Summer 2006 issue - Department of Dance - Wayne State University
Summer 2006 issue - Department of Dance - Wayne State University
Summer 2006 issue - Department of Dance - Wayne State University
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2 3 4<br />
what’s inside<br />
Partners in <strong>Dance</strong><br />
Chairs Riff<br />
Digital <strong>Dance</strong><br />
Literacy<br />
Guest Artists:<br />
Melissa Allen<br />
Seán Curran<br />
dbSolo:<br />
Meghan Conway<br />
dance<br />
break<br />
dancersAbout<br />
GARTH FAGAN AWARDED HONORARY<br />
DOCTORATE FROM WAYNE STATE<br />
Celebrated dance alumnus Garth Fagan<br />
(‘69) received the Doctor <strong>of</strong> Humane<br />
Letters degree at May <strong>2006</strong> Commencement<br />
for his lasting contributions to the<br />
world <strong>of</strong> dance.<br />
For the first time since 1962, <strong>Wayne</strong> <strong>State</strong> <strong>University</strong><br />
held its commencement exercises on the<br />
main campus at Matthai Physical Education Center<br />
and Tom Adams Field in the WSU Football Stadium<br />
on the morning <strong>of</strong> Saturday, May 6, <strong>2006</strong>.<br />
volume 3<br />
<strong>issue</strong> 1<br />
summer <strong>2006</strong><br />
AFRICAN<br />
DANCE ON THE MOVE<br />
Detroit African dance teacher and choreographer<br />
Karen Prall joins the department’s fulltime<br />
faculty in Fall <strong>2006</strong> to develop the African<br />
<strong>Dance</strong> Program and more.<br />
As part <strong>of</strong> the commencement program, honorary<br />
degrees were presented to Maryann Mahaffey<br />
and Garth Fagan.<br />
Originally from Jamaica, Fagan enrolled in the<br />
dance program at <strong>Wayne</strong> after having toured<br />
Latin America with the Jamaica National <strong>Dance</strong><br />
Theater. His years in Detroit under the tutelage <strong>of</strong> WSU<br />
dance program founder, Ruth Lovell Murray, were formative<br />
to his career, directing the Detroit Public Schools<br />
All-City <strong>Dance</strong> Company and performing and choreographing<br />
for the WSU <strong>Dance</strong> Workshop, Detroit Contemporary<br />
<strong>Dance</strong> Company<br />
and the <strong>Dance</strong> Theatre <strong>of</strong><br />
Detroit.<br />
After graduating from WSU<br />
in 1969 Fagan founded his<br />
own dance company in<br />
Rochester, NY and began<br />
teaching at the <strong>State</strong> <strong>University</strong><br />
<strong>of</strong> New York (SUNY)<br />
Brockport. Nearly four decades<br />
later his company, Garth Fagan <strong>Dance</strong>, is internationally<br />
renowned for its individuality, unmannered approach<br />
and virtuosity.<br />
<strong>Dance</strong> Season<br />
>> Fall <strong>2006</strong><br />
Faculty & Friends<br />
September 23 (Saturday) 8pm<br />
September 24 (Sunday) 3pm<br />
Maggie Allesee Studio Theatre<br />
Garth Fagan (‘69) and President Irvin D. Reid at May<br />
Commencement <strong>2006</strong><br />
Fagan is also the celebrated choreographer <strong>of</strong> the<br />
award-winning Broadway musical, Disney’s The Lion<br />
King, for which Fagan won every conceivable national<br />
and international award for his breathtaking choreography<br />
and movement design.<br />
Accolades for his choreography<br />
include the Tony Award, Drama<br />
Desk Award, Outer Critics Circle<br />
Award, Astaire Award and the<br />
Laurence Olivier Award (British<br />
‘Tony’).<br />
A Distinguished Pr<strong>of</strong>essor Emeritus<br />
<strong>of</strong> SUNY Brockport, Fagan has<br />
also received numerous academic<br />
and artistic awards; he was one <strong>of</strong> only 25 Americans<br />
named a Fulbright 50th Anniversary Distinguished<br />
Fellow.<br />
(continued on page 2)<br />
For over two decades, African dance classes have played<br />
an important role in the dance department’s course <strong>of</strong>ferings,<br />
especially for non-majors and for students fulfilling<br />
their university group requirements. DNC 2400:<br />
African <strong>Dance</strong> is among the most popular <strong>of</strong> all general<br />
education courses <strong>of</strong>fered by the College <strong>of</strong> Fine,<br />
Performing and<br />
Communication<br />
Arts.<br />
Karen Prall,<br />
founder & artistic<br />
director <strong>of</strong><br />
Detroit’s Art <strong>of</strong><br />
Motion <strong>Dance</strong><br />
Theatre, joins the<br />
dance department<br />
in <strong>2006</strong>-<br />
07 as Lecturer<br />
and Director <strong>of</strong><br />
African <strong>Dance</strong>.<br />
Although this fulltime appointment is new for the program,<br />
Prall is not, having taught as an adjunct dance<br />
faculty member at <strong>Wayne</strong> <strong>State</strong> since 2000. Her new<br />
position allows for expansion <strong>of</strong> African Diaspora dance<br />
<strong>of</strong>ferings, as well as more advanced coursework in Central<br />
African Congolese technique and courses in Horton<br />
modern dance technique.<br />
A native Detroiter, Prall began her early training in ballet<br />
and modern dance, and continued studies in New<br />
York at the Alvin Ailey School and the Martha Graham<br />
School <strong>of</strong> Contemporary <strong>Dance</strong>. African dance training<br />
followed while in New York, where she became a member<br />
<strong>of</strong> Tanawa, the first Congolese dance company in the<br />
United <strong>State</strong>s.<br />
and nationally.<br />
Prall has extensive research and training<br />
credentials abroad including<br />
study in Kongo, Brazzaville-Paris;<br />
Senegal-Monrovia; Liberia; Accra,<br />
Ghana and Mexico. Her<br />
work in the community as a<br />
performer, choreographer,<br />
and master teacher is ongoing<br />
throughout Michigan<br />
ONSTAGE!<br />
<strong>Dance</strong> Theatre for Youth<br />
Touring Program<br />
January-April 2007 (Fridays)<br />
For booking information: 313-577-9879<br />
December <strong>Department</strong>al Concert<br />
December 1 (Friday) 8pm, December 3 (Sunday) 3pm<br />
Special Noel Night Performances:<br />
December 2 (Saturday) 7pm & 8:30pm<br />
Maggie Allesee Studio Theatre<br />
In addition to her teaching, Prall (with Stephen Stone,<br />
Lecturer) will direct the all new <strong>2006</strong>-07 ONSTAGE!<br />
touring production <strong>of</strong> <strong>Dance</strong> Africa Detroit, featuring<br />
African dance and drumming and their influences on<br />
contemporary dance styles like modern jazz, funk, and<br />
hip hop.<br />
Karen Prall will present a new work in the upcoming<br />
Faculty & Friends <strong>Dance</strong> Concert: September 23 & 24 in<br />
the Maggie Allesee Studio Theatre. Please join us!! db
Dear Friends:<br />
Time does seem to<br />
fly---whether it’s the summer<br />
vacation respite or the next<br />
class <strong>of</strong> graduating students---where did<br />
the last four years go In the Maggie Allesee<br />
<strong>Department</strong> <strong>of</strong> <strong>Dance</strong>, many developments have<br />
occurred during this period that I’ve had the<br />
pleasure to serve as Chair.<br />
We’re attracting some <strong>of</strong> the brightest and<br />
most talented students in the region, and<br />
expanding our diverse faculty and innovative<br />
programs, especially in dance technology and<br />
Pilates training. At the same time, we continue<br />
to make advances in student support, dance<br />
production, and choreography.<br />
Let me share two new initiatives that I believe<br />
are critical for the department’s future<br />
success. The Get <strong>Dance</strong> NYC program provides<br />
<strong>Dance</strong> Talent Scholars in their junior year with a<br />
week-long intensive in New York City—studying<br />
dance, viewing performances, and learning the<br />
ropes <strong>of</strong> living and succeeding as a dancer in<br />
the Big Apple.<br />
The second initiative is an all new touringonly<br />
production <strong>of</strong> ONSTAGE! <strong>Dance</strong> Theatre for<br />
Youth: <strong>Dance</strong> Africa Detroit for schools and community<br />
groups. Reconceptualized for <strong>2006</strong>-07,<br />
ONSTAGE! takes to the road in its 53rd annual<br />
year <strong>of</strong> outstanding dance education and outreach.<br />
In today’s economic climate, schools <strong>of</strong>ten face<br />
innumerable challenges bringing students to the<br />
WSU campus. So in order to continue to provide<br />
a high level <strong>of</strong> service, we’ll be coming to your<br />
school instead! Please contact dance@wayne.<br />
edu to reserve a performance <strong>of</strong> <strong>Dance</strong> Africa<br />
Detroit for your school or community group.<br />
Thanks to all <strong>of</strong> our friends, alumni, parents,<br />
and Partners in <strong>Dance</strong> for your continuing support.<br />
Doug Risner, Ph.D., MFA<br />
Chair’s<br />
Riff<br />
BUILDING FOR THE FUTURE<br />
Our Partners in <strong>Dance</strong> play a critical role in shaping<br />
the success <strong>of</strong> dance at <strong>Wayne</strong> <strong>State</strong> <strong>University</strong>.<br />
By becoming a <strong>Dance</strong> Partner, your membership<br />
supports our Scholarship Fund for Students,<br />
Travel & Study Award Program, and the Guest<br />
Artist & Master Teacher Fund.<br />
Your partnership is essential in helping the department<br />
achieve its goals. We hope you will<br />
consider membership in one <strong>of</strong> our important<br />
support groups.<br />
The Choreographers group includes benefactors<br />
and generous donors who support the department’s<br />
ongoing programs.<br />
Our many graduates enjoy supporting the dance<br />
department through membership and participation<br />
in the <strong>Dance</strong> Alumni Association.<br />
GARTH FAGAN<br />
(continued from page 1)<br />
In addition he has received the Guggenheim<br />
Fellowship, George Eastman Medal, National<br />
Endowment for the Arts Choreography Fellowship,<br />
and the Samuel H. Scripps American <strong>Dance</strong><br />
Festival Award, “established to honor those great<br />
choreographers who have dedicated their lives<br />
and talent to the creation <strong>of</strong> our modern dance<br />
heritage.”<br />
Paying tribute to Fagan “as<br />
one <strong>of</strong> the most inspiring and<br />
accomplished artists <strong>of</strong> our<br />
time,” WSU President Irvin<br />
D. Reid praised him as someone<br />
who “freely <strong>of</strong>fers his<br />
creative genius to the world<br />
and, with equal generosity,<br />
returns home to <strong>Wayne</strong> <strong>State</strong><br />
<strong>University</strong> from time to time<br />
to share his extraordinary<br />
talent with our students.”<br />
For the Maggie Allesee <strong>Department</strong><br />
<strong>of</strong> <strong>Dance</strong>, bringing<br />
commencement back to<br />
campus and honoring dance<br />
alumnus Garth Fagan made<br />
PARTNERS<br />
IN<br />
DANCE:<br />
Garth Fagan <strong>Dance</strong> celebrates 35<br />
years <strong>of</strong> dance excellence in <strong>2006</strong><br />
Parents, family members, and friends extend their<br />
generous support and volunteer time through<br />
their membership in <strong>Dance</strong> Partners.<br />
Elite Partners enrich the department by sponsoring<br />
the creation <strong>of</strong> new work and sponsorship <strong>of</strong><br />
concert performances and touring programs.<br />
All <strong>of</strong> your support, regardless <strong>of</strong> the membership<br />
category you choose, helps us move closer<br />
to our ambitious goals.<br />
Watch for your Partners in <strong>Dance</strong> membership<br />
brochure in September’s mail for renewal and<br />
new memberships. Or contact dance@wayne.<br />
edu for information. db<br />
for an especially exciting graduation ceremony<br />
for <strong>2006</strong>.<br />
Dr. Doug Risner, WSU <strong>Dance</strong> Chair noted, “Not<br />
only was 1962 the last year that commencement<br />
was held on campus, it was also the last time<br />
that a WSU honorary doctorate was awarded to<br />
a choreographer, which was presented<br />
that year to the legendary<br />
Martha Graham by then President<br />
Clarence Hilberry.”<br />
After receiving his honorary degree,<br />
Fagan urged graduates to remember<br />
their days at <strong>Wayne</strong> <strong>State</strong><br />
and to take with them what they<br />
have learned, noting that this is<br />
what he has done and “look where<br />
I am!”<br />
Currently celebrating its 35th Anniversary<br />
Season Garth Fagan <strong>Dance</strong><br />
performs October 17-22, <strong>2006</strong> at the<br />
Joyce Theater, New York, NY:<br />
www.joyce.org db<br />
DIGITAL DANCE LITERACY<br />
<strong>Wayne</strong> <strong>State</strong> <strong>University</strong>’s Digital <strong>Dance</strong> Literacy (DDL) curriculum, initiated in 2004, has become<br />
a pioneering project and visionary example for technology in the performing arts. Primary<br />
to its development and success is the faculty-student collaboration inherent in its creation.<br />
Over the past two years, dance major Hannah Risner (’07), has played a significant role in the<br />
curricular development, lesson planning, and pilot testing <strong>of</strong> the DDL curriculum. In addition<br />
to numerous presentations on campus, in April <strong>2006</strong> Hannah gave an adjudicated presentation,<br />
“Digital <strong>Dance</strong> Literacy: An Undergraduate Curriculum Model for <strong>Dance</strong> Majors” at<br />
the National Conference on Undergraduate Research (NCUR), <strong>University</strong> <strong>of</strong> North Carolina at<br />
Asheville. Her peer reviewed paper was accepted for publication in the <strong>2006</strong> NCUR Conference<br />
Proceedings<br />
Hannah Risner (‘07) will present her research at the National <strong>Dance</strong> Education<br />
Organization’s annual national meeting in Long Beach, CA in October <strong>2006</strong><br />
2 dancebreak<br />
In October <strong>2006</strong>, she makes a juried presentation at the National <strong>Dance</strong> Education Organization<br />
(NDEO) for dance educators and administrators in Long Beach, CA. db<br />
See <strong>Dance</strong> Majors e-Portfolios at www.dance.wayne.edu/technology.php
In the Wings:<br />
Allesee Artists-in-Residence: 5th Year Anniversary<br />
s p o t l i g h t<br />
Since 2000, more than 16 guest artists have<br />
enhanced the world-class education <strong>Wayne</strong><br />
<strong>State</strong> provides by bringing real world experiences<br />
to students. Maggie Allesee’s generosity<br />
in creating the Allesee Artist-in-Residence<br />
program opens new doors for dance students,<br />
providing them with greater opportunities for<br />
pr<strong>of</strong>ound interaction with renowned dance<br />
artists.<br />
Each year the Allesee Artist-in-Residence program<br />
broadens students’ learning experiences by bringing<br />
world-renowned choreographers and master teachers to<br />
<strong>Wayne</strong> <strong>State</strong> for intense periods <strong>of</strong> study. Today’s most<br />
prominent dance artists <strong>of</strong>fer students new insights into<br />
the pr<strong>of</strong>essional world through classes, rehearsals and<br />
repertory. Graduates <strong>of</strong> the department overwhelming<br />
cite guest artists as one <strong>of</strong> the most important facets <strong>of</strong><br />
earning a WSU degree in dance.<br />
db<br />
Solo<br />
Our Solo Spotlight<br />
features Senior<br />
Meghan Conway who<br />
reflects, “What has<br />
been most beneficial<br />
about dancing<br />
at <strong>Wayne</strong> is learning<br />
about my body. I<br />
know now what my<br />
strengths and weaknesses are and how<br />
to deal with them.”<br />
Talent Scholar Meghan Conway (’07) chose to pursue<br />
dance at <strong>Wayne</strong> based on knowing graduates <strong>of</strong> the<br />
program, and WSU’s strong reputation in Michigan. A<br />
senior BFA major, Meghan serves as President <strong>of</strong> the<br />
Talent Scholars Council (TSC) and coordinates the<br />
new Get <strong>Dance</strong> NYC program.<br />
A graduate <strong>of</strong> Romulus High School, she distinguished<br />
herself as Class Vice President, Cheer Captain,<br />
School Leadership Award and in the National<br />
Honor Society. Prior to WSU, Meghan trained at<br />
Sherry’s Academy <strong>of</strong> <strong>Dance</strong>.<br />
Meghan has been a member <strong>of</strong> the WSU <strong>Dance</strong> Company<br />
since 2003 and has performed her work at<br />
the American College <strong>Dance</strong> Festival. As the <strong>2006</strong><br />
recipient <strong>of</strong> the Harriet Berg Endowed Choreography<br />
Award, Meghan will premiere a new work in Fall<br />
<strong>2006</strong>.<br />
Reflecting on her time at <strong>Wayne</strong>, Meghan notes,<br />
“The most influential faculty member for me is Stephen<br />
K. Stone. He is always pushing me to do my<br />
best. I can go to him for everything. He has provided<br />
me with advice and knowledge that I will take<br />
with me long after I graduate.”<br />
Upon graduation, Meghan plans to move to Chicago<br />
to pursue a pr<strong>of</strong>essional career with companies such<br />
as River North, Hubbard Street, and Gus Giordano. Her<br />
advice for younger dancers, “take every opportunity<br />
you can. There is so much to learn from your teachers<br />
and our guest artists, and the dancers around<br />
you, so don’t let any <strong>of</strong> it pass you by. Most <strong>of</strong> all,<br />
don’t get discouraged.” db<br />
Celebrating five years <strong>of</strong> guest artistry, the department<br />
is pleased to announce <strong>2006</strong>-07 residencies by internationally<br />
renowned dance artists Melissa Allen Bowman<br />
(Fall 06) and Seán Curran (Winter 07). Each guest will<br />
be on campus for extended residencies, teaching master<br />
classes and setting works on WSU dancers.<br />
Melissa Allen Bowman began her classical ballet training<br />
with Lois Ellyn formerly <strong>of</strong> New<br />
York City Ballet, later training<br />
with Stanley Holden and Margaret<br />
Graham Hills (Royal Ballet,<br />
London). At Mikhail Baryshnikov’s<br />
invitation, and at the age<br />
<strong>of</strong> 15, Melissa began a long and<br />
successful career with American<br />
Ballet Theatre (ABT). When Melissa<br />
was 17 she founded and<br />
directed Emerson <strong>Dance</strong> Theatre. Seven years later, Melissa<br />
left ABT for Western Europe where she performed<br />
starring roles with major ballet companies.<br />
In 2000, Melissa returned to the US and began applying<br />
her first hand pr<strong>of</strong>essional knowledge with<br />
Pittsburgh Youth Ballet where she quickly became<br />
Resident Choreographer and Associate Director.<br />
Melissa’s choreography has been commissioned<br />
by the Pittsburgh Symphony Orchestra and numerous<br />
regional dance companies. She has appeared<br />
in films, television and all <strong>of</strong> ABT’s Great<br />
Performances in America (PBS) from 1981 to 1988,<br />
as well as Merce Cunningham’s Duets.<br />
Seán Curran made his mark on dance as a principal<br />
dancer with the Bill T. Jones/Arnie Zane <strong>Dance</strong><br />
Company. He is Artistic Director<br />
<strong>of</strong> Seán Curran<br />
Jeff Michael Rebudal, Assistant Pr<strong>of</strong>essor, represented<br />
WSU <strong>Dance</strong> and gave master classes at the April<br />
<strong>2006</strong> National High School <strong>Dance</strong> Festival (NHDF) in<br />
Miami, FL for 1,500 dance students from across the nation.<br />
In May, Rebudal was guest artist at Arizona <strong>State</strong><br />
<strong>University</strong>, Tempe, AZ where in conjunction with Scottsdale<br />
Community College he set a new work and taught<br />
master classes. In June, he restaged the choreography<br />
for Emmanuel Chabrier’s opera bouffe “L’Etoile” for<br />
Cincinnati Opera’s colorful production. Later in June,<br />
his New York-based dance company, Rebudal <strong>Dance</strong>,<br />
performed at Wells College Arts & Lecture Series in Aurora,<br />
New York.<br />
Brandy Blaha (’07) and Melissa Gruenberg (’08)<br />
completed internships with Tap City: New York City Tap<br />
Festival held at the Chelsea Studios. In exchange for<br />
providing administrative assistance, Brandy and Melissa<br />
took three master classes each day and were given an<br />
opportunity to perform at the Duke Theater. Notable<br />
teachers included: Tony Waag, Margaret Morrison, Roxanne<br />
Butterfly, Barbara Duffy, Walter Freeman, Josh Hilberman<br />
(WSU Allesee Artist in Residence 2005), Mike<br />
Minery, Bob Audy, and Jimmy Tate. For doing such an<br />
outstanding job, both students were asked to return<br />
next year! While in NYC, Brandy also attended Heather<br />
Cornell’s Manhattan Tap Intensive.<br />
Michelle Marzejon, Guest Choreographer, presented<br />
a masterclass for <strong>Dance</strong> Majors’ Day in August and will<br />
choreograph a new hip-hop repertory work during Fall<br />
Term.<br />
Stephen Stone, Lecturer, performed the role <strong>of</strong> Al<br />
Daluca in Destination Theatre’s spring production <strong>of</strong> A<br />
Chorus Line at the Village Theater at Cherry Hill, Canton,<br />
MI. Stone gave master classes in vernacular jazz dance<br />
styles at Arizona <strong>State</strong> <strong>University</strong> and presented Cunningham<br />
technique at ACDFA Ohio <strong>State</strong> <strong>University</strong>. He<br />
also served as WSU Managing Director <strong>of</strong> 9th Annual<br />
American Ballet Theatre Detroit <strong>Summer</strong> Intensive.<br />
Megan Brunke, Adjunct Faculty & <strong>Dance</strong> Workshop<br />
Director, presented new work in Experimental <strong>Dance</strong><br />
at Eastern Michigan <strong>University</strong>’s Warner Studio in June<br />
and choreographed Warren Civic Theatre’s August production<br />
<strong>of</strong> Beauty & the Beast. In New York, Brunke attended<br />
the Mark Morris <strong>Summer</strong> Intensive and the Paul<br />
Taylor <strong>Summer</strong> <strong>Dance</strong> Intensive in July.<br />
Company and a graduate <strong>of</strong> NYU’s Tisch School <strong>of</strong> the<br />
Arts, where he is a guest faculty member. He began<br />
dance training with traditional Irish step dancing as a<br />
boy in Boston. He received a New York <strong>Dance</strong> and Performance<br />
Bessie Award for his performance in Secret<br />
Pastures. Curran was an original member <strong>of</strong> the cast <strong>of</strong><br />
Stomp.<br />
Curran choreographed the<br />
Broadway production <strong>of</strong><br />
James Joyce’s The Dead for<br />
Playwright’s Horizons; New<br />
York City Opera productions<br />
<strong>of</strong> L’Etoile, Alcina, and Turandot,<br />
and Haroun and the<br />
Sea <strong>of</strong> Stories. He has created<br />
works for Denmark’s Upper<br />
Cut Company, Sweden’s<br />
Skänes <strong>Dance</strong> Theater, Irish Modern <strong>Dance</strong> Theatre,<br />
and Utah’s Ririe Woodbury <strong>Dance</strong> Theater, Pittsburgh’s<br />
<strong>Dance</strong> Alloy, and numerous college and university dance<br />
departments. He has taught extensively at the American<br />
<strong>Dance</strong> Festival, Harvard <strong>Summer</strong> <strong>Dance</strong> Center, Bates<br />
<strong>Dance</strong> Festival, and Boston’s Conservatory <strong>of</strong> Music.<br />
New works by these Allesee Artists will be presented in the<br />
78th Annual Spring <strong>Dance</strong> Concert at the Bonstelle Theatre<br />
on March 23 & 24, 2007. db<br />
dancebreak-ing News<br />
Lakeeta Parker (’07) completed a highly successful<br />
2005-06 administrative internship with the Detroit<br />
<strong>Dance</strong> Collective under the direction <strong>of</strong> Artistic<br />
Director, Barbara Selinger (WSU’82).<br />
Over the summer Eva Powers, Associate Pr<strong>of</strong>essor,<br />
taught Pilates Intensive Mat courses at <strong>Wayne</strong> <strong>State</strong><br />
and Northwest Michigan College, Traverse City, as<br />
well as Stott Pilates certification examinations at the<br />
Equilibrium Studio, Bloomfield Hills, MI.<br />
Doug Risner, Chair, has been appointed Editor-in-<br />
Chief <strong>of</strong> the Journal <strong>of</strong> <strong>Dance</strong> Education. (JODE); he<br />
served as Assistant Editor from 2003-<strong>2006</strong>. Risner<br />
has also completed book chapters for the following<br />
<strong>2006</strong> publications: Handbook for Achieving Gender<br />
Equity through Education (Lawrence Erlbaum); Current<br />
Selected Research in <strong>Dance</strong>: Volume 6 (AAHPERD);<br />
and International Handbook for Research in Arts Education<br />
(Springer).<br />
Leslie Williams, Adjunct Faculty, has accepted an<br />
Assistant Pr<strong>of</strong>essorship in <strong>Dance</strong> for <strong>2006</strong>-07 at West<br />
Texas A&M <strong>University</strong>, Canyon, TX. We extend our<br />
sincere thanks to Leslie for her contributions to the<br />
dance department over the past two years, and wish<br />
her great success as she returns to her undergraduate<br />
alma mater to help develop an outstanding dance<br />
program in West Texas. Congratulations Leslie!<br />
The 25th anniversary <strong>of</strong> Jonathan Hollander’s<br />
NYC Downtown <strong>Dance</strong> Festival, August 21-27, featured<br />
a special roster <strong>of</strong> dance companies, including<br />
Jeff Rebudal’s company, Rebudal <strong>Dance</strong>. A champion<br />
<strong>of</strong> dance in downtown Manhattan, Hollander<br />
has presented more than 150 companies over the<br />
years.<br />
Kelly Gottesman, <strong>Dance</strong> Media & Production<br />
Coordinator, joins the department in a new role for<br />
<strong>2006</strong>-07 supervising concert production, the <strong>Dance</strong><br />
Media Center, electronic and print media, and special<br />
projects. Welcome Kelly!<br />
Let us hear from you! Please send your news to<br />
dance@wayne.edu with dancebreak in the subject<br />
line. db<br />
dancebreak 3
db<br />
dancersAbout<br />
Debbie Bernstein-Siegel, Maggie<br />
Allesee and Laurie Eisenhower at the<br />
Choreographers Dinner at the Detroit<br />
Kathryn Ellis, Eva Powers and Dr. Louise Jefferson<br />
enjoy the Choreographers Dinner in the Crystal<br />
Gallery before the 77th Annual Spring <strong>Dance</strong> Gala<br />
Concert.<br />
Prior to the 77th Annual Spring <strong>Dance</strong><br />
Gala Concert at Detroit Institute <strong>of</strong><br />
Arts, dance supporters and<br />
friends gathered in the Crystal<br />
Gallery <strong>of</strong> the Detroit Institue<br />
<strong>of</strong> Arts for the Choreographers<br />
Dinner on March 30.<br />
This year’s lovely event was<br />
chaired by Choreographers<br />
Dodie David, Gloria Clark,<br />
Maggie Allesee and Associate<br />
Pr<strong>of</strong>essor, Eva Powers.<br />
Donors and their endowed<br />
scholarship recipients were<br />
honored at CFPCA’s Scholarship<br />
Donor Brunch at St. Andrew’s<br />
Hall on<br />
campus in<br />
April.<br />
S t u d e n t s ,<br />
donors, and<br />
their families<br />
gathered for<br />
ceremonies<br />
r e c o g n i z -<br />
Junior Lauren Cansler (BS ‘08), <strong>2006</strong><br />
recipient <strong>of</strong> the Ruth Lovell Murray<br />
Endowed Scholarship in <strong>Dance</strong> conveys<br />
her gratitude at the Scholarship Donor<br />
Brunch<br />
ing outstanding student achievement,<br />
as well as the visionary commitment <strong>of</strong><br />
endowed scholarship donors to the College.<br />
In May, dance<br />
alums and<br />
friends honored<br />
Garth<br />
Fagan (’69) at<br />
a special reception<br />
hosted by<br />
CFPCA Dean<br />
Sharon Vasquez<br />
at Detroit’s<br />
Seldom Blues.<br />
In celebration <strong>of</strong> Mr. Fagan’s WSU honorary<br />
Doctorate <strong>of</strong> Humane Letters, friends, faculty,<br />
and current and former WSU <strong>Dance</strong> Workshop members<br />
paid tribute to Garth’s innumerable and long-lasting contributions<br />
to the world <strong>of</strong> dance. db<br />
Garth Fagan (‘69) implores<br />
current WSU dance students to<br />
“relish every minute in the dance<br />
studio” at a reception in his<br />
honor at Detroit’s Seldom Blues<br />
Senior Megan Conway (BFA ‘07), <strong>2006</strong><br />
recipient <strong>of</strong> the Harriet Berg Endowed<br />
Choreography Award with donor<br />
Harriet Berg (BA ‘47, MFA ‘68)<br />
Described by many as a “WSU <strong>Dance</strong> Workshop Reunion,”<br />
alums and friends celebrate Garth fagan’s honorary doctorate<br />
Ellen Kahn, Dee Andrus and Carol Halsted<br />
were among the many supporters at the<br />
Choreographers Dinner in March..<br />
dancebreak is distributed in<br />
summer and winter each year to the<br />
alumni, friends, students, and parents <strong>of</strong> the<br />
Maggie Allesee <strong>Department</strong> <strong>of</strong> <strong>Dance</strong><br />
Writer/Editor: Doug Risner<br />
Designer: Jon Anderson<br />
<strong>Wayne</strong> <strong>State</strong> <strong>University</strong><br />
4841 Cass Avenue<br />
Detroit, MI 48202<br />
NONPROFIT ORG<br />
US POSTAGE<br />
PAID<br />
DETROIT MI<br />
PERMIT NO. 3844<br />
dance<br />
break<br />
w w w . d a n c e . w a y n e . e d u