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Intersections<br />

For any artist trying to draw three-dimensional shapes,<br />

intersections are an important factor in describing the forms. We<br />

can see this best in nature where crystalline forms are involved.<br />

There is one form, which if presented by itself in its entirety, has<br />

no intersections. That’s a sphere, and it requires the shading<br />

provided by light to define its surface.<br />

In the real world, not the abstract one of descriptive geometry,<br />

much more is at play than intersections. I’ve already alluded to<br />

one, light; but there are more. As 3D modelers we need to<br />

examine the things that make our renderings believable. I’m going<br />

to take the idea of intersections to a more realistic level and refer<br />

to that level as transitions.<br />

Transitions<br />

Transitions include intersections, but are more complex. They are<br />

also needed in nearly all cases if we want to present something<br />

realistically. Take a cube, for example. If the cube is all brown and<br />

placed with one face resting on a horizontal plane that’s all green,<br />

we can see that the cube is sitting on the plane or suspended<br />

above the plane or coming up through the plane. We can’t<br />

distinguish among the three unless we add light and shadow.<br />

(Moreover, if the plane were tipped and the cube were suspended<br />

above the plane, we would not know either condition.) Even adding<br />

light, and assuming the plane is level, we can’t tell whether the<br />

cube is sitting on the plane or coming up through it unless we<br />

know that we’re dealing with a cube. Then we would know by the<br />

proportions of the visible object.<br />

Buildings. In real life, say a house sitting on the ground, we have<br />

familiar clues that can help us determine the exact relationship of<br />

the house and the ground. A house is generally built on top of a<br />

foundation, and a bit of that foundation pokes up through the<br />

ground to keep the wood framing of the house away from the<br />

ground, where it is likely to wick up moisture. In America we are<br />

also accustomed to surrounding our foundations with bushes,<br />

though that would not be the case with a barn.<br />

Something else happens besides light, shadow, and shading (notice<br />

the side facing the sun is a lighter shade of its color than the side<br />

not facing the sun). The ground around the house may be different<br />

in the sense that it is more worn where people walk, and is<br />

probably greener where the lawn is maintained than where the<br />

lawn is allowed to become meadow. We may also notice that<br />

variations occur in paving that surrounds a building, especially if<br />

automobile traffic is involved.<br />

<strong>Virtual</strong> <strong>Railroader</strong> - 6 - May – June 2005

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