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Laura's Presentation - The City College of New York

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2010 <strong>City</strong> Seeds Grants<br />

Mid-Project <strong>Presentation</strong>s<br />

Collaboration & Encounter:<br />

Hans Richter and <strong>The</strong> Film<br />

Institute @ CCNY<br />

David Davidson, Pr<strong>of</strong>essor<br />

Media & Communication Arts<br />

Paul Kozel, Assoc. Pr<strong>of</strong>essor<br />

Music<br />

Chad Jenkins, Asst. Pr<strong>of</strong>essor<br />

Music


Project Description<br />

• A multi-faceted exploration <strong>of</strong> collaboration in the arts<br />

through the life and work <strong>of</strong> iconic avant-garde artist,<br />

filmmaker and radical educator Hans Richter, who directed<br />

the Film Institute at CCNY from 1942 to 1957.<br />

• Faculty, students and visiting artists will converge to produce<br />

a series <strong>of</strong> interlocking creative activities timed to coincide<br />

with the 60 th anniversary <strong>of</strong> Richter assuming the directorship<br />

at CCNY and new exhibition <strong>of</strong> his work at <strong>The</strong> Centre<br />

Pompidou-Metz and <strong>The</strong> Los Angeles County Museum <strong>of</strong> Art.


Goals and Objectives<br />

• Curriculum Development<br />

• Music BFA (SAC):<br />

SOUND AND PICTURE IN THE AVANT-GARDE FILM<br />

• MCA MFA and BFA:<br />

DOCUMENTARY FILM AND THE ARTS<br />

• Music Undergraduate BAs and MAs:<br />

Scholarly Writing on Richter and the Arts


Goals and Objectives<br />

• <strong>The</strong> Documentary Film<br />

HANS RICHTER: EVERYTHING TURNS<br />

EVERYTHING REVOLVES<br />

• <strong>The</strong> Oral History Project<br />

HANS RICHTER & THE INSTITUTE OF FILM TECHNIQUES<br />

AT CITY COLLEGE<br />

• <strong>The</strong> Conference<br />

CONSTRUCTING HANS RICHTER


Cross Disciplinary Nature<br />

• <strong>The</strong> Curriculum<br />

SOUND AND PICTURE IN THE AVANT – GARDE FILM (MUSIC S-12)<br />

Exploring Richter’s sense <strong>of</strong> visual rhythm in his films,<br />

students will create their own scores or develop research<br />

projects. Provides a framework for students to understand the<br />

parallel developments in music, film and painting through the<br />

20th Century from Dadaism to late-century performance art.


Cross Disciplinary Nature<br />

• <strong>The</strong> Curriculum<br />

DOCUMENTARY FILM AND THE ARTS (MCA / S-12)<br />

• Students will collaborate in making a short documentary film<br />

exploring the process <strong>of</strong> “rescoring” <strong>of</strong> the Richter films by<br />

Music students.


Cross Disciplinary Nature<br />

• <strong>The</strong> Curriculum<br />

• <strong>The</strong> courses are free standing with content unique to majors, but<br />

they will bring MCA and Music students together in the following<br />

modes:<br />

• Workshops with visiting artists<br />

• Combined sessions with Pr<strong>of</strong>essor Jenkins providing a larger<br />

historic/cultural context in which Richter and his colleagues<br />

functioned.<br />


Cross Disciplinary Nature<br />

• <strong>The</strong> Documentary<br />

HANS RICHTER:<br />

EVERYTHING TURNS - EVERYTHING REVOLVES<br />

• Long-form film on the life and work <strong>of</strong> Hans Richter in Europe<br />

and at <strong>The</strong> Institute <strong>of</strong> Film Techniques at <strong>City</strong> <strong>College</strong>.<br />

• Faculty Collaboration<br />

• Learning laboratory for Music and MCA majors.


Roles <strong>of</strong> PI’s<br />

• David Davidson<br />

• Curriculum design (DOCUMENTARY FILM & THE ARTS)<br />

• Produce Video Modules for cross disciplinary portions <strong>of</strong> S-<br />

12 courses<br />

• Direct the documentary film, HANS RICHTER:<br />

EVERYTHING TURNS – EVERYTHING REVOLVES<br />

• Select and mentor MCA students as interns on the<br />

production <strong>of</strong> HANS RICHTER: EVERYTHING TURNS –<br />

EVERYTHING REVOLVES<br />

• Identify grantors for external funding


Roles <strong>of</strong> PI’s<br />

• Paul Kozel<br />

• Curriculum design (SOUND AND PICTURE IN THE AVANT-<br />

GARDE FILM)<br />

• Field recording and mixing for video modules to be used for<br />

cross disciplinary portions <strong>of</strong> S-12 courses<br />

• Mentor BFA Music students in creating sound design and<br />

original composition for Hans Richter films<br />

• Supervise BFA Music students as sound design assistants<br />

on HANS RICHTER: EVERYTHING TURNS– EVERYTHING<br />

REVOLVES<br />

• Identify grantors for external funding


Roles <strong>of</strong> PI’s<br />

• Chad Jenkins<br />

• Curriculum design units <strong>of</strong> a courses exploring the<br />

historical/cultural aspects <strong>of</strong> the work <strong>of</strong> Richter and his<br />

colleagues<br />

• Mentor BA and MA Music students in devising and carrying<br />

out scholarly projects culminating in a presentation-worthy<br />

paper<br />

• Supervise students as they organize a scholarly conference<br />

on Richter and the arts that will feature papers by established<br />

scholars and students<br />

• Convene a program committee to evaluate abstracts<br />

submitted for inclusion in the conference


Challenges in Conducting the<br />

Cross-Disciplinary Project<br />

• Creating an architecture for courses across<br />

departments within traditional course boundaries<br />

• Time management with up to five full time faculty<br />

involved at various times<br />

• Funding for visiting artists


Student Involvement<br />

• MCA<br />

• Production interns on HANS RICHTER:<br />

EVERYTHING TURNS-EVERYTHING REVOLVES<br />

• Production interns on video modules <strong>of</strong> artists<br />

rescoring Richter films to be integrated into S-12<br />

courses


Student Involvement<br />

• Music<br />

• Music and Sound Design interns on “Hans Richter:<br />

Everything Turns-Everything Revolves”<br />

• Music and Sound Design interns on video modules<br />

<strong>of</strong> artists rescoring Richter films to be integrated<br />

into S-12 courses


Budget<br />

• Personnel<br />

• Faculty (6) $30,800<br />

• Students (6) $ 6,900<br />

• Material/Supplies<br />

• Various $11,919<br />

• Total Budget $49,619


Progress to Date<br />

• Principal photography for documentary film<br />

complete. Film in assembly.<br />

• First two <strong>of</strong> five video modules complete<br />

• Oral history project 50% complete and available<br />

through the <strong>City</strong> <strong>College</strong> Archives<br />

• First outline for separate courses and collaborative<br />

sessions complete


Future Steps<br />

• Building on the <strong>City</strong> Seeds Grant<br />

• Major event(s) in late 2012 featuring output created under<br />

<strong>City</strong> Seeds grant.<br />

• Model for future events from the anticipated School <strong>of</strong> the<br />

Arts.<br />

• <strong>The</strong> components <strong>of</strong> the experience will be:


Future Steps<br />

• Building on the <strong>City</strong> Seeds Grant<br />

• Premiere <strong>of</strong> HANS RICHTER: EVERYTHING TURNS –<br />

EVERYTHING REVOLVES<br />

• Concert / screening featuring the films <strong>of</strong> Hans Richter newly<br />

re-scored by <strong>City</strong> <strong>College</strong> students<br />

• Premiere <strong>of</strong> the student documentary, RICHTER RE-<br />

SCORED, chronicling the creative journey <strong>of</strong> <strong>City</strong> <strong>College</strong><br />

students composing new music for the Richter films


External Grant Strategy<br />

• Build on external funding already received from Art<br />

- Acquest Fund for the completion <strong>of</strong> HANS<br />

RICHTER-EVERYTHING TURNS- EVERYTHING<br />

REVOLVES<br />

• Grant proposal to NYSCA for visiting artists and<br />

culminating event


External Grant Strategy<br />

• Grant proposal to the National Endowment for the<br />

Arts for completion funds<br />

• Submission to PBS for broadcast consideration<br />

and completion funding<br />

• Identify donors to fund an ongoing series <strong>of</strong><br />

external events from collaborative courses<br />

emanating from a future School <strong>of</strong> the Arts at<br />

CCNY

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