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PERCEPTION AND ILLUSIONS - Science World Resources

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

Is seeing believing<br />

OBJECTIVES:<br />

Students will be able to:<br />

• Understand that visual<br />

information is processed by<br />

the brain<br />

• Explain that the brain bases<br />

its interpretations on past<br />

experiences<br />

• Describe how optical<br />

illusions occur<br />

CURRICULUM<br />

CONNECTIONS<br />

BY GRADE:<br />

K. Physical <strong>Science</strong><br />

2. Physical <strong>Science</strong><br />

4. Physical <strong>Science</strong><br />

5. Life <strong>Science</strong><br />

LIST OF ACTIVITIES:<br />

Optical Illusions<br />

• Image Decoder<br />

• Do As I Say, Not As I do!<br />

• Seeing Spots<br />

• Random Dot Stereograms<br />

• Necker Cube<br />

• Size Perception<br />

• What Do You See<br />

• Stroop Effect<br />

• Canadian Flag After-Image<br />

• Benham’s Disk (make & take)<br />

• Thaumatrope (make & take)<br />

• Stroboscope (make & take)<br />

Auditory Illusions<br />

• P-O-T-S<br />

• Speech-to-Song Illusion<br />

Tactile Illusions<br />

• Numb Fingers<br />

• Finger-to-Elbow<br />

• Fake Hand<br />

• Comb Dot<br />

Introduction<br />

It is often said that seeing is believing, but can we really trust what our eyes are telling<br />

us In this resource, students explore optical illusions and how our brain strives to make<br />

sense of the information it receives.<br />

Background<br />

An optical illusion occurs when the brain perceives something that does not reflect<br />

reality. In fact, the word illusion comes from the Latin verb illudere or "to mock."<br />

Optical illusions can result in three ways:<br />

1. Your brain makes faulty assumptions based on patterns you have experienced in the<br />

past (cognitive illusion),<br />

2. Your eyes have structural quirks that misinterpret visual cues (physical illusion), or<br />

3. Your eyes or brain react to something they’ve been observing for a long time<br />

(physiological illusion).<br />

Your eyes are optical instruments, like a camera, microscope or telescope, but they<br />

adjust automatically. Your eyes can tell different colours apart, they can adapt very<br />

quickly to variations in the amount of light they're receiving, and they can focus<br />

themselves automatically.<br />

Iris<br />

Pupil<br />

Lens<br />

Retina<br />

Optic Nerve<br />

to Brain<br />

Cones on retina<br />

The iris controls the quantity of light entering the eye. The lens focuses the light to form<br />

an upside-down image on the retina. Right at the beginning of your development as a<br />

baby, your brain learned to turn the reversed image right-side up.<br />

The back wall of the human eye (retina) is lined with two kinds of receptors for<br />

distinguishing light: there are 12 million rod cells and 7 million cone cells.<br />

Rods respond to all wavelengths of visible light in low light conditions. They allow us<br />

to see objects when the lights are dim. Cones, on the other hand, respond to certain<br />

wavelengths, sending colour information to the brain.<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

There are 3 different types of cone receptors for coloured light: one is most sensitive<br />

to red light, one to green light, and one to blue light. With these three colour receptors<br />

we are able to perceive more than a million different shades of colour. Cones are less<br />

sensitive than rods, requiring higher levels of light. This is why it is difficult to make out<br />

the colour of objects in low light conditions.<br />

Ghostly coloured or squirmy after-images can appear when rod or cone cells get tired. An<br />

image that your eye collects is just the first step in the creation of meaning. Where the<br />

information from your senses is unclear, incomplete or seemingly backwards, your brain<br />

works to understand the world by filling in gaps, ignoring data or making decisions,<br />

usually based on your previous experience. This interpretation may not reflect reality: it<br />

can result in an illusion.<br />

Although this resource emphasizes optical illusions, both tactile and auditory illusions also<br />

result from the brain’s faulty interpretation of data received from these senses. To reinforce<br />

this concept, tactile and auditory illusions have been included as activities and extensions.<br />

Teacher’s Tip:<br />

We suggest that you rotate between the different types of illusions, ideally<br />

setting up stations around the classroom for students to visit in turn.<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

Vocabulary<br />

Auditory illusion: an illusion involving the brain’s misinterpretation of sound signals.<br />

Lateral inhibition: when one cell reduces the activity of a neighbouring cell.<br />

Mirage: an optical illusion where light rays are refracted, or ‘bent’, to produce a displaced image of<br />

faraway objects.<br />

Optical illusion: an illusion involving the brain’s misinterpretation of visual signals.<br />

Proprioception: our sense of the relative positioning of the different parts of our body (i.e. our<br />

internal “map”).<br />

Sensory Receptor: a sensory nerve ending that responds to a stimulus.<br />

Tactile illusion: an illusion involving the brain’s misinterpretation of tactile signals.<br />

Illusion: something that deceives by producing a false or misleading impression<br />

of reality.<br />

Thaumatrope: a card with different pictures on opposite sides, such as a horse on one side and a<br />

rider on the other, which appear as if combined when the card is twirled rapidly, thus illustrating<br />

the persistence of visual impressions.<br />

Stroboscope: a device for studying the motion of a body, especially a body in rapid revolution or<br />

vibration, by making the motion appear to slow down or stop, as by periodically illuminating the<br />

body or viewing it through widely spaced openings in a revolving disk.<br />

References<br />

»»<br />

Listverse | Top 10 Incredible Sound Illusions<br />

http://listverse.com/2008/02/29/top-10-incredible-sound-illusions/<br />

»»<br />

Accoustical Society of America | The Speech-to-Song Illusion<br />

http://www.acoustics.org/press/156th/deutsch.html<br />

»»<br />

Wikipedia | Sensory receptor<br />

http://en.wikipedia.org/wiki/Sensory_receptor<br />

»»<br />

Wikipedia | Lateral inhibition<br />

http://en.wikipedia.org/wiki/Lateral_inhibition<br />

»»<br />

Wikipedia | Hermann grid<br />

http://en.wikipedia.org/wiki/File:HermannGrid.gif<br />

»»<br />

Magic Eye | Frequently Asked Questions<br />

http://www.magiceye.com/faq.htm<br />

»»<br />

Vern’s SIRDS Gallery<br />

http://www.vern.com/<br />

»»<br />

SIRDS | List of Random Dot Stereogram Websites<br />

http://www.nottingham.ac.uk/~etzpc/sirds.html<br />

»»<br />

Interactive Mathematics Miscellany and Puzzles | Single Image Stereograms<br />

http://www.cut-the-knot.org/Curriculum/Geometry/Stereo.shtml<br />

»»<br />

Gary Beene’s Stereograms Information Center | How to Create Stereograms<br />

http://www.garybeene.com/stereo/rds-over.htm<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

»»<br />

Wikipedia | Necker Cube<br />

http://en.wikipedia.org/wiki/File:Necker_cube.svg<br />

»»<br />

Wapedia | Wiki | Necker Cube<br />

http://wapedia.mobi/en/Necker_cube<br />

»»<br />

Wise Bread | Optical Illusions That Make You Fatter and Your Wallet Lighter | Circle size<br />

http://www.wisebread.com/optical-illusions-that-make-you-fatter-and-your-wallet-lighter<br />

»»<br />

Braingle | Brainteasers | Old or Young Woman<br />

http://www.braingle.com/wii/brainteasers/teaser.phpid=26745<br />

»»<br />

Squidoo | Optical Illusions Images | Duck or Rabbit<br />

http://www.squidoo.com/optical-illusion-images<br />

»»<br />

Dartmouth Computer <strong>Science</strong> | Hany Farid | A Collection of Visual Illusions<br />

http://www.cs.dartmouth.edu/farid/Hany_Farid/Illusions/Illusions.html<br />

»»<br />

Wikipedia | Thaumatrope<br />

http://en.wikipedia.org/wiki/Thaumatrope<br />

Other resources<br />

»»<br />

Thomas FX Group Inc. | Rubber Hand (to purchase)<br />

http://www.thomasfx.com/<br />

NOTES<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

GAME<br />

Materials<br />

• small container (box,<br />

bucket, bin)<br />

• image templates<br />

ACTIVITY 1: Image decoder - 20mins<br />

This relay-race/puzzle game will reinforce the similar, yet unique, functions of the rods<br />

and cones in our eyes. Images are formed by the combination of information received<br />

by rods and cones on the retina. Rods are better at discriminating between different<br />

brightness levels (light vs dark), while cones are better at perceiving different colours.<br />

What to Do<br />

Preparation:<br />

1. Print out templates (one colour, one black and white).<br />

2. Cut each image into 15 puzzle pieces. Laminate the pieces if desired.<br />

Instructions:<br />

1. Gather students at one end of an open space.<br />

2. Put the puzzle pieces into the container and place the container at the other end of the<br />

play area.<br />

3. Gather the class in a circle. Assign students to a team (rod or cones) by alternating their<br />

placement.<br />

4. Starting in one place on the circle, one member of each team will run to the container<br />

and pick up an image piece. If they’re on Team Rods, they should pick up a black &<br />

white puzzle piece; if they’re on Team Cones, they should pick up a colour puzzle piece.<br />

Students then run back to their place in the circle.<br />

5. Once a team has collected a few puzzle pieces, they can begin assembling their image.<br />

The completed image will contain all 15 pieces.<br />

6. The first team to assemble their image correctly wins.<br />

Key Questions<br />

»»<br />

Did rods and cones see the same image<br />

»»<br />

What was different about the image<br />

Extensions<br />

»»<br />

This activity can be run either as an outdoor game, or as a classroom activity<br />

without the relay-race component.<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

ACTIVITY 2: Do as I say, not as i do! - 5mins<br />

This demonstration shows the importance of visual cues.<br />

If we get conflicting information from our eyes and ears, many of us will default to the<br />

information we receive from our eyes. Most of us rely on vision as our dominant sense<br />

to understand the world around us because we can get so much information this way:<br />

shape, size, distance, motion, and colour.<br />

In this demonstration, the information from our eyes is different from the information<br />

from our ears. Most of us “listen” to our eyes in this situation.<br />

What to Do<br />

Instructions<br />

1. Lead the students through the following instructions, while performing the<br />

actions yourself:<br />

Stick out your hand.<br />

Now stick out your thumb.<br />

Now stick out your forefinger.<br />

Touch them together to make a ring.<br />

Now put the ring on your chin. [said while placing your ring on your cheek].<br />

How many of you are touching your CHIN”<br />

Key Questions<br />

»»<br />

Why are you touching your cheek<br />

»»<br />

Which sense took over: sight or hearing<br />

Extensions<br />

»»<br />

Create your own visual cue illusion and try it on family and friends!<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

Materials<br />

• Hermann Grid template, printed<br />

on either an overhead sheet<br />

or on a large sheet of paper<br />

overhead projector (optional)<br />

ACTIVITY 3: SEEING SPOTS - 5mins<br />

In this demonstration, students see imaginary spots and relate this illusion to the<br />

structure of the retina.<br />

The Hermann Grid is an illusion based on the way our eyes work. Most people "see" grey<br />

spots where lines of white space intersect, even though there is no grey there at all.<br />

This illusion is an example of lateral inhibition — a feature of our visual system.<br />

Light sensitive cells, or rods, are arranged in rows on the retina. It is possible that light<br />

hits just one rod, Rod X, which sends a signal to the brain. But if light also hits Rod X's<br />

neighbours, Rod X's signal won't be as strong. It’s as though the sensitivity of Rod X<br />

is ‘turned down’ when its neighbours also receive light.<br />

In Hermann's Grid, the places where the white lines cross have white surroundings<br />

in four different directions. The rods getting light from the middle of the intersection<br />

have neighbour cells in every direction that also get lots of light. So the middle rods are<br />

‘turned down’ and the intersection looks darker.<br />

These spots don’t generally appear directly where you’re looking but rather a little off<br />

to the side. This is due to the fact that there are no rods cells directly in the centre of the<br />

retina. It also explains why dim stars tend to ‘disappear’ when we look straight at them<br />

and look brighter when we look slightly beside them.<br />

Key Questions<br />

»»<br />

What do you see<br />

»»<br />

Are the gray dots really there<br />

»»<br />

Why do you think they appear<br />

NOTES<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

Materials<br />

• a selection of single image<br />

random dot stereograms,<br />

printed on either an overhead<br />

sheet or on a large sheet of<br />

paper<br />

http://www.nottingham.<br />

ac.uk/~etzpc/sirds.html<br />

• overhead projector (optional)<br />

ACTIVITY 4: Random Dot Stereograms - 30mins<br />

In this demonstration, students discover how the structure and placement of the eyes<br />

creates depth perception.<br />

Depth perception occurs as your brain compares the pictures received in each eye to<br />

figure out how far objects are from you. Each eye sees a slightly different picture because<br />

they’re in slightly different places.<br />

If you use first one eye then the other to view an object, nearby objects tend to jump back<br />

and forth more, whereas faraway objects hardly seem to move at all.<br />

In the first part of the demonstration, one eye sees the object covered by the index<br />

finger. The other eye has an unobstructed view. This demonstrates that each eye is<br />

getting a different picture of the world.<br />

Single image random dot stereograms are the original versions of the popular ’Magic<br />

Eye’ pictures in which a 3D image pops out from what appears to be a sheet of random<br />

dots. The dots are arranged in repeating pattern, with slight differences in each<br />

repetition. Each eye sees a slightly different pattern because of the different angles<br />

between the page and each eye. Your brain tries to overlap the two patterns, and creates<br />

the virtual 3D object.<br />

If you want to view movies or pictures in 3D, you have to show a different picture to each<br />

eye. That’s why they give you glasses with 2 lenses of different colours (or let through<br />

light of different polarities.)<br />

What to Do<br />

Instructions<br />

Part 1: Depth Perception<br />

1. Focus on a person or object.<br />

2. Hold up your index finger at arm’s length.<br />

3. Close your left eye. Looking only with your right eye, move your finger so it covers the<br />

object.<br />

4. Now look with just your left eye.<br />

Part 2: Stereograms<br />

1. Show random dot stereograms to students.<br />

2. Try and see what image is “hidden” in the stereograms.<br />

Activity 4 cont.<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

Key Questions<br />

»»<br />

Do both eyes have the same point of view of the objects before them<br />

»»<br />

If you bring your finger closer to your face, do you find it jumps back and forth more or<br />

less than when it’s farther away<br />

»»<br />

What was your method for “seeing” the image<br />

Extensions<br />

»»<br />

How would being blind in one eye affect your depth perception Why<br />

»»<br />

How are random dot stereograms created<br />

NOTES<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

Materials<br />

• Wire Necker Cube template,<br />

printed on either an overhead<br />

sheet or on a large sheet of<br />

paper for the entire class to<br />

see.<br />

• overhead projector (optional)<br />

ACTIVITY 5: NECKER cUBE - 5mins<br />

In this demonstration, students are challenged to determine the orientation of the cube,<br />

but their brains have a difficult time making a decision.<br />

We use lines in objects for clues about depth. In the Wire Necker Cube, it is not clear<br />

which of the two vertical lines in the middle of the cube should be closer to you. Usually,<br />

we assume the longer line is the closer one and the shorter one is further away, but in<br />

this illusion the two lines are the same length.<br />

What to Do<br />

Instructions<br />

1. Show the Wire Necker Cube to the class.<br />

2. Ask whether the cube is popping out of the page or going into the page.<br />

Key Questions<br />

»»<br />

Is it difficult to decide which way the cube is going<br />

»»<br />

Why do you think it is so hard to decide<br />

»»<br />

What cues does our brain normally use to determine the orientation of an object<br />

Extensions<br />

»»<br />

Challenge students to draw their own Wire Necker Cube.<br />

NOTES<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

Materials<br />

• circles template, printed on<br />

either an overhead sheet or on<br />

a large sheet of paper overhead<br />

projector (optional)<br />

• 2 loonies or toonies<br />

ACTIVITY 6: SIZE <strong>PERCEPTION</strong> - 5mins<br />

In this demonstration, students learn about the importance of context in our brain’s<br />

ability to interpret information.<br />

In this illusion, one circle seems small compared to its large neighbours and the other<br />

seems large compared to its small neighbours. This happens because we hardly ever<br />

look at objects by themselves: our brains automatically seek to compare them to<br />

surrounding objects in order to determine their size. When a coin is placed in the middle<br />

of each circle, the brain is able to directly compare their sizes, dissolving the illusion.<br />

This illusion can be used to the benefit of people who want to reduce their portion size<br />

when eating. Eating on a small dinner plate gives the illusion that we are eating more<br />

food than if it is served on a large dinner plate.<br />

What to Do<br />

Instructions<br />

1. Show the students the circle image.<br />

2. Borrow two large coins (loonies or toonies) and hold them in the middle of each circle.<br />

Key Questions<br />

»»<br />

Which middle circle is larger<br />

»»<br />

What made you think that the circles were different sizes<br />

Extensions <br />

»»<br />

Challenge students to create their own size illusion.<br />

»»<br />

How could this illusion help a person who is trying to control their portion size<br />

NOTES<br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

Materials<br />

• Old/Young Woman template,<br />

printed on either an overhead<br />

sheet or on a large sheet of<br />

paper<br />

• Duck to Rabbit template,<br />

printed on either an overhead<br />

sheet or on a large sheet of<br />

paper for the entire class to<br />

see.<br />

• overhead projector (optional)<br />

ACTIVITY 7: What do you see - 5mins<br />

In this demonstration, students may argue as they try to make sense of an ambiguous<br />

picture with two very different interpretations.<br />

This illusion works because the image is ambiguous, which means there is just enough<br />

information for you to make sense of it in a couple of different ways. Our brain is usually<br />

able to make sense of the information it receives. In this case, however, there are two<br />

reasonable interpretations that can be made.<br />

What to Do<br />

Instructions<br />

1. Show the students the Old/Young Woman image. Ask them whether they see a young<br />

woman or an old woman.<br />

2. Show the students the Duck to Rabbit image. Ask how many people see the rabbit.<br />

Rotate the illusion so that the rabbit ears are pointing up.<br />

Key Questions<br />

»»<br />

How old is the woman in the picture<br />

»»<br />

Who sees a young woman An old woman<br />

»»<br />

Why do you think we can see two different things<br />

»»<br />

If you concentrate on certain parts of the image, your brain will make sense of it in<br />

different ways. What parts help you see the old woman The young woman<br />

»»<br />

How is the Duck to Rabbit image similar/different from the Old/Young Woman image<br />

»»<br />

Why does the animal you see change when you rotate the image<br />

NOTES<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

Materials<br />

• Stroop Effect template, printed<br />

on either an overhead sheet or<br />

on a large sheet of paper<br />

• overhead projector (optional)<br />

• stopwatch (optional)<br />

ACTIVITY 8: stroop effect - 10mins<br />

In this fun demonstration, students try and consciously change the interpretation the<br />

brain naturally wants to give them.<br />

Our experiences in the past help us look for patterns and make assumptions in the<br />

present. This demonstration is known as the Stroop Effect, named after its discoverer,<br />

J. Ridley Stroop. Your natural tendency is to read words, not report the colour of the ink<br />

in which the word is written, which is why it’s difficult for you to say the colour instead<br />

of the word itself. Even if the Stroop words were upside down, the brain would still<br />

recognize the shapes as letters and group them together as words to read.<br />

Teacher’s Note: This image MUST be printed in colour.<br />

What to Do<br />

Instructions<br />

1. Challenge the class to read the names of the colours out loud together. This should be<br />

fairly easy.<br />

2. Challenge the students to name the colour that the words are written in. For example, if<br />

the word “green” is written in purple, the class would name the colour “purple”.<br />

3. If using stations, have students use a stopwatch to time themselves reading the words<br />

versus naming the colours and compare the results.<br />

Key Questions<br />

»»<br />

Why do you think it is so difficult to report the colour the word is written in<br />

Extensions<br />

»»<br />

Turn the words upside down and name the colours. Does this change the results Why<br />

NOTES<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

blue purple green red<br />

orange blue red green<br />

purple orange red blue<br />

green red blue purple<br />

orange blue red green<br />

green purple orange red<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

Materials<br />

• green Canadian flag template,<br />

printed on either an overhead<br />

sheet or on a large sheet of<br />

paper<br />

• overhead projector (optional)<br />

• large white board, wall or card<br />

ACTIVITY 9: Canadian flag after-image - 5mins<br />

In this demonstration, colours appear before the students’ eyes as they learn about cell<br />

fatigue and afterimages.<br />

Our central nervous system stops responding to information from our senses that is<br />

constantly repeated. You’re not aware of the feeling of your clothes on your skin (until<br />

I mentioned it) because that feeling doesn’t change. This is because you have adapted<br />

to the stimulus (the feeling of your clothes). This is useful so that you will notice a<br />

sudden and threatening change in your environment, such as a tiger attack. It would be<br />

unfortunate if your brain was busy paying attention to your clothes touching your skin<br />

and didn’t notice a tiger!<br />

Staring at the green colour in the flag tires out the cells in your retina that respond to green.<br />

Since the brain gets used to looking at the green in the flag, the cone cells send fewer and<br />

fewer signals saying “green stuff here!” to the brain. While you’re looking at the flag, your<br />

eyes are technically less sensitive to green since it is “old news” for the brain.<br />

When you switch over to a white surface, your eyes don’t register the green light and<br />

you see its complementary color red for a few moments. Remember that what our brain<br />

processes as “white” is actually the combination of all colours combined. It takes a few<br />

moments for the cones to start firing green signals to the brain again, which is why we<br />

see the complementary color red.<br />

In the same way, if you stare at a red color for 30 seconds or more, the cells in your<br />

retina that respond to red will fatigue more and fire less. When you switch over to a white<br />

surface, your eyes subtract the red and you see its complementary color green.<br />

Teacher’s Note: This image MUST be printed in colour.<br />

What to Do<br />

Instructions<br />

1. Hold up the peculiar version of the Canadian flag.<br />

2. Instruct students to stare at the image for 30 seconds (you can hum the National Anthem<br />

while they stare).<br />

3. Take the green flag away, and tell the students to stare at a white surface.<br />

Key Questions<br />

»»<br />

What do you see when you stare at the white wall<br />

»»<br />

Why don’t we see a green maple leaf, like the original flag we looked at<br />

Extensions<br />

»»<br />

Try making your own after-image. Use different colours and record the complementary<br />

colour that appears.<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

make & take<br />

Materials<br />

Per student:<br />

• Benham’s disk template<br />

(printed on cardstock)<br />

• a pin<br />

• a pencil with an eraser tip<br />

• scissors<br />

ACTIVITY 10: benham's disk - 30mins<br />

Students make a contraption that appears to produce colours from black and white.<br />

Benham's Disk was invented by a nineteenth-century toymaker who noticed colours in a<br />

black-and-white pattern he had mounted on a spinning top.<br />

Why do we see colours There are three types of cones. One is most sensitive to red<br />

light, one to green light, and one to blue light. Each type of cone has a different latency<br />

time, the time it takes to respond to a stimulus, and a different persistence of response<br />

time, the time it keeps responding after the stimulus has been removed. Blue cones, for<br />

example, are the slowest to respond and keep responding the longest.<br />

When you gaze at one place on the spinning disk, you are looking at alternating flashes<br />

of black and white. When a white flash goes by, all three types of cones respond. Your<br />

eyes and brain see the colour white only when all three types of cones are responding<br />

equally. The fact that some types of cones respond more quickly than others and that<br />

some types of cones keep responding longer than others leads to an imbalance that<br />

partially explains why you see colours.<br />

The colours vary across the disk because the black arcs have different lengths, so that<br />

the flashing rate they produce on the retina is also different.<br />

What to Do<br />

Instructions<br />

1. Cut out the Benham’s disk template.<br />

2. Poke a pin through the middle of the circle and then fix the disk to the pencil by poking<br />

the pin into the eraser.<br />

3. Spin the disk and observe what happens.<br />

Key Questions<br />

»»<br />

What do you see What changes when you start spinning the disk<br />

»»<br />

Where do you think the colours come from<br />

»»<br />

Why are there different colours in different places on the disk<br />

Extensions<br />

»»<br />

Try spinning the disk in the opposite direction.<br />

»»<br />

Try spinning the disk in dim light.<br />

»»<br />

Full Lesson | Colour<br />

http://resources.scienceworld.ca/lessons-by-topic/light/1141-colour.html<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

make & take<br />

Materials<br />

Per student:<br />

• bird and branch template<br />

• straw<br />

• scissors<br />

• 2 pieces of tape<br />

ACTIVITY 11: Thaumatrope - 30mins<br />

Students take advantage of persistence of vision to combine two separate images.<br />

This illusion takes advantage of something called “persistence of vision”. When an<br />

image is shown to your eyes, the retina keeps responding for a short time (about 1/30th<br />

of a second) after the image itself has gone away. If a new picture appears just before the<br />

previous one has faded away, your brain blends the two together.<br />

A thaumatrope is a toy, popular in Victorian times, that uses this persistence of vision.<br />

What to Do<br />

Instructions<br />

1. Cut out the circles containing the bird and the branch.<br />

2. Tape down the straw to the backside of one of the images.<br />

3. Tape the backs of the 2 images together.<br />

4. Spin the straw between your hands. The bird should appear on the branch.<br />

Key Questions<br />

»»<br />

What happens when you twirl the straw<br />

Extensions<br />

»»<br />

Design your own thaumatrope (e.g. fish in a bowl, spider on a web etc). The only tricky<br />

part is positioning the 2 images so that they line up correctly when you twirl them.<br />

»»<br />

How is this optical illusion similar to the Canadian Flag After-Image<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

RESOURCES.SCIENCEWORLD.CA


Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

make & take<br />

Materials<br />

• large mirror for students to<br />

view their stroboscopes in<br />

motion<br />

Per student:<br />

• scissors<br />

• stroboscope template (printed<br />

on light cardboard)<br />

• pin<br />

• pencil with eraser at one end<br />

ACTIVITY 12: STROBOSCOPE - 30mins<br />

Students take advantage of persistence of vision with a simple apparatus that turns a<br />

series of static images into motion.<br />

In a stroboscope, slits open and close in front of your eye as the disc rotates. Each time a<br />

slit opens, you glimpse the scene on the far side of the disk. Each open-slit image lingers<br />

in your eye and brain long enough to merge with the next image. This phenomenon,<br />

called “persistence of vision”, will give your brain the illusion that motion is taking place.<br />

What to Do<br />

Instructions<br />

1. Cut out the stroboscope template. Don’t forget to cut out the slits around the edge!<br />

2. Poke a pin through the middle of the circle then fix the disk to the pencil by poking the<br />

pin into the eraser.<br />

3. Spin the template and look through the slits at the back towards a mirror.<br />

Key Questions<br />

»»<br />

What do you see in the mirror<br />

»»<br />

Why does it seem that the image is moving<br />

Extensions<br />

»»<br />

On the reverse side of the stroboscope you have cut out, create your own changing image<br />

using either dots (to represent a ball dropping), or your own drawing. Start off with<br />

something simple and then see if you can make it even more challenging!<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

ACTIVITY 13: P-O-T-S - 5mins<br />

Students discover how auditory illusions are based on confounding assumptions<br />

and patterns.<br />

After repeating P-O-T-S several times, most people will say “Stop” because their brains<br />

have been “primed” by the letters P-O-T-S. The human brain is so good at finding<br />

patterns that it recognizes POTS as being the reverse spelling of STOP and relates it to<br />

our behaviour at a traffic light, all before our conscious mind can catch up.<br />

What to Do<br />

Instructions<br />

1. Ask the class to spell the word "POTS" along with you. This works best as a call and<br />

response:<br />

Instructor: P-O-T-S Class: P-O-T-S<br />

Instructor: P-O-T-S Class: P-O-T-S<br />

(repeat 5/6 times)<br />

2. Immediately ask the class: "What do you do at a green light"<br />

Key Questions<br />

»»<br />

If you know the answer to what you do at a green light, why do you think you answered<br />

the question incorrectly<br />

Extensions<br />

»»<br />

Create your own auditory illusion and test it on other students or your family<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

DEMO<br />

Materials<br />

• computer or mobile device with<br />

speakers (or headphones if<br />

using as a station)<br />

• audio link to the Diana<br />

Deutsch’s Speech-to-Song<br />

Illusion<br />

http://www.acoustics.org/<br />

press/156th/deutsch.html<br />

ACTIVITY 14: Speech-to-Song Illusion - 10mins<br />

Students listen to an auditory illusion that blurs the line between speech and song.<br />

This is an illusion discovered by Diana Deutsch at the University of California, San<br />

Diego. Some researchers spend their entire academic careers studying how the brain<br />

misinterprets information, leading to illusions.<br />

Exactly why this illusion occurs is not fully understood, but it does suggest a strong link<br />

between speech and music. In Deutch’s study, even professional vocalists with years<br />

of musical training and a well-tuned ear hear a melody where no melody exists. Her<br />

observations tell us that although the ear may hear the same words with no variation,<br />

the brain can transform the information into more than one result, such as spoken words<br />

or a melody.<br />

What to Do<br />

Instructions<br />

1. Ask students to close their eyes.<br />

2. Play the clip “Sound Demo 1”.<br />

3. Ask the class to repeat/sing the phrase they heard.<br />

4. If anyone in the class only heard the phrase as spoken, and not sung, either play “Sound<br />

Demo 1” again, or play “Sound Demo 3”.<br />

5. When everyone can hear the phrase as sung, sing the phrase as a class again.<br />

6. Play “Sound Demo 2”.<br />

7. Discuss what they heard.<br />

Key Questions<br />

»»<br />

How does the statement “sometimes behave so strangely” change from the beginning to<br />

the end of the demo<br />

»»<br />

At what point did the spoken phrase appear to transform into song<br />

Extension<br />

»»<br />

What makes a song a song Can you describe the difference between words spoken<br />

and sung<br />

»»<br />

Try other amazing auditory illusions | Top 10 Incredible Sound Illusions<br />

http://listverse.com/2008/02/29/top-10-incredible-sound-illusions/<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

ACTIVITY<br />

ACTIVITY 15: Numb Fingers - 5mins<br />

In this activity, students confuse their brains as they explore a phenomenon known as<br />

perceptual disjunction.<br />

Sometimes our brains fail to take all factors into account when processing sensory<br />

information. The sensation we think we feel is therefore incomplete. For example, in the<br />

activity below, our brains “forget” that there is another object (your partner’s finger)<br />

blocking us from feeling both sides of our index finger. Stroking only one side of our<br />

finger results in the feeling that our finger has gone numb.<br />

What to Do<br />

Instructions<br />

1. Pair up with a partner.<br />

2. Place the palm of your left hand against the palm of your partner’s right hand, making<br />

sure that all the fingers line up.<br />

3. Use the thumb and index finger on your right (other) hand to simultaneously stroke your<br />

and your partner’s index fingers (i.e. your right thumb should be touching your index<br />

finger, and your right index finger should be stroking your partner’s left index finger).<br />

4. Swap roles with your partner.<br />

Key Questions<br />

»»<br />

How does your finger feel<br />

»»<br />

How are you confusing your brain<br />

Extensions <br />

»»<br />

How is this illusion similar to optical illusions<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

ACTIVITY<br />

Materials<br />

Per pair of students:<br />

• paper clip<br />

ACTIVITY 16: finger-to-elbow - 10mins<br />

In this activity, students discover how the physical distribution of sensory receptors in<br />

our bodies can create a tactile illusion.<br />

Sensory receptors are not distributed evenly across our bodies. Some parts of our body,<br />

like our fingertips, are very densely packed with nerve endings and touch receptors.<br />

They are highly sensitive to touch, and can differentiate between even very fine, minute<br />

touch sensations. Other parts of our body, like our forearms, are less packed with touch<br />

receptors, so they are not as good at sensory discrimination. If you move from an area of<br />

higher sensory discrimination to a lower one, you can experience something very odd–<br />

two distinct sensations can suddenly feel like just one!<br />

What to Do<br />

Part 1: Finger<br />

1. Pair up with a partner and sit facing each other.<br />

2. Have your partner hold out their left arm and close their eyes.<br />

3. Lightly place your finger on their index fingertip, and SLOWLY move your finger up their<br />

forearm towards their elbow (keep your finger on the inside of their forearm and move<br />

towards the ‘crook’ of their elbow).<br />

4. Let your partner know to tell you when they think you’ve reached their elbow. They can<br />

open their eyes to see how accurate they were!<br />

5. Swap roles with your partner.<br />

Part 2: Paper Clip<br />

1. Unfold a paper clip into 1 straight line, then bend it in half so it looks like a horseshoe,<br />

with the clip-tips about 1cm apart.<br />

2. Repeat the activity of part one, but gently use the 2 tips of the paper clip instead of your<br />

finger.<br />

3. Have your partner tell you when they no longer feel 2 distinct clip-tips, but 1.<br />

4. Swap roles with your partner.<br />

Key Questions<br />

»»<br />

Why does it feel like your partner has reached your elbow, when they haven’t<br />

»»<br />

Where can you tell there are 2 clip-tips, and where can you only distinguish one<br />

»»<br />

Which part(s) of your arm have more sensory receptors How do you know<br />

Extensions<br />

»»<br />

Try parts 1 and 2 going the opposite way (i.e. from crook-of-the-elbow to fingertip).<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

ACTIVITY<br />

Materials<br />

• rubber fake hand (child-size<br />

rubber hand, if possible<br />

– available in Halloween/<br />

costume stores)<br />

• 2 paint brushes<br />

• 2 black cloths (big enough<br />

to cover a student’s entire<br />

forearm)<br />

• standing barrier (e.g. hardcovered<br />

book)<br />

• hammer (optional)<br />

ACTIVITY 17: fake hand - 10mins<br />

Which is our dominant sense If we get conflicting signals from different senses, which<br />

one do we tend to believe Students investigate the answers to these questions in the<br />

following activity.<br />

Can you touch your finger to your chin with your eyes closed Our brain has an internal<br />

“map” of our entire body that allows us to do things like this. Even without the visual<br />

guidance of our sense of sight, our fingers still know where to go. Our sense of the<br />

relative positioning of the different parts of our body is referred to as proprioception.<br />

This internal map is so ingrained in us, that people who have lost limbs due to accident<br />

or amputation will often report still being able to feel sensations from their (missing)<br />

limb–a phenomenon known as the Phantom Limb Syndrome. Many people will continue<br />

to experience this sensation for months after their accident, until their brain develops a<br />

new map of their body.<br />

Our proprioception can also be manipulated the other way around, such that we come<br />

to think that something that looks similar to one of our body parts actually IS one of our<br />

body parts. When we receive conflicting inputs from different senses, we tend to believe<br />

what our eyes are telling us above all else, as vision is the dominant sense in humans.<br />

In this activity, when we see a fake hand being stroked while also feeling our real-buthidden<br />

hand being stroked, we can be induced into believing that our real hand has<br />

somehow been transposed into the fake one.<br />

Teacher’s Tip: This activity is best performed as a station so that all of the students get a<br />

chance to give it a try.<br />

Fun Fact:<br />

»»<br />

Anecdotal evidence from <strong>Science</strong> <strong>World</strong> testing seems to indicate that males are more<br />

susceptible to this illusion than females.<br />

What to Do<br />

1. Have a volunteer sit at the table, with their left hand resting on the table a little off<br />

to the side.<br />

2. Cover their entire forearm with one black cloth, leaving only their hand and<br />

wrist exposed.<br />

3. Place the fake rubber hand directly in front of the volunteer, and cover it with a second<br />

black cloth, exposing the same amount of wrist/hand surface as the volunteer’s<br />

own hand.<br />

4. Set up the barrier between the fake hand and the real one, such that the volunteer<br />

cannot see their real hand.<br />

Activity 17 cont.<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

5. Take two paintbrushes and stroke the fake hand and real hand simultaneously (i.e. 1<br />

paintbrush for each hand), in long slow strokes from wrist to fingertip. It is CRUCIAL to<br />

have the exact same brush placement on both hands: if you are stroking the index finger<br />

on the fake hand, be sure you are also stroking the index finger on the volunteer’s real<br />

hand.<br />

6. After approximately 1 minute of stroking, take out the hammer (or use your fist) and<br />

pound hard on the fake hand. See if your volunteer jumps!<br />

Key Questions<br />

»»<br />

Why did you jump, even though you knew it wasn’t your hand that was hit<br />

»»<br />

In this activity we got conflicting signals from different senses. Which sense<br />

did you believe<br />

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Illusions<br />

<strong>PERCEPTION</strong> <strong>AND</strong> <strong>ILLUSIONS</strong><br />

ACTIVITY<br />

Materials<br />

Per pair of students:<br />

• a pencil<br />

• a plastic comb (flat comb<br />

with flexible bristles)<br />

ACTIVITY 18: comb dot - 10mins<br />

In this illusion, students take advantage of a (typically) unfamiliar sensation for our<br />

fingertips’ touch receptors: having the skin on our fingertips stretched.<br />

When we place our fingertips against a brush-like surface with semi-rigid bristles, and<br />

then move the bristles back and forth, the skin on our fingertips becomes alternately<br />

stretched and compressed by the undulating motions. Because of the novelty of this<br />

particular sensation, our touch receptors have difficulty interpreting it properly. Instead,<br />

we reinterpret the stretch/compress motion as the more familiar sensation of running<br />

our finger across a raised surface, like a dot.<br />

What to Do<br />

Instructions<br />

1. Pair up with a partner.<br />

2. Take the comb and hold it sideways (as it would naturally lie on a flat surface).<br />

3. Hold the comb in one hand, and place the index finger of your other hand on top of a<br />

section of bristles.<br />

4. Have your partner hold the pencil vertically–perpendicular to the horizontal comb–and<br />

run the pencil continuously along the bristles of the comb horizontally.<br />

5. Swap roles with your partner.<br />

Key Questions<br />

»»<br />

What do you feel<br />

»»<br />

Do you feel the bristles move from side to side<br />

»»<br />

Why do you think we feel something different to what is actually happening<br />

»»<br />

In this case, which sense has taken over: sight or touch<br />

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