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Two Cheap Blazers<br />

and No Band to Interview!:<br />

Backpack<strong>in</strong>g After You Say Party! We Say Die!<br />

By Elliott Lumm<strong>in</strong><br />

London – May 23, 2006<br />

When I thought of go<strong>in</strong>g to see You Say Party! We Say Die! (YSP!) <strong>in</strong><br />

London, I pictured very bored British patrons, number<strong>in</strong>g maybe six<br />

or seven, tiredly sipp<strong>in</strong>g beer at the back of the bar while Carmen and<br />

I belted lyrics back at the band on stage. Noth<strong>in</strong>g go<strong>in</strong>g on here. Just<br />

some Canadian band and some degenerates <strong>that</strong> seem to know them.<br />

Instead, it’s an hour before the show and we f<strong>in</strong>d ourselves <strong>in</strong> a “queue”<br />

outside Madame JoJo’s (historical brothel turned punk club) <strong>in</strong> Soho.<br />

“Wow. Uh. Who’re you here to see?” I ask the girl ahead of us.<br />

“YSP!” The answer is quick, as if it <strong>were</strong> Grade 1 arithmetic. “They’re<br />

headl<strong>in</strong><strong>in</strong>g.”<br />

“You’re not serious. You actually know them?”<br />

“Oh ya. They’re a Canadian band <strong>that</strong>’s been gett<strong>in</strong>g some good play<br />

on the radio lately.”<br />

I give a bewildered look to Carmen. No fuck<strong>in</strong>g way. Suddenly, the<br />

<strong>in</strong>terview we have scheduled with them <strong>in</strong> Dubl<strong>in</strong> is no longer on the<br />

same level. It’s not fledgl<strong>in</strong>g magaz<strong>in</strong>e meets Canadian band struggl<strong>in</strong>g<br />

to make it <strong>in</strong> Europe. They’re already a success.<br />

These feel<strong>in</strong>gs of <strong>in</strong>adequacy are not put to rest once we’re <strong>in</strong> the<br />

2<br />

club. We make it <strong>in</strong> time to catch the last open<strong>in</strong>g act and oddly enough<br />

the voice, the lyrics, and the Indie p<strong>in</strong>up girl vocalist are all familiar.<br />

More than familiar. A taste of home.<br />

“Holy shit. Is <strong>that</strong> Metric?”<br />

“Oh my god. Metric is open<strong>in</strong>g for YSP! – <strong>that</strong>’s so backwards.”<br />

Energy levels go from 0 to 100 at this realization and I s<strong>in</strong>g along<br />

with the girl I’ve dreamed of sav<strong>in</strong>g from post-punk depression, “Dead<br />

disco, dead funk, dead rock’n’roll!” Then I look around. The Brits are<br />

hav<strong>in</strong>g none of it. Evidently, music appreciation <strong>in</strong>volves only listen<strong>in</strong>g<br />

here. No physical response.<br />

I believe it for a time; the Brits are just uptight. But, my theory is<br />

dashed when YSP! takes the stage.<br />

“What the hell? They’re actually mov<strong>in</strong>g now.”<br />

“Maybe the beer is kick<strong>in</strong>g <strong>in</strong>?” Carmen suggests.<br />

Although tired from exert<strong>in</strong>g ourselves to Metric, we rise. We can<br />

actually dance more comfortably now <strong>that</strong> the Brits have deemed it<br />

socially acceptable. I sigh, now hav<strong>in</strong>g to fight for a spot by the stage.

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