09.01.2015 Views

Learning, Playing and Interacting - Good practice in the Early Years ...

Learning, Playing and Interacting - Good practice in the Early Years ...

Learning, Playing and Interacting - Good practice in the Early Years ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

The National Strategies | <strong>Early</strong> <strong>Years</strong><br />

<strong>Learn<strong>in</strong>g</strong>, <strong>Play<strong>in</strong>g</strong> <strong>and</strong> <strong>Interact<strong>in</strong>g</strong> – <strong>Good</strong> <strong>practice</strong> <strong>in</strong> <strong>the</strong> <strong>Early</strong> <strong>Years</strong> Foundation Stage<br />

37<br />

Play<br />

Children began to <strong>in</strong>itiate games <strong>in</strong>volv<strong>in</strong>g physical challenge <strong>and</strong> imag<strong>in</strong>ation. One<br />

group developed an obstacle course, under <strong>the</strong> leadership of one particular child. They<br />

decided <strong>the</strong> sequence of movement pieces <strong>and</strong> how <strong>the</strong>y would be used, <strong>the</strong> order<br />

<strong>in</strong> which <strong>the</strong> children should take turns, <strong>and</strong> what was fair or unfair <strong>in</strong> terms of rules. A<br />

pretend scenario developed as to where <strong>and</strong> who <strong>the</strong>y were – about an hour’s play with<br />

extremely high levels of child <strong>in</strong>volvement, <strong>and</strong> no adults <strong>in</strong>terven<strong>in</strong>g at all.<br />

One day <strong>the</strong> whole movement space become an undersea world for one girl, <strong>in</strong> which<br />

<strong>the</strong> roll<strong>in</strong>g ball, <strong>the</strong> stretchy material, <strong>and</strong> <strong>the</strong> cone, all became rocks, shells, octopuses<br />

<strong>and</strong> so on – each th<strong>in</strong>g suggest<strong>in</strong>g a plant or creature by <strong>the</strong> quality of its movement.<br />

The movement space offered new possibilities to one of <strong>the</strong> str<strong>and</strong>s of adult-planned<br />

activity with<strong>in</strong> <strong>the</strong> nursery – look<strong>in</strong>g at air as an element. The children tested <strong>the</strong>ir<br />

relationship with <strong>the</strong> ground <strong>and</strong> with <strong>the</strong> air, with balance <strong>and</strong> control. The desire to<br />

fly was very strong <strong>and</strong> all of <strong>the</strong> equipment helped to explore what fly<strong>in</strong>g might feel<br />

like. This <strong>in</strong> turn fed <strong>in</strong>to role-play <strong>and</strong> draw<strong>in</strong>g.<br />

Encourag<strong>in</strong>g<br />

<strong>and</strong> support<strong>in</strong>g<br />

children<br />

to relate to<br />

o<strong>the</strong>rs<br />

Ensur<strong>in</strong>g<br />

children<br />

have time<br />

for susta<strong>in</strong>ed<br />

child-<strong>in</strong>itiated<br />

activity<br />

Vary<strong>in</strong>g experiences,<br />

us<strong>in</strong>g<br />

fresh, creative<br />

<strong>and</strong> playful<br />

approaches<br />

Pearls<br />

Two children who were attend<strong>in</strong>g <strong>the</strong> nursery at <strong>the</strong> time were experienc<strong>in</strong>g a delay <strong>in</strong><br />

language development, <strong>and</strong> two staff members attended sign<strong>in</strong>g tra<strong>in</strong><strong>in</strong>g. ‘All of us were<br />

enthused by <strong>the</strong> way <strong>in</strong> which <strong>the</strong> children were pick<strong>in</strong>g up sign<strong>in</strong>g <strong>and</strong>, <strong>in</strong> <strong>the</strong>ir turn,<br />

pass<strong>in</strong>g this on to those members of staff who had not attended <strong>the</strong> tra<strong>in</strong><strong>in</strong>g,’ Frances<br />

says.<br />

The adults decided to plan a project explor<strong>in</strong>g o<strong>the</strong>r ways of communicat<strong>in</strong>g without<br />

words. A local rivers officer, Mike, approached <strong>the</strong> nursery about a project to re<strong>in</strong>troduce freshwater<br />

pearl mussels to <strong>the</strong> local river, so ‘Pearls’ became <strong>the</strong> <strong>the</strong>me – focus<strong>in</strong>g on tell<strong>in</strong>g stories without words<br />

about how pearls are made.<br />

After see<strong>in</strong>g some mussel shells <strong>and</strong> hear<strong>in</strong>g how slowly pearl mussels grow, several<br />

children adopted <strong>the</strong> red cone as a shell, <strong>and</strong> also began to use <strong>the</strong> stretchy green<br />

<strong>and</strong> blue material, wrapped around <strong>the</strong>mselves, as <strong>the</strong> ‘layers’ of pearl growth, slowly<br />

accumulat<strong>in</strong>g.<br />

A storyteller visited on <strong>the</strong> same day as <strong>the</strong> rivers officer, <strong>and</strong> so <strong>the</strong> adults decided to<br />

re-enact <strong>the</strong> pearl mussels’ life cycle. Frances says that everyth<strong>in</strong>g came toge<strong>the</strong>r <strong>and</strong><br />

‘allowed us to play, adults <strong>and</strong> children toge<strong>the</strong>r, <strong>in</strong> a joyful <strong>and</strong> <strong>in</strong>terest<strong>in</strong>g way’.<br />

The storyteller asked Mike to use <strong>the</strong> ribbons as <strong>the</strong> gills of a salmon, which <strong>the</strong> t<strong>in</strong>y<br />

mussels use as hosts. Mike swam around <strong>and</strong> <strong>the</strong> children floated <strong>and</strong> caught onto <strong>the</strong><br />

gills, <strong>the</strong>n followed <strong>the</strong> fish to a new part of <strong>the</strong> river. The red cone was used as a pearl<br />

mussel shell with <strong>the</strong> children <strong>in</strong>side, imag<strong>in</strong><strong>in</strong>g <strong>the</strong>mselves grow<strong>in</strong>g <strong>in</strong> <strong>the</strong> dark.<br />

The staff also described <strong>the</strong> ‘wrapped-up’ game that <strong>the</strong> children had developed,<br />

<strong>and</strong> this became part of <strong>the</strong> story, too.<br />

Directly<br />

teach<strong>in</strong>g,<br />

through<br />

demonstrat<strong>in</strong>g<br />

or expla<strong>in</strong><strong>in</strong>g<br />

Provid<strong>in</strong>g<br />

first-h<strong>and</strong><br />

experiences<br />

to explore<br />

<strong>and</strong> discover<br />

Provid<strong>in</strong>g<br />

learn<strong>in</strong>g<br />

opportunities<br />

<strong>in</strong> response<br />

to observed<br />

<strong>in</strong>terests,<br />

learn<strong>in</strong>g <strong>and</strong><br />

development<br />

Children’s ideas<br />

The movement space has cont<strong>in</strong>ued to be used <strong>in</strong> an open-ended way. It has become a<br />

ladybird’s home, an enchanted castle, a horse <strong>and</strong> carriage, <strong>and</strong> a deep sea full of rocks<br />

where everyone nearly drowned but were saved by a boat. It can be quiet or noisy,<br />

boisterous or calm, a place for one or two or <strong>the</strong> whole group. Frances says,<br />

‘Now I cannot imag<strong>in</strong>e how we ever managed without it.’<br />

Jo<strong>in</strong><strong>in</strong>g <strong>in</strong><br />

play <strong>and</strong><br />

child-<strong>in</strong>itiated<br />

activities<br />

follow<strong>in</strong>g<br />

children’s<br />

agendas<br />

© Crown copyright 2009 00775-2009BKT-EN

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!