Digital Storytelling : A Creator's Guide to Interactive Entertainmen

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Table of Contents FOREWORD ix PREFACE xiii ACKNOWLEDGMENTS xvii PART ONE New Technologies, New Creative Opportunities 1 CHAPTER 1 Interactive Storytelling: A Brief History 3 CHAPTER 2 Backwater to Mainstream: The Growth of Digital Entertainment 15 CHAPTER 3 Moving Toward Convergence 39 PART TWO Creating Entertainment-Rich Projects 53 CHAPTER 4 Interactivity and Its Effects 55 CHAPTER 5 Old Tools/New Tools 71 CHAPTER 6 Characters, Dialogue, and Emotions 89 CHAPTER 7 Structure in Interactive Media 119 CHAPTER 8 Blending Entertainment with Other Goals 135 CHAPTER 9 Tackling Projects for Children 159 vii
viii Table of Contents CHAPTER 10 Creating a New Project: The Development Process 183 PART THREE Media and Models: Under the Hood 207 CHAPTER 11 Video Games 209 CHAPTER 12 Massively Multiplayer Online Games 225 CHAPTER 13 The Internet 243 CHAPTER 14 Interactive Television 259 CHAPTER 15 Cross-Media Productions 275 CHAPTER 16 Smart Toys 305 CHAPTER 17 Wireless Devices 321 CHAPTER 18 Interactive Cinema 333 CHAPTER 19 Immersive Environments 349 CHAPTER 20 DVDs 365 CHAPTER 21 Kiosks 375 PART FOUR Career Considerations 389 CHAPTER 22 Working as a Digital Storyteller 391 CHAPTER 23 Creating Your Own Showcase 407 CONCLUSION 419 GLOSSARY 421 ADDITIONAL READINGS 433 SUBJECT INDEX 435 PROJECT INDEX 451
Page 2 and 3: Digital Storytelling
Page 4 and 5: Digital Storytelling A Creator’s
Page 6 and 7: I dedicate this book to my husband,
Page 10 and 11: Foreword By Ken Goldstein Something
Page 12 and 13: Foreword xi many years of opinions,
Page 14 and 15: Preface AN ANCIENT CRAFT This book
Page 16 and 17: Preface xv pocket-sized wireless de
Page 18 and 19: Acknowledgments A great many people
Page 20 and 21: PART ONE New Technologies, New Crea
Page 22 and 23: CHAPTER 1 Interactive Storytelling:
Page 24 and 25: Chapter 1 Death and Rebirth in Rit
Page 26 and 27: Chapter 1 Powerful Reenactments in
Page 28 and 29: Chapter 1 Interactivity and Games
Page 30 and 31: Chapter 1 Nonlinear Fiction in Lit
Page 32 and 33: Chapter 1 Nonlinear Drama in Theat
Page 34 and 35: CHAPTER 2 Backwater to Mainstream:
Page 36 and 37: Chapter 2 A Brief History of the C
Page 38 and 39: Chapter 2 The Birth of the Interne
Page 40 and 41: Chapter 2 The First Video Games 21
Page 42 and 43: Chapter 2 Interactive Television 2
Page 44 and 45: Chapter 2 Interactive Cinema 25 ta
Page 46 and 47: Chapter 2 CD-ROMs 27 These little
Page 48 and 49: Chapter 2 Pioneering Interactive T
Page 50 and 51: Chapter 2 Pioneering Interactive T
Page 52 and 53: Chapter 2 Developing the First Tit
Page 54 and 55: Chapter 2 The Impact on Older Form
Page 56 and 57: Chapter 2 Conclusion 37 CONCLUSION
Page 58 and 59:
CHAPTER 3 Moving Toward Convergence
Page 60 and 61:
Chapter 3 The Corporate Marriage o
Page 62 and 63:
Chapter 3 Wireless Devices 43 of t
Page 64 and 65:
Chapter 3 Other Approaches to Inte
Page 66 and 67:
Chapter 3 Adaptation 47 including
Page 68 and 69:
Chapter 3 ‘‘Soft’’ Converg
Page 70 and 71:
IDEA-GENERATING EXERCISES Chapter 3
Page 72 and 73:
PART TWO Creating Entertainment- Ri
Page 74 and 75:
CHAPTER 4 Interactivity and Its Eff
Page 76 and 77:
Chapter 4 Lean Back Versus Lean Fo
Page 78 and 79:
Chapter 4 Immersion 59 Figure 4.1
Page 80 and 81:
Chapter 4 How Interactivity Impact
Page 82 and 83:
Chapter 4 The Great Story and Game
Page 84 and 85:
Chapter 4 Games as Abstract Storie
Page 86 and 87:
Chapter 4 Stories That Are not Gam
Page 88 and 89:
Chapter 4 Idea-Generating Exercise
Page 90 and 91:
CHAPTER 5 Old Tools/New Tools What
Page 92 and 93:
Chapter 5 Learning from Games 73 T
Page 94 and 95:
Chapter 5 Learning from Aristotle
Page 96 and 97:
Chapter 5 Increasing Tension 77 he
Page 98 and 99:
Chapter 5 A Screenwriter’s View
Page 100 and 101:
Chapter 5 How Much Story 81 spelli
Page 102 and 103:
Chapter 5 Ten New Tools 83 is inte
Page 104 and 105:
Chapter 5 Ten New Tools 85 Typical
Page 106 and 107:
Chapter 5 Conclusion 87 that uses
Page 108 and 109:
CHAPTER 6 Characters, Dialogue, and
Page 110 and 111:
Chapter 6 Enduring Characters 91 F
Page 112 and 113:
Chapter 6 Point of View 93 reach a
Page 114 and 115:
Chapter 6 Characteristics of the P
Page 116 and 117:
Chapter 6 Creating Worthy Opponent
Page 118 and 119:
Chapter 6 Unique Digital Character
Page 120 and 121:
Chapter 6 Ways to Allow for Charac
Page 122 and 123:
Chapter 6 Techniques for Developin
Page 124 and 125:
Chapter 6 Adapting Characters from
Page 126 and 127:
Chapter 6 Advanced Synthetic Chara
Page 128 and 129:
Chapter 6 Dialogue and Other Forms
Page 130 and 131:
Chapter 6 Interactive Dialogue 111
Page 132 and 133:
Chapter 6 Guidelines for Verbal Co
Page 134 and 135:
Chapter 6 The Role of Emotion 115
Page 136 and 137:
Page 138 and 139:
CHAPTER 7 Structure in Interactive
Page 140 and 141:
Chapter 7 The Basic Building Block
Page 142 and 143:
Chapter 7 Types of Choices 123 TYP
Page 144 and 145:
Chapter 7 The Critical Story Path
Page 146 and 147:
Chapter 7 Modular Structures 127 F
Page 148 and 149:
ROUNDED AND ANGULAR MODELS Chapter
Page 150 and 151:
Chapter 7 Which Is Right 131 Figur
Page 152 and 153:
Page 154 and 155:
CHAPTER 8 Blending Entertainment wi
Page 156 and 157:
Chapter 8 Rewards 137 looked just
Page 158 and 159:
Chapter 8 The Perceived Value of E
Page 160 and 161:
Chapter 8 Mixing in the Entertainm
Page 162 and 163:
Chapter 8 But What About More Adva
Page 164 and 165:
Chapter 8 Breaking New Ground in I
Page 166 and 167:
Chapter 8 Information and Interact
Page 168 and 169:
Chapter 8 Other Infotainment Appro
Page 170 and 171:
Chapter 8 Can Interactive Training
Page 172 and 173:
Chapter 8 Online Education 153 on
Page 174 and 175:
Chapter 8 Blending Promotion and E
Page 176 and 177:
Chapter 8 Tackling a Project That
Page 178 and 179:
CHAPTER 9 Tackling Projects for Chi
Page 180 and 181:
Chapter 9 Understanding the Young
Page 182 and 183:
Chapter 9 Help from Other Experts,
Page 184 and 185:
Chapter 9 Age Appropriateness and
Page 186 and 187:
Chapter 9 The Parents’ Point of
Page 188 and 189:
Chapter 9 Branding 169 - Fantasy g
Page 190 and 191:
Chapter 9 Original Properties 171
Page 192 and 193:
Chapter 9 The Use of Humor 173 Fig
Page 194 and 195:
Chapter 9 The Seven Death Kisses 1
Page 196 and 197:
Chapter 9 The Anti-Death Kiss Stra
Page 198 and 199:
Chapter 9 The Anti-Death Kiss Stra
Page 200 and 201:
Chapter 9 Conclusion 181 before fi
Page 202 and 203:
CHAPTER 10 Creating a New Project:
Page 204 and 205:
SOME ALL-TOO-COMMON ERRORS Chapter
Page 206 and 207:
Chapter 10 Who Is on the Team 187
Page 208 and 209:
Chapter 10 Other Early Decisions 1
Page 210 and 211:
Chapter 10 A Ten-Step Development
Page 212 and 213:
Chapter 10 Documents and Artwork 1
Page 214 and 215:
Page 216 and 217:
Page 218 and 219:
Page 220 and 221:
Page 222 and 223:
Chapter 10 Specialized Documents a
Page 224 and 225:
Chapter 10 Idea-Generating Exercis
Page 226 and 227:
PART THREE Media and Models: Under
Page 228 and 229:
CHAPTER 11 Video Games What are som
Page 230 and 231:
Chapter 11 The Major Genres of Gam
Page 232 and 233:
Chapter 11 The Major Genres of Gam
Page 234 and 235:
Chapter 11 Game Developers and Hol
Page 236 and 237:
Chapter 11 Today’s Games 217 Fig
Page 238 and 239:
Chapter 11 What Makes Video Games
Page 240 and 241:
Chapter 11 What Can We Learn from
Page 242 and 243:
Page 244 and 245:
CHAPTER 12 Massively Multiplayer On
Page 246 and 247:
Chapter 12 The Origins of Today’
Page 248 and 249:
Chapter 12 A Player’s Point of V
Page 250 and 251:
Chapter 12 Essential Questions 231
Page 252 and 253:
Chapter 12 Designing a MMOG for a
Page 254 and 255:
Chapter 12 Early Development Work
Page 256 and 257:
Chapter 12 The Characters 237 The
Page 258 and 259:
Chapter 12 The Role of the Treadmi
Page 260 and 261:
Chapter 12 Conclusion 241 planning
Page 262 and 263:
CHAPTER 13 The Internet What are th
Page 264 and 265:
Chapter 13 The Quest for ‘‘Sti
Page 266 and 267:
Chapter 13 TV as a Role Model 247
Page 268 and 269:
Chapter 13 Drawing from Traditiona
Page 270 and 271:
Chapter 13 Promotion-Based Enterta
Page 272 and 273:
Chapter 13 Other Entertaining Prom
Page 274 and 275:
Chapter 13 Using Entertainment to
Page 276 and 277:
Page 278 and 279:
CHAPTER 14 Interactive Television W
Page 280 and 281:
Chapter 14 Major Hurdles 261 Many
Page 282 and 283:
Chapter 14 General Lessons 263 His
Page 284 and 285:
Chapter 14 Setting Objectives 265
Page 286 and 287:
Chapter 14 Applying iTV to Drama 2
Page 288 and 289:
Chapter 14 The Dual-Screen Experie
Page 290 and 291:
Chapter 14 Dimensionalizing a Dram
Page 292 and 293:
Chapter 14 Dimensionalizing a Dram
Page 294 and 295:
CHAPTER 15 Cross-Media Productions
Page 296 and 297:
Chapter 15 A Different Approach to
Page 298 and 299:
Chapter 15 The Origins of The Beas
Page 300 and 301:
Chapter 15 An Enormous Gamble 281
Page 302 and 303:
Chapter 15 The Puzzles 283 Figure
Page 304 and 305:
Chapter 15 The Player-Creator Rela
Page 306 and 307:
Chapter 15 The Power of the Puzzle
Page 308 and 309:
Chapter 15 Majestic Wades into the
Page 310 and 311:
Chapter 15 What Went Wrong 291 380
Page 312 and 313:
Chapter 15 The Integrated Media Ap
Page 314 and 315:
Chapter 15 The Development Process
Page 316 and 317:
Chapter 15 What Went Wrong 297 gam
Page 318 and 319:
Chapter 15 Other Approaches to Cro
Page 320 and 321:
Chapter 15 Using the Cross-Media A
Page 322 and 323:
Page 324 and 325:
CHAPTER 16 Smart Toys What could sm
Page 326 and 327:
Chapter 16 Making the Imaginary Re
Page 328 and 329:
Chapter 16 Why Are Smart Toys Wort
Page 330 and 331:
Chapter 16 The Challenges of Creat
Page 332 and 333:
Chapter 16 The Place of Smart Toys
Page 334 and 335:
Chapter 16 Considering Play Patter
Page 336 and 337:
Chapter 16 The Toy Development Pro
Page 338 and 339:
Page 340 and 341:
CHAPTER 17 Wireless Devices What ab
Page 342 and 343:
Chapter 17 The Progenitor: A Snake
Page 344 and 345:
Chapter 17 Wireless Devices and Pe
Page 346 and 347:
Chapter 17 Wireless Entertainment
Page 348 and 349:
Chapter 17 Wireless Entertainment
Page 350 and 351:
Chapter 17 A Few Guidelines 331 Wh
Page 352 and 353:
CHAPTER 18 Interactive Cinema Movie
Page 354 and 355:
Chapter 18 Large-Screen Interactiv
Page 356 and 357:
Chapter 18 A Sample Large-Screen E
Page 358 and 359:
Chapter 18 Small-Screen Interactiv
Page 360 and 361:
Chapter 18 Uncompressed: a Case St
Page 362 and 363:
Chapter 18 The Hyperstory as a Veh
Page 364 and 365:
Chapter 18 Nonfiction Interactive
Page 366 and 367:
Page 368 and 369:
CHAPTER 19 Immersive Environments W
Page 370 and 371:
Chapter 19 Where Did VR Come From
Page 372 and 373:
Chapter 19 Using VR for Artistic E
Page 374 and 375:
Chapter 19 Other Narrative Experim
Page 376 and 377:
Chapter 19 VR in Other Endeavors 3
Page 378 and 379:
Chapter 19 Hollywood and the Milit
Page 380 and 381:
Chapter 19 Making the Story Come t
Page 382 and 383:
Page 384 and 385:
CHAPTER 20 DVDs DVDs are most commo
Page 386 and 387:
Chapter 20 The Special Features of
Page 388 and 389:
Chapter 20 The Bonus Factor 369 Ye
Page 390 and 391:
Chapter 20 Original Projects 371 f
Page 392 and 393:
Page 394 and 395:
CHAPTER 21 Kiosks How can something
Page 396 and 397:
Chapter 21 Developing Content for
Page 398 and 399:
Chapter 21 Under Mickey’s Hat 37
Page 400 and 401:
Chapter 21 Discover the Stories Be
Page 402 and 403:
Chapter 21 Using Kiosks for an Inf
Page 404 and 405:
Chapter 21 Harnessing the Kiosk to
Page 406 and 407:
Chapter 21 Stepping into the Past
Page 408 and 409:
PART FOUR Career Considerations
Page 410 and 411:
CHAPTER 22 Working as a Digital Sto
Page 412 and 413:
Chapter 22 Selling an Original Ide
Page 414 and 415:
Chapter 22 Common Entry Points 395
Page 416 and 417:
Chapter 22 Legal Considerations 39
Page 418 and 419:
Chapter 22 Legal Considerations 39
Page 420 and 421:
Chapter 22 Educating Yourself 401
Page 422 and 423:
Chapter 22 Industry Events 403 hum
Page 424 and 425:
Chapter 22 Some Pointers for a Car
Page 426 and 427:
CHAPTER 23 Creating Your Own Showca
Page 428 and 429:
Chapter 23 Considerations in Creat
Page 430 and 431:
Chapter 23 Odd Todd: A Case Study
Page 432 and 433:
Chapter 23 A Low-Tech, Low-Budget
Page 434 and 435:
Chapter 23 Another Approach to Sho
Page 436 and 437:
Chapter 23 Pointers for Making You
Page 438 and 439:
Conclusion We have now reached the
Page 440 and 441:
Glossary 3G third generation: See t
Page 442 and 443:
Glossary 423 branching structure: A
Page 444 and 445:
Glossary 425 electronic kiosk: A bo
Page 446 and 447:
Glossary 427 in by a solo user, not
Page 448 and 449:
Glossary 429 natural language inter
Page 450 and 451:
Glossary 431 RT3D: See real-time 3D
Page 452 and 453:
Additional Readings The following b
Page 454 and 455:
Subject Index Note: For specific pr
Page 456 and 457:
Subject Index 437 common entry poin
Page 458 and 459:
Subject Index 439 Database narrativ
Page 460 and 461:
Subject Index 441 Game content, in
Page 462 and 463:
Subject Index 443 Internet; see als
Page 464 and 465:
Subject Index 445 launching a new M
Page 466 and 467:
Subject Index 447 Scent necklace, 1
Page 468 and 469:
Subject Index 449 Trubshaw, Roy, 19
Page 470 and 471:
Project Index 405, 250-251 AI game,
Page 472:
Project Index 453 Tamagotchi (Virtu
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