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<strong>2011</strong> <strong>loreto</strong> <strong>art</strong> <strong>exhibition</strong><br />

Feature Artist Will Nolan Untitled #1<br />

<strong>2011</strong> <strong>Loreto</strong> Art Exhibition<br />

9–11 September


Feature Artist<br />

Will Nolan<br />

SALife<br />

Emerging Artist<br />

Award<br />

Debra<br />

Morley<br />

Feature Artist<br />

SALife Emerging Artist Award<br />

This year’s SpringART is very excited to<br />

have the <strong>art</strong>ist Will Nolan and his urban<br />

landscape photography for our feature<br />

works. Photography is an exciting<br />

medium, which is developing as an<br />

important <strong>art</strong> form for the Twenty First<br />

Century. Will is a young and talented<br />

photographer who has received much<br />

attention early in his <strong>art</strong> career.<br />

Will originally studied drafting but<br />

decided that he wanted a more<br />

creative focus to his study and<br />

returned to <strong>art</strong> school to study painting.<br />

While studying photography as p<strong>art</strong> of<br />

his course, he became fascinated by<br />

the dark room process of Photogram’s<br />

(a non camera technique). The hands<br />

on process appealed to him.<br />

After completing a Bachelor of Visual<br />

Art at the University of South Australia<br />

in 2008, specialising in photography,<br />

Will released his TRACE ELEMENTS<br />

a series of photographs, which were<br />

exhibited at Gallery 139. This series<br />

was met with critical acclaim.<br />

SpringART is delighted to exhibit Will’s<br />

current series, “WHAT LIES WITHIN”.<br />

This series of work developed though<br />

the exploration of the photographic<br />

landscape whereby shadows become<br />

abstract forms, changing the viewer’s<br />

2<br />

perception of the landscape. Will’s<br />

inventive images draw the viewer’s<br />

eye to a new and exciting way of<br />

considering the urban environment<br />

as it is captured by photography. This<br />

body of work presents the graphic<br />

beauty of the everyday, illustrating and<br />

recording facets of urban life.<br />

Our feature piece, “UNTITLED #1”, is<br />

deliberately anonymous, unnamed,<br />

as Will doesn’t want the viewer to be<br />

given any suggestions of a p<strong>art</strong>icular<br />

place. In this work he is exploring the<br />

relationship between positive and<br />

negative spaces, black and white<br />

compositions and 3D shapes in the<br />

architectural landscape. The dark<br />

void of the building is there for the<br />

viewer to contemplate and imagine<br />

what forms it may contain. The void is<br />

intended to resonate with each viewer<br />

and be interpreted in a personal way.<br />

Will teaches within the photography<br />

dep<strong>art</strong>ment at The Adelaide <strong>College</strong><br />

of the Arts where he enjoys inspiring<br />

students with his passion. We are very<br />

fortunate to have Will Nolan p<strong>art</strong>icipate<br />

in SpringART <strong>2011</strong>. No doubt we will<br />

all be inspired by the <strong>art</strong>istry of Will’s<br />

photography.<br />

Will exhibits courtesy of Helen Gory<br />

Galerie-Melbourne<br />

The SALife Emerging Artist Award<br />

has been won by Debra Morley. Art’s<br />

Editor, Lance Campbell commented<br />

that reviewing the short list applicants<br />

wasn’t easy but felt Debra’s work<br />

displayed a greater level of curiosity.<br />

Debra recently graduated from<br />

Adelaide Central School of<br />

Art with Honours (BVA 2010)<br />

and is continuing to explore<br />

the transformative qualities of time<br />

and gravity on the human form in<br />

these three dimensional figures. She<br />

utilises layering and found materials<br />

allowing the material to create its<br />

own aesthetic. SALife editor Jacqui<br />

Williams handed Debra a cheque<br />

for $1000 at a special SALA event<br />

held in August hosted by The Lion<br />

Hotel. Debra will be supported and<br />

featured both by SALife Magazine<br />

and at this SpringART <strong>exhibition</strong>.


<strong>Loreto</strong><br />

Art<br />

Dep<strong>art</strong>ment<br />

Jeweller<br />

James<br />

Thredgold<br />

Star Portrait<br />

Tracey<br />

Whiting<br />

Trace Elements Will Nolan<br />

<strong>Loreto</strong> Art Dep<strong>art</strong>ment<br />

Photography is the chosen medium<br />

for Will Nolan, the Spring Art feature<br />

<strong>art</strong>ist for <strong>2011</strong>. As viewers of <strong>art</strong> in<br />

an image saturated world we have a<br />

facility to engage with photography<br />

in its various forms. What makes a<br />

photograph an <strong>art</strong>work is a common<br />

question with which students and<br />

viewers of <strong>art</strong> grapple. If anyone can<br />

take a photograph, is it simply a matter<br />

of being in the right place at the right<br />

time to capture the moment What<br />

is it that distinguishes a photograph<br />

as an <strong>art</strong>work Unlike painting where<br />

brushes and paint are the tools used<br />

to carry the painter’s vision onto the<br />

canvas, a mechanical devise, the<br />

camera stands between the <strong>art</strong>ist<br />

photographer and their subject.<br />

Photographers, like painters balance<br />

the technical considerations of their<br />

chosen medium to communicate<br />

their vision. Significant <strong>art</strong>works<br />

communicate an <strong>art</strong>ist’s vision and<br />

have the power to touch us emotionally<br />

in very p<strong>art</strong>icular ways. The famous<br />

American photographer, Ansell Adams<br />

said, “There are always two people in<br />

every picture: the photographer and<br />

the viewer.”<br />

Jacky Hamilton<br />

Learning Area Coordinator Visual Arts<br />

Years 6–12<br />

Jeweller<br />

James Thredgold has once again<br />

designed a unique piece of jewellery<br />

for SpringART. This one-off piece is<br />

our raffle prize. As always, it is simply<br />

beautiful and we expect raffle tickets<br />

will be highly sought after.<br />

In describing the creative process,<br />

James said that “This year’s<br />

photographic feature piece by<br />

Will Nolan was one of our biggest<br />

challenges from SpringART. The image<br />

is architectural and limited in shape<br />

and colour. We st<strong>art</strong>ed our design by<br />

drawing from the colour of the brick<br />

wall and used the tourmaline in the<br />

main stone, which glows purple/red.<br />

The linear white gold on the sides<br />

and bail portray the mortar, which is<br />

as essential as this holds the whole<br />

structure together. The black used<br />

in the neoprene is the shadow cast<br />

from above and the diamonds weren’t<br />

necessary, I just love them!”<br />

Star Portrait<br />

Star Portrait is now in its fifth<br />

successful year in <strong>2011</strong>. Following the<br />

formula of the popular Rolf Harris ABC<br />

series of the same name, each year<br />

a prominent South Australian sits for<br />

our three talented <strong>art</strong>ists. Each <strong>art</strong>ist<br />

prepares a portrait of the sitter, to be<br />

unveiled at our Star Portrait event. We<br />

are pleased to announce that the <strong>2011</strong><br />

Star Portrait Artists are Lucy Bonnin,<br />

Andrea Malone and Mary Wagstaff.<br />

This year’s “Star Portrait” sitter is<br />

Tracey Whiting. Tracey is an old scholar<br />

of <strong>Loreto</strong> Marryatville and has a long<br />

involvement with <strong>Loreto</strong> SpringArt.<br />

Tracey is now on the board of Solstice<br />

Media and the Art Gallery of South<br />

Australia. She is Chair of the Art Gallery<br />

of South Australia’s Contemporary<br />

Collectors. The portrait process<br />

reveals the physical aspect but also<br />

an unveiling of a personality and an<br />

understanding of an <strong>art</strong>ist. Tracey will<br />

unveil the three finished portraits at<br />

SpringArt on Saturday 10th September<br />

at 2pm. Please join us in supporting<br />

Tracey as she views her three portraits<br />

for the first time.<br />

This event is made possible due to<br />

the valuable support of Premier Art<br />

Supplies.<br />

3


Welcome<br />

It is with much pleasure that I welcome you to the <strong>2011</strong> <strong>Loreto</strong><br />

Spring Art Exhibition.<br />

Art enables us to find ourselves and lose ourselves at the same<br />

time; it can evoke a kaleidoscope of emotions — fun, peace,<br />

freedom, tension, justice, fear, love — depending on how the<br />

viewer interprets the colours, images and symbols used. Art<br />

affords us the opportunities for self-expression where the <strong>art</strong>ist<br />

can communicate an interpretation or vision of aspects of his<br />

or her world.<br />

At <strong>Loreto</strong>, creativity is encouraged in our students and the<br />

collection in this year’s Spring Art Exhibition links well with the<br />

focus this year on ‘felicity’ in all <strong>Loreto</strong> schools in Australia.<br />

This notion of ‘felicity’ is nourished by fun and celebration, by<br />

beauty and creativity, by sensitivity to the natural environment<br />

and by opportunities for self-expression and for reflection — all<br />

of which are present here in our Spring Art collection.<br />

“A good painting to me has always been like a friend. It keeps<br />

me company, comforts and inspires me.” Hedy Lamarr<br />

My hope is that you, too, may find “a friend” in this year’s <strong>art</strong><br />

collection, which will give you many years of pleasure and<br />

inspiration.<br />

Rosalie Gleeson<br />

Principal<br />

4


Artists’ Profiles<br />

7. She who loves Paris<br />

Rebecca Arman<br />

11. Tea cup and saucer set<br />

Alison Arnold<br />

15. waymouth-reflections<br />

Mike Barr<br />

Daisy Akemarr Ross<br />

The plants, called inteng-inteng, are<br />

used for colds, as well as washing kids<br />

who have colds. Many inteng-inteng<br />

plants are used as washing medicines.<br />

Courtesy of Mashall Arts<br />

Wendy Alstergren<br />

Using clothing minimally decorated<br />

as subject matter for the freestanding<br />

ceramic sculptures, Wendy Alstergren’s<br />

intention is to create still and<br />

contemplative objects. The white<br />

e<strong>art</strong>henware objects in this instance<br />

remain as a conduit between cultures<br />

with her friend and Japanese fellow<br />

student at Adelaide Central School of<br />

Art, Shoko Imagawa.<br />

Judith Archer<br />

Judith is currently working as an <strong>art</strong><br />

teacher at Marryatville High School<br />

while continuing her <strong>art</strong> practise in<br />

painting and drawing. Her style has<br />

been disciplined by studies in life<br />

drawing at Adelaide Central School of<br />

Art and a highlight was the inclusion<br />

of her work in the Waterhouse Natural<br />

History Art Prize.<br />

Rebecca Arman<br />

Rebecca’s <strong>art</strong> this year has developed<br />

further in layering techniques using<br />

new and various mediums. She<br />

enthusiastically has continued to<br />

work on themes associated with the<br />

vibrancy of Venice and Paris. Rebecca’s<br />

enjoys sharing her unconventional<br />

approach to creativity and welcomes<br />

visitors, by appointment, to her studio<br />

at Carrickalinga.<br />

Alison Arnold<br />

Alison works from a studio in the<br />

Adelaide Hills where the native<br />

birds and plants inevitably influence<br />

her work. She loves pattern and<br />

often looks to the decorative <strong>art</strong>s<br />

for inspiration including textiles,<br />

wallpapers and fabrics for designs. She<br />

loves the challenge of concept based<br />

<strong>exhibition</strong> work as much as creating<br />

well-designed functional pots for<br />

everyday use. Her current focus is on<br />

developing a range of domestic ware<br />

alongside decorated porcelain bird and<br />

animal figurines, bowls and vases.<br />

Leah Badger<br />

Leah was <strong>Loreto</strong>’s Peoples Choice<br />

Award Winner at SpringART in 2010.<br />

She is drawn to the beauty of nature<br />

and it provides much of the inspiration<br />

for her work. Her paintings are held in<br />

both private and corporate collections.<br />

Mike Barr<br />

Mike has become well known<br />

for his figurative work both in<br />

his beachscapes and rainy-day<br />

streetscapes. Working mainly in<br />

acrylics, he is also a demonstrator and<br />

<strong>art</strong> writer and writes regular <strong>art</strong>icles for<br />

the Australian Artist Magazine and now<br />

for the UK Magazine — The Artist. He<br />

is multi-award winning <strong>art</strong>ist with work<br />

in collections around the world.<br />

5


Artists’ Profiles<br />

17. Second Nature<br />

Annette Bezor<br />

Annette Bezor<br />

Annette graduated from the South<br />

Australian School of Art in 1978.<br />

She has received numerous awards,<br />

including the Australian Council and<br />

Arts SA Fellowships. Her work is an<br />

examination of the depiction of women,<br />

both historically and in contempory<br />

culture. Annette uses repetition and<br />

twinning in her paintings as a means<br />

of examining these issues and the<br />

concept of idealised female beauty. In<br />

her current series of works, the figure<br />

is veiled, simultaneously revealed and<br />

submerged.<br />

Marina Bills<br />

Marina Bills is an Adelaide <strong>art</strong>ist who<br />

has spent some time studying at<br />

Adelaide Central School of Art. Her<br />

paintings are narrative works, which<br />

have a whimsical and playful quality.<br />

They are concerned with friendship,<br />

the imagination and the human spirit<br />

and filled with colour. Movement and<br />

fun. Her works begin as drawings<br />

and are then finished in acrylic and<br />

impasto on canvas.<br />

21. Puppet Theatre<br />

Simone Black<br />

Angela Black<br />

Angela is an emerging <strong>art</strong>ist whose<br />

practice is mainly in painting and<br />

drawing. Graduating from Adelaide<br />

Central School of Art in 2007, Angela<br />

has exhibited in numerous group and<br />

solo <strong>exhibition</strong>s across Australia. In<br />

2008, Angela’s work was featured<br />

in the Helpmann Academy Graduate<br />

Exhibition, as well as at Hatched at<br />

the Perth Institute of Contemporary<br />

Arts. Angela was a finalist in the 2007<br />

Waterhouse Natural History Art Prize,<br />

and was the recipient of the SpringART<br />

SA Life Emerging Artist Award in 2009.<br />

Simone Black<br />

Simone studied Visual Art in Sydney<br />

and Adelaide. Her studio “Young at Art”<br />

is where she teaches youth and adults.<br />

Simone’s passion for the story of Don<br />

Quioxte continues with her current<br />

works the “Puppet Show” series.<br />

29. Sea of Serenity<br />

Alan Bruse<br />

Lucy Bonnin<br />

Star Portrait Artist<br />

Since leaving Adelaide central school<br />

of <strong>art</strong> Lucy has committed to painting<br />

full time. Besides working from<br />

commission she had been a finalist<br />

in the Waterhouse Natural History<br />

Art Prize at the Museum of SA in<br />

2009, 2010 and again in <strong>2011</strong>. She<br />

also received the Lethbridge 10000<br />

Art Prize in Brisbane in <strong>2011</strong>. She<br />

has hosted two solo <strong>exhibition</strong>s and<br />

regularly donates works to charities<br />

including the Women’s & Children’s<br />

Hospital Foundation.<br />

Bill Botten<br />

Bill Botten began painting nine years<br />

ago. His works are mainly on canvas,<br />

in acrylic and sometimes oil. In the<br />

main the works are abstract and tend<br />

to be large. Occasionally his works<br />

are abstract-landscape or figurative.<br />

Bill has had several <strong>exhibition</strong>s at the<br />

Citadel Exhibition Space in Goodwood<br />

and more recently at A.P. Bond/Gallery.<br />

6


Artists’ Profiles<br />

31. Mutipal Personalities<br />

Thomas Buchanan<br />

33. Butterfly Secrets<br />

Aurelia Carbone<br />

34–38. Luminance Series<br />

Patty Chehade<br />

Patrick Brennan<br />

Visual <strong>art</strong> has been an interest but<br />

rather more of a passion of Patrick’s<br />

for over 30 years. He completed<br />

a Degree in Education at Uni SA,<br />

specialising in Visual Arts and<br />

Psychology, while also studying <strong>art</strong><br />

at the Adelaide School of Art. He has<br />

two quite distinct styles of painting,<br />

impressionist and abstract. In both<br />

painting styles he prefers a vibrant<br />

and rich colour palette. He uses his<br />

extensive garden at Stirling in the<br />

Adelaide Hills as a constant inspiration.<br />

His abstract work has an almost<br />

“stained glass” quality which he<br />

finds precise yet almost hypnotic. He<br />

aims for his paintings to transfer the<br />

observer to a quiet and tranquil place.<br />

A place of peace.<br />

Alan Bruse<br />

Alan Bruse completed his Masters of<br />

Visual Art in 2010, and his <strong>exhibition</strong>s<br />

are now sell-out shows. Having lived<br />

by the coast the majority of his life and<br />

being an ardent surfer, Alan’s culture<br />

and memory is associated with the<br />

ocean, surf and surrounding coastal<br />

environment, reflecting an important<br />

source of inspiration for his paintings.<br />

Alan’s proven ability, commitment and<br />

dedication to painting has successfully<br />

placed his <strong>art</strong>work in many prestigious<br />

<strong>exhibition</strong>s and collections throughout<br />

Australia and Internationally. Alan<br />

is represented by Salmon Galleries,<br />

Sydney.<br />

Tom Buchanan<br />

Tom Buchanan is an Australian painter<br />

residing in Adelaide. In 2010 he<br />

graduated from SASA, UniSA, with a<br />

Bachelor of Visual Arts (Honors). Tom<br />

has exhibited locally and nationally<br />

at a number of galleries within<br />

Australia. He has been finalist and<br />

winner in numerous <strong>art</strong> prizes. Held<br />

in private collections in Australia and<br />

Internationally.<br />

Aurelia Carbone<br />

Aurelia is a photographic <strong>art</strong>ist working<br />

with illusions and visual narratives.<br />

She is currently a Masters by Research<br />

student at the South Australian School<br />

of Art, she is also an obsessive knitter,<br />

a reader of manga, and mother of two.<br />

Patty Chehade<br />

In 2010 Patty Chehade graduated with<br />

Honours from Adelaide Central School<br />

of Art. Her work was selected for the<br />

Helpmann Graduate Exhibition in <strong>2011</strong>;<br />

an <strong>exhibition</strong> that brings together<br />

carefully selected works of emerging<br />

<strong>art</strong>ists from the major tertiary <strong>art</strong><br />

schools within South Australia. In <strong>2011</strong><br />

Patty was awarded the City of Adelaide<br />

prize for her first Luminance Series<br />

where she deliberately altered the<br />

painted surface to yield a chromatic<br />

sensuous glow.<br />

7


Artists’ Profiles<br />

39. Advertise Her<br />

Meaghan Coles<br />

Meaghan Coles<br />

Emerging <strong>art</strong>ist Meaghan Coles<br />

explores the female face within<br />

popular advertising. Her oil paintings<br />

investigate the fragmented face,<br />

questioning the concept of ideal<br />

beauty portrayed in popular imagery.<br />

The result is a mere superficial<br />

representation of an ideal female<br />

beauty that reflects the beauty and<br />

fashion industry.<br />

John Colman<br />

John completed a Bachelor of<br />

Visual Arts (Ceramics) in 2005 from<br />

the University of South Australia,<br />

being awarded the HP Gill Memorial<br />

Medal. He then successfully completed<br />

the two-year Associate Program in<br />

Ceramics at the Jam Factory, Adelaide.<br />

Since then he has conducted a homebased<br />

studio practice in Adelaide<br />

working in both ceramics and kiln<br />

formed glass.<br />

47. Highland Ride<br />

Jim Disher<br />

Stephanie Crase<br />

Adelaide Central School of Art graduate<br />

Stephanie Crase has recently returned<br />

to Adelaide after two years travelling<br />

the UK and Europe. Fittingly, her latest<br />

oil and watercolour paintings reflect<br />

on both old memories and unfamiliar<br />

territories, subtly engaging themes of<br />

restlessness and longing, home and<br />

away. Her gently skewed streetscapes,<br />

still lifes and portraits evoke an<br />

ambience hovering somewhere<br />

between anxious and serene.<br />

Jim Disher<br />

Jim Disher is trained as an illustrator<br />

and has freelanced in Adelaide. He<br />

has also worked as an <strong>art</strong>ist and has<br />

exhibited extensively including Soma<br />

Galleries, Norwood, in 2008 and<br />

Jackman Gallery, St Kilda, in 2009. He<br />

was a finalist in the Advertiser Sala Art<br />

Award in 2008.<br />

50. Through the Looking Glass<br />

Sylvia Eakins<br />

Sylvia Eakins<br />

Spontaneous brushstrokes of colour<br />

creating form and a luscious texture<br />

allow Sylvia Eakins to express her<br />

interpretation of impressionism. She<br />

sees the world through perceptual<br />

grids of colour and form — using her<br />

senses to push the boundaries.<br />

Alfred Engel<br />

Whether using oil, egg tempura<br />

or watercolor, Alfred Engel paints<br />

masterfully in a number of genres,<br />

employing a true academic style<br />

that may be whimsical, uplifting or<br />

thought-provoking, but also conveys<br />

his well considered statements. He is<br />

a fellow of the Royal Arts Society SA,<br />

past president of the Southern Districts<br />

Art Society SA, and a foundation<br />

member of the Ocean Street Arts<br />

Society. He has staged a number of<br />

solo <strong>exhibition</strong>s in Melbourne, Adelaide,<br />

Southport QLD and Victor Harbor and<br />

has received many important honours.<br />

8


Artists’ Profiles<br />

56. Flown<br />

Catherine Fitz-Gerald<br />

60. Darnku Country<br />

Alec Forrest<br />

62. Dog<br />

Karen Genoff<br />

Cathy Fennell<br />

Cathy is an accomplished <strong>art</strong>ist who<br />

combines layers, colour, textures and<br />

wash to create an original approach<br />

to painting. Cathy is influenced<br />

by her experience in graphic and<br />

textile design with inspiration for<br />

her paintings coming from her three<br />

energetic children. Cathy’s work is<br />

held in private collections in Australia<br />

and overseas.<br />

Catherine Fitz-Gerald<br />

The ‘Before the Wine’ series st<strong>art</strong>ed<br />

by following the life of a vine from<br />

bud burst through to final prune and<br />

evolved into a much wider exploration.<br />

The vines house a vibrant ecosystem<br />

and soil, drought, rain, heat and cold<br />

affect the many varietals differently.<br />

The man made twinnings of wire<br />

and structure are juxtaposed against<br />

last year’s dried twists and lush new<br />

growth tendrils and always, for me, the<br />

light defines it all. The strongly textured<br />

branches are a foil for delicately<br />

shaded grapes and the details of new<br />

growth are swept away by the blown<br />

leaves of autumn.<br />

Sue Flanagan<br />

Sue Flanagan has successfully<br />

entered Australia’s most prestigious<br />

<strong>art</strong> awards, The Archibald Prize,<br />

with her first entry, a portrait of<br />

Australian musician John Schumann.<br />

This was purchased by Sony and used<br />

for John’s album cover. She works<br />

predominantly with oil paint on linen.<br />

Her Star Portrait painting of Hugh<br />

Sheridan was bought by <strong>Loreto</strong> <strong>College</strong><br />

last year. Her daughter Purnima has<br />

Indian heritage, which provides a<br />

constant source of inspiration. Sue’s<br />

work has been commissioned by major<br />

companies and she regularly exhibits<br />

locally and interstate. She studied at<br />

the Adelaide Central School of Arts and<br />

ArtLab Australia.<br />

Alec Forrest<br />

This is the story of Alec’s country along<br />

a section of the Canning Stock route.<br />

He describes the places along the way,<br />

and where they could source good<br />

water. He also relates a memory of his<br />

brother leading a p<strong>art</strong>y of Europeans<br />

through the desert during the second<br />

world war. The red lines are the<br />

sandhills. Ngarinj<strong>art</strong>i lake is the pink<br />

and white circular shape bottom-left,<br />

and slightly above and right to that is a<br />

well (yellow and brown shape) which<br />

is salty.<br />

Courtesy of Marshall Arts<br />

Karen Genoff<br />

Karen Genoff’s professional <strong>art</strong>s<br />

practice spans 34 years. She is<br />

represented in many public and<br />

private collections with several major<br />

public works in Adelaide, Interstate<br />

and Internationally in Japan and New<br />

Zealand. Many would be familiar with<br />

her public work in The East End of<br />

Adelaide, The Apron, commemorating<br />

the life and colour of Adelaide’s former<br />

fruit and produce exchange 1996. Her<br />

studio work to date concerns itself with<br />

the roles of <strong>art</strong>ist and mother.<br />

Courtesy of BMGArt<br />

9


Artists’ Profiles<br />

72. Mittudu<br />

Fred Grant<br />

Marnie Gilder<br />

For the past 10 years Marnie has<br />

had sell-out solo <strong>exhibition</strong>s around<br />

Australia, exhibiting as Marnie Wark<br />

(maiden name). After having children<br />

Marnie could no longer keep up with<br />

the <strong>exhibition</strong> schedule, and she<br />

decided to reinvent herself. Marnie<br />

now sells small edition screen prints<br />

online, all which have been designed<br />

and made by hand by Marnie. All<br />

pieces are signed and dated and are in<br />

editions never larger than 10.<br />

Christine Gordon<br />

Christine enjoys revisiting the<br />

memories from her childhood.<br />

Her work reflects the wonder and<br />

innocence of a young girl growing up<br />

in the 1960s. Simple, colourful and fun<br />

images invite you to join her journey.<br />

Christine regularly exhibits in Adelaide<br />

and Melbourne.<br />

76. Venice Morning<br />

John Hamilton<br />

Fred Grant<br />

Fred Grant is a senior Spinifex man<br />

from Spinifex country with a wealth<br />

of knowledge about his country. The<br />

many rockholes Fred has painted in<br />

this work signifies his knowledge<br />

and authority to paint his own and<br />

his family’s country. This painting is<br />

centred around Mittudu. Mittudu is a<br />

site connected to Mulaya through its<br />

Tjukurpa and a place the Wati Kutjara<br />

(two men) pass through. The Wati<br />

Kutjara in this case are the father and<br />

son snake who are on a journey during<br />

initiation rituals.<br />

Courtesy of Marshall Arts<br />

Frances Griffin<br />

Since completing a Bachelor of Visual<br />

Arts at Adelaide Central School of Art<br />

in 2009, Frances has concentrated<br />

on abstract painting. She explores oil<br />

paint as a versatile medium that can<br />

be layered and built up, rubbed back or<br />

dissolved. Her inspiration comes from<br />

the amorphous natural environment<br />

and the elusive forces that have<br />

shaped it.<br />

60. Orion<br />

Karen Hammat<br />

John Hamilton<br />

John is a romantic, impassioned by<br />

the visual presentation that life has<br />

to offer. As he captures the power<br />

and movement of light he exhibits a<br />

vibrancy of colour and boldness of the<br />

brushwork. The interaction of people<br />

with the landscape plays an important<br />

role in his <strong>art</strong>. He likes to capture those<br />

fleeting moments when he is aware of<br />

a sense joy. Yet they are moments that<br />

are barely noticed.<br />

Karen Hammat<br />

Karen completed her bachelor’s degree<br />

in visual <strong>art</strong>s and applied design at<br />

O’Halloran Hill TAFE in 2005 when she<br />

won the Minter Ellison Rising Stars<br />

Award as the top woman in viz<strong>art</strong>s<br />

graduate of her school. She runs her<br />

<strong>art</strong>s practice from her studio/gallery<br />

in Yankalilla where she produces<br />

portraiture and abstract painting.<br />

10


Artists’ Profiles<br />

82. Disassemble<br />

Helene Hardy<br />

63. Slinky FX<br />

Wesley Harrop<br />

89. Tjilkam<strong>art</strong>a Tjukurpa<br />

Margaret Jennings<br />

Georgina Hardy<br />

Georgina Hardy has been studying at<br />

the Central School of Art since 2003.<br />

Her preferred medium is oil — she<br />

has a painterly style and favours tonal<br />

realism. Her paintings are generally<br />

fun, quirky depictions of rare or<br />

unusual roosters. Recently Georgina<br />

has been experimenting with abstract.<br />

Helene Hardy<br />

Helene uses simple acrylics on<br />

stretched canvas to produce works<br />

that resonate deep, vivid emotion.<br />

From the depths of the ethereal to the<br />

light cast from the ether, she manages<br />

to capture the essence of human<br />

feeling and strip it bare for all to see.<br />

Wesley Harrop<br />

In 2007 Wesley completed his TAFE<br />

Certificate III in Visual Arts and<br />

Contemporary Craft. Since then he<br />

has gone on from strength to strength,<br />

creating stunning one off pieces of<br />

sculpture as well as a number of<br />

private and commercial commissions.<br />

Wesley was recognized in 2009<br />

when he won the SALA Jam Factory<br />

Contempory Craft and Design Award.<br />

Wesley has set up a business UNIQUE<br />

IRON which designs iron pieces for<br />

architects and private clients.<br />

Margaret Jennings<br />

Tjilkam<strong>art</strong>a was a rainmaker who<br />

had short arms. He was camping<br />

between two mobs, trying to get one<br />

mob to share their food with him. They<br />

teased him by holding out food, then<br />

snatching it away as he reached for it.<br />

He became angry, sang for a big cloud<br />

with hail and lightening, which killed<br />

the nasty mob.<br />

Courtesy of Marshall Arts<br />

Alan Jury<br />

Alan studied Graphic Design at<br />

Underdale and has had his <strong>art</strong>work<br />

entered in national and regional<br />

awards, group <strong>exhibition</strong>s and a<br />

series of commissions. Alan utilises his<br />

interest in drawing and formal studies<br />

to complete these assemblages.<br />

He uses found objects, discarded<br />

materials and paint to create collage/<br />

decollage/assemblage work that<br />

challenges ideals of beauty, value and<br />

commercialism.<br />

Gail Kellett<br />

Gail works from home in McLaren Vale<br />

on the Fleurieu Peninsula. Her themes<br />

are always close to her life and her<br />

environment. She draws straight<br />

onto the lino to capture the energy<br />

of her subject. Her compositions<br />

balance strength with delicacy,<br />

intense colour with black and white<br />

while emphasising bold line in design.<br />

11


Artists’ Profiles<br />

108. Dove Dome<br />

Diana Laidlaw<br />

Emmeline Khor<br />

Emmeline’s work is inspired by the<br />

beauty of life, encompassing nature in<br />

all its forms. She is a full time Adelaide<br />

<strong>art</strong>ist who has studied at the Adelaide<br />

Central School of Art with her focus on<br />

contemporary tonal realistic paintings.<br />

Her current interests include still life,<br />

revelling in the wondrous shapes and<br />

sensual forms of autumn fruits such<br />

as figs and pomegranates. She is<br />

influenced by childhood memories,<br />

dance, poetry and music. She has<br />

produced many works for private<br />

collections.<br />

John Lacey<br />

John is a self-taught <strong>art</strong>ist who has<br />

been painting professionally in oil since<br />

2004 after many years experience<br />

in other mediums. Painting both<br />

impressionistic and contemporary<br />

landscape and figurative works in oil<br />

has seen him with several prizes in the<br />

past 7 years, including Victor Harbor,<br />

Blackwood, Clare and Flagstaff Hill<br />

Rotary Exhibitions.<br />

Courtesy of Art Images Gallery<br />

112. Vagabond Fiddler<br />

Janice Lane<br />

Diana Laidlaw<br />

One of the joys of Diana’s life “post<br />

politics” has been the opportunity<br />

to pursue her long-standing interest<br />

in mosaics. Since 2007 she has<br />

staged three sell-out solo <strong>exhibition</strong>s,<br />

plus completed a steady stream<br />

of commissioned work. Most<br />

recently, she has loved exploring<br />

the mosaic medium as a platform<br />

to celebrate cherished poets and<br />

philosophers.<br />

Janice Lane<br />

Janice Lane graduated with a Bachelor<br />

in Visual Arts in 2007 from the Adelaide<br />

Centre of Arts and is currently studying<br />

her Postgraduate Diploma in visual <strong>art</strong>s<br />

with UniSA. Practicing from her studio<br />

in Piccadilly, Janice was a finalist for<br />

the 2010 Lethbridge 10,000 smallscale<br />

<strong>art</strong> awards in Brisbane. Janice<br />

brings resonance of touch and sound<br />

to her paintings that have memories<br />

embedded deep within them. By using<br />

old sheet music and Pianola rolls they<br />

trigger personal and second-hand<br />

memories for herself and others.<br />

117. And she felt beautiful<br />

Simone Lettice<br />

Cat Leonard<br />

Cat Leonard is an award winning <strong>art</strong>ist<br />

who paints portraits, animals, cars,<br />

people and things in her unique ‘pop<br />

expressionistic’ style. Her paintings are<br />

exhibited in various galleries and shops<br />

around Adelaide including the ‘Red<br />

Opus Art Space”, and ‘Nadia’s House if<br />

Serendipity”<br />

Simone Lettice<br />

Since her sell-out debut <strong>exhibition</strong><br />

‘Emergence’ (2007) Simone has<br />

featured in media interviews/<strong>art</strong>icles,<br />

filled numerous commissions and<br />

p<strong>art</strong>icipated in successive (selected)<br />

group exhibits. Long fascinated by the<br />

abstraction and stylization of form,<br />

Simone employs a characteristically<br />

economical use of sculptural line in<br />

paintings at once deeply sensitive and<br />

vibrantly bold.<br />

12


Artists’ Profiles<br />

121. Lollipop Love<br />

Alison Main<br />

122. Sitting for Sargent<br />

Andrea Malone<br />

134. Fruit Pear slice<br />

Rod Manning<br />

Prudence Little<br />

Prudence specialises in elegantly<br />

drawn images of natural and<br />

constructed objects, often on a<br />

large scale. She was a finalist in the<br />

Jacaranda Acquisitive Drawing Award<br />

2008 and the Whyalla Art Prize 2009,<br />

and exhibited at Kensington Galleries<br />

in October 2010.<br />

Eileen Lubiana<br />

Eileen has studied at Adelaide<br />

Central School of Art, receiving and<br />

Advanced Diploma in Visual Art. She<br />

has anticipated in numerous group<br />

shows and two solo <strong>exhibition</strong>s.<br />

Eileen recently was the recipient of<br />

the People’s Choice Award. Eileen<br />

currently runs as <strong>art</strong> tour business “Art<br />

Scout”. Formerly an architect, she now<br />

practises as a painter, with interests in<br />

photography and digital media.<br />

Alison Main<br />

Alison Main paints, writes and<br />

animates. Her work is influenced by<br />

her architectural career and her long<br />

association with Japan, combining<br />

elements of abstraction and ideas of<br />

narrative. Humour often camouflages<br />

serious intent, with small characters<br />

chattering as white noise in the<br />

background, flotsam and jetsam of the<br />

mind. Her secret vice is paper junk<br />

sculpture.<br />

Andrea Malone<br />

Star Portrait Artist<br />

Andrea is a student at the Adelaide<br />

Central School of Art and this year has<br />

been awarded the Associate Degree in<br />

Visual Art. As an Associate Member of<br />

the RSASA, she has received numerous<br />

Merit Awards and an invitation to apply<br />

for Fellowship. She has been exhibiting<br />

since 2001 and her work is held in<br />

private collections in Australia and<br />

Europe.<br />

Rod Manning<br />

Born at Renmark in 1946 & bought<br />

up at the little village of Lyrup in the<br />

Riverland. An interest in woodwork<br />

and metal work evolved in late primary<br />

and high schools. After doing a<br />

welding school via an adult education<br />

class while still at high school,<br />

st<strong>art</strong>ed doing repairs for neighbours.<br />

An apprenticeship in welding was<br />

commenced and two years at an<br />

agricultural engineering workshop<br />

was undertaken, then fulltime selfemployment<br />

manufacturing and<br />

repairing horticultural machinery. An<br />

interest in manufacturing home and<br />

garden giftwares commenced after<br />

marriage in 1970 to Judy. Garden Art<br />

pieces were inspired after exhibiting<br />

our garden and home wares at the<br />

Melbourne International Flower and<br />

Garden Show each year and visiting<br />

the Sculpture Art Exhibit commencing<br />

in 2002. Garden, Home and Art pieces<br />

are now made at our home in McLaren<br />

Vale.<br />

13


Artists’ Profiles<br />

Untitled I<br />

Lorelei Medcalf<br />

Trent Manning<br />

Trent has been living in the Barossa for<br />

the past 15 years. Growing up with a<br />

family owned engineering workshop<br />

in the back yard led to an interest in<br />

working with steel and completing a<br />

short Blacksmithing course. When time<br />

permits he enjoys creating works that<br />

that are orientated towards the natural<br />

environment, that he hopes people<br />

appreciate looking at and using as<br />

much as he enjoys making them.<br />

Ty Manning<br />

Ty is a primary school teacher who<br />

completed a Major in Visual Arts at the<br />

Flinders University as p<strong>art</strong> of a Bachelor<br />

of Education. His interest in steel and<br />

wire animal sculpture has developed<br />

from a culmination of personal interests.<br />

A life time of living on the land, a family<br />

interest in breeding and competing<br />

with horses and the family engineering<br />

business have all been contributing<br />

inspiration for many of the equine and<br />

canine sculptures that he has completed.<br />

Since beginning sculpting in 2008 he has<br />

won the 2009 Kidman Art Show — Best<br />

Sculpture or 3D work and The 2010<br />

Brighton Jetty Classic Sculptures by the<br />

Sea — People’s Choice award.<br />

14<br />

151. Triple Seahorse<br />

Cristina Metelli<br />

Naomi McCann<br />

Naomi’s work draws lessons from<br />

the relationship between pattern and<br />

chaos found in nature. An emphasis<br />

on line and contrast together with<br />

balanced, natural compositions<br />

characterise her work. She has an<br />

interest in geometry and the anatomy<br />

of both human and plant forms and<br />

her bold, graphic style is informed<br />

by her experience both as a graphic<br />

designer in her early career, and more<br />

recently, eight years studying and<br />

working as a visual <strong>art</strong>ist.<br />

Lorelei Medcalf<br />

Lorelei Medcalf is an emerging<br />

Adelaide printmaker. Earlier this year<br />

she was awarded the People’s Choice<br />

Award and the prestigious Raffen<br />

Award at the Helpmann Academy<br />

Exhibition. She has also been selected<br />

by the Print Council of Australia to<br />

produce an edition of works for their<br />

<strong>2011</strong> Print Commission.<br />

156. The Match<br />

Grace Murphy<br />

Cristina Metelli<br />

Cristina studied <strong>art</strong> in her birthplace,<br />

Milano, Italy and in Australia. This<br />

series is inspired by the elegance of<br />

sea-creatures. The wire mesh allows<br />

light to pass through each sculpture,<br />

creating a weightless feel and<br />

capturing their ephemeral silhouettes.<br />

This work has featured in the<br />

Advertiser, received a Merit Award and<br />

is in the finals of the <strong>2011</strong> Waterhouse<br />

Art Prize.<br />

Debra Morley<br />

Emerging Artist<br />

Debra Morley graduated with honours<br />

from the Adelaide Central School of Art<br />

in 2010. Currently, Debra is teaching<br />

children’s <strong>art</strong> classes on a p<strong>art</strong>-time<br />

basis, while she continues to create<br />

work for up and coming <strong>exhibition</strong>s<br />

in <strong>2011</strong>. Debra was awarded the<br />

Adelaide Central School of Art Alumni<br />

Scholarship in 2009.


Artists’ Profiles<br />

158. Papa Tjukurpa (dingo creation<br />

story) Nyurpaya Nelson<br />

160. Families<br />

Mary Nolan<br />

166. Overcast<br />

Tom O’Callaghan<br />

Jenni Mumford<br />

Jenni Mumford is renowned as an<br />

impressionist oil painter. She has<br />

produced 15 solo <strong>exhibition</strong>s and<br />

is represented in major galleries in<br />

four states. Vibrancy, freedom of<br />

movement and interaction of light are<br />

key elements in the work. A continuing<br />

energy to push the boundaries to<br />

explore the interpretation of the<br />

landscape (and still life) is foremost<br />

in Jenni’s fascination with executing<br />

the theory ‘colour vibrant with light’. A<br />

finalist eight times in the prestigious<br />

Fleurieu Peninsula Biennale Art Prize<br />

and multi finalist in the Heysen Art<br />

Prize are some of the accolades which<br />

credits her work being sought after by<br />

collectors in Australian and European<br />

<strong>art</strong> Auctions.<br />

Grace Murphy<br />

Grace’s photography has been a form<br />

of self-expression for almost ten years<br />

now; she is both technically proficient<br />

in her craft and equally skilled as<br />

a creative <strong>art</strong>ist. Experimenting<br />

and creating images of the<br />

uncapturable, the unimaginable, and<br />

the uncontrollable. The brightness, the<br />

darkness, shapes and colours. With so<br />

much technology making photography<br />

so accessible Grace Resorts back to<br />

the basic principles of Photography<br />

studied at RMIT.<br />

Nyurpaya Nelson<br />

All the dogs left their camp and<br />

travelled to another rockhole. That<br />

place is Irrunytju rockhole. I was born<br />

there. The baby dingoes are playing<br />

in the sandhills. This is an important<br />

story.<br />

Courtesy of Marshall Arts.<br />

Mary Nolan<br />

Mary is an <strong>art</strong>ist who knows no<br />

boundaries, turning her talents to<br />

Abstract, Realism, Portraiture and<br />

Impressionism. She brings a playful<br />

attitude to many of her works. Oil is<br />

her main medium, however she does<br />

work in acrylic and other multimedia.<br />

She has successfully exhibited in a<br />

variety of solo and group <strong>art</strong>shows in<br />

South Australia. “I love creating pieces<br />

of <strong>art</strong>! When I ‘m painting, I get totally<br />

immersed in the experience. It is<br />

always a buzz!”<br />

15


Artists’ Profiles<br />

184. Nasturtiums<br />

Greg O’Leary<br />

Will Nolan<br />

Feature Artist<br />

Will Nolan is a photo <strong>art</strong>ist based<br />

in Adelaide, South Australia who<br />

graduated from University of South<br />

Australia with Honours in 2008. His<br />

work was selected for the Helpmann<br />

Graduate Exhibition in both 2008<br />

and 2009 and additionally was<br />

selected as one of only two South<br />

Australians in the 2009 “Off the<br />

Wall” Melbourne Art Fair. He will be<br />

exhibiting in Launceston, Tasmania<br />

as p<strong>art</strong> of a photographic collective,<br />

UNDERCURRENT and additionally<br />

will be exhibiting in FULL SPECTRUM<br />

at Light Square Gallery, which will<br />

then be touring regional South<br />

Australia. Wills work is in many private<br />

collections in Australia and ARTBANK.<br />

Will exhibits courtesy of<br />

Helen Gory Galerie — Melbourne<br />

16<br />

185. Empty Vessel<br />

Astra Parker<br />

Tom O’Callaghan<br />

Thirty six year old self taught <strong>art</strong>ist<br />

Tom O’Callaghan has been painting full<br />

time since 1997, living and working<br />

from his home studio in Victor Harbor,<br />

coastal South Australia. ‘My paintings<br />

are inspired by the visual world around<br />

me. I love to paint subjects with form.<br />

As light reveals form, I am drawn to<br />

those times of day when the light<br />

is most dramatic. The atmosphere<br />

and the colours of the Australian<br />

coastal landscape play a major role<br />

in my work. I enjoy discovering new<br />

compositions by finding a unique<br />

perspective to view the subject from.’<br />

Maria O’Daniel<br />

Much of Maria’s work is inspired by<br />

memories of growing up on a dairy<br />

farm in Holland. She spent many<br />

hours walking over paddocks picking<br />

wild flowers, while my father milked<br />

the cows, which she then made into<br />

chains and crowns with my mother’s<br />

help. She now uses many of those<br />

early memories, and popular textile<br />

techniques of the time, such as<br />

knitting or crocheting to create new<br />

contemporary jewellery items such as<br />

her floral Rings.<br />

191. 28th February<br />

Sally Parnis<br />

Greg O’Leary<br />

Greg O’Leary has had numerous solo<br />

<strong>exhibition</strong>s in the last 12 years, mostly<br />

at Kensington Gallery, after retiring<br />

from teaching International Politics at<br />

Adelaide University. He works mostly<br />

in oils within the classical tradition as<br />

influenced by impressionism. He has<br />

been a finalist in recent years in the<br />

Waterhouse Exhibition.<br />

Astra Parker<br />

Astra is an Adelaide sculptor who’s<br />

intricate steel works are inspired by<br />

natural forms and processes. Currently<br />

undergoing post graduate studies in<br />

visual <strong>art</strong> and design, Astra also works<br />

from her Theb<strong>art</strong>on studio creating<br />

sculptures for <strong>exhibition</strong>s and private<br />

collections within South Australia and<br />

interstate.


Artists’ Profiles<br />

192. Sea Grass I<br />

Warren Pickering<br />

199. Nesting<br />

Eliza Piro<br />

202. Crepuscule<br />

Amalia Ranisau<br />

Sally Parnis<br />

Sally Parnis blogs a drawing every<br />

day. Her restless figures lurch between<br />

chaos and structure, searching for<br />

beauty. Sally’s previous work has been<br />

short-listed in the Doug Moran National<br />

Portrait Prize. Commissions include the<br />

Exeter Commission, The Archbishop of<br />

Adelaide, and the first female president<br />

of the AMA(SA).<br />

Warren Pickering<br />

Warren’s background is studying<br />

building and design at South London<br />

Polytechnic and Fine Arts at Woolwich<br />

Art <strong>College</strong>. The structural and design<br />

aspects are coupled with laser<br />

technology to create work that is both<br />

engineered and organic, represented<br />

by the physical hand-forming aspect<br />

and the movement within each piece<br />

respectively.<br />

Eliza Piro<br />

Eliza Piro’s works are colourful,<br />

whimisical and uplifting. She likes to<br />

paint from nature with her works often<br />

featuring birds, trees and elephants.<br />

Eliza is inspired by pattern, textiles<br />

and her travels to Asia. Her beautifully<br />

detailed works are eye-catching and<br />

imaginative with hints of folklore and<br />

the ordered chaos of tribal pattern.<br />

Jane Price<br />

Jane is a finalist in this<br />

year’s ‘Waterhouse Natural History Art<br />

Prize <strong>2011</strong>’, at the South Australian<br />

Museum for her bronze sculpture.<br />

In 2010, she was a finalist in the<br />

36th Alice Prize, and won second<br />

prize for her bronze sculpture in<br />

‘The Waterhouse Natural History Art<br />

Prize 2009’ and finalist and winner of<br />

‘The People’s Choice Award’, in The<br />

Heysen Prize 2009 at The Harndorf<br />

Academy. The underlying theme of this<br />

sculpture is to highlight the need for<br />

marine parks to protect our aquatic<br />

life. The fine detailed bronze body<br />

submerging into the water, contrasts<br />

with the natural sea fan forming the<br />

fish’s tail.<br />

Amalia Ranisau<br />

Amalia Ranisau is a multidisciplinary<br />

<strong>art</strong>ist, working in painting, glass,<br />

installation, sculpture and works on/<br />

in paper. In recent years, her work has<br />

been exhibited at Artlab Australia (solo,<br />

2008), receiving a High Commendation<br />

Award from the Jam Factory and<br />

an invitation to exhibit in their<br />

gallery (duo, 2009) and also several<br />

<strong>exhibition</strong>s organized by the Helpmann<br />

Academy, including the Maestros and<br />

Apprentices (2009, 2010). Her works<br />

are held in corporate and private<br />

collections in Europe and Australia.<br />

Pauline Richards<br />

Pauline continues to entertain us<br />

with her whimsical and imaginative<br />

paintings. She studied Art and Design<br />

at Theb<strong>art</strong>on <strong>College</strong> and Visual Arts<br />

at Adelaide Central School of Art. She<br />

was selected to exhibit at the CIBO<br />

Galleria and also held a major solo<br />

<strong>exhibition</strong> for the SALA Festival 2010.<br />

Pauline’s studio is in <strong>College</strong> Park<br />

where she works on both her paintings<br />

and sculpture in a spacious light-filled<br />

environment.<br />

17


Artists’ Profiles<br />

205. White Effloresce<br />

Helen Sallis<br />

Helen Sallis<br />

Helen trained in Fine Arts & has many<br />

years working as an <strong>art</strong> teacher in<br />

Adelaide. Helen has exhibited in<br />

many local <strong>art</strong> shows including the<br />

<strong>Loreto</strong> Spring Art Exhibition 2010. She<br />

concentrates on oils & watercolour<br />

depicting <strong>art</strong> with elegant forms &<br />

dynamic movement of natural subjects.<br />

Mary Ann Santin<br />

Mary Ann Santin has consistently<br />

shown at many group shows including<br />

the Adelaide Festival Fringe and SALA<br />

since 2007. Art Inq and Jane Disher<br />

have been important support in her<br />

career and her involvement with<br />

ARIspace and Backroom studios on<br />

Melbourne Street for the last three<br />

years was a pivotal experience. She<br />

studied at Adelaide Central School of<br />

Art and has recently completed her<br />

internship at Flinders University Art<br />

Museum. Flotsam and Jetsam explore<br />

the organic response to the Belgian<br />

linen and Old Holland oils selected for<br />

these works.<br />

206. Ocean Flotsam<br />

Mary Ann Santin<br />

Mary Schaefer<br />

Mary attended <strong>Loreto</strong> <strong>College</strong> and<br />

studied <strong>art</strong> under the wonderful Sister<br />

Pat (Ziebath). After a year at Underdale<br />

<strong>art</strong> school she worked in a variety of<br />

jobs, and returned to painting later in<br />

life. She paints in a variety of media,<br />

and is focused on skill building.<br />

Peter Serwan<br />

Peter Serwan works as a p<strong>art</strong>-time<br />

teacher at Prince Alfred <strong>College</strong>,<br />

Adelaide, whilst maintaining his<br />

practise as a painter and printmaker.<br />

His work is influenced by the<br />

immediate suburban environment<br />

as a catalyst for ideas and he allows<br />

meanings to emerge in his work based<br />

on personal experiences, recollections<br />

and chance observations. Peter has<br />

just held his 13th solo <strong>exhibition</strong> at<br />

Hill-Smith Gallery last year.<br />

Courtesy of Hill Smith Gallery<br />

214. Squealer<br />

Kirsty Shadiac<br />

Kirsty Shadiac<br />

Kirsty Shadiac’s paintings reflect<br />

her passion for <strong>art</strong> and working with<br />

children. In 2010, Kirsty Shadiac<br />

was awarded the SALA Festival’s<br />

Young Emerging Artist Award. She<br />

has exhibited in Sydney and Adelaide,<br />

has illustrated children’s books, and<br />

created public murals. She teaches <strong>art</strong><br />

to children and works with sick kids in<br />

hospitals.<br />

Dudley Siviour<br />

Dudley was a metal work teacher<br />

who studies sheetmetal, <strong>art</strong>metal<br />

and design. Dudley and his students<br />

work was entered in the KESABS<br />

Environmental Awards which they won<br />

in the school category. Dudley has<br />

retired from teaching and is accepting<br />

<strong>art</strong> commissions including trophies of<br />

leafy sea-dragons in stainless steel.<br />

Courtesy of Artworx Gallery<br />

18


Artists’ Profiles<br />

215. Sea Eagle<br />

Dudley Siviour<br />

216. Nanna<br />

Anna Small<br />

243. Pearls and Lace<br />

Heather Teakle<br />

Anna Small<br />

Anna was technically trained at North<br />

Adelaide School of Art. The processes<br />

she employs are laser cutting and<br />

traditional hand forming techniques. “I<br />

like the contradiction of using the idea<br />

of the ‘feminine delicacy of jewellery’<br />

and mixing it to a larger, stronger,<br />

harder, and more robust material.”<br />

Jane Smeets<br />

Jane currently teaches painting,<br />

sculpture and mosaic. Jane’s <strong>art</strong>istic<br />

practise is fluid as she chooses to work<br />

with a variety of mediums ranging from<br />

oils, acrylics, cement, plaster, clay,<br />

and found objects. The use of these<br />

materials ebb and flow as she finds<br />

the best representation to express<br />

her intention. She has a fascination<br />

with how humans continually seek<br />

to separate themselves from their<br />

environment, which can often lead<br />

to being disconnected to something<br />

bigger and beautiful.<br />

Jo Jo Spook<br />

Jo Jo Spook is a professional <strong>art</strong>ist<br />

and educator with a Bachelor of<br />

Craft, Bachelor of Fine Art, Diploma<br />

of Education and a Master of Visual<br />

Art from Monash University . Jo Jo<br />

specialises in painting, metal sculpture<br />

and tattooing that is inspired by<br />

fashion and oriental design.<br />

Daisy Sugars<br />

During her time as a <strong>Loreto</strong> student,<br />

class of 2010, Daisy developed a<br />

love for the practice of portraiture.<br />

Daisy believes that her interest in<br />

portraiture is inspired by the flawless<br />

techniques and poetic imagery of<br />

legendary European masters. As<br />

a self-proclaimed perfectionist,<br />

Daisy likes to challenge herself with<br />

meticulous technical detail in each of<br />

her compositions.<br />

Minnie Taylor<br />

After years in graphic design and<br />

the death of her mother, Minnie<br />

felt that she needed to express her<br />

emotions and st<strong>art</strong>ed to paint. Without<br />

the restriction of a client’s brief in<br />

graphics, her paintings give her the<br />

freedom she yearns for! Now she feels<br />

she’s growing confidently and enjoying<br />

inspiration everywhere she looks.<br />

Heather Teakle<br />

Heather has a Bachelor of Visual Arts<br />

and Design (2010). Her work was<br />

selected for the prestigious Helpmann<br />

Academy Graduate Exhibition, <strong>2011</strong><br />

and she was one of seven finalists<br />

for the Bendigo and Adelaide Bank<br />

Award, <strong>2011</strong>. Her passion is to use<br />

traditional feminine textile techniques<br />

in contemporary <strong>art</strong>.<br />

19


Artists’ Profiles<br />

252. Red Hill<br />

Sonya Unwin<br />

Cassie Thring<br />

Cassie Thring is a visual <strong>art</strong>ist based in<br />

the Adelaide Hills. Her ceramic work is<br />

hand built from slabs and coils of clay.<br />

Her constants are form and surface<br />

decoration. Cassie is also exhibiting<br />

paintings, in oils and acrylics. She is<br />

excited by the enduring challenges of<br />

both mediums.<br />

Paul Trappe<br />

“The Aunt” was inspired by Theodora<br />

in The Aunt’s Story by Patrick White.<br />

The work is p<strong>art</strong> of a series of Heads<br />

and Masks in various Marbles and<br />

Granites. This series has been followed<br />

by masks as Cybersculptures . “The<br />

Aunt” has been carved from Marble<br />

found close to the Jade Quarries in<br />

Cowel, SA.<br />

246. Women’s Work (is never done)<br />

Cassie Thring<br />

Sonya Unwin<br />

Sonya Unwin is an Adelaide-based<br />

<strong>art</strong>ist. Since winning the National Art<br />

Award in 1985, whilst a <strong>Loreto</strong> Boarder,<br />

she has exhibited in Mt Gambier,<br />

Adelaide, Darwin and overseas. These<br />

works are Sonya’s first inclusion in<br />

SpringART and are p<strong>art</strong> of her Jack &<br />

Jill Series, an exploration of the human<br />

condition through landscape.<br />

Louise Vadasz<br />

Louise Vadasz is a South Australian<br />

<strong>art</strong>ist currently focusing on portraits<br />

and landscapes working in heavy oil<br />

impasto, using bright colours. Her<br />

landscape paintings feature scenes<br />

from the vineyards and rolling hills<br />

of McLaren Vale. Her strong, textured<br />

work express Louise’s love of the<br />

Southern Vales, and the nearby coastal<br />

region. Louise turned to painting in oil<br />

and concentrating on the production<br />

of publicly and privately commissioned<br />

mosaic works. Louise is a graduate<br />

of the South Australian School of Art.<br />

She is now working in her own studio,<br />

producing a range of portraits and<br />

landscapes for <strong>exhibition</strong>.<br />

254. Sea View Road Mclaren Vale<br />

Louise Vadasz<br />

Ann Wagner<br />

Ann’s unique translation of the world<br />

is beautifully captured on canvas to<br />

create works of intense impact. Her<br />

contemporary take on the Australian<br />

coastline has been very well received,<br />

with requests for commission pieces<br />

keeping her extremely busy during<br />

the last few years. Ann has recently<br />

evolved her repertoire to include<br />

paintings that reflect her admiration<br />

of <strong>art</strong> deco works of the past, albeit<br />

with a modern touch. A spirited and<br />

enthusiastic <strong>art</strong>ist, Ann’s pieces have<br />

been exhibited at numerous solo and<br />

group <strong>exhibition</strong>s.<br />

20


Artists’ Profiles<br />

258. Water Nymphs in the Twenties<br />

Ann Wagner<br />

Mary Wagstaff<br />

Star Portrait Artist<br />

Mary studied drawing and painting<br />

in the UK, and at the North Adelaide<br />

School of Art in the Adelaide Institute<br />

of TAFE. A multi-award winning<br />

<strong>art</strong>ist, Mary has exhibited in the<br />

UK, Canberra, Melbourne and many<br />

centres in South Australia, and has on<br />

several occasions been a finalist in the<br />

Waterhouse Natural History Art Prize,<br />

the Fleurieu Biennale, the Alice Bale<br />

Exhibition and the Heysen Prize. Her<br />

interests include landscape, still-life,<br />

life-drawing and portraiture. She is a<br />

Fellow of RSASA and former president<br />

of the Adelaide Art Society.<br />

260. Piccadilly Valley from the Heysen<br />

Trail II Mary Wagstaff<br />

Chris Wake<br />

Leading contemporary Australian<br />

<strong>art</strong>ist Chris Wake was one of the<br />

international painters, representing 32<br />

different nations, chosen to p<strong>art</strong>icipate<br />

in the 2010 International Fine Art<br />

Collection celebrating the 2010 FIDA<br />

World Cup in South Africa last year.<br />

Chris was commissioned by 2010<br />

Fine Art because her work had already<br />

achieved global recognition. She had<br />

a sell-out <strong>exhibition</strong> in Melbourne<br />

several years ago and was a finalist<br />

in the 2008 Sovereign Asia Art Prize<br />

held in Hong Kong. Wake had had more<br />

than 12 solo <strong>exhibition</strong>s and 40 group<br />

<strong>exhibition</strong>s.<br />

261. High Tea<br />

Chris Wake<br />

Michelle Wheadon<br />

Michelle enjoys experimenting to<br />

create different visually exciting effects<br />

and atmospheric moods in her work.<br />

Michelle has exhibited successfully<br />

in several group <strong>exhibition</strong>s and was<br />

commissioned to create the Cabernet<br />

Sauvignon Queen for Peter Lehmann<br />

Wines. She held her first solo <strong>exhibition</strong><br />

“Poesie” for Adelaide Fringe <strong>2011</strong><br />

at Hughes Gallery, Full<strong>art</strong>on Park<br />

Centre. These works question the<br />

fine line between fantasy and reality,<br />

sometimes too close to tell what is real<br />

or imagined.<br />

Rosemary White<br />

Rosemary Is an Adelaide based<br />

<strong>art</strong>ist currently studying at Adelaide<br />

Central School of Art. She continues<br />

to be inspired by life’s quiet or private<br />

moments and explores the stories<br />

revealed by everyday objects and<br />

activities. In p<strong>art</strong>icular she seeks<br />

to capture beauty, time and texture<br />

through the medium of oil painting.<br />

21


Artists’ Profiles<br />

266. Illusion<br />

Michelle Wheadon<br />

Therese Williams<br />

Therese studied drawing, painting and<br />

sculpture at Alexander Mackie CAE<br />

(COFA) in Sydney, graduating with a<br />

Diploma of Arts. Therese worked as<br />

a Scenic Artist in Sydney for many<br />

years, holding positions at AFTRS,<br />

ABC TV, Opera Australia, Sydney<br />

Theatre and has been engaged as<br />

a Set/Costume Designer for several<br />

theatre productions. Therese received<br />

an Associate Degree from Adelaide<br />

Central School of Art this year.<br />

Therese has exhibited in Sydney and<br />

Adelaide and was a finalist in the SA<br />

Museums Waterhouse Natural History<br />

Art Prize (2007). Therese’s work is held<br />

in The NSW Education Dept.Collection,<br />

The Alliance Francaise Sydney<br />

Collection and in private collections<br />

in Adelaide, Sydney, Melbourne and<br />

London.<br />

274. Body of Light<br />

Sheree Wright<br />

Sheree Wright<br />

Sheree’s style is Tonal Realism, a<br />

unique and beautiful moment in time<br />

is conveyed with emotion to bring<br />

it to life. The viewer doesn’t share<br />

her interpretation — a person’s<br />

view of the world is a reflection of<br />

past experiences and their current<br />

reality. For Sheree, the ability to<br />

take a beautiful moment and give it<br />

added depth through paint is the true<br />

reward of her work. Finalist in the<br />

Cibo Galleria, Fleurieu Peninsula Water<br />

Prize, solo & group <strong>exhibition</strong>s.<br />

Courtesy of Greenhill Galleries<br />

281. Corner Story<br />

Eleanor Zecchin<br />

Eleanor Zecchin<br />

Eleanor completed a Bachelor of<br />

Visual Arts at Adelaide <strong>College</strong> for the<br />

Arts in 2008, and has continued her<br />

professional involvement in the <strong>art</strong>s<br />

as a full time visual <strong>art</strong>ist specialising<br />

in painting. She was awarded a<br />

Helpmann Academy Project Grant<br />

and Mentorship Scholarship. She has<br />

also undertaken a Mentorship with<br />

renowned local <strong>art</strong>ist Annette Bezor.<br />

Eleanor has taught painting and drawing<br />

at the University of South Australia<br />

and Adelaide <strong>College</strong> for the Arts and<br />

is currently completing her Masters of<br />

Visual Art through Monash University.<br />

22


Exhibition Catalogue<br />

Daisy Akemarr Ross<br />

1 Bush Medicine Acrylic on linen $3300<br />

Wendy Alstergren<br />

2 Christening E<strong>art</strong>henware clay includes stand $900<br />

3 Jimbei I E<strong>art</strong>henware clay includes stand $550<br />

4 Jimbei II E<strong>art</strong>henware clay includes stand $550<br />

Silvana Angelakis<br />

5 Marlin $2500<br />

Judith Archer<br />

6 With Orange Mixed media on canvas $1120<br />

Rebecca Arman<br />

7 She who loves Paris Mixed Media on Canvas $1100<br />

8 A day in Venice Mixed Media on Canvas $2400<br />

Alison Arnold<br />

9 He<strong>art</strong> shaped bowl (small) Wheel thrown porcelain with underglaze (10 available) $24<br />

10 He<strong>art</strong> shaped bowl (large) Wheel thrown porcelain with underglaze (5 available) $33<br />

11 Tea cup and saucer set Wheel thrown porcelain with underglaze (8 available) $45<br />

Leah Badger<br />

12 Pinecone I Acrylic and mixed media on canvas $950<br />

13 Pinecone II Acrylic and mixed media on canvas $950<br />

Mike Barr<br />

14 Victor Sails Acrylic and oil on linen $5500<br />

15 Waymouth reflections Acrylic and oil on linen $2200<br />

Torie Begg<br />

16 Pear 5 Acrylic on canvas $1100<br />

Annette Bezor<br />

17 Second Nature Oil on canvas $19500<br />

Marina Bills<br />

18 Flight of fancy Acrylic on canvas $1800<br />

Angela Black<br />

19 Leroy & Levi Oil on canvas $2800<br />

20 Tabah Oil on linen $600<br />

Simone Black<br />

21 Puppet Theatre Acrylic on canvas $2340<br />

22 Send in the clown Acrylic on canvas $2150<br />

23


Exhibition Catalogue<br />

Lucy Bonnin<br />

23 All tied up # 1 Oil and graphite on linen $1200<br />

24 All tied up # 2 Oil and graphite on linen $1200<br />

Bill Botten<br />

25 Untitled Acrylic on canvas $4000<br />

Patrick Brennan<br />

26 Miniature Snapdragons in Summer I Oil on canvas $150<br />

27 Miniature Snapdragons in Summer II Oil on canvas $150<br />

28 Snapdragon a study Oil on canvas $180<br />

Alan Bruse<br />

29 Sea of Serenity Oil on canvas $750<br />

Tom Buchanan<br />

30 Collision Residue Oil on canvas $1850<br />

31 Multiple Personalties Oil on canvas $1850<br />

Aurelia Carbone<br />

32 Ingenious locomotive device Giclee prints on fine <strong>art</strong> paper $900<br />

33 Butterfly Secrets Giclee print on fine <strong>art</strong> paper $350<br />

Patty Chehade<br />

34 Luminance XIII Oil on canvas $650<br />

35 Luminance XIV Oil on canvas $650<br />

36 Luminance XV Oil on canvas $650<br />

37 Luminance XVI Oil on canvas $650<br />

38 Luminance XVII Oil on canvas $650<br />

Meaghan Coles<br />

39 Advertise Her Oil on ply $840<br />

40 Exclusively Oil on ply $580<br />

41 Lasting Colour Oil on ply $840<br />

42 She’s Who Oil on ply $840<br />

John Colman<br />

43 Schoolwork # 3 Cast Glass $450<br />

44 Schoolwork # 4 Cast Glass $450<br />

Stephanie Crase<br />

45 Untitled I Watercolour on paper $390<br />

46 Untitled II Watercolour on paper $390<br />

James Disher<br />

47 Highland Ride Acrylic on canvas $900<br />

48 All hail the parking meter Acrylic on canvas $1500<br />

24


Sylvia Eakins<br />

49 Tortured Willow Oil on canvas $1550<br />

50 Through the Looking Glass Oil on canvas $1600<br />

Alfred Engel<br />

51 Fruit Fly Oil on canvas $2400<br />

Cathy Fennell<br />

52 Opaque Rhythmn Acrylic on canvas $1450<br />

Robert Fielding<br />

53 mimRF126 - <strong>2011</strong> Acrylic on Belgian linen $2200<br />

Catherine Fitz-gerald<br />

54 Kabminye Afternoon Oil on linen $5200<br />

55 Barossa Vintage Oil on linen $3200<br />

56 Flown Oil on linen $3200<br />

57 Pomegranates, Autumn light Oil on linen $2400<br />

Sue Flanagan<br />

58 Bollyhair Oil on linen $1200<br />

59 Bollystare Oil on linen $1200<br />

Alec Forrest<br />

60 Darnku Country Acrylic on canvas $1750<br />

Karen Genoff<br />

61 Cut flowers Aluminium $850<br />

62 Dog Aluminium $1600<br />

63 Child within Aluminium $2500<br />

Marnie Gilder<br />

64 Hot Hand pulled screen print Aquarelle paper $1200<br />

65 Sun Hand pulled screen print Aquarelle paper $1200<br />

66 Magic at Home Hand pulled screen print Aquarelle paper $600<br />

67 Cloud Nine Hand pulled screen print Aquarelle paper $600<br />

Christine Gordon<br />

68 Burlesque Series # 1 Linocut $850<br />

69 Burlesque Series # 2 Linocut $850<br />

70 Burlesque Series # 3 Linocut $850<br />

71 Burlesque Series # 4 Linocut $850<br />

Fred Grant<br />

72 Mittudu Acrylic on linen $2200<br />

25


Exhibition Catalogue<br />

Frances Griffin<br />

73 Water veil Oil on linen $500<br />

74 Muffled Tree Oil on linen $500<br />

75 Wedge Oil on linen $500<br />

John Hamilton<br />

76 Venice Morning Acrylic on canvas $575<br />

77 Tranquil Afternoon Acrylic on canvas $575<br />

78 Wondrous Moment Acrylic on canvas $575<br />

Karen Hammat<br />

79 Sun and Moon Mixed media on canvas $720<br />

80 Orion Mixed media on canvas $800<br />

Helene Hardy<br />

81 Golden Gate Bridge Acrylic on canvas $750<br />

82 Disassemble Acrylic on canvas $800<br />

Wesley Harrop<br />

83 Slinky FX Mild steel, mounted on wooden plinth $3250<br />

84 Sticky Fingers Cast iron, two pack chocolate brown $1600<br />

85 Commitment Wood, granite, chrome plated bronze $3970<br />

86 Go Figure mild steel, mounted on granite $350<br />

Jillian Harvey-Gregurke<br />

87 Faith Mixed media on canvas $4500<br />

Peta-Ann Jain<br />

88 Love & Joy Mixed media on canvas $4800<br />

Margaret Jennings<br />

89 Tjilkam<strong>art</strong>a Tjukurpa Acrylic on linen $5000<br />

Mark Judd<br />

90 Untitled Oil on canvas $2750<br />

Alan Jury<br />

91 Red Tank Mixed media on board $690<br />

92 Green Ticket Mixed media on board $690<br />

Gail Kellet<br />

93 Field Poppies Handcoloured linoprint $1500<br />

94 Iris Handcoloured linoprint $1500<br />

Emmeline Khor<br />

95 Dance of the Pomegranates Oil on linen $1250<br />

96 Dance of the Figs II Oil on linen $1650<br />

26


Amanda King<br />

97 Hyacinth (cone) Blown and surface carved glass $280<br />

98 Ruby (cone) Blown and surface carved glass $340<br />

99 Copper (cone) Blown and surface carved glass $420<br />

100 Copper (sphere) Blown and surface carved glass $340<br />

101 Hyacinth(sphere) Blown and surface carved glass $340<br />

102 Ruby (sphere) Blown and surface carved glass $340<br />

103 Citron (sphere) Blown and surface carved glass $340<br />

John Lacey<br />

104 Landscape I Oil on canvas $4900<br />

105 Landscape II Oil on canvas $3600<br />

Diana Laidlaw<br />

106 Philosophers Pole Ceramic and glass tiles $2500<br />

107 Poets Pole Ceramic and glass tiles $2500<br />

108 Dove Dome Bennetts poetry, ceramic bird & tiles $950<br />

109 Coorong Pole Ceramic and glass tiles $1900<br />

110 Paros Pole Ceramic, glass, various fossils and stones $1800<br />

111 Pleasure Pole Ceramic and glass tiles, glass $1700<br />

Janice Lane<br />

112 Vagabond Fiddler Mixed media on paper $300<br />

113 Ten Pretty Girls Mixed media on paper $300<br />

114 Devil you know Mixed media on paper $300<br />

Cat Leonard<br />

115 Untitled Acrylic on canvas $600<br />

116 Untitled Acrylic on canvas $600<br />

Simone Lettice<br />

117 And she felt beautiful Acrylic on paper $1690<br />

118 Fields of Gold Acrylic on paper $1175<br />

Prudence Little<br />

119 The Busker Graphite on Canson Montval paper $2750<br />

Eileen Lubiana<br />

120 From little things big things grow Oil on canvas $700<br />

Alison Main<br />

121 Lollipop Love Oil on canvas $950<br />

Andrea Malone<br />

122 Sitting for Sargent Oil on linen $3300<br />

123 It’s for Velazquez Oil on linen $2800<br />

27


Exhibition Catalogue<br />

Judy Manning<br />

124 Tree of Life Wire and glass $4250<br />

Rod Manning<br />

125 Ball I 3mm Galvanised wire $145<br />

126 Ball II 3mm Galvanised wire $175<br />

127 Ball III 3mm Galvanised wire $205<br />

128 Ball IV 3mm Galvanised wire $235<br />

129 Ball V 3mm Galvanised wire **Set of five balls 1000 $325<br />

130 Chair Lounge Mild steel on GRC plinth $2750<br />

131 Cube Mild steel on base $2250<br />

132 Fruit Pear (Heavy) Mild steel $395<br />

133 Fruit Pear (Skeleton) Mild steel $295<br />

134 Fruit Pear Slice Mild steel ***Fruit set of three 1000 $375<br />

135 Sphere Fiddle sticks Mild steel on plinth $1550<br />

136 Sundial Mild steel on pedestal $950<br />

Trent Manning<br />

137 Potted Iris Mild steel $650<br />

138 Note Pad Mild steel $950<br />

139 Bull Rush Mild steel $625<br />

140 Ying Yang Mild steel $4500<br />

Ty Manning<br />

141 Gathering Mild steel $490<br />

142 Grazing Mild steel<br />

set or $4000<br />

each $2200<br />

Naomi McCann<br />

143 Rosette I Acrylic on canvas $1125<br />

144 Rosette II Acrylic on canvas $1125<br />

Lorelei Medcalf<br />

145 Untitled I Steel plate etching $350<br />

146 Untitled II Steel plate etching $350<br />

Cristina Metelli<br />

147 Small Leafy Snapdragon Aluminium and bronze wire mesh, gold leaf $490<br />

148 Heading for Port (B&W striped fish) Aluminium and bronze wire mesh, gold leaf $770<br />

149 Boxed In (Green box fish) Aluminium and bronze wire mesh, gold leaf $500<br />

150 Glass Seahorse<br />

Kiln-fused glass, bronze wire mesh,<br />

glass enamel<br />

3 available $440<br />

151 Triple Seahorse Aluminium wire mesh $370<br />

28


Debra Morley<br />

152 Moving on, <strong>2011</strong> Paper, pen, vintage cotton and wire $350<br />

Jenni Mumford<br />

153 First Roses of Summer Oil on Linen $2800<br />

154 The Whispering Avenue Oil on Linen $2800<br />

155 Towards the Coast - Willunga Oil on Linen $1600<br />

Grace Murphy<br />

156 The match Photograph $600<br />

157 The light Photograph $2000<br />

Nyurpaya Nelson<br />

158 Papa Tjukurpa (dingo creation story) Acrylic on linen $4400<br />

Mary Nolan<br />

159 Top Hat Oil on canvas $550<br />

160 Families Mixed media on canvas $550<br />

Will Nolan<br />

161 Untilted # 1 Giclee print on fine <strong>art</strong> pearl Edition of 5 $3200<br />

162 Untitled # 2 Giclee print on fine <strong>art</strong> pearl Edition of 5 $3200<br />

163 Trace Elements #1 Giclee print on German Etching Paper Edition of 2 $2700<br />

164 White Wall #3 Giclee print on German Etching Paper Edition of 5 $2400<br />

165 White Wall #5 Giclee print on German Etching Paper Edtion of 5 $2400<br />

Tom O’Callaghan<br />

166 Overcast Oil on blocks $8900<br />

167 Untitled Oil on linen TBA<br />

Maria O’Daniel<br />

168 Floral pendant Titanium, fine silver, sterling silver chain $145<br />

169 Floral Earring studs Sterling silver, purple craft wire $55<br />

170 Sterling silver resizable Floral ring Titanium, sterling silver $120<br />

171 Silver crocheted Floral ring Titanium, fine silver, sterling silver $160<br />

172 Small blue oval floral resizable ring Blue craft wire, sterling silver Sold as set or individually $120<br />

173 Small blue oval floral earrings Blue craft wire, sterling silver Sold as set or individually $55<br />

174 Small blue oval floral pendant and chain Blue craft wire, sterling silver Sold as set or individually $135<br />

175 Small titanium, gold floral dangle earrings Titanium, gold filled wire, sterling silver $90<br />

176 Titanium, gold-filled wire floral ring Titanium, gold filled wire, sterling silver $270<br />

177 Crocheted silver bangle Sterling silver, fine silver Sold as set or individually $140<br />

178 Crocheted silver rectangle earrings Sterling silver, fine silver Sold as set or individually $55<br />

179 Crocheted silver rectangle pendant & choker Sterling silver, fine silver Sold as set or individually $65<br />

180 Sterling silver pink resizable ring Sterling silver, pink craft wire $120<br />

181 Sterling silver red resizable ring Sterling silver, red craft wire $120<br />

182 Titanium yellow silver crocheted floral ring Titanium, yellow fine silver wire $120<br />

29


Exhibition Catalogue<br />

Greg O’Leary<br />

183 Purple and White Oil on canvas $6500<br />

184 Nasturtiums Oil on canvas $2500<br />

Astra Parker<br />

185 Empty Vessel Mild steel $4000<br />

186 Pod Mild steel $3000<br />

187 Cell Mild steel $2000<br />

Sally Parnis<br />

188 2nd February — Hasty Figure with Green Aquarelle on Paper $290<br />

189 6th February — Gazing right with… Aquarelle on Paper $290<br />

190 7th February — Resting and restless Aquarelle on Paper $290<br />

191 28th February — Seated figure with… Aquarelle on Paper $290<br />

Warren Pickering<br />

192 Sea Grass I Mild steel on reclaimed jetty block with lacquer $750<br />

193 Sea Grass 2 Mild steel on reclaimed jetty block with lacquer $750<br />

194 Sea Grass 3 Mild steel on reclaimed jetty block with lacquer $750<br />

195 Sea Grass 4 Corten steel on corten steel plinth $1750<br />

196 Sea Grass 5 Corten steel on corten steel plinth $1750<br />

197 Sea Grass 6 Corten steel on corten steel plinth $1600<br />

Eliza Piro<br />

198 Family Tree Acrylic on canvas $1800<br />

199 Nesting Acrylic on canvas $1800<br />

200 From Seed Acrylic on canvas $3600<br />

Jane Price<br />

201 Bronze Fishtail <strong>2011</strong> Bronze and mixed media $700<br />

Amalia Ranisau<br />

202 Crepuscule Glass, Japanese Kobe & ganpi paper $280<br />

Pauline Richards<br />

203 On the Boardwalk Oil on canvas $1490<br />

204 Winter Walkers Oil on canvas $1490<br />

Helen Sallis<br />

205 White Effloresce Oil on canvas $900<br />

Mary Ann Santin<br />

206 Ocean Flotsam Oil and glaze on Belgian linen $400<br />

207 Ocean Jetsam Oil and glaze on Belgian linen $400<br />

30


Mary Schaefer<br />

208 Still life Acrylic on canvas $675<br />

209 Corella Pears Oil on canvas $600<br />

210 Winter Pears Oil on board $330<br />

Peter Serwan<br />

211 Street View Oil on linen on board $1750<br />

212 Window Oil on linen on board $650<br />

Kirsty Shadiac<br />

213 Laughter German etching $750<br />

214 Squealer German etching $650<br />

Dudley Siviour<br />

215 Sea Eagle Recycled corrugated iron $2200<br />

Anna Small<br />

216 Nanna Mild steel with powdercoat orders taken $750<br />

217 Sprout Corten steel on 6mm plate orders taken $1600<br />

218 He<strong>art</strong> Mild steel on 6mm steel plate orders taken $650<br />

219 Nottingham Mild steel on 6mm steel plate orders taken $650<br />

220 Bud Mild steel orders taken $70<br />

221 Watsonia Mild steel orders taken $70<br />

Jane Smeets<br />

222 Kookaburras Mixed media on canvas $1800<br />

223 Honeyeater Mixed media on canvas $1800<br />

224 Wren Mixed media on canvas $1800<br />

Jo Jo Spook<br />

225 Angel Mt Gambier limestone and aluminium $250<br />

226 Bow wow standing Mt Gambier limestone $130<br />

227 Bow Wow sitting Mt Gambier limestone $130<br />

228 Birdbath Mt Gambier limestone $190<br />

229 Hooters Mt Gambier limestone 2 sets of 2 available $130<br />

230 Tweets Mt Gambier limestone 2 sets of 2 available $130<br />

231 Bamboo Kimono Mixed media on canvas $650<br />

232 Swimming Fish Kimono Mixed media on canvas $650<br />

Daisy Sugars<br />

233 Untitled # 1 Charcoal drawing TBA<br />

234 Untitled # 2 Charcoal drawing TBA<br />

31


Exhibition Catalogue<br />

Kathleen Tapalyi<br />

235 mimKT74 - 11 Acrylic on Belgian linen $1450<br />

Tjanpi Woven Baskets<br />

236 X-small Assorted fibres $36<br />

237 Small Assorted fibres $58<br />

238 Medium Assorted fibres $114<br />

239 Large Assorted fibres 2 available $192<br />

240 X-large Assorted fibres 2 available $259<br />

Minnie Taylor<br />

241 blushing red Oil on natural linen $695<br />

242 green with envy Oil on natural linen $695<br />

Heather Teakle<br />

243 Pearls & Lace Fine Silver wire (recycled) & fresh water pearls $535<br />

244 Tides of Change Abalone shell, fine silver wire (recycled) $450<br />

245 Wisdom & Change Abalone shell, fine silver wire (recycled), pearls $585<br />

Cassie Thring<br />

246 Women’s Work (is never done) Raku clay, recycled washing machine drum $950<br />

247 Two Bowls Oil and acrylic on canvas $800<br />

248 Domestic Bliss Clay, tin jelly moulds $900<br />

249 Jelly Mould Dress Clay, tin jelly moulds $800<br />

250 Fruit Bowl Acrylic on canvas $660<br />

Paul Trappe<br />

251 The Aunt Cowel jade-marble $3300<br />

Sonya Unwin<br />

252 Red Hill Oil on canvas $1750<br />

253 Topographical Insanity Oil on canvas $1750<br />

Louise Vadasz<br />

254 Sea View Road, McLaren Vale Oil on linen $650<br />

255 Gulls Rock Oil on linen $650<br />

256 Lions Head, Pt Willunga Oil on linen $650<br />

Ann Wagner<br />

257 Summer Days Acrylic on canvas $990<br />

258 Water Nymphs in the Twenties Acrylic on canvas $790<br />

32


Mary Wagstaff<br />

259 Piccadilly Valley from the Heysen Trail I Acrylic on canvas $2000<br />

260 Piccadilly Valley from the Heysen Trail II Acrylic on canvas $2000<br />

Chris Wake<br />

261 High Tea Oil and acrylic on linen $6200<br />

262 Penguin & the Soiree Oil and acrylic on linen $6200<br />

263 Figure with Beachball Oil and acrylic on linen $6200<br />

Robi Watt<br />

264 Fragile Growth 2 Digital Still Life $650<br />

265 Fragile Fruit 1 Digital Still Life $650<br />

Michelle Wheadon<br />

266 Illusion Mixed media on canvas $1900<br />

267 Magic Mixed media on canvas $1900<br />

Rosemary White<br />

268 6 am Oil on linen $1500<br />

269 Study 1 Oil on canvas $380<br />

270 Study 2 Oil on canvas $380<br />

Therese Williams<br />

271 Untitled I Oil on canvas $420<br />

272 Untilted II Oil on canvas $420<br />

273 Untitled III Oil on canvas $420<br />

Sheree Wright<br />

274 Body of Light Oil on canvas $3200<br />

275 Claire’s Fleurs 1 Oil on canvas $1100<br />

276 Claire’s Fleurs 2 Oil on canvas $1100<br />

Katie Wyatt<br />

277 Hindmarsh Island Bridge & Yachts Acrylic and Impasto on linen $2400<br />

278 Goolwa Yacht Club Acrylic and Impasto on linen $2200<br />

Puna Yanima<br />

279 mimPY70 - 10 Acrylic on Belgian linen $1800<br />

Eleanor Zecchin<br />

280 Nats House Oil on canvas $560<br />

281 Corner Story Oil on canvas $560<br />

282 Dappled Dawn Oil on canvas $560<br />

33


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34


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PO4243 - <strong>Loreto</strong> Art Show Ad F.indd 1<br />

39<br />

7/07/10 3:38 PM


Proud long term Supporters of<br />

the <strong>Loreto</strong> SpringART Exhibition<br />

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– Accounting & Taxation Return Preparation<br />

– Finance Applications<br />

– Capital Gains Tax Advice<br />

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Proudly supporting <strong>Loreto</strong><br />

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Open Thursday-Sunday 10.30 am to 4.30 pm<br />

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42


Spring<strong>art</strong> Committee<br />

Committee Members<br />

• Marg Campbell • Brigitte Lane<br />

• Anna Davison • Sarah Packer<br />

• Andrea Heading • Annemarie Pyne<br />

• Melissa Heard • Stephen Shirley<br />

• Christine Higham • Jane Skeer<br />

• Kate Kain<br />

• Lee Swift<br />

• Annette Kidman • Rebecca Waterhouse<br />

• Sheree Kiley • Alex White<br />

• Belinda Killey • Rosie White<br />

• Belinda Lane • Paul Zerella<br />

The <strong>Loreto</strong> Spring Art Committee would like to<br />

thank our many wonderful Sponsors, Supporters,<br />

Suppliers and Advertisers who have made the<br />

success of this Event possible.<br />

Thank you to the <strong>Loreto</strong> Maintenance Staff, the<br />

Catering Crew & Bar Staff and all the parents who<br />

have so generously helped in the organisation of this<br />

Event.<br />

A sincere thank you also to the following people:<br />

• Luisa Benuzzi<br />

• Alexandra Coventry<br />

• Patrice Ricourt<br />

• Brett Skeer<br />

• Sue Wisby<br />

• Leanne Fardone<br />

• Cecilia Wyld<br />

We thank all those who have helped and whose<br />

names we could not know at the time of printing.<br />

Every care has been taken in the preparation of this<br />

Catalogue but the Exhibition Organisers cannot<br />

guarantee the complete accuracy of all<br />

the details.<br />

Printed by Peacock Publications<br />

43


<strong>2011</strong> <strong>loreto</strong> <strong>art</strong> <strong>exhibition</strong><br />

<strong>2011</strong> <strong>Loreto</strong> Art Exhibition<br />

9–11 September<br />

An <strong>exhibition</strong> of established<br />

and emerging SA <strong>art</strong>ists<br />

Exhibition times<br />

Saturday 10 September 10.30am–5.00pm<br />

Sunday 11 September 10.30am–4.00pm<br />

Opening night<br />

Friday 9 September 7–10pm<br />

Tickets $50<br />

<strong>Loreto</strong> <strong>College</strong><br />

316 Portrush Road Marryatville SA<br />

Enquiries: 8334 4200<br />

Preview<br />

Friday 9 September 12.00pm–4.00pm<br />

VIewing only. No sales until 7pm<br />

View <strong>art</strong>works at www.<strong>loreto</strong>.sa.edu.au<br />

ABN 47 534 920 640<br />

Star Portrait<br />

Saturday 10 September 2pm<br />

All welcome<br />

Artists<br />

Lucy Bonnin, Andrea Malone and Mary Wagstaff

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