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Intellectual Property Protection and Enforcement Manual - Ipr-policy.eu

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Br<strong>and</strong> <strong>Protection</strong> <strong>Manual</strong><br />

NBC Universal<br />

In the early 20th century, the emergence of both television <strong>and</strong> motion pictures created a<br />

highly influential new form of entertainment for audiences in America <strong>and</strong> around the<br />

world. In recent decades, technological advances in this industry have revolutionized the<br />

way consumers enjoy this form of entertainment. From the VCR of the 1970s to the DVD<br />

of the 1990s to the latest Blu-Ray HD-DVD, new video technology has made it easier for<br />

millions to enjoy movies, TV shows, <strong>and</strong> other content from the comfort of their own homes.<br />

Similarly, new developments in digital content technology, combined with globalization <strong>and</strong><br />

the Internet, have made computers portals for entertainment just a mouse click away <strong>and</strong> have<br />

broadened the reach of America’s culture. Today, entertainment-based intellectual property<br />

is quite literally America’s most valuable export sector. Movies, music, <strong>and</strong> books are at the<br />

heart of American culture. American actors, artists, <strong>and</strong> writers serve as our nation’s cultural<br />

ambassadors as their work is seen, heard, <strong>and</strong> read worldwide every day.<br />

While millions across the world enjoy legitimate Internet offerings of entertainment content,<br />

the rise of technology has also brought about one of the greatest challenges facing content<br />

companies like NBC Universal—namely, digital theft, sometimes referred to as piracy.<br />

According to a 2006 study done for the Institute for Policy Innovation, each year the U.S.<br />

economy loses more than $20 billion in output from movie piracy alone, which translates into<br />

more than 140,000 lost jobs for U.S. workers <strong>and</strong> more than $837 million in lost taxes to<br />

federal, state, <strong>and</strong> local governments.<br />

NBC Universal’s (NBCU) General Counsel Rick Cotton emphasized the scale of the<br />

corrosive effects: “Digital theft is one of the greatest challenges facing the motion picture <strong>and</strong><br />

television industry today. When a copyrighted work loses revenues to piracy, that money is<br />

not available to reinvest into more production work. This loss not only affects the company<br />

<strong>and</strong> its workers who would have contributed to or benefited from these unmade productions.<br />

It also reduces the revenue of the upstream suppliers to movie producers. This includes set<br />

construction <strong>and</strong> location rentals, the truckers that move the equipment, <strong>and</strong> restaurants,<br />

caterers, <strong>and</strong> hotels that provide housing <strong>and</strong> meals to the hundreds of crew members<br />

working on location. Downstream industries, like movie theaters, DVD retailers, <strong>and</strong> video<br />

rentals are also affected.”<br />

NBCU’s strategy to reduce digital theft recognizes that progress depends on cooperative<br />

action from three sources. First, NBCU <strong>and</strong> the industry are embracing digital technology to<br />

provide consumers with legitimate sources for high-quality content with ease <strong>and</strong> convenience.<br />

Second, infrastructure distribution companies must work with content companies to put into<br />

place business practices <strong>and</strong> technology tools that prevent counterfeiters <strong>and</strong> digital thieves<br />

from hijacking distribution capabilities in order to put illegitimate products into the stream<br />

of commerce. Third, enhanced, specialized, <strong>and</strong> dedicated law enforcement resources must<br />

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