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IS RIVERS CREAtING - The Rivers School

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You have studied and taught religion,<br />

so you must be attuned to morality and<br />

ethics. How do you reconcile this inclination<br />

with being in a profession where<br />

people seem to be increasingly unethical<br />

I have never seen a separation between<br />

Capitalism and morality, which is not the<br />

same thing as saying that I have never seen<br />

immoral and/or unethical capitalists. I<br />

don’t wake up thinking, “today I will make<br />

money and that will make me a better person’<br />

anymore than I might think that if I<br />

am a better person,” I am more likely to be<br />

a better money manager. Crooks have to<br />

live with themselves just like we do, and if<br />

conscience isn’t a good guide, it will be the<br />

bars which tax the soul even if one lives<br />

scot free. If ethics can be viewed as a code<br />

of conduct for a community, and morality<br />

can be viewed as the mannered expression<br />

of that code among that community’s<br />

members, then history has only revealed<br />

the indominatable desire for, and the imperfect<br />

of achievement of, a state of either<br />

in any construct: religious, political, social,<br />

economic. Greed has its converts, fear has<br />

its adherents, power its proponents. Ideology<br />

and idolatry are always clapping. <strong>The</strong><br />

current cult of personality, which seeks to<br />

elevate or scapegoat individuals and misalign<br />

stereotypes with archetypes, feels as<br />

democratic as a coronation at a witch trial.<br />

Matthew 10:36: <strong>The</strong> foes shall be they of<br />

your own household.<br />

Americans hear about impact on the<br />

US and other major markets, but do you<br />

think they realize the effect this situation<br />

is having on third world countries<br />

Global growth and global risks are two<br />

sides of our age’s coin. It’s hard to put that<br />

coin into an ethical jukebox and not hear<br />

the blues. <strong>The</strong>re have been such significant<br />

advancements in human care from cultural<br />

awareness to major pharmaceutical treatments<br />

that it is nearly overwhelming to see<br />

how uncaring and inhumane the treatment<br />

of whole populations still can be. Now,<br />

with the health of the most powerful countries<br />

in the world in question, the concerns<br />

of uplifting the downtrodden are vulnerable<br />

to being downtrodden themselves. But,<br />

as has always been the case, our unique<br />

strength as a country is that we are, in the<br />

main, a composite of those who once were<br />

downcast and downtrodden. We have more<br />

than an educated notion of doing the right<br />

thing; we have an ingrained, empathetic<br />

understanding of helping not only our<br />

neighbors but those completely unrelated<br />

to and geographically far removed from us.<br />

Americans are strongest in times of greatest<br />

weakness. We give no quarter to failing<br />

to pursue inalienable rights for all.<br />

Do you keep your poetry writing separate<br />

from your business writing<br />

On the surface, I suppose I look like Yeat’s<br />

swan—calm and collected and gliding on<br />

an air of certainty. But, like Yeat’s swan, I’m<br />

mostly tumult and business underneath.<br />

<strong>The</strong> tumult is born of being open-eyed and<br />

open-minded in a world often motivated<br />

by and celebratory of blinders. Sometimes,<br />

I’m moved to champion what I see, other<br />

times I feel compelled to challenge what’s<br />

Nominate an Alumnus<br />

there, sometimes I watch football with a<br />

passion that would make a crow blush—<br />

and if my passion didn’t make that crow<br />

blush, my vocabulary would. I don’t make a<br />

big distinction between writing about the<br />

world while investing in it and investing in<br />

the world while writing in it. I do think<br />

that the markets have rhythms all their<br />

own; it’s my job to be attuned to them. I<br />

do think that writing poetry is part of my<br />

own rhythm—as I go on, that beat goes on,<br />

and vice versa. Interestingly, what moves<br />

me to invest in writing, and through writing<br />

to invest, is the existential enjoyment I<br />

derive from the infinity of my finitude—<br />

what the pre-Socratic philosopher Heraclitus<br />

phrased as not being able to step in the<br />

same river twice. I’ve never stepped into<br />

the same market twice. I’ve never stepped<br />

into the same poem twice. I’m certainly not<br />

stepping in the same <strong>Rivers</strong> today with my<br />

daughter as when I was fortunate enough<br />

to be here before. Yet, I enjoy the ability to<br />

appreciate distinct moments equally as<br />

much and have yet to tire of trying to better<br />

comprehend and express what being a<br />

part of such rivers means to and for me,<br />

sink or swim.<br />

E<br />

stablished in 2001, <strong>The</strong> <strong>Rivers</strong> <strong>School</strong> Alumni Excellence Award is presented<br />

by the Alumni Association to members of the <strong>Rivers</strong> community who display<br />

extraordinary achievement within their career field or through an outstanding<br />

commitment to social, political, or other volunteer causes. <strong>The</strong> purpose of the<br />

Award is to highlight the professional and volunteer achievements of select members<br />

of the <strong>Rivers</strong> community and in so doing inspire <strong>Rivers</strong> students to pursue<br />

their passions.<br />

When nominating a <strong>Rivers</strong> alumnus, please include the following information:<br />

• Name and class year<br />

• Address, phone number, email address<br />

• Title, company or industry<br />

• List of professional achievements, professional, and civic commitments<br />

• Other information relevant to the candidate’s professional contributions<br />

Please submit nominations to Christina Grady at c.grady@rivers.org.<br />

Spring 2009 • Riparian • 11

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