allesee<br />

<strong>Department</strong> <strong>of</strong> <strong>Dance</strong>, many developments have<br />

occurred during this period that I’ve had the<br />

pleasure to serve as Chair.<br />

We’re attracting some <strong>of</strong> the brightest and<br />

most talented students in the region, and<br />

expanding our diverse faculty and innovative<br />

programs, especially in dance technology and<br />

Pilates training. At the same time, we continue<br />

to make advances in student support, dance<br />

production, and choreography.<br />

Let me share two new initiatives that I believe<br />

are critical for the department’s future<br />

success. The Get <strong>Dance</strong> NYC program provides<br />

<strong>Dance</strong> Talent Scholars in their junior year with a<br />

week-long intensive in New York City—studying<br />

dance, viewing performances, and learning the<br />

ropes <strong>of</strong> living and succeeding as a dancer in<br />

the Big Apple.<br />

The second initiative is an all new touringonly<br />

production <strong>of</strong> ONSTAGE! <strong>Dance</strong> Theatre for<br />

Youth: <strong>Dance</strong> Africa Detroit for schools and community<br />

groups. Reconceptualized for <strong>2006</strong>-07,<br />

ONSTAGE! takes to the road in its 53rd annual<br />

year <strong>of</strong> outstanding dance education and outreach.<br />

In today’s economic climate, schools <strong>of</strong>ten face<br />

innumerable challenges bringing students to the<br />

WSU campus. So in order to continue to provide<br />

a high level <strong>of</strong> service, we’ll be coming to your<br />

school instead! Please contact dance@wayne.<br />

edu to reserve a performance <strong>of</strong> <strong>Dance</strong> Africa<br />

Detroit for your school or community group.<br />

Thanks to all <strong>of</strong> our friends, alumni, parents,<br />

and Partners in <strong>Dance</strong> for your continuing support.<br />

Doug Risner, Ph.D., MFA<br />

Chair’s<br />

Riff<br />

BUILDING FOR THE FUTURE<br />

Our Partners in <strong>Dance</strong> play a critical role in shaping<br />

the success <strong>of</strong> dance at <strong>Wayne</strong> <strong>State</strong> <strong>University</strong>.<br />

By becoming a <strong>Dance</strong> Partner, your membership<br />

supports our Scholarship Fund for Students,<br />

Travel & Study Award Program, and the Guest<br />

Artist & Master Teacher Fund.<br />

Your partnership is essential in helping the department<br />

achieve its goals. We hope you will<br />

consider membership in one <strong>of</strong> our important<br />

support groups.<br />

The Choreographers group includes benefactors<br />

and generous donors who support the department’s<br />

ongoing programs.<br />

Our many graduates enjoy supporting the dance<br />

department through membership and participation<br />

in the <strong>Dance</strong> Alumni Association.<br />

GARTH FAGAN<br />

(continued from page 1)<br />

In addition he has received the Guggenheim<br />

Fellowship, George Eastman Medal, National<br />

Endowment for the Arts Choreography Fellowship,<br />

and the Samuel H. Scripps American <strong>Dance</strong><br />

Festival Award, “established to honor those great<br />

choreographers who have dedicated their lives<br />

and talent to the creation <strong>of</strong> our modern dance<br />

heritage.”<br />

Paying tribute to Fagan “as<br />

one <strong>of</strong> the most inspiring and<br />

accomplished artists <strong>of</strong> our<br />

time,” WSU President Irvin<br />

D. Reid praised him as someone<br />

who “freely <strong>of</strong>fers his<br />

creative genius to the world<br />

and, with equal generosity,<br />

returns home to <strong>Wayne</strong> <strong>State</strong><br />

<strong>University</strong> from time to time<br />

to share his extraordinary<br />

talent with our students.”<br />

For the Maggie Allesee <strong>Department</strong><br />

<strong>of</strong> <strong>Dance</strong>, bringing<br />

commencement back to<br />

campus and honoring dance<br />

alumnus Garth Fagan made<br />

PARTNERS<br />

IN<br />

DANCE:<br />

Garth Fagan <strong>Dance</strong> celebrates 35<br />

years <strong>of</strong> dance excellence in <strong>2006</strong><br />

Parents, family members, and friends extend their<br />

generous support and volunteer time through<br />

their membership in <strong>Dance</strong> Partners.<br />

Elite Partners enrich the department by sponsoring<br />

the creation <strong>of</strong> new work and sponsorship <strong>of</strong><br />

concert performances and touring programs.<br />

All <strong>of</strong> your support, regardless <strong>of</strong> the membership<br />

category you choose, helps us move closer<br />

to our ambitious goals.<br />

Watch for your Partners in <strong>Dance</strong> membership<br />

brochure in September’s mail for renewal and<br />

new memberships. Or contact dance@wayne.<br />

edu for information. db<br />

for an especially exciting graduation ceremony<br />

for <strong>2006</strong>.<br />

Dr. Doug Risner, WSU <strong>Dance</strong> Chair noted, “Not<br />

only was 1962 the last year that commencement<br />

was held on campus, it was also the last time<br />

that a WSU honorary doctorate was awarded to<br />

a choreographer, which was presented<br />

that year to the legendary<br />

Martha Graham by then President<br />

Clarence Hilberry.”<br />

After receiving his honorary degree,<br />

Fagan urged graduates to remember<br />

their days at <strong>Wayne</strong> <strong>State</strong><br />

and to take with them what they<br />

have learned, noting that this is<br />

what he has done and “look where<br />

I am!”<br />

Currently celebrating its 35th Anniversary<br />

Season Garth Fagan <strong>Dance</strong><br />

performs October 17-22, <strong>2006</strong> at the<br />

Joyce Theater, New York, NY:<br />

www.joyce.org db<br />

DIGITAL DANCE LITERACY<br />

<strong>Wayne</strong> <strong>State</strong> <strong>University</strong>’s Digital <strong>Dance</strong> Literacy (DDL) curriculum, initiated in 2004, has become<br />

a pioneering project and visionary example for technology in the performing arts. Primary<br />

to its development and success is the faculty-student collaboration inherent in its creation.<br />

Over the past two years, dance major Hannah Risner (’07), has played a significant role in the<br />

curricular development, lesson planning, and pilot testing <strong>of</strong> the DDL curriculum. In addition<br />

to numerous presentations on campus, in April <strong>2006</strong> Hannah gave an adjudicated presentation,<br />

“Digital <strong>Dance</strong> Literacy: An Undergraduate Curriculum Model for <strong>Dance</strong> Majors” at<br />

the National Conference on Undergraduate Research (NCUR), <strong>University</strong> <strong>of</strong> North Carolina at<br />

Asheville. Her peer reviewed paper was accepted for publication in the <strong>2006</strong> NCUR Conference<br />

Proceedings<br />

Hannah Risner (‘07) will present her research at the National <strong>Dance</strong> Education<br />

Organization’s annual national meeting in Long Beach, CA in October <strong>2006</strong><br />

2 dancebreak<br />

In October <strong>2006</strong>, she makes a juried presentation at the National <strong>Dance</strong> Education Organization<br />

(NDEO) for dance educators and administrators in Long Beach, CA. db<br />

See <strong>Dance</strong> Majors e-Portfolios at www.dance.wayne.edu/technology.php


In the Wings:<br />

Allesee Artists-in-Residence: 5th Year Anniversary<br />

s p o t l i g h t<br />

Since 2000, more than 16 guest artists have<br />

enhanced the world-class education <strong>Wayne</strong><br />

<strong>State</strong> provides by bringing real world experiences<br />

to students. Maggie Allesee’s generosity<br />

in creating the Allesee Artist-in-Residence<br />

program opens new doors for dance students,<br />

providing them with greater opportunities for<br />

pr<strong>of</strong>ound interaction with renowned dance<br />

artists.<br />

Each year the Allesee Artist-in-Residence program<br />

broadens students’ learning experiences by bringing<br />

world-renowned choreographers and master teachers to<br />

<strong>Wayne</strong> <strong>State</strong> for intense periods <strong>of</strong> study. Today’s most<br />

prominent dance artists <strong>of</strong>fer students new insights into<br />

the pr<strong>of</strong>essional world through classes, rehearsals and<br />

repertory. Graduates <strong>of</strong> the department overwhelming<br />

cite guest artists as one <strong>of</strong> the most important facets <strong>of</strong><br />

earning a WSU degree in dance.<br />

db<br />

Solo<br />

Our Solo Spotlight<br />

features Senior<br />

Meghan Conway who<br />

reflects, “What has<br />

been most beneficial<br />

about dancing<br />

at <strong>Wayne</strong> is learning<br />

about my body. I<br />

know now what my<br />

strengths and weaknesses are and how<br />

to deal with them.”<br />

Talent Scholar Meghan Conway (’07) chose to pursue<br />

dance at <strong>Wayne</strong> based on knowing graduates <strong>of</strong> the<br />

program, and WSU’s strong reputation in Michigan. A<br />

senior BFA major, Meghan serves as President <strong>of</strong> the<br />

Talent Scholars Council (TSC) and coordinates the<br />

new Get <strong>Dance</strong> NYC program.<br />

A graduate <strong>of</strong> Romulus High School, she distinguished<br />

herself as Class Vice President, Cheer Captain,<br />

School Leadership Award and in the National<br />

Honor Society. Prior to WSU, Meghan trained at<br />

Sherry’s Academy <strong>of</strong> <strong>Dance</strong>.<br />

Meghan has been a member <strong>of</strong> the WSU <strong>Dance</strong> Company<br />

since 2003 and has performed her work at<br />

the American College <strong>Dance</strong> Festival. As the <strong>2006</strong><br />

recipient <strong>of</strong> the Harriet Berg Endowed Choreography<br />

Award, Meghan will premiere a new work in Fall<br />

<strong>2006</strong>.<br />

Reflecting on her time at <strong>Wayne</strong>, Meghan notes,<br />

“The most influential faculty member for me is Stephen<br />

K. Stone. He is always pushing me to do my<br />

best. I can go to him for everything. He has provided<br />

me with advice and knowledge that I will take<br />

with me long after I graduate.”<br />

Upon graduation, Meghan plans to move to Chicago<br />

to pursue a pr<strong>of</strong>essional career with companies such<br />

as River North, Hubbard Street, and Gus Giordano. Her<br />

advice for younger dancers, “take every opportunity<br />

you can. There is so much to learn from your teachers<br />

and our guest artists, and the dancers around<br />

you, so don’t let any <strong>of</strong> it pass you by. Most <strong>of</strong> all,<br />

don’t get discouraged.” db<br />

Celebrating five years <strong>of</strong> guest artistry, the department<br />

is pleased to announce <strong>2006</strong>-07 residencies by internationally<br />

renowned dance artists Melissa Allen Bowman<br />

(Fall 06) and Seán Curran (Winter 07). Each guest will<br />

be on campus for extended residencies, teaching master<br />

classes and setting works on WSU dancers.<br />

Melissa Allen Bowman began her classical ballet training<br />

with Lois Ellyn formerly <strong>of</strong> New<br />

York City Ballet, later training<br />

with Stanley Holden and Margaret<br />

Graham Hills (Royal Ballet,<br />

London). At Mikhail Baryshnikov’s<br />

invitation, and at the age<br />

<strong>of</strong> 15, Melissa began a long and<br />

successful career with American<br />

Ballet Theatre (ABT). When Melissa<br />

was 17 she founded and<br />

directed Emerson <strong>Dance</strong> Theatre. Seven years later, Melissa<br />

left ABT for Western Europe where she performed<br />

starring roles with major ballet companies.<br />

In 2000, Melissa returned to the US and began applying<br />

her first hand pr<strong>of</strong>essional knowledge with<br />

Pittsburgh Youth Ballet where she quickly became<br />

Resident Choreographer and Associate Director.<br />

Melissa’s choreography has been commissioned<br />

by the Pittsburgh Symphony Orchestra and numerous<br />

regional dance companies. She has appeared<br />

in films, television and all <strong>of</strong> ABT’s Great<br />

Performances in America (PBS) from 1981 to 1988,<br />

as well as Merce Cunningham’s Duets.<br />

Seán Curran made his mark on dance as a principal<br />

dancer with the Bill T. Jones/Arnie Zane <strong>Dance</strong><br />

Company. He is Artistic Director<br />

<strong>of</strong> Seán Curran<br />

Jeff Michael Rebudal, Assistant Pr<strong>of</strong>essor, represented<br />

WSU <strong>Dance</strong> and gave master classes at the April<br />

<strong>2006</strong> National High School <strong>Dance</strong> Festival (NHDF) in<br />

Miami, FL for 1,500 dance students from across the nation.<br />

In May, Rebudal was guest artist at Arizona <strong>State</strong><br />

<strong>University</strong>, Tempe, AZ where in conjunction with Scottsdale<br />

Community College he set a new work and taught<br />

master classes. In June, he restaged the choreography<br />

for Emmanuel Chabrier’s opera bouffe “L’Etoile” for<br />

Cincinnati Opera’s colorful production. Later in June,<br />

his New York-based dance company, Rebudal <strong>Dance</strong>,<br />

performed at Wells College Arts & Lecture Series in Aurora,<br />

New York.<br />

Brandy Blaha (’07) and Melissa Gruenberg (’08)<br />

completed internships with Tap City: New York City Tap<br />

Festival held at the Chelsea Studios. In exchange for<br />

providing administrative assistance, Brandy and Melissa<br />

took three master classes each day and were given an<br />

opportunity to perform at the Duke Theater. Notable<br />

teachers included: Tony Waag, Margaret Morrison, Roxanne<br />

Butterfly, Barbara Duffy, Walter Freeman, Josh Hilberman<br />

(WSU Allesee Artist in Residence 2005), Mike<br />

Minery, Bob Audy, and Jimmy Tate. For doing such an<br />

outstanding job, both students were asked to return<br />

next year! While in NYC, Brandy also attended Heather<br />

Cornell’s Manhattan Tap Intensive.<br />

Michelle Marzejon, Guest Choreographer, presented<br />

a masterclass for <strong>Dance</strong> Majors’ Day in August and will<br />

choreograph a new hip-hop repertory work during Fall<br />

Term.<br />

Stephen Stone, Lecturer, performed the role <strong>of</strong> Al<br />

Daluca in Destination Theatre’s spring production <strong>of</strong> A<br />

Chorus Line at the Village Theater at Cherry Hill, Canton,<br />

MI. Stone gave master classes in vernacular jazz dance<br />

styles at Arizona <strong>State</strong> <strong>University</strong> and presented Cunningham<br />

technique at ACDFA Ohio <strong>State</strong> <strong>University</strong>. He<br />

also served as WSU Managing Director <strong>of</strong> 9th Annual<br />

American Ballet Theatre Detroit <strong>Summer</strong> Intensive.<br />

Megan Brunke, Adjunct Faculty & <strong>Dance</strong> Workshop<br />

Director, presented new work in Experimental <strong>Dance</strong><br />

at Eastern Michigan <strong>University</strong>’s Warner Studio in June<br />

and choreographed Warren Civic Theatre’s August production<br />

<strong>of</strong> Beauty & the Beast. In New York, Brunke attended<br />

the Mark Morris <strong>Summer</strong> Intensive and the Paul<br />

Taylor <strong>Summer</strong> <strong>Dance</strong> Intensive in July.<br />

Company and a graduate <strong>of</strong> NYU’s Tisch School <strong>of</strong> the<br />

Arts, where he is a guest faculty member. He began<br />

dance training with traditional Irish step dancing as a<br />

boy in Boston. He received a New York <strong>Dance</strong> and Performance<br />

Bessie Award for his performance in Secret<br />

Pastures. Curran was an original member <strong>of</strong> the cast <strong>of</strong><br />

Stomp.<br />

Curran choreographed the<br />

Broadway production <strong>of</strong><br />

James Joyce’s The Dead for<br />

Playwright’s Horizons; New<br />

York City Opera productions<br />

<strong>of</strong> L’Etoile, Alcina, and Turandot,<br />

and Haroun and the<br />

Sea <strong>of</strong> Stories. He has created<br />

works for Denmark’s Upper<br />

Cut Company, Sweden’s<br />

Skänes <strong>Dance</strong> Theater, Irish Modern <strong>Dance</strong> Theatre,<br />

and Utah’s Ririe Woodbury <strong>Dance</strong> Theater, Pittsburgh’s<br />

<strong>Dance</strong> Alloy, and numerous college and university dance<br />

departments. He has taught extensively at the American<br />

<strong>Dance</strong> Festival, Harvard <strong>Summer</strong> <strong>Dance</strong> Center, Bates<br />

<strong>Dance</strong> Festival, and Boston’s Conservatory <strong>of</strong> Music.<br />

New works by these Allesee Artists will be presented in the<br />

78th Annual Spring <strong>Dance</strong> Concert at the Bonstelle Theatre<br />

on March 23 & 24, 2007. db<br />

dancebreak-ing News<br />

Lakeeta Parker (’07) completed a highly successful<br />

2005-06 administrative internship with the Detroit<br />

<strong>Dance</strong> Collective under the direction <strong>of</strong> Artistic<br />

Director, Barbara Selinger (WSU’82).<br />

Over the summer Eva Powers, Associate Pr<strong>of</strong>essor,<br />

taught Pilates Intensive Mat courses at <strong>Wayne</strong> <strong>State</strong><br />

and Northwest Michigan College, Traverse City, as<br />

well as Stott Pilates certification examinations at the<br />

Equilibrium Studio, Bloomfield Hills, MI.<br />

Doug Risner, Chair, has been appointed Editor-in-<br />

Chief <strong>of</strong> the Journal <strong>of</strong> <strong>Dance</strong> Education. (JODE); he<br />

served as Assistant Editor from 2003-<strong>2006</strong>. Risner<br />

has also completed book chapters for the following<br />

<strong>2006</strong> publications: Handbook for Achieving Gender<br />

Equity through Education (Lawrence Erlbaum); Current<br />

Selected Research in <strong>Dance</strong>: Volume 6 (AAHPERD);<br />

and International Handbook for Research in Arts Education<br />

(Springer).<br />

Leslie Williams, Adjunct Faculty, has accepted an<br />

Assistant Pr<strong>of</strong>essorship in <strong>Dance</strong> for <strong>2006</strong>-07 at West<br />

Texas A&M <strong>University</strong>, Canyon, TX. We extend our<br />

sincere thanks to Leslie for her contributions to the<br />

dance department over the past two years, and wish<br />

her great success as she returns to her undergraduate<br />

alma mater to help develop an outstanding dance<br />

program in West Texas. Congratulations Leslie!<br />

The 25th anniversary <strong>of</strong> Jonathan Hollander’s<br />

NYC Downtown <strong>Dance</strong> Festival, August 21-27, featured<br />

a special roster <strong>of</strong> dance companies, including<br />

Jeff Rebudal’s company, Rebudal <strong>Dance</strong>. A champion<br />

<strong>of</strong> dance in downtown Manhattan, Hollander<br />

has presented more than 150 companies over the<br />

years.<br />

Kelly Gottesman, <strong>Dance</strong> Media & Production<br />

Coordinator, joins the department in a new role for<br />

<strong>2006</strong>-07 supervising concert production, the <strong>Dance</strong><br />

Media Center, electronic and print media, and special<br />

projects. Welcome Kelly!<br />

Let us hear from you! Please send your news to<br />

dance@wayne.edu with dancebreak in the subject<br />

line. db<br />

dancebreak 3


db<br />

dancersAbout<br />

Debbie Bernstein-Siegel, Maggie<br />

Allesee and Laurie Eisenhower at the<br />

Choreographers Dinner at the Detroit<br />

Kathryn Ellis, Eva Powers and Dr. Louise Jefferson<br />

enjoy the Choreographers Dinner in the Crystal<br />

Gallery before the 77th Annual Spring <strong>Dance</strong> Gala<br />

Concert.<br />

Prior to the 77th Annual Spring <strong>Dance</strong><br />

Gala Concert at Detroit Institute <strong>of</strong><br />

Arts, dance supporters and<br />

friends gathered in the Crystal<br />

Gallery <strong>of</strong> the Detroit Institue<br />

<strong>of</strong> Arts for the Choreographers<br />

Dinner on March 30.<br />

This year’s lovely event was<br />

chaired by Choreographers<br />

Dodie David, Gloria Clark,<br />

Maggie Allesee and Associate<br />

Pr<strong>of</strong>essor, Eva Powers.<br />

Donors and their endowed<br />

scholarship recipients were<br />

honored at CFPCA’s Scholarship<br />

Donor Brunch at St. Andrew’s<br />

Hall on<br />

campus in<br />

April.<br />

S t u d e n t s ,<br />

donors, and<br />

their families<br />

gathered for<br />

ceremonies<br />

r e c o g n i z -<br />

Junior Lauren Cansler (BS ‘08), <strong>2006</strong><br />

recipient <strong>of</strong> the Ruth Lovell Murray<br />

Endowed Scholarship in <strong>Dance</strong> conveys<br />

her gratitude at the Scholarship Donor<br />

Brunch<br />

ing outstanding student achievement,<br />

as well as the visionary commitment <strong>of</strong><br />

endowed scholarship donors to the College.<br />

In May, dance<br />

alums and<br />

friends honored<br />

Garth<br />

Fagan (’69) at<br />

a special reception<br />

hosted by<br />

CFPCA Dean<br />

Sharon Vasquez<br />

at Detroit’s<br />

Seldom Blues.<br />

In celebration <strong>of</strong> Mr. Fagan’s WSU honorary<br />

Doctorate <strong>of</strong> Humane Letters, friends, faculty,<br />

and current and former WSU <strong>Dance</strong> Workshop members<br />

paid tribute to Garth’s innumerable and long-lasting contributions<br />

to the world <strong>of</strong> dance. db<br />

Garth Fagan (‘69) implores<br />

current WSU dance students to<br />

“relish every minute in the dance<br />

studio” at a reception in his<br />

honor at Detroit’s Seldom Blues<br />

Senior Megan Conway (BFA ‘07), <strong>2006</strong><br />

recipient <strong>of</strong> the Harriet Berg Endowed<br />

Choreography Award with donor<br />

Harriet Berg (BA ‘47, MFA ‘68)<br />

Described by many as a “WSU <strong>Dance</strong> Workshop Reunion,”<br />

alums and friends celebrate Garth fagan’s honorary doctorate<br />

Ellen Kahn, Dee Andrus and Carol Halsted<br />

were among the many supporters at the<br />

Choreographers Dinner in March..<br />

dancebreak is distributed in<br />

summer and winter each year to the<br />

alumni, friends, students, and parents <strong>of</strong> the<br />

Maggie Allesee <strong>Department</strong> <strong>of</strong> <strong>Dance</strong><br />

Writer/Editor: Doug Risner<br />

Designer: Jon Anderson<br />

<strong>Wayne</strong> <strong>State</strong> <strong>University</strong><br />

4841 Cass Avenue<br />

Detroit, MI 48202<br />

NONPROFIT ORG<br />

US POSTAGE<br />

PAID<br />

DETROIT MI<br />

PERMIT NO. 3844<br />

dance<br />

break<br />

w w w . d a n c e . w a y n e . e d u

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