MOVIETONE NEW8 . - Parallax View Annex
MOVIETONE NEW8 . - Parallax View Annex
MOVIETONE NEW8 . - Parallax View Annex
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and illusory freedom, of entrapment within the<br />
economic imperatives of Hollywood, Ulmer was exceedingly<br />
well-equipped to handle Detour's desperate<br />
fatalism. The film's grim acceptance of a malignant<br />
fate, its deliberate mockery of some of the more<br />
facile American myths, its singular admixture of the<br />
banal and the bizarre surely reflect the director's<br />
belief in the existence of the illusion of free choice,<br />
not the substance of free will. It is hardly surprising<br />
LETTERS<br />
The list of films I managed to see in 1975 was severely<br />
lacking due to my place of residence at that time. Now, once<br />
again, I'm one of Seattle's avid bargain-matinee attenders and<br />
popcorn freaks.<br />
Meanwhile, here's my list of ten best (purely subjective, as<br />
usual): A Brief Vacation, One Flew 0 ver the Cuckoo's Nest,<br />
The Passenger,Alice Doesn't Live Here Anymore, A Woman<br />
under the Influence, Man in a Glass Booth, The Mother and<br />
the Whore, Hearts and Minds, Antonia, Nashville.<br />
An older, very likeable film I saw for the first time in '75,<br />
and definitely worth mentioning, is Thieveslike Us.<br />
•<br />
Ann Baxter<br />
Here is a list of my ten favorites among the movies I first saw<br />
in 1975. As you'll notice, I don't count so good, though I can<br />
list things in proper alphabetical order:<br />
The Civil War (John Ford segment of How the West Was<br />
Won, 1962), Detour (Edgar G. Ulmer, 1946), Forty Guns<br />
(Sam Fuller, 1957), Four Sons (Ford, 1928), French Cancan<br />
(Jean Renoir, 1954), Gun Crazy (Joseph H. Lewis, 1949),<br />
Make Way for Tomorrow (Leo McCarey, 1937), Nashville,<br />
Out of the Past (Jacques Tourneur, 1947), The Passenger,<br />
Raw Deal (Anthony Mann, 1948), The Shanghai Gesture<br />
(Josef von Sternberg, 1941), The Tarnished Angels (Douglas<br />
Sirk,1958).<br />
On the negative side, all recent films paled beside the<br />
terribleness of The Terror of Tiny Town, a 1933 musical<br />
western with an all-midget cast. It sounded so funny in the<br />
catalogue (HA unique western adventure that is definitely<br />
'campy' H) I couldn't resist. From now on I'll stick to<br />
Bedtime for Bonzo and Here Come the Nelsons.<br />
David Coursen<br />
•<br />
Eugene,Oregon<br />
Seattle premieres, 1975: The Four Musketeers (Lester), The<br />
Godfather, Part Two (Coppola) [Seattle 1974 =Ed.}, Autobiography<br />
of a Princess (James Ivory), Farewell My Lovely<br />
(Dick Richards), Young Frankenstein (Mel Brooks), Jaws<br />
(Spielberg), Night Moves (Penn).<br />
Personal premieres, 1975: Dodsworth (William Wyler,<br />
1936), Curse of the Cat People (Gunther Fritsch and Robert<br />
that he made of this project perhaps the finest of his<br />
ten-day wonders, a forceful and compelling articulation<br />
of a distinctive world-view. a<br />
David Coursen has been involved in film programming<br />
and film education in the Eugene, Oregon area. His<br />
article on John Ford's Judge Priest and The Sun<br />
Shines Bright appeared in <strong>MOVIETONE</strong> NEWS 42.<br />
Wise, 1944), The Little Foxes (Wyler, 1941), Kiss Me Deadly<br />
(Robert Aldrich, 1955), Secret Agent (Alfred Hitchcock,<br />
1936), Underworld U.S.A. (Sam Fuller, 1961), Unfaithfully<br />
Yours (Preston Sturges, 1948), Wuthering Heights (Wyler,<br />
1939).<br />
Grace A. Cumbow<br />
Olympia<br />
.'<br />
Worst: A Boy and His Dog<br />
Best: Les Violons du bal<br />
Most Overrated: Nashville<br />
Hello. •<br />
Here' are ten that I liked from 1975: Nashville, Le<br />
Petit-Th6tJtre de Jean Renoir, The Man Who Would Be King,<br />
The Wind and the Lion, A Brief Vacation, French<br />
Connection II, Rancho Deluxe, Arabian Nightst<br />
Is for Faket (Welles), Smile.<br />
(Pasof inil , F<br />
In addition, I came upon severalspecial older films for the<br />
first time, including: Moulin Rouge (John Huston), The<br />
Killers (Don Siegel), 'The Leopard (Visconti), Love in the<br />
Afternoon (Billy Wilder), Meet John Doe (Capra).<br />
I appreciate the opportunity to submit this list. It gives me<br />
another chance to recall some very special images.<br />
•<br />
I missedsome, but those I saw:<br />
Tom Huckin<br />
Sincerely,<br />
Michael P. McKinnon<br />
Tacoma<br />
Nashville, The Man Who Would Be King, A Brief Vacation,<br />
Hustle, A Woman under the Influence, Le Petit-ThI!fJtre de<br />
Jean Renoir, Alice Doesn't Live Here Anymore, The Wind<br />
and the Lion.<br />
Seen fo he first time in '75-outstanding: Klute (Alan<br />
Pakula, 1971), Day for Night (Truffaut, 1973), The Last<br />
Tango in Paris (Bertolucci, 1974), Tiger Shark (Hawks,<br />
1932), Scarface (Hawks,1932).<br />
Veleda T. Pierre<br />
19<br />
"I<br />
J